Mangog Working on Second Album; New Drummer Announced

Posted in Whathaveyou on February 20th, 2018 by JJ Koczan

So, it would seem the masked dude in the Mangog photo you see here is their new drummer, Dao Yu. Why is he wearing a mask? I have no idea. None whatsoever. Unless Dao Yu isn’t his real name, it’s not like he’s keeping his identity a secret, and call me crazy, but I wouldn’t think as a drummer having your entire face covered by a mask makes your life any easier, so yeah, I’ve got nothing on this one. Guy’s just wearing a mask.

Whenever I run into something like that, I like to think it’s because the person involved actually has a really good job or something and doesn’t want his colleagues to know he’s in a rock band on the side. Like Dao Yu is actually the superintendent of schools for Baltimore County, or the top real estate agent in Frederick or whatever. He owns a chain of daycare centers. Something like that. Mind you I don’t know if any or all of that — if it’s all of it, he’d be awfully busy — is true in the slightest, but it’s fun to pretend.

The mystery will just have to remain for the time being, but the good news is that, with Yu in tow, Mangog have started prep work on their sophomore full-length, which will be the follow-up to last year’s Mangog Awakens (review here). Here’s the latest info:

mangog

MANGOG – working on the new album

After recently completing a run of gigs that included the band’s 50th overall lifetime show, MANGOG is currently hard at work at its rehearsal facility arranging, rehearsing and preparing to record a follow up to “Mangog Awakens” with the new lineup that debuted in September 2017. With close to an hour of new material, the band is preparing a monolithic slab of music that will make the debut cd sound like a warm up!

MANGOG also started working on a new video, the group assembled on the first of three sets for the performance section of the clip. Additional filming is expected over the next several weeks concurrent with rehearsal of nearly a dozen new songs to be recorded for a follow up to “Mangog Awakens.”

The band, including vocalist Myke Wells, guitarist/vocalist Bert Hall, Jr., bassist Darby Cox will resume recording the disc with the group’s newest member Dao Yu on drums during early 2018, to be released via ARGONAUTA Records.

MANGOG is:
Myke Wells – Vocals
Darby Cox – bass
Bert Hall – Guitar/Vocals
Dao Yu – Drums

www.facebook.com/MangogDoom
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www.argonautarecords.com

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Mangog, Mangog Awakens: True to Form (Plus Full Album Stream)

Posted in Reviews on January 6th, 2017 by JJ Koczan

mangog awakens

[Click play above to stream Mangog’s Mangog Awakens in full. Album is out Jan. 9 on Argonauta Records.]

For those off the Eastern Seaboard of the United States, Maryland doom must seem like a curious animal. It’s angry, but restrained, sad, but grooved, melodic and still weighted down by a particular disaffection. Over the last three decades, it’s also become one of the longest-lasting and prolific regional sources for heavy output, and as Mangog‘s Argonauta Records debut album, Mangog Awakens, demonstrates, it remains a sound that is growing and shaping itself. As rigid as its tenets can sometimes seem in post-The Obsessed riffing and Sabbathian loyalism, there’s room in the Chesapeake State for a breadth of atmospheres, and Mangog take advantage of this while staying grounded in deeply human experiences of loss and betrayal on “Ab Intra” and “A Tongue Full of Lies,” and still having a bit of fun in a cut like “Meld,” which from its opening lines, “Your thoughts to my thoughts/My mind to your mind,” through the inclusion of “It is a good day to die” in the chorus was bound to win over my Star Trek-loving heart.

Granted that cut is a long way from “Walk in my shoes/Feel the abuse” and “Chase the dream then you die” from “Modern Day Concubine,” but it fits sound-wise with Mangog‘s straightforward, semi-metallized take, marked out by the rumbling basslines of Darby Cox (Major Company), the thickened riffing of Bert Hall, Jr. (also bass in Beelzefuzz, ex-Revelation, the snarl in the vocals of Myke Wells (ex-Final Answer) and the dead-ahead push drumming of Mike Rix (ex-Iron Man). In any case, a bit of thematic variety doesn’t hurt, especially when so much of Mangog Awakens basks in the emotionally grim.

