Heavy Glow Announce Breakup; New Projects in the Works

Posted in Whathaveyou on July 11th, 2017 by JJ Koczan

Songcraft specialists Heavy Glow have called it quits. Actually, if you want to go by their minimal statement of same, they’re calling it a ‘day,’ but it works out to be the same anyhow. They’re not a band anymore. The announcement came through Thee Facebooks late last week and as you can see below, that’s basically all they had to say about it.

Well, fair enough, right? Cool band breaks up? We’ve all heard that story before and really, that bottom line is what it is. Fine. But I decided to get some more info on the subject — investigative reporting! — and so I emailed frontman Jared Mullins over the weekend and asked what happened and what he’d be up to next. You might recall the trio had new material in progress as a follow-up to 2014’s Pearls and Swine and Everything Fine (review here), which was also released last year by Kozmik Artifactz (info here).

Turns out that next album has been recorded and Mullins may still do something with it. He offered a frank update on the end of Heavy Glow and the plan going forward that you can find below in its entirety:

heavy glow

Heavy Glow – Breakup Announcement

We’ve decided to call it a “day.” Two more shows and then its on to better things. Thank you all.

Jared Mullins on what’s next:

We’re changing the band name. When I first started HG in 2008 I didn’t know any other bands that had “Heavy” in their name. I just thought it was a cool hippy thing kinda like Iron Butterfly where you put two extremes next to each other. I don’t think I was the first to use “Heavy” in a band name but I didn’t know anyone else that did at the time. It stood out to me. Now almost 10 years later, every city has at least one band with “heavy” in their names. For years we’ve fought off comments about Red Hot Chili Peppers, Heavy Flows, Heavy Blows, Heavy Snows etc. So we’ve got two more shows as Heavy Glow and then we’ll go silent and come back under a different band name.

The new name will I think do us better by not poisoning the first impression of music-listeners. I’ve never been a stoner rock listener. For years I’ve been told my inspiration for writing has been all these stoner rock bands I’ve never listened to. Honestly I had no idea what stoner rock was when I was started the band. Now the name is synonymous with a genre I’m not truly a part of, and as the only contributing member of Heavy Glow since the start I need to be apart of something I believe in. I mean what really does “Got My Eye On You” have in common with bands like Mothership? Apples and oranges. Plus I have the added advantage of not being all that successful with the band so I’m not reluctantly forced to keep going with it.

So we’ll go blank for a few months and come back in a few with a new band name, new band members, new website, new photos etc. We recorded an album of 50 minutes of music in Oxfordshire England with Ian Davenport (Radiohead, Band of Skulls) back in January. Hardly anyone has paid attention to that I guess (proof it’s time after almost 10 years of Heavy Glow to do something else.) The album is the best thing I’ve ever written and closer to what I’ve been wanting to do with Heavy Glow. You don’t get invited to record in England if the material is no-good. So that’s the plan.

https://www.facebook.com/heavyglowband/
http://instagram.com/heavyglowmusic
https://twitter.com/heavyglowmusic
https://heavyglowband.bandcamp.com/
http://www.heavyglowmusic.com/

Heavy Glow, Pearls and Swine and Everything Fine (2014)

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Child Launch European Tour July 15

Posted in Whathaveyou on June 29th, 2017 by JJ Koczan

child

Come on, Europe. Get on this one. Aussie blues rockers Child return to your shores in a few short weeks and they still have a handful of dates TBA for the tour. Time to step up. The trio offered up some of the most kickass heavy blues roll this side of a slower Firebird on their late-2016 second album, Blueside (review here) — released by Kozmik Artifactz — and I’m not trying to tell anyone their business or say anybody owes anyone anything, but it’s only right that as they hit the capital-‘c’ Continent to support that hands-up righteous outing, they be met with due hospitality. You could book a show. Shit, have them play in your living room. I bet they’d do it and I bet that show would rule. Get video. I’ll post it — promise.

They’ve got a bunch of fest appearances anchoring the run, including Stoned from the Underground, which kicks things off on July 15, and other dates that find them paired with the formidable likes of Acid King, Elder and King Buffalo, so it seems to me that once the TBA gigs are locked up, they’ll be sitting pretty. Make it happen.

Here’s the info for the tour as it stands now:

child euro tour

CHILD European Tour July/August 2017

Following the successful release of our second LP ‘Blueside’ we are overjoyed to be crossing the pond once again!

The CHILD European tour 2017 covers some of our favourite festivals (including a little jaunt to the Arctic Circle) and includes a string of dates with US bands ELDER, ACID KING and KING BUFFALO.

