Quarterly Review: Blues Pills, Arctic, Major Kong, Hands I Annul Yours, Storm Ross, Sinister Haze, Love Gang, Nap, Manthrass, Astral Cult

Posted in Reviews on October 5th, 2016 by JJ Koczan


Today we hit the halfway mark on the Fall 2016 Quarterly Review. Always an occasion worthy of song — or, you know, another batch of 10 records — which happens to be precisely the plan. We pick up much where we left off yesterday in working across a broad spectrum of heavy, and though there are some major releases in here as seems to be the case increasingly, please make sure to note some of the deeper underground stuff as well, whether it’s Hands I Annul Yours or Astral Cult, as nothing here is included by mistake. Some of this I’m late on, some of it isn’t out yet, but all of it is pretty current, so if there’s something here you’ve missed, bigger name or smaller, I hope you get some use out of the lot of it. Here goes.

Quarterly Review #21-30:

Blues Pills, Lady in Gold


Blues Pills – like their Nuclear Blast labelmates in Witchcraft, Graveyard and Kadavar before them – have modernized. Their second album behind what became a landmark self-titled debut (review here) in 2014, Lady in Gold arrives with a slick production casting off the vintage vibes while holding onto classic sensibility and rightfully continuing to feature the soulfulness of vocalist Elin Larsson, joined in the band by guitarist Dorian Sorriaux, bassist Zack Anderson (ex-Radio Moscow) and drummer André Kvarnström (ex-Truckfighters). Its 10 tracks/40 minutes are unmistakably pop in their construction, and deftly, complexly arranged, and play to an alternative vision of commercial accessibility in rock that I’m not sure exists anymore even in Europe. Or needs to for an album like Lady in Gold to be successful. As they weave into and out of gospel and R&B conventions, Blues Pills take a bold step away from what one might have expected coming off their debut and ultimately define themselves precisely through that boldness. Whether that works for them in the longer term will have to remain to be seen. For now, Lady in Gold can be jarring at first, but one would be hard pressed to come up with something else out there that sounds quite like it.

Blues Pills on Thee Facebooks

Nuclear Blast website


Arctic, Arctic


Los Angeles three-piece Arctic make their entry into Southern California’s crowded sphere of heavy/psychedelic rock with their self-titled debut on Outer Battery Records. To call them skate rock seems fair enough, since guitarist Justin “Figgy” Figueroa (also Harsh Toke), bassist Don “The Nuge” Nguyen and drummer Frex are all professional skateboarders, but the core of Arctic’s five-track/half-hour-flat runtime is in mixing classic stoner impulses with heavy psych jamming. Most of the record is instrumental, including 8:51 opener and longest track (immediate points) “Over Smoked,” but vocals pop up to surprise on centerpiece “Burnt Ice” and return again in form drawled enough to justify their having called the nodding closer “High” as they do. At very least they make it believable. Between the dankness throughout, the guitar-led fuzz boogie of “Cryptic Black Sun,” the natural vibes, the Arik Roper cover art and the utter lack of pretense, Arctic summarize much of the appeal of the West Coast’s current heavy movement, and so, should have no trouble continuing to make their name as part of it.

Arctic on Thee Facebooks

Outer Battery Records


Major Kong, Brave New Kong


Three new tracks from Poland’s Major Kong is nothing to complain about. The Lublin trio have been not-at-all-quietly stomping out quality riffs for more than half a decade now, and with “Energy Whip,” “Escape from the Holodeck” and “Pollution Halo,” the instrumentalists are in and out of Brave New Kong in under 14 minutes, working quickly and efficiently with a crisp but still thick production that pulls away from some of the focus on crush from late last year’s Galactic Cannibalism EP (review here). That may well be the Brave New Kong to which the title refers, or it’s entirely possible they’re just having fun with their own moniker – subsequent offerings will tell the tale – but Major Kong continue to be a well-kept secret for Poland’s fertile heavy underground, and if nothing else, they sound like a group due for a third full-length album, which will hopefully arrive sooner than later.

