audiObelisk Transmission 065

Posted in Podcasts on February 26th, 2018 by JJ Koczan

aOT65

I recognize that saying so is the cliché equivalent to writing a song with the same bassline as ‘N.I.B.,’ but if this was December and not February and the year was about to end in a couple weeks’ time, would you really be able to complain about any lack of fantastic releases? It’s been two months and before the next one is out we will have seen and heard new offerings from Corrosion of Conformity, Monster Magnet, Earthless, Fu Manchu and literally hundreds of others. It’s been as awesome as it’s been impossible to keep up with.

This new podcast follows the same model as the last one, vis-a-vis using Spotify as the medium of conveyance. You can see the playlist in the player below, and you may accordingly wonder why I’ve bothered to type it out underneath as well. It’s because streaming sites disappear even quicker than they rise to dominance, and I’m not saying The Obelisk is going to outlast Spotify or anything, but just in case, I like to keep my own records. I appreciate the indulgence on your part.

Awesome mix this time around. No real theme other than it’s new stuff I’ve been listening to a lot and digging. I very much hope you enjoy it as well. 21 tracks. About two and a half hours long.

Thanks for listening and reading:

Track details:

Artist, Track, Album, Runtime
Earthless, “Black Heaven” from Black Heaven, 8:45
Sundrifter, “Targeted” from Visitations, 4:45
Psilocibina, “Acid Jam” from LSD / Acid Jam, 7:08
Blackwater Holylight, “Sunrise” from Blackwater Holylight, 4:51
Fu Manchu, “Clone of the Universe” from Clone of the Universe, 2:57
Green Lung, “Free the Witch” from Free the Witch, 5:55
Monster Magnet, “Mindfucker” from Mindfucker, 4:59
All Souls, “Never Know” from All Souls, 5:59
Red Lama, “Perfect Strangers” from Motions, 6:47
Blackwülf, “Sinister Sides” from Sinister Sides, 4:53
Fuzz Lord, “Worlds Collide” from Fuzz Lord, 6:58
Corrosion of Conformity, “Forgive Me” from No Cross No Crown, 4:06
Apostle of Solitude, “Ruination Be Thy Name” from From Gold to Ash, 6:37
Avon, “Space Native” from Dave’s Dungeon, 4:42
Psychic Lemon, “Exit to the Death Lane” from Frequency Rhythm Distortion Delay, 8:32
The Dry Mouths, “Catalonian Cream” from When the Water Smells of Sweat, 4:34
Insect Ark, “Windless” from Marrow Hymns, 8:38
Naxatras, “You Won’t Be Left Alone” from III, 11:17
Mythic Sunship, “Into Oblivion” from Upheaval, 13:56
King Buffalo, “Repeater” from Repeater, 13:40
Hound the Wolves, “Masquerade” from Camera Obscura, 13:10

If you’re interested, you can follow me on Spotify here.

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Psycho Las Vegas 2018 Reveals Lineup; Dimmo Borgir, Hellacopters, Godflesh, Witchcraft and More to Play

Posted in Whathaveyou on February 23rd, 2018 by JJ Koczan

Psycho Las Vegas 2018 logo

It’s only taken a few years for Psycho Las Vegas to establish itself as the premier underground festival in the US. All well and good. With 2018’s lineup, though, it’s time to start thinking of Psycho among the best in the world.

Sounds like too much? Consider Godflesh and Dimmu Borgir sharing a stage, both for exclusive West Coast appearances. Think of Sweden’s Witchcraft playing one of the two shows they’ll do in the US at Psycho, and ditto that for Japanese riff-madmen Church of Misery. Think of US exclusives from Lee Dorrian’s With the Dead, or Lucifer, whose Johanna Sadonis will also DJ the Center Bar. The commitment to up and coming underground acts local, domestic and foreign like Temple of Void, King Buffalo, Dreadnought, The Munsens and DVNE. Picture yourself watching Wolves in the Throne Room headline a pre-fest pool party with Elder, Young and in the Way, Dengue Fever, Fireball Ministry and Toke.

