Posted in Whathaveyou on July 18th, 2014 by H.P. Taskmaster
Baltimore heavy psych rockers The Flying Eyes have announced plans to return to Europe this fall for more touring. They were there late last summer with Golden Animalsand will be joined this time by Lazlo Lee and the Motherless Children, with whom the band has shared the stage at the Moving the Earth fest. The Flying Eyes were most recently heard from on a Heavy Psych Sounds four-way split with Naam, Black Rainbows and White Hills (review here) and their most recent full-length was last summer’s sun-soaked Lowlands(review here), which delved into natural-sounding blues rock without losing a classically-influenced edge. They are, simply put, a better band than people seem to know.
Posted in Whathaveyou on June 16th, 2014 by H.P. Taskmaster
Frederick, Maryland, has doubled as a secondary Doom Capitol for some time now. For several years the home of the Stoner Hands of Doom festival, is just happens to be in a place central enough to pull bands from near-enough-by Baltimore, Virginia, and Pennsylvania. It has kind of an out-of-the-way feel, but for years there was a genuine scene around Krug’s Place on the outskirts of the town that was strong and true to the roots of doom, which in the US more or less began in that region as well. The first Vultures of Volume will bring a doom fest back to the town after a couple years’ absence, and has assembled a lineup worthy of showing up for, with Trouble offshoot The Skull and a rare Unorthodox reunion headlining and backup on the bill from the likes of Nagato, Gorgantherron, Black Manta, Beelzefuzz, Blizaro, Ogre and Pale Divine.
Of those, I think Ogre might be traveling furthest — from Maine — but Indiana to Maryland is no picnic either in terms of road time, so Gorgantherron will put some miles on as well. Between Unorthodox, Nagato, Beelzefuzz and Black Manta, Maryland is also well represented.
Vultures of Volume is set for Aug. 30, 2014 at Cafe 611 in Frederick. Poster art by Brad Moore and info follow:
“VULTURES OF VOLUME FEST” SET TO DEBUT IN FREDERICK, MD THIS AUGUST
Mark your calendars for Saturday, August 30, 2014 for the debut of “Vultures of Volume”, a new annual festival coming to Cafe 611 in Frederick, MD.
“Vultures of Volume” promises to shine the spotlight on local and national acts that bring it loud, hard, and above all else, heavy! This first installment of “VoV” proudly presents the return of Maryland legends UNORTHODOX, featuring the 1995 “Balance of Power” lineup of Ronnie Kalimon (drums), Josh Hart (bass) and the legendary Dale Flood (guitar/vocals) for this one time only reunion! Not to be missed!
Also joining in on the worship of the riff will be Chicago’s THE SKULL, featuring original Trouble members Eric Wagner and Jeff ‘Oly’ Olson, as well as fellow Trouble alumni Ron Holzner (rounded out by guitarists Matt Goldsborough, formerly of Pentagram, and Lothar Keller). THE SKULL will commemorate the 30th anniversary of their classic 1984 debut album “Psalm 9” by performing it in its entirety at the inaugural “Vultures of Volume” fest!
As if that wasn’t enough, also performing will be a strong supporting roster of local and national heavy weights: Nagato (MD), Gorgantherron (IN), Black Manta (MD), Beelzefuzz (MD), Blizaro (NY) Pale Divine (PA) and Ogre (ME).
Posted in Reviews on June 11th, 2014 by H.P. Taskmaster
The four bands included, tripped out as they are, can hardly account for the amount of space traversed. Italy’s Black Rainbows, led by guitarist/vocalist Gabriele Fiori — whose own contributions to European psychedelia include running the label issuing this release, Heavy Psych Sounds and assembling this year’s inaugural Totem Psych Fest, taking place this summer outside of Rome (more info here) — unite with Brooklyn heavy space rockers and past tourmates Naam, well-kept New York secret outfit White Hills and bluesy Baltimore explorers The Flying Eyes for a 2LP gatefold four-way split featuring a side from each. All four groups work regularly in pretty extended forms, so you basically get a song or two from each, but still, the fact that they all got together and combined their efforts for this release makes it something special, the limited numbers of the vinyl and various colors (as well as a CD version) having been pressed in time for this year’s Desertfest, at which Black Rainbows also appeared. Everyone involved shares an obvious affinity for heavy psychedelic rock, but as one would hope for a release of this nature, there are also four distinct takes presented across the split — the official title of which is Heavy Psych Sounds 4-Way Split Vol. I– and each band takes advantage of an opportunity to bliss out in their own way, beginning with Naam – who’ve spent significant time on tour in Europe both before and after issuing their latest album, 2013′s Vow(review here) — on their two tracks, “Skyscraper (Ambient Mix)” and “Thickening Web,” which are included as side 1A leading off the 51-minute double-LP.