Major Kong on Thee Facebooks

Major Kong BigCartel store


Hands I Annul Yours, Year of Death


One could make the argument that given the swath of cultural icons passed away, 2016 is the Year of Death to which Hands I Annul Yours are alluding to in the title of their latest Major Destroyer Records three-song tape, but aside from the fact that they specify it was 2013, one seriously doubts they give a shit about famous people dying. Beginning with the drone and feedback noise of “Year of Death Part I,” the cassette moves into a 19-minute stomp and crush that’s as misanthropic as it is weighted, and much as there is one, the prevailing sentiment is less reflecting on loss than it is rolling out claustrophobic heft. Fair enough. Following the tape-only “Verloren,” “Year of Death Part II” boasts more sample manipulation and a discernible lead from the guitar, but finds its way toward abrasion as well, rounding out Year of Death with a dissolution into feedback that would seem to bring it full circle.

Hands I Annul Yours on Bandcamp

Major Destroyer Records website


Storm Ross, Welcome, Sunshine


Fortunately, the fact that Storm Ross named the opening track of Welcome, Sunshine “We Need to be Fugazi Now, More than Ever” is only the start of the 37-minute/10-track LP’s experimentalist charms. The follow-up to the Michigan-based guitarist’s 2014 return full-length, The Green Realm (review here), this new collection finds Ross himself once again making his way through soundscapes manic and pastoral with like ease, and as one piece feeds into the next on “Please Don’t Kill My Family” and “Benzie County Farm Fire, 1973” or the synth-infused, tech-shredding “Atheon” fading into the penultimate post-rock drift of “The Smiler” later (think Dylan Carlson solo gone sentimental for the West, plus a late uptick of noise), the sense of Welcome, Sunshine as a whole work is even more palpable than was the last outing, even as Ross jumps from one style to another or incorporates keys, percussion, etc., following various whims toward a universally progressive payoff. Limited to 300 copies on yellow vinyl or on cassette through Already Dead Tapes and Records.

Storm Ross on Thee Facebooks

Storm Ross on Bandcamp


Sinister Haze, Laid Low in the Dust of Death


Virginian doomers Sinister Haze follow-up their 2015 debut EP, Betrayed by Time (review here), with the raw and scummed up Laid Low in the Dust of Death LP on STB Records. Recorded by Chad Davis (Hour of 13), it’s their first outing to feature Naam’s Eli Pizzuto on drums, and they do trip out a bit on guitar, but if you’re thinking slow space rock here you’ve got the wrong picture. Guitarist/vocalist Brandon Marcey (ex-Cough) and bassist/vocalist Sam Marsh lead the charge – the low-end is particularly satisfying in its roll throughout – and fellow newcomer JK (Lost Tribe) adds to the mix as well, so the spirit of Laid Low in the Dust of Death is bare-bones and classic, but positively covered in its titular dust. And maybe one or two other kinds. Six tracks split easily onto two sides, Sinister Haze’s first full-length outing comes across as a reaction against cleanliness in doom – call it gutter doom – flowing in its 12-minute closer “A Buried Dream,” but still clearly from the gut.

Sinister Haze on Thee Facebooks

STB Records BigCartel store


Love Gang, Love Gang


The flute-laden heavy rock with which Denver’s Love Gang open their debut EP might stand among the best outcomes of Colorado’s marijuana legalization. A four-piece with a full sound only enhanced by the organ/woodwind work of Leo Muñoz, Love Gang self-release their first outing as four tracks that sap classic prog of its pretense and offer ‘70s heavy chemistry without leaning on vintage production. Guitarist/vocalist Kam Wentwork, bassist Grady O’Donnell and drummer Shaun Goodwin, together with Muñoz, get down to business on “Can’t Seem to Win” and the instrumental “Lonely Man,” go bluesy on “Highway” and boogie to a finish in “Sands of Time,” all the while sounding ready in their songcraft and execution for whatever label might come calling to stand behind their work. It’ll be somebody. Some bands take time to develop into their own sound, and some break the doors down out of the gate. Love Gang are the latter. Whenever they get around to a first full-length, I hope they remember to weird out a little bit.