2018 is the year Psycho Las Vegas outclasses even itself and pushes further than it ever has in terms of stylistic reach (Integrity walks by and waves… at Boris) and the sheer power of its construction. If you’re looking for the future, you’ll find it in scumbag paradise.

Here’s the lineup:

Psycho Las Vegas 2018 poster

Psycho Las Vegas 2018

Hard Rock Hotel and Casino Las Vegas
4455 Paradise Rd, Las Vegas, Nevada 89169

Tickets: https://www.vivapsycho.com/pages/tickets

PSYCHO LAS VEGAS 2018 lineup:
DIMMU BORGIR (west of chicago exclusive)
HELLACOPTERS (one of two shows to be played in the USA in 2018)
SUNN 0)))
GODFLESH (west of chicago exclusive)
WITCHCRAFT (one of two shows to be played in the USA in 2018)
ENSLAVED
AMERICAN NIGHTMARE
HIGH ON FIRE
ROCKET FROM THE CRYPT
RED FANG
ZAKK SABBATH
CHURCH OF MISERY (usa exclusive 2018 with exception to one other show in San Diego)
TINARIWEN
GOBLIN
CKY
VENOM INC
EYEHATEGOD
VOIVOD
BORIS
COVEN
INTEGRITY
PALLBEARER
WITH THE DEAD (USA exclusive 2018)
MONOLORD
LUCIFER (USA exclusive 2018)
ACID WITCH
SURVIVE
DOPETHRONE
BIG BUSINESS
UNEARTHLY TRANCE
MUTOID MAN
TODAY IS THE DAY
HELMS ALEE
SPIRIT ADRIFT
BATUSHKA
PRIMITIVE MAN
DVNE
ALL PIGS MUST DIE
EIGHT BELLS
WORMWITCH
INDIAN
NECROT
HOMEWRECKER
BRAIN TENTACLES
CLOAK
BLACK MARE
MAGIC SWORD
UADA
TEMPLE OF VOID
DREADNOUGHT
WOLVHAMMER
ASEETHE
DISASTROID
FORMING THE VOID
VENOMOUS MAXIMUS
GHASTLY SOUND
HOWLING GIANT
KING BUFFALO
NIGHT HORSE
THE MUNSENS
GLAARE

Paradise Pool Pre Party
August 16th

WOLVES IN THE THRONE ROOM
ELDER
YOUNG AND IN THE WAY
DENGUE FEVER
FIREBALL MINISTRY
TOKE

Center Bar DJ’s
Andrew W.K.
Nicke Andersson (Entombed/Hellacopters)
Johanna Sadonis (Lucifer)

https://www.facebook.com/psychoLasVegas/
https://www.facebook.com/events/125340824913552/
http://vivapsycho.com

High on Fire, Live at Psycho Las Vegas 2016

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King Buffalo Announce West Coast Tour with The Sword

Posted in Whathaveyou on January 26th, 2018 by JJ Koczan

Rochester trio King Buffalo recently sold through the test pressings of their latest EP, Repeater (review here), at their BigCartel store — I mean, they were there and then they were gone, just like that — and I assumed it was because the psych rockers were looking to get together funds ahead of an impending return trip to Europe to once again tour alongside Massachusetts heavy prog forerunners Elder on a stint that includes stops at Desertfest Berlin and Desertfest London, but it seems that was only part of the story.

Newly announced today is the fact that King Buffalo will hit the road on the West Coast to tour with Austin, Texas, riff veterans The Sword. Not to take anything away from the stints King Buffalo have done in the US with All Them Witches or anyone else, but I think this qualifies for sure as the highest-profile US touring they’ve done to-date, and of course one wishes them all the best as they continue to turn heads everywhere they go. Dudes are killing it.

Dig the specifics:

King Buffalo on their upcoming tours:

KB from the outset was always determined be a touring band. In the four years since our creation we’ve never been to the west coast. Something for whatever reason always seemed to elude us. We’re excited to be making our maiden voyage with some absolute legends in The Sword.

