Guitarist Adrian Zambrano Leaves Lo-Pan

Posted in Whathaveyou on May 30th, 2016 by H.P. Taskmaster

Ohio heavy rockers Lo-Pan have announced the departure of guitarist Adrian Zambrano from their lineup. Zambrano joined the Columbus-based four-piece late in 2014 to fill the role initially occupied by Brian Fristoe, and accompanied the band on their inaugural European tour last year as well as US dates earlier in 2016 with Black Cobra, Bongzilla and Kings Destroy (review here).

His leaving is a genuine surprise. Lo-Pan have most if not all of a new album recorded as a follow-up to their fourth outing, 2014’s Colossus (review here), and Zambrano‘s departure, which the band notes is amicable, leaves it to question what’s to become of those songs and those recordings of them in particular. Of course, the bigger and more immediate issue is who’s going to take over that spot in the band — riffs aren’t exactly a small part of what they do — but the future is yet uncertain or at least unannounced for what would have been and may still be his studio debut with Lo-Pan, now also a swansong for this incarnation of their lineup.

Zambrano, who also plays in Brujas del Sol, excelled in the guitarist position while he had it. I was fortunate enough to see Lo-Pan with him twice and both times he added a presence and energy alongside drummer Jesse Bartz, bassist Scott Thompson and vocalist Jeff Martin that only added to the force of their stage delivery. Should probably go without saying, but good luck to him and good luck to the band in finding somebody to handle guitar. When and if I hear more about their next release, I’ll let you know.

Lo-Pan are currently slated to play Psycho Las Vegas in August. Here’s the statement from the band:

lo-pan

Our guitarist Adrian Zambrano has decided he needs to walk away from Lo-Pan at this time to focus on some other important parts of life. We would like to emphasize that this is an amicable split and we wish him all the best. We are currently on the hunt for a new guitarist and we hope to see you all again as soon as possible. Stay tuned for announcements and new music.

https://www.facebook.com/lopandemic/
http://lopandemic.com/

Lo-Pan, Live at Saint Vitus Bar, April 1, 2016

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Live Review: Bongzilla, Black Cobra, Kings Destroy and Lo-Pan in Somerville, MA, 04.02.16

Posted in Reviews on April 4th, 2016 by H.P. Taskmaster

bongzilla show 1 (Photo by JJ Koczan)

The bill pushed the envelope of ridiculous. As part of their ongoing reunion, Wisconsin sludgers Bongzilla have been on tour since late February with nomadic thrashers Black Cobra and only-slightly-less-nomadic heavy rockers Lo-Pan. They met up with New York’s Kings Destroy — freshly back from their Australian run with Radio Moscow — at SXSW last month, and have continued along the Eastern Seaboard since. Friday night was a sold-out show at Saint Vitus Bar in Brooklyn, and Saturday was ONCE Ballroom in Somerville, Massachusetts, for a show that was put on by Grayskull Booking and presented in part by this site.

It was my first time at ONCE Ballroom, but I’d like to extend personal gratitude to whoever decided to leave the lights on while the bands played. The P.A. was formidable, and it was a night that would push its limits, and the layout like the kind of place you might rent for a wedding reception. That’s not a dig on it — actually the room was quite nice — it’s just the first thing that came to my oh-so-domestic mind. There was a dance floor in front of the stage and carpeted floor space all around, bar to the side and another bar upstairs in kind of a lounge with a pool table Addams Family pinball machine and so on. To the best of my knowledge, they haven’t been doing shows there long, which explains how the carpet wasn’t completely disgusting or otherwise gone, but for the most part, the evening ran smoothly.

Here’s how it went down:

Lo-Pan

lo-pan 1 (Photo by JJ Koczan)

I don’t know how many shows the Ohio four-piece have done with Black Cobra over the years, and in fact I doubt it’s a figure even they could quote at this point, but to understate it, I’d say they’re well past the range of “several.” It had been nearly a full 12 months since last time I saw them, which was at Roadburn 2015 (review here). To be blunt, they were missed. I was particularly interested to see a year later how guitarist Adrian Zambrano had continued to fit in the band after joining late in 2014 the lineup with vocalist Jeff Martin, bassist Scott Thompson and drummer Jesse Bartz, who was positioned, as ever, at the front of the stage. Most of what they played was new, and in terms of where they’re at in progressing from the high-impact delivery of their 2014 fourth album, Colossus (review here), they seemed not at all to have taken a step back, but to have integrated Zambrano‘s energy into their own. And the guitarist had plenty to integrate, stepping up to lead songs with riffs or space out just a bit in two quieter cuts. They reportedly have some new recordings in the can, which I’m dying to hear, and the last song of their set, “Pathfinder,” might be the best thing I’ve ever heard them play. I’d never heard the song before but was taken in completely by its flow, by Martin‘s out-of-this-world vocals, by Bartz‘s signature crashes, the swing in Thompson‘s bass and the dynamic volume switches in Zambrano‘s guitar. They’ve been on the road for a month, so I figured they’d be tight, but Lo-Pan served voluminous reminder of their place among the US’ finest heavy rock acts. Keeping my fingers crossed it’s not another year until I see them again.

Kings Destroy

kings destroy 1 (Photo by JJ Koczan)

Another case of been-too-long. Kings Destroy are very nearly a year out from the release of their self-titled third full-length (review here), and the last time I caught them was at the release show (review here) for it, which, yeah, is too damn long for my preferences. They played a six-song set, and the change in vibe from Lo-Pan was immediate. Each of the bands on this tour offers something different from the others, but I hadn’t really considered how smoothly the acts — especially the first three, but Bongzilla as well — would flow between them, Lo-Pan starting off with a charged-fuzz boot to the ass, Kings Destroy turning that more aggressive, Black Cobra hitting with unmatched intensity, and finally, Bongzilla finishing out with a mass of tone. For being disparate in their sound, Kings Destroy followed Lo-Pan well. They had a fill-in bassist in Mike Moebius (also producer for Pilgrim, Kings Destroy, The Munsens and others) holding down Aaron Bumpus‘ usual spot next to drummer Rob Sefcik and guitarist Chris Skowronski, and while Skowronski didn’t run across the stage to kick fellow guitarist Carl Porcaro, so I can’t call it the most raucous Kings Destroy set I’ve ever seen, they showed themselves plainly to be ready to move forward from the last record. This tour hasn’t been quite back to back with the aforementioned Australian stint, but close enough to it that when it’s over I wouldn’t be surprised if they hunkered down for a while and set to finishing material for their fourth LP. Whatever their plans, it was great to bang my head again to “Mr. O” and “Smokey Robinson,” to groove on the catchy creeper vibes of “The Mountie” and to hear vocalist Steve Murphy‘s changed cadence in the hook of “Blood of Recompense,” which finished out. I’m hardly impartial on the subject, but I’ve really missed these guys.

Black Cobra

black cobra 1 (Photo by JJ Koczan)

What can you do when Black Cobra take the stage other than bow to their utter supremacy? I don’t know. The San Fran (now) twosome of guitarist/vocalist Jason Landrian and drummer Rafa Martinez hit the 15-year mark in 2016, a decade since their first album, Bestial, was released, and their assault has only gotten more and more vicious. Their newly-issued Season of Mist debut, Imperium Simulacra (review here), made its primary impression — or at least a complementary one to their omnipresent fury — in an expansion of their capacity for atmosphere, in Landrian‘s willingness to drone out in contrast to the thrashing riffery that has become the band’s signature, and I was pleased to find them bring that sensibility to the stage as well. I’m not going to take away from the joy of watching Martinez blast the hell out of an all-out cut like “Obsolete,” slamming his floor tom in place of a double-kick, or the unmitigated tension of “Challenger Deep,” but to hear them hit the brakes even momentarily to ride out a rolling groove or to have Landrian create an excruciating soundscape of drone before the next wave of the attack was launched made the experience of watching them that much richer. They are a live band and always have been, and anyone who has heard their records but not seen them only has half the story, but the fact that the growth that was so clearly signaled on the record showed up so plainly on stage as well is emblematic of their all-around progression. I won’t say it’s a question of maturity, since I’d argue Black Cobra hit that stride with 2011’s Invernal, but perhaps of how they’re putting that maturity to use, deepening their approach. It’s a thrill to watch Black Cobra break the rules they’ve set for themselves, and one hopes that the explorations of Imperium Simulacra are a sign of things to come.

Bongzilla

bongzilla 1 (Photo by JJ Koczan)

I’ve been wracking my brains for the last couple weeks trying to remember if I’d seen Bongzilla before and I’ve finally decided that the answer is no, because if I had caught them at some point during their initial run, which ended after their 2005 album, Amerijuanican, on Relapse, I’d remember it. The ultra-weedian four-piece of guitarist/vocalist Muleboy, guitarist Spanky, bassist Cooter Brown and drummer Magma stacked their amps high — everything was high — and were loud enough in their early going that, I think in their third song, the power cut out. Not like they blew an amp, like they blew a fuse. It was an unexpected break in the set, during which the band encouraged everyone to go out and smoke weed — because weed — but seemed somehow fitting for the band’s legacy of over-the-top, crusty-as-hell sludge that the room simply couldn’t take it. I learned later they’d plugged a bunch of their amps into a single surge protector, and I guess that’d do it if that’s how it happened, but they got everything back up and running sooner or later and the crowd was right back into the set as they had been all along, the reefer-obsessed anti-hits rolling out in a slow-motion barrage of consuming tonal density. On a couple levels, one knew what to expect going into the show — Bongzilla have never been in danger of being subtle — but those expectations were delivered on thoroughly, and with the response they’ve gotten all along on this tour, and the one before it, and the one before that, I had to wonder how long it might be before they embark on a new record to follow-up on the series of reissues that Relapse and Hydro-Phonic have done over the past years. Wouldn’t want to make any hasty predictions or anything, but I bet whenever they do come out with a fifth record, it’ll have a song or two about weed on it. No complaints. In life, you gotta follow where your passion takes you.

More pics after the jump. Thanks for reading, and once again, thanks to Grayskull Booking for having me as a presenter on this show. Check out their Thee Facebooks for more dates coming up.

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The Obelisk Presents: Bongzilla, Black Cobra, Kings Destroy and Lo-Pan at ONCE Ballroom, Somerville, MA, 04.02.16

Posted in The Obelisk Presents on March 29th, 2016 by H.P. Taskmaster

bongzilla black cobra lo pan kings destroy poster

Holy crap that’s a stacked bill. Show is this Saturday, April 2, at the all-caps ONCE Ballroom in Somerville, Massachusetts, and it’s a stop on the second full-US reunion run from Wisconsin sludge megastoners Bongzilla. They hit Massachusetts for the second time since getting back together, having rolled through nearby Allston with Spirit Caravan, Dirty Streets and local destroyers Rozamov supporting last fall. The lineup this time — Bongzilla, Black Cobra, Kings Destroy and Lo-Pan — brings together four acts who each deliver a different take on heaviness, and four acts whose reputation for killing it should at this point precede them.

This tour began more than a month ago, on Feb. 28, with a hometown Madison, WI, show for Bongzilla, and has continued forth since. They covered the West Coast with Against the Grain before a stop at Heavy Metal Parking Lot 3 at SXSW found that band and New York’s Kings Destroy swapping out, and head east with the promise of locked-in furies and massive tones to come, Black Cobra raging in support of their new album, Imperium Simulacra (review here), as both Lo-Pan and Kings Destroy herald new material from yet-unannounced next albums. Simply put, it’s the kind of gig you’d much rather be at than not be at.

Deep thanks to Grayskull Booking for having me involved and giving me the chance to talk about it, as well as, you know, for putting it on. And just so we’re all on the up and up, the tour is sponsored by Cvlt Nation and I’m not trying to bite a piece off anyone’s contractual anything. Show info follows:

The Obelisk Presents:
BONGZILLA
BLACK COBRA
KINGS DESTROY
LO-PAN

April 2nd, 2016
ONCE Ballroom
156 Highland Ave
Somerville, MA

18+ Doors at 7:30pm, show starts at 8:30pm
$18 adv – $22 dos

Tickets here: http://www.brownpapertickets.com/event/2478127

Bongzilla at ONCE Ballroom teaser

Event page on Thee Facebooks

Grayskull Booking

Bongzilla on Bandcamp

Black Cobra website

Kings Destroy website

Lo-Pan website

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Psycho Las Vegas Announces New Lineup Additions

Posted in Whathaveyou on February 28th, 2016 by H.P. Taskmaster

psycho-las-vegas-lineup

Goodness gracious. Here I was minding my business on a Sunday night and Psycho Las Vegas went and more than doubled the size of its lineup, adding Uncle Acid, Elder, Converge, Wovenhand, Boris, The Black Heart Procession, Budos Band, Dead Meadow, SubRosa, Midnight, Disenchanter, Lumerians, Tombstones, ASG, Death Alley, Ides of Gemini, Goya, Dirty Streets, Crypt Sermon, Mantar, Gozu, Beelzefuzz, Lo-Pan, Holy Grove, CHRCH, Carousel and more. Not like the fest wasn’t huge already, but big bands, small bands, in-between bands, European bands, Asian bands, West Coast bands, East Coast bands — pretty much if it falls under the category of “bands,” they’re probably playing. And by way of a friendly reminder, this isn’t it. As you can see in the lineup below, there are more announcements to come next month.

