Solace: The Brink Preorders Available from Blues Funeral Recordings

Posted in Whathaveyou on October 15th, 2019 by JJ Koczan

New Jersey stalwarts-in-defiance-of-all-gods-and-all-sciences Solace — they of the broken bodies and suffering spirits — will release their first album in nine frickin’ years on Dec. 13. Titled The Brink, the 11-tracker is available now to preorder from Blues Funeral Recordings, which has decided to do us all a solid and get behind the release. Two vinyl versions available for the Tommy Southard in all of us — dude is a well-documented LP fiend; also beer — and a CD digipak if you prefer your discs of a smaller sort that can commune with lasers. You know I like me some lasers.

I was granted access to an early stream of the offering, and though there have been copious changes since their last time out, I assure you, this is still Solace. Their life-on-the-edge-of-oblivion — or, you know, a brink — style pulling together elements of thrash, hardcore, classic heavy and doom is unmistakable, and for the fact that they’ve turned over three-fifths of their lineup, they are and remain Solace. There is not and there never could be another to do what they do.

I’m gonna cross my fingers and hope to have a track premiere or some such with a review before the album is out, or maybe if I play my cards right I’ll get to give it the ol’ week-before-release-album-stream treatment, but until then, rest assured, your preorder investment will result in a Solace record. You couldn’t possibly call it anything else.

As posted by the band:

solace the brink

Ok friends, here’s the preorders for both vinyl versions & the CD version of our new record THE BRINK. These ship internationally so add to cart and check rates. We are super stoked about this record and can’t wait for y’all to experience it.

‘The Brink’ tracklisting:
1- Breaker Of The Way
2- Desert Coffin
3- Dead Sailors Dream
4- Waste People
5- The Light Is A Lie
6- Crushing Black
7- Bird Of Ill Omen (Remix)
8- Shallows Fade
9- The Brink
10- Until The Last Dog Is Hung
11- Dead Sailors Reprise

Dark Blue & White swirl Vinyl (limited to 100)
https://www.bluesfuneral.com/products/copy-of-solace-the-brink-us-limited-edition-gatefold-lp-on-translucent-aqua-translucent-sea-blue

Translucent Aqua & Sea Blue vinyl
https://www.bluesfuneral.com/collections/releases/products/copy-of-howling-giant-the-space-between-worlds-limited-edition-gatefold-lp-on-translucent-green-vinyl

CD Link
https://www.bluesfuneral.com/collections/releases/products/solace-title-the-brink-us-limited-digipack-cd

Solace is:
Tommy Southard – Guitar
Justin Daniels – Guitar
Justin Goins – Vocals
Mike Sica – Bass
Timmy Gitlan – Drums

https://www.facebook.com/SolaceBand/
https://www.facebook.com/bluesfuneral
https://www.bluesfuneral.com/

Solace, The Brink teaser

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Monster Magnet Announce Powertrip European Tour

Posted in Whathaveyou on October 10th, 2019 by JJ Koczan

monster magnet (photo jeremy saffer)

The year was 1998 and the band stomping all over hearts and minds in the most righteous fashion possible was Monster Magnet. The great heavy rock hope. A band who, over the next year-plus, would find commercial viability in a way that just about no one had before and just about no one has since. Powertrip may have been the NJ outfit’s fourth record, but it’s an unquestionable landmark. It put their home state and mine on the map for heavy rock and roll in a way that still ripples out, and it brought them not only fame, but to a new place stylistically where they turned pop culture back on its own head and delighted as it ate both itself and what they were feeding it. That record was something else.

They’ll tour Europe for a month-plus this coming winter playing it in full. Yeah, you’re gonna hear “Space Lord,” which you probably were anyhow at a Monster Magnet gig, but you’re also gonna hear “Goliath and the Vampires,” and that’s some shit that doesn’t happen every day. I don’t know if they’re doing it in order or what, but whatever, it’s a celebration worth celebrating.

Dates follow, as dutifully transcribed from the Chris Smith poster by yours truly and probably all screwed up:

monster magnet europe 2020

Monster Magnet is back!! We are stoked to announce Monster Magnet Europe 2020! A Celebration of the Record “Powertrip” plus much more! Stay tuned for ticket links!