King Buffalo w/ The Sword west coast tour:
3/21 Austin, TX – Mohawk
3/23 El Paso, TX – Tricky Falls
3/24 Phoenix, AZ – Rebel Lounge
3/25 Los Angeles, CA – El Rey
3/26 San Francisco, CA – Fillmore
3/27 Sacramento, CA – Ace of Spades
3/29 Seattle, WA – Neumos
3/30 Spokane, WA – The Pin
3/31 Boise, ID – Neurolux
4/2 Salt Lake City, UT – Metro Music Hall
4/3 Grand Junction, CO – The Mesa Theater
4/4 Denver, CO – Gothic Theatre (Englewood)
4/6 Lincoln, NE – Bourbon Theatre
4/7 Minneapolis, MN – Skyway Theatre
4/8 Milwaukee, WI – The Rave II
4/9 Louisville, KY – Mercury Ballroom
4/10 Memphis, TN – 1884 Lounge
4/11 Baton Rouge, LA – Varsity Theatre

King Buffalo w/ Elder European tour:
24.04.2018 DK – Copenhagen, VEGA
25.04.2018 SWE – Stockholm, Undergången
26.04.2018 NOR – Oslo, Parkteatret
27.04.2018 NOR – Bergen, Landmark Bergen
28.04.2018 NOR – Stavanger, Folken
30.04.2018 SWE – Gothenburg, Sticky Fingers // Göteborg
01.05.2018 GER – Hamburg, Hafenklang
03.05.2018 PL – Kracow, TBA
04.05.2018 PL – Warsaw, Klub Hydrozagadka
05.05.2018 DE – Berlin, Desertfest Berlin
06.05.2018 UK – London, Desertfest London
07.05.2018 B – Brussels, Ancienne Belgique – AB
08.05.2018 NL – Haarlem, Patronaat Haarlem
09.05.2018 CH – Winterthur, Gaswerk
10.05.2018 F – Gueret, Festival Metal Culture(s) VIII
12.05.2018 ES – Madrid, Kristonfest
18.05.2018 IS – Reykjavik, Gaukurinn

http://kingbuffalo.bigcartel.com
https://www.facebook.com/kingbuffalolives/
http://www.twitter.com/_kingbuffalo
http://www.instagram.com/_kingbuffalo
http://kingbuffalo.com/
https://www.stickman-records.com/
https://www.facebook.com/Stickman-Records-1522369868033940/

King Buffalo, Repeater (2018)

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Review & Track Premiere: King Buffalo, Repeater EP

Posted in audiObelisk, Reviews on January 2nd, 2018 by JJ Koczan

King Buffalo Repeater

[Click play above to stream ‘Centurion’ by King Buffalo. Their Repeater EP can be preordered as a 12-inch vinyl as of Jan. 5.]

The question of how Rochester, New York, heavy psych upstart trio King Buffalo will follow-up their debut full-length, Orion (review here), is answered in the form of the three-track Repeater EP. In the year-plus since the album’s first, (self-)release in 2016, the three-piece of guitarist/vocalist Sean McVay, bassist Dan Reynolds and drummer Scott Donaldson signed to Stickman Records and oversaw an official issue of the record and have toured Stateside with All Them Witches and in Europe alongside labelmates Elder, and the EP brings three new cuts that represent the first new music they’ve produced following this productive time.

It is 24 minutes of material, and more than 13 of that resides within the opening title-track (also the longest of the set; immediate points), but in terms of flow and conveying a sense of how their progression is unfolding, Repeater feels like the first chapter in a larger story more than a standalone offering. That is to say, the vibe is more mini-album than single-song showcase for throwaways or “extras” from a recording session.

Part of that may of course owe to the fluidity in King Buffalo‘s approach overall, which was certainly a factor on Orion and just as certainly hasn’t at all been diminished by the stretches of time they’ve spent on the road, but there’s a perceptible resounding in the molten aspects of “Repeater,” “Too Little too Late” and “Centurion” that underlines the purposefulness with which King Buffalo engage such an open feel in what they do. Jamming is a crucial part of it at their foundation, but as far out as they go, their chemistry is put to use in servicing a song, even in something as vast as “Repeater” itself, which is their longest single track to-date.

