The Mad Doctors Tour Starts Tonight; New Single Streaming

Posted in Whathaveyou on May 28th, 2018 by JJ Koczan

the mad doctors

You know, I was going to start out this post by wondering if Brooklyn trio The Mad Doctors knew that there was already a sequel to the 1992 movie Sister Act. It also starred Whoopi Goldberg, came out in ’93, and it was called Sister Act 2: Back in the Habit. But you know what? I bet The Mad Doctors already knew that shit. And if you think about it, doesn’t that just kind of make the joke funnier? So the title of their new single, “Sister Act II: Electric Boogaloo (What if Idris Elba was the Next James Bond),” isn’t only a goof reference on the first Sister Act, it’s even more tongue-in-cheek because it’s a fake sequel to that movie when there’s already a real one. Plus, that whole thing with Idris Elba in the parenthesis. I believe the answer is, “white people on the internet got really pissed off about something that doesn’t matter in the slightest,” which, you know, is kind of the answer to any such “what if” scenario.

Because white people love bitching about shit that doesn’t matter. Like the deficit.

Other point: the title of the new The Mad Doctors single is clever as hell and the band are headed out on a Northeastern run as of this very evening to support it. I doubt they’ll be explaining the joke to everyone as they go, like, “It’s funny because there’s already a movie,” but you know, it’s still pretty funny. And the song’s streaming at the bottom of this post and a name-your-price download, so even better.

Details

the mad doctors tour

The Mad Doctors – Sneakin Out The Web Tour

Northeast coffee fiends, booze hounds (and pitbulls), party rock boys, and folks of all things n stuff – after PIZZAFEST V we’re hitting the road for a week and spending some good quality time with our pals Fire Heads from Wisconsin!! It’s gunna be fuzzy! Check us out in the following places:

M 5/28 – Saratoga NY – Desperate Annie’s
Tu 5/29 – Portland ME – Matthew’s Pub*
W 5/30 – Salem MA – Koto*
Th 5/31 – Pawtucket RI – News Cafe*
F 6/1 – Stamford CT – Riot at Amadeus*
Sa 6/2 – Rutherford, NJ – The Jungeon
* = Fire Heads (WI)

Tour poster by Erick Freuhling (of Fire Heads)

The Mad Doctors are:
Seth Applebaum – Gtr/vox
Joshua Park – Bass
Greg Hanson – Drums

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The Mad Doctors, “Sister Act II: Electric Boogaloo (What if Idris Elba was the Next James Bond)”

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Review & Full Album Premiere: Sun Voyager, Seismic Vibes

Posted in audiObelisk, Reviews on April 18th, 2018 by JJ Koczan

Sun Voyager Seismic Vibes

[Click play above to stream Sun Voyager’s Seismic Vibes in its entirety. Album is out April 20 on King Pizza Records.]

Here’s a post from May 2014 about how Sun Voyager‘s debut album would be out that summer. The band had two demos to their name at that point — early 2013’s Cosmic Tides and late 2013’s Mecca (review here) — and though it turn out their first long-player would in no way be out that summer or any time between then and now, they filled the intervening years via splits with Greasy Hearts (discussed here) and The Mad Doctors (review here), as well as 2015’s Lazy Daze EP (review here). The Orange County, New York, heavy psych outfit discussed the making of their full-length and even went so far as to post the opening track “Trip” in early 2017. So to say that Seismic Vibes, which at last sees release through King Pizza Records, has been a while in the making is maybe understating it a little.

They’ve kept consistent playing live shows, and since Lazy Daze came out they’ve pared down their lineup from a two-guitar four-piece to a trio — though in addition to the core of vocalist/guitarist Carlos Francisco, bassist/guitarist/vocalist Stefan Mersch and drummer Kyle Beach, the album’s credits also list Evan Heinze on keyboard and Sam Bey on percussion; that trio may or may not be in a process of expansion — and between that and leaking tracks from the originally self-titled Seismic Vibes, one could hardly accuse them of laziness in bringing the record to fruition. Sometimes these things just take a while. Tracked by Paul Ritchie down the Jersey Shore and mastered by Alan Douches, the eight-song/34-minute offering that has resulted from whatever arduous process was undertaken can only be considered worth the effort.

