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Kings Destroy, None More: Into Bloody Waters

Posted in audiObelisk, Reviews on January 11th, 2017 by H.P. Taskmaster

KINGS DESTROY NONE MORE

[Click play above to stream Kings Destroy’s None More EP in full. It’s out Jan. 13 on War Crime Recordings, and Kings Destroy are on tour with Truckfighters starting Jan. 18 (dates here)]

Brooklyn heavy noise specialists Kings Destroy will release their new EP, None More, on Jan. 13 via War Crime Recordings. Like everything they’ve done up to this point in their seven-year tenure, it’s a departure. It departs from their last album, 2015’s self-titled (review here), and from 2013’s A Time of Hunting (review here), and certainly from their 2010 debut, And the Rest Will Surely Perish (originally released through this site’s then-existent label, The Maple Forum). “Departure” is pretty much the running theme of everything the five-piece do in one way or another, so it’s all the more intriguing as regards None More — this limited, one-song, 14-minute curio EP pressed to tape with a Mech-battle Josh Graham cover almost two full years after the band’s last record came out and with numerous tours home and abroad behind them — that they should sound so much like themselves on it.

“None More,” the track itself, is presented in five component parts, each with a subtitle: “I. Rise of the Betrayer,” “II. The Blood Waters,” “III. The Battle,” “IV. Requiem,” “V. The Awakening” and “VI. Rise of the Betrayer (Reprise).” It does not feel like some great leap of insight to note the clear narrative at play here, or that “None More” comes full circle at its conclusion — an instrumental move as much as a dramatic turn — or that it’s the grandest scope the lineup of vocalist Steve Murphy, guitarists Carl Porcaro and Chris Skowronski, bassist Aaron Bumpus and drummer Rob Sefcik have enacted in a given piece. More to their credit, None More moves through its extended but brief stretch, it flows not like a disjointed assemblage of parts, but with a careful and patiently executed arc. It’s not the first time Kings Destroy have told a story in their work, but it’s the first time they’ve put so much into the telling.

I alluded to it above but should say outright that Kings Destroy and I have collaborated in the past and I continue to consider myself a fan of what they do and I’m fortunate enough to feel comfortable calling them friends — something I’ll just about never do — so what minuscule impartiality I might otherwise claim is right out the window. If that means this review comes with a grain of salt, so be it. That does nothing to change the level of achievement Kings Destroy have reached as they’ve grown over the course of the last seven-plus years, or the substantial mark in their progression None More signifies. One might be tempted to relate “None More” to “Time for War” from the self-titled, and indeed, the EP track does seem to make a direct predecessor of the last album’s closer.

But true to their commitment to always moving forward, it builds on what that song did, beginning after an initial crash and extended count-in by establishing the nodding, Earth-style riff that will serve as its bookend. In less than a minute they’re into the verse — the sound full and spacious as captured by Mike Moebius at Moonlight Mile (Pilgrim, etc.), whose work with Kings Destroy extends back to their first 7″ single (review here) — and guitar leads mournfully interweave beneath as Murphy begins to set up the storyline. Like “Time for War,” it’s a battle.

truckfighters kings destroy tour

Specifically the Battle of Clontarf, which took place in Ireland in 1014 and pitted the Irish High King Brian Boru against Vikings as well as other Irish forces, and which — though everyone seems to have died in the process, because war — resulted in the first Irish victory over the Vikings and a turning point in Irish culture after nearly 300 years of raids. Murphy‘s telling is way less prog-rock-history-lesson and way more working to convey the impression of the sunrise-to-sunset slaughter. With a shift into a quicker tempo at around 2:45, ‘The Blood Waters’ takes hold and introduces layered-in tight backing vocals, almost chanting, but more grunted. Sefcik‘s drums hold together a torrent of guitar soloing and the band settles in around a faster riff that’s as much classic metal as it is true to the band’s New York hardcore lineage, and as the next movement makes its way in, what seems to be the key line of the whole song is delivered in dual layers for effect: “We will be victorious/The dead will honor all of us.”