Monster Magnet live:
Jan 22 Glasgow UK The Garage
Jan 23 Leeds UK O2 Academy Leeds
Jan 24 London UK The Forum
Jan 25 Utrecht NL Tivoliredenburg
Jan 27 Oslo NO John Dee
Jan 28 Gothenburg SWE Pustervikbaren
Jan 29 Malmo SWE Kulturbolaget (KB)
Jan 31 Leuven BE Het Depot V2W
Feb 01 Berlin DE Metropol
Feb 03 Cologne DE Essigfabrik & Sensor Club
Feb 04 Munich DE Muffathalle
Feb 05 Hamburg DE Markthalle
Feb 07 Bremen DE Schlachthof
Feb 08 Dresden DE Reithalle
Feb 09 Stuttgart DE LKA Longhorn
Feb 10 Dortmund DE FZW
Feb 12 Antwerp BE Trix
Feb 13 Wiesbaden DE Schlacthof
Feb 15 Zagreb CR Mochvara
Feb 16 Vienna AT Simm City
Feb 17 Zurich CH Dynamo
Feb 18 Trezzo Sull’Adda IT Live Club
Feb 20 Pamplona Navarra ES Sala Zentral
Feb 21 Santiago de Compostela ES Sala Capitol
Feb 22 Madrid ES Sala Mon
Feb 23 Barcelona ES Razzmatazz

MONSTER MAGNET line up:
Dave Wyndorf (vocals, guitar)
Garrett Sweeny (guitar)
Phil Caivano (guitar)
Chris Kosnik (bass)
Bob Pantella (drums)

http://zodiaclung.com
https://www.facebook.com/monstermagnet/
https://www.instagram.com/monstermagnetofficial/

Monster Magnet, “Powertrip” official video

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Solace Premiere The Brink Album Teaser; Sign to Blues Funeral Recordings

Posted in Whathaveyou on July 29th, 2019 by JJ Koczan

The basic tracks are done (they posted the photo included here to celebrate), and New Jersey’s Solace are headed back into the studio in early August to mix. After that, mastering, then it’s on to Blues Funeral Recordings for release. It’s a fair enough signing on the part of the label, whose honcho, Jadd Shickler, once upon a turn-of-the-century worked with the band via his old imprint, MeteorCity. The reunion, as it were, will be centered around The Brink, which is Solace‘s first new album since 2010 and from which they’re sharing the first — obviously not final versions — audio in the teaser below. I had the pleasure of taking a couple of the pics included in the montage. That’s always nice.

I’m not going to say The Brink will definitely be out this year, because this is Solace and I know better, but even if it’s Dec. 31, I’ll take it. At this point I’m just happy to know it exists, it’s in the can awaiting finishing touches, and it’s got a home for a proper release.

That’s enough for today.

More to come as I hear it, and hopefully I hear it soon. Ha:

solace

From Blues Funeral: “In multiple decades of releasing music, Solace might just be the best band I’ve ever worked with, and probably the most under-appreciated. I nearly bankrupted my last label trying to shove their music down people’s throats, so having the chance to get back into severe debt behind one of the greatest metal bands of all time feels like coming home again. With Solace, you’re always on The Brink… of epic heaviness, drunken disaster, and probably financial ruin. There’s no place we’d rather be!”

Say Solace: “A few riffs from from forth coming album The Brink out later this year on Blues Funeral Recordings! Expect some healthy doses of Heavy 70’s Riff Rock, NWOBHM Riffing, Drunken Sea Shanties, Weighty DOOM, and a smidge of 90’s Noise. You’ve been warned….”

‘The Brink’ tracklisting:
1- Breaker Of The Way
2- Desert Coffin
3- Dead Sailors Dream
4- Waste People
5- The Light Is A Lie
6- Crushing Black
7- Bird Of Ill Omen (Remix)
8- Shallows Fade
9- The Brink
10- Until The Last Dog Is Hung
11- Dead Sailors Reprise

Solace live:
Sept. 20-22 Descendants of Crom Pittsburgh, PA
Sept. 29 Kung Fu Necktie Philly, PA w/ Backwoods Payback & Cavern

Solace is:
Tommy Southard – Guitar
Justin Daniels – Guitar
Justin Goins – Vocals
Mike Sica – Bass
Timmy Gitlan – Drums

https://www.facebook.com/SolaceBand/
https://www.facebook.com/bluesfuneral
https://www.bluesfuneral.com/

