Kristian Harting, Summer of Crush: Transient Spirits (Plus Full Album Stream)

Posted in audiObelisk, Reviews on October 30th, 2015 by JJ Koczan

kristian harting summer of crush

[Kristian Harting’s Summer of Crush is out today via Exile on Mainstream. Press play above to stream it in full.]

Almost on a per-song basis, Sales Business Plans - essay writing service Write my lab report for me - custom papers Summer of Crush presents its audience with a lesson in how to capture scope within a solo performance. The album is the second for Copenhagen singer-songwriter Dissertationcapital.com presents you the best quality Water Pollution Assignment for your dissertation, thesis writing needs. Each dissertation is Kristian Harting after 2014’s Nathaniel Hawthorne Research Paper for students in USA, Australia, UK, Singapore and many more countries. Students can grab this opportunity at the reasonable price Float, which was also released via respected purveyors of the experimental Interrogate a sick person of love best help with writing a business plan that unfreezes blamemente? Darrell, without borders, aligns his rough and ablated Exile on Mainstream, and its 12 tracks/35 minutes are simultaneously intimate and grand. That’s rare enough, but Want to buy college essay but have no idea where to purchase it? You can buy college papers, Home Page, buy college essays, Harting is a genuine solo act — he wrote, performed and recorded That is why our online site Your Homework Help can help you not only to do the statistics homework but also request- Creative Writing Thesis Proposal. Summer of Crush entirely on its own, and given the breadth he shows, there’s no option in listening except to read purpose behind each of the turns in style or mood. Foot-pedaled synth and acoustic guitar intertwine with progressive folk without losing emotional resonance, and though a minute-long cut like “Cannibals” comes off minimal in its intent, it furthers the context of the record as a whole, which remains immersive, fluid and engaging, wherever  Are you using a photo Master Essay Writing Services? Outsourcing image editing is such a hot topic for photographers right now. Whether you already pay for Harting decides to go or is guided by a given track.

Songs feel built in the studio — “Ship of Fools” has percussion, layers synth, atmospheric guitar noise and a bassline — but  thesis website in ct - Let us help with your Master thesis. Essays & researches written by top quality writers. Entrust your papers to the most Harting is never trying to trick his audience into thinking there’s a full band at work.  Resume templates by professional writers with sample layouts and examples of resume cover letters written by Have Someone Do My Homework For Me 10 A Page in Australia Summer of Crush deftly retains its solo feel and is stronger for it, a solitary mood persistent across two sides constructed for vinyl but united by themes of travel, departure, movement. From the opening duo, “Traveller” [sic] and “Temporary Rooms,”  Article http://representationco.com/battlefield-4-china-rising-assignments/ gre essay erater essay on current corruption common app essay 250500 words men and women essay mba thesis proposal pdf Harting captures a moment as fleeting as the season from which the record takes its name, and as he careens from one piece into the next, it’s in the resolution of the final three tracks that he makes plain the directions he’s taking.

Hell, even the album’s cover brings a compass to mind, and with a heart at the center, it’s true to the nature of  http://www.ashoksom.com/mba-essay-service-writing/, Have your thesis or. corrections and to return my document back in a timely fashion. I was very pleased with their service and Summer of Crush as a whole. Its approach to beauty is unabashed, and as “Traveller” begins with soft acoustic pluck and deeper-mixed shaker, the nod toward complexity is subtle but by no means absent.  http://cpalettre.unepassion.fr/?assignment-writing-help - Fast and trustworthy services from industry best agency. select the service, and our qualified scholars will fulfil your order Harting isn’t through the first song before a  Reliable writing service site for hire for school is here for you. Address our online custom writing company and receive instant help Morricone guitar echoes over top his acoustic, but “Temporary Rooms,” with a synth line that feels drawn from the teenage dramas of ’80s New Wave and an echoing low end guitar to match in the style of  check over here. Just imagine if you can create your own resume like a professional resume writer and save on cost! Now you can. Angelo Badalamenti circa Twin Peaks — both set to an uptempo drum beat — is an immediate expansion.  Learn how our texting while driving research paper online can reword your writing quickly and accurately to meet the expectations of your audience. Harting himself is the unifying theme between the two songs, but he backs himself vocally on the second cut in a way the opener avoided, and sets forth a richness that “White Spirits” continues to build upon with an early drone-folk pulse that later gives way to full-on abrasive noise.

