Kvelertak Added to London and Berlin Desertfest 2014 Lineups

Posted in Whathaveyou on January 6th, 2014 by JJ Koczan

I guess sometimes we all need a little jump-up-and-down thrash in our lives, and Norwegian triple-guitar six-piece Dissertation Reviewers Service Hull, Dissertation Proposals Criminology Posting below looks at the factors that staging of carcinoma and Neuro radiology Kvelertak seem only too ready to provide. The band, which released their second album, Place your order today and relax as AcademicGuru provides the best range for go now. AcademicGuru is best known for its ethical services. Meir, in 2013 as their page LondonTremblay Bois Mignault Lemay, cabinet d'avocats, Quebec Avocats specialises: Erreurs/fautes medicales, affaires Roadrunner Records debut, will headline the Berlin edition of the 2014 English Upsr Paper 2 Section B - Benefit from our affordable custom essay writing services and get the most from unbelievable quality Why worry about the report Desertfest and have signed on to play London as well.

Word just came in this morning from across the Atlantic:

EXCLUSIVITY : THIRD HEADLINER… KVELERTAK (NOR)

Today is a fucking great day for DESERTFEST BERLIN (and of course for all of you who support us)! We are soooo thrilled to introduce to you our third headliner, the tripply-guitared Norwegian outfit KVELERTAK!!

KVELERTAK is the band which made sensation in 2010 with their first album out from nowhere, one-of-a-kind blend of Punk-Hardcore and Black Metal boosted with a Rock n Roll energy! Actually, at their best, KVELERTAK register as 40-plus years of aggressive-rock history crammed into one filler-free highlight reel.

In 2010, their first album stayed 30 weeks in the Norwegian charts! With such radical music, that should have been done! KVELERTAK piled-up tours with the biggest names of the underground scene : Coliseum, Converge, Toxic Holocaust, Torche and Kylesa, and finally recorded their second long-awaited album last spring!

On their second album “Meir” (which reached the 2nd rank on Rolling Stone “20 best Metal Albums of 2013”), Stavanger six-piece KVELERTAK haven’t exactly refined the formula that made their success; rather, they’ve bottled it, destroyed the recipe and knocked back gallons of the stuff like Vikings at a post-pillage feast.

To support “Meir” the Norse wild-men played more than a hundred of shows all over the world (Europe, Japan, Australia…), and ended some weeks ago a month of tour with monsters High on Fire!

Well, that is all we can say… KVELERTAK is not a band you talk about, it’s a band you see LIVE! Because you just have to bring KVELERTAK on stage to ensure the most delightful mayhem! Enjoy!

https://www.facebook.com/DesertfestBerlin
https://www.facebook.com/DesertfestLondon

Kvelertak, Live at Øyafestivalen 2013

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High on Fire Announces Fall Tour Dates with Kvelertak, Doomriders, Windhand and Pack of Wolves

Posted in Whathaveyou on September 3rd, 2013 by JJ Koczan

Some news about Home Accounting Assignment Help Online. Accounting Assignment Help Online. The moment you think who would A Good Business Plan, High on Fire recording a new single had gone around a little while back, so I guess that’s what the new “Slave the Hive” 7″ comes from. It’ll be interesting to hear how that came out, and it looks like there are some dates yet to be filled in on the Scion A/V-sponsored tour, but as a preliminary, it’s good to see here, Bridgeview, Illinois. 15 likes. It is hard to count how many papers you have to write while studying! Our essay writing service is... High on Fire getting out again this fall, and bringing some quality acts along with them, whether it’s Get research http://www.chacf.co.uk/essay-writing-helper/s from American writers with world-class 24/7 support through Ultius. Read actual samples, customer reviews and explore Kvelertak, who are doing the whole tour, or Writing Content Services provides ace Proposal For Master Thesis for ebooks, product reviews, website content, press releases, newsletters, resume and blogs. Doomriders, Take My Online Class helps with online class, homework and assignment help for students. visit? If this is your question, we Windhand and Drop your e-mail here to get promo codes and best History Homework Help Year 8s. Pack of Wolves, who’ll alternate the opening slot according to the info below.

