Friday Full-Length: The Obsessed, Live at the Wax Museum

Posted in Bootleg Theater on November 8th, 2019 by JJ Koczan

First off, I like bootlegs. The act of putting yourself in the raw moment of seeing a band play via a sometimes rough recording from a microphone somewhere in the audience. You can hear people talking between the songs, and you can hear the band as they were from the stage — no cleanup, no mixing, nothing. Bootlegs are the truest of “warts and all” presentations for live music. I’ll take a soundboard recording, to be sure, and a good-sounding A+ boot is like a gift from the gods — thinking specifically of Black Sabbath‘s Asbury Park ’75 recording (discussed here), but of course there are many examples among live and studio unofficial releases — but there’s for sure an appeal to a harsher-audio bootleg. It’s a document of a moment that would otherwise be lost to time and memory.

They’re not for everyone, and that’s cool. If they’re not for you, you might want to move on, skip to the bottom part where I bitch about life or just go about your day or whatever. But if you count yourself among the number who can be entranced by such things, and you’re a fan of the band, then the pure aural force The Obsessed display on Live at the Wax Museum should be considered utterly essential. Recorded on July 3, 1983, it first showed up in 1992 as an unofficial release through Doom Records and it wasn’t until last year that The Church Within (fittingly enough) gave it its first official pressing, with a glow the dark cover and a CD encased in a DVD-style digipak, textured artwork and all. The Obsessed have had a few archival live offerings this decade, including Live at the Melkweg November 28th 1992 and Live Music Hall Köln December 29th 1992 in 2012 when the band first got back together, but Live at the Wax Museum has a different feel, its title giving it a sense of importance as a milestone for the band: that time they were in that place. Also distinguishing Live at the Wax Museum is the fact that it was recorded some nine years before those other shows, with guitarist Scott “Wino” Weinrich, bassist Mark Laue and drummer Dave Flood — who demolishes a drum solo in “Sister Sin” right around the middle of the set, igniting howls from the crowd — playing as intense as I’ve ever heard any incarnation of the band.

Across songs like “Concrete Cancer,” which is introduced during Wino‘s minimalist stage banter as an “old tune,” and “Touch of Everything” (a “dance tune”) and “Mental Kingdom” (a “brand new song”),

the obsessed live at the wax museum

along with 11 others for a total of 14 cuts plus an intro, The Obsessed absolutely tear into this show. There’s a minute-long intro from some preacher talking about how rock music is the devil and blah blah blah and then the three-piece rip into “Burning Gland” and there’s no going back. “Iron & Stone” and set-finale “Sodden Jackal” would show up in ’83 on the band’s first 7″ single following two should-probably-be-reissued demos — their 1984 Concrete Cancer demo was given a limited run by Relapse in 2017, so it’d be as simple as repackaging 1999’s Incarnate, I think — but what’s most striking about Live at the Wax Museum is the sheer intensity of it, and that’s something that comes through despite the rough audio. Because, let’s face it: it’s a bootleg. It ain’t a cleaned-up live record, or something that’s been remastered and remastered, the tape gone over with a fine-toothed comb to remove the static noise. It’s all there. You get to hear someone in the crowd after “Concrete Cancer” shout that “FM radio sucks!” — nothing changes — and someone else later call out for them to play some Sabbath after they nail “Mental Kingdom” — again, nothing changes — and if you’re in the right mindset listening, all of that feeds into the specific atmosphere of the release.

Maybe that’s an added academic or theoretical appeal, but Live at the Wax Museum has no shortage of highlight performance moments to go along with that, from the winding and chugging of “Failsafe” to the utterly indispensable “Neatz Brigade,” which is probably the catchiest hook Wino ever wrote — that’s a pretty vast pantheon of stuff between The ObsessedSpirit CaravanThe Hidden HandPremonition 13, and the sundry other units in which he’s been involved or led — but in terms of the way the verse builds tension for the chorus to open up and release, I can’t come up with a match for it. Especially not listening to it as it appears here. Certainly the catchiest The Obsessed tune, at the very least, and one that, 36 years later, you’re still pretty much guaranteed to see them play at every show. With good reason.

I wasn’t there in 1983 for this show. I was going on two, so let’s assume I wouldn’t have been able to make it even if I’d been aware of it, or, say, anything. But having Live at the Wax Museum as not just proof that it happened but kind of a glimpse at who The Obsessed were at the time and how much their miraculously-not-punk grit and working-class disaffection flew in the face of the burgeoning grandeur of the NWOBHM is not only helpful in explaining who they were at the time and how they earned the reputation they’ve long enjoyed, but also just a badass-sounding recording of a raw three-piece working to shape what we now know as Maryland doom. Hell yes that gets multiple spins from me.

