Robespierre Premiere Track from Debut Album Garden of Hell

Posted in audiObelisk, Reviews on March 23rd, 2018 by JJ Koczan

robespierre

One doubts that when it comes right down to it, the two members of Robespierre are evil, or monsters, or even men of violence, as they assert repeatedly in “Men of Violence.” More likely they’re just normal guys: jobs, families, etc., but if their debut album, Garden of Hell — issued via the respectable tastes of Shadow Kingdom Records — is any indicator, they at least know how to wield a hook. The narrative (blessings and peace upon it) holds that guitarist/vocalist David Cooke and drummer Gordon Logan circulated a demo tape circa 1983, private press-style. Went to friends of the band and probably a couple lucky few who went out to shows in the band’s native Liverpool. There was a second demo as well that had even less distribution, and after they showed up and gained some traction online, the two were compiled together on 2011’s Die, You Heathen, Die! with the first four-track demo on side A and the second, from about a year later, on side B. Thus it was that nearly 30 years after their original circulation, Robespierre‘s work finally saw official release. They may or may not be evil, but they’re certainly patient one way or the other.

After this, there was only one thing to do: make a proper album. Thus, some seven years later and some 35 after the band’s original founding in 1983, they offer their first full-length. Garden of Evil tries to make up for lost time with a robespierre garden of hell10-track/48-minute run that, furled by cuts like the opening salvo of the driving “Punish Oppressors,” “Mare of Steel,” and the more decidedly doomed “Dwelling in the Shadows,” with a creeper riff and chorus worthy of the classic metal grit with which it’s presented. Of course, those more familiar with the totality of the NWOBHM know that it wasn’t all major label sheen and motorcycles on stage, and Robespierre‘s raw tones and rawer production remind of classic metal born of a decades-thriving underground producing cuts like “Feel the Fire” driven by little more than the passion for creation, the desire to pay homage to one’s heroes — bit of Sabbath crunch to the opening riff of “The Black Mirror” — and the expression is disaffection, melancholy, whatever it might be. Taking their moniker from an influential figure in the French Revolution, Robespierre aren’t without a social edge, as both “Punish Oppressors” and “Men of Violence” showcase at the outset of each side, but at its core Garden of Hell is metal for the orthodox among the converted, be that those who were there the first time around during the NWOBHM or those who simply wish they could’ve been.

As to just how Robespierre managed to pull off such a classic sound, I wish I knew. There are plenty of heavy rock and metal bands out there who use “vintage” gear and recording methods at affect that kind of cultish ambience, but as the band make their way through “Dagon Rises” and the start-stop stomping “Fear,” toward the closing duo of “Welcome to the Cult” and “I am a Flower (In the Garden of Hell),” which arguably are the album’s two most immersive tracks, they do so not with overblown hyperposturing of sound, but with naturalist, dirt-under-the-fingernails metallurgy. It’s not that they sound as though no time has passed, just that they make that passage of time irrelevant through their structures, presentation and performance. As “I am a Flower (In the Garden of Hell)” dooms its way to its ending with a classy final solo giving way to a few strumming acoustic chords, the sense of Robespierre as a classic metal band is less about the superficialities of their sound and more about the clear measure of heart put into ever single one of these tracks. I don’t know if Robespierre will do another record, or if they do, how they might attempt to modernize (or not modernize) their sound, but the level of catharsis in finally putting out a full-length after 35 years must be staggering, and they’ve done justice to that span in their songwriting and atmosphere.

Robespierre‘s Garden of Hell is out now on Shadow Kingdom, but this is the first time this song has been streamed. You’ll find it on the player below, followed by more info from the PR wire.