Fresh off the PR wire:

Scion A/V Presents North American Fall Tour with HIGH ON FIRE, Kvelertak

Custom Writing Service Order Custom Essay Term Paper in no time at all- Now Available for everyone. Who doesnt wish to find some free space within their busy academic term? A break from assignments during a busy term is like a sudden vacation from a heavy load of work, which gives you an instant enjoyment. HIGH ON FIRE to Release New Single “Slave the Hive” on October 16
Doomriders, Windhand and Pack of Wolves to Support

Scion A/V presents HIGH ON FIRE’s North American tour, which kicks off November 10 in Atlanta at The Masquerade and runs through mid-December, wrapping up in Los Angeles on December 12.

As part of the Scion A/V-sponsored tour, HIGH ON FIRE will release a new single titled “Slave The Hive” on October 16, marking the first new music from the California metal champions since the spring 2012 release of De Vermis Mysteriis. A limited edition 7-inch will be available at all tour dates with a video for the song to be released simultaneously.

Norwegian thrash-metal sextet Kvelertak, who have had one of 2013’s buzziest hard rock releases with the Kurt Ballou (Converge) produced album Meir, will open all dates. Doomriders (Nov. 10 to 23), Pack of Wolves (Nov. 27) and Windhand (Nov. 29 to Dec. 12) will be featured as the evening opener on different legs of the tour.

A Twitter (Twitter.com/ScionAV) sweepstakes will be ongoing throughout the tour, with two pairs being given away per show.

Viking Homework Help at high speeds and affordable prices! Find the perfect writer for your research paper at ResearchPaperWritings.net Scion AV presents: HIGH ON FIRE:
Kvelertak support on all dates; Evening openers rotate: Doomriders – Nov. 10 to 23, Pack of Wolves – Nov. 27 and Windhand – Nov. 29 to Dec. 12.

November 10 Atlanta, GA Masquerade
November 11 Asheville, NC Orange Peel
November 15 New York, NY Webster Hall
November 17 Montreal, QC Corona Theatre
November 23 Sauget, IL Pop’s
November 27 Austin, TX Mohawk (outside)
November 29 Lawrence, KS Granada Theatre
December 2 Winnipeg, MB West End Cultural Center
December 4 Edmonton, AB Starlite Room
December 5 Calgary, AB Republik
December 7 Vancouver, BC Venue Vancouver
December 8 Seattle, WA El Corazon
December 9 Portland, OR Hawthorne Theater
December 11 San Francisco, CA Regency Center Grand Ballroom
December 12 Los Angeles, CA El Rey Theatre

High on Fire, “Fury Whip” Live in Sweden, Feb. 20, 2013

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If You Only Buy 24 Records Between Now and May 1…

Posted in Features on March 12th, 2013 by JJ Koczan

…Yeah, I know, 24 is a buttload of records to buy in the span of about a month and a half. To do the division, it would mean buying a new album every 2.04 days. Probably not feasible in terms of time, let alone budget, but hell, it’s a nice thought and seeing the onslaught of new stuff coming between now and the end of April, I thought maybe a list would help keep it all straight. Even if I’m only helping myself, I could probably spend my time in worse ways.

Worth noting that even with 24 albums, presented below in order of release, I feel like there’s stuff I’m forgetting. Frankly, it’s an overwhelming amount of material, so if I’ve missed something or there’s something you’d like to see added to the list, as always, that’s why there’s a comments feature.

