A digitally-released full-length with its individual songs wrangled into two extended vinyl-side tracks, The Kings of Frog Island IV is an anomaly before you even press (or click) play. The Leicester outfit have proved as amorphous as they are amphibious over the course of their prior three self-titled albums, but IV marks a couple big changes for the psychedelic rockers. Primarily, it’s their first outing without the input of guitarist/vocalist Mat Bethancourt, who split following the 2010 release of III (review here), and it’s also their first full-length to arrive without an Elektrohasch Schallplatten logo stamped on back.
But if these real-world changes have had any effect on the molecular creative doings in Amphibia, the Kings‘ ethic shows little shift for it. As they did on their 2005 self-titled and 2008 let-me-almost-go-five-minutes-without-telling-you-how-awesome-this-record-is follow-up, II, The Kings of Frog Island casually, naturally, blend desert rock organics with deep-running space tonality. The tracks on IV – there are 10 of them and it’s fun to suss out which starts when — vary in mood and tempo, but a strong thread courses throughout of inner-peace fuzz, and where III showed a rawer, garage rocking side of the band, IV (review here) reacts to unite this with prior accomplishments, resulting in a new and potent blend.
Much about the band — now comprised of guitarist/vocalist Mark Buteux, drummer Roger “Dodge” Watson, Gavin Searle, Gavin Wright and Tony Heslop, as well as other guests – remains obscure, and by all appearances, that’s on purpose. They don’t like having their picture taken and though Buteux talks about the processes involved in putting IV and the already-in-the-works V together, who’s actually doing what and when is a mysteryThe Kings of Frog Islandseem to enjoy perpetuating. With good reason. Not only is a layer of murk fitting for their swampy thematic, but for an album where they’re asking (telling, really) their listeners to take in on as a whole instead of each track as an individual piece, a bit of meta-vagueness seems only appropriate.
Still, Buteux – Watson may have had a hand in here as well — remains forthcoming as regards the making of IV and the intent and concepts at work behind that album, while also giving a hint at what V might bring upon its arrival, which could be as soon as later this year. You’ll find the complete Q&A after the jump. Please enjoy.