Posted in Whathaveyou on August 12th, 2013 by H.P. Taskmaster
Well established that I’m a sucker for a cool rock show and a cool rock poster, so when greeted by both, I’ve little choice in the matter of posting it. Enfectious Erf out of Memphis concocted the classy design below for what was previously announced taking place a week earlier as Small Stone‘s Detroit fall showcase and now seems to be less that than just another killer show with bands on the label, though it will also serve as the release party for Detroit-native progressive heavy rockers Luder‘s new album, Adelphophagia. In town for the night will be Freedom Hawk, Gozu, The Brought Low and Lo-Pan, so whether or not it’s an official showcase is immediately secondary to how much ass the night is going to kick. The Brought Low rarely get out that far, so Midwesterners take note, and any time Lo-Pan and Gozu get together, trouble is made. Very loud trouble.
Here’s the poster for the show, which you can click to enlarge if its current size isn’t big enough:
Small Stone Records Presents: Freedom Hawk, Gozu, Lo-Pan, Luder, The Brought Low
Posted in Whathaveyou on August 5th, 2013 by H.P. Taskmaster
Generally notable for its sick lineup culling together some of Ohio’s best in heavy from the rarely-seen Rebreather on through Mockingbird and Venomin James, the roster of acts for The Blackout Cookout IV gains even more traction for being one of the last shows Pittsburgh’s Vulture will play prior to their recently-announced disbanding. Between that and reported bevvy of smoked meats, it doesn’t seem like there’s really any way to lose out. Blackout Cookout IV is set for Aug. 24 at The Outpost in Kent, Ohio.
The PR wire sends urgings:
Here we go again! It’s time for another drunken summer bash at The Outpost. We have some new comers to the lineup this year along with some bands returning to fuck shit up once again. Aaron Schultz (Schultzs Smokin Pit) will be BBQing a ton of food for all of us to eat. Presale entry is available at ticketfly.com for $10.00 or at the door day of show for $13.00. You do not want to miss this show. Good times will be had by all. Get to the Post!!!
On August 24th in Kent, OH we will be throwing The Blackout Cookout IV. It is a party at The Outpost that has grown every year since its creation. Last year we had KEELHAUL and LO-PAN, VULTURE, and many other great sludge and doom bands.
This year we have LO-PAN returning along with REBREATHER, MOCKINGBIRD, THE UNCLEAN, THE RAVENNA ARSENAL, and VULTURE! What makes this year special is it is the first of VULTURE’s last two shows ever.
Schultzs Smokin Pit smokes meat all day to eat and 12 bands will be alternating on 2 stages. This year’s lineup is…LYCOSA, SUPER PREDATOR, SHOWBOY, VENOMIN JAMES, FULLY CONSUMED, DEATHCRAWL, VULTURE, THE RAVENNA ARSENAL, THE UNCLEAN, MOCKINGBIRD, LO-PAN, and REBREATHER.
Anyone from the area or anyone who would like to travel should come check out this great food and music. If not at least help spread the word.
Posted in Reviews on July 29th, 2013 by H.P. Taskmaster
Though most of the acts were out-of-town imports, there was a strong familial vibe at The Acheron even before The Eye of the Stoned Goat 3 got started. Not knowing what traffic wonders awaited on a Saturday evening — could be nothing, could be armageddon — I headed into Brooklyn early so as to catch the start of the nine-band bill and got there well in advance of commencement. Plenty of time to sit outside and chat with fest organizer Brendan Burns, who’d later take the stage with his band Wasted Theory, Pat Harrington of Geezer and the Electric Beard of Doom podcast — who were among the presenters of the show along with The Obelisk, Small Stone Records, Wendigo and Burns‘ own SnakecharmerBooking — the cats from Lo-Pan and plenty of others coming through.
It was still sunny out with a few hours of daylight to come, but people were beginning to assemble. Word of the show had spread pretty well, so although people came and went throughout the evening and seemed to split their time between The Acheron‘s venue room and The Anchord Inn, which occupies the other half of the space, there wasn’t any point where I’d say it cleared out, and right up to when Lo-Pan took the stage as headliners, there was a steady build of heads filling the room. The bar next to the stage was certainly busy all night.
Soon enough, though, it was time to go inside as the night started to get underway with Philly merchants of stone, Wizard Eye. From there, it was a one-after-the-next succession of heavy. Here’s how it all went down:
They’re veterans of Eye of the Stoned Goat by now, but where the second installment earlier this year in Delaware had them teamed with fellow Philadelphia natives Heavy Temple, Thee Nosebleeds and Clamfight, in Brooklyn, they were on their own in representing the City of Brotherly Love. Not only that, but it was their third show with new drummer Mike in the trio with the dreaded guitarist/vocalist Erik Caplan and bassist/backing vocalist Dave. If there was any anxiety on their part, they didn’t show it. Wizard Eye seemed as comfortable as ever as they nestled into their thick, air-pushing Sleep-style stoner grooves, Caplan moving from his guitar to the theremin at just the moment when it seemed the former wouldn’t deliver anymore wail than that which had already been extracted from it. My overarching impression of the band remains the same as when I saw them in February — they need to get an album out. It’s time and even being 33 percent new, their presentation was tight enough to make me think they’re more than ready to go. Hopefully soon.
If Wizard Eye were the stonerly start, then NYC’s Geezer were the answer for anyone looking for a taste of blues, guitarist/vocalist Pat Harrington working in a liberal use of slide while bassist Freddy Villano and drummer Turco filled out a heavy rocking stomp behind the classically fuzzed distortion and gravelly vocals. The band is still fresh off the release of their impressive 2013 Gage EP (discussed here), and they brought that jammier sensibility to their set, seeming right at home in slower progressions that they made move when they needed them to and offering unpretentious drinkin’ man’s music well met by the getting-started crowd. Harrington‘s was among the most believable “whiskey-soaked” style singing that I’ve heard in years, and he and Villano (who also play in Gaggle of Cocks together) obviously had years’ worth of chemistry working in their favor, despite Geezer being a relatively recent advent. Closer “Ghost Rider Solar Plexus” was a highlight, and as they’re reportedly working on a vinyl release for Gage, they seem to be building some momentum going into whatever they have in the works for after that. A solid blues-based heavy rock jam is something I’ll never argue with, and Geezer had that in spades.