Please enjoy:

SHADOW KINGDOM RECORDS is proud to present the LONG-awaited debut album of ROBESPIERRE, Garden of Hell. A cult name among NWOBHM diehards, ROBESPIERRE were actually active during the original NWOBHM movement, recording two demos in 1983 that remained unreleased or circulated only among close contacts. Those two demos were released in 2011 as the Die You Heathen, Die! compilation, introducing the Liverpool band to a whole new generation lusting for vintage heavy metal sounds. However, ROBESPIERRE never recorded a proper debut album – until now! Indeed sounding like nearly four decades haven’t passed, Garden of Hell brims with that musky ‘n’ musty scent of classic NWOBHM: traditional and totally METAL songwriting, with hooks piled high and no small amount of grit.

And like a few of their original NWOBHM contemporaries, ROBESPIERRE are keen on dipping into doom – like, really DOOMED-OUT doom that plods like tombstones slowly falling over and enveloping the listener in an ancient haze. Similarly, the band’s forward momentum is brisk but never too aggressive, in exchange exuding a rare sense of class and allowing the subtle textures of their endless hooks to sparkle in the night. Above all, Garden of Hell is aptly titled: for all the raucous rockin’ going on, there’s an ever-present atmosphere of supernatural horror dusting nearly every note. A ROBESPIERRE album has been a long time coming, but no better time than now than to step into the Garden of Hell!

Robespierre on Thee Facebooks

Robespierre at Shadow Kingdom Records Bandcamp

Shadow Kingdom Records on Thee Facebooks

Shadow Kingdom Records website

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Bodies on Everest Premiere “Who Killed Yale Gracey?” Video

Posted in Bootleg Theater on March 1st, 2018 by JJ Koczan

bodies on everest

Like the bastard avant sludge sons of Godflesh, UK three-piece Bodies on Everest return this April with their second album, A National Day of Mourning. The Liverpool/Manchester trio today present their new video for the song “Who Killed Yale Gracey?” and rest assured, it is thoroughly fucked. Through and through. From the creepy opening sample repeating “I am a ghost” to the cave-echo vocals that populate amid electronic swirl and a double-dose of low-end assault, it’s a 10-minute nightmare romp that feels as much high-concept-art-project as it does well-society-has-collapsed-so-what-the-fuck-do-we-do-now. Not that the two are by any means mutually exclusive ends to the means of expression.

Anyway, the point is that if you’re looking for whatever you commonly think of as “standard fare,” you’re probably not going to find it here. Instead, you get a slow-burning creeper bodies on everest a national day of mourningatmosphere populated, presumably, by more than just the single ghost you hear speaking at the outset as the rumble and electronic beat begin to rise to prominence in the mix. I don’t now if I’d call the track itself terrifying so much as visceral. It’s not trying to scare you. It’s guttural though; not in the sense of death growls or anything like that — the vocals are shouted, deep in the mix, coated in echo — but in being ‘of the guts.’ Like raw viscera. Organs on a platter. There’s a brutality sharing space with nuance and, while it’s not at all light on a sense of punishment, neither does “Who Killed Yale Gracey?” come across like empty extremity brought to bear for its own sake.

Yale Gracey, as I’m sure you already know because you’re well informed on a wide variety of subjects, was a Disney animator who started working for the company in 1939 and designed numerous attractions at Disneyland in California and so on. He and his wife were shot in their bed in 1983 and the murderer was never captured. Why Bodies on Everest might seize on that particular episode of Unsolved Mysteries, I don’t know, but if it’s a vibe of vague and looming threat they’re trying to convey, well, they certainly got there with the track.

More info follows the video below. Please enjoy in that particular way you enjoy things that are scathing as hell.

Oh, and you won’t believe what happens to that building in the video.

I am a ghost, I am a ghost, I am a ghost…

Bodies on Everest, “Who Killed Yale Gracey?” official video premiere

The infernal noise machine BODIES ON EVEREST in collaboration with Third I Rex & Cruel Nature Recordings will unleash hell this April with their brand new collection of noise-laden compositions and abrasive shrieks entitled “A National Day Of Mourning”. The band labels its sound as “Dungeon Wave” — a caustic mix of drone, doom, noise and cursed psyche-sludge.