Dates:
2017-07-15 GER – Erfurt, Stoned From The Underground
2017-07-16 POL – Pleszew, Red Smoke Festival
2017-07-17 DNK – Copenhagen, Pumpehuset *
2017-07-18 TBA
2017-07-19 TBA
2017-07-21 NOR – Oslo, Blå *
2017-07-22 NOR – Tromsö, Bukta Festival
2017-07-24 GER – Hamburg, Hafenklang *
2017-07-25 GER – Wiesbaden, Schlachthof *
2017-07-26 TBA
2017-07-27 GER – Berlin, Badehaus
2017-07-28 GER – Siegen, Vortex *
2017-07-29 BEL – Liege, Le Hangar * ~
2017-07-30 FRA – Paris, Glazart * ~
2017-07-31 GER – Munich, Backstage (Free & Easy) * ~
2017-08-01 ITA – Milano, Magnolia * ~
2017-08-02 TBA
2017-08-03 TBA
2017-08-04 GER – Beelen, Krach Am Bach Festival
2017-08-05 BEL – Waarschoot, Roadkill Festival
* with Elder/King Buffalo
~ with Acid King

Child is:
Mathias Northway – Guitars, Vocals
Michael Lowe – Drums, Percussion
Danny Smith – Bass Guitar

http://www.childtheband.com
https://www.facebook.com/childtheband
https://www.instagram.com/childtheband/
http://kozmik-artifactz.com/artist/child/
https://childtheband.bandcamp.com

Child, Blueside (2017)

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The Obelisk Presents: The Top 20 of 2017 So Far

Posted in Features on June 12th, 2017 by JJ Koczan

the obelisk top-20-2017-so-far

The time has come to take a look at some of the best albums of 2017 so far. I hardly know where to start. In some ways, this list is harder to put together than the end-of-year one that comes out in December, because by then not only do you have the full year to draw on, but it’s easier to sort of put a narrative to the course of events of 12 months, whereas in this case, obviously, the story is half told. So I guess if the list feels incomplete, that might be part of why.

Even with just six months to work from, the list has become fairly immense. I’ve been keeping track of 2017 releases since about September of last year, and the amount of stuff that’s come through has been staggering. Every year brings good music, and the basic fact of the matter is that if you don’t think so it’s because you’re either unwilling to find it or unwilling to let yourself hear it, but 2017 has been a multi-tiered assault of sounds from all over the world, and it seems like whatever you might be into, the universe stands ready to accommodate.

There’s a lot to say about that — is the market flooded? — but it’s a topic for a different post. I’ll keep it short here and just say that as always, it’s an honor to be covering the stuff that I cover and that I deeply appreciate you taking the time to read. I hope if there’s a release you feel deeply passionate about that you don’t see on my list below that you’ll please let me know about it in the comments.

Also, please note that in order to qualify for this list, a record had to come out on or before June 9. That’s the cutoff.

Okay, here goes:

The Top 20 of 2017 So Far

elder reflections of a floating world

1. Elder, Reflections of a Floating World
2. All Them Witches, Sleeping Through the War
3. Samsara Blues Experiment, One with the Universe
4. Colour Haze, In Her Garden
5. Atavismo, Inerte
6. Sun Blood Stories, It Runs Around the Room with Us
7. Cloud Catcher, Trails of Kozmic Dust
8. Vokonis, The Sunken Djinn
9. The Obsessed, Sacred
10. Mothership, High Strangeness
11. Spaceslug, Time Travel Dilemma
12. Electric Moon, Stardust Rituals
13. Alunah, Solennial
14. Arc of Ascent, Realms of the Metaphysical
13. Rozamov, This Mortal Road
14. Siena Root, A Dream of Lasting Peace
15. PH, Eternal Hayden
16. Geezer, Psychoriffadelia
17. T.G. Olson, Foothills Before the Mountain
18. Telekinetic Yeti, Abominable
19. The Devil and the Almighty Blues, II
20. Lord, Blacklisted

Notes

If you keep up with this site at all, there probably aren’t a lot of surprises in there. These are all records that have been discussed at great length over the last six months, reviewed, streamed, analyzed, whathaveyou’d all the way. If you don’t believe me, search any of the names. Still, as far as my personal picks go and who I think has crafted something special over the last six months, this feels pretty representative to me. I managed to live for a full week with the list as you see it above, without making changes. That’s usually my standard.

And as always, it’s a combination of what I’ve listened to most and what I feel has had the greatest impact thus far into the year. Between the two, there was little doubt Elder would take the top spot. I’ve probably listened to the All Them Witches record more than anything else this year, including Elder’s Reflections of a Floating World, but the truth is the Massachusetts trio are working at a level of their own making in terms of their sonic progression, and that they’ve emerged as one of if not the most pivotal American underground heavy rock bands going. The situation was much the same when they put out Lore in 2015 and claimed that year’s top-album spot, but even since then their sound has expanded and they continue to demand ultimate respect.

