I’ve been pretty up front all along about my enduring affection for Virginian chaos weavers Lord, so I feel no need to search for excuses for posting this live video of their full-set from this summer’s inaugural Maryland Doom Fest. I dig the band, so there you go. Last month, they updated about the progress for their new album, Awake, which will be the follow-up to last year’s Alive in Golgotha EP (review here) and 2011’s Chief (review here), saying that the mix had been finalized and they’d be setting a release date soon, but part of the excitement with Lord is that you never really know. They could drop it tomorrow or they could completely revamp their lineup (again) and take three years off. They’re Lord. They’re not kidding when they say “No Explanations Necessary.”
Unsurprisingly, they crushed it at the Maryland Doom Fest in front of a not-quite-hometown-but-certainly-familiar crowd, playing new material and old. They’ve reportedly started writing for the follow-up to Alive already, and they’ve continued to do regional live shows, playing with the likes of Fistula and The Osedax, so they’re keeping plenty busy while they wait on artwork and so on for the pending release. One never really knows how things are going to shake out with Lord until they’re already shook, but a surge in activity would definitely be welcome by me, as I’ve said before, and I think the live video below gives a pretty good sense of why as they push into realms of extreme sludge and grind that no one else seems to capture with the same thickness or intensity. If you get the chance to check it out, hope you dig.
Filming was done by Jim Rosenkrans of LeadFoot Productions. Setlist and other info follow:
Lord, Live at Maryland Doom Fest 2015
Setlist: 1) breathe 2) what you may call the devil is amongst us 3) reset the wave 4) no explanations necessary 5) strangers on the road 6) one step away
The final mix for our new full length, Awake, has just been completed by Vince Burke! We’re hoping to get it out as quickly as possible. While we’re waiting on the final aspects (artwork, etc.), we’ve started writing new material and are already 2 songs deep into the next release. The fire’s been stoked and we’re keep the momentum going. Stay tuned for release info coming very soon!!!
Chris Dugay-Bass Willy Rivera-Guitars/Vocals Kevin “Skip” Marimow-Drums/Percussion Todd Weurhmann-Guitars/Vocals Steven Kerchner-Lead Vocals/Synths
Posted in Whathaveyou on September 14th, 2015 by H.P. Taskmaster
It’s been about a year since Fredericksburg, Virginia, chaosbringers Lord streamed their latest EP, Alive in Golgotha, in this space, and while they’ve continued to have some lineup shifts and whatnot since, that’s nothing new. The band marks a decade of existence this year, and they’ve recorded a new LP called Awake with Vince Burke that as of their latest update is in the mastering stage and nearing completion (they have a new split in the works as well).
A release through the band-associated Heavy Hound Records seems likely, though one never knows exactly who or what to expect from Lord, or how to expect it, or when, but the progress is encouraging. Easy to imagine they could have Awake out before the end of the year, but if it winds up being 2016 by the time it’s pressed, that doesn’t seem unreasonable either.
Whenever it shows, new Lord is always welcome by me. I’ll keep an eye and when I hear of a definite release date, will let you know.
Some words from the band and live dates:
Just checkin in to let ya know what the LORD camp is gonna be up to for the next few months: We’re currently waiting for the final mix/master of our latest full length, Awake, from Vince Burke to see if we can move forward with the printing process.
The artwork will be handled by James Hanley this time around whose vision and visual aesthetic will help us move into the next phase of this band.We were originally planning to record a covers ep at our home studio but we decided to scrap that idea and instead focus our efforts into writing new material. The “new” line-up has truly developed some great chemistry and that’s bled into the writing process. We’re aiming to capitalize on the momentum we’ve been creating and the creativity we’ve tapped into with our latest release. We’re looking to focus on material for proposed split ep w/our buds in Dead Hand from Georgia and then moving onto to a new ep with a lyrical concept that Kerch has been working on since we left the studio.
We have a few shows lined up w/some great bands over the next few months that will bring us to the climax of the Brew & Fire Fest that will be taking place in the place where our history began, Fredericksburg, VA, back in 2005. That show will feature a bunch of great bands,many of them are vets from F’Burg’s old school scene who’ve gone on to make a name for themselves regionally.