Its title is a dead giveaway, but “Skyscraper (Ambient Mix)” is a reworking of Vowhighlight “Skyscraper,” and what was a landmark on the ultra-spacey sophomore full-length from the Brooklyn four-piece arises on the Heavy Psych Sounds split as a stripped-down wash of effects, elements dropping in and out over the course of its seven-plus minutes, guitarist/vocalist Ryan Lee Lugar‘s voice barely distinct for the reverb it carries, a slow, mellow progression playing out behind given further depth between the high and low end thanks to a swirl of effects. “Skyscraper” proper was not short on ambience, between the guitar, John Weingarten‘s keys, John Preston Bundy‘s bass and Eli Pizzuto‘s percussive roll, but “Skyscraper (Ambient Mix)” — on which engineer/mixer Jeff Berner has added some instrumentation as well — feels thoroughly reworked and comes across experimental enough to make the original seem straightforward in comparison. With a fuller-sounding instrumental stretch to over eight minutes, “Thickening Web” furthers the atmosphere of the opener while building on it, Weingarten coming to the fore in a dreamy midsection as the bass, guitar and drums fade out and back in around his keys. There’s a build at work and constant movement, but Naam still evoke a laid back feel, which is all the more fitting leading into White Hills‘ experimental 11-minute “They’ve Got Blood… Like You’ve Got Blood,” presented here as an alternate version to what appeared as the title-track of the 2005 self-released full-length, They’ve Got Blood Like We’ve Got Blood. As much as they’re clearly separate entities with their own sonic aims, a linear flow is present as well, and White Hills further Naam‘s sprawling ambience and percussive undertones with engrossing space-drones and an ending movement with lo-fi techno beats and organ leadout. You’ve got four psych bands all contributing to the release. It was bound to get weird at some point.
Posted in Whathaveyou on June 9th, 2014 by H.P. Taskmaster
With a Robot Hive/Exudos 2LP reissue and a deluxe 2CD/DVD edition of last year’s Earth Rocker (review here) coming this month, Clutch have hit the road in Europe. The Marylander groove kings will be back in time for a few shows in July, however, and they’ve just announced they’ll spend the bulk of September touring as well around appearances at Riot Fest in Chicago, Toronto and Denver and the Shindig Music Festival in their native Baltimore. So, you know, plenty more Clutch. Which is a win.
As I decide to just make the headline “ClutchAnnounce More US Tour Dates” a permanent fixture around here, the PR wire steps in with details:
CLUTCH ANNOUNCES FALL U.S. TOUR
‘EARTH ROCKER’ SET FOR TRIPLE DELUXE (2xCD/DVD) RELEASE ON TUESDAY, JUNE 24, 2014 VIA WEATHERMAKER MUSIC
‘ROBOT HIVE/EXODUS’ CLASSIC CLUTCH ALBUM TO RECEIVE COLLECTOR’S EDITION DOUBLE VINYL RELEASE ON TUESDAY, JUNE 10
CLUTCH, the acclaimed Maryland-based rock group, have announced they’ll launch a fall U.S. tour kicking off September 5th in Providence, RI. See full tour itinerary below.
On June 24, 2014, CLUTCH–NEIL FALLON (vocals, rhythm guitar), TIM SULT (lead guitar), DAN MAINES (bass), JEAN-PAUL GASTER (drums and percussion)–will release a triple deluxe version of their acclaimed EARTH ROCKER album via Weathermaker Music. EARTH ROCKER was tagged by Rolling Stone on their “Top 20 Metal Albums” list and hailed by the magazine for its fusion of “seething admixtures of jam-band chops, careening blues-punk riffs” (December 2013). The EARTH ROCKER triple deluxe album package will include: 1) the full record and brand new songs “Night Hag” and “Scavengers”; 2) “Earth Rocker Live,” a CD audio version of the album performed live; and 3) the DVD “Live In Denver” recorded with seven cameras in 1080i at a sold-out Denver show with audio remixing by Paul Logus and editing by Dave Brodsky; and two videos shot, directed and edited by actress Aisha Tyler: “Gone Cold” (unreleased) and “Crucial Velocity.” To pre-order the EARTH ROCKER triple deluxe, visit:www.clutchmerch.com.
Produced, engineered and mixed by Machine (King Crimson, Lamb Of God), EARTH ROCKER’s triple deluxe cover artwork was created by long time CLUTCH art director Nick Lakiotis (see below).
Robot Hive/Exodus–the group’s classic 2005 album–will also receive a collector’s edition double vinyl release on Tuesday, June 10. The beautiful double LP is re-mastered and comes in a re-designed gatefold package boasting some of CLUTCH’s best tracks. In addition, the group recently teamed with producer J. Robbins (The Sword, Coliseum) to record the new song “Run, John Barleycorn, Run” as a special split 7” single with labelmates Lionize in honor of Record Store Day, available now: www.clutchmerch.com.
CLUTCH continue their european festival tour through June 29. In July, they’ll return to the U.S. for a handful of shows before performing at all three Riot Fest dates (Toronto, Chicago and Denver) before joining the Shindig Festival alongside Jane’s Addiction, Rise Against, Gogol Bordello and more in Baltimore, MD on September 27. See all tour dates below.