Solace, The Brink teaser premiere

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Solace Complete Recording; Confirm Tracklisting for New Album The Brink (Broken Bodies & Suffering Spirits)

Posted in Whathaveyou on February 28th, 2019 by JJ Koczan

This is the second post I’ve made where it says Solace have finished recording their new album. Here’s the first. Sue me. Last time around, it was basic tracks that were done. This time, all the overdubs, vocals, solos, etc. are finished and the record, which might be called The Brink, or might be called The Brink (Broken Bodies and Suffering Spirits), or might be called Broken Bodies and Suffering Spirits, is ready to move onto the mixing stage. They’re slated to go back into the studio in March — if I’m in NJ when they go, I hope to be there for at least part of it — and work on that, but if you think that after nine years since they dropped the most excellent 2010’s offering, A.D. (review here), I’m going to be making any guesses as to how or when or what their new record is going to sound or look like when it’s done, you’re missing out on one of the great joys of Solace, which is their unpredictable, whirlwind nature.

This is also the second post where I’m including a tracklisting put up by the band for the album. This one has 11 songs where the last one had 10, and the difference is in a track called “Shallows Fade.” Could be nothing more than an interlude recorded when the overdubs were being done, or it could be an entirely new song they decided they couldn’t leave out. Again, you never really know, and that’s why it works.

Solace play New England Stoner & Doom Fest II in Connecticut this May. Here’s their update from the social medias:

solace

It’s official: 11 new tunes are finished. Just some minor tweaking and mixing and the new Solace album “The Brink” (Broken Bodies and Suffering Spirits) will be on its way to the masses!

It’s the last time we will be recording at this place. As of March first Trax East is officially sold and new owners are coming in and taking over. Been recording here since around 1991. It’s an end of an era…. gotta figure out how and where we will finish this new SOLACE record now….

1- Breaker Of The Way
2- Desert Coffin
3- Dead Sailors Dream
4- Waste People
5- The Light Is A Lie
6- Crushing Black
7- Bird Of Ill Omen (Remix)
8- Shallows Fade
9- The Brink
10- Until The Last Dog Is Hung
11- Dead Sailors Reprise

Hang in there and stay tuned!

https://www.facebook.com/SolaceBand/

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Friday Full-Length: Monster Magnet, Superjudge

Posted in Bootleg Theater on December 14th, 2018 by JJ Koczan

Monster Magnet, Superjudge (1993)

Lest we forget that as the West Coast was laying the groundwork for what would become the signature desert style over the next several years, back east, Monster Magnet were kissing the mouth of the scorpion with some of the finest drug rock ever created. Superjudge, released 25 years ago in 1993, was the New Jersey-based band’s second full-length, arriving behind Spine of God (discussed here; reissue review here), which saw its US release the previous year. That album is a classic and I’m not about to take anything away from it, or the Tab…25 EP (reissue review here; discussed here) that came out after, but Superjudge was a moment of several milestones and pivotal moves for the group, who by then were already working distinctly under the direction of frontman and principle songwriter Dave Wyndorf.

First, it was their debut outing for A&M Records, a major label. Their earliest non-demo releases came out through Glitterhouse in Europe and Caroline in the US, but signing to a major would not only bring them to a wider sphere of listeners, but turned attention to a heavy underground boom taking shape in Central Jersey at the time. Second, it was the band’s first album with Ed Mundell on lead guitar, which was a position he would hold until 2010. Mundell took the spot previously held by John McBain (also brilliant), and his arrival would help solidify Monster Magnet‘s burgeoning approach to songcraft and his playing became an essential facet in not only the absolutely molten feel of Superjudge tracks like “Dinosaur Vacume,” “Twin Earth,” “Superjudge” and the effects-soaked Hawkwind cover “Brainstorm,” but in the developing persona of the band on subsequent offerings Dopes to Infinity (discussed here) in 1995, Powertrip in 1998, God Says No in 2001, 2004’s Monolithic Baby!, 2007’s 4-Way Diablo and 2010’s Mastermind (review here). During this era, his presence in the group would be second only to that of Wyndorf in terms of defining who Monster Magnet were and what they were about.