From there, they’re in the thick of it. We would seem to have been through ‘The Battle,’ which plays out instrumentally until about six minutes in, but as it should, “None More” gets murkier from there. Some turns are clearer than others — you know it when they hit into the reprise of ‘Rise of the Betrayer,’ for example, at the 11-minute mark — but between ‘The Battle,’ and the subsequent pair of ‘Requiem’ and ‘The Awakening,’ the progression is fluid enough that they essentially bleed into each other. Harmonized guitar lines lead a march punctuated by Sefcik and Bumpus through the midsection in an intricate play of melody and stomp, and by seven and a half minutes, all has come to a halt and what’s probably ‘The Awakening’ has begun. It’s a from-the-ground-up motion, quiet and ultimately shortlived, but it further conveys Kings Destroy‘s growth in its lack of rush to get where it’s going, instead spreading out a kind of hypnotic drift until they crash back in with the more emotional crux of the song, patient and effective. That they can pull it off and not give in to tension or sound like they’re just waiting to pounce is a definitive step.

Again, it’s quick, but telling. The rolling groove that ensues will carry through to ‘Rise of the Betrayer (Reprise),’ with a momentary break between the two sections and then a resumption of the introductory movement, bringing “None More” full circle rhythmically as a guitar solo takes hold at 11:40 and serves as a finishing move topping the nodding fluidity until the drums and bass drop out and feedback holds sway until clicking off just past 14 minutes. That ending conveys an in-the-studio feel that offsets some of the gritty grandeur of “None More” itself, but has the dual effect of jerking the listener back to reality after the band has dug so deep into the track’s final statement, and that would seem to be intentional. In any case, it fits with the narrative of Kings Destroy themselves, which is no less prevalent here than the Battle of Clontarf, and is shown through the dedication to pushing their approach forward in style and performance. None More might prove to be a stopgap en route to a fourth full-length, but it finds Kings Destroy in a crucial moment as a group and presents their story in a metaphor that could hardly be more apt.

Kings Destroy on Thee Facebooks

Kings Destroy website

Kings Destroy on Bandcamp

War Crime Recordings BigCartel store

War Crime Recordings on Thee Facebooks

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The Obelisk All-Dayer 2016: Frank Huang Posts Videos from Full Lineup

Posted in Bootleg Theater on December 14th, 2016 by H.P. Taskmaster

the obelisk all-dayer

No question 2016 has had some highs and some lows, but for me, the first-ever The Obelisk All-Dayer, held Aug. 20 at Saint Vitus Bar in Brooklyn, was something truly special. Hardly stress-free, with the broken-down car and assorted this and that throughout the day and evening, but at the end of the show, my head down on the bar while DJ Adzo spun classic heavy rock after Mars Red Sky finished, barely able to stand, it was entirely worth every second of effort and freakout. What a blast.

As I dig into the wrap-up portion of the year, I’ve been thinking a lot about what was the real peak moment. I put a book out this year, which is something I’ve daydreamed of doing since I had the cerebral complexity to daydream. There’s always Roadburn. This past weekend sitting around playing video games with The Patient Mrs. was pretty sweet, if I do say so. But I keep coming back to The Obelisk All-Dayer, and I think that might be it.

That whole weekend was so special to me, not even just the show. It was an incredible time and I was humbled to see people enjoying themselves throughout the day, digging on the free tacos (thank you, Steve Murphy), gratified to hang out with good friends and to see excellent performances. It was an honor to play a part in hosting those who came out, including Brooklyn’s premiere videographer Frank Huang, whose work I’m thrilled to feature today.

If you’ve ever YouTubed anything from the Saint Vitus Bar or seen anything from the venue posted here, you know Frank Huang‘s work. Someday they’ll make a documentary about him, but until then I’ll just note that the guy is unparalleled in his dedication to capturing live music, and the quality of what he does has become an essential component of an entire generation of NYC showgoers’ live experience. Even for shows I attend, when I see Frank there, I look up the video afterwards, because inevitably his camera got something I missed. He is an invaluable resource and a gentleman to boot.

