Dee Calhoun Posts Cover Art, Info and Teaser for Go to the Devil

Posted in Whathaveyou on May 19th, 2017 by JJ Koczan

dee calhoun

Go to the Devil, the second second solo album from Iron Man vocalist Dee Calhoun, is set to release later this year via Argonauta Records. The record was first announced here in the early hours of 2017, but more info has started to surface about the answer to last year’s Rotgut (review here) debut outing, including the cover art and a teaser clip that features multiple tracks which would seem to find the acousti-metal style of Calhoun‘s prior outing, informed by country and folk blues as it was, well intact. Of course, the power of his voice goes without saying at this point, or at least it should for anyone who’s heard his work with Iron Man or who caught wind of the first outing.

Of further note is bringing Iron Man bassist Louis Strachan into the studio as he’s become a regular accompaniment for Calhoun on stage, and I should probably also mention that it’s only been days since Calhoun‘s new project, Thee Iron Hand, was announced, which brings him together with members of The Hidden HandIronboss and Lifetime Shitlist. More info on that is here. The current status of Iron Man seems to be somewhat up in the air.

Argonauta sent this down the PR wire:

dee-calhoun-go-to-the-devil

DEE CALHOUN reveals new album teaser and cover artwork

“Screaming Mad” Dee Calhoun, the voice of doom legends Iron Man, is nearing completion of his sophomore solo release, entitled Go to the Devil. The album, which will be released via Argonauta Records later this year, is the follow-up to Dee’s 2016 solo release Rotgut.

Dee will be joined on this album by Iron Man bandmate Louis Strachan on bass. Dee will handle vocal, acoustic guitar, and percussion duties.

Go to the Devil, like Rotgut before it, is being recorded in Dee’s home studio The Dustbuster. Mastering will be handled by Doug Benson at Commodore Recording Studio in Thurmont MD.

The track listing for Go to the Devil is as follows:

Common Enemy
Bedevil Me
Born (One-Horse Town)
The Final Stand of the Fallen
Go to the Devil
Me Myself and I
The Lotus Field is Barren
Jesus, the Devil, the Deed
The Ballad of the Dixon Bridge
Your Face
Dry Heaves & Needles

The album’s cover is by Dee Calhoun, based upon his own concept.

www.screamingmaddee.com
https://www.facebook.com/screamingmaddee/
www.argonautarecords.com

Dee Calhoun, Go to the Devil album teaser

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Thee Iron Hand: New Band with Members of Iron Man & The Hidden Hand to Debut this Summer

Posted in Whathaveyou on May 17th, 2017 by JJ Koczan

Let’s face it: It’s hard to speculate what a band might become based on their lineup and a minute-long snippet of a rehearsal room recording. They haven’t even played a live show, so I’m not going to try to guess at the range of what Thee Iron Hand might shoot for as they set to writing songs with an intent toward making a stage debut this summer ahead, presumably — or perhaps coinciding with — a first studio venture.

That said, I do think it’s fair to be excited at the prospect of what a new band with members of Iron Man, Ironboss and The Hidden Hand might be able to accomplish together, and so as one sees Bruce Falkinburg (ex-The Hidden Hand, ex-The Obsessed) teaming up with Ironboss guitarist Matt Crocco and drummer Patrick Kennedy and the three-piece bringing Iron Man frontman Dee Calhoun on board to be the voice of the band, yeah, that’s some fodder for speculation right there. All the more so with that minute of rehearsal jam to go on, which you can hear below in a piece of a song called “Lungful of Blood.”

I guess the upshot here is there’s much more to come, so stay tuned. I’d be a little bit surprised if these guys didn’t wind up on the bill one way or another for Maryland Doom Fest next month, provided they’re ready even to do a short set, but beyond that, I’ll post more when I have more. In the meantime, I chased down Calhoun for some more info on how Thee Iron Hand came together and you can see what he had to say under the lineup info, which follows here:

thee iron hand

Thee Iron Hand – Lungful of Blood

Members/former members of legendary acts The Obsessed, Iron Man, Ironboss, and The Hidden Hand have joined to form Thee Iron Hand. The lineup is:

Screaming Mad Dee (Iron Man) – voice
Matt Crocco (Lifetime Shitlist, Ironboss) – guitar
Bruce Falkinburg (The Obsessed, The Hidden Hand) – bass
Patrick Kennedy (Ironboss) – drums

Dee Calhoun on Thee Iron Hand:

“Matt was putting feelers out for a singer for this project that he, Bruce, and Patrick had going on. He approached me regarding it, and once it became clear that Iron Man was going to be out of commission for a while, I jumped at it. They pretty much already had songs written and arranged, all I needed to do was write lyrics and melodies. The styles are meshing very, very well. The vibe is a little different that a lot of what I’ve done before, but I welcome that and think people are really going to dig it.”