Just look at this insane shit:

psycho las vegas poster

PSYCHO LAS VEGAS 2016

Psycho Entertainment
Friday, August 26, 2016 at 12:00 PM – Sunday, August 28, 2016 at 12:00 AM (PDT)
Las Vegas, NV

BLUE OYSTER CULT
SLEEP
UNCLE ACID & THE DEADBEATS
THE CRAZY WORLD OF ARTHUR BROWN
PENTAGRAM
CANDLEMASS
DEATH
TRUTH AND JANEY
CONVERGE
(Announced March 3rd)
BUDOS BAND
WOVENHAND
(Announced March 3rd)
BLACK HEART PROCESSION
FU MANCHU
BORIS
DOWN
ZOMBI
COLOUR HAZE
YOB
DEAD MEADOW
ELDER
ACID KING
DANAVA
SUBROSA
MIDNIGHT
SATAN’S SATYRS
THE SHRINE
JUCIFER
BONGRIPPER
BLOOD OF THE SUN
ORESUND SPACE COLLECTIVE
MARS RED SKY
SPELLJAMMER
BELZEBONG
THE COSMIC DEAD
TOMBSTONES
LUMERIANS
ASG
SAVIOURS
A STORM OF LIGHT
DEATH ALLEY
LECHEROUS GAZE
DIRTY STREETS
IDES OF GEMINI
GOYA
SPENCER MOODY SOLO (Murder City Devils)
WITCH MOUNTAIN
HAS A SHADOW
ASHBURY
CRYPT SERMON
MONDO DRAG
MANTAR
TALES OF MURDER AND DUST
SHROUD EATER
CRAZY BULL
DEMON LUNG
LOPAN
CHRCH
BEHOLD THE MONOLITH
DISENCHANTER
CAVE OF SWIMMERS
HORNSS
CAROUSEL
TIA CARRERA
GOZU
FLAVOR CRYSTALS
HOLY GROVE
BEELZEFUZZ
GREAT ELECTRIC QUEST
FAMILY
HIGHLANDS
LYCUS
THE COMPANY CORVETTE
WASHERWOMAN
THE RARE BREED
INVDRS

Psycho Pool Party 8.25.16
MUDHONEY
FATSO JETSON
MOTHERSHIP
GOLDEN VOID
ELECTRIC CITIZEN
MAC SABBATH
GREENBEARD

ACCOMMODATIONS
Join the bands and crew at the Hard Rock Hotel & use the code: Psych16 at checkout to recieve 30% off your rooms.

ANNOUNCEMENT SCHEDULE
1/20 – “Warm up” Tickets Onsale 8am pst
2/14 – Full Lineup (60+ acts)
3/15 – Headliners Revealed
5/4 – Van/Chopper & Alt Exhibitions

http://www.eventbrite.com/e/psycho-las-vegas-2016-tickets-20777507083
WWW.PSYCHOLV.COM
WWW.HARDROCKHOTEL.COM

Sleep, Live at Psycho California, May 16, 2015

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Tomorrow’s Dream: 135+ of 2016’s Most Anticipated Releases

Posted in Features on January 25th, 2016 by H.P. Taskmaster

tomorrows dream 2016

If 135-plus releases sounds like a lot, you’re right, it is. I must be out of my god damn mind. To put it to scale though, last year, I did a feature every couple of months called the Quarterly Review that throughout the course of 2015 resulted in no fewer than 200 separate album writeups. 135 is a lot, but it’s not everything. It’s still January. It couldn’t possibly be everything.

The basic fact of the matter is there’s so much out there right now that anyone claiming to even hint at totality of coverage is either clueless or lying. I don’t come close to catching it all. I do the best I can to do as much as I can. I know you’ve heard this all before.

Over the last seven or eight months, I’ve been keeping track of albums, EPs, singles, etc., slated for 2016 release. Some of these are independent, some through labels, some names familiar, some names new. I’ve tried to mix it up as much as possible, and I reserve the right to add to the list over the next couple days anything anyone might suggest in the comments. Last year’s list turned out to be a resource I used throughout the entire time, so, fingers crossed, I’ll be doing the same this go around. Thanks in advance for your participation in making it more complete by leaving a comment.

Ordered Alphabetically by Artist

1. Alunah, TBA

alunahThe Birmingham doom-rollers seem to be on this list every year, but I have it on good authority — namely, Alunah posted about it on the social medias — that they’re writing and entering the studio with an eye toward a late-2016 release for the follow-up to their 2014’s excellent Awakening the Forest (review here), their third full-length and debut on Napalm Records. Alunah on Thee Facebooks, at Napalm Records.
 

2. Ancient Warlocks, II

I don’t even know how many pressings STB Records has been through of Ancient Warlocks‘ self-titled debut (review here), but the follow-up has been finished since September and is reportedly due sometime this Spring. Primo fuzz is expected from the dual-guitar Seattle outfit. Ancient Warlocks on Thee Facebooks, STB Records.
 

3. Asteroid, III

Since their late-2015 reunion (announced here), Swedish trio Asteroid have been added to the lineup for Desertfest in Berlin and just this past week re-signed to Fuzzorama Records — which also released their last full-length, 2010’s II (review here) — for an upcoming release they’ve appropriately-enough dubbed III. Much more to come. Asteroid on Thee Facebooks, Fuzzorama Records.
 

4. Atavismo, TBA

Not much more to go on here than the band alluding to a forthcoming LP being put together, but frankly, I was so enthralled with the Spanish group’s late-2014 debut, Desintegración (review here), that that’s enough to make me excited at the prospect of a next installment from them. Keeping my hopes up it gets here before December. Atavismo on Thee Facebooks, on Bandcamp.
 

5. Banquet, Jupiter Rose

Picked up last fall by Heavy Psych Sounds as part of a torrent of signings from the label, San Francisco’s Banquet make their debut next month with Jupiter Rose, following their 2015 single, Run to You / Mother Road, which was released by Who Can You Trust? Records and boasts soulful West Coast heavy ’10s thrust. Banquet on Thee Facebooks, Heavy Psych Sounds.
 

6. Beelzefuzz, Beelzefuzz II: The Righteous Bloom

When I starting keeping notes for this list, this album was pegged as the debut from Beelzefuzz-offshoot Righteous Bloom, but word came down in December that band had reassumed its former moniker and that Beelzefuzz II: The Righteous Bloom would be issued in the early part of 2016 via The Church Within as the follow-up their 2013 self-titled debut (review here). Whatever name the progressive doomers release it under, I can’t wait to hear it. Beelzefuzz on Thee Facebooks, The Church Within Records.
 

7. Bellringer, TBA

bellringerThere hasn’t been any sort of official announcement of a debut LP from the Mark Deutrom-led Bellringer, but over the course of the last year, the Austin-based former Melvins/Clown Alley bassist has unveiled a number of singles (posted here), and if he keeps it up long enough, he’ll get to an album one way or another. As a fan of creative weirdo heavy rock, I’m looking forward. Bellringer on Thee Facebooks, on Bandcamp.
 

8. Blaak Heat Shujaa, TBA

As of this past April, L.A. desert psych rockers Blaak Heat Shujaa (aka Blaak Heat) were in pre-production for their third full-length and second for Tee Pee Records behind 2013’s expansive The Edge of an Era (review here). The album may or may not be done, but whenever it arrives, it’ll do so with extra interest due to the inclusion of Tom Davis (ex-Nebula) on bass. Blaak Heat Shujaa on Thee Facebooks, Tee Pee Records.
 

9. Black Black Black, TBA

I feel like Brooklyn post-hardcore heavy rockers Black Black Black caught a bum rap because of their name, but the band’s blend of melody and intensity was not to be ignored on account of moniker or anything else. No solid release date yet, but last I heard, Aqualamb Records, which issued the artbook version of their 2012 self-titled debut (review here) would have a sophomore album released in similar style in the first half of this year. Black Black Black on Thee Facebooks, Aqualamb Records.
 

10. Black Cobra, Imperium Simulacra

You’ll note several records on this list have a release date of Feb. 26, and it would seem only fair to put Black Cobra‘s fifth outing and first for Season of Mist, Imperium Simulacra (review here), at the head of the bunch even if it didn’t wind up there by alphabetical happenstance. Not by any means the San Francisco duo’s rawest outing, but definitely their most stylistically expansive, and with plenty of their trademark destructive gallop to boot. One you probably don’t need me to tell you that you should hear. Black Cobra on Thee Facebooks, Season of Mist.
 

11. Black Cowgirl, TBA

Last time Pennsylvania heavy rockers Black Cowgirl were heard from, they said one simple thing: “2016.” That was October. Well, it’s 2016 now, and if we’re talking new releases, an LP from them would just about be their debut. Their 2012 self-titled (discussed here) on Kozmik Artifactz paired newer songs with material from their 2010 demo (discussed here), so a straight-up album feels due. Maybe this is the year. Black Cowgirl on Thee Facebooks, on Bandcamp.
 

12. Black Rainbows, Stellar Prophecy

Black Rainbows Stellar ProphecyIf this one’s fresh in mind, that’s because it was just announced last week that Rome trio Black Rainbows would release their new album, Stellar Prophecy in April on Heavy Psych Sounds. It’s a quick turnaround for them from 2015’s Hawkdope (review here), but as that album was a marked step forward in their sound, I’m even more eager to hear where they go next. Black Rainbows on Thee Facebooks, Heavy Psych Sounds.
 

13. Black Shape of Nexus, Carrier

It’s an establish Spring release date for the new Black Shape of Nexus, whose brand of sludge crosses a threshold of thoughtfulness without falling into post-metal cliche. The German outfit’s last record, 2012’s Negative Black (streamed here), was plenty punishing, and I’d expect only creative progression on Carrier, though wouldn’t dare guess at the form in will take. Black Shape of Nexus on Thee Facebooks, Exile on Mainstream.
 

14. Blood Ceremony, Lord of Misrule

Toronto’s Blood Ceremony enter into their recently-announced fourth full-length, Lord of Misrule in something of a stately position. Since 2013’s The Eldritch Dark, their influence has only spread further across North America and beyond, so the question as the new LP makes its way out via Rise Above on March 25 is how they can stand out from the crowd formed at least partly in their wake. Blood Ceremony on Thee Facebooks, Rise Above Records.
 

15. Boris with Merzbow, Gensho

So you get your Boris record, then you get your Merzbow record, then you play both at the same time, and that’s your collaborative release. The intermittent pairings from Boris with Merzbow have always been unflinchingly creative and bold in their experimentalism, and going by the teaser posted last week, Gensho will be no different when it arrives March 18 on Relapse. Expect who the hell knows what. Boris on Thee Facebooks, Merzbow website, at Relapse Records.
 

16. Borracho, TBA

In mid-2015, Washington D.C.’s Borracho took part in a Ripple Music split with Geezer called The Second Coming of Heavy – Chapter One (review here). A bolt title, but it found them continuing to refine their sound as a power trio following 2013’s sophomore LP, Oculus (review here). No solid word of something due as yet, but a recent update from the band said they’d be hitting the studio next month. Borracho on Thee Facebooks, on Bandcamp.
 

17. Brimstone Coven, Black Magic

Out this week on Metal Blade, Brimstone Coven‘s debut album follows a well-received self-titled EP compilation (track stream here) that came out last year, and should prove interesting to see how the West Virginian doomers have grown since that material was recorded in 2013, just a year after they formed. I can’t claim to have heard it yet, but it seems like one that the doom converted should be all over. Brimstone Coven on Thee Facebooks, at Metal Blade Records.
 