Below you can see snippets of varying length from each of the eight bands who played the All-Dayer, which Frank has newly posted with my deepest appreciation.

Whether you were there or not, I hope you’ll dig in and please, please enjoy:

Heavy Temple, Live at The Obelisk All-Dayer 2016

King Buffalo Live at The Obelisk All-Dayer 2016

Funeral Horse, Live at The Obelisk All-Dayer 2016

EYE, Live at The Obelisk All-Dayer 2016

Kings Destroy, Live at The Obelisk All-Dayer 2016

Snail, Live at The Obelisk All-Dayer 2016

Death Alley, Live at The Obelisk All-Dayer 2016

Mars Red Sky, Live at The Obelisk All-Dayer 2016

Once again, thanks to Frank Huang for being on hand to tape these sets, and to the Saint Vitus Bar for letting me put this show on. Stay tuned in the New Year for more info on The Obelisk All-Dayer 2018.

Frank Huang’s website

Saint Vitus Bar website

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Truckfighters and Kings Destroy Announce North American Tour Dates

Posted in Whathaveyou on December 8th, 2016 by H.P. Taskmaster

Swedish fuzz forerunners Truckfighters will return to the US next month for a tour that will find them joined by Brooklyn heavy noise rockers Kings Destroy. The shows, presented by Tone Deaf Touring and Fuzzorama Records, begin Jan. 18 in Somerville, MA, at the Once Ballroom and head into the Midwest and down into the South before looping back up the East Coast to finish at Goldsounds in Brooklyn, NYC.

For both bands, the January touring follows European runs. Truckfighters are currently wrapping an extensive stint supporting their latest full-length and Century Media debut, V (review here), for which they’ve basically been on the road since September. Even then, a US tour was in the works, as bassist/vocalist Oskar “Ozo” Cedermalm confirmed in an interview conducted at Høstsabbat in Oslo, Norway. It is hardly their first, and judging by the “LEG 1” that appears on the tour poster below, I’m guessing it won’t be their last before the cycle for V comes to a close, probably sometime late in 2017 or in 2018.

You might recall Truckfighters‘ first US tour was in 2011, half a decade ago, and it just so happens that Kings Destroy played the New York stop on it (review here) — a night at the Cake Shop on which a crowd who largely didn’t know what it was in for was handed its collective ass. Five years later, Kings Destroy are recently returned from a European tour of their own, conducted alongside The Skull in November, still heralding their 2015 self-titled third album (review here). They’ll take a break from writing the follow-up to do these shows, which is about as good an excuse as any I can come up with for leaving the rehearsal space. Whether or not they’ll have new material ready for the stage, I don’t know, but it doesn’t seem like the least likely thing in the world. I seem to recall some of the songs for the self-titled being thoroughly road-tested.

I’ve been invited on this tour and am hoping to tag along starting either in Kansas City or Tulsa, depending largely on which I can fly into directly and for what cost. We’ll see how it goes. In the meantime, here are the dates, which I dutifully transcribed from the poster and turned blue:

truckfighters kings destroy poster

Truckfighters with Kings Destroy:
01.18 Somerville MA Once Ballroom
01.19 Montreal QC Bar Leritz
01.21 Ottawa ON House of Targ
01.22 Toronto ON Hard Luck
01.23 Pittsburgh PA Cattivo
01.24 Chicago IL Reggies
01.25 Minneapolis MN 7th St. Entry
01.26 Kansas City MO Riot Room
01.27 Tulsa OK Downtown Lounge
01.28 Dallas TX Curtain Club
01.30 New Orleans LA Siberia
01.31 Atlanta GA Drunken Unicorn
02.01 Richmond VA Strange Matter
02.02 Philadelphia PA Kung Fu Necktie
02.03 Brooklyn NY Goldsounds

http://www.truckfighters.com
https://www.facebook.com/truckfighters
https://twitter.com/truckfighters
https://www.youtube.com/user/TruckfightersTV
http://www.centurymedia.com/

https://www.facebook.com/KingsDestroy/
http://www.kingsdestroy.com/
https://kingsdestroy.bandcamp.com/
http://warcrimerecordings.com/
https://www.facebook.com/WarCrimeRecordings

Truckfighters, “Hackshaw” official video

Kings Destroy, “Smokey Robinson” official video

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Members of The Brought Low and Kings Destroy Team up for The Rama Lama Fa Fa Fas Tribute to MC5

Posted in Whathaveyou on October 24th, 2016 by H.P. Taskmaster

The tribute show is an essential part of the rock and roll Halloween experience — bands essentially dressing up as other bands, if only in sound — and kudos to the guys from NYC trio The Brought Low for teaming up with Carl Porcaro from Kings Destroy and Sweet Diesel‘s Nat Murray (of course The Brought Low have their own connections to that outfit as well) for hooking up a gig and not just doing a set of Misfits songs like probably hundreds of other acts along the Eastern Seaboard will be doing that weekend. On Oct. 28, performing as The Rama Lama Fa Fa Fas, the five-piece will hit The Gutter in Williamsburg to pay due homage to the MC5. Maybe not the kind of thing I’d always post about, but given the personnel involved and the thought of how killer a time this one would actually be to attend, you’ll get no argument out of me.

And I gotta be honest with you, I could use another The Brought Low album. It’s been a surprisingly long six years since their Third Record (review here) came out in 2010 on Small Stone, and as early as 2012, there was discussion of a fourth, but nothing has yet materialized. Would be awfully nice, is all I’m saying.

While I go back and put on their last one again, here’s the highly exclamatory show info for The Rama Lama Fa Fa Fas this Friday:

the-rama-lama-fa-fa-fas-poster

The Rama Lama Fa Fa Fas – MC5 Tribute @ Gutter

The Rama Lama Fa Fa Fas is The Brought Low and Carl from Kings Destroy on second guitar and Nat Murray from Sweet Diesel on lead vocals doing MC5 covers. We have a show at The Gutter in Brooklyn Friday, October 28th. Here’s the info:

Friday, October 28
The Gutter Bowling and Fine Brews
200 N 14th St, Brooklyn, New York 11249

Brothers and sisters!!!!!!!
It’s time to see a sea of hands!!!!!!
It’s time to kick up some noise!!!!!!
It’s time to get down with it this Halloween weekend and I want to know…
Are you ready to testify?!!!!!!
Are you ready to testify?!!!!!!

I give you a testimonial….

The Rama Lama Fa Fa Fas!!!!!!!!!!
A musical tribute to the MC5 with members of Breakdown, The Brought Low, Killing Time, Kings Destroy and Sweet Diesel!!!!!!!

Join us at The Gutter Friday, October 28th to kick out the jams motherfuckers!!!!!!!!!

Flyer by Steve Louk.

https://www.facebook.com/events/686951801480997/
https://www.facebook.com/thebroughtlow/

MC5, “Rama Lama Fa Fa Fa”

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Kings Destroy Touring Europe in Nov. with The Skull

Posted in Whathaveyou on September 15th, 2016 by H.P. Taskmaster

Brooklyn’s Kings Destroy will head to Europe this fall. The genre-defiant five-piece will head overseas with Chicago’s The Skull for the first time since the release of their 2015 self-titled third album (review here), which was released by War Crime Recordings, who, in the interest of full disclosure, also pressed up my book. I’ll confess I was invited to go along with Kings Destroy on this tour as I did twice in the US circa 2014, but the basic fact of the matter is those kinds of things are way easier to do when you’re out of work, which, at the moment, I’m not. Unless I get canned between now and then. If that happens, I’m fucking there.

The Obelisk All-Dayer veterans will be keeping good company one way or another, both in touring with The Skull and in bringing aboard none other than the Mayor of Boston Heavy, Darryl Shepard (Kind, The Scimitar, Hackman, Milligram, Blackwolfgoat, so many others) himself — to play bass no less. Shepard had a few words about filling the low-end position this time out, and you’ll find those, Kings Destroy‘s announcement, the dates, and the stream of the self-titled below, because I’m thorough like that when I like a band this much.

Have at you:

kings-destroy

Excited to announce that Kings Destroy will be joining The Skull for the majority of their British/European tour in November! Some additional German KD-only dates TBA. See you on the road!

Darryl Shepard on touring with Kings Destroy:

When Kings Destroy ask you to play bass for them on their European tour, you say yes. I’m very honored and excited to be joining these guys on bass for their tour with The Skull in November.

The Skull & Kings Destroy Nov. 2016 European tour:
03.11.2016 GB London @ Koli’s Night Club
04.11.2016 GB Bristol @ Exchange
05.11.2016 GB Milton Keynes @ Crauford Arms
06.11.2016 GB Birmingham @ The Rainbow
07.11.2016 NL Tilburg @ Little Devil
08.11.2016 NL Utrecht @ DBs
09.11.2016 DE Karlsruhe @ Jubez
10.11.2016 AT Vienna Doom Over Vienna Festival @ Viper
12.11.2016 NL Nijverdal @ Cult-Art Shop
13.11.2016 NL Drachten @ Iduna
14.11.2016 DE Wiesbaden @ Schlachthof
15.11.2016 DE Kassel @ Schlachthof
16.11.2016 DE Hamburg @ Hafenklang

https://www.facebook.com/KingsDestroy/
http://www.kingsdestroy.com/
https://kingsdestroy.bandcamp.com/
http://warcrimerecordings.com/
https://www.facebook.com/WarCrimeRecordings

Kings Destroy, Kings Destroy (2015)

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The Obelisk All-Dayer — THANK YOU!

Posted in The Obelisk Presents on August 22nd, 2016 by H.P. Taskmaster

the-obelisk-all-dayer-thanks

I honestly can’t remember the last time I was so tired. Pure physical and mental exhaustion. By the end of the day I could barely stand up, keep my head up, or down one last cup of coffee while watching Mars Red Sky close out the show. It’s been three days. I’m still not sure I have the mental faculties to write this post.

I hereby dub the first-ever The Obelisk All-Dayer a success.

The day started with The Patient Mrs.’ car breaking down on I-95 in Connecticut on the way south to Brooklyn and continued through flash floods, the first two bands running late (both got there on time, but my nerves were already frayed from being late myself), my camera breaking – again – during Funeral Horse, Death Alley blowing a tire on their way up from Philly, and so on, but there were tacos, the day ultimately ran on time, and everybody killed.

Absolutely killed. I mean it. Front to back. What a show.

From Heavy Temple bringing it for an early 2:30 start through Mars Red Sky dipping back to their first record for a rendition of “Strong Reflection” that nearly brought a tear to my eye, and everything in between. King Buffalo? Funeral Horse? Fucking EYE? Kings Destroy? Snail? Death Alley’s absolute ownership of the room? There wasn’t a dud in the bunch.

Most importantly, it seemed like everybody there had a good time. The tacos went. We wound up with about 170 people in the door, not counting bands and guests, and with the professionalism of the Saint Vitus Bar staff, the show ran smoothly the whole time, changeovers were easy, and my sincere hope is that everyone who came felt welcome, because they absolutely were.

On that note, I’ll say that I’m not going to review the show. Just doesn’t feel right. But I did want to say thank you to a few people who helped make the day so incredibly special.

First to The Patient Mrs., who not only handled money at the end of the night, but sold posters and patches, kept me sane as we stood on the side of the highway and waited for the tow truck, reminded me to eat, and got me that aforementioned last cup of coffee to get me through the last part of the show. She was there (almost) the whole day and it was deeply meaningful to me to have her around.

Thanks to Walter Roadburn, who left the comforts of home to come and co-DJ the afterparty, sat in traffic with The Patient Mrs. and I on the trip from Boston to Connecticut, Connecticut to Brooklyn, and back again. The time we got to spend talking about music, about what he does with his festival, and his insights on the show are memories that I imagine I will continue to treasure for as long as I can remember anything at all. Highlight of the weekend, without question. And thanks to Esther, who convinced him to come.

Thanks to David Castillo, George Souleidis, Sound Guy Jeff and the staff at the Saint Vitus Bar, which leaves absolutely nothing to question as to why it has the reputation it has. The generosity they showed in welcoming the All-Dayer into their rightly-hallowed space, the accommodation of the weird schedule, and just the sheer slog of the hours put in – all handled with professionalism beyond enviable. Other venues should aspire to run such a ship. It was staggering to see it from the end of someone organizing a show. Thank you so much.

Thank you to Steve Murphy for the endless, thoroughly unjustified belief in my being able to pull this whole thing off, for the tacos and for the support across the board. Thank you for your friendship, your kindness, and for your threat to print up bootleg Obelisk t-shirts to give away at random. I hope that works out.

Thanks to the bands. Mars Red Sky coming from France to play, Death Alley from the Netherlands, Snail from the West Coast, Kings Destroy giving New York due representation with a special set – “Planet XXY?” who knew? – EYE from Ohio, Funeral Horse from Houston, King Buffalo from Rochester and Heavy Temple from Philly. And to Walter and Adam Otracina for helming the afterparty. Whether they were coming from near or far, it really felt like everybody put something extra into the show and I was continually humbled and blown away by what I saw and heard all day and into the night. People loaning each other gear, making adjustments on the fly, starting and ending on time, everything came together better than I could’ve hoped, and it was just wonderful to see. I am deeply grateful.

Thanks to Jaime Traba for recording the audio of the sets. More on that hopefully soon. Thanks to Frank Huang for capturing video. Steve Truglio, Randy Blood, Harry Booth and others for getting photos. Like I said, my camera died, so knowing that there were plenty of others around was a great comfort.

Thanks to Skillit for the amazing poster and logo design, and to Dave from Made in Brooklyn for printing the patches. Thanks to my family, Suze Wright, Andy Wright and Rob Jones, for coming and helping sell merch. Thanks to Slevin and Ralph. Thanks to Liz and Dave from Earsplit and Becky Laverty for the plugs. Thanks to Postman Dan for buying tickets even though he couldn’t make it. Thanks to Randy and Laura Blood, Juan Lopez, Jen Hendrix-Johnson, Kenny Sehgal, Phil Moon, Adam Sawford, Nico Liengme and Laurel Jane May, Earl Walker Lundy, Seibert Lowe, Paul John Shaft, Lisa Hass, Melanie Streko, Ron, Jill Lavilette, Brian Schmidt, Ross Colombo, Alex Jakstas, Natasha Padilla, Tad Proshansky, Zack Kurland, Greg Aramini, and many, many others who came out, everyone who had a kind word about the site, the band selection, my book, everything. I’m quite sure I’ll add to this list as I regain even my usual limited use of my mental faculties, but this is for starters and please know that whether you were there in-person or if you shared a link or saw a post about it and liked it or bought tickets in advance or just read the site generally. Thank you. Thank you all so much. Thank you.

Thank you.

I’m going to take a couple weeks and really think about whether this is something I want to do again, but if I do, I know it won’t be an annual thing. Whatever happens moving forward, I want you to know how unbelievable this night was for me and I hope for everyone who attended as well. One more time, thank you.

I don’t have photos of my own, Steve Truglio was kind enough to send me shots of each band who played, and you’ll find them after the jump.

Read more »

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The Obelisk All-Dayer Countdown: Kings Destroy, “Old Yeller” Live in Sweden

Posted in Bootleg Theater, Features, The Obelisk Presents on August 11th, 2016 by H.P. Taskmaster

the obelisk all-dayer

The Obelisk All-Dayer tickets

I wasn’t there to see it, of course, but I happen to know that this particular show has become something of a legend within Kings Destroy. It was the Getaway Rockfestival in Sweden, part of their 2012 European tour. They’d wind up hanging out with Weedeater — and by hanging out I mean stealing a forklift — and playing on what you can see in the video below is a massive stage to a likewise massive audience. Looks like it was an absolute blast.

Since even before Kings Destroy released their first album through this site’s short-lived record label wing, the New York outfit have been among my favorite bands to write about. They’ve consistently defied expectation — mine for sure, and I think their own as well — and have over the last five years become a highly individualized blend of noise rock, heavier sludge impulses and anti-genre fuckall.

On stage they’re confrontational in a way that was once a staple of their hometown. I’ve been fortunate enough to tour with them twice, and on the East Coast and the West, they’ve left audiences dumbfounded and won over in like proportion. Their third and latest record, Kings Destroy (review here), came out last year on War Crime Recordings and is a triumph of how far into their own they’ve come, full of memorable songs that have made for some genuinely ridiculous live shows. People have been kicked. By other people. On stage. Frequently.

There was basically no way I was going to put on The Obelisk All-Dayer — which is Aug. 20 at Saint Vitus Bar in Brooklyn (get tickets) — and not have them involved. I’m glad they said yes. They’ll be the lone New York band on the bill, which they’re sharing with Mars Red Sky, Death Alley, Snail, Eye, Funeral Horse, King Buffalo and Heavy Temple. It’s going to be incredible.

With visions of forklifts in your head, enjoy “Old Yeller” below:

Kings Destroy, “Old Yeller” Live in Sweden

The Obelisk All-Dayer tickets

Kings Destroy on Thee Facebooks

Saint Vitus Bar website

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THE OBELISK ALL-DAYER: Official Poster & Runtimes Revealed

Posted in The Obelisk Presents, Visual Evidence on June 30th, 2016 by H.P. Taskmaster

the obelisk all-dayer poster skillit

Buy Tickets Here

Gaze upon its countenance and realize just how fucking awesome this show is going to be.

Aug. 20 at Saint Vitus Bar in Brooklyn marks the first-ever The Obelisk All-Dayer, a one-of-a-kind celebration of things heavy, noisy, psychedelic, progressive, and weird. In addition to being the first New York appearances for French heavy psych mavens Mars Red Sky, Amsterdam-based motor-rockers Death Alley, West Coast riff-rollers Snail and bizarro Texas punks Funeral Horse, The Obelisk All-Dayer will feature food on-hand, full and recorded sets, limited-edition posters and other merch, and an afterparty with DJ Adzo (aka Adam Kriney of Brooklyn’s The Golden Grass) and Walter Roadburn (the man behind the internationally renowned Roadburn festival).

Today the official poster, which will be available at the Vitus Bar in a limited and one-time run of 50, has been revealed. Art is by Los Angeles-based designer Sean “Skillit” McEleny, who has worked with numerous acts across both coasts as well as the header for this site and perfectly captures the strange awe and wonder that the show is certain to elicit front-to-back.

Following the revelation earlier this month of the complete lineup, the set runtimes are now also available:

the obelisk all-dayer logo skillit-700

Mars Red Sky* 10:10-11:40
Death Alley* 8:50-9:50
Snail* 7:30-8:30
Kings Destroy 6:30-7:10
EYE 5:30-6:10
Funeral Horse* 4:30-5:10
King Buffalo 3:30-4:10
Heavy Temple 2:30-3:10
(Afterparty with DJ Adzo & Walter Roadburn* 12-2AM)
* Debut appearance in NYC

Set times are firm. The Obelisk All-Dayer is proud to be giving these bands enough time to flesh out their performances, as opposed to rushing one into the next in a festival. The intent is that the day will be a laid-back party more than a festival, from the start of Heavy Temple‘s cult-worthy riffing through the psych-blues bliss of King Buffalo, the possibly-cape-inclusive doings of Funeral HorseEYE‘s lush progressive rock, locals Kings Destroy‘s aggro noise push and the one-two-three punch of SnailDeath Alley and Mars Red Sky, none of whom has ever played New York before.

Get your tickets immediately.

The Obelisk All-Dayer tickets

The Obelisk All-Dayer event page

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