The quartet will be hitting the live stage beginning in Summer 2017.

https://www.youtube.com/channel/UCrzOQMWnSXZxNWkaH_cFScA

Thee Iron Hand, “Lungful of Blood” rehearsal outtake

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The Flying Eyes and Lazlo Lee & the Motherless Children Announce Split 7″

Posted in Whathaveyou on April 13th, 2017 by JJ Koczan

You on board for a split between The Flying Eyes and Lazlo Lee and the Motherless Children? I am. The two Baltimorean outfits have teamed up for a single to be released in August via H42 Records. I guess the news I’m waiting for on this one is that the release coincides with a tour of one sort or another — as that’s generally how it goes with The Flying Eyes. They’ve spent the last however many years kicking around between Europe and South America — I think they might’ve even been to Australia at one point? — as they’ve moved further away from their last proper studio album, 2013’s Lowlands (review here).

The implication there of course is that they’re due for a follow-up album, and so they are, but if it’s a single in the meantime with some buddies, that’s hardly something to hold against them.

No art or audio or preorders yet, but the PR wire brings an initial announcement:

The Flying Eyes and Lazlo Lee announce new Split 7″ this August!

We are happy to announce new cooperation of The Flying Eyes and LAZLO LEE & THE MOTHERLESS CHILDREN.

Baltimore’s best rock’n roller will fight against each other on a new 7″ in form of covering a song of their opponent! Who will win? Without giving too much, two intense tracks from two extraordinary bands will await you. The 7″ will be released in Europe from H42 Records and there will also be a US Edition from our friends Ripple Music.

The Baltimore Competition will be released this august!

From Baltimore, USA, the psychedelic blues quartet, THE FLYING EYES, is placed in Machart & instrumental cast between The 13th Floor Elevators, the Doors & Retro Rock.
In addition to the expressive & distinctive vocals, which often recalls Glen Danzig, the music of the FLYING EYES possesses intensity and melody, ranging from spherical, gloomy balladesque passages to wild, hypnotic improvisations.

Lazlo Lee and the Motherless Children are a blues/garage rock-n-roll band out of Baltimore City. Lazlo, with his howling vox and guitar, front this two-piece band that was named after the old blues traditional ‘Motherless Children’. With the fast, heavy hitting Cocaine Jim on the drums, this act thrives on their energetic live preformance with catchy riffs and the ability to turn on any crowd.

https://www.facebook.com/theflyingeyes/
https://www.facebook.com/lazloleeandthemotherlesschildren/
https://www.facebook.com/H42Records
https://www.instagram.com/j.b.h42records/
https://twitter.com/H42Records

The Flying Eyes, Live in Germany 2016

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Earthride Sign to Salt of the Earth Records; Announce New Single and Album

Posted in Whathaveyou on April 6th, 2017 by JJ Koczan

Makes sense for frontman Dave Sherman to bring back Earthride after splitting earlier this year with The Obsessed. That’s kind of how Earthride got going the first time, though their debut EP was released before Spirit Caravan‘s initial run came to its end. In any case, it’s a bit of symmetry in how it’s all shaken out that brings the news Earthride have hooked up with the growing roster of Salt of the Earth Records — see also ScissorfightAtalaCortez, and so on — and that they’ll have a new single out this year with a full-length to follow in 2018, also on Totem Cat in Europe. Obviously, whenever it shows up, new Earthride is sure to measure on the Richter scale in Maryland.

Speaking of that crabbiest of states, we already knew Earthride will take part in this year’s Maryland Doom Fest (info here) in June. They’re also set for the inaugural Descendants of Crom festival in Pittsburgh, PA, this September (info here), so I believe the PR wire — not the least because I wrote the press release — when it says more live dates are forthcoming. I haven’t seen the band since they were out supporting 2010’s Something Wicked (review here), and as they’re rolling with a new lineup and working for the first time ever as a dual-guitar five-piece, it seems like all the more reason to catch up to what Sherman and Co. have going.