EUROPE SUMMER 2014 FRI 6/8 Vienna, Austria Arena SAT 6/9 Munich, Germany Backstage Werk WED 6/11 Hamburg, Germany Gruenspan THU 6/12 Copenhagen, Denmark Copenhell Festival FRI 6/13 Cologne, Germany Essigfabrik SAT 6/14 Switzerland Greenfield Festival SUN 6/15 Stuttgart, Germany LKA Longhorn TUE 6/17 Haarlem, Netherlands Patronaat WED 6/18 Nijmegen, Netherlands Doornroosje THU 6/19 Frankfurt, Germany Batschkapp FRI 6/20 Paris, France Nouveau Casino SAT 6/21 Clisson, France Hellfest SUN 6/22 Switzerland Fete de la Musique TUE 6/24 Thessaloniki, Greece Fuzz Club WED 6/25 Athens, Greece Fix Factory of Sound FRI 6/27 Norrkoping, Sweden Bravalla Festival SAT 6/28 Finowfurt, Germany Roadrunner’s Paradise Race 61 Festival SUN 6/29 Roeser, Luxembourg Rock A Field Festival US TOUR THU 7/24 Syracuse, NY Westcott Theater FRI 7/25 Pittsburgh, PA Stage AE SAT 7/26 Columbus, OH The Great Summer Smokeout SUN 7/27 Winston-Salem, NC Ziggy’s US TOUR FRI 9/5 Providence, RI Lupo’s Heartbreak Hotel SAT 9/6 Clifton Park, NY Upstate Concert Hall SAT-SUN 9/6-9/7 Toronto, ON Riot Fest TUE 9/9 Knoxville, TN The Bijou Theatre WED 9/10 Lexington, KY Buster’s Billiards & Backroom THU 9/11 Toledo, OH Headliners FRI-SUN 9/12-9/14 Chicago, IL Riot Fest SAT 9/13 Grand Rapids, MI The Orbit Room MON 9/15 Minneapolis, MN First Avenue TUE 9/16 Sioux Falls, SD The District THU 9/18 Kansas City, MO Arvest Bank Theatre at The Midland FRI 9/19 Omaha, NE Sokol Auditorium FRI-SUN 9/19-9/21 Denver, CO Riot Fest MON 9/22 Springfield, MO Gillioz Theatre TUE 9/23 Indianapolis, IN The Vogue THU 9/25 Huntington, NY The Paramount FRI 9/26 Norfolk, VA The NorVa SAT 9/27 Baltimore, MD The Shindig Music Festival
This week brings even more radio adds than I expected. I had kind of a hard time whittling it down to figure what I wanted to write about, to be honest with you, but we got there in the end, and I’m thrilled to have another batch of additions to the playlist for this week. Doing this seems to have quickly become a Friday ritual for me, and frankly, I can think of worse ways to spend the afternoon than listening to and writing about a bunch of records. Like just about everything else, for example.
Adds for May 30, 2014:
Iron Man, The Passage & Generation Void
Two brand new vinyl reissues from Shadow Kingdom Records. Digital promos are particularly useless in the case of badass LPs, and I’m pretty sure both of these albums by Maryland doom stalwarts Iron Man, 1994′s sophomore outing, The Passage, and it’s 1999 follow-up, Generation Void, are already on the Radio playlist, but screw it, it’s Iron Man. If the chances of hearing an Iron Man song go up with each file added, then it’s worth tossing both of these records on the server. Generation Voidis a full-on lost classic of doom, and if you don’t already own it, I’d imagine the vinyl of The Passagejustifies picking it up based on the artwork alone. Either way, you’re never gonna lose when it comes to these guys, and Shadow Kingdom‘s loyalty in following up its CD reissues with LP versions is commendable. On Thee Facebooks, Shadow Kingdom website.
Electric Citizen, Sateen
Led by guitarist Ross Dolan and vocalist Laura Dolan, this Cincinnati four-piece traffic in high-order retro-minded Sabbathisms that keep in mind just how much boogie went along with all that darkness. To wit, the shuffle at the heart of the organ-laced “The Trap” and “Burning in Hell” or the push in the earlier “Magnetic Man.” Sateen, the band’s debut on RidingEasy Records, features riffs and leads heavily, and Laura‘s croon never strays from the forefront in delivering a barrage of hooks through the ’70s-worship production, but as with Sabbath themselves, the foundation of what Electric Citizen accomplish in these memorable, immediately familiar tracks is built on a foundation of rhythmic excellence in the bass and drums, here provided by Nick Vogelpohl and Nate Wagner, respectively. That organ ain’t half-bad either. The album arrives with no shortage of hype, but it’s a shockingly cohesive debut in style and performance, and the songwriting more than earns its way. On Thee Facebooks, RidingEasy Records.