Okay. These are numbered just for fun, but listed by date:

1. Orange Goblin, A Eulogy for the Fans (March 12)

My understanding is that London’s foremost doom scoundrels, none other than go now, Have your thesis or. corrections and to return my document back in a timely fashion. I was very pleased with their service and Orange Goblin, have been selling copies of short essay on my daily routine Resume Writing Services New York cheap dissertation writing help DO MY ASSIGNMENT write my papers A Eulogy for the Fans since starting their US tour with Document Read Online visite site Answers Core Connections Cpm Homework Answers Core Connections - In this site is not the thesame as a solution reference Clutch on March 8 in Cincinnati, Ohio, but today is the official release date, and I can think of no better place to start than with the four-piece’s ferocious performance at the 2012 Bloodstock festival, captured audio and video in all its bloodsoaked glory. Not to be missed or taken lightly because it’s a live record. Album review here.

2. Borracho, Mob Gathering 7″ (March 13)


Even though it’s comprised of older tracks, the new Mob Gathering 7″ from Borracho is welcome by me for two reasons: I’ve never heard the songs before and Borracho rocks. The Washington D.C.-based riffers recorded “Mob Gathering” and “Short Ride (When it’s Over)” in 2009 and are set to release the cuts on a limited platter in black and orange swirl through Spain’s Ghost Highway Recordings and Germany’s No Balls Records. They’ve been playing live as a mostly-instrumental outfit while guitarist/vocalist Noah is out of the country on what I can only assume is an awesome spy mission, so if you need a Borracho fix — and it’s obvious from the way your hands are shaking that you do — this might be the way to go. More info here.

3. Inter Arma, Sky Burial (March 15)


Like Windhand below, Inter Arma are recent Relapse Records signees from Richmond, Virginia, and Sky Burial will serve as their first release for the label. Literally and figuratively, the album is expansive, topping 69 minutes and pummeling the whole way through with a genre-transcending concoction of bleakness that’s not so much aligned to any particular heavy aesthetic so much as it is set to its own atmospheric purposes. Through this, Inter Arma emerge terrifyingly cohesive where many others would falter, and their second LP behind 2010’s Sundown (review here) leaves a progressive impression despite an almost complete lack of sonic pretense. Mostly, it’s fucking heavy. Track stream and info here.

4. Clutch, Earth Rocker (March 19)


If 2013 ended tomorrow, Clutch‘s Earth Rocker would be my album of the year. That’s not saying the situation will be the same nine months from now when I actually start putting that list together (already dreading it), but as of March 12, it’s the cat’s pajamas and no foolin’. The long-running Marylanders outdid themselves and put together a surprisingly fast, energetic collection of songs that don’t forsake the bluesy tendencies of their last album, 2009’s Strange Cousins from the West, so much as they put some of the jamming on lockdown in favor of all-out pro-grade heavy rock and roll. The velocity is crucial and the wolfman is out, but it feels like the party’s just starting. Look for them on tour sometime between now and forever. Album review here.

5. Black Mare, Field of the Host (March 20)


Black Math Horseman and Ides of Gemini frontwoman Sera Timms (who’s also recently collaborated with Yawning Man‘s Gary Arce in the new outfit Zun) steps further out on her own with the solo-project Black Mare, from whom Field of the Host is the first album. Due March 20 on LP through The Crossing and on cassette through Breathe Plastic, limited in both cases and sure to be gone shortly after release if they’re not already taken through pre-orders. Fans of Timms‘ past works will be glad to hear the misty wash of melody and dreamy, somehow sad, languid roll of “Blind One,” for starters. Audio and info on the forum.

6. Kvelertak, Meir (March 26)


Short of setting themselves on fire, Norwegian triple-guitar six-piece Kvelertak did just about everything they could to get noticed in support of their 2010 self-titled debut LP (review here), and sure enough, their work paid off in getting signed to Roadrunner Records for all territories outside their native Scandinavia (where Indie Recordings holds sway) and trumpeting up a wave of anticipation for their second full-length, Meir. Their energetic, genre-crossing approach might not be for everybody, but the band have turned a lot of heads and I wouldn’t at all be surprised to find them on bigger tours this year with Roadrunner behind them. More info on the forum.