We’re stoked to be a part of it and couldn’t be happier to be this busy after years of turbulence and strife. Cheers to all of you who’ve stayed loyal and supportive, we’ll never take that for granted…
09/19 Fat Tuesday’s, Fairfax, VA W/ Aurelian 10/09 The Sidebar, Baltimore, MD w/ Fistula, Fortress, Foehammer and Musket Hawk 11/14 Brew and Fire, KC’s Music Alley, Fredericksburg, VA w/ Foehammer, The Osedax and more
Posted in Whathaveyou on March 4th, 2015 by H.P. Taskmaster
It turns out Pull had to them-out (get it?) of the first-ever Maryland Doom Fest, but they’ve been replaced by reunited riffers Nagato, who got back together last year after a cessation of activity in 2012. Thick on vibe, they’ll add progressive atmospherics and gorgeous tone to the lineup of the fest, which takes place from June 26-28 at Cafe 611 in Frederick, Maryland. I’ve only been fortunate enough to see the four-piece once, at Stoner Hands of Doom XI in 2011 (review here), for which they also played on a Sunday, but that set left enough an impression that four years later I keep hoping I’ll hear some news about them putting out a record sooner or later.
They might get there. I know the members of Nagato are involved in a few other projects as well, so maybe their playing Maryland Doom Fest is enough for the moment. They’ve joined a killer lineup, for which the final schedule has just been announced.
And just so we have it all in one place, alphabetically, here’s the full lineup as of now (there are still a couple months to go, things can change) for the inaugural Maryland Doom Fest: Apostle of Solitude, Balam, Banned from H.E.L.L., Foehammer, Foghound, Into the Void, Iron Man, Lord, Mangog, Mind’s Eye, Nagato, Outside Truth, Primer Grey, Project Armageddon, Season of Arrows, Serpent Witch, Sixty Watt Shaman, Slaves B.C., Spirit Caravan, The Skull, Unorthodox, Valkyrie, Weed is Weed.
Poster by Audrey Mantel and running order follow, along with Nagato‘s return show last August:
The Maryland Doom Fest 1
June 26 – 28, 2015 Cafe 611, Frederick, MD
A weekend of doom metal in its purest form.
FRIDAY The Skull 1225-130 Sixty Watt Shaman 1115-1210 Unorthodox 1005-11 Weed Is Weed 855-950 Into The Void 755-840 Banned From H.E.L.L. 655-740 Primer Grey 6-640
SATURDAY Spirit Caravan 1215-130 Apostle of Solitude 1105-1200 Outside Truth 1010-1050 Valkyrie 910-955 Project Armageddon 815-855 Foghound 720-8 Balam 630-705 Slaves B.C. 540-615 Season of Arrows 445-525
SUNDAY Iron Man 1045-1215 Foehammmer 945-1030 Lord 845-930 Mind’s Eye 745-830 Nagato 650-730 Serpent Witch 655-735 Mangog 6-640
Posted in Features on December 23rd, 2014 by H.P. Taskmaster
Please note: These are not the results of the Readers Poll. That’s still going on. Please feel free to submit your list.
I did this last year mostly as a result of not having somewhere to put Elder‘s Spires Burn/Release EP in 2012, but it went pretty well, so I thought we’d do another round for 2014. The 2013 list covered demos, singles, EPs and splits — basically everything that’s not a full-length album — and the same rules apply here. It’s a pretty basic idea, but it makes sense to me to consider short releases apart from full-lengths because very often they’re trying to accomplish different things.
For example, if an album is trying to tell a story or describe a central theme, either blatantly in its lyrics or atmospherically through the music itself, a demo might just be the work of a band trying to feel their way into their sound. It doesn’t strike me as fair to judge the two on the same standard. Likewise, if a band releases a single, should that really be judged alongside an hour-long release? Granted, some bands’ singles actually are an hour long, but that’s another category entirely. “The ‘Dopesmoker’ Awards” will be handed out at another date.
No, not really. At least not this year.
If you didn’t see the full-albums Top 30 of 2014, please feel free to check it out and think of this and the year-end podcast as companion pieces, albeit both a little more casual. Let’s get to it:
The Top 20 Short Releases of 2014
1. Sleep, The Clarity
2. Fatso Jetson/Herba Mate, Early Shapes
3. All Them Witches, Effervescent
4. Cortez/Borracho, Split 7″
5. Naam/White Hills/Black Rainbows/The Flying Eyes, 4-Way Split
6. Heavy Temple, Heavy Temple
7. Death Alley, Over Under/Dead Man’s Bones 7”
8. Geezer, Live! Full Tilt Boogie
9. The Sun, the Moon and the Witch’s Blues, The Sun, the Moon and the Witch’s Blues
10. Demon Head, Demo 2014
11. Gold & Silver, Azurite and Malachite
12. The Proselyte, Our Vessel’s in Need
13. Hull, Legend of the Swamp Goat
14. Lamp of the Universe/Krautzone, Split
15. The Ultra Electric Mega Galactic, Through the Dark Matter
16. The Heavy Co., Uno Dose
17. Wren, Wren
18. He Whose Ox is Gored, Rumors 7”
19. Lewis and the Strange Magics, Demo
20. Godhunter/Secrets of the Sky, Gh/0st:s
21. Lord, Alive in Golgotha
Some honorable mentions to the Young Hunter/Ohioan split tape (the Young Hunter portion of which was included last year, otherwise it would probably be number two on this list), Inter Arma‘s The Cavern 40-minute single-song EP/LP, Harvest Bell‘s debut EP, Goya and Wounded Giant‘s split, Fuzz Evil and Chiefs‘ split, Cruthu‘s demo, Disenchanter‘s second EP, the White Dynomite/Hey Zeus split 7″, Humo del Cairo‘s EP, The Golden Grass‘ Realisations EP, Dune‘s Progenitor, Godflesh‘s comeback EP, and Blackwitch Pudding‘s reinterpretations/covers EP, Covered in Pudding.
A couple notes: The Sleep single was a given. I don’t think anything could’ve topped it one way or another, even if I hadn’t listened to it 100 times since its release in July as part of the Adult Swim Singles Series. In any case, there was no debate about where to place it. You might notice on the other end the list goes to 21. I thought that being the element of chaos suited Lord well, and since I’m not entirely sure their Alive in Golgotha EP has been officially released, they warranted inclusion just in case.
One thing that struck me in putting this list together was the amount of splits included. You’ll notice Fatso Jetson and Herba Mate‘s Early Shapes right in behind Sleep. That one was an utter joy, as far as I’m concerned, and made me wish both of them would get on putting out full-lengths as soon as possible. Not far behind is Cortez and Borracho‘s split single, which had killer tracks from both bands, and the Naam/White Hills/Black Rainbows/The Flying Eyes split from Heavy Psych Sounds that, even with four bands involved, managed to keep a flowing atmosphere front to back, which was impressive enough in and of itself, never mind the individual contributions of those four acts, which were also top quality. The Krautzone/Lamp of the Universe split also provided a considerable psych blissout, and Godhunter‘s split/collaboration with Secrets of the Sky earned extra points for its adventurous spirit and the payoff its risk-taking brought to bear.
Like their Lightning at the Door LP, All Them Witches‘ Effervescent 25-minute jam figured heavily in my 2014 listening habits, as did Heavy Temple‘s self-titled debut EP. Dutch garage/heavy punkers Death Alley earned spins with their debut 7″, a lack of pretense in melding proto-thrash and heavy rock impulses allowing them to quickly find a niche that one hopes they continue to develop. Their debut single, along with Demon Head‘s Demo 2014 (and, indeed, that band’s follow-up single) and the Lewis and the Strange Magics demo were an allay to concerns retro-minded rock might be stagnating.
Geezer featured on the Short Releases list last year as well. I wasn’t sure what to do with their Gage 12″, since it was released in 2013 as an EP and 2014 as an LP, but either way, their Live! Full Tilt Boogie tape effortlessly recalled classic blues rock performances and demonstrated the fluid chemistry at work in the New York trio, I hope it’s not the last live release they do. Along similar bluesy lines, The Heavy Co.‘s Uno Dose found the Hoosier three-piece dipping into heavy jams more than their last full-length, and if that’s the direction they’re headed, you won’t hear me argue. Hailing from Sweden and arriving as an offshoot of Asteroid, the single-song EP from The Sun, the Moon and the Witch’s Blues had more than a touch of heavy blues to it too, and made me look forward to that project’s development from here on out.
There’s little I’m going to complain about less than hearing Ed Mundell bust out Miles Davis-inspired solos, so yeah, The Ultra Electric Mega Galactic‘s Through the Dark Matter EP gets a nod. Impressive guitar work ran a current through Boston duo Gold & Silver‘s debut EP, Azurite and Malachite, but the proggy feel was what ultimately sold me on the two extended instrumentals included there, whereas with fellow Beantowners The Proselyte, it was the catchy songwriting and variety they showed in just four tracks. The He Whose Ox is Gored 7″ was likewise modern and satisfyingly weighted, though obviously shorter, and last but not at all least, the progressive sludge of Wren‘s self-titled EP seemed to fly under a lot of people’s radar but was a markedly individual take on a well established form that portended of good things to come.
As with everything, I’m sure there’s something in this mix that I forgot. If you’ve got a call you want to make on something, please let loose in the comments. Thanks for reading.
Posted in Whathaveyou on December 18th, 2014 by H.P. Taskmaster
There isn’t much more to the Maryland Doom Fest 2015 at this point than a list of bands, dates and a place, but that’s really all you need. In true Maryland doom style, no bullshit, no one-at-a-time teasers, just “here’s this awesome thing” and you can either show up or suck. The inaugural edition of the Frederick-based fest will take place at Cafe 611 and bring together a killer assemblage of acts, headlined by The Skull and Spirit Caravan and also boasting Apostle of Solitude and War Injun-offshoot Outside Truth.
To that point, while Maryland itself is well represented — Spirit Caravan, Outside Truth, Iron Man, Weed is Weed, Foghound, Mind’s Eye, Pull, Daydreams with Nightmares, etc. — the festival’s reach is immediately wider, not only pulling in Lord and Valkyrie (the latter of whom should have a new album out by then, on Relapse) from nearby Virginia, but reaching up the Eastern Seaboard to nab Rhode Island’s Balam and into the Midwest for The Skull and Apostle of Solitude, who together supplied some of 2014’s best doom in their latest albums. What’s consistent throughout the lineup is the spirit of doom. There’s some variety around sludge, stoner, heavy rock and so on, but it’s a riffer’s delight front to back and it looks like it’ll be one worth traveling to see.
I’m not sure if more bands are being added, but presumably there will be a change here and there one way or another — June 26-28 is a long time away — and if I hear anything, I’ll let you know. In the meantime, here’s the poster and lineup for the first Maryland Doom Fest:
The Skull Spirit Caravan Apostle of Solitude Outside Truth Unorthodox Iron Man Valkyrie Weed is Weed Balam Project Armageddon Foghound Pull Mind’s Eye Slaves BC Foehammer Season of Arrows Lord Daydreams with Nightmares
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This one’s beamed in from a universe of all good times. I don’t want to walk around tooting my own horn like I actually did anything, but you’ll pardon me if I say that once you get on board here, you might not want to jump back off. The flow is up and down, alternately drawn out and rushing, and right up to the last song which is a bit of a return to earth, the second hour is the most spaced out it’s ever been around these parts. I’m way into it. I hope you’re way into it.
Like last time, I tried to get a mix of excellent stuff upcoming with other recent items you might’ve missed. One of these days I’m gonna do another one of these where I talk, but this is straight-up track into track the whole way through and I think it moves really well that way. Please feel free to grab a download or hit the stream and dig in and enjoy.
The Melvins, “Sesame Street Meat” from Hold it In (2014)
Fever Dog, “One Thousand Centuries” from Second Wind (2014)
Lo-Pan, “Eastern Seas” from Colossus (2014)
Witchrider, “Black” from Unmountable Stairs (2014)
Alunah, “Awakening the Forest” from Awakening the Forest (2014)
Craang, “Magnolia” from To the Estimated Size of the Universe (2014)
Slow Season, “Shake” from Mountains (2014)
Lucifer in the Sky with Diamonds, “Guillotine” from The Shining One (2014)
The Proselyte, “Irish Goodbye” from Our Vessel’s in Need (2014)
Flood, “Lake Nyos” from Oak (2014)
Lord, “Golgotha” from Alive in Golgotha (2014)
My Brother the Wind, “Garden of Delights” from Once There was a Time When Time and Space were One (2014)
Spidergawd, “Empty Rooms” from Spidergawd (2014)
The Myrrors, “Whirling Mountain Blues” from Solar Collector (2014)
Witch Mountain, “Your Corrupt Ways (Sour the Hymn)” from Mobile of Angels (2014)
Posted in audiObelisk on September 5th, 2014 by H.P. Taskmaster
I always wanted to be in Lord. Since the days of their 2006 demo, Under the Sign of the Maker’s Mark, the Fredericksburg, Virginia, outfit has been a raging tumult of sludge extremity. Born of the same scene that gave us Valkyrie, VOG, Durga Temple, Ol’ Scratch, Ancient Astronaught and any number of other underrated acts outside the sphere of Richmond’s varied metals and Maryland’s doom yet somehow in line with both, Lord have proved over the years to be the most chaotic, the most turbulent of the pack. On the rare occasion one might see them live, they’re staggering in their intensity, and the sheer fact that they manage to hold it together somehow makes the experience all the more visceral.
The volatility has a price, however. Lord released a full-length debut in 2006’s Built Lord Tough(a play on Ford’s logo appeared on the cover), and that was it until 2011’s riotous Chief(review here), which brought a new lineup and a take more indebted to Southern metal than they had been five years earlier, but was still plenty maddening, vocalist Steven Kerchner adding experimental abrasion by manipulating his screams through a range of effects. Three years after Chief, Lord return with yet another new lineup — you can see why I thought I might’ve had a shot at being in the band — and a brand new four-song EP, Alive in Golgotha, recorded by Vince Burke (Beaten back to Pure/Hail!Hornet) at his own Sniper Studios.