Here’s the announcement I wrote circled back through the PR wire:

earthride

The Return of EARTHRIDE

Maryland Doom’s Favorite Sons Sign to Salt of the Earth; Announce New Album

Today, SALT OF THE EARTH RECORDS is proud to announce the signing of Maryland doom legends EARTHRIDE to its growing roster of acts. Led by inimitable frontman Dave Sherman (Spirit Caravan, Weed is Weed, The Obsessed), a new lineup of Earthride has been holed up at Omega Recording Studios in Rockville, MD, and will release a new 7” later this year with a full-length to follow in 2018.

“The band has really come a long way and Salt of the Earth Records and Earthride are about to burn up the road and deliver the doom!” enthuses Sherman, who is joined the band by co-founders Kyle Van Steinburg (guitar) and drummer Eric Little (also Church of Misery, Internal Void), as well as newcomers Ed Brown (bass) and Greg Ball (guitar), who came aboard as the group reformed to work on its first new material in seven years since 2010’s Something Wicked LP for release on Salt of the Earth and Totem Cat Records in Europe.

Earthride’s return – and their first incarnation ever as a five-piece – will be celebrated this summer at Maryland Doom Fest 2017, where they will join the likes of heavy prog immortals Captain Beyond, Trouble offshoot The Skull, Bang, Place of Skulls, Wo Fat and more at Café 611 in Frederick, MD, on June 23-25. Plans are in the works for further touring to support the new single (title still to be revealed) and their impending fourth full-length.

In the meantime, Earthride have been playing local shows this winter and spring and writing their heaviest material yet. Their place among their scene’s most influential bands has long been secure, and as they look to the future, it’s with renewed vigor and purpose that they continue to abide by their longstanding ethic of delivering Pure Maryland Doom for the Brotherhood of Music.

Grip the wheel of death and be ready for the all-heavy: EARTHRIDE are back.

https://www.facebook.com/EARTHRIDEDOOM
https://www.saltoftheearthrecords.com/
https://www.facebook.com/SaltOfTheEarthRec

Earthride, “God’s Own Medicine”

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Shadow Woods Metal Fest 2017 Completes Lineup

Posted in Whathaveyou on March 20th, 2017 by JJ Koczan

Stop me if I’ve said this before, but Shadow Woods Metal Fest 2017 has be as close to an absolute no-brainer as I’ve ever seen in terms of attendance. I mean, so you’re gonna go out to the woods and listen to a bunch of meticulously curated doom and folk and black metal and psych for a weekend, camp out and top the whole thing off with a Panopticon set under starlight? Jesus. How much more could you really ask of a live event than that?

Cheers to Mary Spiro on a job incredibly done with this lineup. I don’t even know what else to say about it other than it’s pretty unreal and there’s nothing else like it happening that I know of in the US or maybe even anywhere else. Seriously. Who’s pulling bands from both coasts and Europe across genres like this for an outdoor event the vibe of which you can already feel just from the press release? Who’s got Castle on the same bill with West Virginian folk black metal?

It’s not all my bag, but I tip my hat:

SHADOW WOODS METAL FEST 2017 poster

Shadow Woods Metal Fest 2017 – Official Lineup Announcement

SHADOW WOODS METAL FEST, the Mid-Atlantic’s only open-air camping heavy metal gathering, is pleased to announce the complete lineup for the 2017 festival, which runs from Thursday, September 14th through Sunday, September 17th at White Hall, Maryland’s Camp Hidden Valley. For the third year, the festival will host 39 of the undergrounds leading bands, representing all genres and subgenres of heavy metal.

Over three days, the four stages of SHADOW WOODS METAL FEST will come to life inside the woodsy landscape of Camp Hidden Valley. “Every year has been special, but I am just particularly stoked about what we have curated”, says Mary Spiro, organizer of Shadow Woods Productions LLC. “I am extremely honored to present the lineup this year because I think it reflects the best of the underground metal scene as well as some of the personal favorites of the festival organizers. Several of these bands, I have been trying to host at the fest since the first year and I am happy to finally have them play.”

Beginning on Thursday night, the Pavilion stage will light up and set the tone to the weekend with all-acoustic and intimate performances with Texas dark-folk maudit AMIGO THE DEVIL, Portland’s dark-folk soloist AERIAL RUIN and West Virginia’s Appalachian folk duo, NECHOCHWEN. Friday includes exclusive performances by Oregon’s haunting black metal band UADA and Georgia’s tortured blackened death quartet WITHERED.