Up from their home in Bear, Delaware, double-guitar unit Wasted Theory handled themselves well on The Acheron‘s stage, as Eye of the Stoned Goat 3 organizer Brendan Burns sat back for drums behind guitarist/vocalist Jackson, lead guitarist M. Kramer and bassist J., the four-piece striking hard on a balance of post-Down Southern metal and more driving stoner fare. They seemed in good spirits after having performed about a month ago at the Moving the Earth festival in Baltimore, and as they hit into songs off this year’s GodSpeedEP and Jackson swung his guitar around his back, they seemed to have come far even since I got my first glimpse of them earlier this year, locking in some fervent Pepper Keenan-style chugging on guitar while J. gave the riffs a thick foundation to rest on. They were energetic and engaged the whole way through, and though they didn’t pull in the biggest crowd of the night, they capped off with a motor-boogieing new song, Jackson half on guitar, that positioned them well coming out of GodSpeed. By the time they were done with their short set, the fest seemed like it was moving along quickly.
I’d reviewed it the day before, so I don’t think Borracho‘s second album, Oculus, would’ve been any fresher on my mind if I’d listened to it on the way to the show. The D.C.-based trio had been out the weekend before for a set of four gigs with Lo-Pan, so I expected they’d be pretty tight and they did not disappoint. Owing to time constraints, they only played three or four songs, starting out with “Empty” and “Stockpile,” the opener and centerpiece from Oculus. Guitarist Steve Fisher has taken to the vocalist role well, and he seemed right at home on both of the Oculus cuts, the set as well giving me a whole new appreciation for the richness of bassist Tim Martin‘s tone. Dense and packed with low end push, it created the waves on which Borracho‘s slower grooves rode, punctuated and given further physicality during the jammier stretches of “Stockpile” by drummer Mario Trubiano. Dipping back to their 2011 debut, Splitting Sky, the trio capped off with the quick burst of “Concentric Circles,” Fisher showing no hesitation to deliver the lines shouting up into a dangling microphone, Motörhead-style. The earlier sets were all pretty short — 25 minutes for the first couple bands, then 30 for the next several — but Borracho had enough time to pack in maximum riffage and give anyone there who’d never seen them before a good idea of where they were coming from as a three-piece.
Here’s where I’m at with New Haven, Connecticut, four-piece Lord Fowl. They’re so tight and so professional that on stage they look like they could be playing one of those all-day amphitheater commercial radio shows with a goofy name. You know the ones: “WFUK presents the Summer Fling this Saturday at the Giant Corporate Bank Park,” and so on. Only snag is Lord Fowl don’t suck and all those bands do. It’s been over two years since I first saw them, and while they may not have the same kind of surprise factor going as they did that night, my enjoyment for what they do has only increased as they’ve gotten signed to Small Stone and last year released, Moon Queen(review here). Opening with the same wow-that-cop-is-saying-some-racist-shit sample that starts the song on the album, they kicked into the funk-riffed “Dirty Driving” as guitarists Vechel Jaynes and Mike Pellegrino traded off vocal parts, setting the tone for the rest of their all-too-short set. “Split” and “Hollow Horn” were welcome inclusions, bassist John Conine and drummer Don Freeman locking in with the starts and stops of the latter, balancing classic rock and modern heavy off each other with born-to-do-it ease. I asked Jaynes afterwards and he said a new record’s in the works, which was some of the best news I heard all night.
To my knowledge, no such award was handed out, but if Eye of the Stoned Goat wanted to start handing out prizes for the prettiest guitars, one would almost certainly have gone to Supermachine‘s Jay Fortin. I don’t even play guitar and the sight of his gold-trimmed, hollow-body Gretsch had me in awe, both in look and sound. As Fortin, bassist Dave Jarvis, drummer Mike McNeil and vocalist David Nebbia stepped into the New Hampshire biker rock groove of “Buffalo,” I could hear a touch of the tonality Fortin and Jarvis brought to their prior outfit together, Scissorfight, and while I’m not sure I’ll ever be able to listen to Supermachine and not consider that context — which isn’t really fair to the band, who are going for a different style altogether; it’s also why I’ve not to date reviewed their self-titled debut — there’s no doubt they’re a crisp, clear-headed and heavy four-piece who can put together a dead-on, ballsy set. “Crutch” was absurdly catchy and correspondingly full sounding, new song “Broiled Alive” was, well, also those things, and I came away from their set glad I had seen them before and had some sense of what to expect, since it allowed me more of a chance to relax and take Supermachine in on their own level. That being the case, I wondered if maybe repeat exposure would continue the trend, and if so, I could think of far worse things.
Black Black Black
The first two words in the page of notes I took during the Black Black Black set were “holy” and “shit.” The only New York band on the bill besides Geezer — also the only other act playing Eye of the Stoned Goat 3 besides Geezer that I hadn’t seen live before — Black Black Black took the stage in unassuming-enough fashion and proceeded to demolish the space around them. It was like they decided to bring their self-titled debut (see here, here and here) to life and then punch everyone in the face with it. “Light Light Light” crushed in a manner that threw down a gauntlet that dared Gozu and Lo-Pan to match its weight, and “Pentagram On,” “Wisdom, Knowledge and Fucked,” the raging “ReDeath” and “Son of Bad” brought a zero-genre-allegiance sonic versatility that was lethal in kind to the band’s presentation of the material. As their time wore on — it went quickly, make no mistake — and guitarist Jacob Cox manipulated feedback to add atmosphere to the pummel, I tried to think back to the last time I got a recommendation as good as when Jesse Bartz from Lo-Pan put me onto them. I couldn’t come up with anything. With no loss of energy or assault in their delivery, Black Black Black – Cox, vocalist Jason Alexander Byers, bassist Jonathan Swafford and drummer Jeff Ottenbacher – included two new songs near the end, the latter of which offset a shuffling riff with vocals that bordered on airy before they shifted into their final round of intense bludgeoning. It was, in short, a fucking delight.