The history of The Obsessed is tumultuous and ongoing, but their long absence ended in 2012 and in 2017, they produced the LP Sacred (review here), their first new album in some 23 years. They’ve been touring steadily for it since. They did Muddy Roots in Tennessee in August, Descendants of Crom III in Pittsburgh in September, last weekend were at Cafe 611 — home of Maryland Doom Fest — with Spiral Grave and others, and will travel to California next Spring for Psycho Smokeout. So yes, keeping busy. I don’t know if they’re planning another record or what, but they’ve got plenty of time to keep aligned with their every-two-decades pace, and I’m happy to see them play whenever the opportunity presents itself. Hearing Live at the Wax Museum only underscores why.

As always, I hope you enjoy. Thanks for reading.

New merch is out. Including sweatpants.

Get it here: https://mibk.bigcartel.com/products

And thank you for your support.

Today is also a new episode of The Obelisk Show on Gimme Radio. The first new one in more than a month. You hopefully already saw the playlist. It’s on at 1PM Eastern.

Listen on the Gimme app or here: http://gimmeradio.com

And thanks again for your support.

While I’m indulging shameless plugs, I’ll be at Ode to Doom tomorrow in Manhattan, presented in part by this site. Horehound, Thunderbird Divine, Mantismass and Iron Rider are playing.

Event page is here: https://www.facebook.com/events/298666037420426/

And hey, thanks for your support.

Before you say it, I know Slayer and Primus are at MSG tomorrow night. In the hallowed halls of the Knicks and Billy Joel. Cough. I won’t ever tell you not to go see Primus, and I get that it’s Slayer’s alleged farewell tour, but yeah. Seems like as regards Slayer, I’ve got my memories of seeing them destroy, and I’d rather make new memories than relive old ones. So I’ll be at Arlene’s Grocery. I’m not telling you you’re wrong for being nostalgic — Primus are one of my all-time favorite bands; I’ve loved Primus since I was single digits, and I’ve loved seeing them every chance I’ve had — or trying to get while the getting’s good, but yeah. I’ve never seen Thunderbird Divine, or Mantismass, or Iron Rider, and Horehound rule, so I’ll take the lower key option and be grateful for it.

This weekend is also my sister’s birthday, so we’re doing family dinner tonight because I’ll be out tomorrow — not at all the first time I’ve rescheduled such things for a show; these people are very indulgent, these relatives of mine — and then I guess other whatnot over the course of the next couple days that I’m sure will be good.

That’s fine. It was a shit week. They all are. I spent most of it overthinking food, yelling at a two-year-old, feeling bad for yelling at a two-year-old, getting hit, kicked and bit at various points, being wrong about fucking everything, going back and forth with homeowners insurance, waiting for the other shoe to drop that will make us have to move again and daydreaming about being dead. In any case, a little time out of my head is welcome.

Thanks to everyone who has added a list so far to the end-of-decade poll. If that’s not you, I humbly point you to the form to do so here. Include whatever you want. Have fun with it.

I think that’s the last of the plugs.

Well, unless you count all the stuff for next week. Monday is that Ode review, plus a stream of the new Midas EP. Tuesday a Canyon of the Skull album stream. Wednesday an Onhou album stream — dark, dark, dark that one is. Thursday a track premiere and review of the new Solace record that I should probably just start writing now to get it done in time. Next Friday a Czar track premiere. Whole week, nailed down. Most of the week after as well. Busy times for being the “off season” in rock and roll, but it usually is, so fair enough.

Gonna try to get my head into the day to come (still early as I write) and probably fail miserably, as I so, so often do.

Great and safe weekend. Forum, radio and NEW merch.

The Obelisk Forum

The Obelisk Radio

The Obelisk merch

 

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The Obsessed Cancel European Tour; Playing Descendants of Crom III This Weekend

Posted in Whathaveyou on September 17th, 2019 by JJ Koczan

the obsessed (photo by David Torrence)

Come on, Norway. You could let Wino in at this point. It’s been five years. Considering it as a punitive measure, I can’t even imagine how much the loss of European touring income would be in terms of paying a fine. Certainly enough for however much drugs it was he got busted with at the border. Shit happens. Dude took the hit, so maybe time to move on?