Nearest competition in that regard is “Providence Eye,” which appeared both on their first demo in 2013 (review here) and on the subsequent 2015 STB Records-issued split with now-defunct Swedish troupe Lé Betre (review here) and in its longer incarnation topped 11 minutes, so the intrigue around “Repeater” is immediate. The song sounds like it was born on the road, and the lyrics, about repetition, about monotony, with a kind of hurry-up-and-wait undertone of theme, could easily be about touring life (I don’t have a lyric sheet to confirm that), but more importantly, its graceful, patient unfolding around an initial drone and subdued build of drums and guitar leads to a progression that feels as though on any given night, at any given show, it might sound just a little different.

Some nuance might change. Some flourish of guitar might be added, or the drums might tick in a different direction, or Reynolds‘ bass — which make no mistake is the root holding King Buffalo‘s songs together — might add a complementary run to the open-strummed echo of McVay‘s effects. The first verse ends with the line repeated, “Every day is the same” and a move into psychedelic drift around a gorgeous guitar tone worthy of comparison to Sungrazer at their best — yes, I mean that — and before the listener has blinked, the trio are four minutes deep and into a second verse en route to a semi-jam in the midsection from which they return to set “Repeater”‘s build in motion across the second half, the guitar signaling an uptick in tension before an explosion of fuzz just past the eight-minute mark brings them to the next stage, rolling out a thickened, full-volume riff and crash executed in dynamic form.

king buffalo

They pull back momentarily circa 10 minutes in, but are soon enough knee deep once again in this sonic heft, McVay‘s guitar howling atop the low end rumble from Reynolds and the shoving, insistent plod of Donaldson‘s drums. A residual hum finishes that fades to amp noise for the last minute or so, and a volume swell bleeds directly (on the digital version, anyway) into the beginning of “Too Little too Late,” the two songs tied together very much as they might appear on a proper long-player.

That decision does not and should not feel like a minor signal on the part of the band in terms of the work Repeater is doing for them on the whole, signaling their audience that the potential for growth Orion represented was indeed no fluke and that that work has been duly undertaken. “Too Little too Late,” the shortest inclusion at 4:43, is an instrumental piece based around a central drum figure topped by one-two hits, fluidic effects noise, spaced-out swirl, feedback and a generally hypnotic execution.

In its third minute, it devolves from what up till then was its central figure and casts itself out into minimalist drone rumble, a helicopter-esque feedback noise rising and fading to silence ahead of the more clear-headed guitar line that begins “Centurion.” Once again, with Reynolds‘ bass in the underscore position, McVay sets what sounds increasingly like a signature King Buffalo-style opening progression even before the arrival of Donaldson‘s drums, and as the first verse leads to the hook, the easy transition to the chorus highlights how natural their motion has become over such a short period of time.

This ultimately speaks to how loaded with potential King Buffalo are on the whole at this stage in their career — their material is welcoming to listeners and friendly in its tone, but immersive and characterized by a depth that, whether in the subdued beginning moments of “Centurion” or following the volume thrust at the halfway point, feels like an exploration undertaken by audience as much as performer. “Centurion” hits its peak loudness and carries a layer of washing guitar lead across for good measure as its apex serves the entirety of Repeater as much as its own flow, and moves into its final minute with a resolve that seems very much like, again, on any given night, at any given show, King Buffalo might just shove it outward for an indeterminate amount of time; whenever a head-bob or hand signal is given to change, in other words.

Here, they skillfully follow that last change and cut back to the initial bounce of the verse for a measure or two and then end cold, the signal coming through clearly that Repeater is more than ready to live up to its name and go another round. I don’t know and won’t try to speculate where King Buffalo might go with their sophomore full-length when the time comes for it, how they might continue to grow, what they might push toward in terms of arrangements or execution or general sound, but Repeater finds them brimming with confidence both as individuals and as a unit, and their songwriting here hits a new level of craftsmanship that only raises one’s hopes even after such an impressive debut long-player. The question isn’t so much whether King Buffalo are prepared for their next step as it is whether their audience is ready to realize the special moment playing out in front of them.