It made a strange kind of sense to me as I watched Boston’s Gozu load onto the stage that, last weekend, I should be in Boston watching The Brought Low at a show which members of Gozu were attending just to hang out, while this weekend, I’m in New York watching Gozu, who are from Boston, and here’s Ben Smith from The Brought Low, come to check out the gig. I feel like there’s some element of symmetry there and I just don’t have a brain able to process mathematics complex enough to enjoy it. Nonetheless, at The Acheron, Gozu played the heaviest set I’ve ever seen them play. Whether it was “Bald Bull,” the thrashing “Charles Bronson Pinchot” or the boogie-ready “Snake Plissken” from this year’s The Fury of a Patient Man(review here), or “Regal Beagle” from their 2010 Locust Seasondebut, everything they played seemed to pack some extra bite, and particularly in the case of drummer Barry Spillberg, the band hand-delivered a rager that set back some of their soul influence in favor of showing off hardcore roots, closing out with “Mr. Riddle” from Locust Season, which had thrust enough to its groove alone to justify Gozu’s place on the bill. I don’t generally think of Gozu as putting such an emphasis on heaviness — yeah, they’re a heavy rock band and guitarists Marc Gaffney and Doug Sherman and bassist Jay Grotto obviously have heft to their tones — but this was a different league entirely. They were almost metal, but if metal pulled its head out of its ass and remembered how good it felt to groove every now and again. Whatever symmetry I may have enjoyed in seeing them in New York this weekend, that was trumped easily by their actual performance, which was downright threatening.
It had been a long day. Lo-Pan were slated to hit the stage at midnight, and by the time they did — give or take a few minutes, but basically on time — I was long since beat, but already eight bands deep, there was no way I was missing anything the Ohio fuzz rockers had to offer. And I was even gladder I didn’t cut out early once they actually started playing; the setlist was packed with new material. “Eastern Seas” and “Colossus” were aired — familiar titles from recent shows — but “Hunters,” which if I’m not mistaken Jeff Martin said was being played for the first time (don’t quote me), brought out guttural, soulful shouts from the singer powerful enough to cut through the volume of the three players — bassist Scott Thompson, drummer Jesse Bartz and guitarist Brian “It’s His Tone, We’re Just Living in It” Fristoe — positioned in front of him. Light moshing occurred, which I guess is what happens when people 25 and under show up to gigs. New songs were joined by the familiar rush of “Deciduous” and “Generations” from 2011′s there’s-no-hyperbole-left-for-me-to-use-so-I’ll-just-say-it’s-fucking-awesome Small Stone debut, Salvador (review here), but Lo-Pan returned to new material to close out, ending off their set with “The Duke,” on which Martin‘s voice was presented sort of answering itself in delay. The final locked-in groove of that song justified its position as the finale, but when Lo-Pan were done, the shouts of “one more!” were immediate. Bartz had already gotten off the stage, but he came back up and Martin said they’d only do one more if someone bought Scott a shot of whiskey. It arrived during the first verse of “Kurtz” and was fed into his mouth as he played. More moshing ensued — heathens! — and Lo-Pan capped a killer night with a spectacle well worth sticking around to see. Until next time.
The efforts of Brendan Burns in making Eye of the Stoned Goat 3 happen are worth reiterating and commending. The Acheron also made an excellent host for the show — the sound straight through left nothing wanting in either volume, devastation or clarity — and each of the bands stepped up to deliver a fitting answer to the one in front of them, starting with Wizard Eye and ending with Lo-Pan. I got out of Brooklyn on the quick since it was already pushing 1AM, got back to my humble river valley a little after two and crashed out, satisfied that there was no more I could’ve asked of the night.
Posted in Features on July 23rd, 2013 by H.P. Taskmaster
This Saturday, Lo-Pan will take the stage as headliners at The Eye of the Stoned Goat 3 in Brooklyn, New York. Sharing the bill with the stalwart Ohio road dogs is a litany of heavy rockers worthy of repute, some labelmates on Small Stone, others up and comers playing with a similarly fuzzed, riff-minded style. All told, The Acheron plays host to one of the sickest lineups of the year on July 27, with Lo-Pan at the top alongside Gozu, Supermachine, Black Black Black, Borracho, Wizard Eye, Lord Fowl, Geezer and Wasted Theory, whose own drummer, Brendan Burns (interview here), is responsible for booking the fest.
The Stoned Goat gig comes as the latest in a series of righteous happenings for Lo-Pan, whose considerable touring is beginning to pay off with — what else? — more touring. Making their way into Brooklyn as the final in a set of four dates with Gozu, Lo-Pan have been using July as a vehicle for long weekenders, first with Indianapolis-based rockers Devil to Pay, then a handful of shows including last weekend at StaVentfest in Pennsylvania with D.C.’s Borracho — also playing in Brooklyn — following a couple weeks off after spending the first half of June on tour with Torche and KENmode. All this is ostensibly to support a vinyl reissue through Small Stone of Lo-Pan‘s landmark 2009 sophomore outing, Sasquanaut, which also got a CD revisit in 2011 (review here), but really, it’s just Lo-Pan continuing to do what they do best, and that’s hand-deliver some of the finest fuzz being produced in the US, or anywhere else for that matter.
Since this is all going down even as the band continues to write and road test new material for a follow-up to 2011′s will-still-put-you-on-your-ass-two-years-later third album, Salvador(review here), it seemed to me a prime time to get on the phone with drummer Jesse Bartz (not for the first time) for a brief check-in about the band’s latest doings, how they see the effort and time they’ve put in starting to result in shows like those with Torche or with High on Fire last fall, the timing on when they’ll look to put the next record to tape, and much more. Bartz – joined in the band by guitarist Brian Fristoe, vocalist Jeff Martin and bassist Scott Thompson — was forthcoming and realistic as ever about the work Lo-Pan has done to this point and the work they still have ahead of them.
So, with The Eye of the Stoned Goat 3 this weekend, a tour with Weedeater next month, the Sasquanautvinyl out now and their focus geared toward a European tour in support of their next album in 2014, you’ll find my quick Q&A with Jesse Bartz after the jump.
Posted in Whathaveyou on July 16th, 2013 by H.P. Taskmaster
This is just the preliminary of the preliminary announcements, but a Small Stone label showcase is always a good time — seriously, I’m the most miserable bastard you could ever hope to (not) meet and I have a blast whenever I’m fortunate enough to attend one of the things — so I figured better to get the word out early so anyone interested in making the trip could mark the calendar now. The lineup for this year’s Detroit gig is still coming together, but already you’ve got Gozu, Lord Fowl, Lo-Pan and Luder on the bill, so for a whopping $10, it officially qualifies as what I believe the kids might call a “sick show.”
