Truckfighters, Gravity X
In part because its opener has become such a clarion, reliably launching — and I do mean launching — every gig the band plays, and because July marks 10 years since its original release, it’s tempting to view Truckfighters‘ 2005 debut full-length, Gravity X, as a watershed moment or generational swap-out in Swedish heavy rock. The truth of that is more complicated. Even as Truckfighters were stomping their way onto the scene after their first release following two early EPs, a 2003 joint offering with bassist/vocalist Oskar “Ozo” Cedermalm‘s prior outfit, Firestone, titled The Fuzzsplit of the Century (discussed here), that was also Fuzzorama Records‘ premiere catalog entry, bands like Dozer were well into their tenure, releasing Though the Eyes of Heathens the same year, while at the same time, fellow Örebro natives Witchcraft were releasing their second album, Firewood, almost precisely the same day on Rise Above. Nonetheless, if Gravity X‘s arrival through Fuzzorama and MeteorCity has become something of a landmark in the annals of Swedish and/or European heavy rock at large — and it’s pretty easy to argue that it has — that status is a testament to the grueling work that the band has put in in the years since it was first issued, writing and recording, touring incessantly across an ever-widening geographic range, and of course fostering other acts at the helm of Fuzzorama. As much as “Desert Cruiser” seems now to be an immediate and resounding call to those ready to worship at the altar of fuzz, it’s worth remembering it took Truckfighters years of hand-delivering what’s become their signature riff to audiences for it to become that.
The athleticism involved in that delivery notwithstanding, there has always been more to Truckfighters — the core of Cedermalm and guitarist Niklas “Dango” Källgren, as portrayed in the 2012 “fuzzomentary” A Film about a Band Called Truckfighters (review here), along with a cast of drummers that has continued to rotate over the last several years — than jumping around on stage. Even on Gravity X, the reaches of which are considerable with a 67-minute runtime, the band showcased a penchant for instrumental exploration that would continue to serve them well as they progressed through subsequent offerings like 2007’s Phi, 2009’s Mania (review here) and last year’s long-awaited Universe (review here), balanced against a core of songcraft that remained prevalent no matter who happened to be in the band with Källgren and Cedermalm at the time — former drummers Oscar Johansson and Andre Kvarnström have gone on to play in Witchcraft and Blues Pills, respectively — and cuts like “Gargarismo,” “In Search of (The),” “Gweedo-Weedo” and “Manhattan Project” have maintained their vitality over the 10-year span as highlights both of Truckfighters‘ catalog and that of Swedish heavy rock, the one only becoming more and more pivotal to the other over that same stretch. Meanwhile the toying with spaciousness of “Superfunk” seems in hindsight to presage some of the moodier turns of Universe and Mania before it, the band’s dynamic growing as relentlessly as their tour schedule, which has seen them become a fixture of both the European and American circuits particularly over the last half-decade.
Gravity X was compiled with Phi onto what was dubbed the Super 3-LP in 2013 — the band also put out their The Chairman EP that year as a stopgap between Mania and Universe — and of course, as forward as they’ve progressed in the years since, some of this material remains a staple of live sets, and among heavy rock records, I think you’ll find Gravity X has rare staying power, undulled by time. Hope you enjoy.
Well, next week is it: the Quarterly Review. I’ve been teasing it for about the last month, I’ll be writing reviews all weekend to get a jump on it, and next week, from Monday to Friday, somehow, some way, we’ll have 10 reviews each day for a total of 50. Don’t ask me how that’s going to get done. It just is.
If you downloaded the new podcast this week, that is hugely appreciated.
Not much more to come other than the Quarterly Review, honestly. I’ve got a Mammoth Mammoth video premiere slated for Thursday, but I’m basically trying to keep it pretty stripped down other than the big post each day and whatever news comes down the PR wire. That should be plenty to work with. I’m thinking of doing a vinyl week the next week, just to keep things as complicated and time-consuming for myself as possible. You know, bash my head on the rocks to keep from drowning and all that.
If you’re headed to the Maryland Doom Fest this weekend — should be starting right around now, actually — I hope it’s great. I wish I could be there as well. I’ll look forward to seeing video of Spirit Caravan and hopefully they do a The Obsessed cover or two.
To be perfectly honest, there’s more, but I’m so beat I don’t even know what it is. Long work day, and I’m planning on spending the next two days working behind the scenes on the site, so while nothing’s going to be posted Saturday and Sunday, I’m not so much signing off as checking out for the evening.
Either way, I hope you have a great and safe weekend. See you back here Monday and please check out the forum and radio stream.