King Buffalo BigCartel store

King Buffalo website

King Buffalo on Thee Facebooks

King Buffalo on Twitter

King Buffalo on Instagram

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King Buffalo Announce Repeater EP out Jan. 5

Posted in Whathaveyou on December 18th, 2017 by JJ Koczan

Rochester, New York, three-piece King Buffalo spent an admirable portion of 2017 on the road supporting their 2016 debut album, Orion (review here), which was issued by Stickman Records, including runs that took them to South by Southwest in Austin, Texas, and a European tour alongside formidable labelmates Elder that just recently wrapped. Somewhere along the way, they found time to put some new material to tape, and the resulting Repeater EP — named for its sprawling, 13-minute-long opening title-track — will arrive just after the first of the year, right in time to be the first inclusion in my notes for the best of 2018’s short releases. Funny how that works out.

They don’t have any of it streaming publicly yet, but vinyl preorders for the self-release are up now through their BigCartel store, where one can also find a digipak CD pressing of their initial demo and loads of other goodies audible and wearable. They sent the following announcement along the PR wire:

King Buffalo Repeater

KING BUFFALO RELEASE EP, REPEATER, ON JAN. 5

King Buffalo, the Rochester three-piece whose discography includes, a 2013 EP titled Demo, a 2015 split 12” with Le Betre, a 2016 debut album Orion, will self-release their newest EP, Repeater, on January 5th.

The three-song release has vinyl preorders available via: (http://kingbuffalo.bigcartel.com).

“Repeater is something we spent a lot of time with,” drummer Scott Donaldson explained. “We originally envisioned it being part of our sophomore full length, but soon realized it was a release of its own. These three songs developed organically in our practice/recording space in early 2017. They flow through a cohesive vision and form a complete thought like Orion. It wouldn’t have made sense to us, to have them released in any other way. They’ve become some of our favorite songs to play live and you can really sense that from the recordings. We look forward to seeing what people think, and we’re beyond excited on how it all turned out.”

In discussing the EP, Nick DiSalvo of Elder said “Repeater is a spacious, warm sounding record — and as the title implies, it’s deceptively repetitious: the songs breathe, bloom organically and envelop the listener while still being hypnotized by its groove. Somewhere between psychedelic, fuzz rock and shoegaze King Buffalo claim their sonic turf, and it’s not hard for me to imagine this is what big sky country sounds like.”

King Buffalo is Scott Donaldson (drums), Sean McVay (guitar/vocals/synth) and Dan Reynolds (bass/synth).

Repeater track list:
1. Repeater
2. Too Little Too Late
3. Centurion

http://kingbuffalo.bigcartel.com
https://www.facebook.com/kingbuffalolives/
http://www.twitter.com/_kingbuffalo
http://www.instagram.com/_kingbuffalo
http://kingbuffalo.com/
https://www.stickman-records.com/
https://www.facebook.com/Stickman-Records-1522369868033940/

King Buffalo, Live at Wicked Squid Studios (6.16.16)

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End Hip End It: Acid King, Elder, Dead Meadow, Josefus & Many More to Play

Posted in Whathaveyou on August 14th, 2017 by JJ Koczan

I’m not gonna discount the notion of seeing the likes of Josefus sharing the stage with The Well and Doomstress, or of watching the almighty Acid King roll out their riffly triumphs next to Dead MeadowElderMothership and a megaslew of others, but I think the fact that if you buy a ticket for the second day of End Hip End It you get two slices of pizza speaks volumes to the vibe the Spring, Texas-based festival is going for, and that’s a vibe with which I think just about anybody can get down.

The lineup is varied from Funeral Horse and Switchblade Jesus to King Buffalo and Stone Machine Electric, but there’s a heaping representation of the fertile Texan underground here, and that’s likewise respectable. My understanding is they’ve run into some branding issues — I guess repeating any word in your fest name in Texas is verboten because you’re making fun of SXSW? seems to me SXSW could stand to be taken down a peg or two, but couldn’t we all? — and might rename the event for 2018, but whatever you call it, it looks like a good time to me.

Lineup, other info and ticket link follow:

end-hip-end-it-2017

END HIP END IT MUSIC FESTIVAL

OCT 21 – OLD TOWN SPRING, TEXAS

DAY 1 will feature 25 bands in Old Town Spring, Texas. Preservation Park will have three stages of music as well as many interactive art projects thanks to the Generators Playground.

Stage 1
Dead meadow 12:00 – 1:00
The Bright Light Social Hour 10:40 – 11:20
Golden Dawn Arkestra 9:20 – 10:00
Bayonne 8:00 – 8:40
The deer 6:40 – 7:20
AMERICAN SHARKS 5:20 – 6:00
ROSE ETTE 4:00 – 4:40
VANILLA WHALE 3:00 – 3:40
pyreship 2:00 – 2:30
JODY SEABODY & THE WHIRLS 1:00 – 1:30

Stage 2
Acid King 11:20 – 12:00
ELDER 10:00 – 10:40
MOTHERSHIP 8:40 – 9:20
king buffalo 7:20 – 8:00
eagle claw 6:00 – 6:40
greenbeard 4:40 – 5:20
funeral horse 3:30 – 4:00
SWITCHBLADE JESUS 2:30 – 3:00
WARLUNG 1:30 – 2:00

Stage 3
John Evans Band 8:20 – 9:00
Flower Graves 7:10 – 7:50
The Cuckoos 6:10 – 6:50
Ancient Cat Society 5:10 – 5:50
The Mammoths 4:10 – 4:50
Mantra Love 3:10 – 3:50
Howard & the Nosebleeds 2:10 – 2:40

OCT 22 – WALTER’S DOWNTOWN
SUNDAY at Walter’s Downtown there will be two stages with 13 bands on rotation. Ticket purchasers will receive two drink tickets and two pizza slices!

the well
L.A. Witch
doomstress
amplified heat
space villains*
white dog
josefus
crypt trip
stone machine electric
only beast
concrete heat
daze
shallow

KIP Passes get you…
Entry to both days
backstage access
FREE T-shirt on Saturday
access to hammock hangout
one extra beer on Sunday

At End Hip End It you will find a tightly tucked 20 acre plot of land filled with green grass, craft breweries, interactive art projects, live music, beer tasting events, auctions for charities, Light shows, food trucks, VIP access, local vendors, and more. Interactive art projects will be hosted by Bao Pham of the Generators Playground.

https://www.facebook.com/HoustonPsychFest/
https://www.facebook.com/events/444285199249564/
http://www.endhipendit.com/
http://www.endhipendit.com/tickets
https://www.instagram.com/end_hip_end_it/
http://www.twitter.com/endhipendit

Acid King, Live at Electric Funeral Fest, June 17, 2017

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Lake on Fire 2017 Sold Out; Brant Bjork, Ufomammut, Elder, Acid King & More to Play

Posted in Whathaveyou on May 11th, 2017 by JJ Koczan

lake-on-fire-2017-banner

Austria-based festival Lake on Fire 2017 — which, yes, takes place on a lake and which, yes, looks totally frickin’ awesome as a result — sold out in a matter of minutes earlier this week after putting tickets on sale. The lineup is splendid with Brant Bjork headlining a bill that also includes Asteroid, Elder, Ufomammut, Acid King, Sasquatch, Rotor, and others, but you want to know something even more impressive about it? The full lineup hasn’t even been announced yet. What you see below, with Tides from Nebula, Weedpecker, King Buffalo, Triptonus and all that? Yeah, they’re not even done yet.