Oct. 12 is the date, The Magic Stick is the place. Here it is from the source:
Date: 10/12/2013 Venue: The Magic Stick Location: Detroit, MI Line Up: Gozu, Lord Fowl, Lo-Pan, Luder, TBA (most likely Freedom Hawk or Sasquatch). Doors: 7:30 – All Ages Price: $10.00
Posted in Features on July 9th, 2013 by H.P. Taskmaster
Lo-Pan‘s touring adventures continue. In our last installment, the Ohio heavy rock four-piece stomped their way through Dayton, Ohio, and Chicago, and having covered that ground, this time around they’ve moved on to Madison, Wisconsin, and Indianapolis on their tour with Indy-based Devil to Pay.
Please enjoy, and note that the lead photo here was taken by Devil to Pay‘s own Steve Jankiak:
July 6th and 7th — “Eat a Sandwich”
Did you know Otis Redding was from Madison, Wisconsin? Well, he was. So was Chris Farley. This auspicious town was the locale for our next tour adventure.
We woke up early in Chicago in order to get to Madison by the early afternoon. About a year ago a friend of ours took us to this amazing deli in Madison and hooked us up on some great sandwiches so we always like to revisit that spot when we are in town. Hospitality on tour is like a full tank of gas, or a clean load of laundry — it kind of sets everything back to zero and allows you to start fresh. In my experience, when you go on tour you start out with a plan. I’ve got so many so-and-so’s for so many days and this do-hickey goes in this pocket and that’s where it will be forever. Well, after about eight days, things start to become a little less concrete. Pockets of things change. Things break or get lost. You get hot and tired and you just plain stop caring about those things. After around 15 days you start to degrade into an animal state of instinct and muscle memory. 30 days in, you don’t even remember what home feels like. 40 days and wherever you are is your home. Then, when you go home, it takes a while to adjust. All of this is to illustrate that when you find hospitality — a welcome smile, a great plate of food, a person who lets you enter their home and use it as your own for a little while — all of these things serve to reset the dials, and get you centered to carry on. Madison is such a place for us because it is home to some very hospitable and kind people. It’s one of those places that when you are a few days away you start to hear the mantra, “If we can just make it to Madison, everything will be ok.” So we made it to Madison, our Midwest oasis.
The show was at a bar called Mr. Roberts. We had never played there before so we didn’t know what to expect. We were set to play with a band called The Garza. They are a three piece featuring our friend Nate Bush on bass. We made Nate’s acquaintance a couple of years ago when he was playing bass for Madison band Droids Attack. In addition, the drummer for The Garza [Mike "Magma" Henry] is also in Bongzilla. Hopefully for your sake, Bongzilla need no introduction. The last time we played in Madison was on tour with High on Fire. The show that time was at High Noon Saloon. This was certainly a different situation, but we did see quite a few people at this show that remembered us from the last show. It’s good to see that our travels and work are paying off.
Devil to Pay started off the evening with a killer set. DTP are one of those bands that seem to nail their recorded sound in a live setting, and do it with ease. We played second out of three bands and we decided to change up our set tonight. We were playing Sasquanaut start to finish but on the drive to Madison we decided we would rather play our newer material and that people would just have to deal with it. Whatever! We do what we want! The Garza closed out the night and after some drinks and laughs we packed up and headed to our accommodations for the evening.
Brian is a friend of ours and he owns a tattoo shop in Madison. He let us stay in his posh tattoo studio for the evening. I had an honest-to-goodness couch to sleep on. Jesse slept on his air mattress and Fristoe took up residence on an amazingly adjustable tattoo chair. Skot, however decided to sleep on the floor despite the availability of other tattoo chairs. Skot Thompson is a floor-sleeping sumbitch. He loves it. Got a hardwood, concrete, or tile floor? Skot will sleep on it. Got a dining room table? Skot will sleep under it. And he will sleep well.
We woke up around 9:30AM and tattoo Brian came to take us to breakfast. Nice guy, that Brian. We said our goodbyes and headed off towards Indianapolis.
Indianapolis, Indiana. Indy’s Jukebox Live. Devil to Pay is from Indianapolis. Do you know what else is from Indianapolis? I’m asking because I don’t know. Or maybe I just don’t care. If you have ever driven through Indiana, then you know what a wholly depressing place it can be. Unless you are into extremely flat, corn covered vistas, there is not much outside of DTP to lure you to the Hoosier State. Actually, President William Henry Harrison was from there. I stand corrected.
On the bill for this show were Death Trap and Stealing Volume. Death Trap seemed to be having some technical difficulties during their set. They got off to a rocky start but finally got it dialed in towards the end. It sucks when you are just trying to play some music but you end up wrestling your gear into submission the whole time instead. Stealing Volume was a surprise to me. They had a punchy punk sound and they were very tight. Really good stage presence and delivery. I liked Stealing Volume very much. We played what felt like a good set to a sparse but engrossed audience and Devil to Pay headlined for the home town. After the show we packed up rather quickly and headed for home. Real life loomed large on the horizon, at least for a few days until we pick back up with the DTP boys in Detroit.
Posted in Features on July 6th, 2013 by H.P. Taskmaster
Ohio fuzz foursome Lo-Pan are currently on the road alongside Devil to Pay supporting the vinyl release of their 2009 album, Sasquanaut. Frontman Jeff Martin has agreed to give us the inside track with a tour diary as the shows play out, and in this first installment, the band is starting out in Dayton, Ohio, and Chicago, Illinois.
Lo-Pan is Martin on vocals, guitarist Brian Fristoe, bassist Scott Thompson and drummer Jesse Bartz. Enjoy:
July 4th &5th – “Doing Crunches”
I am back on the road yet again with Lo-Pan. We started off in Dayton, Ohio, at Blind Bob’s with our old friends Devil to Pay (minus guitar man number two, Rob Hough). For some strange reason, Rob decided not to join the band for this show. We have toured many times with DTP and Rob’s absence is noticeable and strange. He will pick back up with us tomorrow in Chicago but it was Indy’s finest as a three-piece, with Dayton bands Close the Hatch and the always-entertaining Neon Warship set to play.