As for the All Them Witches album — absolute stunner. The increased depth of their arrangements on Sleeping Through the War came at no expense of songwriting, resulting in ultra-memorable material that could either wash over you with melody or shove you out of your seat with the force of its rhythm, and that band continues to be a treasure. No other way to put it.

From there, we move into what I think are the four best heavy psych offerings of 2017 so far, with Samsara Blues Experiment, Colour Haze, Atavismo and Sun Blood Stories, in that order. Samsara Blues Experiment’s return has been a joy to witness and their first album in four years lived up to the occasion. Colour Haze expanded the palette from their last album with In Her Garden and proved as immersive as always. I’m still getting to know that record. Atavismo’s second full-length upped the progressive influences without losing fluidity or cohesion in songwriting, and Sun Blood Stories’ hypnotic shoegaze offered expansive thrills and a sense of varied, beautifully crafted exploration.

A pair of exciting young bands thereafter in Colorado’s Cloud Catcher, whose boogie is right-on-right-on and whose development continues to hold much potential, and Vokonis, whose crushing riffs on The Sunken Djinn were met with an increased focus on structure and tightening of approach that maximized overall impact. The Obsessed’s unexpected return could only be called a triumphant one, and Mothership’s third long-player found them working in a richer sense of mood than previous outings, adding yet more character to what was still a blast of good-time rock and roll. They round out the top 10 in full command of who they are as players.

Granted, the next 10 releases are kind of all over the place, but I think that just shows the overarching quality of work being done across the board. From Spaceslug’s melodic stoner-psych to Electric Moon’s studio return — so, so, so good — to Alunah’s continued growth in nature-worshiping heavy and Arc of Ascent’s comebacker of rolling heavy riffs and metaphysical themes, there’s been so much to take in. I especially like the pairing of Rozamov and Siena Root as a sense of scope for 2017 so far; the former being so dark and crushing and the latter who lived up to calling their record A Dream of Lasting Peace. You want to know both ends of the spectrum? There they are.

PH’s Eternal Hayden gets a nod for its effective reset of the context of that band following the completion of their trilogy of albums, and Geezer’s Psychoriffadelia might have been something of a tossoff in the making, but the level at which the New York trio jams nonetheless assures it a spot here. Plus, a Nazareth cover. So duh.

I couldn’t help but include T.G. Olson’s Foothills Before the Mountain on the list as the Across Tundras frontman creeps closer to a full-band sound for his solo work, adding to his acoustic singer-songwriter foundations, and the crush of Telekinetic Yeti’s post-Sleep riffing evoked so many nods I thought they deserved one here as well. Placing The Devil and the Almighty Blues was difficult, but especially after seeing them live, I felt like I had a better idea of where they were coming from on II, so knew they belonged somewhere, even if it was tucked in at the end. And of course, Lord. Always killer, always experimenting, always chaotic. Never have grind and sludge sounded more cohesive together. They’re the band I wish Soilent Green had become, and yes, I mean that.

Honorable Mention

Let’s do another 10 releases, shall we?

21. Beastmaker, Inside the Skull
22. Arduini/Balich, Dawn of Ages
23. Brume, Rooster
24. John Garcia, The Coyote Who Spoke in Tongues
25. Six Sigma, Tuxedo Brown
26. Demon Head, Thunder on the Fields
27. Summoner, Beyond the Realm of Light
28. Steak, No God to Save
29. Six Organs of Admittance, Burning the Threshold
30. Dool, Here Now There Then

And just to make the point, here are even more worthy of note in this space:

Elbrus, Elbrus
Cortez, The Depths Below
Ecstatic Vision, Raw Rock Fury
Child, Blueside (a December 2016 release, maybe, but I think the vinyl was this year, so whatever)
Pallbearer, Heartless
Spidergawd, IV
Green Meteor, Consumed by a Dying Sun
Loss, Horizonless

There are of course other names as well that come to mind. Like I said at the outset, it’s a crowded field: Hymn, Arbouretum, Green Meteor, REZN, Demon Head, Galley Beggar, Devil’s Witches, Orango, Heavy Traffic, Coltsblood, Mt. Mountain, Vokonis, Solstafir, High Plains, on and on.