Maybe that’s not saying much, but the point to be made is that one can hear on Seismic Vibes the growth that’s taken place in Sun Voyager‘s sound even since Lazy Daze, which opened with “God is Dead,” a song that’s turned into the extended, jammed-out closer on the full-length. That track is the only carry-over between the two outings, and as one might hope, Sun Voyager use the opportunity of their first full-length to showcase the dynamic they’ve worked hard through the last several years to build. The keys and vocal arrangement on a song like “Hair Brained” speak to an increase in complexity overall, not to mention the sitar-sounding guitar solo that follows and the effects swirl surrounding, but even the opening salvo of “Trip,” “Open Road” and “Caves of Steel” seem to signal a driven purposefulness of intent — that is, the fact that these tracks aren’t just cobbled together, but placed consciously to affect the listener’s experience of the record. All under four minutes and pointedly uptempo, the first three tracks work quickly to establish the momentum that will carry the listener through the ensuing dynamic that unfolds.

sun voyager

Beginning with an unassuming hum, “Trip” is among the catchiest hooks on Seismic Vibes, tambourine and all, and the keyboard-laced “Open Road” holds a tension in its drums that drives mellower verses into the more densely-fuzzed chorus, keyboards filling out the melody during the verse and the cacophonous-but-quick payoff at the end. Mersch‘s bass and Francisco‘s guitar swirl begins “Caves of Steel,” but this too unveils itself quickly as a fuzz riot, and thrusts into tom runs backing a hook repeating the title line and a jammy ending that cuts short at about 3:10 but sounds like it could just as easily keep going into perpetuity. Though it too is short at 3:38, there’s a marked change in pace as “Stellar Winds” comes on, and for the first time, Sun Voyager introduce their more languid side; a sound more derived from shoegaze than the spaced-out semi-punk of “Caves of Steel” just prior. Francisco‘s voice is well-suited to drift, which is not something every singer can pull off, and though “Stellar Winds” is mellower than the first three cuts, it still offers a sense of build and turns directly into “Hair Brained,” which is arguably the speediest and most active inclusion here, reminiscent as it is of some of early Nebula‘s frenetic stoner punk.

As noted, the keys are a factor in fleshing out “Hair Brained,” and they play a role in offsetting the bouncing rhythm as it makes its way to a winding cold-stop finish, and it might be the keys as well that tie “Hair Brained” to the subsequent “Too Much,” which is an immediate switch in method from its predecessor and the most open-feeling song on Seismic Vibes, molten and hypnotic in a way that much of the record has simply chosen not to be. At five minutes, its roll is second in length only to the aforementioned “God is Dead,” and the two tracks are separated by the 3:35 “Psychic Lords,” a slowdown leading to the quiet/loud tradeoffs as Sun Voyager find a place for themselves in a niche of cosmic grunge that calls back to the hooks earlier on the album without giving up the expansion that’s happened since.

The start of “God is Dead” is a bit jarring coming out of the subdued end of “Psychic Lords,” and I suspect it will be all the more for anyone who encountered Lazy Daze, as it was a standout there, but in this redone, expanded version, it provides a fitting summary of just about everything Seismic Vibes delivers, with a jammy feel underscoring forward drive, shifts in tempo and a controlled psychedelic sensibility that’s light on self-indulgence and still manages to feel like it’s exploring new terrain. One would be remiss in not noting that though it’s been some time in its realization, this is still Sun Voyager‘s debut album, and yes, there is room for the band to continue to grow into their sound, to refine their balance of volume and tempo and straightforward and open structures, but the core of songwriting is there as it has been for the last half-decade, and there’s little chance Seismic Vibes won’t end up as one of 2018’s best first LPs. As a fan of the band, I’m just glad it finally happened.

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Sun Voyager Post New Single “Too Much”; Seismic Vibes Preorders Available

Posted in Whathaveyou on January 25th, 2018 by JJ Koczan

sun voyager

April is still a good ways off, but New York heavy psych rockers Sun Voyager have unveiled a second single from their debut album, Seismic Vibes, and considering how long the record has been in the making, one can hardly blame them. You might recall the video for “Caves of Steel” premiered here from the King Pizza Records offering, which is set to arrive on April 20, and now they’ve also revealed the fuzzy “Too Much” as a follow-up sampling of their rolling-groove wares and the sense of lumbering and crash that some of the heavier moments of Seismic Vibes harness while still staying true to the echoing spaces of the vocal melodies.

I’ve made no bones about being a fan of the New York trio in the past and that remains very much the case having now heard the full-length after waiting years for it to show up. I know we’re in January, but I’ve no doubt it’ll be one of my favorite debuts of the year when December rolls around, and I’ll still have much more to come on it before April gets here, so stay tuned.

In the meantime, dig:

sun-voyager-seismic-vibes

Sun Voyager – “Too Much”

As the time for Seismic Vibes approaches, we’re happy to share its second single with you. “Too Much” is now streaming on our Bandcamp page, where you can officially pre-order the Digital Album or 12″ Vinyl and receive an instant download of the first two singles (including “Too Much” and “Caves of Steel”) as well as the rest of the LP the minute it is released on April 20th, 2018 on King Pizza Records. You can catch us on tour this March on our way to SXSW.

https://sun-voyager.bandcamp.com/album/seismic-vibes

Seismic Vibes Tracklist:
Trip
Stellar Winds
God is Dead
Psychic Lords
Harebrained
Carousel
Strange Birds
Fifth Dimension
Ride On

Sun Voyager is:
Carlos Francisco – Guitar, Vocals
Stefan Mersch – Bass
Kyle Beach – Drums

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Sun Voyager, “Too Much”

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Sun Voyager Premiere “Caves of Steel” Video; Debut LP Seismic Vibes Available to Preorder

Posted in Bootleg Theater, Whathaveyou on December 5th, 2017 by JJ Koczan

sun voyager photo by seth applebaum

I don’t even want to talk about how long I’ve been waiting for the debut album from Sun Voyager, but suffice it to say, it’s been a while. The New York-based heavy psych trio’s early EPs, 2015’s Lazy Daze tape (review here) and 2013’s Mecca (review here), brought immersive thrills delivered with the inimitable energy of youth, and splits with Greasy Hearts (discussed here) in 2014 and The Mad Doctors (discussed here) last year only furthered anticipation. Though it’s taken them a fair minute to get there, the band will issue their first long-player in the form of Seismic Vibes via King Pizza Records on April 20, 2018. The album actually exists. You can preorder it now direct from the label.

And I suggest you do. Not just because the numbers are limited, but because Seismic Vibes — about which I’m of course hoping sun voyager seismic vibesto have much more coverage over the course of the next several months — indeed follows through on the potential Sun Voyager has continued to show over the last several years, drawing from grunge, psych, shoegaze, post-rock, heavy riffing, garage stylization and beyond and mashing it all together into songs that are neither pretentious nor overly wrought. A cut like “Hair Brained” howls  and shuffles with should-get-TeePeeRecords‘-attention abandon, while “Open Road” sets a foundational hook early and the later “Psychic Lords” drifts languidly into a vision of heavy indie/neopsych to lead into charged finale “God is Dead.”

That song, or rather a shorter, four-piece version of it, opened Lazy Daze, and opener “Trip” was unveiled earlier this year with a prior album update, so not all of Seismic Vibes will be unfamiliar to those who’ve been keeping up, but the 34-minute run Sun Voyager bring to bear feels in its initial impressions like it’s been worth the wait, and I couldn’t be more thrilled to host the preorder and tour-date announcement below, as well as the video for the uptempo “Caves of Steel,” which boasts one of the record’s catchiest choruses. You’re going to want to watch it more than once, so be ready to commit more than the actual three and a half minutes of the song itself. That’s really just the beginning of it.

All info follows the clip on the player below, courtesy of the PR wire.

Please enjoy:

Sun Voyager, “Caves of Steel” official video premiere

Sun Voyager Premiere “Caves of Steel”; Seismic Vibes Available to Preorder

Hudson Valley natives Sun Voyager are thrilled to premiere the video for their new single, “Caves of Steel,” off the debut album Seismic Vibes coming out April 20th on King Pizza Records.

This eight-song journey is Sun Voyager’s first true long player and it’s a planet-shattering thunder mountain possibly too nasty for your turntable. It was recorded by Paul Ritchie in Neptune, NJ, produced by Sun Voyager, Paul Ritchie, and keyboardist Evan Heinze, mastered by Alan Douches at West West Side Music in New Windsor, NY, and album art was designed by Boston’s TJ Freda.

Seismic Vibes is available for preorder today on vinyl with exclusive options limited to 100 White, 100 Gold, as well as Interstellar Black.

Tracklist:
1. Trip
2. Open Road
3. Caves of Steel
4. Stellar Winds
5. Hair Brained
6. Too Much
7. Psychic Lords
8. God is Dead

The name “Caves of Steel” is taken from an Isaac Asimov novel about robots living among us in society and the music video was directed by Danghul Bangyana filmed mostly at Tweed Mountain in Nyack, NY.

Catch Sun Voyager on tour this month:
12/7 – Knoxville, TN – The Pilot Light
12/8 – Boone, NC – Black Cat Burrito
12/9 – Richmond, VA – Lucy Lane
12/10 – Montclair, NJ – The Meatlocker
12/11 – Saratoga Springs, NY – One Caroline
12/12 – Allston, MA – Great Scott
12/13 – Brooklyn, NY – Zone One at Elsewhere*
* – w/ Elephant Stone

Sun Voyager is:
Carlos Francisco
Stefan Mersch
Kyle Beach

Preorder link: http://kingpizzarecords.storenvy.com/products/22483149-sun-voyager-seismic-vibes-lp

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The Mad Doctors Announce November Touring

Posted in Whathaveyou on October 31st, 2017 by JJ Koczan

the-mad-doctors-Photo-Jeanette-D-Moses-Pizzamania-Portraits

Granted, I’m not exactly on my A-game as regards general mental power this week, but it took me a while to figure out where Brooklyn’s The Mad Doctors were going with naming their tour ‘November Pain.’ Once I figured it out it seemed pretty obvious, but yeah, it was a minute or two of actual, conscious thought before I got there. ‘Danksgiving’ — way more obvious. Making the connection between ‘November Pain’ and the Guns ‘n’ Roses song “November Rain” was a bit more of a challenge. Again, that one’s on me. I’m sure most human beings wouldn’t have the same kind of trouble, what with the higher brain function and whatnot.

Following the release of their second long-player,  No Waves, Just Sharks (discussed here), earlier this year, The Mad Doctors issued a follow-up split via Twin Earth and King Pizza Records with Heavy Traffic (review here). I guess in the end the band couldn’t decide which clever name they wanted to give the run, but either way, they’ll be out for 10 days supporting both of the recent offerings, playing with Rye PinesSun VoyagerBlack HatchZip-Tie Handcuffs and a whole bunch of others. Details on the shows are available through the Thee Facebooks event page, linked following the dates below.

Goes like this:

the mad doctors tour

The Mad Doctors – November Pain / Danksgiving Tour

We are hitching up the minivan and hitting the road in search of gravy. It’s NOVEMBER PAIN/DANKSGIVING so come party with us, ya turkeys!

Three bearded, lab-coated creeps strung out on a dumpster beach, hi-fiving the sun. Two parts fuzz, one part reverb, and a jigger of formaldehyde.

Wed – 11/8 – Brooklyn @ Our Wicked Lady
Thur 11/9 – New London CT @ 33 Golden St.
Fri 11/10 – Boston @ The Rat’s Nest
Sat 11/11 – Upton MA @ Paulson Stained Glass Studio
Sun 11/12 – Milford NH @ Union Coffee Co.
Mon 11/13 – Saratoga Springs NY @ One Caroline
Tues 11/14 – New Paltz NY @ Snugs
Wed 11/15 – Baltimore @ The Crown
Thur 11/16 – Harrisonburg VA @ Crayola House
Fri 11/17 – Richmond @ Hardywood
Sat 11/18 – Philly @ Tralfamadore

Poster art by Tav Palumbo / Heavy Traffic.

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The Mad Doctors & Heavy Traffic, Split 7″ (2017)

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Review & Full Stream: Heavy Traffic & The Mad Doctors, Split 7″

Posted in audiObelisk, Reviews on September 21st, 2017 by JJ Koczan

heavy-traffic-mad-doctors-split

[Click play above to stream the new split between Heavy Traffic and The Mad Doctors in its entirety. Seven-inch is out Sept. 22 via Twin Earth Records and King Pizza Records.]

It’s a quick one, but there’s enough cacophony in the split between Heavy Traffic and The Mad Doctors to make a larger impression than its seven-minute runtime might lead you to believe. The two New York-based bands pair up for a mini-platter with the cooperation of their respective labels, Twin Earth Records and King Pizza Records, and really, that’s about where the cooperation ends. From the point of its existence onward, the split is much more about brash noisemaking than being friendly, though both bands certainly seem to be having a good time. Maybe “mischief” is the right word. Yeah. It’s like if the night before Halloween was a two-song sampler of what these groups have to offer; as though a release might somehow throw rolls of toilet paper into the tree in your front yard or egg your car. Take that, suburbia.

Pressed in an edition of 500 copies with smaller numbers on clear (150), gold (150) and black (200) vinyl, the split brings one song each from Heavy Traffic and The Mad Doctors, both of whom are following up on relatively new releases. In the case of the four-piece Heavy Traffic, their sixth full-length, Plastic Surgery (review here), was issued late in 2016 via Twin Earth, and the 4:44 of “Daylight Ripoff” begins side A with a fervent charge that answers the heavy psychedelic blister-raising they proffered with the album, which was the debut of the lineup that found guitarist Ian Caddick and drummer/vocalist/cover-artist Tav Palumbo — both formerly of Santa Cruz, California, blowout psych-gazers Spanish Moss — joined by bassist Dave Grzedzinski and drummer Dan Bradica (which presumably moved Palumbo to guitar/vocals, though don’t quote me on that).

Whether or not “Daylight Ripoff” was recorded at the same time as Plastic Surgery or under similar live-tracked conditions, I don’t know, but it’s certainly a believable. The song begins with just a momentary wail of feedback before lurching forth with a blast and wash alike, melodic vocals topping a thrust that could just as easily have come from modern black metal as heavy psych. It’s a surprising way to begin, and no doubt that’s exactly what Heavy Traffic had in mind. About 20 seconds in, they find their footing a prog-metallic churn of intertwining guitars at 53 seconds, they slam on the brakes to hit into a Sabbathian lumber that will slow even further as they hit the second minute, maintaining a spaciousness and fuzzed tonality as it nods itself seemingly into oblivion. The “but wait — there’s more!” moment happens just before the three-minute mark when they bring back the melodious assault that began “Daylight Ripoff” and cycle through it and the more angular riffing again before a distant lead echoes out behind tense chug and a build on the toms in the last minute.

This fades out relatively quickly and relatively noisily and “Daylight Ripoff” seems like anything but as it ends having been marked by its dizzying tempo changes and drawn together through the vague but resonant vocals laid over its shifting bulk. One might be tempted to call it a kitchen-sink approach, but Heavy Traffic keep the arrangement to their two guitars, bass, drums and voice, even if those common elements are put to uncommonly madcap use. In relation to Plastic Surgery, “Daylight Ripoff” feels altogether more unhinged than groove-rolling cuts like “Rule of Nines” or “Three Stigmata,” and whether its punkish refusal to settle into a pace or method is indicative of an overall shift in direction on the part of the band or just a one-off experiment in style and/or structure, it’s impossible to say, but the weirdo vibe suits Heavy Traffic well. If “Daylight Ripoff” is them continuing to refine and explore options with their approach and this relatively new lineup, one can hardly argue with either the variety or the intensity with which they deliver.

Though their inclusion is shorter and more straightforward, The Mad Doctors hardly come across as subdued upon the flip to side B. Their cleverly-titled “Yuengling Malmsteen” checks in at 2:57 and is the first new music they’ve had out since their earlier-2017 sophomore full-length, No Waves, Just Sharks (discussed here). The trio of guitarist/vocalist/recording engineer Seth Applebaum, bassist Joshua Park and drummer Greg Hanson, who also runs King Pizza Records, employed a few guests throughout that album for vocals and had spoken word samples peppered throughout as they shifted between surf punk and heavier impulses, crafting a rare union in atmosphere that actually worked without being either overly punkish, overly surfish, or a crude amalgam of desert and garage, while still sounding impressively off the rails and unpredictable — it really was something, if you didn’t hear it — but here it’s just the three of them and they once again adjust the balance.

“Yuengling Malmsteen” doesn’t feel intended to be a summary of The Mad Doctors‘ sound as a whole — I suspect it would have at least as tough a time in providing that summary as I just did — so much as a quick-burst showcase of their craft in general. Its push begins with a deceptive jangle before unveiling a full tonal boar moving at a crisp tempo that shortly opens to the first verse. Momentum is held in Hanson‘s drums throughout and before the first minute is done, The Mad Doctors have trod through the verse and chorus both in shoving, party-time fashion. Not a moment is wasted, but “Yuengling Malmsteen” doesn’t necessarily feel stripped down either — vocals are soaked in reverb and the guitar and bass are both weighted and present a depth of tone, the former particularly with a quick-but-drawn lead around two minutes in that shimmers before a final chorus takes hold to drive the song to its somewhat understated finish. The thickened thrust that kicks in before each verse proves especially righteous, and “Yuengling Malmsteen” is primarily about motion and its own forward drive, which it fulfills while giving the sense that if one just continued to let the record play, ApplebaumPark and Hanson would be on to the next track in no time at all.