This show fell on Independence Day. The 4th has to be the A#1 holiday for Lo-Pan. We celebrate and revere our freedom every day and this is the culmination of that mindset. All of our ‘Merica, flag-waving bravado is sure to be on full display. Marvel at and fear us! We weren’t sure what to expect on July 4 in Dayton. Would it be a barren wasteland or would Dayton show up and represent for rock music? Well I am proud to announce that Dayton – and more importantly, Ohio – showed up in full force.
This is not to suggest that we didn’t encounter our fair share of oddballs in Dayton. We always seem to attract the strangest and most out-there people in any town. I am trying to determine which weirdo takes the cake on this particular occasion; perhaps the drunken co-ed who bought a Lo-Pan t-shirt and then appointed herself merch girl extraordinaire and proceeded to bully passers-by into purchasing copious amounts of merchandise? Maybe it was the equally drunk townie and his French companion who decided to share with me his outlandish and less than racially conscious opinions on the President of the United States? Certainly one of the most bizarre unsolicited encounters in recent memory. I think drunken townie takes the taco in this contest for the sheer fact that I can’t stop thinking about the incident.
All in all the show went very well. It feels good to be back on the road and it feels even better to be playing some songs we haven’t played in a very long time. Small Stone Records has rereleased our album Sasquanaut on vinyl and to celebrate that, we are playing the whole album start to finish each night. Some of these songs we haven’t played in more than three years. So it’s nice to revisit some old material and to feel the differences between older songs and new. All the bands in Dayton were great. Devil to Pay sounded great, even as a three-piece. Neon Warship is a powerhouse and Close the Hatch was heavy and deft. I really couldn’t ask for a better way to start off the tour.
At the end of the night we were offered a place to crash by one of the guys in Close the Hatch. We stayed in a recording studio around the corner from the venue. We slept amongst drums and guitars and for some reason there were also many bikes all over the place. I slept on a couch in the control room of the studio and the other guys were scattered around different corners of the recording space. I put my little fan up on a practice amp and passed the hell out. It was surprisingly comfortable. Anytime I am blessed with a couch to sleep on, I consider myself lucky. Many people think that tour is replete with hotels and luxury. I am here to tell you that this is NOT the case. I have laid my head in some of the foulest locales out of sheer necessity. It’s a small price to pay for the ability to do what you love on your own terms.
We woke up around nine the next morning and set off for Chicago. The drive to Chicago featured an unusual event for us. We actually listened to music during the trip. Normally we do not listen to music in the van because we all have such varied tastes, we can never agree on anything to listen to. For some that have joined us on the road, this silence has been jarring. For us it seems to work, though. Today we listened to Bob Seger followed by Clutch. I think tomorrow we are likely to return to silence, however. In addition on the drive we ate snacks… or as we call it, “doing crunches.”
Chicago has always been one of our favorite cities to play. We have met a boatload of great people that are either from there or who currently reside there. We had quite a few people in attendance this evening from other bands we know and even some people from home (Columbus) that happened to be visiting. That sort of dynamic always makes the shows very fun.
This show featured Marmora, a young band with some very talented dudes. We met them a couple of years ago and it’s always enjoyable to see how they become seasoned professionals – a little more each time. Tonight Rob from Devil to Pay was back with the guys and DTP sounded phenomenal. Steve Janiak is a great singer and the house sound guy had him dialed in.
We played third and our set felt ok. Personally, I messed up some of the lyrics to “Wade Garrett.” It’s just been so long since I have had that song committed to memory. Sometimes it takes a couple of tries to knock the dust off of these older tunes. Other than that we played pretty well to my way of thinking. After us a last-minute addition to the show, All Hail The Yeti from Los Angeles, played. They were a little out of line stylistically for the rest of the bill, but they were good at what they do. They had some animal skulls on stage with them. That was pretty odd. Outside of Norwegian black metal, you don’t really see that too much.
The Cobra Lounge, the venue for the Chicago show, has an apartment upstairs for performers to sleep in, as well as a locked parking area for our van – “Van Halen.” This is really a welcome situation. It’s a little worse for the wear for the sheer number of acts that roll through each month, but when all is said and done, a free place to stay is a free place to stay.
That’s all the news that’s fit to print for the first couple of days of tour. Stay tuned…
Posted in Whathaveyou on July 2nd, 2013 by H.P. Taskmaster
This week, Ohio fuzz rockers Lo-Pan kick off a round of tour dates with Devil to Pay that will begin roughly a month and a half of gigs. Before they even get to that, however, the foursome are marking the first time that 2009′s Sasquanaut– a classic of modern heavy rock if e’er there was one — is released on vinyl.
Previously issued through Small Stone in remixed/remastered fashion in 2011 on CD, Sasquanautmakes its debut on LP today, July 2, in a variety of colors and in a limited edition first 100 copies that come with a signed poster and much more.
Here’s the latest on all of the above:
LIMITED EDITION 180gr VINYL – Deluxe Version – First 100 Only!
Small Stone Records is proud to announce the release of Lo-Pan’s highly acclaimed album “Sasquanaut” for the first time on limited edition 180g vinyl. Remastered for vinyl release, this limited edition LP will be available for pre-order July 2, 2013. The release will be available in five distinct color variations (silver, solid light green, translucent red, translucent green, and classic black). Additionally, each copy of the LP release will come with a download card, redeemable for a digital copy of the album.
Get it while you can. Sasquanaut finally on vinyl. When it’s gone, it’s gone. Help us out. Tell anyone you think might be interested. We are trying to sell 100 of these today!
180 gram vinyl, deluxe jacket and poly-lined sleeves. Limited to 100 Black, 100 Trans Red, 100 Light Green, 100 Silver, 100 Trans Green.