Also worth highlighting several really, really quality live records that have surfaced so far this year. I didn’t really know where to place them among the other studio offerings, but they deserve note for sure:

Causa Sui, Live in Copenhagen
Death Alley, Live at Roadburn
My Sleeping Karma, Mela Ananda – Live
Enslaved, Roadburn Live

More to Come

Of course, we’re still just barely halfway through the year, so keep on the lookout for more to follow. If you didn’t see my massive 200+ albums to watch for list in January, it has many that have come out and many more still to surface, but here are a few highlight names as well that you’re going to want to keep an eye on in the months ahead:

Queens of the Stone Age
Radio Moscow
The Atomic Bitchwax
Kadavar
Ufomammut
The Midnight Ghost Train
Moon Rats
Clamfight
Egypt
the Melvins
Bison Machine
Seedy Jeezus
High on Fire
Monster Magnet

Thanks for Reading

Before I check out, I’d like to give special mention to Lo-Pan’s In Tensions EP as the best short release of the year thus far. Along with EPs from Godhunter, Kings Destroy, Solace and Shroud Eater, it has assured those seeking a quick fix are handed their ass in return for asking.

Well, that’s about where I’m at with it. As per usual, I’m sure there are things I forgot and/or left off here, because I’m human and whatnot, so please if you have something to add, feel free to do so in the comments so long as you can keep it cordial. No name calling. I’m sensitive and you’ll ruin my whole day. I mean that.

Thanks again for being a part of this and here’s to an excellent rest of 2017.

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Devil Electric Set Aug. 11 Release for Self-Titled Debut; New Video Posted

Posted in Whathaveyou on May 19th, 2017 by JJ Koczan

devil electric

Melbourne, Australia, four-piece Devil Electric situate themselves somewhere between doom and more modern heavy blues in the first audio to come from their self-titled Kozmik Artifactz debut full-length, which is set to release this August as the follow-up to their 2016 EP, The Gods Below. With a creeper riff and some darker tonality, “Hypnotic” finishes the record in question, and though one wonders if it’s an outlier stylistically or a summary of the preceding proceedings — a closer could go either way, right? — there’s no denying the hook at play, and so the answer to that question might just be “both.” I haven’t heard the album yet, but that’d suit me just fine.

The PR wire brings album info and the new video, courtesy of the label:

devil electric self-titled

Devil Electric release new single “Hypnotica” & details of debut album!

Devil Electric are proud to announce a worldwide deal with German heavyweight label Kozmik Artifactz for the release of their debut self-titled album.

The 37 minute, 9-track debut will be available digitally and in three colourways on 180gm vinyl, with a release date of August 11.

The first single to be released and final track from the album is “Hypnotica” – watch the video clip below.

Available as CD & limited vinyl

Release Date: 11th August 2017

VINYL FACTZ
– Plated & pressed on high
performance vinyl at
Pallas/Germany
– limited & coloured 180g vinyl
– 300gsm gatefold cover
– special vinyl mastering

TRACKS
1. Monologue (Where You Once Walked)
2. Shadowman
3. Lady Velvet
4. Acidic Fire
5. Monolith
6. The Dove & The Serpent
7. The Sacred Machine
8. Lilith
9. Hypnotica

Fronted by the gracious & haunting female presence of Pierina O’Brien, Devil Electric are a riff-heavy 4-piece rock n’ roll band. Lead single Hypnotica is the final track from their debut record, a six and a half minute heavy-blues infused fuzzed-out jam thattransports the mind into the swelling, darker depths of rock n’ roll.

Since forming mid-2015 Devil Electric have supported Truckfighters (Sweden), The Sword (USA), Endless Boogie (USA), Kadavar (Ger) toured the east coast with The SIGIT (Indonesia) & played Cherry Rock Festival in AC/DC Lane. They signed with Kozmik Artifactz (Ger) following the success of their debut EP, The Gods Below, which saw an independent release over two 7” vinyl editions.

Devil Electric are:
Vocals – Pierina O’Brien
Guitar – Christos Athanasias
Bass/Vocals – Tom Hulse
Drums – Mark Van De Beek

https://www.facebook.com/devilelectric/
http://shop.bilocationrecords.com/index.php?k=986
https://www.facebook.com/kozmikartifactz

Devil Electric, “Hypnotica” official video

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Review & Full Album Stream: Geezer, Psychoriffadelia

Posted in audiObelisk, Reviews on May 16th, 2017 by JJ Koczan

geezer psychoriffadelia

[Click play above to stream Geezer’s Psychoriffadelia in its entirety. It’s out June 9 via Kozmik Artifactz and STB Records.]

There are multiple angles of approach one might take when it comes to Geezer‘s fourth long-player, Psychoriffadelia. Like the title itself, the tracks are a mash of the different ideas the New York-based band have been advancing since their beginnings, working in a scope of heavy psychedelic jamming, classic heavy rock, heavy blues and often more than a touch of stoner sleaze. No, it’s not a coincidence that I used the word “heavy” three separate times in that last sentence. That’s been a running theme for Geezer‘s work all along, from their 2013 debut, Electrically Recorded Handmade Heavy Blues through the EP-turned-full-length Gage (review here) and most realized on last year’s self-titled third outing (review here), and Psychoriffadelia finds them more than happy to pick up the thread and run with it for the course of its five tracks and 39 minutes, delivered through Kozmik Artifactz in Europe and STB Records in North America.

