Review & Full Album Stream: Geezer, Psychoriffadelia

Posted in audiObelisk, Reviews on May 16th, 2017 by JJ Koczan

geezer psychoriffadelia

[Click play above to stream Geezer’s Psychoriffadelia in its entirety. It’s out June 9 via Kozmik Artifactz and STB Records.]

There are multiple angles of approach one might take when it comes to Geezer‘s fourth long-player, Psychoriffadelia. Like the title itself, the tracks are a mash of the different ideas the New York-based band have been advancing since their beginnings, working in a scope of heavy psychedelic jamming, classic heavy rock, heavy blues and often more than a touch of stoner sleaze. No, it’s not a coincidence that I used the word “heavy” three separate times in that last sentence. That’s been a running theme for Geezer‘s work all along, from their 2013 debut, Electrically Recorded Handmade Heavy Blues through the EP-turned-full-length Gage (review here) and most realized on last year’s self-titled third outing (review here), and Psychoriffadelia finds them more than happy to pick up the thread and run with it for the course of its five tracks and 39 minutes, delivered through Kozmik Artifactz in Europe and STB Records in North America.

One finds, however, that the most defining aspect of Psychoriffadelia might just be transience. There is evidence of growth even from where the self-titled had them to be heard in the overall balance between jammy flow and songcraft — Geezer have taken the lessons of Texas’ Wo Fat (who in 2009 put out an album called Psychedelonaut and might be this generation’s masters of the form in the US) and incorporated them into their Northeastern grit — and their sound is ever more identifiable as their own with guitarist/vocalist Pat Harrington coming across as more comfortable in tackling vocal melodies on a cut like “Red Hook,” but with the bulk of the material recorded live in the studio — Redbird Studio in NYC — in a single day, the natural vibe that persists as a result, and the inextricable link between Psychoriffadelia‘s release and Geezer‘s first-ever European tour, set for this summer, it’s a fleeting sensibility that most emerges from this material. The fruit of a moment that, no matter what Geezer do from this point on in their tenure, won’t come again.

Add to that the lineup factor. Harrington and bassist Richie Touseull work here with Charles Ruggiero, who steps in to take the place of founding drummer Chris TurcoRuggiero is an ex-bandmate of Harrington‘s in woefully-monikered hard rockers Slunt, so it’s no surprise to find there’s chemistry there based on their past experience playing together, but though he’ll play on the tour as well, Ruggiero is still officially filling in for Turco. So even in their makeup in terms of who’s playing, Geezer seem to be captured here in a state of flux. All the better to get that cover of Nazareth‘s “Hair of the Dog” to tape while the getting’s good. That cowbell-infused, attitude-laden classic serves as Geezer‘s launch for Psychoriffadelia, and Harrington‘s gravely voice does well in taking on its mega-hook, “Now you’re messing with the son of a bitch,” delivering the line with a swagger that goes on to inform the rest of side A in “Stressknots” and the 10-minute “Psychoriffadelia” itself. The former is a chugging enterprise of marked heft and fuzz but a creeping melodic verse, building in energy as it shifts toward its chorus, Geezer working effectively in their more straightforward songcraft modus on what’s the shortest inclusion here, original or otherwise, at 4:40.

An open, bluesy bridge just past the three-minute mark leads back to the charge of the hook and they finish with a section of crackling noise and sparse guitar ambience, leading into the start of the title-track, which buzzes to life over the course of its first 30 seconds before a subdued guitar establishes the defining line for the jam that unfolds. It is especially telling that “Psychoriffadelia” is instrumental in its entirety, as it sends a clear signal of the shift in approach that it marks moving into the rest of the album that bears its name, which, though built to be split over two sides, nonetheless has a linear flow from the title-track into “Red Hook” and 13-minute closer “Dirty Penny.” Transitions are smooth throughout, but the manner in which the cuts in Psychoriffadelia‘s back half feed off each other and the more languid vibe feels like a definite departure from the more raucous “Hair of the Dog” and “Stressknots” — though the finale certainly makes an impression with its hook and strikes a balance between the “psycho,” the “riffa” and the “delia” — and it’s the title-track that serves as the beginning point of that.

geezer photo jj koczan

Even in this linearity, one finds that theme of transience playing out. The turn from “Psychoriffadelia” to the six-minute “Red Hook” is accomplished with a seeming nod to Monster Magnet-style fluidity, and though moodier in its affect, the latter cut is unquestionably the highlight of the album. It’s the most patient and psychedelic unfurling Geezer have executed to-date, and while in the past, a serene beginning like that of “Red Hook” might’ve led to a burst-out of bluesy, boozy heavy riffing — nothing wrong with that — this time, Harrington, Touseull and Ruggiero keep the vibe quiet, thoughtful and emotionally resonant in its melody, adding a new level of depth to their approach not found on the self-titled or any of their releases preceding. In the quick turnaround from their last offering, “Red Hook” is the clearest example on Psychoriffadelia of Geezer‘s continued creative growth. It’s not the only one, but it’s the clearest, and particularly after the immersion of the centerpiece title-track, its arrival feels like it’s being given a distinguished position in the course of the album. That is to say, they know it’s something special, which it is.