Love Gang on Thee Facebooks

Love Gang on Bandcamp


Nap, Villa


Though five of the eight tracks on Nap’s debut, Villa, have words at one point or another, it’s probably still fair to note the psych-inflected German trio as a mostly-instrumental outfit. The lyrics, when they’re there, arrive in short verses, lines included it seems more to create the impression of a human presence rather than affirm a structure. They are vague in theme for the most part, but there, though there isn’t a song in the bunch that goes as far as a chorus. No complaints. Nap, as a project, feel much more given toward the spacious and atmospheric exploration one finds in the midsection of second cut “Sabacia” than the four or five lines in the driving riff subsequent. As the record plays out, they incorporate elements of surf – surprisingly more on “Duna” and closer “Autobahn” than “Xurf,” but it could also be a Yawning Man influence surfacing – resulting in an overarching progressive feel that serves their fluidity on this first album.

Nap on Thee Facebooks

Nap on Bandcamp


Manthrass, Blues del Destino


Heavy rocking Buenos Aires three-piece Manthrass issued their debut, Blues del Destino, last year and were subsequently snagged for release through South American Sludge Records, no doubt for the record’s cohesive, hard-driving bluesy push, natural tones and easy-grooving feel. The shuffle of “Una Flor” is a highlight, but neither will you find me arguing with the Pappo’s Blues cover “El Brujo y el Tiempo,” with a burlier vocal and a rolling progression that seems to sum up a lot of where Manthrass are coming from to start with, though closer “Navegar” gets down with more raucous fare. A quality first full-length with a crisp production balanced by a fervent live feel in the energy from the trio of guitarist/vocalist Mariano Castiiglioni, bassist/vocalist Ángel Rizzo and drummer/backing vocalist Fede Martínez, who are clearly versed in modern heavy as well as the classics, and are able to control their own destiny here accordingly.

Manthrass on Thee Facebooks

South American Sludge on Bandcamp


Astral Cult, The Sacred Flame


Commencement comes on Astral Cult’s second album, The Sacred Flame, via the ritualized psychedelic incantations of “Prayer,” and from there, the Californian four-piece unfold a molten vision of heavy space rock that stands apart from a lot of what bands further sound in San Diego or even San Francisco are doing, vocalist Alexandre Lapuh, guitarist Ryan Musser, bassist Stefan Henskens and drummer Brazdon Goodwin (since replaced by Cristian Gonzalez) finding their footing in a lumbering and deceptively doomed “Quetzalcotl” after so much lysergic preaching on “Call of the Wild” and “Beacon of Darkness.” The range is surprising, but more so is the fluidity Astral Cult conjure between what are often disparate styles, the four-piece nearly hitting the 13-minute mark on the closing title-tack as they lay the two sides together, one into the next. It’s a rarer blend, but The Sacred Flame, at nearly an hour long, gears itself for maximum immersion.

Astral Cult on Thee Facebooks

Astral Cult on Bandcamp


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Blues Pills Post “Lady in Gold” Video

Posted in Whathaveyou on June 6th, 2016 by JJ Koczan

blues pills

Swedish heavy rockers Blues Pills enter into the cycle for their forthcoming second album, Lady in Gold, at the forward position of a next phase in Europe’s classic heavy blues movement. The multinational four-piece made a self-titled debut (review here) in 2014 and since then have become a significant influence internationally — one can hear their impact in the US almost as much as the EU — and while that puts no small amount of pressure on the impending follow-up, which will be out on Nuclear Blast, there’s been nothing thus far into their career to make one doubt Blues Pills are up to the task before them. Instead, the potential they showed on Blues Pills seems to be looking for payoff in the full-sounding, blues-fueled “Lady in Gold,” for which a new video has just been released.

The clip itself brings frontwoman Elin Larsson to the fore, as does the mix of the song, and she proves more than able to carry the track with guitarist Dorian Sorriaux, bassist Zack Anderson and drummer André Kvarnström supporting. Hard to get a read on a full record from one four-minute song, obviously, but if “Lady in Gold” is representative at all of the album that bears its name, one might expect to find Blues Pills working in a more modern context à la their labelmates and upcoming tour partners in Kadavar (as well as Witchcraft and Graveyard, for that matter, both also labelmates) and pushing back on ’70s traditionalism with a fullness of production. Again, whether or not that pans out for the whole outing remains to be seen/heard — I haven’t gotten the record yet — but it’s something to maybe keep in mind as you check out the video.