18. Causa Sui, Return to Sky

causa suiDanish heavy psych instrumentalists Causa Sui posted an album teaser late last week for Return to Sky, and though it only showcased two tracks, it showed their tonal warmth intact and their will to explore as vibrant as ever. To be released through their own El Paraiso Records, my only hope is they don’t get saddled with pressing delays in the Spring, because really, the sooner it gets here, the better off we’ll all be. Causa Sui on Thee Facebooks, El Paraiso Records.
 

19. La Chinga, Freewheelin’

An awaited follow-up and Small Stone debut brings Freewheelin’ (review here) from Vancouver heavy rockers La Chinga on March 20. The new album reignites the hard-driving, classic-minded methods of their 2013 self-titled (discussed here), but refines the songwriting as well to affect a more memorable impression. The beginning of a big return year for Small Stone. La Chinga on Thee Faceboks, Small Stone on Bandcamp.
 

20. Church of Misery, …And Then There Were None

Unquestionably one of the most anticipated albums of the year. And Then There Were None brings Church of Misery founder Tatsu Mikami to the US from his native Japan and finds him teamed up with members of Blood Farmers, Earthride and Repulsion in a completely revamped lineup from that which appeared on 2013’s Thy Kingdom Scum (review here). Rise Above recently announced a March 4 release. Church of Misery on Thee Facebooks, Rise Above Records.
 

21. Cities of Mars, TBA

Swedish trio Cities of Mars caught attention with the big riffs and steady swing of their debut single (review here), and announced back in October that they’d have a new EP out in March via Suicide Records. Still somewhat in their formative stages, they’ve presented a sci-fi thematic and it will be interesting to see if they stick with it or move toward something else. Cities of Mars on Thee Facebooks, Suicide Records.
 

22. Cloud Catcher, TBA

The progressive Denver newcomers are set to hit the studio in Spring to record their sophomore LP and the follow-up to 2015’s Enlightened Beyond Existence (discussed here), so it might be summer or even fall by the time it gets issued, depending on timing of the recording, what label picks them up, etc., but it’s one to keep an eye out for anyway. They’ve shown a willingness to hit the road as well, and I wouldn’t be surprised if they did so again sometime after their Spring tour in Feb./March. Cloud Catcher on Thee Facebooks, on Bandcamp.
 

23. Comacozer, Astra Planeta

When Sydney trio Comacozer signed with HeadSpin Records last July, it was announced they’d be recording in October for a debut full-length to be titled Astra Planeta that would be due this Spring on the label. That process has been delayed somewhat, but there’s still no reason to think they can’t get the record out this year. Their 2015 EP, Deloun Sessions, found them pushing more into tense, moody atmospherics, and it was a shift that suited them well. Comacozer on Thee Facebooks, HeadSpin Records.
 

24. Conan, Revengeance

conan revengeanceOut this week on Napalm Records, the third album from UK destroyers Conan, Revengeance (review here), finds the trio revamped around founding guitarist/vocalist Jon Davis, with longtime producer Chris Fielding adding a striking, effective counterpoint on bass and vocals and drummer Rich Lewis adding to the tectonic roll on drums. Happy to report, it still sounds like Conan, only perhaps even deadlier. Conan on Thee Facebooks, at Napalm Records.
 

25. Conclave, TBA

I don’t think Massachusetts four-piece Conclave — whose members trace their pedigree back to outfits like Warhorse and Grief — are ready to make the name of their full-length debut public yet, so I’m not going to say it, but I’ve heard the album and it’s full-on death-doom punishment that should bring a satisfied grin to even the most discerning of purists. Their debut EP, Breaking Ground (review here), was grim and brutal in kind, and the album only pushes further into the dark. Conclave on Thee Facebooks, on Bandcamp.
 

26. Corrosion of Conformity, TBA

Since the North Carolinian legends first announced they were reuniting with guitarist/vocalist Pepper Keenan, the question has been whether or not a new album would surface. Last October, they signed to Nuclear Blast while on tour with Clutch and The Shrine (review here), and followed that tour with a headlining run in December. I expect we’ll hear from them a lot in 2016 as they record the first outing with this full four-piece since 2000, and that’s just fine by me. Corrosion of Conformity on Thee Facebooks, Nuclear Blast.
 

27. Cough, TBA

Richmond doomers Cough entered the studio last August to begin tracking their first full-length since 2010’s Ritual Abuse (review here). I haven’t seen any announcement as to when it will be released, but it was finished in September, and we’ll see if it winds up coming out through Relapse, which would be expected, or if part of the delay has been in finding it a new home. That’s sub-speculation, mind you. I’m figuring on release news any minute now. Will let you know how that goes.Cough on Thee Facebooks, Relapse Records.
 

28. Curse the Son, Isolator

curse the son isolatorI was very glad I got to see Connecticut’s Curse the Son this past fall (review here), both because I dig what they do and because it gave me a sneak peak at the songs that will show up on their new album, Isolator, when it surfaces in March via Snake Charmer Coalition. Expect big, tone-led vibes a la 2012’s Psychache (review here), but with some new edge thanks to the addition of bassist/backing vocalist Brendan Keefe alongside guitarist/vocalist Ron Vanacore and drummer Michael Petrucci. Curse the Son on Thee Facebooks, Snake Charmer Coalition.
 

29. Dali’s Llama, Dying in the Sun

Perpetually underrated CA desert rockers Dali’s Llama will release their new album, Dying in the Sun, early this year. I’m not precisely sure when, but sooner or later it will come out, and when it does, I have full faith it will be a stirring reminder of just how overlooked the band continues to be as they’re now well past their 20th anniversary. The upcoming full-length was mastered as of December, so look out for an update hopefully sooner than later. Dali’s Llama on Thee Facebooks, Dali’s Llama Records.
 

30. Darsombra, TBA

Drone/noise/visual two-piece Darsombra toured across the US in 2015 across 109 different cities. That is no easy feat, and I can’t even imagine how an experience like that might play into the writing from Brian Daniloski and Ann Everton on the band’s next full-length, which, when they finished the last leg of that massive and ambitious run, they said was in the works. I’d like to find out, though, as Darsombra continue to aspire to inner peace through cosmic noisemaking. Darsombra on Thee Facebooks, on Bandcamp.
 

31. Dead Feathers, Dead Feathers 10″

Expected out Feb. 19 via HeviSike Records, the self-titled debut EP from Chicago heavy psych rockers Dead Feathers has been subject to some considerable pressing delays. The band was signed last Spring initially for an Aug. 2015 release that has continued to be pushed back, presumably as a result of so much interest in pressing vinyl at the moment. Still, the tracks have been streaming for a while now, so anyone looking to quench their thirst can do so readily on their Bandcamp. Dead Feathers on Thee Facebooks, HeviSike Records.
 

32. Deadsmoke, Deadsmoke

DEADSMOKE DEADSMOKEAs announced a couple weeks ago, Duna Jam veterans Deadsmoke will issue their self-titled debut via Heavy Psych Sounds on March 25. The Italian sludgers have plans to tour Europe in May as well, and should they happen to pop on a late-spring or summer festival or two along the way, I wouldn’t necessarily be surprised. Heavy Psych Sounds‘ spree continues. Deadsmoke on Thee Facebooks, Heavy Psych Sounds.
 

33. Deamon’s Child, Scherben Müssen Sein

The German title of Deamon’s Child‘s second album, Scherben Müssen Sein, translates to “shards must be.” I’m not sure what it means, but I am sure that the trio’s 2014 self-titled debut (review here) was an intriguing and offbeat brand of noise rock-plus, so I’ve no problem getting down with the idea of another outing from them, though given their breadth I wouldn’t necessarily expect the second LP to be a carbon copy of the first. Deamon’s Child on Thee Facebooks, on Bandcamp.
 

34. Deathkings, All that is Beautiful

Hailing from what I’ll assume is the darkest underbelly of Los Angeles, Deathkings issue their sophomore LP, All that is Beautiful, on March 18 as the follow-up to a 2015 split with Boston’s Rozamov (review here). I’ve got a track stream slated for this week from these guys, so I’ll save more for that, but suffice it to say that it’s surprising music so grueling can come from a place where it never rains. Deathkings on Thee Facebooks, on Bandcamp.
 

35. Devil to Pay, A Bend Through Space and Time

Indianapolis heavy rockers Devil to Pay and their label, Ripple Music, have set a tentative “Summer” release date for the band’s fifth album, A Bend Through Space and Time, but as the recently unveiled “Your Inner Lemmy” showcased, the songwriting that has long served as their chief appeal is ready to roll on the new collection. That song surfaced early as a timely tribute to Lemmy Kilmister of Motörhead, so it might be a while before more solid details come down the wire, but whenever it shows, it’ll be welcome. Devil to Pay on Thee Facebooks, Ripple Music.
 

36. Dream Death, Dissemination

A second post-reunion album is always a tricky prospect. A band wants to continue to acknowledge what they were when they started out, progress from their last outing, and get over that hump of songs that may or may not have been written years prior and onto something fresh. How will Pennsylvania’s Dream Death tackle this issue on their forthcoming Dissemination, due out March 4 via Rise Above? Probably by being heavy as hell and sounding completely fucking miserable. Just a guess. More info here. Dream Death on Thee Facebooks, Rise Above Records.
 

37. Droids Attack, Sci-Fi or Die

droids attack sci-fi or dieAnother Feb. 26 release, Sci-Fi or Die, the fourth long-player from Madison, Wisconsin’s Droids Attack, has been in the works for at least the last three years. I’ll be hosting a full-stream of it sometime between now and the release (which I’m stoked for), so keep an eye out for that, but these guys have deserved more attention for a while now one way or another, and the follow-up to 2010’s Must Destroy! (review here) might be the record that gets it for them. Droids Attack on Thee Facebooks, Droids Attack website.
 

38. Drug Honkey, TBA


Various announcements have floated around over the last year and a half or more from Chicago death-churners Drug Honkey, and I’m not sure at this point whether their next release will be an EP of or a complete album or what. Their last full-length was 2012’s Ghost in the Fire (review here), which was inhumane in its onslaught, abrasive in loud or quiet parts, and swirled out an otherworldly sense of terror. So yeah, something to look forward to in a new one. Drug Honkey on Thee Facebooks, Transcending Obscurity on Bandcamp.
 

39. Duel, Fears of the Dead

In addition to boasting a cover that has immediately made my list of the year’s best, look for hard-driving heavy rock swing on Duel‘s debut LP, Fears of the Dead, due out Feb. 12 on Heavy Psych Sounds. The Austin, Texas, four-piece have newly announced European tour dates that will start March 9 and run through April 2, and I’ve little doubt their brash ways will find favor among the beer-soaked good-timers abroad. Over here, I’m just looking forward to hearing the album. Duel on Thee Facebooks, Heavy Psych Sounds.
 

40. Egypt, Endless Flight

We know it’s awesome. It was streamed here last month in its entirety. The real question with Egypt‘s sophomore outing is whether it’s a 2015 or a 2016 release. Vinyl’s still forthcoming last I heard, but the CD hit in December. What counts? For what it’s worth, I’m clearly thinking of it as a 2016 outing, but whatever format you might prefer, think of this as a note to remind you that you should check out. Because it’s awesome. We knew that. Egypt on Thee Facebooks, Egypt on Bandcamp.
 

41. Eight Bells, Landless

Out Feb. 12 on respected purveyor Battleground Records with tapes through Tartarus, Landless casts a severe and progressive glance at the scope of atmospheric heavy and offers an individualized take developed even from what the Portland, Oregon, trio brought to their 2013 debut, The Captain’s Daughter. Doom, black metal and a stately sort of psychedelia intertwine over the album’s span, and it seems all the more likely the band will turn heads with their approach on tour with Voivod (dates here) starting Feb. 6. Eight Bells on Thee Facebooks, Battleground Records.
 

42. Electric Citizen, Higher Time

Before Electric Citizen posted the new track “Evil” in a RidingEasy Records sampler last month, word on the street was the Ohio heavy ’10s rockers were looking to add a full-time keyboardist. That search doesn’t seem to have panned out, but their Higher Time is hotly anticipated anyway as the answer to their 2014 debut, Sateen (review here), which showed the Sabbath worshipers how Sabbath worship is done. Electric Citizen on Thee Facebooks, RidingEasy Records.
 