This package includes: – you choice of color variation – 12” x 18.7” full color poster signed by the band – limited edition patch – lo-pan sticker
Vinyl track listing:
Side Alpha: Dragline Savage Henry Kurtz Callahan
Side Beta: Kramer Vega Wade Garrett
Catch Lo-Pan live at the following upcoming tour stops: Jul 4, 2013 Dayton, OH Blind Bob’s w/ Devil To Pay, Neon Warship Jul 5, 2013 Chicago, IL Cobra Lounge w/ Devil To Pay Jul 6, 2013. Madison, WI Mr. Roberts w/ Devil To Pay, The Garza Jul 7, 2013 Indianapolis, IN Indy’s Jukebox w/ Devil To Pay Jul 11, 2013 Detroit, MI PJ’s Lager House w/ Devil To Pay Jul 12, 2013 Cleveland, OH The Temple w/ Devil To Pay, Venomin James Jul 13, 2013. Columbus, OH Kobo w/ Devil To Pay, Barely Eagle, the Girls! Jul 18, 2013 Pittsburgh, PA Howler’s w/ Borracho, Sistered, Supervoid Jul 19, 2013 Washington DC Rock N Roll Hotel w/ Borracho, Kingsnake, King Giant Jul 20, 2013 Stroudsburgh, PA The Sherman Theater w/ Borracho, Kingsnake Jul 21, 2013 York, PA The Depot w/ Borracho Jul 24, 2013 Worcester, MA Ralph’s Rock Diner w/ Gozu, Birch Hill Dam Jul 25, 2013 Manchester, NH The Shaskeen Pub w/Gozu, Birch Hill Dam Jul 26, 2013 Boston, MA O’Brien’s w/Gozu, Black Thai Jul 27, 2013 Brooklyn, NY The Acheron *The Eye of the Stoned Goat 3 w/Gozu, Supermachine, Black Black Black, Borracho, Wizard Eye, Lord Fowl, Geezer, Wasted Theory Aug 01 2013 Chicago, IL Ultra Lounge w/Weedeater Aug 03 2013 Nashville, TN Exit/In w/Weedeater Aug 04 2013 Johnson City, TN Hideaway w/Weedeater Aug 06 2013 Asheville, NC Broadways w/Weedeater Aug 07 2013 Charlotte, NC Chop Shop w/Weedeater Aug 08 2013 Richmond, VA Strange Matter w/Weedeater Aug 09 2013 Raleigh, NC The Maywood w/Weedeater Aug 10 2013 Wilmington, NC Soapbox w/Weedeater Aug 24 2013 Kent, OH The Outpost w/Rebreather, Mockingbird, The Unclean, The Ravenna Arsenal, Vulture, Deathcrawl, Fully Consumed, Venomin James, Super Predator, Showboy
Posted in Whathaveyou on June 19th, 2013 by H.P. Taskmaster
At this point, I don’t even know what I’d do if a week went by and I didn’t have some news to post about Ohio four-piece Lo-Pan, who just wrapped a tour alongside Torche and KENmode and will head out over the course of July and August with the likes of Borracho, Devil toPay, Gozuand Weedeater. Their second album, 2009′s Sasquanaut, is about to receive the vinyl treatment for the first time, so along with that and an excuse to put all their upcoming gigs in one place at the same time — at least those that have been to this point announced — there was no way I could resist.
Plus, all the whatnot about pre-orders and that gives me an excuse to post the stream of the album, which is an automatic win:
Lo-Pan Sasquanaut Vinyl + Tour Info
Small Stone Records is proud to announce the release of Lo-Pan’s highly acclaimed album “Sasquanaut” for the first time on limited edition 180g vinyl. Remastered for vinyl release, this limited edition LP will be available for pre-order July 2, 2013. The release will be available in five distinct color variations (silver, solid light green, translucent red, translucent green, and classic black). Additionally, each copy of the LP release will come with a download card, redeemable for a digital copy of the album.
Priced at $30, the first 100 deluxe pre-order packages will receive: – choice of color variation – 12” x 18.7” full color poster signed by the band – limited edition patch – lo-pan sticker
The tracklist for the “Sasquanaut” LP is:
Side Alpha Dragline Savage Henry Kurtz Callahan
Side Beta Kramer Vega Wade Garrett
Catch Lo-Pan live at the following upcoming tour stops:
Jul 4, 2013 Dayton, OH Blind Bob’s w/ Devil To Pay, Neon Warship Jul 5, 2013 Chicago, IL Cobra Lounge w/ Devil To Pay Jul 6, 2013. Madison, WI Mr. Roberts w/ Devil To Pay, The Garza Jul 7, 2013 Indianapolis, IN Indy’s Jukebox w/ Devil To Pay Jul 11, 2013 Detroit, MI PJ’s Lager House w/ Devil To Pay Jul 12, 2013 Cleveland, OH The Temple w/ Devil To Pay, Venomin James Jul 13, 2013. Columbus, OH Kobo w/ Devil To Pay, Barely Eagle, the Girls! Jul 18, 2013 Pittsburgh, PA Howler’s w/ Borracho, Sistered, Supervoid Jul 19, 2013 Washington DC Rock N Roll Hotel w/ Borracho, Kingsnake, King Giant Jul 20, 2013 Stroudsburgh, PA The Sherman Theater w/ Borracho, Kingsnake Jul 21, 2013 York, PA The Depot w/ Borracho Jul 24, 2013 Worcester, MA Ralph’s Rock Diner w/ Gozu, Birch Hill Dam Jul 25, 2013 Manchester, NH The Shaskeen Pub w/Gozu, Birch Hill Dam Jul 26, 2013 Boston, MA O’Brien’s w/Gozu, Black Thai Jul 27, 2013 Brooklyn, NY The Acheron *The Eye of the Stoned Goat 3 w/Gozu, Supermachine, Black Black Black, Borracho, Wizard Eye, Lord Fowl, Geezer, Wasted Theory Aug 01 2013 Chicago, IL Ultra Lounge w/Weedeater Aug 03 2013 Nashville, TN Exit/In w/Weedeater Aug 04 2013 Johnson City, TN Hideaway w/Weedeater Aug 06 2013 Asheville, NC Broadways w/Weedeater Aug 07 2013 Charlotte, NC Chop Shop w/Weedeater Aug 08 2013 Richmond, VA Strange Matter w/Weedeater Aug 09 2013 Raleigh, NC The Maywood w/Weedeater Aug 10 2013 Wilmington, NC Soapbox w/Weedeater Aug 24 2013 Kent, OH The Outpost w/Rebreather, Mockingbird, The Unclean, The Ravenna Arsenal, Vulture, Deathcrawl, Fully Consumed, Venomin James, Super Predator, Showboy
Under normal circumstances, I probably wouldn’t do two Visual Evidence posts on consecutive days, but this is obviously an exceptional case. As Lo-Pan continue to unveil their summer roadwork, more dates alongside Indianapolis’ Devil to Pay have emerged, and the poster for said trek is… well, it’s something special.