Welcome to doom, chief. I’ve said many times over the years that repetition and that grueling feeling that sometimes emerges from bands in the style are key markers for doom, and Mangog do a fair bit to play into that, but from Mangog Awakens‘ opening salvo of “Time is a Prison,” the aforementioned “Meld” and “Ab Intra,” they seem intent likewise on finding a niche for themselves within the sphere’s overarching lack of pretense. “Meld” is shorter, but “Time is a Prison” hits seven minutes and “Ab Intra” tops eight, so there’s an apparent drive toward immersing the listener quickly in the album’s moody vibes, and if they haven’t already done it by then, the creeping start of “Ab Intra” assures the task is complete. Compare that to the ticking clock that begins the lumbering “Time is a Prison” and the sounding alarm at the end that still jars every time I hear it and Mangog are clearly pushing deeper as they go, but both “Time is a Prison” and “Ab Intra” rely on strong hooks to help get their point across, and that root of classic-style songcraft is important as the rest of the album continues to build fro this beginning.

“Ab Intra” is one of the three songs from Mangog‘s 2015 debut EP, Daydreams Within Nightmares, to be included on the full-length alongside “Of Your Deceit” immediately following and “Daydreams Within Nightmares,” placed here as the penultimate track before “Eyes Wide Shut” closes, but there’s no discernible interruption in flow between previously-released material, despite the band having worked with a slew of engineers — Jason Blevins and Mike FranklinMike Engel, and Drew Mazurek — on the recordings. The crawl-paced plod of “Of Your Deceit” might be preaching to the converted, but one wouldn’t accuse it at all of being incongruous in doing so. If nothing else, Mangog Awakens makes plain that the four-piece know the sound they’re shooting for.

Fine. The question then becomes whether they get there. From “Of Your Deceit” into the sub-three-minute tempo kick of “Into Infamy” and onward to the chug of “Modern Day Concubine,” the answer would seem to be yes. These are not rookie players, and while this is their first outing together in this incarnation, they sound comfortable in the mode of expression, going so far as to have Wells branch out a bit into a more rhythmic vocal patterning on “Modern Day Concubine” with just a hint of growl layered in. “A Tongue Full of Lies” offers more languid flow after that aggro moment, but has a build of its own that comes to a head in its second half, leading into the more upbeat shove of “Daydreams Within Nightmares,” the lyrics of which nod toward political turmoil — one might say “Into Infamy” did so earlier as well; both working in a general way relatively open to interpretation — as a choice riff churns around a hook that seems to reorient the listener moving into Mangog Awakens‘ final statement.

That comes with “Eyes Wide Shut,” which at 5:41 doesn’t touch “Time is a Prison” or “Ab Intra” in terms of runtime, but in its layered vocal harmonies — either Wells on his own or Wells with backing from Hall — and ultra-slow initial rollout punctuated by Rix‘s snare, it’s nodding enough to give the impression of being longer than it actually is and atmospheric after the fashion of classic Pentagram. Once again, Mangog bring their own stamp to the proceedings, adding a speedier, metallized bridge in the second half of the track before returning to the lumber to end out, not quite paying off the full record, but at very least assuring their audience there’s more to come. That may well be true, and at this point one might only speculate where Mangog might go after this “awakening.” What the band establishes, though, is the core of songwriting that will hopefully continue to be fleshed out from here and a strong awareness of where they’re coming from that will allow them to grow as they move forward.

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Mangog Post New Song “Into Infamy”; Mangog Awakens out Jan. 9

Posted in Whathaveyou on November 18th, 2016 by JJ Koczan

Preorders have been made available now for Mangog Awakens, the suitably-titled debut offering from oldschool Maryland doomers Mangog, who feature in their ranks Bert Hall, Jr. of Revelation and Beelzefuzz and drummer Mike Rix, formerly of Iron Man. Official release date is Jan. 9, 2017 — not nearly as far off as it sounds — and the album will be out via Argonauta Records, furthering that label’s ties to the Maryland doom scene as established earlier this year when it released the acoustic solo debut from Iron Man frontman Dee Calhoun.

I was fortunate enough to catch Mangog live this past summer at the third evening of Maryland Doom Fest 2016 (review here), and while I wouldn’t necessarily count on it to speak for the album as a whole, the track “Into Infamy” which you can stream below courtesy of the band actually speaks pretty well to the undercurrent of classic heavy metal that seems to run through their work. I guess what I’m saying is that one more or less expects them to doom out considerably at some point or another on Mangog Awakens, slow and low and all that — their live set certainly had those moments, as I remember it — but they’re very clearly not beholden solely to the doom of their region, at least as far as tempo goes. Metal’s always played a large part in the Maryland sound though, so perhaps it’s a question of where the balance ultimately lies on Mangog‘s debut.