43. Elephant Tree, TBA

elephant treeFull disclosure: I know way more about Elephant Tree‘s upcoming Magnetic Eye Records debut LP than I’m putting in this post. Like that it rules. And why! Stick around. Later this week, I’ll have a track premiere from the album up with a review, but the follow-up to their 2014 debut EP, Theia (review here), has already made it into my best-of-2016 consideration and my best-debuts-of-2016 consideration, and I know it’s only January, but right now it’s the one to beat in the latter category. More to come. Elephant Tree on Thee Facebooks, Magnetic Eye Records.
 

44. Elevators to the Grateful Sky, Cape Yawn

Sicilian four-piece Elevators to the Grateful Sky signed to HeviSike Records last month, and while a March 11 release date for the band’s second album, Cape Yawn seems like a quick turnaround, until I hear otherwise it’s what I’m going with. The band released their debut, Cloud Eye, on Transubstans in 2013, but should fit well with HeviSike‘s growing and diverse roster, being growing and sonically diverse themselves. Elevators to the Grateful Sky on Thee Facebooks, HeviSike Records.
 

45. Faith in Jane, TBA

I have it on zero authority that Maryland heavy rockers Faith in Jane are working on a new release — I know they jammed with Wino earlier this month, and that’s cool — but having had the chance to see the trio play last September at Vultures of Volume II (review here), I’m including them on this list anyway just because they’re one to watch out for. Deep blues vibes roughing up some of the West Coast’s ’70s fetishizing; way heavy and way swinging. Not technical, but intricate, and thoroughly grooved. Lots of potential there.Faith in Jane on Thee Facebooks, on Bandcamp.
 

46. Fatso Jetson, TBA

They’re due, right? Sure, the last couple years have brought splits with Farflung (review here), Herba Mate (review here) and Yawning Man, but we’re coming up on six years since Archaic Volumes (review here) was released in 2010, and I’m dying to hear what a new Fatso Jetson album would sound like with Mario Lalli and son Dino, who’s joined the band in the interim, going head-to-head on guitar. Whenever it’s ready, so am I. Fatso Jetson on Thee Facebooks, Fatso Jetson website.
 

47. Fever Dog, TBA

Could be later in the hear, could be in 2017 that it shows up, but the next offering from Californian desert psych rockers Fever Dog is reportedly now in the writing stage, and given the effectiveness with which 2014’s Second Wind (review here) demonstrated their willingness to mess around with structure and sound alike, their third outing should find them at an important stage in their development. Still young and significantly underrated. Fever Dog on Thee Facebooks, on Bandcamp.
 

48. The Flying Eyes, Poison the Well / 1969 7″

the flying eyes poison the well 1969It’s another year for me and you. Another year with nothin’ to do. Baltimore’s The Flying Eyes are covering The Stooges‘ “1969” (baby) on their new single from H42 Records, mashing it up with “Poison the Well” from their 2011 second album, Done so Wrong (review here). Might be a stopgap on the way to whatever’s next, but should be an interesting listen anyway. The Flying Eyes on Thee Facebooks, H42 Records.
 

49. Foehammer, TBA

Virginia soul-bashers Foehammer released my favorite EP of 2015 in the form of their Grimoire/Australopithecus self-titled (review here), and I’m eager to know how they’ll expand on the outright brutality of that offering over the course of a full-length, or if they will at all. Entirely possible they’ll just kill, kill, kill the whole way through, and that’s also something I’d like to see them pull off. Either way they go, count me in. Foehammer on Thee Facebooks, Grimoire Records, Australopithecus Records.
 

50. Fog Cult, The Dying Sun

Initially self-released by the band last year, The Dying Sun is the second full-length by Bethlehem, Pennsylvania, weedian rockers Fog Cult, and it’s set for a vinyl issue via Black Farm Records sometime this year. Not much fixing what isn’t broken about large-scale nod riffs and sludge vibing, but a track like “Altars of the Night” manages to evoke early Alice in Chains-type harmonies without falling into post-Creed cliche, and that in itself is something remarkable. Streaming in full now on their Bandcamp. Fog Cult on Thee Facebooks, Black Farm Records.
 

51. Foghound, The World Unseen

Might be May before it shows up, but The World Unseen will serve as Maryland heavy rockers Foghound‘s debut on Ripple Music. It’s their second offering behind 2013’s Quick, Dirty and High (review here) and a meaner, leaner take on their sound. The turns are tighter and the groove is more aggressive, but they still sound like they’re having a complete blast. More to come this Spring. Foghound on Thee Facebooks, Ripple Music.
 

52. Fuzz Evil, TBA

They’ll be playing the Borderland Fuzz Fiesta next month, which I’m proud to say I’ll be attending, and I hope to have a better picture of the debut album by Fuzz Evil‘s arrival date by the end of that if not before. The Arizona band, which shares brothers Wayne and Joseph Rudell with Powered Wig Machine, offered up a split with Chiefs in late 2014 (streamed here) and has piecemealed a track or two since, but the full-length was sent off to mastering in November, so it seems like it’s just a matter of time before it shows up. Fuzz Evil on Thee Facebooks, Fuzz Evil on Bandcamp.
 

53. John Garcia, TBA

john garciaAmong the several Garcia-related releases that 2016 might have on offer — he appears no fewer than in three separate entries on this list — the former Kyuss, Slo Born, Unida, Vista Chino, Hermano, etc., vocalist has announced intentions toward a follow-up for his 2014 Napalm Records self-titled solo debut (review here) and an acoustic record, the second of which he reportedly began recording this month. The more the merrier, quite frankly. John Garcia on Thee Facebooks, Napalm Records.
 

54. Geezer, TBA

According to The Obelisk’s deep-running investigative team — by which I mean I looked at their Thee Facebooks page — New York heavy blues trio Geezer are heading into the studio in a couple weeks to record their next full-length. In 2015, the band offered up the already-noted split with Borracho, The Second Coming of Heavy – Chapter One (review here), via Ripple Music, and they’ve set about refining their chemistry on-stage as they hone their fluid mix of languid vibes and smoked-out shuffle. Looking forward to this one. Geezer on Thee Facebooks, STB Records.
 

55. Goatess, Purgatory Under New Management

First announced here with a track stream in November, the second album from Chritus Linderson-fronted doomers Goatess, titled Purgatory Under New Management, is due out this March of Svart, which also released the Swedish outfit’s 2013 self-titled debut (review here). I haven’t heard much about it since that track stream, so it may or may not be pushed back, but whatever, I’m just glad they did a second record either way. It’ll be out when it’s out. Goatess on Thee Facebooks, Svart Records.
 

56. The Golden Grass, TBA

Bring on the good vibes. The sophomore LP from sweet ’70s-style rockers The Golden Grass will be the band’s first for Listenable Records after releasing their self-titled debut (review here) via Svart in 2014. They finished mixing earlier this month, so once it’s mastered it seems like it’s really up to the label’s schedule as to when it will be out. Spring or summer would be my guess, which suits the warmth of their harmonies just fine. The Golden Grass on Thee Facebooks, Listenable Records.
 

57. Gozu, Revival

After issuing two albums through Small Stone in 2010’s Locust Season (review here) and 2013’s The Fury of a Patient Man (review here), Boston four-piece Gozu have aligned themselves to Ripple Music for the release of Revival, their LP overall. Recorded this past fall, it is easily the band’s tightest and most aggressive outing to-date, but their soulful, melodic core remains, and it is all the more identifiable as their own for that. More to come. Gozu on Thee Facebooks, Ripple Music.
 

58. Graves at Sea, TBA

I know I’ve used the phrase “More to come” several times already in this post — like right now, in the last entry — but while the full-length debut from reactivated West Coast sludge-doomers Graves at Sea was announced as being completed and ready for release by Relapse back in October, legitimately, more info on that prospect is coming up, so keep an eye out. That’s all I’m at liberty to say at the moment. I may have already said too much. Graves at Sea on Thee Facebooks, Relapse Records.

59. Greenleaf, Rise Above the Meadow

greenleaf rise above the meadowOh fuck yes. How good is the new Greenleaf? So good. You know how 2014’s Trails and Passes (review here) kind of reset the band and gave a more stripped-down, stage-ready take? Rise Above the Meadow takes that, pushes it forward exponentially, adds some Dozer-style edge to the mix and presents it all with ferocious energy more common to bands on their second album rather than their sixth. Out Feb. 26. Will be a top 10 record in December, no question. Greenleaf on Thee Facebooks, Napalm Records.
 

60. Heavy Temple, TBA

There have been many changes in Philadelphia trio Heavy Temple since they offered up their self-titled debut EP (review here), or at least a couple involving the lineup of the band. Either way, it’s a revamped trio that last summer discussed a second extended-player for 2016. So far as I know, record label is still to be determined so far as I know — the first EP came out on Ván, which is an immediate endorsement — but they’ve been gaining traction in Philly and they seem to have ambitions beyond that city’s limits, so I can’t imagine someone won’t get on board with it, if they haven’t yet. Heavy Temple on Thee Facebooks, on Bandcamp.
 

61. Hermano, TBA

In addition to taking part in Hellfest 2016 in Clisson, France, this June, Hermano have put out word of an impending full-length to be released at some point this year. The John Garcia-fronted outfit also featuring bassist Dandy Brown (who will also play the Borderland Fuzz Fiesta solo) last released an album in 2007, which was Into the Exam Room, a striking, mature, engaging heavy rocker that not only showcased Garcia‘s vocals in creative arrangements, but them memorable songs to top and a variety of moods in which to work. Even nine years later, that record was enough to make me look forward to a follow-up. John Garcia on Thee Facebooks, Borderland Fuzz Fiesta.
 

62. Hexvessel, When We are Death

Out this week as their first release for Century Media, Hexvessel‘s When We are Death pushes beyond the confines of psychedelic folk rock (not that there were so many, particularly as regards their prior output) and into more solidified rock territory, an edge of gothic theatricality making itself felt alongside a stylistically amorphous late-’60s cultistry that doesn’t want to be defined nearly so much as to enthrall. I’ll have a review up one of these days soon, but I feel like I’m still getting to know the record, and that may be a permanent condition. Hexvessel on Thee Facebooks, Century Media.
 

63. High Priest of Saturn, Son of Earth and Sky

Here is yet another of Feb. 26’s many releases. I haven’t heard it yet, but given the traditionalism of the Norwegian outfit’s first LP and the fact that there are only five tracks on Son of Earth and Sky, it seems fair to expect High Priest of Saturn are letting their material flesh out a bit on their sophomore offering through Svart. Announced just a couple weeks ago, it’s been in the can since 2014, so it may not be all that long before a follow-up makes an appearance as well. High Priest of Saturn on Thee Facebooks, Svart Records.
 

64. Hijo de la Tormenta, El Manto de la Especie

I dug Argentinian heavy psych trio Hijo de la Tormenta‘s 2014 self-titled debut (review here), and last year, they followed it up with a quick live two-songer called En Vivo en Buenos Aires that found their sound no less engaging on stage than on record. The upcoming El Manto de la Especie was recently announced here, and should hopefully be together and out sometime in the first half of this year. Hijo de la Tormenta on Thee Facebooks, on Bandcamp.
 

65. Hollow Leg, Crown

hollow leg crownFloridian sludgers Hollow Leg also appeared on this list last January, but the difference is not only has their third album been recorded, but it’s been given a solid March 4 release date by Argonauta Records. So I feel a good deal more comfortable saying it’s definitely going to be out, since it exists, has artwork, tracks, a teaser and all that kind of thing. Hollow Leg on Thee Facebooks, Argonauta Records.
 

66. Holy Grove, Holy Grove

There’s been a buzz around the Pacific Northwest’s fertile ground over the last couple years for Portland, Oregon’s Holy Grove, and on March 18, the soul-rock four-piece will make their full-length debut via Heavy Psych Sounds. The only other release from them I know about to-date is 2014’s Live at Joonior’s (review here), a two-track sampler, so for a lot of listeners outside the band’s regional homebase, this will really be their first experience hearing them. Holy Grove on Thee Facebooks, Heavy Psych Sounds.
 

67. Holy Serpent, TBA

The hot tip is look for it in August on RidingEasy. Melbourne, Australia’s Holy Serpent shroom-doomed their self-titled debut (review here) last year, and they’ll be going for a fast turnaround on the follow-up in 2016. No audio, info or art or anything like that yet, but I’m told it’ll be late summer, so that’s what I’m going on. Holy Serpent on Thee Facebooks, RidingEasy Records.
 