It’s a bummer that The Obsessed‘s return trip to the Schengen countries and greater Europe has been nixed on account of ongoing fallout from that arrest, but the band, who also toured earlier this year in the States with C.O.C. and Crowbar, will appear this coming weekend at Descendants of Crom III in Pittsburgh, so the news isn’t all bad. They’ll be more than welcome I’m sure as they take the place of ASG on that bill and join the ranks of Solace, Foghound, Valkyrie and hometown heroes Argus, among many others. That’s pretty much a guaranteed good time.

Wino posted the following through the social medias:

the obsessed descendants of crom iii

Hello to all our fans and friends .

We are saddened to say that all European Obsessed shows in fall have been cancelled .

The facts are: After an arrest in Norway I was banned from Norway and all the Schengen countries for five years. Its been five years . Recently we found out, only by chance, that the Norwegian govt was not only deceptive about the ability to enter other countries by visa but also intentionally delayed filing my appeal that I filed in a timely manner in accordance with Norwegian law. This added an extra year to the ban consequently keeping THE OBSESSED from being able to play in Europe (UK is not included in the ban).

I feel I have been wronged by these events. I have accepted responsibility for my actions initially but now our hands are tied. Knowledge of these actions by the Norwegian govt only came to light when i arrived in Berlin to play acoustic set at Desertfest earlier this year. After being detained 10 hours i was luckily granted a temporary three day visa, but advised by the German border police of the extended ban etc. We are seeking legal recourse now and will be over to play as soon as we can. Our most sincere apologies.

We will be playing in Pittsburgh Saturday September 21st at the Descendants of Crom III festival. Great lineup….. it’s going to be a kick ass night. See you there.

Thanks to all who believe.
WINO – THE OBSESSED

https://www.facebook.com/TheObsessedOfficial
http://relapse.com/the-obsessed-sacred/
https://theobsessed.bandcamp.com/
http://www.relapse.com
http://www.relapserecords.bandcamp.com
http://www.facebook.com/RelapseRecords

The Obsessed, Sacred (2017)

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Mangog Release The Ghost in the Room EP

Posted in Whathaveyou on June 18th, 2019 by JJ Koczan

mangog

With Maryland Doom Fest kicking off later this week, it is a fitting time to celebrate the region’s heavy output. Baltimorean four-piece Mangog won’t play in Frederick this year, but they’ve got a brand new two-songer called The Ghost in the Room out well in time for the occasion just the same. They would seem to have parted ways with masked drummer Dao Yu since the recording of the EP — we never did find out why he wore the mask, so let’s just assume it was because he was secretly WJZ Baltimore meteorologist Bob Turk in disguise and didn’t want anyone at CBS to know he’s super into heavy riffs. Fair. It would probably cost him his job.

The new guy is Russell Hayward III, and he’ll have to wait until the next outing to make his debut with the band, but I hear there’s a second album in the works. I wouldn’t be surprised if these tracks are on it in some form or other.

The PR wire has it like this:

mangog the ghost in the room

Baltimore doom unit MANGOG releases brand new EP; Out now on Argonauta Records!

Doom metal heavyweights MANGOG have announced the surprising release of a brand new EP titled The Ghost in the Room, which is out now on Argonauta Records!

MANGOG is a doom metal band based out of Baltimore, Maryland, formed by bassist Bert Hall Jr. (Revelation, Against Nature, Beelzefuzz ), assuming guitar duties, drummer Stephen Branagan (Revelation, Against Nature, and Yet So Far), Major Company bassist Darby Cox, and Final Answer vocalist Myke Wells. In early 2015 the band released the Daydreams Within Nightmares EP during their debut performance at the Maryland Doomfest. One year later, MANGOG completed its first and critically acclaimed full length album, Mangog Awakens, released with Argonauta Records in 2017.

The Ghost in the Room continues the band’s work and sets high anticipation for their sophomore album, MANGOG are currently working on. Their brand new, 2-track EP is now available for streaming and download HERE!

“We are stoked to give everyone a taste of some of the music we’ve been working on through our partnership with Argonauta Records!” MANGOG comments. “The Ghost in the Room has been a staple of Mangog set lists since shortly after the release of the “Awakens” album, with the track “Hubris” being written much more recently.

The road to getting out new music has been an epic one, paved with hospitalizations, birth, death, setbacks, frustration and lineup changes. These recordings feature former member Dao Yu on drums, who worked with the band between September 2017 and October 2018.

