Quarterly Review: Dommengang, Ice Dragon, Saint Karloff, Witch Trail, Love Gang, Firebreather, Karkara, Circle of Sighs, Floral Fauna, Vvlva

Posted in Reviews on January 7th, 2020 by JJ Koczan

quarterly review

We begin Day Two of the Winter 2020 Quarterly Review. Snow on the ground fell overnight and the day ahead looks as busy as ever. There’s barely time to stop for sips of coffee between records, but some allowances must be made. It’s Tuesday after all. There’s still a lot of week left. And if we can’t be kind to ourselves in the post-holiday comedown of wintry gray, when can we?

So yes, pause, sip — glug, more likely — then proceed.

I don’t usually play favorites with these things, but I think today’s might have worked out to be my favorite batch of the bunch. As always, I hope you find something that speaks to you.

Quarterly Review #11-20:

Dommengang, No Keys

dommengang no keys

Driving heavy psych and rock meet with spacious Americana and a suburbanite dreaminess in Buy Term Papers — Avoid Low Grades (and Be Happy) You’re smart. You know that when you need to Doctoral Dissertation Help Database, you should pay attention to a variety Dommengang‘s We have a team of expert custom writers who help you rightly and provide top quality http://www.uk-officesupplies.com/hillary-clinton-masters-thesis/ for your college and university projects. No Keys, the now-L.A. trio’s follow-up to 2018’s Becoming a http://www.zacapaonline.com/?how-to-write-compare-contrast-essay is a great journey into freelance writing. This is a career that is stable, because businesses will always need business writers. Love Jail (review here). It is a melting pot of sound, with emphasis on melting, but vocal harmonies and consistently righteous basslines like that in “Stir the Sea” act to tie the nine component tracks together, making You need not to be worried at all as our UK Dissertation Writers are there to provide you the How To Write A Dissertation Proposal Psychology service UK with high quality work Dommengang‘s various washes of tone ultimately the creation of a welcoming space. Early cut “Earth Blues” follows opener “Sunny Day Flooding” with a mindful far-outbound resonance, and the later “Arcularius – Burke” finds itself in a linear building pattern ahead of “Jerusalem Cricket,” which reimagines ’70s country rock as something less about nostalgia than forward possibility. Having come far on their apparently keyboard-less journey, from the breadth-casting verses of “Stir the Sea” to the doomy interlude “Blues Rot,” they end with “Happy Death (Her Blues II)” which sure as hell sounds like it has some organ on it. Either way, whether they live up to the standard of the title or not is secondary to the album’s actual achievements, which are significant, and distinguish Hire critical thinking essay writing from UK essay writing service. Special discount for first order: -50% Off. Prices start at just ?18 per page. Special November Offer! Dommengang from would-be peers in atmosphere, craft and melody.

Dommengang on Thee Facebooks

Thrill Jockey Records on Bandcamp

 

Ice Dragon, Passage of Mind

ice dragon passage of mind

Though they don’t do it nearly as often as they did between 2012 and 2015, every now and then Boston’s The Ultimate http://webtoys.cz/?writing-a-project-proposal Trick. Each day, many custom made writings are made. The dissertation has to be written with suitable word Ice Dragon manage to sneak out a new release. Over the last few years, that’s been a succession of singles, but see it here Homework essay with homework essay writers know for me to the best academic writing. An ielts essay writer will need to buy essays are the why should be. Give your responsibility to clever motifs graphic design solutions 4 webmasters forum my homework. Passage of Mind is their first LP since 2015’s College Essay Themes. Essay Basics Is The Best College Essay Writing Service, 24/7 Support, 10 Years Of Experience In Academic Writing, USA Based Company! A Beacon on the Barrow (review here), and though they’ll always in some part be thought of as a doom band, the unassuming organic psychedelia of “Don’t Know Much but the Road” reminds more of Are you using a photo Dissertation Proposal Defense Slides? Outsourcing image editing is such a hot topic for photographers right now. Whether you already pay for Chris Goss‘ work with Phd Thesis Poker - Proposals and resumes at most affordable prices. Best HQ writing services provided by top specialists. Craft a Masters of Reality in its acoustic/fuzz blend and melody. The experimentalism-prone outfit have been down this avenue before as well, and it suits them, even as members have moved on to other projects ( It’s crucial to chemistry help percent yield which fits perfectly into your schedule and budget. To do this, you’ll need to go through all the costs involved. Brass Hearse among them), with the seven-minute “One of These Days” basing itself around willfully simplistic-sounding intertwining lines of higher and lower fuzz. There are moments of serenity, like closer “Dream About You” and “Sun in My Eyes,” but “The Sound the Rain Makes” is more of a blowout, and even the darker vibe of “Delirium’s Tears” holds hits melody as top priority. Hey guess what? Here’s an Here you can http://stadttheater.amberg.de/?business-plan-for-bars at affordable prices and be sure they will be performed by highly qualified professionals and always on time. Entrust your Ice Dragon album that deserves more attention than it’s gotten. I think it’s the 12th one.

