Riding the Emotional Rollercoaster with Dexter Jones’ Circus Orchestra

Posted in Reviews on January 19th, 2010 by JJ Koczan

Despite the fun-loving feel of the music — like retro ‘60s pop rock gone warm fuzz with an ear for well-placed solos and grooves — the lyrics and themes of Stockholm five-piece Dexter Jones’ Circus Orchestra’s third album, If Light Can’t Save Us, I Know Darkness Will (Fuzzorama), are almost unremittingly bleak, and that bleakness is mostly self-directed. On opener “If Bars Could Bend,” we’re treated to the line, “I am a great shadow in your life, I bring you down/ I try to make it all good, but my words drown.” On centerpiece and Thin Lizzy-fied album highlight “Little Man,” we get “I need to kill what I’ve become/A dirty fly on golden grain,” and even on the more outward closer “Sad World,” the attitude is still much the same: “We’re sliding down the hole/Somebody save our souls.”

It’s an oppressive attitude that, if you weren’t paying attention to what you were hearing, you might just glance past and miss entirely because the music hardly feels mired in the same way at all. Even a cut like “Mentally Insane,” which shows up later on If Light Can’t Save Us, I Know Darkness Will, and is maybe a little darker sounding musically is nowhere near as dreary in guitar, bass and drums as it is vocally. The dual nature of the release can be looked at one of two ways: it’s either incongruous or really interesting. Maybe it can be a bit of both.

The upbeat country licking in the verses of “Sad World” just don’t match the words, but in a way that makes you wonder why. It’s obvious the band — which now includes Josiah’s Mat Bethancourt in its ranks and worked closely on this album with guitarist Jimmy Ågren — would know that going into the album, so what are they trying to say? Is it supposed to be a sign of hope or a post-modern dance party at the end of the world? Hey, we’re all going over anyway, might as well sing on our way down the falls, right?

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Cherry Choke and the Big Get On

Posted in Reviews on May 20th, 2009 by JJ Koczan

Bethancourt wants to reach out and grab you.When last we left British guitarist/vocalist Mat Bethancourt, he was detailing the battle between the planets Satanica and Amphibia for all the lost souls in the universe as it played out on the second album from his band, The Kings of Frog Island. Bethancourt (also of Josiah) now joins bassist/backing vocalist Gregg Hunt and drummer Dan Lockton in Cherry Choke, a garage rocking power trio whose self-titled debut album, available via Elektrohasch Schallplatten, revels in its simplicity and rootsy flavor.

Split even on CD into sides one and two, Cherry Choke offers 10 straightforward tracks wherein the fuzzy tone that’s come to be expected from Bethancourt in Josiah and The Kings of Frog Island mostly takes a back seat to a cleaner type of distortion akin to the ’70s-inspired indie that’s dominated the party rock ideal for the better part of this decade. If I said Cherry Choke takes inspiration from Hendrix, The Stooges, MC5 and T-Rex, it would be the same as saying “they play garage rock,” but there it is.

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Cherry Choke Release Debut Album

Posted in Whathaveyou on April 9th, 2009 by JJ Koczan

He's trying to grab you!StonerRock.com has the brief but welcome news about Cherry Choke, the new garage rock project of Mat Bethancourt, formerly of Josiah and recent Obelisk interviewee about his The Kings of Frog Island project. You might recall Mr. Bethancourt informing about the interplanetary struggle between the worlds of Satanica and Amphibia. If not, I highly suggest you read that interview right away. In the meantime, the new Cherry Choke record is available through the Elektrohasch website.

Elektrohasch proudly present the debut full length release of Mat Bethancourt‘s (Josiah/The Kings of Frog Island) new acid rock power trio Cherry Choke.

“Imagine Hendrix brawling with Blue Cheer in the local boozer after The Pretty Things spiked everybody’s drinks.”

Available on CD and limited edition LP.

Cherry Choke on MySpace

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