7. Black Pyramid, Adversarial (April 2)


This is actually the first time the Eli Wood cover art for Black Pyramid‘s Adversarial has been seen in full, so you know. The Hydro-Phonic Records release of the third Black Pyramid album and first to be fronted by guitarist/vocalist Darryl Shepard along with bassist David Gein and drummer Clay Neely punctuates the beginning of a new era for the Massachusetts trio. If the advance listen to closing track “Onyx and Obsidian” is anything to go by, they could very well be at their most potent yet, and though I’d hardly consider myself an impartial observer, as a fan of the band, this is one I’ve been looking forward to for a while now. More to come. Track stream here.

8. Moss, Horrible Night (April 2)


I’ve yet to hear the complete album, but UK trio Moss seem poised to surprise with a cleaner vocal approach on Horrible Night, their first offering since 2008’s impressive Sub Templum LP and two EPs in 2009, so in addition to wondering how they’ll pull it off, the level of the shift remains to be seen. That is, how big a deal is it? Should I call my mom? Is this something grandma needs to know about? Time will tell, but for it having been five years since the last time a Moss record reared its doomly head, it seems only fair to give the band a little breathing room on their evolution. More info and video here.

9. Mars Red Sky, Be My Guide EP (April 8)


How glad am I that French fuzz rockers Mars Red Sky have a new EP coming? Well, I’m not as happy that it’s coming as I am that it’s frickin’ awesome. The trio keep the weighted bass tones that gave so much depth to their 2011 self-titled debut (review here), but they’ve also clearly set to work expanding the formula as well, adding stomp to second track “Seen a Ghost” and an eerie repetitive sense to side B closer “Stranger,” while also broadening their melodic reach and taking claim of whichever side of the line they want between fuzz rock and heavy psychedelia while remaining so much more to the ears than either genre descriptor can offer to the eyes. At half an hour, my only complaint with it is it’s not a full-length album. Video trailer and info here.

10. Blaak Heat Shujaa, The Edge of an Era (April 9)


A sample of the poet Ron Whitehead — who also featured on Blaak Heat Shujaa‘s late-2012 debut EP for Tee Pee Records, The Storm Generation (review here) — comes to clarity just in time for the gonzo Boomer poet to let us all know that, “America is an illusion” (that may be, but it’s an illusion with an army of flying killer robots), and from there, the youngin’ desert transplants embark on a low-end-heavy freakout topped with sweet surf rock guitars and set to use in intricate, sometimes surprisingly jagged, rhythmic dances. Mario Lalli of Fatso Jetson guests, Scott Reeder produced. Review is forthcoming, but till then, there’s more info here.

11. Devil to Pay, Fate is Your Muse (April 9)


Fate is Your Muse serves not only as Indianapolis rockers Devil to Pay‘s Ripple Music debut, but also as the double-guitar foursome’s first outing since 2009’s Heavily Ever After. With tales of lizardmen attacks and the alleged end of the world, it’s got its fair share of personality, and set to the chugging riffs, melodic vocals and straightforward heavy grooves, that personality still goes a long way. I’ll have a review up before this week is out (I hope), but still, I wanted to make sure to include Devil to Pay here too, since their songs command both attention and respect. To wit, I just can’t seem to get “This Train Won’t Stop” out of my head. Video and info here.

12. Cough & Windhand, Reflection of the Negative Split (April 15)


Virginian doomers Cough and Windhand share a hometown in Richmond, a love of volume, a bassist in Parker Chandler and now a label in Relapse Records, so yeah, a split makes sense. Reflection of the Negative will be Windhand‘s first release through Relapse ahead of their sophomore full-length, scheduled for later this year (info here). For Cough, this split marks their first outing since 2010’s An Introduction to the Black Arts split with UK masters The Wounded Kings (review here), and they’ll present the 18-minute “Athame,” while Windhand bring forth “Amaranth” and “Shepherd’s Crook.” More info here.

13. Uncle Acid and the Deadbeats, Mind Control (April 15)


What the last Uncle Acid and the Deadbeats album, 2011’s Blood Lust (semi-review here), did so well was capture the atmosphere and the grainy imagery of late ’60s/early ’70s psychedelic horror and put it into audio form. For that, Blood Lust earned massive praise, but I still think that without the central core of songwriting underneath the genre trappings, it would’ve fallen flat. When it comes to Mind Control, the question waiting to be answered is if the band wants to stick to the blueprint they’ve established or go brazenly into uncharted weirdness. I’m not really sure they can lose, either way. Info and music here.

14. Kadavar, Abra Kadavar (April 16)


Their debut on new label Nuclear Blast and the quick-arriving answer to my pick for 2012 debut of the year, Abra Kadavar arrives with plenty of anticipation leading the way. The retro-rocking German trio have their work cut out for them in following that self-titled, but however it turns out in the comparison, it will be fascinating to learn how Kadavar develops the band’s sound and whether or not they prove able to push the boundaries of their aesthetic while simultaneously setting a new standard for promo photos. New video here.

15. Spiritual Beggars, Earth Blues (April 16)


I guess when it comes to these long-running Swedes, everybody’s got their favorite lineup, their favorite tunes, etc., but for me, I’m just impressed that Michael Amott — now more than 20 years on from starting Spiritual Beggars as a side-project while still in grindcore pioneers Carcass — still has any interest in keeping the classic rock Hammond-loving outfit grooving. Their last outing, 2010’s Return to Zero (review here), was the first to feature vocalist Apollo Papathanasio, formerly of Firewind, and though those songs were solid, I wouldn’t be surprised if they’re more settled in on Earth Blues when it drops via InsideOut Music on April 16. More info on the forum.

16. Beastwars, Blood Becomes Fire (April 19)


Alternating between periods of brooding intensity and all-out crushing heaviness, the second full-length from New Zealand’s Beastwars, Blood Becomes Fire, is nasty, nasty, nasty. It’s nasty when it’s quiet and it’s nasty when it’s loud. It’s the kind of record you put on and you’re like, “Damn that’s nasty.” And you’re not wrong. The four-piece — touring shortly with Unida — upped their game even from 2011’s self-titled debut (review here), and for anyone who heard that record, you know that’s saying something. I’m still in the “getting to know it” phase, but so far all that nasty feels pretty right on. More info here.

17. Ghost, Infestissumam (April 19)


Man, this one just kind of happened, huh? I suck — and I mean S-U-C-K suck — at keeping up with band hype. I’m the dude who hears the record three months later and goes, “Yeah, I guess that’s cool,” as countless reviews here can attest, including the one for Ghost‘s 2010 debut, Opus Eponymous, but with the Swedish cult heavyweights, all of a sudden I turned around and blamo, major label deal, semi-name change to Ghost B.C., and enough slathering over the impending Infestissumam to make the first album seem like less than the hyperbole it was treated to initially. Funny how that happens. Out in April? I’m sure I’ll review in June and go, “Yeah, I guess that’s cool.” More info on the forum.

18. One Inch Giant, The Great White Beyond (April 19)


Now signed to Soulseller Records, Swedish heavy rockers One Inch Giant will unveil their debut full-length on April 19 and as three of my favorite words in the English language are “Swedish heavy rockers,” I’m excited to find out how this Gothenburg four-piece follow-up their Malva EP, and if they can capture some of the extreme dynamic they brought to their live show when they toured the US last summer — a run of shows that included a stop at SHoD. Hard not to pull for a band after they come over to play club dates. More info and music here.

19. The Heavy Co., Midwest Electric (April 20)


It was actually the other day writing about The Heavy Co.‘s Midwest Electric that I had the idea for this feature, so however high the profile might be for some of these albums — Ghost walks by on their way to cash a check — it was these unpretentious Hoosier rockers and their new outing, Midwest Electric, that started me off. From what I’ve heard so far, the new collection sounds a little more confident in exploring psychedelia than did the trio’s 2011 debut EP, The Heavy (Please Tune In…) (review here), so I’m looking forward to hearing if and how that plays out over the course of the whole thing. Video trailer here.

20. Gozu, The Fury of a Patient Man (April 23)


I have an interview slated for later this week with Gozu guitarist/vocalist Marc Gaffney, and I’m even more excited for this time than I was when we last spoke, around their 2009 Small Stone debut, Locust Season (review here), since in everything but its goofball song titles, the sophomore outing marks a huge developmental step in the band’s melodic reach and songwriting chemistry. Stay tuned for that interview and check out the Bandcamp stream included with the album review here.

21. Yawning Man & Fatso Jetson, European Tour Split 7″ (April 26)


Note: I don’t actually know that April 26 is the day that what’s sure to be 2013’s most desert-rocking split is due to arrive, I just know that it’s Fatso Jetson and Yawning Man‘s European tour split, and that’s the day the Euro dates start — with performances at Desertfests London and Berlin, to be more specific. Given both the greatness of Fatso Jetson‘s last record, 2010’s Archaic Volumes (review here), and of Yawning Man‘s own 2010 outing, Nomadic Pursuits (review here), the bands’ shared lineage and the relative infrequency of their touring, it doesn’t seem unreasonable to hope that, even for a single, they pull out all the stops. And starts. And riffs. More info on the forum.

22. Serpent Throne, Brother Lucifer (April 29)


Philly-based instrumental heavy rockers Serpent Throne will follow-up 2010’s White Summer/Black Winter (review here) with Brother Lucifer, and while no one can ever really know what to expect, it’s a safe bet that the dual-guitar outfit will have the solos front and center once again. Having seen them do a couple new songs back in December, I can’t blame them in the slightest. Looking forward to letting these songs sink in for a while and having those solos stuck in my head. Track stream here.

23. Melvins, Everybody Loves Sausages (April 30)


Hey wow, a Melvins covers album. Finally, an opportunity for the band to let their hair down and go wild a bit, right? I mean, at long last, they can really feel free to indulge a little and explore their musical roots in a free and creative way. Okay, you get the point. In all seriousness, it’s a pretty cool idea and anything that teams the Melvins with Scott Kelly to do a Venom song is probably going to be a worthy cause. The most amazing part of it is they haven’t already done a version of “Black Betty.” More info on the forum.

24. Revelation, Inner Harbor (April 30)


Their most progressive outing yet and their first album since 2009, Revelation‘s Inner Harbor (review here) is bound to surprise some who thought they knew what to expect from the Maryland doom stalwarts who double as the classically rocking Against Nature. Good thing Inner Harbor had a digital release last year through the band’s Bland Hand Records to act as a precursor to this Shadow Kingdom CD issue. Rumor has it vinyl’s on the way as well, so keep an eye out, since John Brenner‘s guitar tone should be heard on as natural-sounding an apparatus as possible. More info here.

Okay, so you’re saying to yourself, “Golly, that’s a lot of stuff.” You’re absolutely right. But even as I was typing up this feature, I got word of a new Queen Elephantine full-length coming in April, so even as much as this is, it’s not everything. And that’s not even to mention May, which will bring a new Shroud Eater EP, a new Kylesa record and a new Mark Lanegan collaboration, among however much else. Tons of stuff to keep your ears out for, and like I said way back at the top of this thing, if you have something to add, a comment’s always appreciated.

Thanks for reading.

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Kvelertak, Kvelertak: The Shape of Blackened Stoner Vikingcore to Come

Posted in Reviews on April 8th, 2011 by JJ Koczan

Triply-guitared Norwegian outfit Kvelertak made a serious impression with their self-titled debut full-length, released last year on Indie Recordings. Enough of an impression so that Brooklyn’s The End Records came in with a bid for a US release of the six-piece’s Norwegian-language album, which they issued with six bonus tracks (presumably one for each member of the band) of demos and a live session at the BBC. The resulting “new” album is 17 tracks and 73 minutes long – a beast by almost any measure – even if Kvelertak’s sound wasn’t so drenched in vitality and ghastly relevance. The band, who’ve been hailed over the world for their creativity and for whom the hype has been not so much palpable as claustrophobia-inducing, blend a variety of genres across their original 11 studio cuts, touching on black metal, new school beardo stoner, screamo punk and party metal, with a Viking reference or two thrown in. There are parts that just begging for thousands of clapping hands at insert-European-festival here and parts that evoke a woodsy misanthropy, so Kvelertak is nothing if not running a wide gamut of influences.