We’ll find out after the New Year. Until then, Argonauta posted the art, the following info and the aforementioned stream of “Into Infamy.” Have at it:

mangog-awakens

MANGOG reveal cover artwork and new song

Baltimore based Doom masters MANGOG reveal cover artwork and first single from their highly anticipated new album.

The song “Into Infamy” is streaming here, a notably shorter and more up tempo example of MANGOG’s brand of doom.

“Mangog Awakens” will be released by ARGONAUTA Records in CD/DD and available from January 9th, 2017. This is a must have for all of you into IRON MAN, REVELATION and CANDLEMASS sonorities.

Preorders run here: http://bit.ly/2fSWJPc

www.argonautarecords.com
www.facebook.com/MangogDoom

Mangog, “Into Infamy”

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Live Review: Maryland Doom Fest 2016 Night Three

Posted in Reviews on June 27th, 2016 by JJ Koczan

maryland doom fest poster

The car died as I pulled it into the spot outside Cafe 611, and it was abundantly clear it would not start again sans professional assistance. Oh, and it’s The Patient Mrs.‘ car. So there’s that.

That puts the tally of busted shit at: my feet (I’ve been wearing a supportive boot cast all weekend, not sure if I’ve mentioned that yet), my camera, and my wife’s car. Maryland Doom Fest 2016, you have thoroughly kicked my ass.

None of that is the fest’s fault, of course. After an awesome two and a half weeks, I was due a couple hits, and if anything, yesterday, the third and final day of the festival with another 11 bands on the bill starting at 3PM, it was the music that kept my head up while I was flipping out about things like waiting for tow trucks, The Patient Mrs. never picking up her phone, how the fuck I’m going to get back to Massachusetts with a dead car so I can start my new job on Tuesday, and so on. I’m thankful for that. Not sure I’d have made it through the afternoon otherwise without spontaneously combusting.

Time to wrap this thing up. If you’ve checked out the reviews of night one or night two, thanks, and thanks for reading this one too.

One more time, hello Frederick:

Mangog

Mangog (Photo by JJ Koczan)

I’ll admit it was somewhat strange to watch Bert Hall on stage holding a guitar. The longtime Maryland doomer has played bass through the years in Revelation and Against Nature and now is also handling thick strings and fuzzy-hat for Beelzefuzz, but in Mangog it’s guitar and backing vocals to complement those of Myke Wells. Completed by drummer Mike Rix (ex-Iron Man) and bassist Darby Cox, the four-piece announced this week that they’d signed to Argonauta Records for the early 2017 release of their debut album. Presumably most of what they played, whether it was “God” or “Into Infamy” or “Meld,” comes from that record, but they also played two of the three cuts — “Ab Intra” and the title-track — from their 2015 debut EP, Daydreams Within Nightmares. The band played their first show at Maryland Doom Fest last year, and are still finding themselves as a unit, but seemed to be on the right track with their aggressive blend of doom and metal. Wells was also the first frontman to stand on the P.A. speakers in front of the stage, so points there as well.

Flummox

Flummox (Photo by JJ Koczan)

The first, but not the last. Bassist/vocalist Blake Dellinger of Flummox, in checked leotard regalia and with one eye blacked out, also got on that speaker, in addition to thrashing around just about everywhere else on the Cafe 611 stage as he, guitarist Drew Jones, and drummer/vocalist Jody Lester tore into their raucous stoner thrash, which it’s easy to imagine has been a highlight of the last couple years at house shows in their native Murfreesboro, Tennessee, as well as other haunts around the South lucky enough to book the band. Youth was on their side, sure, but they still delivered one of the weekend’s most energetic sets, and had the chemistry between them to stand up to the force of their delivery. They’re also reportedly responsible for the Tennessean Sludge Fest, which this August features Place of SkullsDoomstressShroud Eater and Order of the Owl, among many others, so clearly doing good work on multiple levels.