Of course, that’s not the case, but in each band giving listeners a look at what they do, Heavy Traffic and The Mad Doctors both acquit themselves well in terms of songwriting and style without necessarily sounding like they’re competing with one another in the way of splits with groups more sonically akin. That’s not to say they don’t have anything in common, just that while both show a strong sense of personality on this short release, those personalities are distinct enough that there’s never going to be any confusion about who it is saying what with their material. Heavy Traffic raise a few questions as to where they might be headed and The Mad Doctors reaffirm the deceptive depth of their latest album, and among the traits the two bands share is a clear efficiency with which this is accomplished. Like I said at the outset, it’s over and done in about seven minutes.

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Pizzafest 4 Set for June 22-24 in Brooklyn

Posted in Whathaveyou on June 12th, 2017 by JJ Koczan

Next weekend — not this weekend, the one after that — King Pizza Records hosts Pizzafest 4 in Brooklyn at The Gutter and El Cortez. The lineup boasts 21 bands by my count playing over the course of three days from June 22 to June 24, and I’ll readily admit that I’m completely unfamiliar with more than half of them. To be honest, that’s a big part of the appeal to me in putting together a post about it.

Sure, names like Sun Voyager — who released their latest single, “Trip” (posted here), in January — and The Mad Doctors, whose No Waves, Just Sharks (discussed here) came out in April, are readily familiar, and so too are several others, but Panther MartinThe UndersMax Pain and the Groovies? Well I feel like a real square in saying so, but I’ve never heard these bands and have no idea what they might sound like. Isn’t that fantastic?

There are few better feelings for me than go-do-your-homework when it comes to finding new bands, and with King Pizza‘s penchant for finding the off-kilter in noise, punk and psych, I’ve little doubt there are more than few here worth digging into. So if you need me, I’ll be doing that. Think of the lineup as a checklist and feel free to dig in as well:

pizzafest 4 poster

Pizzafest 4 – June 22-24 @ The Gutter & El Cortez, Brooklyn, NY

Pizzafest a three-day festival of rock n roll, pizza, comedy, weirdo art, and more.

Following tradition, we’re also releasing a tape that weekend – this year for Brooklyn indie rockers El Silver Cabs.

Lineup:

Thur June 22 @ The Gutter (200 N 14th St. Brooklyn)
7pm, $8
Evolfo
Sirs & Madams
Jacques le Coque (CT)
Greasy Hearts
Lumps

Fri June 23 @ The Gutter (200 N 14th St. Brooklyn)
7pm, $8
The Mad Doctors
The Lushpockets (MD)
The Rizzos
Deadly Lo-Fi (GA)
Super FM
Max Pain & The Groovies

Sat June 24 @ El Cortez (17 Ingraham St. Brooklyn)
3pm, $10
The Royal They
Sun Voyager
Panther Martin (CO)
El Silver Cabs (tape release)
Suzies (MI)
Francie Moon (NJ)
Garbage Brain (NJ)
The Unders
Spowder (NJ)
Leg Days
+ DJ Dollarbin & DJ Bagels & Lox spinning after the bands/all night long

All daze hosted by Casey Regan
+ Readings from the Book of Yum Yums by Pizza Scribe Napolitano
++ Pizza
+++ More weirdness

All shows 21+
Snag discount 3-day tickets: http://ptix.co/2prfrD3

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Sun Voyager, “Trip”

The Mad Doctors, No Waves, Just Sharks (2017)

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The Mad Doctors Premiere “Dead Beach”; No Waves, Just Sharks Due in April

Posted in audiObelisk, Whathaveyou on March 1st, 2017 by JJ Koczan

the-mad-doctors-Photo-Jeanette-D-Moses-Pizzamania-Portraits

There are bits and pieces of dialog interspersed between the tracks on The Mad Doctors‘ forthcoming second album, No Waves, Just Sharks, that come together to tell the story of the record. I’m not entirely sure what that story is, but it’s there, and it involves drugs, and somehow it feels really, really appropriate when put next to the heavy-surfer-punk that the Brooklyn trio proffer in the songs themselves. It’s a fine line to walk, since so much of the record is about thrust — of crotch and rhythm alike — and it basically interrupts itself at every turn, but yeah, they pull it off. If your brain’s not on board for some weirdness, take a second and get there.

Then go ahead and dive into the song “Dead Beach,” which is premiering below. Last we heard from the band was their 2016 split with fellow New Yorkers Sun Voyager (discussed here), and though “Dead Beach” is a little thicker than some of what No Waves, Just Sharks gets into at its most manic — The Mad Doctors get to be pretty zany as they go, in a subtly-malevolent kind of way — I think it represents the album pretty well in its impact and underlying sense of the unhinged, effectively conveyed across the span of the record as it courses through one song to the next.

The Mad Doctors have a slew of dates lined up to herald the April release via King Pizza Records — preorders are up now — and you can see those below and hear the debut of “Dead Beach” at the bottom of the post. Thanks to the band and label for letting me host the premiere.

Enjoy:

the-mad-doctors-no-waves-just-sharks

The Mad Doctors – No Waves, Just Sharks

The Mad Doctors continue their quest to surf the sludgy seas and headbang on Blood Beach with their second LP ‘No Waves, Just Sharks’. One part riffy fuzz, one part reverb-drenched surf – the Brooklyn trio pound out 10 tracks of driving garage punk shit and take to the highways and byways of America to cover themselves in beer and eat lots of chips (aka tour).

Collaborating with tons of familiar faces from the Brooklyn rock n roll scene – additional vocals by Megan Mancini of The Rizzos & Matt Witte of Coach n Commando plus voice-acting in the b-movie clips (featuring mems of Sirs & Madams, The Rizzos, and more), The Mad Doctors create an unholy soundtrack to a B-Movie you wish existed.

Blurring the lines between punk, sludge, psych, and surf, The Mad Doctors revel in their part of a larger scene bringing all types of rock n rollers together to party. So dig the tunes, spread the scourge, and lose your mind. And always remember, Justin’s a cop.

Limited run of 500 LPs, 100 on minty snot green, 100 on fool’s gold, 300 on black available for pre-order via King Pizza Records

Pre-order link: http://kingpizzarecords.storenvy.com/products/19006516-the-mad-doctors-no-waves-just-shark-lp

Release is 4/14 at Shea Stadium in Brooklyn with Stuyedeyed, The Royal They, and Crazy Pills

Track List:
The Ballad of Jort Dad
Springwater Supper Wizard
Dead Beach
Shit Hawks at Blood Beach
Lord of Garbage
Justin’s a Cop
Mind Rot
Dial M (for Sultry)
She’s a Psycho
The Rats are Coming

Tour Dates:
Th 3/16 – Brooklyn NY – The Gutter
F 3/17 – New Paltz NY – Fizzies
Sa 3/18 – Rochester NY – Monty’s Krown
Su 3/19 – Syracuse NY – The Spit House
Fri 3/31 – New London CT – Oasis
Sa 4/1 – Providence RI – POP Gallery
F 4/14 – Brooklyn NY – Shea Stadium
M 4/24 – Baltimore MD – The Annex
Tu 4/25 – Roanoke VA – Front Line
W 4/26 – Knoxville TN – Pilot Light
Th 4/27 – Boone NC – TBA
F 4/28 – Norfolk VA – Norfolk Taphouse
Sa 4/29 – Richmond VA – S.ADD House
W 5/10 – Boston MA – Obrien’s
Th 5/11 – Amherst MA – Spirit Ghost House
F 5/12 – Brattleboro VT – McNeill’s Brewery
Sa 5/13 – Burlington VT – Monkey House
Su 5/14 – Worcester MA – Distant Castle

Event: https://www.facebook.com/events/1857459804531134/

The Mad Doctors are:
Seth Applebaum – Gtr/Vox
Josh Park – Bass
Greg Hanson – Drums

Band photo by Jeanette D. Moses. http://www.jeanettedmoses.com.

https://themaddoctors.bandcamp.com/
https://www.facebook.com/TheMadDoctors/
https://twitter.com/TheMadDoctors
http://kingpizzarecords.com/
https://www.facebook.com/kingpizzarecs/

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