In fact, I haven’t seen a poster that hits quite so close to home in some time. First of all, it’s Spock — and not this newfangled reboot Spock either — we’re talking the real deal, Nimoy Spock. Second, it’s an octopus. Third, they’re combined. The portmanteau ‘Spocktopus’ pretty much writes itself.
Kudos to artist Trevor Patton for the Spocktopus itself and Devil to Pay‘s Steve Janiak for the layout. This thing is great:
Oh yeah, and the bands rule as well. I don’t think I could go a week at this point without posting Lo-Pan tour news even if I wanted to, and as they wrap up their run with Torche and KENmode, it’s cool to see they’ll shortly be reunited with their longtime buds in Devil to Pay, with whom I’ll be running an interview in the coming weeks.
Lo-Pan & Devil to Pay tour dates: Jul 4, 2013 Dayton, OH Blind Bob’s w/ Neon Warship Jul 5, 2013 Chicago, IL Cobra Lounge Jul 6, 2013. Madison, WI Mr. Roberts w/ The Garza Jul 7, 2013 Indianapolis, IN Indy’s Jukebox w/ Stealing Volume & Death Trap Jul 11, 2013 Detroit, MI PJ’s Lager House Jul 12, 2013 Cleveland, OH The Foundry w/ Venomin James Jul 13, 2013. Columbus, OH Kobo w/ Barely Eagle, the Girls!
In semi-related news, Small Stone (Lo-Pan‘s label) is having a 25 percent off sale at its online store, and I figured that’s worthy of a plug for anyone looking to pick up some quality rock on the cheap. Link in banner below:
Posted in Whathaveyou on June 7th, 2013 by H.P. Taskmaster
I assume the drummer position in Weedeater will once again be filled by Travis Owen (Whores), who took on the role for the trio’s short tour around Maryland Deathfest a couple weeks ago replacing founding member Keith “Keko” Kirkum, as well of course as for the fest itself, though I guess you never know. Maybe they found a permanent replacement. Maybe it’s him. One way to find out would be to show up at the gig, I suppose.
So it goes. As volatile as their on-stage persona can be, Weedeater had a better run with their original lineup than most. Joining them throughout the summer dates below are ASG, whose new record Blood Drive has apparently been met with a welcome reception, and Lo-Pan, who are currently on the road with Torche.
Here’s the latest from the PR wire:
WEEDEATER AND ASG ANNOUNCE U.S. TOUR
ASG’S BLOOD DRIVE MARKS N.C. BAND’S HIGHEST DEBUT
Weedeater and ASG have announced a four-week tour across the United States, kicking off on June 27 in Savannah, Ga. at The Jinx.
The tour comes as ASG celebrate their highest charting and most critically acclaimed album to date, the breakthrough release Blood Drive. The twelve-song collection landed at #15 on Billboard’s Heat Seeker chart and also had impressive debuts on the trade magazine’s Hard Music (#32) and Indie (#67) charts. The album is streaming via Bandcamp at asgnation.bandcamp.com.
Weedeater & ASG presented by Brooklyn Vegan and Invisible Oranges June 27 Savannah, GA The Jinx June 28 Atlanta, GA The Earl June 30 New Orleans, LA One Eyed Jacks July 1 Houston, TX Fitzgeralds July 2 San Antonio, TX Korova July 3 Austin, TX Red 7 July 4 Denton, TX Rubber Gloves (Free Show) July 5 Norman, OK The Opolis July 7 Tempe, AZ Pub Rock July 9 San Diego, CA Soda Bar July 10 Los Angeles, CA The Whiskey July 11 Santa Cruz, CA Catalyst July 12 Oakland, CA Oakland Opera House July 13 Portland, OR Ash St. Saloon July 14 Seattle, WA The Highline
ASG only July 16 Denver, CO Larimer Lounge July 17 Lawrence, KS The Replay Lounge July 18 Oklahoma City, OK The Conservatory July 19 Nashville, TN Springwater July 20 Asheville, NC Broadway
Weedeater July 16 Vancouver, BC Electric Owl July 18 Calgary, AB The Palamino July 20 Edmonton, AB The Pawn Shop July 23 Winnipeg, MB Windsor Hotel July 24 Fargo, NC The Aquarium July 25 Great Falls, MT Machinery Row July 27 Missoula, MT Farmageddon Festival July 30 Denver, CO Marquis Theater
Weedeater & Lo Pan August 1 Chicago, IL Ultra Lounge August 3 Nashville, TN Exit/In August 4 Johnson City, TN Hideaway August 6 Asheville, NC Broadways August 7 Charlotte, NC Chop Shop August 8 Richmond, VA Strange Matter August 9 Raleigh, NC The Maywood August 10 Wilmington, NC Soapbox
Posted in Whathaveyou on May 17th, 2013 by H.P. Taskmaster
If Lo-Pan do anything at all, they keep busy. The Ohio-based fuzz frontrunners — do I need to call them the best American heavy rock band going right now again what I do well okay they’re the best American heavy rock band going — will partner with Capital City riffers Borracho for what I’ve no doubt will be a long weekender of bro downs and fuzz outs. Pennsylvania seems to be the lucky state playing host to most of these shows, but fear not, rest of the country, as I seriously doubt this’ll be the last time Lo-Pan and Borracho pair up. They’re like stoner rock Superfriends.
I wrote this press release, so here’s me quoting myself:
LO-PAN: Ohio Rockers Announce Tour Dates With Borracho
They’re the hardest working band in fuzz, and on July 18, Columbus, Ohio’s LO-PAN will continue their mission to obliterate eardrums nationwide. Late in 2012, the foursome took to stages across the land with High on Fire and Goatwhore, and in June, they joined forces with Torche and KENmode.
As they prepare to headline the Eye of the Stoned Goat 3 fest in Brooklyn on July 27 at The Acheron, LO-PAN be taking Washington D.C. up-and-coming heavy trio Borracho along for a few dates along the Eastern Seaboard. Both bands have new material in the works and will be showcasing material from forthcoming releases.