Disenchanter, On through Portals
The Sept. 2013 Back to Earth demo from Portland, Oregon, doom-blues metallers Disenchanter has been sitting on my desk for an embarrassingly long time. That release is added to the playlist as well, but on the early-2014 follow-up, On through Portals, the trio of guitarist/vocalist Sabine Stangenberg, bassist Joey DeMartini and drummer Jay Erbe stretch out the form somewhat. Both arrive as EP-style releases, but On through Portals tops half-an-hour and executes a darkened psychedelic flow over its three extended tracks — “Journey to Abydos/Moon Maid” (12:15), “Invoke” (7:38), and “Into Darkness” (11:20) — so it could just as easily pass for a short album. Either way, the partial shift in aesthetic suits Disenchanter well, and what seems to have been in-process on their first demo comes closer to fruition here. Songs are patient and lumbering, but never boring, and Stangenberg‘s vocals layer effectively at the front of the mix to give the impression of a consummate frontwoman in the making. I won’t declare their development finished, but On through Portalsis a big and interesting step for Disenchanter to take. On Thee Facebooks, on Bandcamp.
Junior Bruce, The Nomad
Just two tracks on this latest release from Southern heavy rockers Junior Bruce. The Nomad is the second of two (to date) digital releases following Junior Bruce‘s 2012 debut full-length, The Headless King, and intended as a complement to last year’s TheBurden. Fair enough. Taken as such or on their own, The Nomad‘s two cuts, “The Promised Sleep” and “Nomad,” offer unpretentious heavy rolling groove from the Floridian five-piece fronted by Scott Angelacos and featuring bassist Tom Crowther, both also of Hollow Leg and formerly Bloodlet and Hope and Suicide. Molasses riffs from guitarists Nate Jones and Bryan Raymond and steady crash from drummer Jeff McAlear further distinguish “Nomad” in the Southern tradition, and the single/EP is twice as intriguing in the context of Hollow Leg‘s most recent recording, “God Eater” (discussed here), which moved in a more rocking direction as well. Itseems to work for both bands. On Thee Facebooks, on Bandcamp.
Anuseye, Essay on a Drunken Cloud
Cuts like “J R” and “Wrong Blues” take ’90s crunch and heavy rock vibes to heart, but where Italy’s Anuseye really distinguish themselves on their Vincebus Eruptum Recordings debut — other than with their somewhat unfortunate moniker — is in the weirdo jamminess of “Push Magic Button” or the psychedelic exploration of “Earthquake.” Essay on a Drunken Cloud boasts a few riffs and effects-laced stretches like that in “Cursed Pills” that might call to mind guitarist Luca Stero and vocalist/guitarist Claudio C.‘s and prior work together in That’s all Folks, but Anuseye has a personality of their own here, with bassist Michele V. and drummer Antonello C. keeping step with the strange vibes every step of the way. The balance shifts effectively between psych rock and noisy post-punk, but songs like “Demon Pulse” and the penultimate “S.S. Abyss” find an engaging and unexpected middle ground on which to make an impression. And then they do. For those days when you feel like you’re heard everything a riff can do, Essay on a Drunken Cloudmight just convince you there’s still territory to be discovered. On Thee Facebooks, at Vincebus Eruptum.
For the complete list of this week’s adds, click here.
Posted in Whathaveyou on April 16th, 2014 by H.P. Taskmaster
Last I heard, Maryland groove forerunners Clutch had started pre-production on a new album, but apparently that’s not all they’ve had in the works. In addition to headlining at Desertfest Berlin, the four-piece have slated a deluxe reissue for 2013′s album of the year, Earth Rocker(review here), as well as one for Robot Hive/Exodus. They’ve also got a split 7″ with Lionize in time for Record Store Day, a new claymation video for “The Wolfman Kindly Requests…,” which closed out Earth Rocker, and as ever, they’re going to be hitting the road pretty hard the next few months. Just when you thought it had been a while since you heard anything from the Clutch camp, here they come with a roundhouse to the face of news.
A considerable undertaking for the PR wire:
CLUTCH – RENOWNED AMERICAN ROCK GROUP TO RELEASE RECORD STORE DAY SPLIT 7” FEATURING NEW CLUTCH SONG “RUN, JOHN BARLEYCORN, RUN” AND “ETHER MADNESS” FROM LIONIZE
DUE OUT APRIL 19
‘EARTH ROCKER’ SET FOR TRIPLE DELUXE (2xCD/DVD) RELEASE ON JUNE 10, 2014 VIA WEATHERMAKER MUSIC
‘ROBOT HIVE/EXODUS’ CLASSIC CLUTCH ALBUM TO RECEIVE COLLECTOR’S EDITION DOUBLE VINYL RELEASE ON JUNE 10
CLUTCH, the acclaimed Maryland-based rock group, have teamed with producer J. Robbins (The Sword, Coliseum) to record the new song “Run, John Barleycorn, Run.” The track will be released on Tuesday, April 19 via Weathermaker Music as a special split 7” single with labelmates Lionize as part of Record Store Day.