One finds, however, that the most defining aspect of Psychoriffadelia might just be transience. There is evidence of growth even from where the self-titled had them to be heard in the overall balance between jammy flow and songcraft — Geezer have taken the lessons of Texas’ Wo Fat (who in 2009 put out an album called Psychedelonaut and might be this generation’s masters of the form in the US) and incorporated them into their Northeastern grit — and their sound is ever more identifiable as their own with guitarist/vocalist Pat Harrington coming across as more comfortable in tackling vocal melodies on a cut like “Red Hook,” but with the bulk of the material recorded live in the studio — Redbird Studio in NYC — in a single day, the natural vibe that persists as a result, and the inextricable link between Psychoriffadelia‘s release and Geezer‘s first-ever European tour, set for this summer, it’s a fleeting sensibility that most emerges from this material. The fruit of a moment that, no matter what Geezer do from this point on in their tenure, won’t come again.

Add to that the lineup factor. Harrington and bassist Richie Touseull work here with Charles Ruggiero, who steps in to take the place of founding drummer Chris TurcoRuggiero is an ex-bandmate of Harrington‘s in woefully-monikered hard rockers Slunt, so it’s no surprise to find there’s chemistry there based on their past experience playing together, but though he’ll play on the tour as well, Ruggiero is still officially filling in for Turco. So even in their makeup in terms of who’s playing, Geezer seem to be captured here in a state of flux. All the better to get that cover of Nazareth‘s “Hair of the Dog” to tape while the getting’s good. That cowbell-infused, attitude-laden classic serves as Geezer‘s launch for Psychoriffadelia, and Harrington‘s gravely voice does well in taking on its mega-hook, “Now you’re messing with the son of a bitch,” delivering the line with a swagger that goes on to inform the rest of side A in “Stressknots” and the 10-minute “Psychoriffadelia” itself. The former is a chugging enterprise of marked heft and fuzz but a creeping melodic verse, building in energy as it shifts toward its chorus, Geezer working effectively in their more straightforward songcraft modus on what’s the shortest inclusion here, original or otherwise, at 4:40.

An open, bluesy bridge just past the three-minute mark leads back to the charge of the hook and they finish with a section of crackling noise and sparse guitar ambience, leading into the start of the title-track, which buzzes to life over the course of its first 30 seconds before a subdued guitar establishes the defining line for the jam that unfolds. It is especially telling that “Psychoriffadelia” is instrumental in its entirety, as it sends a clear signal of the shift in approach that it marks moving into the rest of the album that bears its name, which, though built to be split over two sides, nonetheless has a linear flow from the title-track into “Red Hook” and 13-minute closer “Dirty Penny.” Transitions are smooth throughout, but the manner in which the cuts in Psychoriffadelia‘s back half feed off each other and the more languid vibe feels like a definite departure from the more raucous “Hair of the Dog” and “Stressknots” — though the finale certainly makes an impression with its hook and strikes a balance between the “psycho,” the “riffa” and the “delia” — and it’s the title-track that serves as the beginning point of that.

geezer photo jj koczan

Even in this linearity, one finds that theme of transience playing out. The turn from “Psychoriffadelia” to the six-minute “Red Hook” is accomplished with a seeming nod to Monster Magnet-style fluidity, and though moodier in its affect, the latter cut is unquestionably the highlight of the album. It’s the most patient and psychedelic unfurling Geezer have executed to-date, and while in the past, a serene beginning like that of “Red Hook” might’ve led to a burst-out of bluesy, boozy heavy riffing — nothing wrong with that — this time, Harrington, Touseull and Ruggiero keep the vibe quiet, thoughtful and emotionally resonant in its melody, adding a new level of depth to their approach not found on the self-titled or any of their releases preceding. In the quick turnaround from their last offering, “Red Hook” is the clearest example on Psychoriffadelia of Geezer‘s continued creative growth. It’s not the only one, but it’s the clearest, and particularly after the immersion of the centerpiece title-track, its arrival feels like it’s being given a distinguished position in the course of the album. That is to say, they know it’s something special, which it is.