68. Inter Arma, TBA

So far, both Inter Arma and Relapse Records have been pretty tight-lipped on specifics when it comes to the Virginian genre-melders’ second LP for the label (third overall), but we know it was recorded by Mikey Allred, that it’s done and due out this summer, and that they’re starting their touring cycle for it even before it comes out. That’s not nothing. Given the laudatory response to 2014’s single-song EP The Cavern, I’d expect this one to get considerable attention both in the pre-release hype and the post-release exclamatory stages. Inter Arma on Thee Facebooks, Relapse Records.
 

69. Joy, Ride Along!

Announced just last week, Ride Along! will be West Coast jammers Joy‘s second album out through Tee Pee, following the psych spellcasting of 2014’s Under the Spell of… (review here). A few notable guests show up, but I’m looking for the band to distinguish themselves further this time around, find their niche within the post-Earthless sphere of instrumental Cali heavy. They showed some genuine personality on the last one, hope they keep it up. Out April 29. Joy on Thee Facebooks, Tee Pee Records.
 

70. King Dead, Woe and Judgment

king dead woe and judgmentBrooding atmospheres, a kind of post-metallic anxiety and moments of outright physical exertion are spread across Woe and Judgment (review here), the first LP from Pennsylvanian trio King Dead. The band released the album digitally last year on the sly in order to self-finance a vinyl pressing, and after succeeding in that endeavor, they’ll have the record out officially in April or thereabouts. King Dead on Thee Facebooks, on Bandcamp.
 

71. Lightsabres, TBA

Swedish one-man outfit Lightsabres began its association with HeviSike Records with a tape release for 2014’s sophomore album Spitting Blood (review here). The genre-spanning garage psych project linked up with STB for 2015’s Beheaded, but returns to HeviSike for the follow-up fourth long-player, which is due out March 4 with preorders starting this week. Lightsabres on Thee Facebooks, HeviSike Records.
 

72. The Linus Pauling Quartet, Ampalanche

Unlike most offerings on this list, Ampalanche by Texas noise rock weirdos the Linus Pauling Quartet is actually out now. Vincebus Eruptum released the vinyl on Jan. 15. It’ll be out digitally in April as well though, and there’s a big ol’ zip file on my desktop waiting to be reviewed — several, actually but bear with me — so sometime between now and then expect to hear more about the album, which is the band’s first full-length since 2012’s Bag of Hammers (review here), despite a slew of singles between. Linus Pauling Quartet on Thee Facebooks, Vincebus Eruptum Recordings.
 

73. Lo-Pan, TBA

I don’t know what Lo-Pan‘s secret plan is, but I know they were in the studio last week, so whether it’s a new album, a single, an EP, split or whatever, they’ve got something going. It would be a relatively quick turnaround from 2014’s Colossus (review here), but they’ve since added guitarist Adrian Zambrano (also Brujas del Sol) to the lineup, so a burst of creativity isn’t necessarily out of the question. Whatever they’re up to, they’ll be on the road as ever this year, touring with Black Cobra and Bongzilla this spring. Lo-Pan on Thee Facebooks, Small Stone Records.
 

74. Lord, Awake

As of last September, chaotic Virginian five-piece Lord were mastering their Awake album with an eye on a 2016 release. I’ve been keeping a relatively close eye, and I haven’t heard anything about a meteor crashing into the final tapes (or hard drive) or anything, so I’m just going to assume and hope that it gets out this year. Lord‘s last full-length, Chief (review here), came out in 2011 and they also issued the Alive in Golgotha EP (review here) in 2014. Lord on Thee Faceboks, Heavy Hound Records.
 

75. Lord Fowl, TBA

More wishful thinking than nailed-down guarantee, perhaps, but Connecticut’s Lord Fowl are due to give an answer to their 2012 Small Stone debut and second album overall, Moon Queen (review here). Last I spoke to the band was the middle of last year and they were writing, but in October, they entered the studio to begin the recording process, so hopefully that means it’ll be out sooner than later. Lord Fowl on Thee Facebooks, Small Stone Records.
 

76. Low Flying Hawks, Kofuku

low flying hawks kofukuNot exactly out of nowhere — apparently out of Los Angeles, or somewhere thereabouts — but Low Flying Hawks‘ forthcoming Magnetic Eye debut, Kofuku, did seem to show up as a sudden blip on the radar. Notable for working with such Melvins-related characters as producer Toshi Kasai, drummer Dale Crover, and bassist Trevor Dunn, the band effectively blends moody post-rock atmospheres with weighted, hypnotic grunge, keeping things dark as seen in their recent video for “Ruins.” Low Flying Hawks on Thee Facebooks, Magnetic Eye Records.
 

77. Mantar, Ode to the Flame

I’ll admit to being somewhat surprised when Germany’s Mantar signed to Nuclear Blast late last year. Their sound is so raw, so unabashedly extreme in its intent on their 2014 debut, Death by Burning (review here) — which was released by Brutal Panda and Svart both — and something tells me that with a title like Ode to the Flame, their second LP won’t offer much letup in intensity, but having seen the band live (review here), they are unmistakably a force. Mantar on Thee Facebooks, Nuclear Blast Records.
 

78. Mars Red Sky, Apex III (Praise for the Burning Soul)

The third album from Bordeaux-based heavy psych rockers Mars Red Sky feels like a logical step forward from 2014’s Stranded in Arcadia (review here), but it is very definitely a step forward, in its atmospheric complexity, in the depths of its arrangements and the breadth of its tones. Songs like “Mindreader” and “Under the Hood” exemplify how much the band has progressed since their 2011 self-titled debut (review here), and though it comes preceded by the newly-released Providence EP (review here), that’s really just the beginning of the story about to be told. Mars Red Sky on Thee Facebooks, Listenable Records.
 

79. Merchant, Suzerain

Finished recording as of Jan. 11, Suzerain will serve as the debut full-length from aggro tone-bearers Merchant, who announced their coming with a 10-minute single called Seismic (review here). Their principal task will be to distinguish themselves from the pack of Melbourne’s crowded heavy underground, but I’m looking forward to finding out how they go about it and where their apparent potential will take them. Merchant on Thee Facebooks, on Bandcamp.
 

80. Merlin, Electric Children

Kansas City doom rockers Merlin gave a taste of Electric Children back in November with a track premiere for “Bad Trip” and the album itself will see release on March 11 through 4One8 Records on CD. Vinyl will be through Poisoned Mind, who also issued the band’s Christkiller LP (review here) in 2014. To say they have a flair for the dramatic might be understating it, but Merlin do well to keep a reliable core of songwriting underneath. Merlin on Thee Facebooks, 4One8 Records, Poisoned Mind Records.
 

81. Mondo Drag, The Occultation of Light

mondo drag the occultation of lightReady for release on — you guessed it — Feb. 26, The Occultation of Light is the third full-length from psych-prog traditionalists Mondo Drag, second via RidingEasy, and it gives a more updated take on their sound than did last year’s self-titled (review here), which was recorded in 2012 with a different lineup. They seem poised to really establish themselves with this record, which was announced in November, and from where I sit, the record is strong enough to do it. Mondo Drag on Thee Facebooks, RidingEasy Records.
 

82. Mondo Generator, TBA

Nick Oliveri oversaw some lineup changes last fall for Mondo Generator, but to go with that and their European tour, it was announced that the band was working — as a trio now — on their fifth full-length for an eventual 2016 release. That’s not to say it’s showing up tomorrow, but if they were writing in the fall, it doesn’t seem outside the realm of possibility that they could have something out before the year is done. Oliveri‘s last release was the 2014 solo album, Leave Me Alone (streamed here). Mondo Generator on Thee Facebooks, Mondo Generator webstore.
 

83. Monkey3, TBA

For Swiss instrumentalists Monkey3‘s Nov. 2015 European tour, the band specifically noted they would be playing out new material as a “preview.” I don’t know if that means their next album is recorded or if they were trying stuff out on stage before they went into the studio, but, now signed to Napalm, the band will hopefully in 2016 have a follow-up out for 2013’s The 5th Sun, which was their fourth long-player. Monkey3 on Thee Facebooks, Napalm Records.
 

84. Monobrow, TBA

Last time Ottawa’s Monobrow mentioned their new LP was Nov. 24. They said, “new album slowly coming together.” So there you go. They reportedly took more time after a Dec. 5 show with Public Animal to work on it, but there’s been no solid word of a release date or even recording date as yet. It’s in progress. Their 2015 single, A Handwritten Letter from the Moon (review here), presented a less bombastic feel than, say, 2014’s Big Sky, Black Horse (review here). We’ll see which impulse ultimately wins out in their sound. Monobrow on Thee Facebooks, on Bandcamp.
 

85. Mos Generator, TBA

Among the safest bets one might place this year is that Washington’s Mos Generator will release something, but the band, led of course by workaholic guitarist/vocalist Tony Reed, premiered an acoustic take on Easy Evil” back in September that was to be included on an unplugged release through H42 Records, and their last album, Electric Mountain Majesty (review here), came out in 2014, so I wouldn’t be surprised if in addition to continuing to road-dog across the US and likely beyond, they didn’t also find time to punch out a new studio LP. Mos Generator on Thee Facebooks, Listenable Records.
 

86. Mothership, Live over Freak Valley

mothership live over freak valleyTrue, Mothership released Live over Freak Valley on Jan. 15. You got me. The reason I’ve still got them on this list, however, is because I’m wondering if the Texas heavy rockers might keep the momentum they’ve got on their side after their recent tour with C.O.C., Saviours and Brant Bjork going by jumping back in the studio and belting out a follow-up to 2014’s Mothership II (review here). Even if it’s later in the year, crazier things have happened. Mothership on Thee Facebooks, Ripple Music.
 

87. Mountain God, TBA

Early last year, bleak Brooklyn atmosludge extremists Mountain God offered their single-song EP, Forest of the Lost (review here), which followed their prior 2013 demo tape, Experimentation on the Unwilling (review here). They’ve been writing all the while, and it seems likely they’ll manage a release of some sort this year as well. Whether that’s their debut full-length, which I’m hoping creeps as much as it shrieks — or at least a little — or something else, I don’t know. Mountain God on Thee Facebooks, on Bandcamp.
 

88. Mountain Tamer, Mountain Tamer

These West Coast stoner rockers were picked up by Argonauta Records last month after their Mtn Tmr Demo (review here) offered psychedelia-via-neo-grunge thrills and classic-minded swing. More to come on this self-titled debut from the Santa Cruz trio, which will be out on Feb. 12. Mountain Tamer on Thee Facebooks, Argonauta Records.
 

89. Naxatras, II

Sold out in numerous CD and cassette editions following its release in April, the live-recorded self-titled debut from Greek heavy psych rockers Naxatras continued to earn praise throughout the rest of last year. The Thessaloniki-based trio will reportedly release a single as a 10″ before their second long-player surfaces, but both have been recorded and seem like they’re ready to roll out as soon as they’re pressed. I wouldn’t mind if they did a CD re-press of the first album either, but no word on that as of yet. Naxatras on Thee Facebooks, on Bandcamp.
 

90. Neurosis, TBA

It’s done, it’s in the can, it’s mastered, and it pains me that a new Neurosis album exists somewhere on this planet and I haven’t heard it yet. It’s a downright tragedy. The post-metal progenitors also recently announced a deluxe anniversary boxed set of all their albums to-date (not including the new one) called Strength and Vision, but as ever, their eyes are forward even as they’re celebrating their 30 years as a band. But seriously, if I don’t hear that record soon, I’m gonna cry. Actual tears. Neurosis on Thee Facebooks, Neurot Recordings.
 

91. Om, TBA

The Al Cisneros-led trio Om were recently in the studio, and while I can’t say for certain it was for a new album to follow-up 2012’s brilliant Advaitic Songs (review here), I sure as hell hope so. Om are another band who were on last year’s list too, so take this for what it is, but I think it’s safe to say Advaitic Songs is one of the strongest albums of the decade so far, and a subsequent outing feels due. Om on Thee Facebooks, Drag City.
 

92. Oranssi Pazuzu, Värähtelijä

Oranssi Pazuzu VärähtelijäEffective, trance-inducing psychedelic black metal isn’t easily done, and when someone does it as well as Oranssi Pazuzu on Värähtelijä or as Deathspell Omega on Fas – Ite Maledicti, in Ignem Aeternum, it tends to get noticed by a very specific subset of the heavy metal literati. No doubt the same has been and will continue to be the case for the Finnish blackened hypnotists leading up to the Feb. 26 Svart/20 Buck Spin release of Värähtelijä, their fourth album, but the hype is legitimate, and the record crosses vast expanses over the course of an encompassing 69 minutes. Sometimes it’s hard to argue with consensus. Oranssi Pazuzu on Thee Facebooks, 20 Buck Spin, Svart Records.
 

93. Pale Divine, TBA

Pennsylvanian doomers Pale Divine take their time. Nothing wrong with that, and anyway, it’s only been four years since their last album, Painted Windows Black (review here), came out a full five after 2007’s Cemetery Earth, so, you know, no rush. In 2016, however, they’re coming closer to marking 20 years since the release of their first demo, 1997’s Crimson Tears, which in many ways established the course of their sound, so if a new full-length were to happen this or next year, it would seem only appropriate. Would also be their first since adding Ron McGinnis (Admiral Browning, Bailjack, etc.) on bass several years ago now. Pale Divine on Thee Facebooks, Shadow Kingdom Records.
 

94. Picaporters, TBA

Buenos Aires-based trio Picaporters posted a new track called “War is Over” on their Bandcamp a while back that will feature on their upcoming album, which is listed on that page as being released on Aug. 1, 2016. Last I heard it was due to be ready in January, so I’m not actually sure when the follow-up to their 2013 debut, Elefantes (review here), will actually be out, but the doomers have leaked a couple songs from it at this point and it sounds right on. Best I can say is keep an eye out. Picaporters on Thee Facebooks, on Bandcamp.
 

95. Iggy Pop, Post Pop Depression

The immortal badassery of Iggy Pop notwithstanding, his Post Pop Depression probably wouldn’t be in this site’s field of vision were it not for the involvement of Queens of the Stone Age frontman Joshua Homme as guitarist and songwriting collaborator. Announced to much fanfare on The Late Show with Stephen Colbert as being released March 18, the record is intended as a sequel to the Pop/David Bowie collaboration Lust for Life, and since Homme does a pretty mean Bowie I’m sure it’ll be just fine. I thought it was hilarious that the first song released from the album was called “Gardenia.” Iggy Pop website, Queens of the Stone Age on Thee Facebooks.
 

96. Psychedelic Witchcraft, The Vision

Though they’re still in the process as well of overseeing reissues of their 2015 Black Magic Man EP (review here) — the latest is vinyl through Taxi Driver Records with a bonus Sam Gopal cover that follows a CD through Twin Earth Records — Italian cult rockers Psychedelic Witchcraft have signed to Soulseller Records for the release of their debut long-player, The Vision. It’s due in Spring and can be reasonably expected to generate much fanfare, at least if the response to the prior EP is anything to go by. Psychedelic Witchcraft on Thee Facebooks, Soulseller Records.
 

97. Radio Moscow, TBA Live Album

radio moscow (Photo by Tony Wold)Freshly returned from a South American tour, Radio Moscow will head to Australia for a run next month with Kings Destroy and Holy Serpent before they get around to issuing the double-live album they recorded last month in Los Angeles. And then after that, they’ll probably go tour somewhere else, because that’s how they do. The live record arrives at a particularly choice moment, though, since the material from their fourth LP, 2014’s Magical Dirt (review here) translates particularly well to the stage. Also they’re one of the best live bands in the world. That helps too. Radio Moscow on Thee Facebooks, Alive Naturalsound.
 

98. Red Fang, TBA

I’m twofold intrigued at the recently-announced prospect of Red Fang‘s fourth full-length. Maybe even threefold. First, automatic interest on the basis of their prior work. They’ve certainly earned that. Second, though it would be a mistake to call 2013’s Whales and Leeches (review here) anything other than a marked success, it was put together in a hurry and it sounded like it, so I’m wondering if they’ll be able to stretch out this process more. Third, it’s Ross Robinson producing, and given the commercial breadth of his work across genres, I’m eager to hear what he brings to a genuine heavy rock band. Could be a whole new take on the sound, one way or another. Red Fang on Thee Facebooks, Relapse Records.
 

99. Rozamov, TBA

Now veterans of Psycho California and tours across the US, having opened for Slayer in their hometown and spread their darkened gospel along the Eastern Seaboard, don’t you think it’s time Boston’s Rozamov put out an album? I know I do. I was in the studio with them for a check-in last August, and what I heard in progress sounded utterly punishing as a follow-up to their split with Deathkings (review here), and that holds true on the five tracks of the finished product as well, but it’s high time it came out. Side note, they recently announced the arrival of new drummer Tranxidis. Pretty sure that’s more recent than the recording though. Rozamov on Thee Facebooks, Rozamov on Bandcamp.
 

100. Salem’s Pot, TBA

Bizarro riff worshipers Salem’s Pot will have a new full-length out, reportedly, in June 2016. It will be their sophomore LP behind 2014’s …Lurar ut dig på prärien (discussed here), which garnered praise for its atmosphere and riff-rolling methods alike, stoner for stoners and all that. I was fortunate enough to catch the band’s set last year at Roadburn (review here), and they offered thrills in bulk, unabashedly basking in pill-popper groove but keeping a spirit of underlying violence in the material as well, as much drug as droog. A new 7″ titled The Vampire Strikes Back is also due Feb. 15. Salem’s Pot on Thee Facebooks, RidingEasy Records.
 

101. Samavayo, TBA

Not certain of the timing on the new full-length from Samavayo, who will also play Desertfest Berlin this April, but their 2015 Setalight Records split 10″ with The Grand Astoria (review here) was much-dug around these parts and efficiently presented a diverse take from the Berlin natives, between instrumental stretch-out and more traditional hooks and structure. Their last full-length, Soul Invictus, came out in 2012 as the third in a series of three albums each year (it was their fourth overall), so maybe they needed to catch their breath. Samavayo on Thee Facebooks, Setalight Records.
 

102. Serpents of Secrecy, TBA

This West Virginia/Virginia/Maryland collaboration between former members of Sixty Watt Shaman — drummer Chuck Dukehart and bassist Rev. Jim Forrester (both also of Foghound) — and King Giant guitarist Todd Ingram did right last summer in picking Ontario-based vocalist Al “Yeti” Bones as the singer for their debut record. Maybe not so much geographically, but no question Bones (formerly of Mister Bones and The Mighty Nimbus) has all the burl their riffs could ask for, and I haven’t heard the album yet, but I’m sure they’re asking for plenty. Serpents of Secrecy on Thee Facebooks, their website.
 

103. Sinister Haze, Laid Low in the Dust of Death

After issuing their Betrayed by Time EP (review here) via Heavy Slab Records last year, Virginian doombringers Sinister Haze have signed on with STB to issue their debut full-length, Laid Low in the Dust of Death. The trio played Psycho California this May, touring out and back, and also had a two-song self-titled cassette out in 2015 that they took with them on the road, but no word as to whether any of that material will make it onto the album. In fact, no word on if the album is an album. I’m just kind of going by what STB says they have coming up in the next few months. Presumably more info will surface before the release arrives. Sinister Haze on Thee Facebooks, STB Records.
 

104. -(16)-, TBA

Blunt as ever, Los Angeles/San Diego sludge metallers -(16)- pulled no punches on Dec. 31 when they rang in the New Year by saying, “We will be releasing a new album in 2016.” They finished recording in December, and I’m relatively sure that whatever the new album is called, it’ll be released by Relapse — using the logic of, if you were the label, why wouldn’t you want to put out a new -(16)- album? — but other than that, there’s no info. They said it’s coming this year. Seems like they’d be the ones to know. -(16)- on Thee Facebooks, Relapse Records.
 

105. Skuggsjá, A Piece for Mind and Mirror

skuggsja a piece for mind and mirrorIf you know, then you know. I was pleasantly surprised that the Skuggsjá collaboration between Enslaved‘s Ivar Bjørnson and Wardruna‘s Einar Selvik was doing anything at all, let alone putting out a studio release of their commissioned work for the 200th anniversary of Norway’s constitution. A Piece for Mind and Mirror was recently given a March 11 release date through Season of Mist, and while it may be a few who latch on to the combined vision of Bjørnson and Selvik, that’s going to be a lucky few indeed. Skuggsjá on Thee Facebooks, Season of Mist.
 

106. Slabdragger, Rise of the Dawncrusher

If I’m not mistaken — and to be sure, I probably am — this is the last release on this list coming out on Feb. 26. Slabdragger‘s sophomore LP, Rise of the Dawncrusher is being delivered via Holy Roar, and it comes some six years after their debut, Regress. I remember being at Desertfest in London circa 2012-2013 and hearing people talk up Slabdragger as having significant boot-to-ass potential. Listening to Rise of the Dawncrusher, it’s pretty easy to hear what might’ve given them that impression. Slabdragger on Thee Facebooks, Holy Roar Records.
 

107. Slomatics, TBA

Yes. Bring on new Slomatics. The sooner the better, the louder the better. The riff-bashing Belfast trio signed to Jon Davis of Conan‘s Black Bow Records last November, and quickly set about reissuing their first two albums, 2005’s Flooding the Weir and 2007’s Kalceanna, and that’s super, but as someone who caught on relatively late to the glories of the band’s 2014 album, Estron (review here), there’s no way I’m letting the next one get by me. Slomatics on Thee Facebooks, Black Bow Records.
 

108. Snowy Dunes, Atlantis

Stockholm heavy rockers Snowy Dunes left a resonant impression with their 2015 self-titled debut, and on Jan. 13, they unveiled a completely improvised 19-minute track called “Atlantis, Part I” digitally as a precursor to their second LP, Atlantis, which is reportedly set to release next month as they head out on tour with countrymen riffers Skraeckoedlan. The extended piece is impressive in building on the boogie rock of the debut, but how much its atmosphere will ultimately play into the record itself remains to be seen. In any case, a good band who don’t seem like they’ll be under the radar of Europe’s heavy rock scene for much longer. Snowy Dunes on Thee Facebooks, on Bandcamp.
 

109. Soon, Vol. I

I’ll readily admit my ignorance when it comes to indie rock, so I haven’t heard of The Love Language, Bitter Resolve or Grohg, which are the bands from whose lineups the ungooglable Soon draw, but after checking out a couple demos when the March 4 release of Vol. I was announced, I dug the sound anyway. Someone else might have a completely different context for hearing it, but to me it just sounds like interesting, wide-ranging excursions into sonic heft. It’s pretty rare something like that isn’t going to find welcome, as far as I’m concerned. Soon on Thee Facebooks, Temple of Torturous.
 

110. Spidergawd, III

spidergawd iiiFor the last two years, Norwegian four-piece Spidergawd have been churning out high-grade heavy rock and roll with a vitality that few could come close to matching. 2015’s Spidergawd II (review here) fleshed out elements of psychedelia from their 2014 self-titled debut (review here), and with Spidergawd III, the approach continues to be refined and honed to an even finer point on hooks like “El Corason del Sol” and “The Funeral.” Reportedly out now, so go get it. Spidergawd on Thee Facebooks, Stickman Records, Crispin Glover Records.
 

111. Spirit Caravan, TBA

By now I’m sure they’ve played “Be the Night” (live video here) at more than just the Vultures of Volume II fest, which was where I saw it, but either way, the first new material from a reunited Spirit Caravan — also kind of a The Obsessed hybrid with Ed Gulli on drums — reignites the collaboration between bassist/vocalist Dave Sherman and guitarist/vocalist Scott “Wino” Weinrich, who since they got back together in 2014 have been reminding audiences of just how vital that one-two punch of tone is to what heavy rock has become over the last decade and a half, in Maryland and beyond. Hope they get a record together, hope it gets out in 2016. Spirit Caravan on Thee Facebooks, Tone Deaf Touring.
 

112. Spiritual Beggars, Sunrise to Sundown

Back to business for Swedish heavy rockers Spiritual Beggars. The Michael Amott-led troupe recently revealed that they will offer their ninth long-player, Sunrise to Sundown on March 18 (March 25 North America) through InsideOut Music. Turns out they’ll also have a 7″ out concurrently via H42 Records, and they’re set to tour in Europe beginning the week after the album comes out, hitting Desertfest Berlin and more. This will be their third album with vocalist Apollo Papathanasio, but for me, the band is even more about the blend of Amott‘s guitar and the keys of Per Wiberg (ex-Opeth, Candlemass). Doesn’t get much more classic than that. Spiritual Beggars on Thee Facebooks, InsideOut Music.
 

113. Stone Machine Electric, TBA

The recently-released jammer EP, The Amazing Terror (review here), was intended as a precursor to the next full-length from Stone Machine Electric, which is reportedly now in the process of being recorded. On Jan. 11, they also asked their audience if they’d get behind a crowdfunding campaign to support a vinyl release, so it might be a while before the album actually shows up, but given the response they received, it seems fair to expect a pressing on wax. Stone Machine Electric on Thee Facebooks, on Bandcamp.
 

114. Suma, The Order of Things

2016 makes it 15 years since Swedish aural devastators Suma got their start, and it’s been six years since their last album, Ashes, was released, but that album continues to gain a following, having been snagged for a re-release on Argonauta Records just a couple weeks ago. The Malmö four-piece were on the US West Coast this month to record The Order of Things with the venerable Billy Anderson — who also helmed Ashes and 2006’s Let the Churches Burn — and they managed to sneak in a couple shows playing with, among others, Brothers of the Sonic Cloth. Now that is a fucking bill. Suma on Thee Facebooks, Suma on Bandcamp.
 

115. Summoner, TBA

Been a quick three years since Boston neo-prog heavy riffers Summoner released their second album, Atlantian (discussed here), and pushed ahead of the already sprawling, richly arranged approach of their 2012 debut, Phoenix. Well, I saw the band last month, and I’m happy to report they haven’t fallen apart or anything in the interim. I have it on good authority — by which I mean they told me — that they’ll be recording later this year, and while that may or may not mean a 2017 release, I thought it better to serve early notice of their impending third LP. So heads up on that. Summoner on Thee Facebooks, Magnetic Eye Records.
 

116. Sunnata, Zorya

sunnata zoryaAnnounced just after the New Year for an April arrival, Zorya will serve as the second album from Warsaw-based Sunnata, who delivered their debut in 2014 with Climbing the Colossus. I haven’t heard it yet, but the band effectively blended heavy rock groove with progressive ideals on the first outing, and I see no reason to expect anything but a step forward along the same lines this time around. I’ll take it. Sunnata on Thee Facebooks, on Bandcamp.
 

117. Sun Voyager, TBA

Time for Sun Voyager to do this thing. The New York heavy psych rockers put out one of 2015’s best short releases in their Lazy Daze tape (review here), but after putting themselves on the hook last month in announcing their first album release, it’s time to make that a reality. Like a reality I can listen to. And groove out on. Because that would be awesome. They were also working on a split single with The Mad Doctors for King Pizza, and that’s all well and good so long as it doesn’t delay the full-length. Sun Voyager on Thee Facebooks, King Pizza Records.
 

118. Swans, TBA

Sometimes it’s too easy to be greedy. Since getting back together at the start of the decade, Swans have released three albums — 2010’s My Father Will Guide Me up a Rope to the Sky (review here), 2012’s The Seer and 2014’s To be Kind (review here) — as well as older LP reissues, limited-edition live recording, and so on. They’ve toured the world over and have a fourth post-reunion album due out this year, but even so, when Michael Gira said last summer that the next Swans would be the last Swans for the time being — he didn’t even say forever — it was hard not to feel sad. Enjoy yourself, it’s later than you think. Swans on Thee Facebooks, Young God Records.
 

119. Teacher, TBA

It took Seattle duo Teacher about 49 seconds to get me interested in hearing their forthcoming debut LP. Really less than that, because by the time the vocals kicked in on the recently-posted teaser clip, I was already on board. Whenever it comes out, the album will be released by Devil’s Child Records, which is quickly making a name for itself in the Pacific Northwest with offerings by Mos Generator/Sower and Year of the Cobra. No release date yet, but it sounds like the band are sneaking into a niche of natural, unpretentious swing, and I hope that’s exactly how the record goes. Teacher on Thee Facebooks, Devil’s Child Records.
 

120. Ulver, ATGCLVLSSCAP

Ulver‘s good-luck-making-a-word-of-this-acronym new album ATGCLVLSSCAP came out last week. Doesn’t mean it wasn’t one of 2016’s most anticipated. Really, anytime this Norwegian post-genre leviathan breathes, it’s an event, and as ATGCLVLSSCAP draws on live-recorded improvisations and explorations, but I’m not sure it’s proper to call it a live record in the is-everybody-having-a-good-time-tonight sense of the phrase. Info is plentiful and descriptive, but vague on the actual nuts and bolts of the makings, and that’s likely not an accident. Mystery is part of the fun. Is everybody having a good time tonight? Ulver on Thee Facebooks, House of Mythology Records.
 

121. Uzala, TBA

uzala live at roadburn mmxvI know, I know. Uzala just put out Live at Roadburn MMXV (review here). Hell, I know that. And that vinyl is reportedly coming soon, but I’ve got the Boise trio on this list because I’m holding out for a studio follow-up to 2013’s Tales of Blood and Fire. I’m not saying it has to happen immediately, or really at all. I’m just saying I’d greatly prefer it if it did. That last album still gets fairly regular plays around here, so it only seems reasonable to call it haunting, and the live record had two new songs on it, so maybe there’s more in progress. Uzala on Thee Facebooks, on Bandcamp.
 

122. VA, Brown Acid: The Second Trip

How could RidingEasy Records not do a second Brown Acid compilation of lost heavy ’70s freakout and heavy singles, how could they not call it Brown Acid: The Second Trip, and how could they not release it on April 20? The whole thing seems so inevitable it’s astounding. Look for forgotten cuts by Sonny Hugg, Buck, Glass Sun, Ash, the awesomely-monikered Iron Knowledge and a whole host of others you can pretend you knew about beforehand. RidingEasy Records website, on Thee Facebooks.
 

123. Venomous Maximus, TBA

Like several others on this list, Texas’ Venomous Maximus will take part in the Obelisk-presented Heavy Metal Parking Lot 3 at SXSW (info here). They’re no strangers to awesome bills, having toured this past fall alongside High on Fire to support the release of their second album, Firewalker (review here), which was released on Shadow Kingdom. Looking back on my notes, I’m not sure where I heard they had a new release in the offing, but it would be awesome to see them recapture the momentum they had coming out of their first album, 2012’s raging Beg upon the Light (review here), and a quick turnaround certainly wouldn’t hurt that. Venomous Maximus on Thee Facebooks, Shadow Kingdom Records.
 

124. Vista Chino, TBA

Maybe most of all the entries posted today, this one is wishful thinking. I saw a couple months back that Vista Chino — the John Garcia and Brant Bjork post-Kyuss Lives! incarnation that wound up with Mike Dean of C.O.C. on bass in a lineup rounded out by guitarist Bruno Fevery — were confirmed for Hellfest in France this summer, and couldn’t help but think about the possibility of a follow-up to their 2013 debut, Peace (review here). Doesn’t seem likely with everyone working on their respective projects, but I’m still hoping those guys get back in the studio someday. Cool they’re playing out at all, if nothing else. Vista Chino on Thee Facebooks, Napalm Records.
 

125. Vodun, Possession

Preorders are up now for the debut album from London ritual-psych purveyors Vodun, and the Possession vinyl will also mark the first physical offering from Riff Rock Records, the new label spearheaded by Groan bassist Leigh Jones. Clearly someone who knows how to make an entry, Jones brought Vodun on board and issued a digital single last year for “Minos Army” (video here), the band tearing through influences in the metallic, heavy, Afrobeat, psychedelic and beyond. I haven’t heard the full-length yet, but it’s out March 25 and I feel safe guaranteeing that nothing else in 2016 will sound quite like it. Vodun on Thee Facebooks, Riff Rock Records.
 

126. Vokonis, TBA

After releasing an impressive demo last year called Temple (review here) under the moniker Creedsmen Arise, Swedish riffers Vokonis swapped out bassist, swapped out monikers, signed to respected purveyor Ozium Records and set a February entry to hit the studio and record their debut album. They’ve gotten a good response so far, but I think we’re only seeing the beginning of what they can do. Look for more throughout the year. Vokonis on Thee Facebooks, Ozium Records.
 

127. Wight, Love is Not Only What You Know

wightGerman trio-turned-foursome Wight make a bold shift with their upcoming third full-length, Love is Not Only What You Know, digging deep into full-on psychedelic funk on tracks like “Kelele,” “The Love for Life Leads to Reincarnation,” and the opener “Helicopter Mama,” which came out last year as a 7″ single (review here) to herald the change in direction from their jammy 2012 LP, Through the Woods into Deep Water (review here). It’s a fine line to walk, but Wight do right by dancing all over it instead. They’ve also got a limited tape, Live in Athens, due March 7, on which a good portion of the new album is played. Wight on Thee Facebooks, Wight on Bandcamp.
 

128. Witchskull, The Vast Electric Dark

Word came out last month that Canberra three-piece Witchskull had inked a deal with STB Records. The Aussie band check in with a particularly classically metallic take on heavy rock and doom, as evidenced by their 2015 debut full-length, The Vast Electric Dark, which will serve as their debut vinyl on the NJ-based imprint. Haven’t heard a solid release date for it yet, but “early 2016” was the ballpark figure given, so I guess anytime between now and summer would be a possibility. Witchskull on Thee Facebooks, STB Records.
 

129. Wo Fat, Midnight Cometh

If Wo Fat‘s Midnight Cometh is not near the top of your most wanted list, you are fucking up. Unless you’re going alphabetically with your list, as I am with mine, in which case their position at #129 makes sense. In whatever organizational method, the coming sixth long-player from these Texan fuzz forerunners deserves the utmost consideration. Their first for Ripple Music after two on Small Stone (info here), Midnight Cometh boasts all the riffy jamming and heavy grooves we’ve come to love from the three-piece, but refines the vocal approach markedly, giving the band even more of a sense of command of the material. Sure to be a highlight of the year. Expect it this summer. Wo Fat on Thee Facebooks, Ripple Music.
 

130. Worm Ouroboros, TBA

Sorry to say I missed out completely on Worm Ouroboros‘ second album, Come the Thaw, when it was released by Profound Lore in 2012. I’d dug their 2010 self-titled debut (review here), but the next one, yeah, just kind of got by me. Never to late, you might say, and I’d have to agree. Maybe I can sneak in a purchase before the band are finished in the studio for their third record, which they were set to begin recording this month. In any case, will do my best to see that the same doesn’t happen with the new LP as happened with the last one. Hence putting them on this list. What, you thought it was for you? Worm Ouroboros on Thee Facebooks, Profound Lore Records.
 

131. The Wounded Kings, Visions in Bone

Always fascinating, always changing, UK progressive doomers The Wounded Kings have managed to deliver high-quality material seemingly no matter who is in the lineup. For the forthcoming Visions in Bone, founding guitarist Steve Mills reunites with former/founding vocalist George Birch, who hasn’t been in the band since their 2010 second album, The Shadow over Atlantis (review here). Haven’t seen an official release date yet, but they’re touring in March to support the record, so one might reason a Spring arrival. Not saying I’ve heard it, but the record kills. The Wounded Kings on Thee Facebooks, Candlelight Records.
 

132. Wretch, TBA

By the last update, The Gates of Slumber offshoot Wretch were starting to record their debut album in December. I don’t know whether that was a long-term process or a couple days in and out of the studio, but I’m betting that at some point in 2016 we’ll find out. Having had the opportunity to see the Indianapolis trio last fall at Vultures of Volume II (review here), I’m glad to report that the ultra-downer vibes that pervaded The Gates of Slumber’s final album, 2011’s The Wretch (review here), have found a new home and that frontman Karl Simon seemed as soulfully, Sabbathly miserable as ever. Wretch on Thee Facebooks.
 

133. Yawning Man, Live at Maximum Fest

yawning man live at maximum festivalThe last couple years of these lists have featured Yawning Man, more specifically the perpetually-in-the-making next studio offering, Gravity is Good for You, but as that may or may not get out this year, it seemed fair to include them for the Go Down Records live outing, Live at Maximum Fest anyway. Put up for preorder in Nov., it was recorded back in 2013 and features the founding lineup of guitarist Gary Arce, bassist Mario Lalli and drummer Alfredo Hernandez; an allstar roster of desert rockers if ever there was one. Yawning Man on Thee Facebooks, Go Down Records.
 

134. Year of the Cobra, TBA

Somehow, I think it probably won’t be out until later in the year, but if you caught onto Seattle duo Year of the Cobra‘s 2015 EP, The Black Sun (review here) when it was released by Devil’s Child or DHU Records, then you’re probably already hip to the fact that the follow-up LP will be released by STB Records and is set to be recorded by a certain legendary West Coast producer of heavy who used to be based in the Bay Area but has since set up shop in Portland, Oregon. Not naming names or anything, but as you already know, it should rule. Year of the Cobra on Thee Facebooks, STB Records.
 