BODIES ON EVEREST hail from Liverpool and Manchester and have spent the last fewyears playing intense live shows across the UK. The two distorted basses plunge the depths of ultra-low frequencies while the vocals lead the listener through the crushing monotony of modern life. 2015 saw the band release their debut — “The Burning” which solidified their uncompromising attitude and dedication to pushing the boundaries of bleak, punishing repetition.

“A National Day Of Mourning” presents an invigorated band which has sharpened its sound in order to create a new record that’s even more corrosive, unsettling and unrelenting.

When asked to present their new album, the band provided this opaque response: “… two bass players, one drummer, vocals and a board of electronics were all played at once andrepeated back infinitely. This record is the very urgent and desperate result of an accident… Welcome to Hell.”

“A National Day Of Mourning” was recorded, mixed and mastered by Jacobia Stig at Dumbulls Studio in Liverpool. The album will be pressed by Third I Rex on CD format and Cruel Nature Recordings in a limited double pink cassette edition, in April this year! Get ready for something you have never heard before!

Bodies on Everest on Thee Facebooks

Bodies on Everest on Bandcamp

Bodies on Everest website

Third I Rex on Thee Facebooks

A National Day of Mourning preorder at Third I Rex on Bandcamp

Cruel Nature Records on Thee Facebooks

Cruel Nature Records on Bandcamp

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Mugstar Announce Collapsar (Skull Scorchers and Neuron Phasers – Singles and Rarities) out Dec. 15

Posted in Whathaveyou on December 4th, 2017 by JJ Koczan

mugstar

Any Mugstar release is a decent excuse to get weird, but I feel like the forthcoming Collapsar stands out as being especially so. Set for issue on Dec. 15 through Evil Hoodoo Records, the full title of the offering is Collapsar (Skull Scorchers and Neuron Phasers – Singles and Rarities), so in addition to just being an outing from the Liverpudlian troupe, it’s also drawing from multiple sources for its live tracks, alternate versions and — because, yes, absolutely — a cover of Fairport Convention‘s “Tam Lin” that bridges the seemingly impossible gap between pastoral folk and garage-gaze. You didn’t even know that gap existed because it’s so wide. They might as well have bridged the sky.

Anyhoozle, if you’ve got a freakout quota, they’re primed to blow it out of the cosmos across the unmanageable 68 minutes included here, and if you want just the most basic sampling of what’s on offer, you can stream the track “Flavin’ HotRod” at the bottom of this post. Enjoy.

The PR wire brings art, details and links:

mugstar collapsar

MUGSTAR – COLLAPSAR – Latest album release by Evil Hoodoo on 15th December

EVIL HOODOO PRESENTS The latest release for Liverpool’s psych lords Mugstar

MUGSTAR – COLLAPSAR (Skull Scorchers and Neuron Phasers – Singles & Rarities).

Liverpool’s MUGSTAR have steadily grown in status over a fifteen-year timescale on the UK underground rock scene. “COLLAPSAR…” is a timely collection of singles and rarities which charts MUGSTAR’s ever evolving outbound journey across the space lanes since the start of the millennium. Catching the ear of the late, great John Peel with their first single ‘Spotlight Over Memphis’, MUGSTAR notably went on to record one of the very last ever Peel Sessions for him.

From that point on, MUGSTAR have been transmitting their unique signal out to the furthest reaches of both inner and outer space ever since. This collection brings together some of MUGSTAR’s best-loved live tracks alongside some now difficult to find rarities – all alternative versions to previous album tracks – as well as previously unreleased tracks. Taking in pulsating Krautrock, skeletal Post Rock, bludgeoning Psych and even an idiosyncratic take on the folk classic ‘Tam Lin’ (made famous by Fairport Convention), “COLLAPSAR…” collates and unearths the hidden chapters of MUGSTAR’s ongoing intergalactic travelogue.