After its watery psych strum enters its long fadeout, the low hum that starts “Dirty Penny” takes hold and Harrington‘s voice echoes out the line, “Your pretty face is going to hell,” from deep in the mix, foreshadowing the standout line of the chorus that will serve as Geezer‘s final hook for Psychoriffadelia. Though more grounded than “Red Hook” and more structured feeling than the title-track, “Dirty Penny” still carries a drowsy spirit in its early going, picking up after the three-minute mark with more of a push en route to a quick guitar solo and final runthrough of the sleazy chorus — I’m sure there’s a story to it, but yeah: sleaze — and another, more extended and multi-layered stretch of impressive fretwork that serves as the beginning point for the jam that will consume the rest of the track, beginning in earnest at around six minutes in and expanding outward from there. Funky at the eight-minute mark, explosive by 9:30 and drifting into its compressed slide-and-strum just after 11 minutes in, the ending of “Dirty Penny” feels somewhat pieced together, but that’s also the point, and in that, it reinforces the stylistic patchwork that makes up the record’s title and overarching execution alike.

Geezer have always had an element of self-awareness to their approach, so that they would on Psychoriffadelia as well is nothing new, but what’s important to take from the release is that it shows even in a hurried mindset — putting this version of the band and these freshly-composed songs to tape before the opportunity passed — the band are able to conjure a sense of sonic progression. That’s pivotal, of course, but for most listeners it will be secondary to the quality of the material itself (and probably rightly so), but fortunately for the trio and their audience alike, that also holds up here. Psychoriffadelia finds Geezer mature in their style and firm in the knowledge of who they are and what they want to be as a group, building gracefully on their past aesthetic accomplishments while maintaining the roll, nod, blues and edge that has served them so well thus far. With the palpable development they’ve undertaken and the results that has yielded, Geezer have never sounded so ready for export.

Geezer on Thee Facebooks

Geezer on Bandcamp

Kozmik Artifactz website

Kozmik Artifactz on Thee Facebooks

Kozmik Artifactz on Twitter

STB Records on Bandcamp

STB Records on Thee Facebooks

STB Records BigCartel store

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Geezer to Release Psychoriffadelia June 9; European Tour Dates Announced

Posted in Whathaveyou on April 27th, 2017 by JJ Koczan

geezer

Hey, if you’re gonna go, make an occasion of it. We’ve known for some time that New York heavy psych blues rockers Geezer were headed to Europe in 2017. They were announced in December for the lineup of Freak Valley 2017, and just a couple days after that, confirmed the appearance would coincide with a first tour on European shores.

So what’s new? What’s new is the fact that Geezer will go not only supporting their righteous 2016 self-titled full-length (review here), but a new, fourth LP as well — dubbed Psychoriffadelia and due out June 9 through Kozmik Artifactz in Europe and STB Records in the US with preorders set to start as soon as this post is live. So… now.

Comprised of five tracks that run a 39-minute gamut from the scummer boogie bliss of Nazareth‘s “Hair of the Dog” — “Now you’re messin’ with a son of a bitch,” and all — to the vulnerable blues of “Red Hook,” the sleaze of “Dirty Penny” and the megajams that ensue there and in the 10-minute title-track, Psychoriffadelia is the result of Geezer firing at max volume on all cylinders, expanding on the self-titled while reinforcing that album’s accomplishments with a brazen next step forward. Don’t be fooled by the quick turnaround — there’s growth here. Not that I’ve heard it yet or anything. Ahem.

Psychoriffadelia also finds Geezer working as the three-piece of founding guitarist/vocalist Pat Harrington, bassist Richie Touseull and drummer Charles Ruggiero, the latter a former bandmate of Harrington‘s in hard rockers Slunt and stepping in for Chris Turco, who handled drums on the last album as well as the 2014 LP, Gage (review here), and their 2013 debut, Electrically Recorded Handmade Heavy Blues. Ruggiero will take part in the European tour as well, which is booked through Total Volume Agency and Snuff Lane in the UK, and the band have set up a crowdfunding campaign to help with the inevitable expenses of making the trip. Rewards include an exclusive die-hard edition of the LP.

Info on that, the release announcement for Psychoriffadelia, and of course the tour dates all follow here, courtesy of the band:

geezer psychoriffadelia

GEEZER – Psychoriffadelia

The power of the riff. The allure of the psychedelic. The intensity of the electricity. These are the things that bring us together, these are the things that create Psychoriffadelia.

Recorded mostly live at Redbird Studio on 9/10/16 in New York City, the songs of Psychoriffadelia came together over the course of that summer. It had been months since we turned in the masters for our self titled album, yet still a few months until the album was released. We had been playing shows with Charles Ruggiero on drums while Chris Turco was on a work related hiatus. During that time, riffs arose, jams happened and songs were created. We wanted to capture that moment, no matter how fleeting.

We are proud to announce that Psychoriffadelia will be released on vinyl and CD through Kozmik Artifactz Records on June 9th! For those of you in the US, STB Records will have vinyl for sale through their webstore as well. Digital versions of the album will be available through the band’s Bandcamp page.