After its watery psych strum enters its long fadeout, the low hum that starts “Dirty Penny” takes hold and Harrington‘s voice echoes out the line, “Your pretty face is going to hell,” from deep in the mix, foreshadowing the standout line of the chorus that will serve as Geezer‘s final hook for Psychoriffadelia. Though more grounded than “Red Hook” and more structured feeling than the title-track, “Dirty Penny” still carries a drowsy spirit in its early going, picking up after the three-minute mark with more of a push en route to a quick guitar solo and final runthrough of the sleazy chorus — I’m sure there’s a story to it, but yeah: sleaze — and another, more extended and multi-layered stretch of impressive fretwork that serves as the beginning point for the jam that will consume the rest of the track, beginning in earnest at around six minutes in and expanding outward from there. Funky at the eight-minute mark, explosive by 9:30 and drifting into its compressed slide-and-strum just after 11 minutes in, the ending of “Dirty Penny” feels somewhat pieced together, but that’s also the point, and in that, it reinforces the stylistic patchwork that makes up the record’s title and overarching execution alike.

Geezer have always had an element of self-awareness to their approach, so that they would on Psychoriffadelia as well is nothing new, but what’s important to take from the release is that it shows even in a hurried mindset — putting this version of the band and these freshly-composed songs to tape before the opportunity passed — the band are able to conjure a sense of sonic progression. That’s pivotal, of course, but for most listeners it will be secondary to the quality of the material itself (and probably rightly so), but fortunately for the trio and their audience alike, that also holds up here. Psychoriffadelia finds Geezer mature in their style and firm in the knowledge of who they are and what they want to be as a group, building gracefully on their past aesthetic accomplishments while maintaining the roll, nod, blues and edge that has served them so well thus far. With the palpable development they’ve undertaken and the results that has yielded, Geezer have never sounded so ready for export.

Geezer on Thee Facebooks

Geezer on Bandcamp

Kozmik Artifactz website

Kozmik Artifactz on Thee Facebooks

Kozmik Artifactz on Twitter

STB Records on Bandcamp

STB Records on Thee Facebooks

STB Records BigCartel store

Tags: , , , , , ,

Geezer to Release Psychoriffadelia June 9; European Tour Dates Announced

Posted in Whathaveyou on April 27th, 2017 by JJ Koczan

geezer

Hey, if you’re gonna go, make an occasion of it. We’ve known for some time that New York heavy psych blues rockers Geezer were headed to Europe in 2017. They were announced in December for the lineup of Freak Valley 2017, and just a couple days after that, confirmed the appearance would coincide with a first tour on European shores.

So what’s new? What’s new is the fact that Geezer will go not only supporting their righteous 2016 self-titled full-length (review here), but a new, fourth LP as well — dubbed Psychoriffadelia and due out June 9 through Kozmik Artifactz in Europe and STB Records in the US with preorders set to start as soon as this post is live. So… now.

Comprised of five tracks that run a 39-minute gamut from the scummer boogie bliss of Nazareth‘s “Hair of the Dog” — “Now you’re messin’ with a son of a bitch,” and all — to the vulnerable blues of “Red Hook,” the sleaze of “Dirty Penny” and the megajams that ensue there and in the 10-minute title-track, Psychoriffadelia is the result of Geezer firing at max volume on all cylinders, expanding on the self-titled while reinforcing that album’s accomplishments with a brazen next step forward. Don’t be fooled by the quick turnaround — there’s growth here. Not that I’ve heard it yet or anything. Ahem.

Psychoriffadelia also finds Geezer working as the three-piece of founding guitarist/vocalist Pat Harrington, bassist Richie Touseull and drummer Charles Ruggiero, the latter a former bandmate of Harrington‘s in hard rockers Slunt and stepping in for Chris Turco, who handled drums on the last album as well as the 2014 LP, Gage (review here), and their 2013 debut, Electrically Recorded Handmade Heavy Blues. Ruggiero will take part in the European tour as well, which is booked through Total Volume Agency and Snuff Lane in the UK, and the band have set up a crowdfunding campaign to help with the inevitable expenses of making the trip. Rewards include an exclusive die-hard edition of the LP.