DopeRider

Doperider (Photo by JJ Koczan)

Hailing from my beloved Garden State, sludge torquemongers DopeRider proffered massive tones offset by a couple stretches of ambience, putting them in league with the likes of Connecticut’s Sea of Bones or any number of crushers in the post-YOB sphere, and that is a compliment as far as I’m concerned. Their slow-churning, growling, thudding lumber wasn’t the first bout of extremity the weekend had seen — one still recalls Philly’s Black Urn starting off Friday — but it did speak to the expanding definition of what Maryland Doom Fest might continue to encompass. Uniformly brutal in their approach, DopeRider — who released a debut demo last year with the tracks “Drugged up Demonoid” (15:09) and “Fractal Resin” (6:07) — were thankful to the crowd, guitarist/vocalist MP saying that there wasn’t much like this in Jersey. I know from personal experience that’s 100 percent true, but little doubt DopeRider would’ve stood out on the bill whatever the context. Will keep an eye out for what they do next.

Seasick Gladiator

Seasick Gladiator (Photo by JJ Koczan)

I’ll admit that for a decent portion of D.C. residents Seasick Gladiator‘s set, I was outside dealing with the tow truck driver from AAA. Actually he was the second, past the one who tried to jump the car to no avail, so yeah, it took a minute. What I saw of the instrumental outfit offered metallic doom marked out through the use of violin, adding a sense of drama to the material as strings invariably will. They had some progressive edge that didn’t necessarily feel showy or overly self-righteous, and from what I heard sounded pretty fluid. Meanwhile, outside, the car still refused to start — battery? alternator? — and had to be dragged onto the back of the flatbed and hauled off to some local garage. A genuine what the fuck moment, but like I said, the music kept me going. Somehow I doubt it will be the last opportunity to catch Seasick Gladiator, and from the glimpses I got and from watching the end of their set after the truck drove away, their appeal came through even despite distraction.

Eternal Black

Eternal Black (Photo by JJ Koczan)

I’ll never pretend to even feign impartiality about any band Joe Wood is playing in. Aside from being a former bandmate, the Borgo Pass and Eternal Black drummer is among the nicest, most sincere individuals I’ve ever met — King of the Dudes — and whether he’s behind the kit or in the crowd, any day I get to see Joe is a good day, including this one. He is not, however, all that Eternal Black have working in their favor. Atop rolling The Obsessed-style riffs, the NY three-piece with Wood, guitarist/vocalist Ken Wohlrob and bassist Hal Miller, fit right in with the sphere of Maryland doom but had more than a touch of Northeastern intensity to their approach as well, particularly from Wohlrob‘s vocals. The same was true of their first demo (review here), which was released last year, but they had a host of new songs in the set — “Snake Oil and Coffin Nails” was a highlight, along with “Sea of Graves” — and announced plans to record this summer/fall for a debut full-length, which will be one to anticipate. Granted NYC is four to five hours from where I live depending on traffic, but I still felt I probably should’ve seen Eternal Black by now. Glad I got to in such a setting.

Toke

Toke (Photo by JJ Koczan)

North Carolina’s Toke were the only band of the weekend to bring their own lights, and their focus on presentation likewise extended to how they carried themselves on stage, each of the three members putting his full body into the groove of their hard-hit, swinging riffs, seeming way more influenced by Sleep live than on their 2014 demo, High Friends in Low Places (review here), but still marked out on the harsher end of sludge by the vocals, which were on the more searing end of screams. Comprised of TimBronco and Jeremy, they reminded some of Elder‘s Matt Couto in the drumming style, but were on an entirely different trip sonically, and for a band who doesn’t yet have an album out, they had steady command over the stage, the room, and their consuming tonal largesse. Very obviously a band who’s done some road time — they played Denver Electric Funeral Fest earlier this month — and one who’ve dug in hard to their practice space. They were high among the most pleasant surprises at Maryland Doom Fest 2016, all three days.

Foghound

Foghound (Photo by JJ Koczan)

Foghound were not a surprise, true, but they were a joy to watch all the same. The Baltimore heavy rock kingpins are on the cusp of releasing their second album, The World Unseen (review forthcoming), on Ripple Music, and they absolutely blew me away last fall at Vultures of Volume II (review here), also in Maryland, but to hear those songs now and know them better, whether it’s the ultra-catchy “Rockin’ and Rollin'” or “Message in the Sky,” “Never Return,” “Above the Wake,” “Serpentine,” etc., was an entirely different experience, drummer Chuck Dukehart III and guitarists Bob Sipes and Dee Settar sharing vocal duties while bassist Jim Forrester held down the low end. Playing a set entirely comprised of new material only emphasized how far beyond 2013’s Quick, Dirty and High (review here) they’re ready to be, and like last time I was fortunate enough to catch them, they were air-tight musically, varied in the vocal arrangements and executed their set on a foundation of strong, waiting to be noticed songwriting. I know it kicks ass, but I’m eager to find out how The World Unseen catches on with listeners once it’s out, as I’m sure the band is as well.