MUGSTAR – COLLAPSAR (Skull Scorchers and Neuron Phasers – Singles & Rarities) is presented here as a luxurious double album package. Pressed on heavy vinyl and housed in a stunning gatefold sleeve – rich in visuals, band photos and information – tracing MUGSTAR’s history to date.

MUGSTAR – COLLAPSAR (Skull Scorchers and Neuron Phasers – Singles & Rarities) will be available to pre order from 1st December

To order this record – http://evilhoodoo.bigcartel.com/product/mugstar

https://www.facebook.com/MUGSTAR-127591997334111/
http://www.mugstar.com/
https://mugstar.bandcamp.com
https://www.facebook.com/Evil-Hoodoo-192638530798808/ http://evilhoodoo.bigcartel.com

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Conan to Release New Album Early Next Year; North American Tour Announced

Posted in Whathaveyou on November 27th, 2017 by JJ Koczan

UK sonic pummelbringers Conan have announced a round of North American touring beginning Feb. 9. They’ll be joined in the endeavor by The Ditch and the Delta and are set to release a new album in early 2018 via Napalm Records. I don’t know if the album will actually come out while they’re on this run or not, but as the band has made touring the US a priority over the last couple years, it would make sense.

Either way, they’ll be playing new material on the road, so if you want a preview of the follow-up to 2016’s Revengeance (review here) — whatever it might be called — before it comes out, that’s another reason to show up beyond the standard having your ass handed to you by Conan, which was going to happen one way or another.

Just off the PR wire:

conan tour poster

CONAN Announces 2018 North American Tour

New Album Coming Early Next Year Via Napalm Records

British Doom Metallers, CONAN are currently hard at work, on the follow up to their 2016 release “Revengeanance,” which is due out in early 2018. In anticiapion of the new album, CONAN has announced a full North American headline tour beginning in February 2018. The tour features support from The Ditch and The Delta, and starts February 9th in Calgary, AB and wraps up March 13th in Denver, CO. A complete list of dates can be found below.

“We are very happy to announce this US tour with The Ditch and The Delta, our fourth US tour in as many years. This tour is slightly different though, we will be playing material from our new album – to be released in 2018 at Napalm Records. See you at the front,” says CONAN frontman Jon Davis.

CONAN are as heavy as interplanetary thunder amplified through the roaring black hole anus of Azathoth. Remember that sentence, for it is writ large in virgin blood on the walls of the forgotten temple of Bol-Krastor, deep in the steaming forests of forgotten Lemuria. CONAN, a monumentally brutal three piece (in the grand tradition of all the hallowed three pieces through time) hold a sinew-tight line and an iron-grip command over the uber-synchronised powerchord changes and tempo-shifts of the anti-holy trio of bass, drums and guitar. Two weary yet defiant men have the task of vocalising wretched thoughts over the turgid weight of Conan’s metalized bombast. They bear it well, for the task is immense.

Hear the roar of battle. Smell the stench of split blood. A thousand heads piled high like a grim mound of suffering – a blasphemy to nature. HAIL CONAN!

CONAN W/ The Ditch and The Delta
2/9/18: Calgary, AB @ Palomino*
2/10/18: Edmonton, AB @ Brixx*
2/12/18: Salt Lake City, UT @ Urban Lounge
2/13/18: Boise, ID @ Neurolux
2/15/18: Seattle, WA @ Chop Suey
2/16/18: Portland, OR @ Sabertooth Fest*
2/17/18: Eugene, OR @ Old Nicks
2/18/18: San Francisco, CA @ Thee Parkside
2/19/18: Los Angeles, CA @ The Echo
2/20/18: Phoenix, AZ @ Yucca Tap
2/21/18: Albuquerque, NM @ Sister Bar
2/22/18: El Paso, TX @ Neon Rose
2/23/18: Austin, TX @ Lost Well
2/24/18: Little Rock, AR @ White Water Tavern
2/25/18: Memphis, TN @ Growlers
2/26/18: Knoxville, TN @ Pilot Light
2/27/18: Atlanta, GA @ The 529
3/1/18: Richmond, VA @ Strange Matter
3/2/18: Washington, DC @ Atlas Brew Works
3/3/18: Philadelphia, PA @ Kung Fu Necktie
3/4/18: Brooklyn, NY @ Saint Vitus
3/5/18: Providence, RI @ Alchemy
3/6/18: Boston, MA @ Middle East Upstairs
3/7/18: Rochester, NY @ Photo City
3/8/18: Cleveland, OH @ Grog Shop
3/9/18: Lexington, KY @ Cosmic Charlies
3/10/18: Chicago, IL @ Reggies
3/11/18: Minneapolis, MN @ 7th St. Entry
3/12/18: Omaha, NE @ Lookout Lounge
3/13/18: Denver, CO @ Hi-Dive
*CONAN Only

www.hailconan.com
www.facebook.com/conancavemanbattledoom
www.napalmrecords.com

Conan, “Throne of Fire” official video

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Conan, Kurokuma & Granule to Tour Japan in March

Posted in Whathaveyou on November 23rd, 2017 by JJ Koczan

Fresh off the heels of releasing their Man is Myth – Early Demos collection on Napalm Records, UK rifflords Conan have announced a run of Japanese dates in March 2018. Support will come from UK compatriots Kurokuma and Tokyo’s Granule, and the tour is being presented under the banner of ‘Doomed Japan,’ which, if you can think of something better to call it, you’ll just have to let me know because from where I sit that about sums it up. Conan do not often go to a place and leave it unflattened, and as they look to hit Nagoya, Osaka, and Tokyo, they’ll also be perhaps on the heels of a new album release expected sometime early next year, so all the more reason to watch out.

The PR wire brings copious info about that and more background on the tour in general:

conan doomed japan

Doomed Japan – Conan, Kurokuma & Granule Japan Tour 2018

UK attack extends to Japan as caveman battle doom trio, Conan announce three shows in the Land of the Rising Sun in March 2018. They will be supported by psychedelic sludge crew, Kurokuma and Tokyo blackened sludge project, Granule.

March 29th (Thu) – Club Zion, Nagoya http://www.clubzion.gionsound.jp/
March 30th (Fri) – Hokage, Osaka http://musicbarhokage.net/
March 31st (Sat) – Earthdom, Tokyo http://www1.odn.ne.jp/~cfs81480/index.html/menu.html

Ticket links can be found via Granule’s Facebook page: https://www.facebook.com/granule.tyo/

Conan (UK) are as heavy as interplanetary thunder amplified through the roaring black hole anus of Azathoth. Remember that sentence, for it is writ large in virgin blood on the walls of the forgotten temple of Bol-Krastor, deep in the steaming forests of forgotten Lemuria. Conan, a monumentally brutal three piece (in the grand tradition of all the hallowed three pieces through time) hold a sinew-tight line and an iron-grip command over the uber-synchronised powerchord changes and tempo-shifts of the anti-holy trio of bass, drums and guitar.

Two weary yet defiant men have the task of vocalising wretched thoughts over the turgid weight of Conan’s metalized bombast. They bear it well, for the task is immense. Hear the roar of battle. Smell the stench of spilt blood. A thousand heads piled high like a grim mound of suffering – a blasphemy to nature. Hail Conan!

Forming in 2006, Conan released their earth-flatteningly heavy debut, Horseback Battle Hammer in 2010. Having revitalised the UK’s slow/heavy scene, they are now signed to Napalm Records and currently recording their fourth album set for release in 2018. They released the Man Is Myth demos earlier this year.

Masters of shamanic, hypnotic sludge, Kurokuma (UK) is Jacob Mazlum (guitar/vocals), George Ionita (bass/vocals) and Joe Allen (drums).