We recently also begun to perform acoustic versions of some of our new and old songs, and will have a video for “Ghost in the Room” about to enter the post production, so better watch out for many more great news to come soon!”

Tracklisting:
1. The Ghost in the Room 06:53
2. Hubris 04:01

MANGOG is:
Myke Wells – Vocals
Bert Hall, Jr. – Guitars, vocals, devices
Darby Cox – Basses
Russell Hayward III – Drums

www.facebook.com/MangogDoom
https://twitter.com/mangogdoom
https://www.mangogdoom.com/
www.argonautarecords.com

Mangog, The Ghost in the Room EP (2019)

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Beelzefuzz to Play Last Show at Maryland Doom Fest 2019

Posted in Whathaveyou on June 6th, 2019 by JJ Koczan

Beelzefuzz will take the stage on Saturday, June 22, as part of the most packed Maryland Doom Fest lineup yet. As founding guitarist/vocalist Dana Ortt recently made public, it will be the band’s last show. Ortt announced on Instagram that owing to ongoing drama surrounding the band’s name and former bassist Pug Kirby‘s claim thereupon — which is apparently valid so far as Facebook are concerned — he’s simply thrown up his hands and decided to put the band to rest.

We’ve been here before, of course. Five years ago, after making their self-titled debut (review here) in 2013, Beelzefuzz broke up owing to the same situation, and Ortt and drummer Darin McCloskey — also of Pale Divineformed Righteous Bloom with Bert Hall, Jr. of Revelation on bass. They, in turn, changed the name back to Beelzefuzz in 2015 and went on to release their second album, The Righteous Bloom (review here), in 2016.

In the meantime, they’d picked up Pale Divine guitarist/vocalist Greg Diener to handle lead guitar alongside Ortt, and Ortt last year joined Pale Divine as well to back Diener‘s frontman role in that band. So, although the last incarnation of Beelzefuzz is done as of later this month in Frederick, MD, Ortt, McCloskey and Diener will apparently continue to work together — alongside bassist/backing vocalist Ron “Fezzy” McGinnis — in Pale Divine.

Do I think we’ve seen the last of Beelzefuzz? Probably, but who knows. They were clearly affected by the initial fallout, and even when they came back after their time as Righteous Bloom, there was an edge of been-through-it about their material. I don’t think we’ve heard the last of Ortt as a songwriter, however. He’s been doing solo shows around the Marylandosphere, and I wouldn’t be surprised if some other project popped up in addition to his ongoing work in Pale Divine. Some people are just too creative to sit still for very long.

But Beelzefuzz were a band of obvious potential who, especially live, were able to capture something of the spirit of classic progressive rock along with a groove drawn out from the traditions of Maryland doom. Their personality most came through on stage, but whether you were seeing them live or listening to their records, there was never any mistaking their sound. Here’s hoping a new one from Pale Divine shows up sooner than later, and here’s to one more blowout at MDDF. At least they’ll go out among family.

https://soundcloud.com/beelzefuzz
https://beelzefuzz.bandcamp.com/
http://doom-dealer.de/

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Spiral Grave Sign to Salt of the Earth Records; Premiere “Nothing” Lyric Video

Posted in Whathaveyou on April 10th, 2019 by JJ Koczan

You knew someone was going to step up and snag Spiral Grave for an initial release, whether it was Argonauta Records, with whom frontman Dee Calhoun works on his solo stuff, or Shadow Kingdom, which has in the past released outings from Iron Man, or somebody else. The label pulling this oh-so-doomly rabbit out of its hat is Salt of the Earth Records out of Connecticut, and they’ll release the band’s debut single, from which you can hear the premiere of the track “Nothing” in the lyric video at the bottom of this post.

A debut album is slated to follow either late this year or early in 2020, but Spiral Grave have been gearing up with live shows over the last month in their native Chesapeake region, and they’ll make their first appearance outside those geographical confines next month at the New England Stoner and Doom Festival, in which Salt of the Earth also has a hand. Given the band’s pedigree in Iron Man and Lord — a perennial favorite who were underrated from their outset to their demise — to say I’m looking forward to their set would be something of an understatement.

The PR wire has the signing announcement:

spiral grave

Spiral Grave – Salt of the Earth Records

SALT OF THE EARTH RECORDS is proud to announce the addition of Maryland Doom cult SPIRAL GRAVE to their roster.