Wasted Theory

Wasted Theory (Photo by JJ Koczan)

Like Foghound before them (and several others), Delaware’s Wasted Theory brought a sampling of their next outing, which is set to be recorded this fall, reportedly, for a 2017 release. I was talking the other night to guitarist/vocalist Larry Jackson, Jr., about the next Wasted Theory and he asked what I’d want to hear on it. Basically what I’d be looking for is a step forward from 2014’s Death and Taxes (review here). I’d want to hear that the band — Jackson, guitarist Dave McMahon, bassist Rob Michael and drummer Brendan Burns — was pushing itself in terms of melody and songcraft. Hard to judge from one live airing, but they seemed to be headed in that direction, bringing a more aggressive edge to some of the Southern groove that on the last album was such a huge part of their take. They still had a definite update-the-’70s classic heavy rock vibe, and Jackson‘s gravely vocals added burl as ever, but that progression that one might hope to hear in their sound came through at Cafe 611. They still have to record the next LP, but hopefully it follows suit when it arrives.

King Giant

King Giant (Photo by JJ Koczan)

I’ve seen dark Virginian rockers King Giant a handful of times now — three or four, maybe, most recently at the aforementioned Vultures of Volume II (review here) — and their sheer have-their-shit-together factor remains hugely impressive. Dudes know exactly what they want their songs to do, where they want to put that Todd Ingram solo, what the verse is moving toward, etc. Vocalist Dave Hammerly had two mics setup with various kinds of compression, and the double-guitar five-piece proceeded to do their thing, which is to offer up grooving slabs of moody Southern heavy, bordering on metal in their attitude but really more about atmosphere than aggression, or at least about toying with that balance. “Requiem for a Drunkard” from 2015’s Black Ocean Waves (review here) was a high point sonically if a particularly downer vibe, but really, King Giant are in league with the safer bets you might make when it comes to quality of craft and performance in their style. It’s not always what I’m looking for stylistically, but for as much as King Giant put into their band, it’s impossible not to respect them.

Karma to Burn

Karma to Burn (Photo by JJ Koczan)

Kind of hard to believe it’s been nearly five years since the last time I saw Karma to Burn. Night and day. With the lineup of founding guitarist Will Mecum, bassist Eric Clutter and drummer Evan Devine the West Virginian instrumental powerhouse were in nothing but top form for their set. One might expect them to be on after having just done a month on the road with The Obsessed across the US, but propelled by Devine‘s crash, they rode Mecum‘s riffing with an energy I’ve never seen from them. The most recent cut they played was “57” from 2014’s Arch Stanton (review here) — though I thought I heard part of “62” as well — and of course their signature piece, “20” from 1999’s Wild Wonderful Purgatory was aired to a particularly fervent response. They were the only band of the weekend so far as I saw who elicited anything close to moshing, and it was well-earned. Just a killer show, front to back, and while I know Karma to Burn has a history of burning through rhythm sections, what Clutter and Devine bring to the band alongside Mecum isn’t to be understated. True power trio form, continually without compromise or bullshit.

Mos Generator

Mos Generator (Photo by JJ Koczan)

“We’ve been here since eight o’clock,” said Mos Generator frontman Tony Reed, “and I’m drunk.” To be fair, it was long past eight by the time the Port Orchard, Washington, heavy rockers took the stage for their headlining/fest-closing set. My fingers were crossed they’d have copies of their new album, Abyssinia (review forthcoming), but no dice. Bought a shirt instead. Their set launched at a furious clip and did not relent, drummer Jon Garrett stepping up to righteously follow what Evan Devine brought to Karma to Burn as bassist Sean Booth served to anchor the material and bolster the impact of Reed‘s guitar. “Lonely One Kenobi” was an early highlight, followed by “There’s No Return from Nowhere” from the new record and “Breaker” and the title-track from 2014’s Electric Mountain Majesty (review here), Reed, of whom I’ll make no bones about being a fan, letting his vocals soar for the latter while completely owning the stage and bringing the room along with him. Hard not to smile watching him on stage — someone so obviously born to do what he’s doing who then set about working really, really hard at it for decades — and he kept the intensity of performance going until the house lights came up as they played “This is the Gift of Nature.” The room had thinned out somewhat by then, as it will, but after a full hour of go-go-go, there was zero slowdown whatsoever. Some bands just want to rock and roll, and Mos Generator do so with a pure reverence for the form that few would dare attempt to match. They were absolutely on fire.