LO-PAN will share the stage not only with Borracho, but also with Philly riff-slingers Kingsnake, Pittsburgh metallers Sistered and Supervoid and Virginia-based Southern metallers King Giant.
LO-PAN AND BORRACHO ON TOUR: Jul 18, 2013 Pittsburgh, PA Howler’s w/ Borracho, Sistered, Supervoid Jul 19, 2013 Washington D.C. Rock N Roll Hotel w/ Borracho, Kingsnake, King Giant Jul 20, 2013 Stroudsburgh, PA The Sherman Theater w/ Borracho, Kingsnake Jul 21, 2013 York, PA The Depot w/ Borracho
Posted in Whathaveyou on May 6th, 2013 by H.P. Taskmaster
I’m very, very proud to be involved in helping promote The Eye of the Stoned Goat 3 in the way that I am. After checking out the second in the festival series back in February, it’s an honor to have signed on to help spread the word about the third, which boasts a strong lineup of bands at a choice venue on what I’ve no doubt will be a sweltering weekend night of heavy rock and roll. The fest sent over a victory lap of a press release, which you’ll find below:
The Eye of the Stoned Goat 3 set for Brooklyn, NY
Snake Charmer Booking announces its 3rd installment of its stoner rock and doom metal themed concert event “The Eye of the Stoned Goat”. The event will take place at The Acheron in Brooklyn New York on Saturday, July 27th 2013 at 6pm.
The Acheron, known to the locals as “the second coming of CBGB’s” is the perfect spot to host such a powerhouse line up, including Small Stone Records bands: Lo-Pan, Gozu, SuperMachine, and Lord Fowl. Washington, D.C.’s own Borracho, Delaware band Wasted Theory, and Philadelphia’s Wizard Eye will be making the trip up, while local support will be provided by Brooklyn’s Black Black Black, and Kingston, New York’s own Geezer.
In February 2013, Snake Charmer Booking hosted the second Eye of the Stoned Goat show in Delaware, home of event organizer Brendan Burns. Only a month later, Burns teamed up with Pat Harrington at the ‘Electric Beard of Doom’ podcast to announce that they would be bringing the event to New York.
Some of the bands who have previously played the ‘Stoned Goat events include- Pale Divine, Iron Man, Clamfight, Beelzefuzz, Blackhand, Skeleton Hands, Thee Nosebleeds and Black Cowgirl to name a few. “I’ve been fortunate being able to work with so many great bands, and this time around is no different” according to Burns. “This roster of artists are bands that I enjoy listening to regularly, and I am just absolutely thrilled to be working with them, it’s a promoter’s dream to work with bands that you listen to in your daily life”. Burns has also begun working on his roster for the Eye of the Stoned Goat 4 for 2014.
This summer’s event will also features such sponsors as Small Stone Records, The Obelisk, Wendigo Promotions and Electric Beard of Doom Podcast.
Tickets go on sale May 1st 2013 for $12.00 (online price), and will also be available at the door for $15.00 to first come first served. For more information, visitwww.TheEyeoftheStonedGoat.com.
Posted in Whathaveyou on April 17th, 2013 by H.P. Taskmaster
I was wondering the other day what Ohio-based fuzz rockers Lo-Pan might have up their always-busy sleeves to follow their tour with High on Fire, and then all of a sudden, here’s an announcement that they’re hitting the road for two weeks in June with Torche and KENmode. That’s a pretty badass bill, three distinctly different takes on heavy that should make for a decent complement to each other as Lo-Pan continues to refine new material like the song “Colossus,” which you can check out footage of below.
JUST ANNOUNCED! Lo-Pan will be hitting the road with our buddies Torche and KEN mode for a couple of weeks in June. All current dates listed below.
Sat/06-01 Milwaukee – The Cactus Club Sun/06-02 St. Louis, MO – The Firebird Mon/06-03 Cincinnati, OH – The Taft Tue/06-04 Columbus, OH – Ace of Cups Wed/06-05 Cleveland, OH – The Grog Shop Thu/06-06 Detroit, MI – The Magic Stick Fri/06-07 Grand Rapids, MI – The Pyramid Scheme Sat/06-08 Toronto, Canada – Lee’s Palace Sun/06-09 Syracuse, NY – Lost Horizon Mon/06-10 Boston, MA – Sinclair Wed/06-12 Providence, RI – AS220 Thu/06-13 West Chester, PA – The Note Fri/06-14 – TBA Sat/06-15 Washington, DC – Rock and Roll
Posted in Whathaveyou on April 12th, 2013 by H.P. Taskmaster
They’re the titans of tone! The rulers of riffs! The fugelmen of fuzz! Okay, you get the point, which is that Gozu and Lo-Pan teaming up for a tour is a very, very cool thing and if you’re lucky enough to be in an area where one of these four July shows is happening, then you’re probably gonna want to endeavor to show up. Gozu at that point will still be riding high on the release of The Fury of a Patient Man, and Lo-Pan — who were already playing new material late last year — should only have more of it by now with the rare time they’ve spent off the road, so all the better to get an advance glimpse at their next album.
It’s four-nights-only that thelabelmates and soulful forerunners will be teamed up, and they’re playing in Worcester, Massachusetts, Manchester, New Hampshire and Boston on their way to join their Small Stone brethren in Supermachine and Lord Fowl, as well as Borracho, Black Black Black, Wasted Theory, Wizard Eye and Geezer at The Eye of the Stoned Goat 3 at The Acheron in Brooklyn. More on that here.
Rumor has it — and by rumor I mean the interview I did a couple weeks back with Gozu guitarist/vocalist Marc Gaffney that I haven’t had time to transcribe yet — that Lo-Pan singer Jeff Martin was recently invited to collaborate with Gozu on a track for the vinyl release of The Fury of a Patient Man, which given the sheer pipes involved is bound to improve the quality of life of anyone who hears it once it comes out. Very much looking forward to that.
Here’s the poster and the dates for the Lo-Pan/Gozu, with more info coming soon:
If that’s not enough to get your rock glands in a tizzy, Gozu are also opening for Fu Manchu (who are playing The Action is Gofront to back) this coming week at The Sinclair in Cambridge. More on that here. Lo-Pan play April 20 at Red Sun‘s 10th anniversary show, as reported here the other day. Rock and roll abounds. Let’s make some eggs: