audiObelisk Transmission 063

Posted in Podcasts on November 23rd, 2017 by JJ Koczan

the obelisk podcast 63

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I don’t do podcasts that often at this point. I figure between the radio stream — which runs 24/7 — and the sundry track streams and other media, video premieres, and so on, there’s not much need. But every now and then I feel completely overwhelmed by the onslaught of music and the chance to put together a compilation of tracks is just too good to pass up. Most of the time, nobody complains. It being the internet, I generally take that as a good sign. If it sucked or was a crappy idea, for sure someone would be telling me to screw off.

So is there a running theme for this latest podcast transmission? Nope, not really. If you’re looking for something to tie it all together, it’s just stuff that I’ve been listening to lately. Some of it has already been covered — Low Orbit, T.G. Olson, 3rd Ear Experience — and some of it has coverage pending — Bong Wish, The Discussion, Arcadian Child, Zong, etc. — but basically this is all what that might be coming out of my speakers over the last however long. Couldn’t be any simpler than that, but for what it’s worth, I think it came together really well, whether it’s Telescope moving into Bong Wish or the transition into the second hour, which is ultra-tripped out, as usual.

As always, I hope you enjoy.

Track details follow:

First Hour:

0:00:00 Son of the Morning, “Left Hand Path” from Son of the Morning EP
0:05:08 All Souls, “Silence” from All Souls
0:09:15 Telescope, “With Your Truth” from Telescope EP
0:13:06 Bong Wish, “My Luv” from Bong Wish EP
0:15:29 Torso, “Mirror of My Mind” from Limbs
0:20:17 The Discussion, “Surf Jesus” from European Tour EP 2017
0:24:14 Arcadian Child, “Electric Red” from Afterglow
0:27:01 Comacozer, “Nystagmus” from Kalos Eidos Scopio
0:39:23 Deadly Vipers, “Dead Summer” from Fueltronaut
0:45:20 Low Orbit, “Dead Moon” from Spacecake
0:51:31 T.G. Olson, “On a High Like a Mountain” from Searching for the Ur-Plant
0:55:28 Jesus the Snake, “Karma” from Jesus the Snake

Second Hour:

1:03:31 Zong, “Cosmic Embryo” from Zong
1:16:18 Les Lekin, “Morph” from Died with Fear
1:29:50 3rd Ear Experience, “Infinite Unmanifest (Warm-up Jam Day One)” from Stoned Gold
1:46:34 Sleeping Pandora, “Sunrizer” from Quiet Pass

Total running time: 2:02:04

 

Thank you for listening.

Download audiObelisk Transmission 063

 

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Review & Track Premiere: Low Orbit, Spacecake

Posted in audiObelisk, Reviews on November 21st, 2017 by JJ Koczan

low orbit spacecake

[Click play above to stream the premiere of ‘Dead Moon’ from Low Orbit’s Spacecake. Album is out early Dec. on Pink Tank Records.]

Given the associated ideas of thick, consuming fuzz, spaced-out vibes, massive and rolling grooves and a general checked-out-of-life overarching spirit to the proceedings as a whole, one might be forgiven for immediately thinking of Sons of Otis upon hearing that the earth-buzzing sound you hear from the ground originates in Toronto, Ontario. But with their second album and Pink Tank Records debut, the three-piece Low Orbit make a strong case for themselves as practitioners of the riffly form. Spacecake — reminds of Patton Oswalt’s “skycake” bit; look it up — is the suitably molten and somewhat single-minded follow-up to Low Orbit‘s 2014 self-titled debut, and it arrives as a manageable six-track/42-minute LP that ignites a feeling psychedelic drift through tonal density, the guitar of Angelo Catenaro (also vocals) very much leading the way while backed by Joe Grgic‘s bass and synth and Emilio Mammone‘s drums.