On June 10, 2014, CLUTCH will release a triple deluxe version of their acclaimed EARTH ROCKER album via Weathermaker Music. Released in 2013, EARTH ROCKER was tagged by Rolling Stone on the “Top 20 Metal Albums” list and hailed by the magazine for its fusion of “seething admixtures of jam-band chops, careening blues-punk riffs” (December 2013). The EARTH ROCKER triple deluxe album package will include: 1) the full record and brand new songs “Night Hag” and “Scavengers,” 2) “Earth Rocker Live,” a CD audio version of the album performed live; and 3) on DVD “Live In Denver” recorded with seven cameras in 1080i on Nov. 14 at the sold-out Ogden Theatre show in Denver, two videos shot, directed and edited by actress Aisha Tyler: “Gone Cold” (unreleased) and “Crucial Velocity.” To pre-order EARTH ROCKER, visit: www.clutchmerch.com.
Produced, engineered and mixed by Machine (King Crimson, Lamb Of God), EARTH ROCKER’s triple deluxe cover artwork was created by long time CLUTCH art director Nick Lakiotis (see below). EARTH ROCKER continues to garner the group some of the best reviews of their career.
The group have announced their classic 2005 album Robot Hive/Exodus will receive a collector’s edition double vinyl release on Tuesday, June 10. The beautiful double LP is re-mastered and comes in a re-designed gatefold package boasting some of CLUTCH’s best tracks.
CLUTCH–NEIL FALLON (vocals, rhythm guitar), TIM SULT (lead guitar), DAN MAINES (bass,), JEAN-PAUL GASTER (drums and percussion)—will launch an overseas tour starting Tuesday, April 22 in Newcastle, UK at the O2 Academy taking them through the European festival circuit through June 29. In July, they’ll return to the U.S. for a handful of shows before joining Jane’s Addiction, Rise Against, Gogol Bordello and Halestorm at the Shindig Festival in Baltimore, MD on Saturday, September 27. Expect the group to announce additional U.S. festival dates and headlining shows in the coming months.
UK/GER/IRE 2014 Tue 4/22 Newcastle O2 Academy Wed 4/23 Leeds Metropolitan Thu 4/24 Manchester Academy Sat 4/26 Berlin, Germany Desertfest at Astra Sun 4/27 Antwerpen, Belgium Trix Muziekcentrum Tue 4/29 Birmingham O2 Academy Wed 4/30 Brighton Concorde 2 Thu 5/1 London Forum Fri 5/2 Norwich The Waterfront Sat 5/3 Nottingham Rock City Sun 5/4 Bristol Temples Festival at Motion Tue 5/6 Edinburgh Liquid Room Wed 5/7 Glasgow O2 ABC Thu 5/8 Belfast Limelight 2 Fri 5/9 Dublin Dublin Academy
EUROPE SUMMER 2014 Fri 6/8 Vienna, Austria Arena Sat 6/9 Munich, Germany Backstage Werk Weds 6/11 Hamburg, Germany Gruenspan Thu 6/12 Copenhagen, Denmark Copenhell Festival Fri 6/13 Cologne, Germany Essigfabrik Sat 6/14 Switzerland Greenfield Festival Sun 6/15 Stuttgart, Germany LKA Longhorn Tue 6/17 Haarlem, Netherlands Patronaat Wed 6/18 Nijmegen, Netherlands Doornroosje Thu 6/19 Frankfurt, Germany Batschkapp Fri 6/20 Paris, France Nouveau Casino Sat 6/21 Clisson, France Hellfest Sun 6/22 Switzerland Fete de la Musique Tue 6/24 Thessaloniki, Greece Fuzz Club Wed 6/25 Athens, Greece Fix Factory of Sound Fri 6/27 Norrkoping, Sweden Bravalla Festival Sat 6/28 Finowfurt, Germany Roadrunner’s Paradise Race 61 Festival Sun 6/29 Roeser, Luxembourg Rock A Field Festival
US TOUR Thu 7/24 Syracuse, NY Westcott Theater Fri 7/25 Pittsburgh, PA Stage AE Sun 7/27 Winston-Salem, NC Ziggy’s The Shindig Music Festival with Jane’s Addiction, Rise Against, Gogol Bordello, and Halestorm Sat 9/27 Baltimore, MD The Shindig Music Festival
Aside from considering myself fortunate enough to call them personal friends, Baltimore-by-way-of-New-Jersey-by-way-of-Seattle-by-way-of-New-Jersey-etc. two-piece Rukut are also the band who, probably over a decade ago now, blindsided me with a lesson in the dynamic that a duo can offer at their best, distinct from solo artists, trios, and so on. Their passage between minimalist garage thrash, brutal punk, grind and sludge has played out DIY for years in small bars, clubs and just about anywhere else they’re asked to show up that they can park their van, but I’ve never heard it sound quite as full and devastating as it does on the new cut “White Squirrel White Fox,” taken from a brand new self-released EP, The Headless.
It’s been a while since Rukut – the duo of guitarist/vocalist Lew Hambley and drummer/graphic artist Chris Jones – released their last full-length, 2008′s Life’s Pain, but their years don’t seem to have been misspent. Hambley‘s vocals, turning vicious at switch-flick speed, touch on the guttural with “White Squirrel White Fox,” and the instrumental accompaniment they receive makes for due chaos, Jones switching between D-beat crust drive and all-out blasts after his stick-click count-in serves as the subtle announcement of the fury about to be unleashed after a grueling minute of stomping introduction. In short order, Rukut tear ass through a build that is brought to a raging, violent head precise enough to give Nasum a nod without losing Napalm Death‘s crucial soul.
