Doommantia Vol. 1 Benefit Compilation for Ed Barnard Released

Posted in Whathaveyou on October 25th, 2012 by JJ Koczan


For the last couple months, we’ve followed the unfolding tale of Doommantia.com’s founder, Ed Barnard, who suffered a heart attack at the end of July and has since been left homeless. Donations have been taken over at their site, and hopefully wherever you are or whatever your situation, you’ve had a chance to give and support Ed in these tough times. On Oct. 13, the Doommantia Bash benefit show was held in his honor and by all accounts I’ve seen, that was a success, but there’s more to be done.

Word went out yesterday of the Doommantia Vol. 1 digital compilation being available. Put together and organized by the band Compel, it’s $7 on Bandcamp and there are an astounding 39 bands included. Ed‘s special lady, Sally Doomvixen, posted the news last night that Ed was back in the hospital overnight with chest pains again, and though the situation doesn’t seem as serious as last time, the bills are no less devastating.

So you haven’t taken time yet to help out Ed Barnard, I once more urge you to do so, and this time, you get over four hours’ worth of music in return from great bands. More info follows, courtesy of Doommantia:

The DOOMMANTIA Benefit Compilation Has Arrived, 39 Tracks, Over 4 Hours For Only $7…

The first ever Doommantia.Com Compilation is now available for download for only $7 from BANDCAMP. Immediate download of no less than 39 tracks of doomy goodness, over 4 hours long. Bands featured are Blackwolfgoat, At Devil Dirt, Low Gravity, Ichabod, Fister, Undersmile, Compel, Iron Man, Wizard’s Beard, Oceans Rainbow, Beelzefuzz, Conan, Lazarus Complex, Spyderbone, Order Of The Owl, Dope Flood, War Injun, Heathen Bastard, Halmos, Kriz, Bongripper, Demonaut, In The Company Of Serpents, Switchblade Jesus, Pale Divine, When The Deadbolt Breaks, Bastards Of The Skies, Gorgantherron, Screaming Mad Dee and Alex Vanderzeeuw, Chowder, War Iron, Hollow Leg, Crawl, Desolation, Ketea, Sludgethrone, Vulture, Wolfpussy and The Departure. That is some bang for your buck!!!

All proceeds go to the Ed Barnard homeless fund so it is a very worthy cause. Thanks to all the bands involved and to Tim Davis who worked so hard putting all of this together. Head to BANDCAMP now to get your download.

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Low Gravity in the High Altitudes

Posted in Reviews on August 11th, 2010 by JJ Koczan

Affected by thin Rocky Mountain air, Denver bashers Low Gravity come bursting out of the speakers with their self-titled, self-released five track EP. At 27 minutes, it’s more than a blip – I’ve heard shorter full-lengths – but its feel is less than a complete album, and I think the intent of the band was to give a sampling of what they’re about more than to execute an entire record, so we’ll go with that. EP it is.

They’re a two-guitar four-piece under the given monikers J. Ellis, A. Mullins, A. Williams, D. Ferguson, though who does what is a mystery. Listening to the Low Gravity EP, I keep thinking of Dozer’s first two records, how they took what Kyuss was doing in the desert and made it colder. Low Gravity seem to be doing something similar, though the vocals – mostly screamed, but not entirely without a sense of melody – are a point of departure between the two bands. Still, it’s a similar kind of guitar tone, groove and structure base, which isn’t a complaint at all. Interesting that a Kyuss influence would bounce off Sweden to get back to Colorado, like a cell phone signal going into space to get across a room, but stranger things have certainly happened.

“Manifesto” opens the EP in guitar-led fashion, though the drums and bass are more than just present in the mix, actively contributing to it. The production is clean and modern – I can see the tracks’ wave forms while I listen – but not unnatural. There’s nothing particularly complicated about the material, songs like “Two Queens” and the charmingly titled “Porklust” being straightforward fare that should be readily accessible for fans of stoner rock, but Low Gravity do it well and the angrier vocals give them an edge a lot of bands in their genre don’t have, lending an immediacy and urgency to the otherwise laid back and familiar vibes.

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