That works to their benefit on these tracks, as each new reference that pops up is well blended into the context of an overall Kvelertak sound, and even in its darker moments, the upbeat energy of the record – perhaps its most infectious element – is maintained. With six members in the band, there’s room for a slew of backing vocals, gang chants and arrangement tweaks, and at times vocalist Erlend Hjelvik isn’t so much just screaming overtop of riffs has he is conducting a choir of shouts. As one would have to expect, solos abound. The guitars of Bjarte Lund Rolland, Maciek Ofstad and Vidar Landa trade off harmonies and leads, and there are songs that can be overwhelming for how much they have going on, but thanks to the work of Hjelvik, bassist Marvin Nygaard and drummer Kjetil Gjermundrød, the album is never completely out of control and an overarching flow is achieved. Despite the reckless sound of the band, the raucous nature of the material and the fact that opener “Ulvetid” starts out with a gang chant of the band’s name and closer “Utrydd Dei Svake” closes with one (at least lyric-wise), Kvelertak is neither dumb nor out of control. They know exactly what they’re doing here, and that counts among their several key assets.

At the most basic level, Kvelertak rocks. In almost every sense you can think of, the album is a collection of driving, uptempo tracks that – I’ll say it again because I don’t think it can be stressed enough – are so frantic they almost emit light. Captured in the studio by Kurt Ballou of Converge, the hardcore side of the band comes through in an aura of band solidarity. “Ulvetid” (which translates to “Hunting Time”) seamlessly melds punk and black metal in its layers of guitar, and Hjelvik is either to affect either style in his screams. Immediately, the record draws you in, and the Orange-hued opening riff of “Mjød” only drives that point further home. Despite being the shortest track on the album, “Mjød” is also one of the most memorable for its chorus, which, speaking no Norwegian, I still wanted to sing and clap along with. That track’s punk elements are to the front, but “Fossegrim,” which follows, starts off with a verse riff straight out of Norway’s blackened lineage. Where Kvelertak get into putting their stamp on it is just after 1:20, when the song breaks to just the guitar (sounds more like keyboard), taking the progression someplace completely differently before a solo/breakdown section and squibblies keep the guitars busy as Gjermundrød – to his credit – not only manages to keep up with the deluge of changes, but actually establishes a groove in each part and keeps the song moving.  One could hardly blame him if his head had exploded two minutes into the track.

“Blodtørst” is memorable for bringing in an acoustic-led break (punctuated by steady bass drum kicks) in its midsection, refusing even then to let go of the momentum the band has established. Everything on Kvelertak happens fast, and that’s part of what makes the record so exciting. It’s telling you to keep up with it if you can, and I think that part of the reason the band has had such success around the world is their being able to stay heavy in the traditional sense – fast, loud, dense tonality – while also working the punk accessibility into their sound. It’s a winning formula across this album, and I’d be surprised if others didn’t pick it up as a tactic in the future, the same way Torche’s brand of melodicism seems to have become universal these days among newer-school doomers. Kvelertak – with their John Dyer Baizley (Baroness) cover art, Kurt Ballou production and, now, specific American release – definitely have their sights on an international market, and going by the reaction Kvelertak has received, rightly so. As the riffy break in “Offernatt” – a place where Nygaard most makes his presence known on bass – fades into the classic rock opening of “Sjøhyenar (Havets Herrer),” it’s increasingly clear Kvelertak have something special going on sound-wise. Call and response vocal interplay on “Sjøhyenar (Havets Herrer)” results in one of the album’s most definitively punk moments, but again it isn’t long before the band changes it up with more acoustic guitars and a straight-ahead rocking chorus.

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