Comprised here of Kerchner, guitarist/vocalist Will Rivera and drummer/bassist Stephen Sullivan — the lineup has already changed again to the four-piece pictured above; Rivera, Kerchner, bassist Chris Dugay (Reticle) and drummer Kevin “Skip” Marrimow (Ol’ Scratch, Palkoski) — Lord are no less a beast than they’ve ever been, the opening cut “We Own the Storms” setting a quick reaffirmation that time has not dulled the band’s edge or tamed their ferocity. Fast, aggressive, almost punk in its rawness, “We Own the Storms” leads to the more decidedly Southern “What You May Call the Devil is Amongst Us,” reminiscent of the last album’s grooving take. “With Reaching Hooves” jumps back and forth between grinding verses and a sludgy chorus, giving a tension/release vibe before moving into a heavy rock shuffle masterfully balanced in Burke‘s mix, and the closing semi-title-track, “Golgotha,” offers the EP’s most lethal groove of the bunch and speaks to the realization of the potential that’s been in Lord‘s chemical imbalance all along.
Lord will reportedly be hitting the studio again next month to record for a split EP with Black Blizzard, so maybe Alive in Golgothawill mark a turning point for the band in terms of activity. If history has shown anything with these guys, though, it’s that you never really know what’s coming next. I’ll never get to be in the band — Kerchner‘s a better screamer than I ever was anyway — but I’m thrilled to host a full stream of Alive in Golgothaahead of the release on Heavy Hound Records. Please find it below, and enjoy:
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To keep up with Lord and get more info on Alive in Golgotha, as well as to score a copy, check the links.
Posted in Features on October 24th, 2013 by H.P. Taskmaster
For the next 10 days I’m going to take a look at just a sampling of the killer acts playing this year’s Stoner Hands of Doom festival in Virginia from Nov. 7-10 at Strange Matter, and I couldn’t think of a better place to start than with the unhinged Southern sludge aggression of Lord. A band whose history is filled with underappreciation, makeups, breakups, lineup changes and whatever else you can think of, Lord has nonetheless served over the years as a proving ground for those who’s also make a stamp in Fredericksburg and Richmond bands from Ol’ Scratch and Ancient Astronaught to Akris and The Might Could. What’s been consistent for them over all this time is the intensity of their sludge, which they most recently demonstrated on the 2011 full-length, Chief (review here), which was alternately violent and brooding, a torrent of chaos that mirrors the band itself.
Of course, that being the case, there’s a kind of permanent X-factor around the band. Since the days of their 2006 long-play debut, Built Lord Tough, you’ve never known quite what you’re going to get with Lord, who’s going to be there and what kind of madness is going to be unleashed. They played Stoner Hands of Doom two years ago at Krug’s Place in Maryland (review here) along with Cough, Earthling, Fire Faithful and others, and what seemed to be becoming an annual gig at the festival was cut short in 2012 when vocalist Steven “Kerch” Kerchner announced they had called it quits:
Lord will unfortunately not be playing SHOD this year. Lord has officially disbanded. We had a blast rocking while we did and appreciate the love and support everyone has given us over the years!! Everyone is still jamming in other projects – definitely check them out: Bourne of Ash, Lacy, House Size Giant, Akris, Palkoski. There are still a limited number copies of Chief available from the members of Lord and it can still be downloaded from iTunes and so on. Love you guys – Kerch
As someone who’s been a fan of the band since the long, long ago, in the beforetimes, naturally it was a bummer to hear they were done, but though the members were busy in the projects listed by Kerch above — Akris have a new record out now (stream it here), and Palkoski never seem too far removed from another challenging slab of noise — apparently the split didn’t take, and they’ve once again joined SHoD and are set to bring their melee to Richmond this year. Not only that, but the band’s lineup of Kerchner, guitarist Willy Rivera, bassist Helena Goldberg and drummer Stephen Sullivan are also reportedly at work writing a new full-length, which they’ll record sometime after the appearance at Stoner Hands of DoomXIII.
How that will come together remains to be seen, but if Lord are working on something at all, you won’t hear me complain. They play SHoD on Sunday, Nov. 10, and share the bill with Devil to Pay, Black Thai, Wizard Eye and others. Check out “Zoh K Zo Kay” from Chief and find more details below: