Mos Generator Announce US Tour with Fu Manchu; New Album Update

Posted in Whathaveyou on February 1st, 2018 by JJ Koczan

mos generator

After hitting the road together last Fall, SoCal fuzz lords Fu Manchu and Port Orchard, Washington, heavy rock specialists Mos Generator are teaming up once again, this time to crisscross the entire country in Spring. Mos Generator will begin the run a few days early and include a stop at Rocky Mountain Riff Fest on April 21, and then it’s down the Pacific Coast, across the South, up to the Northeast and back through the Midwest to finish in their native Washington. Well, you knew they’d be up to plenty this year.

Back in October, founding Mos Generator guitarist/vocalist Tony Reed talked about the recording plans for the band’s next album for Listenable RecordsShadowlands. In addition to putting together the massive swath of live appearances, it seems progress has been continuing on that front as well. Below, Reed gives an update on where they’re at with the record and more.

Dig it:

mos generator fu manchu tour

2018 is already shaping up to be a great year for us. We just got done with the final writing / recording sessions for our next album “Shadowlands” and I’m in the process of sorting through the material and deciding what will be included on the album. We had the whole record in order last year and then we went out on the road for 7 weeks and decided we needed to re evaluate the kind of record we were making.

We ended up with something that had more energy than the initial tracks we thought would make up the album. It is also a more diverse album than I had envisioned. I think is due to the presence of Jono & Sean. This is the first album where it is just the three of us.

On Abyssinia, most of the songs were already written when they joined and half the songs either had me or original drummer shawn Johnson on drums. As it’s looking now I would say “Shadowlands” is a Heavy / Pop / Prog album. I’ve seemed to come to grips with my 22 year old self as well and I’m letting in songwriting styles that I have kept at bay for many years. It’s exciting.

Along with record making, we have been once again blessed in the touring department. We had a great time on the west coast with Fu Manchu last November and now we get to do an extended U.S. run with them, including many cities we’ve never been to. After that we are off tour Europe (details are in the works) and then back to the states for some shows in the fall including the Descendants of Crom and Doomed & Stoned festivals. There are still some cool announcements coming and more free music that we will be posting soon.

4/20 – Couer d’Alene ID – Hogfish
4/21 – Kalispell MT – Rocky Mountain Riff Fest
4/25 – Tacoma WA – The Valley
4/26 – Grants Pass OR – The Haul
4/27 – San Francisco CA – Thee Parkside
4/28 – Las Vegas NV – Dive Bar
4/29 – Long Beach CA – Alex’s Bar

On Tour with FU MANCHU*
5/01 – Phoenix AZ – Rebel Lounge*
5/02 – Albuquerque – NM
5/03 – Dallas TX – Curtain Club*
5/04 – Austin TX – Barracuda*
5/05 – Houston TX – White Oak Music Hall*
5/07 – Atlanta GA – Vinyl*
5/08 – Raleigh NC – Kings*
5/09 – Washington DC – Rock & Roll Hotel*
5/10 – Pittsburgh PA – Brillobox
5/11 – Philadelphia PA – Underground Arts*
5/12 – New York – Bowery Ballroom*
5/13 – Boston MA – Brighton Music Hall*
5/14 – Buffalo NY – Mohawk Place
5/15 – Cleveland OH – Grog Shop*
5/16 – Columbus OH – Ace of Cups*
5/17 – Detroit MI – El Club*
5/18 – Toronto ON – The Baby G
5/19 – Chicago IL – Bottom Lounge*
5/20 – Sioux Falls SD – Total Drag Records
5/22 – Denver CO – Streets of London Pub*
5/23 – Denver CO – Streets of London Pub*
5/25 – Seattle WA – Substation
5/26 – Bremerton WA – The Manette

Mos Generator is:
Tony Reed: Guitar and Mellotron
Jono Garrett: Drums
Sean Booth: Bass

https://mosgenerator.bandcamp.com/track/the-dance-of-red-a-the-dance-of-maya-b-red
https://www.facebook.com/MosGenerator
http://heavyheadsuperstore.storenvy.com/
http://www.shop-listenable.net/fr/47_mos-generator

Mos Generator, The Dance of Red (2017)

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The Golden Grass Announce April 6 Release for New LP Absolutely

Posted in Whathaveyou on January 29th, 2018 by JJ Koczan

THE GOLDEN GRASS

It stands to reason there would be a new record from The Golden Grass this year, but that doesn’t make the confirmation of its coming any less welcome. Given the righteous title Absolutely the third long-player and second for Listenable Records from the good-time-harmonious Brooklynite trio will comprise eight tracks and see release April 6. The central question involved is whether the new offering will continue down the progressive path that their 2016 sophomore outing, Coming Back Again (review here), or readjust the focus back toward the classic-feeling hooks that permeated The Golden Grass‘ 2014 Svart Records self-titled debut (review here). Nothing this band does is by mistake, so wherever they end up, you can get it’s entirely right where they want to be sound-wise. I look forward to finding out just where that is.

Info from the PR wire. Be friends with it:

the golden grass absolutely

THE GOLDEN GRASS: Psychedelic Retro Rock Power Trio To Release Absolutely Full-Length Via Listenable Records This Spring

Brooklyn, New York’s THE GOLDEN GRASS is free-wheelin’, good-time rock ‘n’ roll band manifesting a soulful mix of heavy-country-funk-boogie and progressive-psychedelic-freakbeat. The group effortlessly draws their influence from a time when rock ruled the world as if they truly are from that “Golden” era. But their gift to us is in The Now, and it is an epic, soulful, and hard-hitting maelstrom of anthemic and tough-swinging aural delights.

THE GOLDEN GRASS will release their third full-length, titled Absolutely, this Spring via Listenable Records. An eight-track sonic adventure steeped in psychedelic flavored blues riffs, the mind-warping fantasy of early progressive/jazz rock, a pulsating British freakbeat/mod sound, heavy doses of proto-metal power, funk, sou, and a southern rock edge, Absolutely is undoubtedly the band’s strongest, most accomplished offering to date.

Absolutely will see North American release on April 6th via Listenable Records with teaser tracks, preorders, and further info to be announced in the coming weeks.

Absolutely Track Listing:
1. Catch Your Eye
2. Show Your Hand
3. Never You Mind
4. Runaway
5. Walk Along
6. The Spell
7. Out On The Road
8. Begging The Question

THE GOLDEN GRASS Discography:
456thDiv. – Cassette EP
One More Time / Tornado 7″ EP
A Curious Case / The Pilgrim 7″ EP
Realisations 11″ EP
The Golden Grass (Svart Records)
Coming Back Again (Listenable Records)
Absolutely (Listenable Records)

http://www.facebook.com/thegoldengrass
http://www.twitter.com/TheeGoldenGrass
http://www.thegoldengrass.bandcamp.com
http://www.listenable.net
http://www.facebook.com/listenablerecs
http://www.twitter.com/Listenable

The Golden Grass, Coming Back Again (2016)

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Review & Track Premiere: King Witch, Under the Mountain

Posted in audiObelisk, Reviews on January 24th, 2018 by JJ Koczan

king witch under the mountain

[Click play above to stream ‘Carnal Sacrifice’ from King Witch’s Under the Mountain. Album is out March 16 via Listenable Records.]

Some heavy metal makes its impact with raw, blistering fury. It speaks to something primitive and disaffected in its audience, manifesting a sense of violent otherness that, at times, pushes the limits of sonic endurance to its very extremes. King Witch don’t play this kind of metal. They play the other kind. As the Edinburgh-based four-piece make their noteworthy debut with the nine-song Under the Mountain via Listenable Records, they do so with an overriding sense of poise and clarity of purpose. Their sound is crisply-presented, their songwriting efficient, their performances energetic and powerful.

Individual tracks present different vibes, whether that’s the rolling undulations and progressive forward drive of third cut “Solitary” or the thrashier thrust of the later “Possession,” but especially with a foundation of hooks like those of “Carnal Sacrifice” and the near-seven-minute centerpiece “Approaching the End,” which recalls finer moments of post-Ozzy-era Black Sabbath in its sense of class and stage-presence-in-the-studio spirit, Under the Mountain is unafraid either to blaze ahead at top speed directly in the face of the listener or to stand back and manifest its ideas with a precision bordering on the graceful. As Under the Mountainwas preceded only by a 2015 EP titled Shoulders of Giants, it is all the more impressive to consider for being the band’s debut, and with the lineup of vocalist Laura Donnelly, guitarist Jamie Gilchrist, bassist Simon Anger and drummer Lyle Brown, King Witch emerge from their first album having showcased present realization and future potential in kind. That’s the kind of metal they play.

They execute it by engaging with a number of subgenres, and opener “Beneath the Waves” brims with rolling intention and sets a tone somewhere between Candlemass and less specifically doomed, updated NWOBHM methods. A current of keys adds flourish to the arrangement, but the most striking immediate effect comes from Donnelly‘s vocals, which from “Beneath the Waves” and into the commanding chorus of “Carnal Sacrifice” and even in the more laid back chug of “Solitary;” one can her a trained-seeming vibrato that only works to bolster the coherence of the material overall. She stands up to the Judas Priest-ery of the subsequent title-track, on which Gilchrist offers a particularly choice guitar lead, a bit of shred setting up the dynamic tempo change into the chunkier “Approaching the End,” which is perhaps the most singularly doomed moment on Under the Mountain, though neither the guitar nor the vocals are wanting for showcase moments throughout the proceedings.

The initial shove Under the Mountain elicits in “Beneath the Waves” and the shouting hook of “Carnal Sacrifice,” while still controlled in style and delivery, is an energetic blast to start the record, and though “Solitary” seems to move immediately outward from there with a spacious guitar intro and longer runtime, it remains informs by the vitality of the tracks prior, and the same could certainly be said of the careening title-track that follows, its jabbing riff opening up to a thrash-style chorus that would seem to reveal Anger‘s bass as the secret weapon of the band, subtly thickening and complementing the rhythm while adding flourish to stand up to Brown‘s drums. A slowdown about halfway through gives “Under the Mountain” a break into nod that once more Donnelly guides the audience through masterfully, and when the gallop begins anew to toward a final chorus, it’s a further highlight of the songwriting acumen at work on Under the Mountain as a whole and the sheer efficiency with which King Witch bring their material to bear.

king witch

That notion extends to the interactions between the tracks across the record’s span as well as to the songs themselves, as already heard in the tempo shift between “Carnal Sacrifice”‘s riotous finish and the start of “Solitary.” Likewise, “Approaching the End” — which might be the highlight achievement here in blending classic metal, doom and an innate sense of personality in one summary progression — picks up with a slower pulse than the title-track before it, and as by its end it hits a raging payoff, the subdued and bluesy strum that follows in “Ancients” feels like all the more of an aesthetic outward reach on the part of King Witch — a departure from the strictly metallic vibe that they’re no less able to pull off cleanly and with intent. Brown‘s toms signal a kind of middle ground resolution in the subsequent “Hunger,” and sure enough, what emerges there is one of Under the Mountain‘s most resonant chugs, a spacious verse and a sweeping chorus, all of this speaking to perhaps the stylistic melding process that the band might undertake as they move forward from this debut.

Always difficult to speculate on that kind of thing, but if there’s a point being made as King Witch round out Under the Mountain, it’s on the more furious side of their sound, which frankly it sounds like they’re having too much fun executing to expect it to completely disappear anytime soon, whatever their sound ultimately becomes. Both under four minutes long, “Possession” and “Black Dog Blues” make a sharp finishing duo, the former with a vicious forward thrust and the latter with head-spinning percussive turns as if to make the point that the band has only begun to explore the various methods of what will eventually become their style.

The real question coming out of Under the Mountain is whether that style will remain as multi-faceted as it is in these songs or cohere over time into some combination of elements through which King Witch find further individualized expression, but this concern is for the next record, and if anything, Under the Mountain demonstrates with its urgency and ambition that this is a group not just working haphazardly toward whatever ends they may discover along the way. Instead, these tracks clearly indicate a group working as one unit with common goals, and listening to the finished product of Under the Mountain, it’s hard to imagine the first of those common goals hasn’t been realized.

King Witch on Thee Facebooks

King Witch on Instagram

King Witch on Bandcamp

Listenable Records website

Listenable Records on Thee Facebooks

Listenable Records on Twitter

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King Witch Post Video for “Beneath the Waves”

Posted in Bootleg Theater on December 18th, 2017 by JJ Koczan

king witch alan swan photography

There is a strong current of metallic righteousness in Under the Mountain, the debut full-length from Edinburgh four-piece King Witch. Marked out by the powerhouse vocals of Laura Donnelly, songs like the rampaging title-track, “Possession” and “Carnal Sacrifice” are propulsive atop Lyle Brown‘s crisply popping snare, the thrashing-at-a-moment’s-notice riffs of Jamie Gilchrist and the low-end punch of Simon Anger. As “Black Dog Blues” sprints the record to its conclusion, it seems only fitting that a siren should go off in the last couple measures. A sense of emergency well earned. Go, go, go.

Still, that rush doesn’t quite take into account moves that King Witch make elsewhere on Under the Mountain — which is due out Feb. 9 via Listenable Records — such as the fluid rollout of the north-of-six-minutes progressive nodder “Solitary,” its post-title-track doomly counterpart “Approaching the End,” which stomps out its rhythm calling to mind the best of early Candlemass, or the purposefully bluesy “Ancients,” which follows. Even the more uptempo “Hunger” seems more geared toward rock than metal, so already on their first album, we hear a strong refusal from King Witch to remain one-sided. As the album plays out its 43-minute run, that ends up being one of its great strengths.

“Beneath the Waves,” the leadoff cut for which the band has a newly-unveiled Moby Dick-style video, would seem to be a hook-laden middle ground between several of these impulses, and for that it makes both a fitting opener and a solid candidate as a single. I’ll hope to have more on the album before it’s out, but you’ll find the clip for “Beneath the Waves” on the player below, followed by more info from the PR wire.

As always, I hope you enjoy:

King Witch, “Beneath the Waves” official video

This February, Listenable Records will unleash Under The Mountain, the debut full-length from Scotland-based metal/doom rockers KING WITCH. In advance of its release [comes] the band’s official video for “Beneath The Waves.”

Elaborates vocalist Laura Donnelly, “‘Beneath The Waves’ was inspired by stories such as Moby Dick and explores man’s need to destroy anything and everything beautiful, dangerous, and unfamiliar… and the retribution dealt in return. This track felt like a natural choice for the video – soaring vocals, massive drums and some huge riffs!”

KING WITCH:
Laura Donnelly – vocals
Jamie Gilchrist – guitars
Lyle Brown – drums
Simon Anger – bass

King Witch on Thee Facebooks

King Witch on Instagram

King Witch on Bandcamp

Listenable Records website

Listenable Records on Thee Facebooks

Listenable Records on Twitter

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King Witch to Release Under the Mountain Feb. 9

Posted in Whathaveyou on December 11th, 2017 by JJ Koczan

Fucking. Doom. Metal. You know you did something right when a label like Listenable comes knocking to put out your debut album after only releasing one EP, and quite frankly, it doesn’t take more than about two minutes into the opening track from King Witch‘s 2015 Shoulders of Giants three-songer — streaming below courtesy of the Edinburgh-based four-piece’s Bandcamp — to get a sense of what the appeal was. Classic-style doom metal fronted by the powerful and creatively arranged vocals of Laura Donnelly ensues, grandiose and righteously irony-free. My only hope is the album follows suit, because if it does, look out for this one. It could be an absolute beast.

They’ve got copious album info here from the PR wire, but make sure you dig into that EP audio too if you haven’t heard them before. I’ve hand Candlemass on the brain lately, granted, but King Witch are scratching that itch for epic doom quite nicely as well.

Right on:

king witch under the mountain

KING WITCH: Edinburgh-Based Metal/Doom Rockers To Release Under The Mountain Via Listenable Records This February; Artwork And Track-By-Track Breakdown Revealed

Scotland-based metal/doom rockers KING WITCH will release their debut full-length, Under The Mountain, via Listenable Records early this February.

Under The Mountain was recorded and produced by guitarist Jamie Gilchrist at their underground studio in their home city of Edinburgh, mixed and mastered by Tom Dring at Vagrant Recordings (Dragged Into Sunlight, Acolyte) in Southport and comes swathed in artwork created by vocalist Laura Donnelly. The record serves as KING WITCH’s follow-up to their debut EP, Shoulders Of Giants, and boasts nine riff-laden tracks offset by the powerful yet bewitching vocals of Donnelly. Influenced by everything from Black Sabbath and Led Zeppelin to Mastodon and High On Fire, Under The Mountain is as melodic as it is monolithic, taking its listener on a journey from soulful doom to full-tilt metal mayhem.

Formed in early 2015 in a dark cavern beneath the streets of old Edinburgh, KING WITCH manifests a potent and heavy brew of old school metal and the meatiest of ’70s classic rock. In a time where many seek to stick rigidly within the confines of their chosen genre, KING WITCH simply writes the songs they want to play.

Under The Mountain is scheduled for a February 9th, 2018 release via Listenable Records. For preorders visit listenable.net. A track-by-track guide to Under The Mountain as described by the band can be found below.

Under The Mountain Track Listing:
1. Beneath The Waves
2. Carnal Sacrifice
3. Solitary
4. Under The Mountain
5. Approaching The End
6. Ancients
7. Hunger
8. Possession
9. Black Dog Blues

“Beneath The Waves” – This is inspired by stories such as Moby Dick and explores man’s need to destroy anything and everything beautiful, dangerous, and unfamiliar… and the retribution dealt in return.

“Carnal Sacrifice” – A homage to all the old Hammer horror films, particularly To The Devil A Daughter, an innocent born for the sole purpose of being a sacrificial vehicle of hell – topped off with some fake tomato sauce blood!

“Solitary” – This song is about Mother Earth birthing the human race only to be sucked dry and left barren. It’s about a vast loneliness that can be felt even when surrounded by life.

“Under The Mountain” – An upbeat classic metal song! It reeks of adventure. The lyrics have been inspired by stories such as Conan The Barbarian and Lord Of The Rings.

“Approaching The End” – A song about the moments before death and the feeling you’ve not achieved everything you wanted/needed to. It’s about the creeping fear that it’s not all white lights and glowing tunnels and about the not knowing where we go and what happens to us after death.

“Ancients” – This track focuses on the majesty of the Mountain. Breathtakingly beautiful yet treacherous to all. Inspiration comes from our home of Scotland which is filled with ancient mystery and awe inspiring mountainous landscapes.

“Hunger” – “Hunger” is about man’s greed and the feeling of never being satisfied with life, which further drives humankind to destroy and consume relentlessly.

“Possession” – This can either be about demonic possession or insanity. In both you are not yourself – like someone or something else trying to get out.

“Black Dog Blues” – Something most of us can relate to: This is about depression and how it feels like something that is always with you like an old acquaintance. It lurks and waits, then, when you least expect it, it slides on in and makes itself at home.

KING WITCH:
Laura Donnelly – vocals
Jamie Gilchrist – guitars
Lyle Brown – drums
Simon Anger – bass

http://www.facebook.com/kingwitch
http://www.instagram.com/kingwitchband
https://kingwitchband.bandcamp.com/
http://www.listenable.net
http://www.facebook.com/listenablerecs

King Witch, Shoulders of Giants EP (2015)

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Black Wizard Set Feb. Release for Livin’ Oblivion

Posted in Whathaveyou on November 22nd, 2017 by JJ Koczan

black wizard

Their second album for Listenable Records and their fourth overall, Black Wizards will release their new long-player, Livin’ Oblivion, sometime in Feb. 2018. The Vancouver-based outfit — who are not to be confused with The Black Wizards, from Portugal — made their debut on Listenable with Feb. 2016’s New Waste (review here), so they would seem to be right on schedule for somewhere in the middle of the month. Punctuality in heavy rock and roll is vastly underrated. I consider myself a reasonably responsible person and it’s a total crapshoot if I can show up anywhere on time. Hit or miss, completely.

Anyhoozle, Black Wizard have shown up in plenty of places since New Waste landed — copious touring and whatnot — and it looks like they’ll make their way back to Europe to support Livin’ Oblivion as well. The PR wire brings the preliminary album announcement:

black wizard livin oblivion

BLACK WIZARD: Heavy Metal/Stoner Rock Collective To Release Livin’ Oblivion Full-Length This February Via Listenable Records; Artwork And Track Listing Revealed

Canadian heavy metal/stoner rock collective BLACK WIZARD will release their brand new full-length Livin’ Oblivion this February via France’s Listenable Records. Their second release on Listenable and fourth album overall was produced and engineered by Michael Kraushaar in Vancouver, BC, and comes sheathed in the cover art of renowned Berlin, Germany-based illustrator Eliran Kantor (Testament, Crowbar, Satan).

Livin’ Oblivion centers itself on the obliteration or slow decay of one’s self, morals, and life as we know it. “We are living in an age where the powers of the World are taking steps backwards and moving away from a positive future,” the band elaborates. “There is a large number of disenfranchised youth and young adults that would rather live their lives in oblivion — drinking, drugs, partying etc. — than chasing any kind of future or dreams, simply because the rest of the world seems to be falling apart around them.”

Further info on BLACK WIZARD’s Livin’ Oblivion, including final release date, teaser tracks, and preorders, to be released in the coming weeks. Stand by.

Livin’ Oblivion Track Listing:
1. Two Of These Nights
2. Feast Or Famine
3. James Wolfe
4. Livin Oblivion
5. Cascadia
6. Portraits
7. Poisoned Again
8. Heavy Love
9. Eternal Illusion

Since their first Listenable album release, New Waste, in early 2016, the band has toured non-stop including a Canadian mini-tour with Red Fang, a six-week stadium tour with Killswitch Engage and Volbeat, a month-long US tour supporting Brant Bjork and Royal Thunder, a month-long North American tour supporting Weedeater, and so much more. At home on the road, BLACK WIZARD is ready to take to the streets again kicking 2018 off with their fourth European run.

BLACK WIZARD is:
Adam Grant – vocals/guitar
Eugene Parkomenko – drums
Danny Stokes – guitar
Evan Joel – bass

http://www.facebook.com/blackwizardband/
https://twitter.com/BlackWizardVan
https://www.instagram.com/blackwizboys/
https://blackwizard.bandcamp.com/
http://www.facebook.com/listenablerecs
http://www.listenable.net

Black Wizard, New Waste (2016)

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Mos Generator Announce Headlining Dates, Shadowlands Recording Plans

Posted in Whathaveyou on October 20th, 2017 by JJ Koczan

mos generator

Port Orchard, Washington, heavy rock specialists Mos Generator are currently wrapping up a round of dates in Europe supporting Saint Vitus. Not a bad gig, but then neither was Mos Generator guitarist/vocalist Tony Reed producing the doom legends’ last album, so there you go. Hopefully he does the next one as well, and by that I also mean hopefully there’s a next one.

As regards Reed‘s own band, there seems perpetually to be a “next one.” Dude does not sit still, and in drummer Jono Garrett and bassist Sean Booth, he’s got a rhythm section that seems to have no trouble keeping up with these existential tempo shifts. So the Vitus tour is almost done. Then Mos Generator have a few headlining dates lined up that carry them into early next month. They come home for a couple days, maybe — maybe — get over the jetlag, and then head out supporting Fu Manchu on the West Coast for what’s gotta be one of the flight-booking-worthiest pairings I’ve heard of this year.

After that? Oh, how about putting the finishing touches on their next album, which I’m happy to reveal today will be titled Shadowlands and out in 2018? Sounds badass all the way around, right? That’s because it is. Here’s the latest from the band, direct update from Reed, dates and all:

We are going to use the off dates to re-record some of the songs for our next album “Shadowlands”. I figure after 7 weeks on the road we will be able to better capture the energy of some of the songs we recorded earlier this year. Also, I’ve been writing on the road so we will be able to work some of those ideas out for possible inclusion as well.

Headlining dates:
25.10.2017 DE Dresden-Chemiefabrik
26.10.2017 DE Erfurt-Tiko
27.10.2017 DE Osnabruck-Bastard Club
28.10.2017 DE Siegen-Vortex
29.10.2017 CH Basel-Renee Bar
30.10.2017 DE Frankfurt-Dreikonigskel
31.10.2017 CH Olten-Coq D’or
01.11.2017 IT Parma
02.11.2017 IT Abano Terme-Laboratorio IM
03.11.2017 IT Torino-Blah Blah
04.11.2017 IT Trieste-Tetris

MOS GENERATOR
West Coast Tour supporting Fu Manchu*
11/7 San Francisco, CA Slim’s*
11/8 Eugene OR, Old Nick’s (w/Sasquatch)
11/9 Portland, OR Dantes*
11/10 Seattle WA Chop Suey*
11/13 Grants Pass, OR The Sound Lounge (w/ Mothership)
11/14 San Jose, CA Ritz*
11/17 Tacoma, WA the Valley
11/18 Bremerton, WA the Manette Saloon

Mos Generator is:
Tony Reed: Guitar and Mellotron
Jono Garrett: Drums
Sean Booth: Bass

https://mosgenerator.bandcamp.com/track/the-dance-of-red-a-the-dance-of-maya-b-red
https://www.facebook.com/MosGenerator
http://heavyheadsuperstore.storenvy.com/
http://www.shop-listenable.net/fr/47_mos-generator

Mos Generator, The Dance of Red (2017)

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The Golden Grass Announce Midwestern Tour & New Album Recording Plans

Posted in Whathaveyou on September 20th, 2017 by JJ Koczan

the golden grass

Alright, let’s just go ahead and put The Golden Grass‘ third album on the list of most anticipated for 2018. The groovy Brooklynite three-piece played it proggy on their second record last year, Coming Back Again (review here), but still held to the sunshiny vibes and standout songwriting of their 2014 self-titled debut (review here), so a third installment from them is a no-brainer to look forward to as far as I’m concerned. Pretty killer as well that as they get ready to hit the studio to record it, they’ll do a nine-date Midwestern run playing all new songs, so not only will they have a chance to see what works on stage and what doesn’t and adjust accordingly, but by the time they get back to NYC they should be in top form to actually go and track the material. It’s a badass plan. Hopefully the results show up sooner than later.

Also, I’m not usually going to be the kind of guy who tells you that you need to watch a tour promo video, but the one below by Anthony Franchina for these shows, in addition to boasting a clip of a new song from The Golden Grass, actually gives a pretty succinct impression of what the band is all about. So yeah, you should take the 100 seconds or so to check it out.

Dates and info from the PR wire:

the golden grass midwest tour poster

THE GOLDEN GRASS announces October Midwest USA Tour Dates and enter studio immediately after to record album #3.

That’s right, Brooklyn’s one and only traditional heavy rock boogie band THE GOLDEN GRASS is headed ((OUT ON THE ROAD)) in the USA once again! It’s been a few years since they’ve toured domestically, finding their niche more amongst the European underground and focusing on touring abroad, but they’re beyond excited to bring their soulful sounds across America’s heartland this October 2017 for 9 concerts stretching from PA to IL and back again!

They’ll be exclusively performing ALL NEW MATERIAL this time out, which has been slowly and organically crafted over the past year, and all of which will end up on their 3rd full length LP (their 2nd for Listenable Records). In fact, this tour is a true-to-life road test for their new batch of music, and by taking it out, performing, twisting, living, and breathing it every night, it will be internalized and honed to perfection, and THEN the boys will be entering the studio immediately following the tour to record it all for the new record!

Once again, they’ll be utilizing the powerhouse recording/mixing engineering team of Andrea Zavareei (Urban Spaceman Studio) and Jeff Berner (Studio G), both of whom have had a hand in capturing each THE GOLDEN GRASS release so far. There is a high energy about the group right now, so if you’re along the tour route, do your best to catch it!

The good folks at Heavy And Beyond have created an amazing Tour Promo video for the group, showing off some sneak peaks of their new musical material, and tease the forthcoming album, not to mention some choice groovy footage of the boys!

In For The Kill Records Presents THE GOLDEN GRASS 2017 Midwest USA Tour
10/06 The Bog – Scranton PA w/ THE HILL YOU DIE ON
https://www.facebook.com/events/264624160696366/
10/07 Stonehenge Gardens – Tamaqu PA w/ MYSTERYTRAIN
https://www.facebook.com/events/265140343984727/
10/08 The Happy Dog – Cleveland OH w/ BURNIN LOINS + SALEM’S EYE
https://www.facebook.com/events/121403778585243/
10/09 The Tree Bar – Columbus OH w/ BOURBON TRAIN
https://www.facebook.com/events/117163712345407/
10/10 Reggies – Chicago IL w/ MR BLOTTO
https://www.facebook.com/events/114572125888037/
10/11 The Spot Tavern – Lafayette IN w/ SPACEWORDS
https://www.facebook.com/events/167903790434163/
10/12 Bent River Brewing Company – Rock Island IL w/ SUBATLANTIC
https://www.facebook.com/events/479941462369690/
10/13 Chameleon – Cincinnati OH w/ THE HARLEQUINS
https://www.facebook.com/events/143554142903428/
10/14 Guidos Speakeasy – Frederick MD w/ BLACK RADIO + BORRACHO
https://www.facebook.com/events/746296975549182/

http://www.facebook.com/thegoldengrass
http://www.thegoldengrass.bandcamp.com
http://www.facebook.com/listenablerecs
http://www.listenable.net

The Golden Grass, Midwestern Tour Promo

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