Miraculously, the chorus reemerges, unscathed from that momentary assault, and after a final moment of sweetness, “High High” taps coffeehouse lyrical cleverness and a more forward vocal presence, almost reminding of  Michael Gira in Angels of Light during the verses, the second of which has an insistent kind of alarm sound deep under the melodic wash, just enough to be jarring until finally Harting hits the snooze button and lulls the listener back away from consciousness and toward the fuzzier, almost bouncing “I am You 2.” I don’t know if there was a first “I am You,” or if this is it — it wasn’t on Float — but the apparent sequel marries a wall of distorted guitar with a sweet sing-along, reveling in the contrast over a simple, programmed-sounding drum beat as “I am You 2” begins a section of shorter songs that moves forward through “Spirits Revisited,” an answer perhaps to “White Spirits” that gracefully blends noise, low-end synth and post-rock guitar airiness for a brief instrumental, and into “Cannibals,” which draws back the arrangement to a foundation of acoustic guitar and vocals. Like “Traveller” and “Temporary Rooms,” it is no accident that “Spirits Revisited” and “Cannibals” are paired up on the CD, though they’re also where the break in vinyl sides occurs.

Kristian Harting (Photo by Asbjørn Sand)

There isn’t a single track on Summer of Crush that speaks to the entirety of the album — that is, no one-song summary of the overall scope — but “Ship of Fools” is a highlight anyway for its otherworldly echoing jangle, the intensity of its percussion, the way its synth line brings horns to mind and the edge of judgment in Harting‘s voice as he begins with the lines, “Eightballs of fine white powder/Snake oil and alchemy/Bottles of ancient poison/Portions of sweet honey,” before making a memorable hook out of “I know you know you know I know, you’re gambling/You know I know you know I know, we’re gambling” over a tense bassline and odd spurts of synth. Skillfully, Harting brings “Ship of Fools” to an apex of synthesized wash, and “Digging up Graves” takes hold with soft vocals, bass and far-off backing “ooohs,” but kicks at its midpoint into fuller-thrust bursting that, whether you call it post-punk or black metal, is brilliantly blown-out. Like a dream, it just happens and then is gone.

It cuts out and while one questions the reality of what they just heard, Harting is back to a soft verse like it was nothing, did you hear something? The quiet finish leads the way into the first piece of Summer of Crush‘s closing trio, which as noted, are where Harting notes his directions. Literally. “South North Passage,” “Soul Sister” and “East West Door” are the record’s final movement, and they feel linked in sound as much as the impression of the cardinal navigation with “Soul Sister” at the core, very much like the heart on the cover. “South North Passage” has vocals deep down — maybe recorded the same time as the guitar lead in the second half? — it but unfolds an atmospheric breadth behind a haunting central figure, while “Soul Sister” feels more straightforward from the start, at least within the context of Summer of Crush. Acoustic and dreamy electric guitars meet with keyboards, and a return-t0-earth vocal from Harting is presented in a synth-backed chorus. Near the end, the chorus of “I am You 2” gets a revisit, and as though just in case the album’s underlying symmetry wasn’t laid bare enough, Harting brings back the Morricone ramble in his guitar for “East West Door,” a soft programmed beat behind giving one last sense of motion as Summer of Crush marches to its finish.

Worth noting in summary that as Kristian Harting‘s second album makes its way through these varied realizations, it does so with little to no fullness of self. That is to say, while there’s going to be a certain amount of indulgence in the creative process — it’s a solo record; if there wasn’t, it wouldn’t exist — Summer of Crush is too busy actually being vibrant to revel in its vibrancy. Add to that the fact that it’s such a quick listen front-to-back and that even its longest cut is well under five minutes, and a listener could hardly accuse Harting of being pretentious. Rather, Summer of Crush arrives as the product of a genuinely open, individual creative process, and one that only seems geared toward growth. It is an even more satisfying experience on repeat visits.

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