On Saturday, as darkness falls over the Woodland Stage, atmospheric blackened folk giants PANTOPICON will play an exclusive, 70-minute set under the backdrop of the stars. Brooklyn black metal titans WOE, Rhode Island sludgy-doom foursome CHURCHBURN, mysterious blackened grind band DEAD IN THE MANGER (one of two east coast shows), and San Francisco extreme death quintet VASTUM (one of two east coast shows), will all deliver exclusive performances to SHADOW WOODS METAL FEST.

SHADOW WOODS METAL FEST is proud to be sponsored this year by Moxie Bookkeeping and Tridroid Records and to receive promotional support from Grime Studios, Leftover Pizza Productions, and Perfect World Productions.

SHADOW WOODS METAL FEST 2017
Complete Lineup (in alpha order):
Aerial Ruin – Portland, OR (Ritual folk)
All Hell – Asheville, NC (Crusty black metal)
Amigo the Devil – Spicewood, TX (Dark folk) **
Bearstorm – Richmond, VA (Blackened southern death-prog)
Black Table – NY/NJ (Progressive black metal)
Castle – San Francisco, CA (Heavy doom metal)
Churchburn – Pawtucket, RI (Blackened sludge) **
Cut the Architect’s Hand – Richmond, VA (Death metal)
Dark Water Transit – Baltimore, MD (Instrumental heavy rock)
Dead in the Manger – coast to coast – (Blackened grind) **
Dee Calhoun – Frederick, MD (Acoustic; vocalist of Iron Man)
Earthling – Richmond, VA (Thrash metal)
Elagabalus – Baltimore, MD (Experimental metal 2-piece)
Erlkonig – Baltimore, MD (Blackened death metal)
Fiakra – Freehold, NJ (LARPower metal)
Foehammer – Annandale, VA (Sludge)
Green Elder/Paul Ravenwood – Johnson City, TN – (Nature folk)
Heavy Temple – Philadelphia, PA (Psychedelic-doomed rock)
Hexis – Copenhagen, Denmark (Hardcore/black metal)
Human Bodies – Boston, MA (Crusty blackened hardcore)
Immaculate Deception – Baltimore, MD (Death metal)
Infera Bruo – Boston, MA (Black metal)
Kyoty – Dover, NH – (Instrumental post metal)
Mome – Portland, ME (Power psych rock)
Nechochwen “unplugged” – Wheeling, WV (Appalachian acoustic folk metal) **
Night Raids – Philadelphia, PA (Thrash/grind)
Panopticon – KY/MN (Black folk metal) **
Percussor – PA/DE (Old school death metal)
Seasick Gladiator – Washington, DC (Experimental doom prog)
Sloth Herder – PA/VA/MD (Sludge grind)
Take to the Woods/Jo Cosgrove – Baltimore, MD (Dark folk)
The Owls Are Not What They Seem – York, PA (Ritual noise)
Toke – Cape Fear, NC (Stoner doom)
Uada – Portland, OR (Black metal) **
Vastum – San Francisco, CA (Death metal) **
Withered -Atlanta, GA (Black/death metal) **
Woe – Brooklyn, NY (Black metal) **
Worthless- NY/NJ (Black metal) **
ZUD – Portland, ME (Black and blues metal)
** EXCLUSIVE PERFORMANCES

SHADOW WOODS METAL FEST DETAILS
Location:
Camp Hidden Valley
White Hall, Maryland

Ticket Link: http://shadowwoodsmetalfest2017.bpt.me
Price: $175 Full weekend package (Thursday evening-Sunday morning) including all musical events and camping
Cabins: $20 bed (shared cabin)

Shadow Woods Metal Fest is 21+
Food & beverage vendors: Various food, beverage, and alcohol vendors will be on site with both vegan, vegetarian, and omnivore selections. No outside alcohol is permitted.
Marketplace vendors: Multiple record labels, distros, and artisans will be located in the Hall. For more information on becoming a vendor, contact shadow.woods.llc@gmail.com

PROMOTIONAL ARTWORK: Brian Sheehan
PROMOTIONAL VIDEO: Mary Spiro

http://shadowwoodsmetalfest2017.bpt.me
http://www.shadowwoodsmetalfest.com/
https://www.facebook.com/shadowwoodsmetalfest/
https://www.instagram.com/shadow.woods.metal.fest/
http://twitter.com/ShadowWoodsMF