Info on that, the release announcement for Psychoriffadelia, and of course the tour dates all follow here, courtesy of the band:

geezer psychoriffadelia

GEEZER – Psychoriffadelia

The power of the riff. The allure of the psychedelic. The intensity of the electricity. These are the things that bring us together, these are the things that create Psychoriffadelia.

Recorded mostly live at Redbird Studio on 9/10/16 in New York City, the songs of Psychoriffadelia came together over the course of that summer. It had been months since we turned in the masters for our self titled album, yet still a few months until the album was released. We had been playing shows with Charles Ruggiero on drums while Chris Turco was on a work related hiatus. During that time, riffs arose, jams happened and songs were created. We wanted to capture that moment, no matter how fleeting.

We are proud to announce that Psychoriffadelia will be released on vinyl and CD through Kozmik Artifactz Records on June 9th! For those of you in the US, STB Records will have vinyl for sale through their webstore as well. Digital versions of the album will be available through the band’s Bandcamp page.

Here are the vinyl specs:
Release date: June 9, 2017
Pre-Order: April 27, 2017
180g high quality vinyl with gatefold
100x black
200x yellow
200x red/black marbled

Geezer, Psychoriffadelia tracklisting:
1. Hair of the Dog (4:48)
2. Stressknots (4:40)
3. Psychoriffadelia (10:16)
4. Red Hook (6:02)
5. Dirty Penny (13:23)

Artwork and Design by Kim Zangrando

A special “Die Hard Edition” of the album will be released through Geezer’s European Tour crowd funding campaign. This will include a screen printed jacket with alternate artwork, multi-colored vinyl and more! (see below for more info)

Live Album Official Release

In addition, Geezer’s live album, A Flagrant Disregard For Happiness is being released on June 9th, also through STB Records and Kozmik Artifactz Records. Originally released as an add on to the Die Hard version of the self-titled album, it is now being released on it’s own on beautiful 180g gold vinyl, limited to 150 units total!

The album contains one 30 minute instrumental (mostly improvised) track, A Flagrant Disregard For Happiness, which was performed at BSP in Kingston NY on April 1, 2016 as part of the ongoing Hudson Valley Psych Fest Series.

A video of this performance can be seen here: https://www.youtube.com/watch?v=cSs0deYCU98

European Tour

To celebrate the release of Psychoriffadelia, Geezer is going to Europe! With the help of Total Volume Booking, Geezer will be doing a 3 week tour that includes our first appearance at Freak Valley Festival! Some dates are still being confirmed but here is the latest:

geezer tour poster.13 June Paris, France / Le Gibus Live
15 June Mannheim, Germany / KURZBAR
16 June Netphen, Germany / FREAK VALLEY FESTIVAL
17 June Lille, France / Le Biplan
18 June Brussels, Belgium / Centre Culturel Garcia Lorca
19 June Ghent, Belgium / Kinky Star
20 June Strasbourg, France / Elastic Bar
21 June Lyon, France / La fête de la musique – Bar des Capucins
22 June Olten, Switzerland / Coq D’Or
23 June Clermont Ferrand, France / Raymond Bar
24 June Montaigu, France / Le Zinor
27 June Exeter, UK / Phoenix
28 June London, UK / The Dev
29 June Coventry, UK / The Arches
30 June Bristol, UK / The Old England
1 July TBC – UK

Indiegogo Crowdfunding Campaign
As mentioned above, Geezer will be doing a crowdfunding campaign through Indiegogo to help offset some of the expenses of the trip. Exclusive perks will include a “Die Hard” Edition of Psychoriffadelia. This edition will include a screen printed jacket with alternate artwork and multi-colored vinyl. Other perks include tour posters and shirts designed by Jo Riou, CD and digital versions of the new album, never before available embroidered patches and other exclusive perks. The campaign is already up and will run until Friday, May 26th.

We need your help to make this tour a reality. Any and all contributions are greatly appreciated!