From opener “Dead Moon” onward, their intentions as a group could hardly be clearer or presented in a less pretentious manner. Five out of the six cuts included directly reference space or some space-minded element in their title — “Dead Moon,” “Planet X,” “Shades of Neptune,” “Venus,” and “Lunar Lander,” in that order — and even closer “Machu Picchu” nestles itself into repetitions of “burn the sky” from Catanero after lyrics about the stars, new dawns rising and planets laid to waste, etc. I’m not sure where the ‘cake’ portion of the album’s name comes into play except perhaps in some reference to edibles or in terms of the record itself, which feels duly baked and iced, particularly as the title is referenced in the 10-minute “Shades of Neptune,” which is a highlight as it rounds out side A with a particularly resonant lysergic ooze.

The lava begins to churn after a brief bit of introductory synth at the start of “Dead Moon,” and there’s just about no letup from there. In terms of influences, “Dead Moon” nods — and I do mean nods — at the aforementioned propensity for rolling grooves from fellow Torontonians Sons of Otis, and one can hear shades of earliest Mars Red Sky in the ride-cymbal-punctuated bouncing verse of “Planet X,” but at root beneath both of these and much of the rest of Spacecake is post-Sleep riff idolatry, and Low Orbit do well finding a place for themselves within that context. Lead layers emerge over a wash of high and low fuzz in “Planet X,” and though subtle and in some places buried deep in the mix, that current of synth and effects is almost always present in one form or another, and its flourish both adds to the breadth that Low Orbit cast and bolsters the cosmic theme through which their work is seeking to function.

low orbit

Both “Dead Moon” and “Planet X” offer a tonal warmth that one might take as a contrast to the coldness of atmospheric vacuum, but they’re hardly the first to make that pairing, and as they cut the pace on “Shades of Neptune” to an even more languid push, any and all such grounded concerns more or less dissipate in deference to the groove that emerges. Like the cuts surrounding, one would hardly accuse “Shades of Neptune” of making any revolutionary moves, but it is a more than capable play to style from the trio, whose persona is established within the individual examples of songwriting and in the interplay between them over the flowing and laid back course the band sets into the very heart of the “far out” itself.

With the willful adoption of genre tropes that pervades, one expects side B of Spacecake to mirror and perhaps reinforce the accomplishments of the album’s first half, and to the greater extent, it does precisely that. At five and six minutes, respectively, “Venus” and “Lunar Lander” answer the mid-paced density called out by “Dead Moon” and “Planet X,” and as it reaches just under nine, indeed “Machu Picchu” offers a tempo dip to back up that in “Shades of Neptune.” Fortunately, this is achieved with no discernible decline in the quality of hooks, and as Catanero shouts out the chorus of “Lunar Lander” ahead of the bigger roll that takes hold past the song’s midpoint, it becomes apparent that perhaps Low Orbit haven’t played their complete hand yet in terms of how much they have to offer sound-wise. The closer furthers this supposition with a well-honed-if-self-aware ritualized vibe, led off by Grgic‘s bass and a backing drone to give an immediately Om-style feel. Not at all unwelcome.

A melodic semi-wash takes hold, vocals echo from far off, and Low Orbit find ambient reaches heretofore unknown to Spacecake even as they make their way to a more straightforward march in the chorus. “Machu Picchu” undulates like this throughout its 8:52, coming forward and receding again, and it winds up in a lead-topped crescendo in its last minute that chugs to a sudden-seeming fadeout that one imagines could’ve easily gone on another three or four minutes on its own had the band chosen to have it do so. Perhaps their relative brevity is to be commended, since it would almost be too simple to have Spacecake push into stoner indulgence, and certainly by that time, Low Orbit‘s underlying message has been well delivered. Hidden within a standard subspace signal is a carrier wave to the converted: Come nod with us. It’s warm here and familiar and feels like home.

Low Orbit, “Machu Picchu” official video

Low Orbit on Thee Facebooks

Low Orbit on Bandcamp

Low Orbit website

Pink Tank Records on Thee Facebooks

Pink Tank Records on Bandcamp

Pink Tank Records website

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