Next time you’re searching for an example of how unbelievably righteous the festival scene is in Europe, go ahead and consider Lake on Fire 2017, which offers camping and hotel options, a unique setting, killer bands, and a clientele that trusts it enough to completely buy up all the tickets before the full lineup has been unveiled. My minescule American brain boggles at the thought. Not that I’ve been Mr. Goestoshows lately or anything, but if you’re also from the States, consider the cultural richness at work in making something like this come together in the way it has. It’s astounding. I can’t even get bands to return my emails about playing an All-Dayer a year from now.

Go figure.

From the festival:

lake-on-fire-2017-poster

This is unreal – SOLD OUT again – for the 4th time in a row! Even compared to last year this was kinda fast! Thank you so much for your support! We love you!

For all those who haven’t got their tickets, don’t be sad, there will be another chance in approx. 2 weeks. All pre-registered users in our webshop (newly registered users won’t be considered anymore) will have the chance to be part of our LUCKY BIRD TICKET lottery.

The Artwork is made by the Austrian Artist Missfelidae Illustration.

LINE UP:
Brant Bjork [USA]
UFOMAMMUT [ITA]
Elder [USA]
Acid King [USA]
Rotor [GER]
Asteroid [SWE]
Tides From Nebula [POL]
Sasquatch [USA]
Triptonus [AUT]
Weedpecker [POL]
King Buffalo [USA]

The rest of the line up will be announced within the next two weeks!

www.lakeonfirefestival.com
facebook.com/LOF.festival

Lake on Fire 2016 impressions

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South County Fest 2017 Set for May 20

Posted in Whathaveyou on April 14th, 2017 by JJ Koczan

Four bands, a ton of groove and what seems to be a pretty laid back vibe if the pitch is anything to go by, it’s hard not to get behind the concept of an event like South County Fest 2017. You could quibble about whether four bands makes a fest if you want. Me? Considering who’s involved, I’ll take it. King Buffalo sharing a bill with The Golden Grass would be enough motivation, let alone bringing in ex-Carousel dudes in Outsideinside and importing a bit of Marylander surf in The Flying Faders. That’s right — two alliterative groups on the same bill! Think of the grammar-nerd/rocker-dude crossover appeal.

With this year’s fest, South County Brewing marks its sixth anniversary. JR Heaps, the founder of the company and head brewer, was kind enough to talk a bit about putting the lineup together and the creativity driving relationship between beer and music. You’ll find his words under the fest info — keep in mind the show’s got an early start — below.

Also this badass poster:

south county fest 2017 poster

South County Fest 2017 (6th Anniversary Bash)

Saturday, May 20 at 4 PM – 9 PM
South County Brewing Co.
104 Mill St, Fawn Grove, Pennsylvania 17321

To think that we have been making beer for 6 years now is surreal. Come celebrate with us! We have an amazing lineup for this year’s event. $5 Cover at the door (BANDS START AT 4 PM). We will have food vendors and a new beer release (16oz cans).

For those music and audiophile nuts, we have a limited run of the South County Fest 2017 18×24 posters that will be for sale on May 20th, art by Chris Pappas https://www.etsy.com/shop/BosWorkshop go follow him now! These will be on cardboard transport backers with its own cover plastic.

BANDS:

King Buffalo -Rochester, NY- Psychedelic / Heavy Blues / Stoner Rock
Outsideinside – (Ex- Carousel members) -Pittsburg, PA- Heavy Blues Rock
The Golden Grass – Brooklyn, NY- Groove / Psych // Blues / Stoner Rock
The Flying Faders -MD- Surf Rock

JR Heaps of South County Brewing on the South County Fest 2017 lineup:

What I try to do with these shows is celebrate what music and beer does for the soul. Music has always been healing and growth for me personally and I know I’m not the only one. After closing Second Order Sound (my recording studio) and committing to brewing, I have been able to live vicariously through the unbelievable talents that play at this fest. It a chance to reestablish community in such a “disposable” world. The lineups are admittedly self-indulgent and but are fairly specific to create a mood, progression and vibe. The same goes for our beer/band collaborations such as Black Cowgirl DIPA.

https://www.facebook.com/southcountybrewingco/
https://www.facebook.com/events/498260340563650/

Outsideinside, “Dreamless”

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