You’ll find that below, followed by more info from the PR wire.


Blues Pills, “Lady in Gold” official video

Up and coming multi-national rock act BLUES PILLS released the official music video for the brand new first single and title track of their upcoming second album, Lady In Gold (out August 5). The video was directed by Johan Bååth (AVATARIUM, DREGEN) who is best known for his work with cult director Jonas Åkerlund (THE ROLLING STONES, U2, MADONNA, OZZY OSBOURNE, METALLICA) and shot by well known BACKYARD BABIES drummer Peder Carlsson.

“We shot the video for ‘Lady in Gold’ in Stockholm’s skärgård (what is like an old castle) with the amazing team around Johan Bååth,” commented singer Elin Larsson. “The idea behind the video is to visualize the ‘Lady in Gold’ in all the different ways she can come. She can be that beautiful young woman or a scary old witch. It was a lot of fun and super exciting to jump into these different roles and characters. The whole team did a great job and it was a pleasure to work with all these talented people. Clothes and design was made by Anna Bonnevier and make up and hair by Cecilia Lidén. We all hope you will enjoy the video.”

Furthermore, Lady In Gold is now available for pre-order. The album will be available in various formats:
– Vinyl (black, gold, clear, bone, hot pink)
– Vinyl Nuclear Blast Mailorder only (orange, yellow, lilac/neon pink bi-colored, clear+green/orange splatter)

Just as it’s highly successful predecessor, Lady In Gold was once again produced by Don Alsterberg (GRAVEYARD, DIVISION OF LAURA LEE, JOSÉ GONZÁLEZ, JERRY WILLIAMS). The cover art for Lady In Gold was created by Marijke Koger-Dunham (THE BEATLES, CREAM).

Lady in Gold preorder at Nuclear Blast

Blues Pills on Thee Facebooks

Blues Pills on Twitter

Blues Pills website

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Blues Pills Announce New Album Lady in Gold

Posted in Whathaveyou on April 25th, 2016 by JJ Koczan

Few and far between are the debut albums that make the kind of impact that did the 2014 self-titled offering from Blues Pills (review here), which seemed to inspire followers as soon as it arrived. The band has toured heavily in Europe since that release, even headlining at Freak Valley last year, and have announced they’ll issue their second long-player this summer via Nuclear Blast. It’s been dubbed Lady in Gold, and while the artwork and obviously audio and an exact release date remain forthcoming, the mere news that such a thing exists and will exist is enough to make note of. I wouldn’t be surprised to find Blues Pills make their US live debut for Lady in Gold sometime over the next year, though of course a lot depends on the response to the record. Which I guess is true all around.

So the pressure’s on Blues Pills. Guess we’ll see how it all works out when the album arrives. Until then, the PR wire:

blues pills (photo by John McMurtrie)


Multi-national newcomer sensation BLUES PILLS have announced the title of their eagerly awaited second album. Lady In Gold is expected to be released during the summer of 2016 and will contain 10 brand new tracks (see full track list below).

Commented singer Elin Larsson on the choice of the album’s title: “Lady gold is a character who symbolizes death. We wanted a twist on the typical stereotype of death being the grim reaper. So instead we made her a lady in gold.”

Lady In Gold track list:
01. Lady In Gold
02. Little Boy Preacher
03. Burned Out
04. I Felt A Change
05. Gone So Long
06. Bad Talkers
07. You Gotta Try
08. Won’t Go Back
09. Rejection
10. Elements And Things

Just as it’s highly successful predecessor Lady In Gold was once again produced by Don Alsterberg (GRAVEYARD, DIVISION OF LAURA LEE, JOSÉ GONZÁLEZ, JERRY WILLIAMS). More info to be revealed soon!


Blues Pills, “High Class Woman” official video

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