In 1993, they were about freaking the fuck out. They broke out some sitar on closer “Black Balloon,” and backed by the rhythm section of bassist Joe Calandra and drummer Jon Kleiman, captured fuzzy forward drive on “Twin Earth” with a swing that even a quarter-century after the fact bleeds its swagger from the speakers. The power of Superjudge isn’t just in its atmosphere — though there’s plenty of that in the layers of effects and kitchen-sink instrumentation used — it’s in the band. With Spine of God, the record’s brilliant. Utterly brilliant. For the title-track alone, it should be taught in middle schools across the planet as to how you rock and roll in order to expand minds. What Superjudge did was to take that studio vibe and show how it could be sustainable, monster magnet superjudgeshow how it could be done on stage, and begin to solidify it as a developing creative process. As much of a haze seemed to surround the title-track, or the watery acoustics in “Cage Around the Sun,” which followed, with its percussion, Eastern inflection and sitar drone, there was a straightforward, structured undercurrent to the material. That was true on some of Spine of God as well, but Superjudge moved the balance ever so slightly. In its aforementioned cover of Hawkwind and take on Howlin’ Wolf-via-Cactus in “Evil,” it drew a line directly to ’70s vibes in a way that was an aberration for the era, and even in the subsequent blowout “Stadium” or the ultra-hairy “Face Down,” it demonstrated the songwriting modus that would become Monster Magnet‘s own all the more over time.

But Superjudge is more than a bridge from Spine of God to Dopes to Infinity, and its 11 tracks hold up brilliantly to the passage of time. The backbeat of “Brainstorm.” The swirl and cosmic declarations of “Elephant Bell.” The raw tonality of “Twin Earth.” Superjudge continues to read like a blueprint for how to do heavy psychedelia and make it rock. Like if The MC5 and The Stooges decided they wanted to go Beyond the Valley of the Dolls. Maybe the cover art tells the whole story. If you look at the background, it’s trippy and colorful and the logo and title are all “I’m gonna eat a mountain of pills,” but then you look at that picture of the band’s kinda-mascot, the Bullgod. He’s pissed. There’s an aggression there. It’s mean. Superjudge has that intense side to it. It’s not always what’s up front, because the record is still dynamic and it goes any number of places in its songs, but that clenched-teeth, ring-through-the-septum immediacy can’t be faked. It’s either in there or not, and one of the most powerful aspects of Superjudge is that at any given moment, it might absolutely explode in your face. I don’t care how laid back “Cyclops Revolution” sounds at the outset, it still caps with the line, “I’ve got mine, fuck you.”

That component in Monster Magnet would help them for years be wrongly classified as so many were as a metal band. True enough they were heavy — still are — but metal? Come on. Even Mastermind, which was about as big-of-tone as they’ve been interested in getting to-date, wasn’t really metal. On Superjudge, they’re a psychedelic heavy rock band. They’d move on from the lysergic elements over the course of Powertrip and God Says No, but in the change from Mastermind to 2013’s Last Patrol (review here), they brought back some of those weirdo impulses, and pushed them further in the screw-around-with-past-work of 2014 and 2015’s Milking the Stars (review here) and Cobras and Fire (review here) — redux versions of Last Patrol and Mastermind, respectively, that only emphasized Monster Magnet‘s ability and willingness to do whatever the hell they wanted at any given time. See also 2018’s Mindfucker (review here), which, in case you missed it, was called Mindfucker. Take that.

Aside from their hailing from my beloved Garden State and being the stewards of the Mid-Atlantic heavy underground in a way that New York — nifty though it is — was always too punk rock to be, Monster Magnet went a long way toward defining themselves on Superjudge, and it remains an album that shows just how on their own plane they were at the time. Fortunately, that is something that has continued to be the case throughout their career.

As always, I hope you enjoy.

Okay. We’re there. Next week my top 30 of the year goes up. Blamo. This weekend on Gimme Radio, ‘The Obelisk Show’ also has a kind-of-sort-of-some-of-the-best-of-2018 thing going. Really, that’s what it’s called. Monster Magnet are on it. You should listen. Sunday, 7PM Eastern. On the internet.

Also next week, a review of the Mansion album, which rules. I guess that’s the short version. Stay tuned for the long one. Also Deep Space Destructors, a couple snazzy video premieres, a bunch of news I need to catch up on, and all that good stuff.

Thanks for reading that 100-album Quarterly Review if you did. My desktop still has a bunch of records on it, but it was good to get through that stuff. Some of it had been waiting a while. I hope you found something you dug. I did.