Contribute to the Indiegogo campaign here: https://igg.me/at/xxo6XcM2mD4/x/16460786

Geezer is:
Pat Harrington – Guitar, Vocals
Richie Touseull – Bass
Charles Ruggiero – Drums

https://igg.me/at/xxo6XcM2mD4/x/16460786
https://www.facebook.com/geezerNY/
http://geezertown.bandcamp.com/
https://www.facebook.com/totalvolumebackline/
http://kozmik-artifactz.com/
https://www.facebook.com/kozmikartifactz/
https://twitter.com/kozmikartifactz
https://stbrecords.bandcamp.com/
http://www.facebook.com/pages/STB-Records/471228012921184
http://www.stbrecords.bigcartel.com/

Geezer, Geezer (2016)

Tags: , , , , ,

Shadow Witch Post “Blitzkrieg” Video; New Album Artwork Revealed

Posted in Bootleg Theater on March 8th, 2017 by JJ Koczan

shadow-witch-Photo-by-Kristin-Troost-Hall

Riding out a winding groove somewhere between classic metal and speedy heavy rock, New York’s Shadow Witch have a new video taken from their 2016 debut album, Sun Killer. The record, issued through NoSlip Records and the now-defunct Snake Charmer Coalition, was a stomper, and “Blitzkrieg” — the video for which yes, features a bunch of footage of bombs exploding in black and white, presumably from World War II — follows suit. Only question is the timing. Not that one might begrudge Shadow Witch posting a clip whenever, but at the same time, they’ve also newly unveiled the David Paul Seymour cover art for their next outing, to be titled Disciples of the Crow. It looks like this:

shadow-witch-disciples-of-the-crow

The vibe I get from perusing their social media is Shadow Witch still have to put their new songs to tape — last update I saw from them was they were rehearsing and demoing, which would indicate not being as far in the process as, say, recording, mixing or mastering — so it may be a while before Disciples of the Crow makes its way to public ears, but I guess it’s good to see that even as they wind down one album they’ve already got their feet dug into the next one. Maybe “Blitzkrieg” is their way of saying farewell to Sun Killer, or maybe someone just got bored and had editing software sitting around. I won’t pretend to know.

Whatever the case, neither will I complain at the refresher on what Shadow Witch were getting up to with the record. Presumably Disciples of the Crow will be out before the end of 2017 — a Fall release doesn’t seem unreasonable if they hit the studio sometime before May; otherwise it might be next year — but when and if I hear more, I’ll let you know. In the meantime, the four-piece have been playing locally, and they’ll be in their native Kingston, NY, on March 31 with It’s Not Night: It’s SpaceEcstatic Vision and Shitkill. More info on that follows the video, which you’ll see below.

Please enjoy:

Shadow Witch, “Blitzkrieg” official video

Video for Shadow Witch’s song “Blitzkrieg” from the album Sun Killer (Snake Charmer Coalition, 2016). Download the album at: http://shadowwitch.bandcamp.com.

Busy rehearsing and demoing new material for our upcoming album. Looking forward to playing 3/31 at The Anchor with Ecstatic Vision, INN:IS and Shitkill!

SHADOW WITCH “Sun Killer” is now Available @ www.SaltOfTheEarthRecords.com

Shadow Witch:
Earl Lundy: Lead Vocals, Mellotron, Loops
Anton Van Kleek: drums
Jeremy Hall: Guitars
David Pannullo: Bass, vocals

Shadow Witch on Thee Facebooks

Shadow Witch on Bandcamp

Shadow Witch at Snake Charmer Coalition

Shadow Witch at Salt of the Earth Records

Tags: , , , , ,

Geezer Comment on Freak Valley 2017 and Touring Europe

Posted in Whathaveyou on December 26th, 2016 by JJ Koczan

Just a couple days ago, New York heavy psych-blues rockers Geezer were announced as taking part on Freak Valley 2017. That revelation was particularly significant not only as it will find them sharing a bill with the likes of Slo Burn, Pentagram and Greenleaf, but also because it marks the first time the trio will go to Europe. They signed with Paris-based Total Volume Agency some while ago, so one had a sense that a trip abroad was coming, but confirmation makes all the difference.

In this endeavor, Geezer‘s timing couldn’t be better. Last month, they issued their third, self-titled long-player (review here) through Ripple Music and STB Records. By mid-June, when they take the Freak Valley stage, that album will have had plenty of time to sink in, and I expect they’ll be all the more well received as a result of that, what with the kicking ass and the jamming and all.

We’re still a ways off from next summer, so the dates aren’t locked in yet — when I see them, you’ll see them — but I’m happy to Geezer will be crossing the Atlantic in 2017 because they’re ready to do so, and because especially for American bands, it’s a crucial step in their growth that not everyone gets to take. On their part it shows a commitment to their creative form, and in traveling and playing with European acts, they become part of furthering a sonic dialogue that’s ongoing and makes everyone better on all ends. It’s the ultimate win. So yes, good for Geezer and safe travels in the New Year to come.