Here are the vinyl specs:
Release date: June 9, 2017
Pre-Order: April 27, 2017
180g high quality vinyl with gatefold
100x black
200x yellow
200x red/black marbled

Geezer, Psychoriffadelia tracklisting:
1. Hair of the Dog (4:48)
2. Stressknots (4:40)
3. Psychoriffadelia (10:16)
4. Red Hook (6:02)
5. Dirty Penny (13:23)

Artwork and Design by Kim Zangrando

A special “Die Hard Edition” of the album will be released through Geezer’s European Tour crowd funding campaign. This will include a screen printed jacket with alternate artwork, multi-colored vinyl and more! (see below for more info)

Live Album Official Release

In addition, Geezer’s live album, A Flagrant Disregard For Happiness is being released on June 9th, also through STB Records and Kozmik Artifactz Records. Originally released as an add on to the Die Hard version of the self-titled album, it is now being released on it’s own on beautiful 180g gold vinyl, limited to 150 units total!

The album contains one 30 minute instrumental (mostly improvised) track, A Flagrant Disregard For Happiness, which was performed at BSP in Kingston NY on April 1, 2016 as part of the ongoing Hudson Valley Psych Fest Series.

A video of this performance can be seen here: https://www.youtube.com/watch?v=cSs0deYCU98

European Tour

To celebrate the release of Psychoriffadelia, Geezer is going to Europe! With the help of Total Volume Booking, Geezer will be doing a 3 week tour that includes our first appearance at Freak Valley Festival! Some dates are still being confirmed but here is the latest:

geezer tour poster.13 June Paris, France / Le Gibus Live
15 June Mannheim, Germany / KURZBAR
16 June Netphen, Germany / FREAK VALLEY FESTIVAL
17 June Lille, France / Le Biplan
18 June Brussels, Belgium / Centre Culturel Garcia Lorca
19 June Ghent, Belgium / Kinky Star
20 June Strasbourg, France / Elastic Bar
21 June Lyon, France / La fête de la musique – Bar des Capucins
22 June Olten, Switzerland / Coq D’Or
23 June Clermont Ferrand, France / Raymond Bar
24 June Montaigu, France / Le Zinor
27 June Exeter, UK / Phoenix
28 June London, UK / The Dev
29 June Coventry, UK / The Arches
30 June Bristol, UK / The Old England
1 July TBC – UK

Indiegogo Crowdfunding Campaign
As mentioned above, Geezer will be doing a crowdfunding campaign through Indiegogo to help offset some of the expenses of the trip. Exclusive perks will include a “Die Hard” Edition of Psychoriffadelia. This edition will include a screen printed jacket with alternate artwork and multi-colored vinyl. Other perks include tour posters and shirts designed by Jo Riou, CD and digital versions of the new album, never before available embroidered patches and other exclusive perks. The campaign is already up and will run until Friday, May 26th.

We need your help to make this tour a reality. Any and all contributions are greatly appreciated!

Contribute to the Indiegogo campaign here: https://igg.me/at/xxo6XcM2mD4/x/16460786

Geezer is:
Pat Harrington – Guitar, Vocals
Richie Touseull – Bass
Charles Ruggiero – Drums

https://igg.me/at/xxo6XcM2mD4/x/16460786
https://www.facebook.com/geezerNY/
http://geezertown.bandcamp.com/
https://www.facebook.com/totalvolumebackline/
http://kozmik-artifactz.com/
https://www.facebook.com/kozmikartifactz/
https://twitter.com/kozmikartifactz
https://stbrecords.bandcamp.com/
http://www.facebook.com/pages/STB-Records/471228012921184
http://www.stbrecords.bigcartel.com/

Geezer, Geezer (2016)

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Kitchen Witch to Release Self-Titled Debut April 14

Posted in Whathaveyou on April 5th, 2017 by JJ Koczan

kitchen witch

Fuzz-coated Australian heavy blues rockers Kitchen Witch will release their self-titled debut LP via Kozmik Artifactz on April 14. That’s pretty soon. Like less that two weeks from now. Sorry for the lack of heads up on this one, but we’re still technically in the preorder phase, so it’s not like you missed out if you want to grab a copy. The 12″, which will be pressed in a total edition of 316, is made up of songs from the Adelaide four-piece’s two prior EPs, 2016’s Back to the Mud, which you can hear in the Bandcamp player below, and 2015’s Trouble, from which the last couple tracks were left off. Hey, sometimes you run out of room. It happens.

Australia’s heavy boom continues unabated.

Details from the PR wire:

kitchen witch self titled

Kitchen Witch set to release self-titled debut album this spring via Kozmik Artifactz

Australian stoner-blues rockers, Kitchen Witch, are set to release their debut full length this spring via Kozmik Artifactz. Comprised of tracks from the bands original self-released EPs, “Kitchen Witch” is a fuzzy, droning, soulful record that perfectly captures what Kitchen Witch are all about.