After spending a year in the cold reaches of northern Japan and inspired by his time playing the taiko drum, Joe returned to the UK to start a shadowy three-piece that combined the unassailable power of doom with exotic percussion and an enchanting energy. Taking their name from Kurokuma Falls in Aomori, Kurokuma was born.

Kurokuma’s 2014 demo and the 2016 EP, Advorsus (Medusa Crush Recordins) along with savage live performances have been enough to see them establish a reputation as one of metal’s most potent new forces. In 2018 they will release their Dope Rider concept EP, as well as playing Brutal Assault festival in Czech Republic.

Featuring former members of legendary Tokyo band, BOMBORI, Granule formed in 2017. The five piece soon released AURORA on cassette (w/ zine), this being a rapid crystallisation of the band’s cutting, oppressive sludge sound. More recently they released DEMO #2, an all-out, raw, auditory assault representative of the band’s live show. Granule head up the booking/organisation of the Doomed Japan tour.

https://doomedjapan2018.tumblr.com/

https://www.facebook.com/conancavemanbattledoom/
https://conan-conan.bandcamp.com/
https://twitter.com/hailconan

https://www.facebook.com/kurokumauk
https://kurokumauk.bandcamp.com
https://twitter.com/kurokumauk

https://facebook.com/granule.tyo
https://granule.bandcamp.com/album/aurora
https://twitter.com/granule_tyo

Conan, “Gravity Chasm” from Man is Myth – Early Demos

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Conan Announce Man is Myth – Early Demos

Posted in Whathaveyou on October 2nd, 2017 by JJ Koczan

conan

As we mortals wait for the thunder on the horizon to materialize as the next proper Conan full-length, the UK riff-destroyers have made available for preorder a new collection titled Man is Myth – Early Demos, which will see release via Napalm Records next month. Anyone who’s heard Horseback Battle Hammer (review here) can tell you that early Conan wanted nothing for heft, and as the three-piece make ready to unveil a new record in 2018 (fingers crossed; nothing yet announced) and hit the road with Monolord in just a matter of days, one expects Man is Myth to much more embody the likes of a gravity chasm than, say, a stopgap, even if it is a means to keeping momentum rolling into the New Year. Shit, it’s a new Conan release. Take it and be grateful.

The PR wire has details:

conan-man-is-myth-early-demos

CONAN Unveil Album Details! ‘Man Is Myth – Early Demos’ Now Available For Pre-Order!

The world’s heaviest doom metal-band CONAN finally provide some exciting insights into a secret world! ‘Man Is Myth – Early Demos’ are the unheard beasts out of the band’s rehearsal room and studio, and will see the light of day on November 17th on Napalm Records.

It roars and cranks all over, dull distortion drags nerves into the coldest regions of the world. It’s no accident that they call themselves Caveman Battle Doom. Man Is Myth – Early Demos is the primordial soup for everything that CONAN stands for!

Says guitarist & vocalist Jon Paul Davis:

Conan has been active since 2006. Our first demo was recorded on Jan 27th, 2007 and since then we have continued to release our music and tour worldwide. We started out with nothing and gave it everything, like most respected bands. We are proud of where we have been and excited about where we may still go. These demos show a little bit of our progression through this time and hopefully can give the listener an idea of where we have come from. Our aim is always to play to our strengths and not over complicate, it held true at the beginning and it holds true now.
Never give up.

Now the doom heavy weights unveil first, hotly anticipated details about their upcoming release and unleash the cover and track list for ‘Man Is Myth – Early Demos’!

The track list will read as follows:

1. Battle In The Swamp ( Rehearsal room demo 2009 )
2. Satsumo ( Rehearsal room demo 2009 )
3. Krull ( Rehearsal room demo 2009 )
4. Satsumo ( Rehearsal room demo 2006 )
5. Gravity Chasm ( Studio demo 2012 )
6. Foehammer ( Studio demo 2012 )
7. Domed Iron Boss ( Studio demo 2012 )

‘Man Is Myth – Early Demos’ will be coming as a CD Digi Pack, Digital Download and LP Gatefold editions, and is now available for pre-order HERE!