As I write this, I’m on the road in a rental car, headed back north. I start my new job tomorrow. The Patient Mrs., who was visiting family elsewhere in the state, came and picked me up in a rental car and is currently driving me and Postman Dan, who came along for the trip, north. As there’s been no word from the mechanic that the car got towed to, I’ll have to drive back to Frederick on Friday to pick it up. Serves me right for something, I’m sure. Unanswered emails, perhaps.

Before I cut out, I want to thank JB Matson and Mark Cruikshank for having me on board as a sponsor and for having me down to cover Maryland Doom Fest 2016. I know these reviews have been somewhat fraught in their context, but Matson and Cruikshank put on a hell of a show over these three days, and should be commended both for the efforts and the results yielded. I can only hope they keep it going and hope they’ll have me involved again next year.

If they do, I think next time I might just fly in. But I always say that.

Thanks for reading.

 

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Mangog Sign to Argonauta Records; Mangog Awakens Due in 2017

Posted in Whathaveyou on June 22nd, 2016 by JJ Koczan

After an initial foray into Maryland doom with the release of Iron Man frontman Dee Calhoun‘s solo record earlier this month, Italian imprint Argonauta Records has announced another pickup from that crabbiest of states — newcomer outfit Mangog. The group, which features bassist Bert Hall, also of Beelzefuzz and formerly of Revelation, and drummer Mike Rix, formerly of Iron Man, will make their full-length debut through the label early next year with the ominously-titled Mangog Awakens, a follow-up for their initial EP, Daydreams Within Nightmares.

Looking forward to getting a glimpse of these guys live at Maryland Doom Fest this weekend. The label sent the following background info along with word of the signing:

mangog

ARGONAUTA RECORDS – NEW SIGNING: MANGOG

Beyond proud to announce that US doomsters MANGOG are now part of our family!

Mangog is a doom metal band based out of Baltimore, Maryland. Formed by bassist Bert Hall Jr. (Revelation and Against Nature), Drummer Stephen Branagan (Revelation, Against Nature and Yet So Far), Major Company’s Bassist Darby Cox and Final Answer’s Vocalist Myke Wells. In February of 2015 Drummer Mike Rix (formally of doom legends IRON MAN) replaced Steve Branagan.

After a year of REVELATION and AGAINST NATURE being on hiatus, bassist Bert Hall Jr. (now on guitar and vocals) assembled a lineup to form a dark alliance founded on the copious use of punishingly heavy riffs, odd ball time signatures (13/8 anyone?) and dystopian lyrics. The band entered the studio in March 2015 and recorded their debut EP titled “Daydreams Within Nightmares”. One year later in 2016 the band completed recording its first full length CD “Mangog Awakens”, and was signed to Argonauta Records.

The band says: “Mangog would like to thank Gero for singing us to Argonauta Records, he has fastly become our fifth band member in a sense and we look forward to his expertise and guidance in our future collaboration with this great label.”

The album MANGOG AWAKENS will be released in CD/DD by early 2017.

MANGOG are:
Myke Wells – Vocals
Bert Hall Jr. – Guitars/Vocals
Darby Cox – Bass
Mike Rix – Drums

www.argonautarecords.com
www.facebook.com/mangogdoom
www.mangogdoom.com

Mangog, “Ab Intra”

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Mangog Unveil First Rumblings in Video for “Ab Intra”

Posted in Bootleg Theater on June 15th, 2015 by JJ Koczan

mangog

The beating heart of Maryland doom lies in Frederick. It’s not the traditional “Doom Capitol” — that being D.C. or at least Baltimore — but it’s where the style lives on and flourishes today, and it’s from whence the newcomer four-piece Mangog hail, their style steeped in the lurching traditions, downer riffing and sonic heft for which the Maryland scene is so rightly revered. The band features in its lineup former Revelation and current Righteous Bloom bassist Bert Hall — here on guitar and vocals — and ex-Iron Man drummer Mike Rix alongside vocalist/intermittent guitarist Myke Wells (who co-directed the video) and bassist Darby Cox (also of Major Company and Hall‘s experimental hip-hop outfit, Negro Childe), and “Ab Intra” is the first audio they’ve made public from a forthcoming demo, and one finds its eight-minute roll (reportedly they’re playing it slower now, thus further elongating) working in regionalist form as what should be a welcome introduction to the converted awaiting their arrival.