135. Young Hunter, TBA

I have been dying to hear the next full-length from Portland-by-way-of-Arizona mood rockers Young Hunter since long before I hosted the premiere of the track “Nothing Shakes the Void” (posted here) back in Oct., and I’m going to continue to be dying to hear it until I actually do, so there. Very, very much looking forward to it, hoping the stars align and whatever else needs to happen happens so it can get out in the early part of the year. We’ll see how it pans out, but last I heard they beat their crowdfunding goal to press it, so something should show up from that. Not soon enough, in any case. Young Hunter on Thee Facebooks, on Bandcamp.
 

136. Zaum, TBA

The mystical, Eastern-influenced doom trafficked longform by Canadian outfit Zaum has offered immersive vibes across the band’s debut LP, 2014’s Oracles (review here), and their 2015 split with Shooting Guns (review here) and that’s enough to make me look forward to their second album without reservations. The New Brunswick duo started out with a firm idea of what they wanted their sound to do, and I’m hoping they continue to follow that vision where it takes them on the next offering. Summer release expected. Zaum on Thee Facebooks, I Hate Records.
 

137. Zun, Burial Sunrise

zun burial sunriseFirst made public three years ago via the track “Come Through the Water” (posted here), which will also appear on the album, Zun began as a collaboration between guitarist Gary Arce of Yawning Man and vocalist Sera Timms of Ides of Gemini, the album Burial Sunrise also brings in John Garcia as a lead vocal contributor, Mario Lalli, Harper Hug and a host of others (detailed here) for an atmosphere of subdued desert rock that’s unmatched in recent memory, in the desert or out of it. I mean that. This one is essential. Out March 25. Zun on Thee Facebooks, Small Stone Records.

What’s that you say, 137 releases isn’t enough? You want more? Okay.

Well, I’m pretty sure I just put up news about a new album from Iron Man vocalist Dee Calhoun due in Spring. That’s one. And fucking King Buffalo. Their record will be out not at all soon enough.

And while you’re hawkishly keeping an eye out for the stuff listed above, why not also watch for word from Bongzilla, whose reunion is now well underway, as well as The Body, who have a new collaborative release with Full of Hell coming out, Ice Dragon, who spent the better part of last year curiously silent, and All Them Witches, who probably won’t have a new LP out but are always putting together singles, jams and so on for those aching for a digital fix?

There is a “slim but real” chance of a new Clamfight record in the fall. I’ve heard murmurings indicating Elder are working on a follow-up to 2015’s glorious Lore, and since Baby Woodrose are playing Freak Valley, is it possible they could blow our minds with a new album as well? Conny Ochs has a new one on Exile on Mainstream, Mount Desert could easily follow-up their 2015 two-songer that made such a splash, and EYE — oh EYE! — I’ve been waiting for their new one since last year, so hopes are high it’s out soon. And I didn’t include them because the album already came out in Europe, but The Shrine make their Century Media debut with Rare Breed this week in North America.

Other names to watch for in no particular order or likelihood: Argus, Serpent Throne, Them Bulls, War Drum, Black Lung, Worshipper, The Exploding Eyes Orchestra, 3rd Eye Experience, Switchblade Jesus, Seedy Jeezus, Horsehunter, Bright Curse, It’s Not Night: It’s Space, Black Moon Circle, Bison Machine, Fogg, Electric Moon, Arc of Ascent, Beastwars, Thera Roya, Svartanatt (late Spring), Red Wizard (on STB), and Ripple Music‘s second chapter of The Second Coming of Heavy split series with Supervoid and Red Desert.

Still not enough? Check back soon. Just in the time I was putting this list together, I got emails about new releases from Nicklas Sørensen of Papir, Mr. Bison, Instant Boner, Duckhunters, Lord Summerisle and Sonic Mass — and others. Point is there’s always more to come.

What’d I miss? Let me know in the comments.

Thanks for reading.

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Heavy Metal Parking Lot 3: Two-Day SXSW Event Lineup Announced

Posted in Whathaveyou on January 14th, 2016 by H.P. Taskmaster

The formidable likes of PentagramWeedeaterBongzillaBlack CobraKings DestroyLo-Pan, Mondo DragVenomous MaximusToday is the Day and many more will take part in Heavy Metal Parking Lot 3 this March in Austin, Texas, as part of SXSW. A two-day event clustered in the madness that is the Texan capitol that week, Heavy Metal Parking Lot 3 is set for March 18 and 19 at The Lost Well, just north of 7th St., and far enough off 6th that if you happen to be in town for SXSW, it’s an easily-enough justified walk (stumble) by the righteousness of those on the bill. You might as well just camp outside the venue to be sure you get back there on the second day.

Or, you know, fall asleep in the gutter, because that’s kind of how it goes at SXSW, or at least it was the last time I was there. Though you can’t deny the wide reach of Heavy Metal Parking Lot 3 in bringing in its headliners from around the Midwest and East and West Coasts, it’s worth pointing out the particular attention paid to supporting local acts, among them Texan outfits like Venomous Maximus — who reportedly have a new album coming this year — as well as BanquetSweat LodgeDestroyer of LightFrom Beyond and so on. Cheers to American Icon Presents for making sure all sides are represented.

Lineup follows here, in case you’d like to drool or book a flight or book me a flight, you know, whatever:

heavy metal parking lot 3 poster

HEAVY METAL PARKING LOT 3

Day 1 -Fri Mar 18
WEEDEATER ( Exclusive Performance )
BONGZILLA
Kings Destroy
Black Cobra
Author and Punisher
Today is the Day
Lord Dying
Lo Pan
Against the Grain
Widower
Slurr
Thunderkief

Day 2 – Sat Mar 19
PENTAGRAM ( Exclusive Performance)
Mondo Drag
Venomous Maximus
Sweat Lodge
The Blood Royale
Tower
Sabbath Crow

SPECIAL GUESTS
Destroyer of Light
Banquet
From Beyond
Greenbeard

Day 1 and Day 2 tickets Purchased Separately
Sponsored by American Icon Records (A.I.R)

https://www.eventbrite.com/e/heavy-metal-parking-lot-3-day-1-weedeater-bongzilla-tickets-20491750377
https://www.eventbrite.com/e/heavy-metal-parking-lot-3-day-2-pentagram-tickets-19813562900
https://www.facebook.com/events/430113890521968/
https://www.facebook.com/AmericanIconpresents/
https://www.facebook.com/AmericanIconRecords/

Pentagram, “When the Screams Come” live at A.I.R. Expo

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Bongzilla Announce US Tour with Black Cobra, Lo-Pan, Kings Destroy and Against the Grain

Posted in Whathaveyou on December 17th, 2015 by H.P. Taskmaster

bongzilla (Photo by Patrick Baleydier)

Reunited Wisconsin sludgers Bongzilla will look to bring their reunion to another level in 2016. After already hitting the road hard this year, the trio are set to go coast-to-coast beginning at the end of February. In the support slots are Black Cobra, who’ll have a new record out by then (info here), and Lo-Pan, as well as Kings Destroy and Against the Grain, who will tradeoff circa SXSW.

It’s a formidable run in any case, and its finish right at the start of April makes me wonder if Bongzilla might have eyes toward Europe for shortly after, but either way, look for much more to come about what’s sure to be one of early 2016’s heaviest tours. Bongzilla will be out supporting a slew of reissues between Relapse Records and Hydro-Phonic Records, and while I’m interested to see if their reunion takes them back into the studio — you’d think it would almost have to, sooner or later — for now they seem to be keeping themselves plenty busy.

Poster and dates follow:

bongzilla tour

BONGZILLA, with support from Black Cobra, Lo-Pan, Kings Destroy and Against The Grain

2/26/2016, Madison WI, High Noon Saloon &
2/27/2016, Iowa City IA, Oasis &
2/28/2016, Fargo ND, Aquarium &
3/1/2016, Missoula MT, The Palace &
3/2/2016, Spokane WA, The Pin &
3/3/2016, Seattle WA, Highline &
3/4/2016, Vancouver BC, Rickshaw Theater &
3/5/2016, Bellingham WA, Shakedown &
3/6/2016, Portland OR, Star Theater &
3/7/2016, Sacramento CA, Starlite &
3/8/2016, San Francisco CA, Milk Bar &
3/9/2016, Santa Cruz CA, Catalyst &
3/10/2016, Los Angeles CA, Viper Room &
3/11/2016, San Diego CA, Brick By Brick &
3/12/2016, Mesa AZ, Club Red &
3/13/2016, Albuquerque NM, Sister Bar &
3/15/2016, Denver CO, Marquis Theatre &
3/16/2016, Kansas City MO, Riot Room &
3/17/2016, Ft. Worth TX, The Rail Club &
3/18/2016, Austin TX, SXSW,
3/19/2016, Austin TX, SXSW #
3/20/2016, Houston TX, Fitzgeralds #
3/22/2016, New Orleans LA, Siberia #
3/23/2016, Tampa FL, Orpheum #
3/24/2016, Miami FL, Churchills #
3/25/2016, Orlando FL, Wills Pub #
3/26/2016, Atlanta GA, The Earl #
3/27/2016, Asheville NC, Mothlight #
3/28/2016, Richmond VA, Strange Matter #
3/29/2016, Philadelphia PA, Kung Fu Necktie #
3/30/2016, Pittsburgh PA, Altar Bar #
3/31/2016, Hamden CT, Outer Space Ballroom #
4/1/2016, Brooklyn NY, Saint Vitus #
4/2/2016, Somerville MA, ONCE Ballroom #
4/3/2016, Pawtucket RI, The Met #
4/4/2016, Montreal QC, Foufounes Electriques #
4/5/2016, Toronto ON, Mod Club #
4/6/2016, Detroit MI, Loving Touch #
4/7/2016, Cleveland OH, Grog Shop #
4/8/2016, Chicago IL, Reggies #

Black Cobra and Lo-Pan on all dates
&= Against The Grain 2/26-3/7
#= Kings Destroy 3/19-4/8

https://www.facebook.com/Bongzilla/
http://www.relapse.com/bongzilla/
http://hydro-phonicrecords.com/home.html

Bongzilla, Live in Los Angeles 2015

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Roadburn 2015: Sets from Bongripper, Lo-Pan, Goatwhore, The Golden Grass, Bast, Primitive Man, Black Anvil, Sammal, Salem’s Pot and Scott H. Biram Available to Stream

Posted in audiObelisk on May 27th, 2015 by H.P. Taskmaster

The Golden Grass (Photo by JJ Koczan)

It’s been more than a month now since Roadburn 2015 ended, and that means it’s time to really start digging into the audio aftermath. As always, this batch of streams was captured by Marcel van de Vondervoort and his team, and there are more than a few gems here, from Bongripper playing all of their 2014 album Miserable (review here) to The Golden Grass closing out the fest in the Green Room during the Afterburner.

I was particularly stoked this year for the Afterburner, and not the least because it meant Lo-Pan were rolling into town. The Ohio fuzz four-piece were on their first European tour at the time, capping the first leg of it with Abrahma, who played at Cul de Sac, and soon to pick up again with Black Pyramid and continue their roll, but being a fan of the band and having seen them the many times that I have, it was special to watch them take the stage at Roadburn and level the place as vigorously as they did. That set is included here, along with the devastatingly heavy likes of Primitive Man and Goatwhore, the weird stoned occultism of Salem’s Pot, and Scott H. Biram‘s one-man outlaw idolatry.

They’re all good batches, but I know I’ll look forward to reliving the Lo-Pan set and whether you hit that up or something else, I hope you enjoy:

Bast – Live at Roadburn 2015

Black Anvil – Live at Roadburn 2015

Bongripper – Live at Roadburn 2015

Goatwhore – Live at Roadburn 2015

Lo-Pan – Live at Roadburn 2015

Primitive Man – Live at Roadburn 2015

Salem’s Pot – Live at Roadburn 2015

Sammal – Live at Roadburn 2015

Scott H. Biram – Live at Roadburn 2015

The Golden Grass – Live at Roadburn 2015

Special thanks to Walter as always for letting me host the streams. To read all of this year’s Roadburn coverage, click here. For the first batch of streams, click here.

Roadburn’s website

Marcel Van De Vondervoort on Thee Facebooks

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