In support and since CONAN have always excelled live, the band will be heavily hitting the road this Fall! Catch them live, when they will bring their wall of sound live on stage, with very special guests MONOLORD at the following dates:

07.10.17 NL – Nijmegen / Soulcrusher Festival
08.10.17 FR – Paris / Le Glazart
09.10.17 FR – Nantes / La Scene Michelet
10.10.17 FR – Bordeaux / Le Void
11.10.17 ES – Barcelona / Razz 3
12.10.17 ES – San Sebastian / Dabadaba
13.10.17 FR – Lyon / Jack Jack
14.10.17 FR – Audincourt / Le Molodo
15.10.17 BE – Antwerp / Desert fest
16.10.17 DK – Aarhus / Atlas
17.10.17 DE – Hamburg / Bambi Galore
18.10.17 DE – Berlin / Musik & Frieden
19.10.17 DE – Kassel / TBA
20.10.17 DE – Dresden / Morbus Maximus
21.10.17 DE – Munich / Keep It Low Festival
22.10.17 CZ – Prague/Brno / Kabinet Muz
23.10.17 AT – Vienna / Bas Bach
24.10.17 CH – Olten / Coq D’or
25.10.17 IT – Bologna / Freakout Club
26.10.17 IT – Milan / Bloom
27.10.17 CH – Lausanne / Le Romandie
28.10.17 DE – Siegen / Vortex

www.hailconan.com
www.facebook.com/conancavemanbattledoom
http://smarturl.it/ManIsMyth-NPR
www.napalmrecords.com

Conan, “Sea Lord”

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Conan Announce New Drummer; European Tour Starts Oct. 7

Posted in Whathaveyou on September 13th, 2017 by JJ Koczan

By wonderful coincidence, I recently had occasion to see drummer Johnny King playing as part of the lineup of the Alan Averill-fronted outfit Dread Sovereign at Emerald Haze in Dublin (review here), so if you need confirmation, I’m happy to confirm: dude can bash the shit out of some drums. Not that you’d necessarily have to take my word for it as he’s announced as the new drummer for UK riffsmashers Conan — the fact alone that guitarist/vocalist Jon Davis and bassist/vocalist Chris Fielding are bringing him into the lineup of the band as the third in the trio speaks plenty to that in itself.

I was also fortunate enough to see Conan back in 2015 with Rich Lewis on drums (review here), and that was no minor bit of metal he proffered in that role. One wonders what personality King will add as Conan move into 2018 with already-stated intentions toward a new album following up 2016’s Revengeance (review here), but no doubt that’s something that will be further hammered out on their upcoming European tour next month, which they’ll co-headline with Swedish three-piece Monolord.

Band announcement and tour dates follow:

conan johnny king

CONAN – NEW DRUMMER ANNOUNCEMENT

We are delighted to announce that Johnny King (Altar of Plagues / Malthusian / Dread Sovereign) has joined us as full time drummer. Rehearsals and writing have gone very well and we are very excited to enter into this new phase with Johnny in the band. He is someone we have been friends with for a while, we shared a stage with Johnny and his band several times since 2010.

Please give him a warm welcome.

CONAN & MONOLORD live dates:
07.10.17 NL – Nijmegen / Soulcrusher II – Doornroosje
08.10.17 FR – Paris / GLAZART
09.10.17 FR – Nantes / La Scène Michelet
10.10.17 FR – Bordeaux / VOID // BDX
11.10.17 ES – Barcelona / Razzmatazz 3
12.10.17 ES – San Sebastian / Dabadaba
13.10.17 FR – Lyon / Jack Jack
14.10.17 FR – Audincourt / Le Molodo
15.10.17 BE – Antwerp / Desertfest Antwerp 2017
16.10.17 DK – Aarhus / Atlas
17.10.17 DE – Hamburg / Bambi galore
18.10.17 DE – Berlin / Musik & Frieden
20.10.17 DE – Bischofswerda / Morbvs Maximvs
21.10.17 DE – Munich / Keep It Low Festival 2017
22.10.17 CZ – Prague/Brno / Kabinet MÚZ
23.10.17 AT – Vienna / DasBACH
24.10.17 CH – Olten / Coq d’Or
25.10.17 IT – Bologna / Freakout Club
26.10.17 IT – Milan / Bloom
27.10.17 CH – Winterthur / Gaswerk
28.10.17 DE – Siegen / The VORTEX