I’d love to stick around and bum everyone out by bitching about whatever, but the truth is I’ve got a fucking ton of writing to do — a lineup announcement for Freak Valley that will have already been posted by the time this is and liner notes for the Elder PostWax release — so you’ll pardon me if I check out and get to it. I hope you have a great and safe weekend. Please don’t forget the forum and radio stream and merch and year-end poll.

The Obelisk Forum

The Obelisk Radio

The Obelisk shirts & hoodies

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Monster Magnet Post “When the Hammer Comes Down Video; Announce 2019 European Tour

Posted in Whathaveyou on October 10th, 2018 by JJ Koczan

monster magnet (photo jeremy saffer)

Since Sept. 28, NJ’s Monster Magnet have been out on a US tour supporting their latest album, Mindfucker (review here). You can’t accuse them of not getting out. While their last couple records have seen the long-running stalwarts of heavy psych and rock mostly focus on Europe, their current run started out in Toronto as they quickly made their way to the West Coast and throughout this month, they’ll continue to work back eastward, finishing in Boston on Oct. 28. To follow-up, they’ve got a second run of Europe announced for January, and I can’t help but think either another US tour or a trip to Australia or South America (paging Abraxas) could be in the works thereafter. That is, they don’t seem like they’re done.

Which, as a fan, is only all the better. Mindfucker is their last outing in their contract for Napalm Records. I won’t claim to know the future of the band, but either they’re doing it up for a blowout or they’re showing other labels they’re interested in putting in the work of promoting what they do. Could go either way, I guess, but what it rounds out to in any case is the same: Go see Monster Magnet. I’d love to get to one of these shows and I don’t know that I will, but wherever you are, if that’s where they are, then that’s where you should be. Simple math.

They’ve got a video up for “When the Hammer Comes Down” from the record that’s kind of a lyric video, kind of a regular video, and true enough to Monster Magnet in that it has little interest in being classified along the same lines as everyone else. You’ll find that at the bottom of this post. I don’t have any PR wire info for the newly-announced tour, but you’ll find the dates for that and the one they’re on now below. Here goes:

monster magnet euro tour 2019

Monster Magnet Tour Dates

Current US tour remaining dates:
10/10: Seattle, WA @ El Corazon
10/12: San Francisco, CA @ Thee Parkside
10/13: Sacramento, CA @ Aftershock Festival*
10/15: Santa Ana, CA @ The Observatory
10/16: San Diego, CA @ Brick By Brick
10/17: Phoenix, AZ @ Rebel Lounge
10/19: San Antonio, TX @ Paper Tiger
10/20: Dallas, TX @ Canton Hall
10/21: Houston, TX @ White Oak (Upstairs)
10/23: Atlanta, GA @ Masquerade
10/24: Nashville, TN @ Basement East
10/26: Baltimore, MD @ Baltimore Soundstage
10/27: New York, NY @ Gramercy Theater
10/28: Boston, MA @ The Sinclair

2019 European tour:
12.01.2019 NOR, Trondheim Byscenen
13.01.2019 NOR, Oslo Parkteatret
14.01.2019 DEN, Aarhus VoxHall
16.01.2019 GER, Hamburg Grosse Freiheit 36
17.01.2019 GER, Berlin Huxleys Neue Welt
18.01.2019 GER, Osnabrück Rosenhof
19.01.2019 SUI, Zürich Dynamo
21.01.2019 GER, Krefeld FuFa
22.01.2019 GER, Leipzig Conne Island
23.01.2019 GER, Hannover Capitol
24.01.2019 LUX, Esch-sur-Alzette Kulturfabrik
26.01.2019 BEL, Kortrijk Concertzaal de Kreun
27.01.2019 BEL, Hasselt Muziekodroom
28.01.2019 BEL, Sint-Niklaas Concertzaal de Casino
29.01.2019 GBR, London Electric Brixton
31.01.2019 GER, Karlsruhe Substage
01.02.2019 NED, Eindhoven Effenaar
02.02.2019 FRA, Magny Le Hongre File7
03.02.2019 GER, Frankfurt Batschkapp
05.02.2019 AUT, Dornbirn Conrad Sohm
06.02.2019 HUN, Budapest Durer Kert
07.02.2019 CRO, Zagreb Culture Factory