See below for some comment from guitarist/vocalist Pat Harrington on the matter:

geezer

Pat Harrington on touring Europe:

We are beyond stoked about being invited to Freak Valley Festival 2017! Of all the European festivals, we think FVF is the perfect starting point for Geezer’s maiden voyage across the Atlantic. Much of our fanbase is from Europe and our fans have been asking us for the better part of the last two years to come over. In today’s world, one has to go where the action is and we can’t wait to share this experience with our European fans and to get a chance to meet them personally.

Total Volume (France) will be handing all the official duties and we can’t thank them enough for giving us this opportunity. We are still in the very early stages of putting this all together, so the routing is still being worked out. We are planning on a two-week-plus tour that will start somewhere around June 13th and go through June 28th. We hope to hit as many countries as possible. Any promoters or clubs interested in booking Geezer, please contact Andre at Total Volume at Andretotalvolume@gmail.com.

Being that this is our first time out, we will need some assistance in working out all the financial entanglements that go along with such a venture, so we will be launching a Kickstarter-type campaign at some point to help make this all happen. As always, our fans are what keep us going and we’ll need your help now more than ever! We’ve already starting coming up with ideas for the related perks and I think we’ll have a lot to offer on this front. New album? Exclusive reissues of old releases? Shirts? Posters? Bongs?Right now, everything is on the table! Keep an eye out for more info in the coming months.

Happy Holidays everyone! We will see you soon… dig!

~ Pat

Geezer is:
Pat Harrington – Guitar, Vocals
Richie Touseull – Bass
Chris Turco – Drums

https://www.facebook.com/geezerNY/
http://geezertown.bandcamp.com/
https://www.facebook.com/totalvolumebackline/
https://www.facebook.com/theripplemusic/
http://www.ripple-music.com/
http://stbrecords.bigcartel.com/
https://www.facebook.com/STB-Records-471228012921184/

Tags: , , , , , ,

Geezer, Geezer: Open Vortices (Plus Full Album Stream)

Posted in audiObelisk, Reviews on November 10th, 2016 by JJ Koczan

geezer-self-titled

[Stream Geezer’s self-titled in full by clicking play above. Album is out Nov. 18 on Ripple Music and Nov. 19 on STB Records.]

It was exceedingly difficult to argue with the idea when New York heavy blues jammers Geezer opted to take their 2013 Gage EP and build it out into a second full-length the next year as their debut on STB Records and the follow-up to their self-released first outing, Electrically Handmade Heavy Blues. Since then, they’ve remained prolific. The Gage LP (review here) came out through STB and Ripple Music, and Geezer went on to release the Live! Full Tilt Boogie (review here) tape that same year as well as the 2015 digi-single “Long Dull Knife” (discussed here) before also taking part in the first installment of Ripple Music‘s The Second Coming of Heavy series of limited split LPs, working alongside Washington D.C.’s Borracho (review here).

On some level or other, each new outing has marked a step forward in the trio’s progression, and this encouraging trend continues on their self-titled LP (also through Ripple and STB), which presents 51 minutes of new material across an eight-track stretch that plays between straightforward mega-fuzzed bounce and expansive jamming as the three-piece of guitarist/vocalist Pat Harrington, bassist Richie Touseull and drummer Chris Turco ooze their way through extended fluidity on “Sun Gods,” “Bi-Polar Vortex” and “Dust,” a sort of jamming trilogy that follows the more straightforward opening duo “Sunday Speed Demon” and “One Leg Up” and ends up making a major statement in the personality of the album as a whole, despite a measure of sonic variety in itself. Worship of tone, the stellar fretwork and graveling voice of Harrington and the nod from Touseull and Turco regardless of tempo tie the songs together as Geezer step into their own, and if it’s not a coincidence that their third long-player is self-titled and the statement they’re making is this is who they are as a unit, then the confidence that signals in their approach is well justified.

They begin at a boogie clip with “Sunday Speed Demon,” the shortest inclusion at 3:19, and continue to push through with strong momentum as Turco‘s drums lead the way into “One Leg Up.” Other reviews have called out the latter track’s lyrics as sexist. The band has countered saying context is everything. I won’t argue with either side. The artwork they had for the digital single didn’t do much to help their case, and while we’re citing the politically suspect, closer “Stoney Pony” fits right in as well. One could debate endlessly about how Uncle Acid get to write songs about murdering women and have it called aesthetic artistry while Geezer tap into “My girl’s built like a pony” and it’s not. I don’t care to. “One Leg Up” is almost woefully catchy, however — for that matter, so is “Stoney Pony” — and by being almost twice as long as the opener and departing into a dreamy wah solo in its midsection, it effectively smooths the path into the drifting “Sun Gods,” the 9:25 highlight of Geezer‘s Geezer and the first part of the aforementioned trilogy of jammers with “Bi-Polar Vortex” (8:56) and “Dust” (7:59) behind it, the former perhaps the most spaced-out of the three and the latter finding ground in part thanks to a hook referencing Queens of the Stone Age‘s “Long Slow Goodbye.”

geezer

It’s important to note that although each of the record’s “big three” have this unfolding grandeur, they’re also memorable thanks to an underlying core of songwriting. Geezer have proven time and again to be ace jammers as few East Coast acts are — the deluxe edition of the self-titled comes accompanied by the bonus LP A Flagrant Disregard for Happiness (premiered here); a single-song half-hour semi-improvised work that further drives the point home — but as the slow-rolling “Dust” begins the shift back to more structured vibes that will continue through “Hangnail Crisis,” “Superjam Maximus” and “Stoney Pony,” their blend of the ethereal and the terrestrial is seamless and their flow once again seems to be the realization of what their progression to this point has been driving toward. Again, Geezer‘s Geezer indeed.

I’m not sure where the LP actually splits — if it’s four tracks on each side and “Dust” starts side B” or if “Stoney Pony” is a CD-only cut; it has kind of a bonus-track-y feel to it, almost tacked on — but it’s clear as the guitar starts “Hangnail Crisis” that the album has entered the last of its three movements. Think of it as a trip out and back. You start on the ground, launch, and return. That’s not to say the roll of “Hangnail Crisis” or the layered lead work late in the surprisingly uptempo “Superjam Maximus” don’t have their hypnotic aspects, but it’s no less of a palpable turn than that into “Sun Gods” from “One Leg Up” despite the work HarringtonTouseull and Turco do to ease the transition. When they commence, the starts and stops of “Stoney Pony” offer one last bounce and nod to the listener and another catchy, bluesy chorus, which isn’t really anything that “Hangnail Crisis,” “Superjam Maximus,” or for that matter “Sunday Speed Demon” and “One Leg Up,” didn’t accomplish, but neither does it detract from the outing overall, which maintains its fluidity right up to the end.

Geezer‘s third album isn’t perfect — nor is it intended to be — and while I don’t believe a group who base so much of what they do around improvisation and songs developed therefrom necessarily finishes growing at any given point, I do think this is the moment at which Geezer have locked into and demonstrated clear intent toward a multifaceted style that engages the listener with deceptive variety and consistent, high-quality songcraft. On a sheer performance level, they’ve never sounded better, whether that’s the increased confidence and melodic range in Harrington‘s vocals, the blend of fuzz in the bass and guitar or the manner in which any player at any point seems ready to take the fore. Considering that in combination with the strength of the material they’re putting forth, it becomes even easier to see their self-titled marking Geezer‘s true arrival as a band.

Geezer, “A Flagrant Disregard for Happiness” official video

Geezer on Thee Facebooks

Geezer on Bandcamp

Ripple Music on Thee Facebooks

Ripple Music website

STB Records webstore

STB Records on Thee Facebooks

Tags: , , , , , ,

Geezer Premiere “A Flagrant Disregard for Happiness” Video; Announce Self-Titled LP Details

Posted in Bootleg Theater on October 27th, 2016 by JJ Koczan

geezer

On Nov. 18, and 19 New York heavy psych-blues trio Geezer will release their self-titled third album on Ripple Music and STB Records, thereby taking the next step in one of the most satisfying progressions of the last several years on the East Coast. They’ve worked steadily since making their debut in 2013 with the in-need-of-a-reissue-if-only-on-tape-so-I-can-stop-feeling-guilty-about-not-having-gotten-to-review-it-at-the-time Electrically Handmade Heavy Blues, and this follow-up to 2014’s EP-turned-LP Gage (review here) codifies a lot of the loose and jammier impulses they’ve shown in interim releases like the limited cassette Live! Full Tilt Boogie (review here), the “Long Dull Knife” digital single (discussed here) or even last year’s split with Washington D.C. heavyweights Borracho (review here), taking the heavy rock bounce, effects spaciousness and languid vibes and giving them a purpose around which to swirl.

I’ll have more on the record itself closer to when it’s out, but today I’m happy to be able to bring something special out from the band. As they unveil the final pressing details for geezer-a-flagrant-disregard-for-happiness-coverthe STB vinyl (Ripple handles the CD end), with that comes the news that the die-hard edition of Geezer‘s Geezer will include a bonus live album not available anywhere else. This is a separate LP — you might recall STB did something similar for Ancient Warlocks‘ 2016 outing, II (review here) — and will only be available for those who really want it. It’s called A Flagrant Disregard for Happiness, and it’s comprised of basically a half-hour-long jam recorded April 1, 2016, at Hudson Valley Psych Fest in Kingston, NY. The entire recording, parts improvised, parts plotted, all of it gloriously immersive, is being premiered below in a manipulated live video put together by Crazy Gringo.

You might notice as you make your way through the molten, rolling ebbs and flows of the sprawl that Geezer conjure on their most triumphant jam to-date that there are four people on stage. The trio lineup of guitarist/vocalist Pat Harrington, bassist Richie Touselle and drummer Chris Turco here moves Turco to baritone guitar and brings in Dan James Goodwin to handle drumming. Flexibility and fluidity extends beyond the sound of the band itself, it would seem. Fair enough.

Once again, stay tuned for more on the self-titled, but for now, go ahead and lose yourself in the premiere of “A Flagrant Disregard for Happiness” and check out the vinyl specs for the album that follow.

Please enjoy:

Geezer, “A Flagrant Disregard for Happiness” official video

Geezer’s new self titled album is already creating a huge buzz and it hasn’t even been released yet. The CD/digital release is on Friday, November 18th through Ripple Music and the vinyl release takes place on Saturday, November 19th via STB Records.

STB Records is proud to announce the long awaited details about the upcoming vinyl release.

Vinyl info:
Geezer: self-titled full length album
3 Sided Double LP – gatefold jacket
All jackets come with matte finish and spot UV effect

Die Hard Edition – Limited to 100 units.
Double LP 180g vinyl. A/B is yellow and pink swirl with blue splatter. C/D is yellow and blue swirl with pink splatter. Die Hard comes with an extra foil stamping detail. Side D will contain a silk screened image and the album will be hand numbered.

** Also included is an additional 12″ vinyl record with its own jacket and artwork with an exclusive live track on random color vinyl. No two records are the same. This is exclusive ONLY to the Die Hard Edition.**

OBI Series – Limited to 125 units.
Double LP 180g vinyl. A/B and C/D is a clear vinyl variant with black and multi colored splatter. Comes with the exclusive STB Records hand numbered alternate art work OBI Strip.

(Not So) Standard Edition – Limited to 175 units.
Double LP 180g vinyl. A/B and C/D are a nice blue cosmic swirl. Hand numbered.

World Wide Distro Edition – Limited to 200 units.
Double LP 180g vinyl. A/B and C/D is white and clear variant mix.

WW Edition will be sold exclusively through Cobraside Distribution domestically, Kozmik Artifactz in Europe and Underground Records in Australia.

All variants come with download code.

Live Album Info: Includes one 33 minute instrumental (and mostly improvised) track called “A Flagrant Disregard For Happiness”, recorded at BSP in Kingston, NY at this year’s Hudson Valley Psych Fest.

Filmed/Edited by “Crazy Gringo,” Liz Paradise and Zach Thomson
Live LP artwork by: Geddes Jones, Layout by: Kim Zangrando

The band says: “We wanted to do something different. As the ideas developed, Turco decided that he wanted to play baritone guitar for this, so we got our friend Dan Goodwin to sit behind the drums and we just let it rip. It was basically a one time thing and came out beautifully. It’s unlike anything we’ve ever done before and we’re extremely excited for people to hear it.”

Geezer on Thee Facebooks

Geezer on Bandcamp

Ripple Music on Thee Facebooks

Ripple Music website

STB Records webstore

STB Records on Thee Facebooks

Tags: , , , , , , , ,

Geezer Self-Titled LP Due Nov. 18 on Ripple Music & STB Records

Posted in Whathaveyou on September 15th, 2016 by JJ Koczan

geezer

This record rules. It really does. I had some decent-sized expectations of New York heavy blues rockers Geezer after their 2015 split with Borracho (review here), but they’ve absolutely blown those out of the water with their self-titled album, due out Nov. 18 through Ripple Music in conjunction with STB Records. That those two imprints — one on the West Coast, the other on the East — would be once again teaming up to get behind the band should tell you something in itself, but I think the songs on Geezer‘s Geezer are not only going to thrill those who’ve already caught onto the band for what they bring to their sound, but probably grab some new ears as well.