https://www.facebook.com/conancavemanbattledoom/
http://www.hailconan.com
napalmrecords.com
https://www.facebook.com/napalmrecords/

Conan, “Revengeance” lyric video

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Conan & Monolord Announce Co-Headlining European Tour

Posted in Whathaveyou on June 14th, 2017 by JJ Koczan

Goodness gracious this is going to be heavy. If you live somewhere in Europe they’re not hitting or in the US and you’re jealous that Conan and Monolord won’t be co-headlining their way across your particular country this time around, don’t worry. I’m pretty sure wherever you’re at you’ll be able to hear them anyway. Just put your ear to the ground — not in a dirty or wet spot; nothing gross — and listen for the rumble. That’s them. Can’t miss it.

I don’t know who had the idea to pair up the UK riff destroyers with the Swedish masters of nod, but yeah, good work. You get a gold sticker. Conan, of course, are still out supporting early-2016’s Revengeance (review here), and this will mark their second European run of 2017 and follow a recent Obelisk-presented US stint that included a stop at Maryland Deathfest. For Monolord, they go heralding the arrival of their third album, newly completed and awaiting the publication of its release details. Presumably by the time October comes around, we’ll know when and how the record will be out even if we don’t yet.

You’ll note the included slots here at Desertfest Belgium 2017 in Antwerp and Keep it Low 2017 in Munich. I wouldn’t be surprised if another fest or two got added, time permitting. Poster and currently announced dates follow, as hoisted from the social medias:

conan monolord tour

Conan and Monolord – Co-Headline Fall 2017 European Tour

CONAN & MONOLORD live dates:
07.10.17 NL – Nijmegen / Soulcrusher II – Doornroosje
08.10.17 FR – Paris / GLAZART
09.10.17 FR – Nantes / La Scène Michelet
10.10.17 FR – Bordeaux / VOID // BDX
11.10.17 ES – Barcelona / Razzmatazz 3
12.10.17 ES – San Sebastian / Dabadaba
13.10.17 FR – Lyon / Jack Jack
14.10.17 FR – Audincourt / Le Molodo
15.10.17 BE – Antwerp / Desertfest Antwerp 2017
16.10.17 DK – Aarhus / Atlas
17.10.17 DE – Hamburg / Bambi galore
18.10.17 DE – Berlin / Musik & Frieden
20.10.17 DE – Bischofswerda / Morbvs Maximvs
21.10.17 DE – Munich / Keep It Low Festival 2017
22.10.17 CZ – Prague/Brno / Kabinet MÚZ
23.10.17 AT – Vienna / DasBACH
24.10.17 CH – Olten / Coq d’Or
25.10.17 IT – Bologna / Freakout Club
26.10.17 IT – Milan / Bloom
27.10.17 CH – Winterthur / Gaswerk
28.10.17 DE – Siegen / The VORTEX

Poster by Error! Design

https://www.facebook.com/conancavemanbattledoom/
http://www.hailconan.com
napalmrecords.com
https://www.facebook.com/napalmrecords/

https://www.facebook.com/monolordsweden/
twitter.com/MonolordSweden
https://monolord.bandcamp.com/
http://www.ridingeasyrecs.com/

Conan, “Throne of Fire” live at Maryland Deathfest 2017

Monolord, Vænir (2015)

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