Shadow Woods Metal Fest 2017 promo video

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Days of Darkness Lineup Finalized: Om to Headline Second Night; Captain Beyond, Boris, Cavity, Crypt Sermon and More Added

Posted in Whathaveyou on March 9th, 2017 by JJ Koczan

The first lineup announcement for the inaugural Days of Darkness festival came through last month and brought with it confirmation that the autumnal two-dayer presented by the crew behind the Maryland Deathfest wasn’t screwing around either on scale — Neurosis headlining — or in scope, bring on board multi-genre acts from across a swath of underground styles. Well, the lineup is now complete. Om join Neurosis as headliners, and Cirith Ungol act as classic metal counterpart to the previously-announced Manilla Road near the top of the bill. Sizable additions like Captain Beyond, and Boris join the likes of WarningDälek and Elder — whose new album will be out by then — and Bongripper and Unearthly Trance find further tonal-onslaught companionship with word that Cavity will take part. All in all it looks like a pretty fucking good show.

Tickets are on sale now, and though they might not go before Maryland Deathfest proper, held in May as ever, I would be surprised if there were any left by the time Oct. 28 and 29 gets here. I’d think Neurosis or Om could probably sell out Rams Head on their own, never mind with the stellar support cast they’re both given across the Saturday and Sunday event. Bringing in Om has me wondering if maybe they’ll have a new record release coming up — that’s a long trip to the East Coast — but that might just be wishful thinking on my part. Either way, they’ll of course find welcome once they hit the stage, because they’re Om, and only jerks don’t like Om. That’s science. It’s proven.

Here’s the poster and the lineup as posted by the fest, as well as the link to get tickets:

days-of-darkness-2017-final-poster

Maryland Deathfest presents: Days of Darkness Festival

October 28 & 29, 2017
@ Rams Head Live, Baltimore, MD

Saturday, October 28th:
Neurosis
Manilla Road
Captain Beyond
Perturbator
Elder
Cavity
Dance with the Dead
Dälek
Computer Magic
Crypt Sermon
Alms

Sunday, October 29th:
Om
Cirith Ungol
Warning
Boris
GosT
Unearthly Trance
Le Matos
Bongripper
Magic Sword
Night Demon
Asthma Castle

No refunds. All sales final!

https://www.eventbrite.com/e/days-of-darkness-festival-tickets-31832083619
https://www.facebook.com/events/257886397969977/
http://www.facebook.com/daysofdarknessfestival
https://www.facebook.com/MarylandDeathfest/

Om, Live at Saint Vitus Bar 2015

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Arbouretum, Song of the Rose: In Bloom

Posted in Reviews on February 28th, 2017 by JJ Koczan

arbouretum-song-of-the-rose

Four years is a long time between Arbouretum records. Their debut was released in 2004, but between 2007 and 2013, the Baltimore-based purveyors of fuzzed-out heavy psych-folk issued a full-length album every other year and had other offerings besides — a prolific run that capped with Coming out of the Fog (review here), which was their fifth LP depending on what one actually counts. In 2015, guitarist/vocalist Dave Heumann offered the solo outing, Here in the Deep (review here), but as Song of the Rose arrives via Thrill Jockey, the meld of different styles that seems to come so naturally from Arbouretum — like something so obvious that somehow no one else is able to say — reminds the listener how much it and they have been missed.

Comprised of eight songs and running just about 40 minutes flat, Song of the Rose offers ripeness in its melodicism, resonance in its emotionality and heft in its patient, organic rhythmic rollout. Songs like the title-track, opener and longest cut (immediate points) “Call upon the Fire” and the rambling, organ-laced “Dirt Trails” prove hypnotic and memorable in kind, and the arrangements between Heumann, bassist Corey Allender, drummer Brian Carey and keyboardist Matthew Pierce weave fluidly into and around Americana, indie, folk and heavy psychedelia with a grace just about unmatched in the US. That’s not a slag on anyone, but meant to emphasize how particular Arbouretum‘s sound is and how entirely it is their own. With Song of the Rose, they slide back into it with apparent ease after the relatively long absence and manage, as ever, to bring it forward to a new stage of itself.

While I believe their growth is natural in the sense of coming from an ongoing maturity of songwriting and human experience — as opposed to their sitting down and saying, “We need to make this album different from the last one” — it’s nonetheless a key aspect of what they do, and it’s easy to imagine that if the songs didn’t “feel right” on those terms to the band, Song of the Rose simply wouldn’t exist. Maybe that’s just a result of reading into the gradual way in which “Call upon the Fire” opens; its strumming foundation around which a torrent of consuming fuzz builds and recedes so that it ends after a crashing apex with quiet acoustic guitar and keys, chilling the listener out en route to the gentle beginning of “Comanche Moon,” much bolstered by the warmth in tone of Allender‘s bass as captured by producer Steve Wright at Wrightway Studio and mixed by Kyle Spence (Harvey Milk).

arbouretum-photo-Noel-Conrad

As he will again on closer “Woke up on the Move” and as he has many times before, Heumann takes on the role of storyteller in the lyrics of “Comanche Moon,” and he and the instruments trade back and forth giving each other the space to let that play out. The subsequent title-track, louder, more immediate in its roll but still unrushed in meter, is more descriptive for its 6:23, and reportedly intended as the third in a trilogy behind “Song of the Nile” from 2011’s The Gathering and “Song of the Pearl” from the 2009 outing of the same name. Together with “Call upon the Fire” (7:23) and “Comanche Moon” (5:59), it makes an opening salvo of the three longest pieces on Song of the Rose. It may or may not be where the vinyl side A ends, but the takeoff into jamming that ensues feels like a culmination of the record so far in its buzz-toned lead and refusal to return to the chorus as it otherwise might, its affect all the more filled out with the Pierce‘s keys, which are the last remaining element after the guitar fades out, clearing the ground for the start of the shorter and more straight-ahead “Absolution Song.”

Around cycles of starts and stops, “Absolution Song” seems to find the resolution it seeks in landscapes, tambourine and woodblock-infused push and twice-over dispersal into pure shimmer. It’s the only piece on Song of the Rose under four minutes long, and carries a spiritualistic feel, but is a standout in rhythm and melody alike, Heumann‘s lines backed by a deep-mixed, swirling echo. The subsequent “Dirt Trails,” as the title hints, is something of a momentary return to ground before the soaring “Fall from an Eyrie” takes flight and the 93-second interlude jam “Mind Awake, Body Asleep” leads into the finale of “Woke up on the Move” with a key-led, space-minded progression. With “Dirt Trails,” it’s Arbouretum‘s folkish side that comes more into focus. Nothing too flashy — some guitar effects for balance with the organ — but the intent in placement seems to be to reorient the audience ahead of “Fall from an Eyrie,” on which Carey‘s snare, Heumann‘s guitar and Pierce‘s keys all seem geared toward building as much tension as possible leading into each chorus while Allender holds it all together on bass.

I don’t know if it’s fair to call “Fall from an Eyrie” the apex of Song of the Rose, but as the suitably-airy guitar solo arrives just before three and a half minutes in amid the wash of keys and the forward rhythmic drive, it sure feels like it. To their credit, while they could probably ride that part another four or five minutes into an overblown payoff, they don’t, and “Mind Awake, Body Asleep” fades in with its synth and basslines working over the drums to quickly transition between “Fall from an Eyrie” and “Woke up on the Move,” which again sees the return of Heumann-as-narrator and ends the collection with a sense of flow that, though it doesn’t really need to, summarizes much of what’s come before it in its soft approach and emergent rumble, which leads to a surprisingly noisy finish of crashes and feedback.

They don’t go fully into abrasion or anything like that, but they make it plain they’ve hit the endpoint for the album when they do, and the howling guitar noise at the close is definitely a part of that. Still, “Woke up on the Move” is drawn together with the rest of Song of the Rose through the distinctive clarity that is a hallmark of Arbouretum‘s work. After four years, to find that intact is a relief, but to have the band offer not only an execution of form in their return but a genuine developmental step feels like more than one might reasonably ask in its delivery. As ever, Arbouretum invite the listener to get lost and to find, and the joy in so doing on Song of the Rose is unmistakable.

Arbouretum, Song of the Rose (2017)

Arbouretum on Thee Facebooks

Arbouretum on Bandcamp

Song of the Rose at Thrill Jockey

Thrill Jockey on Thee Facebooks

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Shadow Woods Metal Fest 3: Partial Lineup Announced; Earlybird Tickets on Sale

Posted in Whathaveyou on February 17th, 2017 by JJ Koczan

SHADOW WOODS METAL FEST 3 LOGO

True to what’s been their mission all along, the lineup thus far unveiled for Shadow Woods Metal Fest 3 offers diversity, extremity of various stripes, and an immediate sense of vibe that feels once again perfectly suited to its outdoor, campground setting in White Hall, Maryland. From Aerial Ruin‘s dark folk to the deathly push of Percussor, to the New England psychedelia of MoMe — previously unknown to me, which seems like dereliction of duty on my part — and beyond with familiar faces like Virginian doomcrushers Foehammer, an acoustic set from Dee Calhoun of Iron Man, North Carolinian sludgers Toke and Philadelphia’s Heavy Temple, it’s got enough intrigue even among the names already announced to have one checking the calendar, and as earlybird tickets go on sale today, they’re only likely to build from here. Kudos, as ever, to Mary Spiro on putting it together.

What info is out is below, as well as the link to where you can get your tickets. If you can do that, you probably should:

shadow-woods-metal-fest-3

Shadow Woods Metal Fest 3

September 14 – September 17
Camp Hidden Valley
White Hall, Maryland 21611

The best weekend of your life is back for a third year with an even more diverse lineup than ever. Nearly 40 bands over three days of camping in the woods. See below for important details!

Schedule: Several acoustic sets on Thursday evening in the Pavilion only. Full production with three alternating stages Friday and Saturday only from noon til approximately midnight each night. No performances on Sunday (as per usual).

BANDS ANNOUNCED SO FAR (MORE TBA)
Aerial Ruin – Portland, OR (ritual folk)
Amigo the Devil – Spicewood, TX (murderfolk; TWO EXCLUSIVE and DIFFERENT SETS).
Castle (San Francisco)
Dee Calhoun (Frederick, MD)
Bearstorm – Richmond, VA (blackened southern deathprog)
Black Table (NY/NJ)
Elagabalus – Baltimore, MD (experimental metal 2-piece)
Foehammer (Northern Virginia)
Green Elder /Paul Ravenwood (Johnson City, TN)
Heavy Temple (Philadelphia)
Hexis (Copenhagen, Denmark)
Human Bodies (Boston) blacked hardcore
Mome (Portland, ME) psych rock
Panopticon – exclusive performance (KY/MN)
Percussor – Philadelphia/Wilmington (old school death metal)
Seasick Gladiator – Washington, DC (experimental doom prog)
The Owls Are Not What They Seem (York, PA)
Toke (Cape Fear, NC)
Vastum – one of two East Coast performances (San Francisco)
ZUD – black and blues rock and roll (Portland, ME)

IMPORTANT THINGS TO REMEMBER:
** Earlybird tickets (which are full Thursday – Sunday passes at a discount over the regular price and include non reserved camping) go on sale at Noon Friday, Feb 17.
** There are NO RESERVED CAMPING AREAS; it is camp where you may in designated areas.
** Cabin bed tickets will be on sale FRIDAY. (The cabins are NOT private; they are bunkhouse summer camp style.)
** We remain at our previous location in White Hall, MD.
** An updated FAQ will appear soon on our website. www.shadowwoodsmetalfest.com
** Once you buy your ticket you will be able to join a private SWMF FB group. READ THE EMAIL THAT CONFIRMS YOUR TICKET PURCHASE FOR DETAILS.
** You may choose how your tickets are delivered to you: WILL CALL (name at the door only); print at home; or physical tickets that will be mailed to you.
** THE EVENT IS 21 and up!
** The event is NOT BYOB. Do not bring outside alcohol. Beer and wine will be for sale.
** Food vendors will be on site
** Marketplace vendors will be in the HALL as usual. If you are interested in vending email Shadow.Woods.LLC@gmail.com with information and links about what you want to sell.
** Thursday night (Sept 14) will feature an acoustic only stage where several groups will perform in an intimate setting.
** On Friday and Saturday (September 15 and 16), the fest will be in full production with three stages running from noon to midnight each day.
** There are NO BANDS on Sunday. That’s the day you pack up and go home.

http://shadowwoodsmetalfest2017.bpt.me/
https://www.facebook.com/events/1795871643988618/
https://www.facebook.com/shadowwoodsmetalfest/
www.shadowwoodsmetalfest.com

MoMe, The Slime Between all Things (2015)

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