Spiral Grave is comprised of the three surviving members of IRON MAN in vocalist “Screaming Mad” Dee Calhoun, bassist “Iron” Louis Strachan and drummer Mot Waldmann, as well as former LORD guitarist Willy Rivera, whose sharp-edged riffing sets the mood for the band as heavy-as-hell aggressive doom.

“The music Spiral Grave is creating is some of the most ferocious doom metal I have heard. Ever. They take tradition and fury, and melt them together for a devastating ride.” – Scott Of The Earth

SPIRAL GRAVE recently recorded two songs for an upcoming CD single release, which will be followed by a full-length release late-2019/early-2020. The band will be performing at The New England Stoner and Doom Festival next month (May 3-5) at Altones Music Hall in Jewett City CT. Tickets are available at www.NewEnglandStonerAndDoomFest.com

Preorder your CD Single @ www.SaltOfTheEarthRecords.com

Spiral Grave live:
May 3-5 Altone’s Music Hall Jewett City CT – New England Stoner & Doom Fest II
June 8 Guido’s Speakeasy Frederick MD

Spiral Grave is:
Screaming Mad Dee – voice
Willy Rivera – guitars
“Iron” Louis Strachan – bass
Jason “Mot” Waldmann – drums

https://www.facebook.com/SpiralGrave/
www.facebook.com/SaltOfTheEarthRec
www.saltoftheearthrecords.com

Spiral Grave, “Nothing” lyric video

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Spiral Grave Announce First Live Shows Including New England Stoner & Doom Fest and More

Posted in Whathaveyou on March 14th, 2019 by JJ Koczan

spiral grave

With members of Iron Man and Lord coming together for the first time on stage, Spiral Grave will make their first live appearance tomorrow night, March 15, at The Depot in Baltimore. The four-piece were in the studio last month putting together a single previously teased in a rehearsal clip on thee social medias, and I’m not saying I heard the results of that session or anything, but yeah, that is what I’m saying and if their intent was as stated to capture the feel of “doom meets Dehumanizer,” they’re well on their way to that. I don’t know if they just did the one song or what — I think so, but don’t quote me — but either way, they must have at least a few songs together, since they’ve got two shows this weekend and they’ll be at New England Stoner & Doom Fest II in May and playing sets requires, you know, a set.

Still looking forward to more from these guys, and to seeing them in Connecticut:

We’re hitting the ground running…

Spiral Grave Upcoming Shows:
Friday March 15 The Depot Baltimore MD
Sunday March 17 The Pinch Washington D.C.
Saturday March 23 Bricks Staunton VA
Friday March 29 VFW 9724 Falls Church VA
May 3-5 Altone’s Music Hall Jewett City CT – New England Stoner & Doom Fest II
Saturday June 8 Guido’s Speakeasy Frederick MD

Spiral Grave is the collaboration of the members of two legendary mid-Atlantic bands: Iron Man, who disbanded in early 2018 following the death of their guitarist and founder Al Morris III, and Lord.

In mid-2018, former Lord guitarist Willy Rivera reached out to longtime friend and former Iron Man voice “Screaming Mad” Dee Calhoun about forming a new project, something that Willy described as “doom meets Dehumanizer.” Former Iron Man rhythm section “Iron” Louis Strachan (bass) and Jason “Mot” Waldmann (drums) came onboard, and Spiral Grave was born.

Spiral Grave is:
Screaming Mad Dee – voice
Willy Rivera – guitars
“Iron” Louis Strachan – bass
Jason “Mot” Waldmann – drums

https://www.facebook.com/SpiralGrave/

Spiral Grave, “Abgrund” rehearsal clip

Spiral Grave, “Nothing” rehearsal demo

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Pentagram Announce Return to Stage for US Tour Dates

Posted in Whathaveyou on February 1st, 2019 by JJ Koczan

Pentagram (Photo by JJ Koczan)

Pentagram‘s return to the stage was previously announced as part of Maryland Doom Fest 2019, though just who would be involved was something of a mystery. Perennially troubled frontman Bobby Liebling has returned to the band — you might recall guitarist Victor Griffin took the forward spot in 2017 following a mess around Liebling copping an assault charge and going to jail as a result, which itself followed accusations of sexual harassment on tour — and while Griffin is out of Pentagram at this time, his nephew, bassist Greg Turley, remains, and drummer “Minnesota Pete” Campbell continues to hold down that role.