MONSTER MAGNET line up:
Dave Wyndorf (vocals, guitar)
Garrett Sweeny (guitar)
Phil Caivano (guitar)
Chris Kosnik (bass)
Bob Pantella (drums)

http://zodiaclung.com
https://www.facebook.com/monstermagnet/
https://www.instagram.com/monstermagnetofficial/

Monster Magnet, “When it all Comes Down” lyric video

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Friday Full-Length: The Atomic Bitchwax, The Atomic Bitchwax

Posted in Bootleg Theater on September 21st, 2018 by JJ Koczan

The Atomic Bitchwax, The Atomic Bitchwax (1999)

I think it’s high time the ’90s era of heavy rock — the original run of stoner rock, that is — started to get tagged with the term classic. It’s been 20 years or more for most of it, after all. Think of bands like Monster Magnet, Kyuss, Acid King, Fu Manchu, Nebula, and so on, and to that list I would most definitely add New Jersey trio The Atomic Bitchwax. The band formed in 1993 but it would be six years before their self-titled debut came out on Tee Pee/MIA Records. It was kind of a side-project at first. Bassist/vocalist Chris Kosnik was at the time a member of Godspeed, who were signed to Atlantic during the same era that saw Core and a few others picked up in the wake of Monster Magnet‘s burgeoning wider success, and they made a run touring with Black Sabbath and appearing on the first Nativity in Black tribute to Sabbath with Bruce Dickinson sitting in on vocals. When Godspeed split, it was basically into The Atomic Bitchwax and Solace. Kosnik, guitarist Ed Mundell, also then of Monster Magnet, and drummer Keith Ackerman, who also played in and would later rejoin Solace for a stretch, set to work on their first record, and they came out with a scorcher.

The Atomic Bitchwax‘s The Atomic Bitchwax runs a deceptive 11 songs and 53 minutes. It’s deceptive because they trade back and forth between instrumentals like the opening “Stork Theme” — which also seems to nod at Sabbath with a beginning noise that reminds of “After Forever” — and “Crazed Fandango” and “Ain’t Nobody Gonna Hang Me in My Home,” “The Last of the V8 Interceptors” and 10-minute closer “The Formula” and hook-laden tracks like “Birth to the Earth,” “Hey Alright,” “Hope You Die,” “Gettin’ Old” and “Shit Kicker,” as well as their cover of Core‘s “Kiss the Sun,” which would be a staple in live sets for years to come. The two modes of working are interspersed throughout the tracklisting — they might most come together on the bluesier, throttled-back “Gettin’ Old” — and that helps the trio of Kosnik, Mundell and Ackerman keep the listener off-balance as they build a working momentum from front to back across the release. That, coupled with what has become a signature style of winding riffs, a decent amount of speed in their tempos, a couple samples at the start of “Last of the V8 Interceptors” and “Shit Kicker,” and the extra percussion in “Crazed Fandango” earlier, all give the record a sense of variety that, especially on first listen, can be hard to keep up with. The Atomic Bitchwax has for the most part been a band that dares its audience to hold their pace. On the self-titled, that true in terms of style as well as tempo.

Stoner band being stoner in the era of stoner? Yeah, maybe. But to my ears what makes The Atomic Bitchwax a classic album is the fact that the band are so tight and so loose at the same time. the atomic bitchwaxThat The Atomic Bitchwax could conjure the sharp, head-spinning turns of “Stork Theme” and still be fuzzed-out and have an overarching groove in the process. Or that they could be so locked in on “Hope You Die” with Kosnik‘s bass comes forward in the hook and still toss out the lyric “Total. Freedom.,” and have it sound utterly natural. It’s not effortless, but it’s not intended to be. They remain the kind of band who should have someone walking through the crowd collecting tips while they play — “Hey folks, these guys are working hard up there” — but for the frenetic changes in “Ain’t Nobody Gonna Hang Me in My Home” and the MC5-worthy gallop of “Shit Kicker,” nothing The Atomic Bitchwax do on their first full-length takes precedent over the song itself. Even the instrumentals each have a personality of their own. Hell, “Ain’t Nobody Gonna Hang Me in My Home” is the centerpiece. Those tracks are crucial the mission of the record overall, right down to the touch of psychedelia worked into the midsection of “The Formula” at the end of the album. They not only highlight the prowess of the band technically, but complement the songwriting of “Birth to the Earth” and “Hey Alright,” etc., making the band a richer listening experience the whole way through, giving flashes of punk immediacy here and there, but ultimately ending up with an unquestionable place in heavy rock and roll.

That a record could be so laid back as it punches you in the face. That’s The Atomic Bitchwax. Still, almost 20 years later.

And quite a 20 years it’s (nearly) been. The KosnikMundellAckerman lineup would follow the self-titled with II the next year, also on Tee Pee, and then have the Spit Blood EP on MeteorCity in 2002 before dissolving. Kosnik and Ackerman pressed forward by recruiting Core guitarist/vocalist Finn Ryan for the 2005 album, 3 (discussed here), and thereby embarking on a new era of the band. The Jack Endino-produced EP Boxriff followed — proud to say I did the liner notes for it — coupled with a live set recorded in Seattle, and after losing Ackerman on drums, Kosnik and Ryan welcomed Bob Pantella, also of Monster Magnet, on drums for 2008’s TAB4 (aka T4B), issued first by MeteorCity and then by Tee Pee, which The Atomic Bitchwax rejoined and on whose roster they remain. 2011 brought the all-instrumental, single-song LP, The Local Fuzz (review here), and with that out of their system and a resurgence as a touring act, 2015’s Gravitron (review here) and 2017’s Force Field (review here) marked not only a period of productivity, but a maturity of approach that somewhat ironically dipped back to the modus of their earliest work but made it tighter and even sharper in the delivery.

Speaking of irony, for a band that was so long considered a side-project because of Mundell‘s involvement in both groups — he of course relocated to the West Coast earlier this decade and embarked on The Ultra Electric Mega Galactic — the last several years have found Kosnik playing bass in Monster Magnet in the rhythm section with Pantella. I don’t think anyone’s calling them a side-project at this point though. Classic, maybe. I certainly think so.

As always, I hope you enjoy.

We put the Little Dog Dio down on Monday. The pain from her bone cancer was becoming less and less manageable by the hour. We ended up giving her a percocet Monday morning and she ate nine string cheeses and some chicken after that and she got up to greet The Patient Mrs. when she and the baby got back from running an errand, but she was still clearly in agony, despite also being stoned out of her gourd.

I miss her. So much. I keep looking for her. Thinking about her in her places. The spots that were hers in the house. I’ve been telling Dio stories all week on Facebook. I have so many but I’ll probably do one more tomorrow and leave it there. It’s been hard.

We had a vet come and do it at the house. They do that now, apparently. I’ve had dogs my whole life and been a participant in two euthanasias prior to this one. Dio was different. Special. She woofed at the door when the vet came. She was healthy but for the cancer eating away at her. I figure we got robbed of at least two good years with her. I’d happily shave that time off my own lifespan if I could make a trade to get her back.

I brought her bed from the upstairs bedroom down to the kitchen and laid a sheet on it for her to be on while the vet administered the drugs. High dose of opiates, something else to knock her out, then the pink shit. Always the pink shit. The Patient Mrs. and I sat with her and cried — I’d spent the last four hours just petting her and telling her I loved her — and we were with her through the end. The vet was about to deliver the pink shit and I asked her to let me do it. She did. I did it. Me.

But you want to know the truth? The confession? I wouldn’t have done it on my own. The Patient Mrs. and I had talked it out and we both knew it was time, but even an hour before the vet came I was saying maybe we should call it off. And if she’d said okay, I would have. I wouldn’t have gone through with it. I’d have been selfish and kept my poor sweet Dio in pain just to have a couple more days with her. A little more time. I’m a terrible person.

I cried and cried and cried. When it was finally done, I wrapped her in the sheet and carried her out to the vet’s van, where a bag was waiting. She’ll be cremated and we’ll get her ashes back in the mail next week. I want to be buried with them when I go.

The rest of the last five days has been a blur of grief and baby feedings. I said goodnight to her pillow before I went to bed last night.

I have notes ready for next week front to back but I’m going to keep it to myself. It’s a cool week, busy, but I just don’t have it in me to run through it. Also, by way of a heads up, the next Quarterly Review begins Oct. 8. Nobody cares. I know.

If you get the chance though, I have a show debuting on www.gimmeradio.com this Sunday at 5PM Eastern. Prime time! It’s called “The Obelisk Show” and I host it and talk awkwardly about records and this and that. The Patient Mrs. and The Pecan both make a cameo. It turned out to be a lot of fun to put together and I promise it’s not sad. It’s free to sign up and there’s no subscription or anything, so if you get to check it out, I’d appreciate it. Here’s a poster they made.

jj gimme radio

That says it all, I guess. I’m just happy they spelled my name right. We’ll see if they let me do a second episode.

While you wait with bated breath for that to start, I hope you have a great and safe weekend. Hold your loved ones close, have fun, and please don’t forget to check out the forum and radio stream.

The Obelisk Forum

The Obelisk Radio

 

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Monster Magnet Getting Ready to Mindfuck North America

Posted in Whathaveyou on June 20th, 2018 by JJ Koczan

monster magnet (photo jeremy saffer)

I really want to see Monster Magnet on this tour. Not just out of appreciation for their latest album, the gleefully-titled Mindfucker (review here) or of what they’ve done before, but because I think this tour — this one, with the dates below — is a special moment for the band. Yeah, it kind of looks like a standard major market North American run. Couple dates in Canada, shows spread across both US coasts, a stop at Aftershock Festival in Sacramento. Fair enough. But Monster Magnet‘s last US run was cut short when the band’s frontman, Dave Wyndorf, caught the flu, and though they’ve been to Europe a bunch of times, including just last month to make headlining stops at the Desertfests, a full American stint is rarer.

And with the lineup around Wyndorf of guitarists Garrett Sweeny and Phil Caivano, bassist Chris Kosnik and drummer Bob Pantella (the latter two both also of The Atomic Bitchwax), it just seems all the more like now’s the time to show up. So I’m going to do my best to absolutely do that.

Oh, and if you need another argument in favor, Electric Citizen are supporting. So right on.

Info from the PR wire:

monster magnet tour poster

MONSTER MAGNET Announces North American Tour

March of 2018 saw the release of the latest MONSTER MAGNET masterpiece “Mindfucker” (Order and Stream The Album) on Napalm Records. Following three exclusive Northeastern US shows, the band headed across the pond for a European headline tour. Now they are ready to return to North America for a full headline tour this Fall.

The band will hit the road in North America on September 28th in Toronto, ON. The tour will run through October 28th in Boston, MA. Support on the tour will come from Electric Citizen and Dark Sky Choir. A complete list of dates can be found below.

A message from MM frontman Dave Wyndorf:

“Can’t wait to hit North America with the MINDFUCKER tour! Warning: This is REAL ROCK music, made loud to be played loud! A Monster Magnet show is a face melting celebration of electric madness made all the better and fueled to peak intensity by the attendance of excitable human beings. Hope you’re part of that equation! See you soon!

Monster Magnet:
9/28: Toronto, ON @ Lee’s Palace
9/29: Pontiac, MI @ The Emerald Theatre
9/30: Louisville, KY @ Louder Than Life Festival*
10/2: Chicago, IL @ Bottom Lounge
10/3: Minneapolis, MN @ Cabooze
10/5: Denver, CO @ The Bluebird Theater
10/6: Salt Lake City, UT @ Urban Lounge
10/8: Portland, OR @ Hawthorne Theater
10/9: Vancouver, BC @ Commodore Ballroom
10/10: Seattle, WA @ El Corazon
10/12: San Francisco, CA @ Thee Parkside
10/13: Sacramento, CA @ Aftershock Festival*
10/15: Santa Ana, CA @ The Observatory
10/16: San Diego, CA @ Brick By Brick
10/17: Phoenix, AZ @ Rebel Lounge
10/19: San Antonio, TX @ Paper Tiger
10/20: Dallas, TX @ Canton Hall
10/21: Houston, TX @ White Oak (Upstairs)
10/23: Atlanta, GA @ Masquerade
10/24: Nashville, TN @ Basement East
10/26: Baltimore, MD @ Baltimore Soundstage
10/27: New York, NY @ Gramercy Theater
10/28: Boston, MA @ The Sinclair

*Festival Appearance

MONSTER MAGNET line up:
Dave Wyndorf (vocals, guitar)
Garrett Sweeny (guitar)
Phil Caivano (guitar)
Chris Kosnik (bass)
Bob Pantella (drums)

http://zodiaclung.com
https://www.facebook.com/monstermagnet/
https://www.instagram.com/monstermagnetofficial/

Monster Magnet, “Mindfucker” official video

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