By way of a spoiler, it starts with a white squirrel and ends with a white fox, but it’s really what’s between the two in the Jones-directed video that proves most essential. Rukut’s The Headless EP, can be heard at their Bandcamp page. “White Squirrel White Fox” doesn’t carry a warning for epileptics who might check it out, but it probably should: The aurally brutal comes with strobe to match.
Watching Iron Man‘s new video for the title-track to last year’s South of the Earth(review here), I can almost hear the nasally strain and SoCal-goofball chuckle of Ricky Rachtman introducing the clip on Headbanger’s Ball circa 1990. The Maryland doom four-piece are no strangers to a classic aesthetic, and the visuals of “South of the Earth” tap directly into one, whether it’s the slow-walking cemetery visitor shot in negative or the appearance and disappearance of the band’s members as the song plays out. In the case of frontman Dee Calhoun, who also directed, we get to see him multiple times over.
“South of the Earth” is pretty representative of what metal videos were in a time before cinematic budgeting or band-in-a-warehouse performance clips. You get a feel for what the song is about and the mood is certainly on display as Iron Man rocks through, guitarist Al Morris III locking his own grooving in with that of the camera ever so slightly while drummer Jason “Mot” Waldmann copes with one cymbal that seems to be disappearing and bassist Louis Strachan, as ever, holds the whole thing together. For a record that was thoroughly metallized, the “South of the Earth” video most definitely follows suit.
And if you haven’t yet had the chance to savor Morris’ tone as captured by the skillful production of Frank Marchand or roll along with Strachan and Waldmann in the groove they harness, “South of the Earth” should make for a fittingly representative introduction. They named the record after it, if that tells you anything. South of the Earth is available now onRise Above in Europe and Metal Blade in North America, and the video features camera work by Kelly Croston in addition to Strachan and Calhoun.
Posted in Features on March 21st, 2014 by H.P. Taskmaster
Tomorrow night, March 22, Baltimore heavyweights Sixty Watt Shaman will take the stage at the Windup Space as headliners for the Moving the Earth 2 festival. It’s a bill they share with a host of others loyal to the Doom Capitol in geography or spirit including Iron Man, Black Lung, Kingsnake and Wasted Theory, among others, and the beginning of a reunion some years in the making. Sixty Watt Shaman called it quits after the release of 2002′s Reason to Live on Spitfire Records, arguably as they hit their peak of notoriety. As bassist Rev. Jim Forrester elucidates, however, it wasn’t so simple as that. To be fair, it rarely is.
Moving the Earth 2 is the first of several fests at which Sixty Watt will appear in the coming months. They’ve been confirmed for Desertfest in both London and Berlin at the end of April, and May 3 will find them at the top of the bill at The Eye of the Stoned Goat 4 in Worcester, Massachusetts. Granted, they’ve played intermittently over the last decade, but it speaks to the continued relevance of Sixty Watt Shaman‘s studio albums that their work precedes them after all this time. Before Reason to Liveserved as their swansong, 2000′s Seed of Decadesand 1998′s Ultra Electricpositioned the Marylanders among the forerunners of what was then still a pretty deep underground. They’re a band whose influence has seeped into a lot of East Coast heavy rock, and the response to their return has been appropriately loud.
Comprised of Forrester, lead guitarist/backing vocalist Todd Ingram (who replaced Joe Selby), returned drummer Chuck Dukehart III (also of Foghound), who left in 2000, and guitarist/vocalist Daniel Soren, the reinvigorated Sixty Watt Shaman has hinted at new material of one form or another to come this year, and reissues of their past albums are in the works, though details remain to be solidified. Wherever they head after these fests, as Forrester describes in the interview that follows, the four-piece are taking a more mature, “grown-up” approach. So no, it seems they won’t be crashing on your couch this time around.
This interview was conducted a little while back, but Rev. Jim – whose involvement in post-Sixty Watt projects like Angels of Meth, Soaphammer, The Devil You Know and Serpents of Secrecy as well as his reputation as an all-around good guy precedes him — was kind enough to shed some light on how the Sixty Watt Shaman reunion came about, how it’s been getting back to work with the band, and where he thinks it might all be heading.
I’ve been looking forward to this for a while. The Spirit Caravan reunion tour is almost two weeks deep into its month-plus run and video has started to surface of the trio of bassist/vocalist Dave Sherman, guitarist/vocalist Scott “Wino” Weinrich and drummer Henry Vasquez – who came into the lineup late as a replacement for original member Gary Isom. I expect this won’t be the last time new Spirit Caravan footage is featured on Wino Wednesday, but if you have to start somewhere, the beginning seems like as good a place as any, and that takes us to the Metro Gallery in Baltimore on March 7.
Excitement is high at the start of “Dreamwheel” as Wino introduces the three-piece and succinctly puts it, “The past is the past. Right now. Right here. Spirit Caravan.” And while it’s also true that those who saw the band during their original tenure and with their founding lineup will continue to have something over those who didn’t, it’s a fair enough perspective for Spirit Caravan to project, since much of their vibe has always been rooted in at least an outward positivity. It’s also factually accurate. This is what Spirit Caravan are now. To his credit, Vasquez adapts as fluidly to Isom‘s parts as he did to those of Armando Acosta when he replaced him in Saint Vitus back in 2009. Word has been dropped of a new Spirit Caravan full-length, and presumably that would include Vasquez as well.
This clip of “Dreamwheel” — taken from the 1999 EP of the same name — is the first I’ve seen from the tour, but like I said, I imagine there’s plenty more to come as the next several weeks of shows play out. I’ll keep my eye out as ever, and in the meantime, I hope you enjoy “Dreamwheel” from the Metro Gallery and have an excellent Wino Wednesday:
Spirit Caravan, “Dreamwheel” Live at Metro Gallery, Baltimore, March 7, 2014
Posted in Whathaveyou on March 17th, 2014 by H.P. Taskmaster
I had hoped to head to Baltimore this coming weekend to cover the Moving the Earth festival down that way, with Sixty Watt Shaman, Supervoid, Wasted Theory, Foghound and others on the bill (details here), but it doesn’t look like I’m going to be so fortunate as to get there. Among my reasons for wanting to, however, is/was Black Lung — whose drummer, EliasSchutzman,and guitarist, Adam Bufano, can also be found in psych rockers The Flying Eyes — and a live video for the song “The Ghost,” which comes off their impending self-titled debut full-length, isn’t making me feel any better about missing their set. Such are the rigors of (low) finance.
Black Lung‘s Black Lungis set for release in June, as the announcement below informs. Stay tuned for more on these cats. I’m digging the vibe:
Conquering the long, bitter winter of 2014, a new player emerges from Baltimore’s underground music scene. Dueling guitars and heavy-hitting drums form the backbone of Black Lung, a 3-piece coalition of local forces.
In the spring of 2013, multi-instrumentalist Dave Cavalier jumped at the chance to collaborate on a stripped-down rock n’roll project with Adam Bufano and Elias Schutzman from psychedelic rock group “The Flying Eyes.” Once peers in their local music scenes, these three friends now toe the line between sonic pain and psychedelic bliss.
With influences ranging from the raw blues-rock of early Black Keys to the stoned out riffage of Sleep, Black Lung skillfully forges a sound that is as heavy as it is soulful. Their self-titled EP is to be released via CD and Cassette June 3rd on Grimoire Records (US), with CD and Vinyl coming June 6th on Noisolution (EU).
Call it serendipity that Spirit Caravan decided to announce what’s hopefully just their first round of US tour dates on a Wednesday morning, and here we are, wrapping up this three-week Wino Wednesday series celebrating their reunion with the three studio tracks they recorded for the 2003 MeteorCity compilation, The Last Embrace — essentially their final recorded tracks. The trio of Scott “Wino” Weinrich, Dave Sherman and Gary Isom will begin their tour in Baltimore on March 7 at the Metro Galley – in addition to tour-support from Pilgrim, my understanding is Iron Man and Foghound are also on that bill — and wrapping up at the St. Vitus bar in Brooklyn on April 15. Between, they’ll cover coast-to-coast territory, presumably leaving Boston and L.A. for next time, before flying out to play at Desertfest in Berlin and London. It’s a hell of a run. If they’re not reunited yet, they certainly will be by the time this tour is over.
Check the poster for the dates:
Now then, we wrap up what became a three-week Wino Wednesday special with “Dove-Tongued Aggressor,” the last of the three then-new cuts included on The Last Embrace. Like “Brainwashed,” which was featured last week, “Dove-Tongued Aggressor” pairs a social commentary with a stomping riff, but the song’s twists are different both lyrically and musically, moving into its bridge with quirky starts and stops before getting back to the chugging verse and more open-strummed chorus. Like “Brainwashed” and even the more subdued “The Last Embrace,” which was the leadoff on the comp, it’s unmistakably Spirit Caravan, and as we stand on the precipice of their reunion getting underway, perhaps most of all, “Dove-Tongued Aggressor” shows just how much the band still had to offer when they called it quits.
I’m awfully glad they decided to tour. More to come. Have a great Wino Wednesday.
With reunion slots booked at Desertfest in London and Berlin this April as well as Hellfest in France this June — nothing Stateside yet, but I’m keeping my fingers crossed — it seemed fitting to take a look at some of the very last Spirit Caravan recordings. The tracks “The Last Embrace” and “Brainwashed” were included as the first and second cuts on disc one and “Dove-Tongued Aggressor” track one of disc two of the 2003 MeteorCity compilation, The Last Embrace, which as the band’s to-date swansong culled to one place the bulk of their studio output. With material from everything the trio put out during what’s now become their initial run save for 1999′s DreamwheelEP — their two full-lengths, 1999′s Jug Fulla Sun and 2001′s Elusive Truth, with some alternate versions, and songs from their early demos and split 7″ with Sixty Watt Shaman and the 2002 So Mortal Be single — it’s about as complete as one could ask of a 2CD release. As to why Dreamwheelwas left out, I guess between runtime considerations and the fact that it was still in print on MeteorCity, they figured there was no need. Fair enough.