Matt Goldsborough (ex-The Skull, ex-Carousel) has filled in for Griffin before and will do so again as they take to the road in March for a tour that will hit spots in the Midwest and Southeast. I’m not going to be so foolish as to predict what the future of Pentagram will hold, but as of now these shows are happening and that’s that. So there you go. Brother Dege and Dirty Streets — whose new album I never even got to hear, which made me a little sad — will support.

From the PR wire:

pentagram tour

Everything’s turning to night….

Doom metal patriarchs PENTAGRAM take the stage in 10 American cities this March 2019.

Remorseful and rehabilitated, legendary frontman and co-founder Bobby Liebling returns for a string of live performances. Greg Turley, longtime bass player and “Ram Family” member by blood, will appear alongside Liebling, drummer “Minnesota Pete” Campbell and the reemergence of Philadelphia’s electric axeman Matthew Goldsborough (Pentagram, ex-The Skull).

Experience a high volume delivery of their revered hard rock & doom metal classics that cover their near half-century career. This relentless setlist is sure to shine a blue light on Liebling’s pioneering “First Daze” favorites.

Handpicked support acts BROTHER DEGE, a NOLA soul who’s been called the “haunted enigma of 21st century delta blues” and Memphis’ hard rolling, blues-rocked power trio DIRTY STREETS complete this exceptional bill.

PENTAGRAM
Last Days Here
MARCH 2019
14th – Cincinnati, OH
15th – Chattanooga, TN
16th – Nashville, TN
17th – Atlanta, GA
19th – Dallas, TX
20th – Austin, TX
21st – Houston, TX
22nd – Little Rock, AR
23rd – New Orleans, LA
24th – Memphis, TN

http://www.PentagramOfficial.com
https://www.facebook.com/pentagramusa

Pentagram, “Last Days Here”

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Spiral Grave: New Band Brings Together Members of Iron Man and Lord

Posted in Whathaveyou on January 2nd, 2019 by JJ Koczan

The surviving members of Iron Man have announced a new project together, as vocalist “Screaming Mad” Dee Calhoun, bassist Louis Strachan and drummer Jason “Mot” Waldmann have joined with guitarist Willy Rivera, who until this past summer was one of the essential figures behind heavy thrashers Lord. The new band is called Spiral Grave, and it will mark the first outing from WaldmannStrachan and Calhoun together since the death last January of Iron Man founder “Iron” Alfred Morris IIICalhoun and Strachan — the latter of whom seems to have inherited the “Iron in front of his name, and rightly so — have continued working together on Calhoun‘s solo-project, but Spiral Grave seems much more of a full-band entity than the singer-songwriter-gone-metal-isms of Dee‘s two to-date records.

Iron Man‘s final album was 2013’s South of the Earth (review here), issued by Rise Above Records and a fitting-if-unfortunate capstone on the band’s career of more than 20 years. Lord meanwhile announced their breakup last year even as they were getting ready to release their finest album in Desperation Finds Hunger in All Men (review here), which found their oft-chaotic approach on its most solid ground while giving up none of it razor-sharp edge. Spiral Grave would seem to draw from both sides in terms of its groove, though at least in the posted rehearsal room demo for “Nothing,” the band seems to lean much more toward doom than extreme sludge or thrash, as Lord sometimes would.

But they’re a new band, so it’s up in the air where their sound and exploration of influences might take them. They’re reportedly set to hit the studio next month for a single, and then I suppose it’s on from there. The start of a New Year is always supposed to hold some kind of promise of good things to come, so here’s this:

spiral grave

Spiral Grave is the collaboration of the members of two legendary mid-Atlantic bands: Iron Man, who disbanded in early 2018 following the death of their guitarist and founder Al Morris III, and Lord.

In mid-2018, former Lord guitarist Willy Rivera reached out to longtime friend and former Iron Man voice “Screaming Mad” Dee Calhoun about forming a new project, something that Willy described as “doom meets Dehumanizer.” Former Iron Man rhythm section “Iron” Louis Strachan (bass) and Jason “Mot” Waldmann (drums) came onboard, and Spiral Grave was born.

In February 2019, Spiral Grave will record their first single, and will take to the live stage.

Spiral Grave is:
Screaming Mad Dee – voice
Willy Rivera – guitars
“Iron” Louis Strachan – bass
Jason “Mot” Waldmann – drums

https://www.facebook.com/SpiralGrave/

Spiral Grave, “Nothing” rehearsal demo

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