So that’s the mini-preview, I guess. Record’s good. Much more to come as we get closer to the release date. For now, the PR wire brings the track “Sunday Speed Demon” for your streaming pleasure and the following art and info:

geezer-geezer

GEEZER bring heavy cosmic rock on new Ripple Music album | Stream and share new song ‘Sunday Speed Demon’

Geezer will release their self-titled album on 18th November via Ripple Music and STB Records

Hailed as one of the standout EPs of 2014, Gage confirmed that whether spinning on your turntable or playing live, Geezer could electrify listeners with an appreciation of the American outsider like no one else.

Picking up where Gage left off and building on their contribution to the critically-praised Second Coming Of Heavy series on Ripple Music, the Kingston, New York-based trio return this November for another round of sonic meltdown.

For the uninitiated, Geezer is the sound of tres hombres – beer drinkers and hell raisers – spinning Charley Patton, Son House and Corrosion Of Conformity records, doused head to toe in peyote and whisky. From the swirling and psychedelic ‘Sun Gods’, the Iggy-esque ‘One Leg Up’ and hot asphalt shuffle of bluesy opener ‘Sunday Speed Demon’, guitarist Pat Harrington marks himself out as an authentic twenty first century boogie man. A player capable of leaving the likes of Jack White and Dan Auerbach with the meanest of night terrors, especially when backed by the powerhouse rhythm section of drummer Chris Turco and bassist Richie Touseull.

Peddling a riotous trip into the hard-edged and heavy acid blues sounds of ’70s groups like Josefus and Blue Cheer, Geezer will receive an official worldwide release on 18th November via Ripple Music (CD/digital) and STB Records (vinyl). In the meantime however follow this link to stream and share their brand new song ‘Sunday Speed Demon.’

Track Listing:
1. Sunday Speed Demon
2. One Leg Up
3. Sun Gods
4. Bi-Polar Vortex
5. Dust
6. Hangnail Crisis
7. Superjam Maximus
8. Stoney Pony

Geezer:
Pat Harrington – Guitar, Vocals
Richie Touseull – Bass
Chris Turco – Drums

https://www.facebook.com/geezerNY/
http://geezertown.bandcamp.com/
https://www.facebook.com/theripplemusic/
http://www.ripple-music.com/
http://stbrecords.bigcartel.com/
https://www.facebook.com/STB-Records-471228012921184/

Geezer, “Sunday Speed Demon”

Tags: , , , , , ,

Onera Release Debut EP Olde

Posted in Whathaveyou on July 19th, 2016 by JJ Koczan

onera (Photo by Bruce Bettis)-700

If at least one of the names in Onera‘s rather formidable pedigree doesn’t stand out to you, take the sheer abundance of them as a sign that you might want to get introduced. For me, it’s vastly underappreciated doomers Morgion and likewise overlooked heavy rockers Cortez that did the trick. The New Hampshire-based newcomers comprised from former members of these outfits and more have just issued their first release in the form of a three-song melo-doomer title Olde that they seem to be hoping will get picked up either itself for label support or will lead to same for their next offering. Digging into the tracks, they’d seem just as much at home on Cruz del Sur as Candlelight. Kind of a lot of dark-vs.-light playing out within each song, all of it very metal, very doomed.

The PR wire offers the following:

onera olde-700

ONERA: Doom Outfit Featuring Morgion, Keen Of The Crow, Cortez, December Wolves, And Watchmaker Alumni Releases EP

New Hampshire-based doom metal quintet ONERA proudly presents their debut EP, Olde, which has just been independently released by the band, and is now streaming in its entirety. Though the entity of ONERA is very new, the outfit unites a team of veterans from a wide array of revered acts including Morgion, Keen Of The Crow, Cortez, December Wolves, Watchmaker, and others who have been active in the scene for several decades.

In September 2015, the members of ONERA entered Amps vs Ohms in Cambridge, Massachusetts to capture their debut recordings. The members’ cumulative resumes and influences intertwine and carve out a unique sound for the band. Mastered at New Alliance East, the three-song Olde EP presents just under thirty minutes of glorious doom metal rapture, rife with heavy, melodic, dynamic, and progressive elements which help create an intense, organic, and primeval aura.

Olde Track Listing:
1. Unruhe
2. Stil As Stone
3. Cold Hand’s Caress

ONERA is promoting the release, shopping their music to labels, and continuing to put on impressive live performances throughout the Northeast.

ONERA Live:
7/30/2016 Koto – Salem, MA w/ HarborLights, Glacier, Stasis

http://www.facebook.com/oneraband
http://onera.bandcamp.com

Onera, Olde (2016)

Tags: , , , , ,