For the leadoff, “The Last Embrace” hardly hints at the tonal warmth and groovy vibes to come throughout. Spirit Caravan were always plenty heavy, but “The Last Embrace” centers more around an emotional resonance than a fuzzy one. Over acoustic guitar and a straightforward rhythm from bassist Dave Sherman and drummer Gary Isom, Wino delivers a subdued, melancholy vocal with image-based, almost impressionist lyrics contemplating time and mortality, maybe the end of the band. It’s a dark mood to start with, if a great song, but as Spirit Caravan were done by that time — Sherman had released Earthride‘s self-titled EP in 2000 and followed in 2002 with the Taming of the Demons full-length, and The Hidden Hand‘s Divine Propagandasurfaced the same year as The Last Embrace– there wasn’t going to be a more fitting title for their final release.
Whether or not The Last Embrace will remain that, I guess we’ll have to wait and see. Enjoy “The Last Embrace” and have a fantastic Wino Wednesday:
Posted in Whathaveyou on January 27th, 2014 by H.P. Taskmaster
A couple years back, I don’t think there’s any way a fest like Moving the Earth 2 wouldn’t happen at Krug’s Place in Frederick, Maryland, but that formidable Mid-Atlantic scene seems to have pushed into various other places in the wake of that venue apparently giving doom the boot. I’ve never been to The Windup Space in Baltimore, but the bill for Moving the Earth 2 kind of makes me want to check it out, with two solid days of heavy delivered by respectable purveyors Sixty Watt Shaman and Iron Man. This will actually mark the first appearance back for Sixty Watt Shaman‘s reunion, so they’re right to bill it as “The Return Of…” and from Kingsnake and Foghound and Wasted Theory to Supervoid and Black Lung, there’s a lot to dig about the lineup.
If you’re the type to make travel arrangements, the fest is set for March 22 and 23 in Baltimore, and the roster of acts below seems to be pretty final, at least going by the revolutionary-themed poster below, contributed by Brendan Burns of Wasted Theory. With the deep reds, uniformed guards and raised fists of resistance, I can’t help but wonder what Moving the Earth‘s five-year plan might be. Dig:
We are super excited to announce the lineups for Moving The Earth Fest 2! Taking place again at the Windup Space here in Baltimore Maryland on Saturday and Sunday March 22nd and 23rd 2014.
The lineups are…
Saturday March 22nd 7pm The Return of Sixty Watt Shaman Kingsnake Wasted Theory Supervoid Compression Passage Between
Sunday March 23rd 6pm Iron Man Foghound Asthma Castle Bastards of Reality Fortress Black Lung Northwoods
Admission will be $10 per day, 21+. We look forward to bringing all these great bands together for what is sure to be an amazing 2 day celebration of Heavy, Stoner, Doom and Psych music!
Baltimore fuzz foursome Foghound have redone the garage and they hope you like it. Does the redecorating involve amps, an upside down American flag cross, Xmas lights and riffing? Well you know it does.The heavy rockers will celebrate the release of their debut album, Quick, Dirty and High (review here) on Jan. 24 at The Ottobar in Baltimore, and they’ve posted their first video from the record, for the song “Resurrect the Throwaways.”
Can’t argue with the choice. Among a slew of catchy, sharp-hooked tracks on Quick, Dirty and High — thinking of songs like “Long after I Die,” “Get in My Van” and “Gotta Go” — “Resurrect the Throwaways” is a standout, with a languid stonerly groove still beefy enough to have a USDA rating and a title that, whether it’s talking about tossed-off riffs or whatever it might be, is memorable and put-your-own-meaning-to-it vague in an evocative way. Appearing second on Quick, Dirty and High, it’s one of the album’s most resonant impressions.
The video was directed by Bob Mellor, and in addition to the release gig, Foghound – the lineup of guitarist Bob Sipes, guitarist Dee Settar, bassist Geoffrey Freeman IV and drummer Chuckrock Dukehart III, all of whom contribute vocals one way or another, mostly Sipes as the lead — will also take part in the upcoming Eye of the Stoned Goat 4 fest in Worcester, MA, this May. No doubt other appearances will emerge between the two as well.
In addition to the video, the apparently-final and much-less-’70s-nippley cover art for Quick, Dirty and Highhas been unveiled. Word on the street — and let’s just imagine you’re standing on one side of a corner and I’m around the other side and you just slipped me a $20 to make me tell you this — that Foghound will have copies on-hand at The Ottobar, so it’s good you know what you’re looking for.
Foghound, “Resurrect the Throwaways” official video