Formed late in 2014, Mangog hit the studio in April with producer Drew Mazurek to track their debut demo, and they’ll make their first stage appearance at the end of this month at the Maryland Doom Festival in — where else? — Frederick, at Cafe 611, performing at the final day of the fest on June 28. If their pedigree isn’t enough to pique interest for those making the pilgrimage to the inaugural three-dayer, then “Ab Intra” should get the job done, with its eerie intro and subsequent theatrical flourish — no, I’m not just talking about Hall‘s fuzzy hat — and moody sensibility. Not sure on an exact release date for the demo. Presumably it would be in-hand for the Maryland Doom Fest, but one never really knows how that kind of thing is going to work out. In any case, worth keeping an eye on, and you can do precisely that (mostly with the video below.

Enjoy:

Mangog, “Ab Intra” official video

We premiered the first song from our demo, “Ab Intra”, recorded and produced by the great Drew Mazurek (Gwar, Revelation, Jawbox)! We hope you’ll enjoy our video for “Ab Intra”, directed and filmed by our very own Myke Wells and Jonathan Carroll of X9 Records!

Come see our debut at the Maryland Doom Festival! Tickets are only sold online! Get ya doom on!

The Maryland Doom Festival
June 26-28
Cafe 611
611 N. Market Street
Frederick, Maryland 21701

Mangog on Thee Facebooks

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Maryland Doom Fest tickets

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Maryland Doom Fest 1: Nagato Added; Final Schedule Announced

Posted in Whathaveyou on March 4th, 2015 by JJ Koczan

nagato (Photo by Rachel Ellen Morton)

It turns out Pull had to them-out (get it?) of the first-ever Maryland Doom Fest, but they’ve been replaced by reunited riffers Nagato, who got back together last year after a cessation of activity in 2012. Thick on vibe, they’ll add progressive atmospherics and gorgeous tone to the lineup of the fest, which takes place from June 26-28 at Cafe 611 in Frederick, Maryland. I’ve only been fortunate enough to see the four-piece once, at Stoner Hands of Doom XI in 2011 (review here), for which they also played on a Sunday, but that set left enough an impression that four years later I keep hoping I’ll hear some news about them putting out a record sooner or later.

They might get there. I know the members of Nagato are involved in a few other projects as well, so maybe their playing Maryland Doom Fest is enough for the moment. They’ve joined a killer lineup, for which the final schedule has just been announced.

And just so we have it all in one place, alphabetically, here’s the full lineup as of now (there are still a couple months to go, things can change) for the inaugural Maryland Doom Fest: Apostle of Solitude, Balam, Banned from H.E.L.L., Foehammer, Foghound, Into the Void, Iron Man, Lord, Mangog, Mind’s Eye, Nagato, Outside Truth, Primer Grey, Project Armageddon, Season of Arrows, Serpent Witch, Sixty Watt Shaman, Slaves B.C., Spirit Caravan, The Skull, Unorthodox, Valkyrie, Weed is Weed.

Poster by Audrey Mantel and running order follow, along with Nagato‘s return show last August:

md doom fest flyer

The Maryland Doom Fest 1

June 26 – 28, 2015
Cafe 611, Frederick, MD

A weekend of doom metal in its purest form.

FRIDAY
The Skull 1225-130
Sixty Watt Shaman 1115-1210
Unorthodox 1005-11
Weed Is Weed 855-950
Into The Void 755-840
Banned From H.E.L.L. 655-740
Primer Grey 6-640

SATURDAY
Spirit Caravan 1215-130
Apostle of Solitude 1105-1200
Outside Truth 1010-1050
Valkyrie 910-955
Project Armageddon 815-855
Foghound 720-8
Balam 630-705
Slaves B.C. 540-615
Season of Arrows 445-525

SUNDAY
Iron Man 1045-1215
Foehammmer 945-1030
Lord 845-930
Mind’s Eye 745-830
Nagato 650-730
Serpent Witch 655-735
Mangog 6-640

https://www.eventbrite.com/e/the-maryland-doom-fest-tickets-15022390374
https://www.facebook.com/events/562627560540323
https://www.facebook.com/pages/The-maryland-DOOM-Fest/815331421863100

Nagato, Live at Guido’s Speakeasy, Frederick, MD, Aug. 23, 2014

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