With their EPs having amassed over 10k plays on YouTube, Kitchen Witch are set to make waves this year. Fans of Royal Thunder, Blues Pills and Kyuss will be at home here as Kitchen Witch deliver a confident full length debut.

‘Kitchen Witch’ will be available on high quality 180g vinyl through Kozmik Artifactz on April 14th, 2017.

VINYL FACTZ
– Plated & pressed on high performance vinyl at Pallas/Germany
– limited & coloured 180g vinyl
– 166x green/white marbled (Exclusive mailorder edition, handnumbered)
– 150x black
– 300gsm gatefold cover
– special vinyl mastering

TRACKS
1. Slipstream
2. Third Eye
3. Delusion
4. Like Blood
5. Smoking
6. Trouble
7. Don’t Waste Your Time
8. O’Lord

KITCHEN WITCH are:
Vocals – Georgie Cosson
Bass – Simon Elliott
Guitar – Conor Kinsella
Drums – John Russo

https://www.facebook.com/kitchenwitchband/
https://kitchenwitch.bandcamp.com/
http://kozmik-artifactz.com/
https://www.facebook.com/kozmikartifactz
http://shop.bilocationrecords.com/

Kitchen Witch, Back to the Mud (2016)

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Hair of the Dog Release New Single; This World Turns Due in Summer

Posted in Whathaveyou on March 30th, 2017 by JJ Koczan

hair of the dog

No exact release date as yet, but following up on the chat had in the early hours of 2017 with Hair of the Dog‘s Adam Holt about the band’s next album, This World Turns, and work the Edinburgh three-piece did with James Atkinson of Gentlemans Pistols in bringing it to life, the title-track of the record has been posted as a free download. Now, the tentative issue date through Kozmik Artifactz is “summer” — in case you missed it in the headline above — so whenever it actually surfaces in the season, it’s a while off from right now, but one can hardly begrudge Hair of the Dog wanting to give listeners an early glimpse. They’ve been playing the song live for a time too, so it seems all the more reasonable they’d be eager to get the finished version out to the public.

Free tuneage awaits:

hair-of-the-dog-this-world-turns

Hair of the Dog – “This World Turns”

Returning this summer with their third studio album, “This World Turns” is Scottish riff rockers, Hair of the Dog – today releasing the title track as a FREE downloadable single!

Recorded and produced with Graeme Young of Chamber Studios (Hair of the Dog, The Siren’s Song) and mixed by James Atkinson of the Gentlemans Pistols (Nuclear Blast), This World Turns is easily the trio’s most experimental and adventurous album to date. As always, “This World Turns” snapshots the bands progression and journey through life – this time focusing on themes of maturity, responsibility and reflection.

Speaking exclusively to The Obelisk, Adam Holt said:

“This World Turns is an album of reflection, taking a pause to view the world through aged eyes. When we started HOTD, we didn’t have many responsibilities in our lives, I certainly didn’t. Now I’m engaged and due to be married later this year, Iain is also now married and Jon has had two awesome kids – making me a pretty cool uncle! These things naturally cause you to stop, reflect and re-access your life. I always write from a personal point of view, every song acts as diary entry for me, so you can see and hopefully identify with a lot of these themes within “This world Turns”.

On the sound of “This World Turns”:

“Musically our sound has also matured. At the core we retain the HOTD sound that our fans have come to know, but we set out to create a record that truly showcases where we are NOW as a band; as well as push us forward in terms of where we are going.”

On working with James Atkinson:

“One of the biggest changes to our sound, was enlisting the skills of James Atkinson (Gentlemans Pistols). This was the first time we have ever worked with anyone other than Graeme, but it felt right to bring in some fresh ears and experiment. I had seen the Gentlemans Pistols play whilst we were over playing Roadburn 2016, and when I found out James had his own studio, I was extremely keen to get him on board with “This World Turns”. I am so glad I went with my gut because the finished record is beyond what I had imagined”

This World Turns will be released on digital, CD and Vinyl via Kozmik Artifactz this summer.

“This World Turns” is available as a FREE DOWNLOAD single from the band’s Bandcamp page, follow the link below to download today:

https://hairofthedog.bandcamp.com/track/this-world-turns

Track Listing
1. This World Turns
2. Keeping Watch Over The Night
3. Ctrl-Alt-Delete
4. The Colours in Her Skin
5. In Death’s Hands
6. 4AM

https://hairofthedog.bandcamp.com/
https://www.facebook.com/hairofthedoguk/
https://www.youtube.com/edit?o=U&video_id=ocBdl3CSRvA
https://www.instagram.com/hairofthedog_uk/

Hair of the Dog, “This World Turns”

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