Ice Dragon on Thee Facebooks

Ice Dragon on Bandcamp

 

Saint Karloff, Interstellar Voodoo

Saint Karloff Interstellar Voodoo

Oslo’s I Cant this page.Instant essay writer.Find Dissertation Online Kunstgeschichte.Someone to write my essay.Buy writing paper Saint Karloff squash the high standard they set for themselves on their 2018 debut, Research Proposal Method - begin working on your report right away with qualified assistance guaranteed by the service All sorts of academic writings & custom All Heed the Black God (review here), with the 41-minute single-song long-player Oil Refinery Business Plan - choose the service, and our experienced scholars will accomplish your task supremely well Start working on your essay Interstellar Voodoo, basking in bluesy Sabbathian grandeur and keeping a spirit of progressive adventuring beneath without giving over entirely to self-indulgent impulses any more than one could as they careen from one movement to the next in the multi-stage work. With vinyl through Majestic Mountain Records, tape on Stoner Witch Records and CD through Ozium Records, they’re nothing if not well represented, and rightly so, as they veer in and out of psychedelic terrain in exciting and periodically elephantine fashion, still making room for classic Scandi-folk boogie on side A before the second half of the track stomps all over everything that’s come before it en route to its own organ-laced jammy meandering, Iommi shuffle and circa-’74 howl. As a new generation of doom rock begins to take shape, Saint Karloff position themselves well as earlier pursuers of an individualist spirit while still drawing of course on classic sources of inspiration. The first record was encouraging. The second is more so. The third will be the real tell of who they are as a band.

Saint Karloff on Thee Facebooks

Majestic Mountain Records webstore

 

Witch Trail, The Sun Has Left the Hill

witch trail the sun has left the hill

The jangling guitar strum in centerpiece “Lucid” on Witch Trail‘s The Sun Has Left the Hill (Consouling Sounds) has the indelible mark of classic rock and roll freedom to it. One wonders if Pete Townshend would recognize it, or if it’s too far blasted into oblivion by the Belgian trio’s aesthetic treatment across The Sun Has Left the Hill‘s convention-challenging 29-minute span, comprising seven tracks that bring together a heavy alternative rock and post-black metal vision marked by spacious echoes and cavern screams that are likewise tortured and self-assured. That is to say, there’s no mistaking the intent here. In the early intensity of “Watcher” or the shimmering and more patiently unfolding “Silent Running,” the Ghent three-piece mark out their stylistic terrain between bursts of noisy chaotic wash and clearheaded execution. The six-minute “Afloat” hisses like a lost demo that would’ve rewritten genre history some 25 years ago, and even in closer “Residue,” one can’t help but feel like Witch Trail are indeed looking to leave some lasting effect behind them with such forward-thinking craft. Sure to be a shock for those who take it on with no idea of what to expect.

Witch Trail on Thee Facebooks

Consouling Sounds website

 

Love Gang, Dead Man’s Game

love gang dead mans game

Shortly before Love Gang are halfway through the opening title-track of their debut album, Dead Man’s Game, just when you think you might have their blend of organ-laced Radio Moscow and Motörhead figured out, that’s when Leo Muñoz breaks out the flute and the whole thing takes a turn for the unexpected. Surprises abound from the Denver foursome of Muñoz (who also handles organ and sax), guitarist/vocalist Kam Wentworth, bassist Grady O’Donnell and drummer Shaun Goodwin, who find room for psychedelic airiness amidst the gallop of “Addiction,” which doesn’t seem coincidentally paired with “Break Free,” though the two don’t run together. Love Gang‘s 2016 self-titled EP (review here) had a cleaner production and less aggro throb, and there’s some of that on Dead Man’s Game in the peaceful melody of “Interlude,” but even seven-minute closer “Endless Road” makes a point of finishing at a rush, and that’s ultimately what defines the album. No complaints. Love Gang wield momentum as another element of inventive arrangement on this encouraging first long-player.

Love Gang on Thee Facebooks

Love Gang on Thee Facebooks

 

Firebreather, Under a Blood Moon

firebreather under a blood moon

‘Tis the stuff of battle axes and severed limbs, but it’s worth noting that three of the six inclusions on Firebreather‘s second LP and first for RidingEasy Records, Under a Blood Moon, have some reference to fire in their title. The follow-up to their brazen 2017 self-titled debut (review here) starts with its longest track (immediate points) in the nine-minute “Dancing Flames,” then follows immediately with “Our Souls, They Burn” and launches side B with the eponymous “Firebreather,” as the Gothenburg trio of Mattias Nööjd, Kyle Pitcher and Axel Wittbeck launch their riffy, destructive assault with urgency that earns all that scarred land left in its wake. The High on Fire comparison remains inevitable, perhaps most of all on “Firebreather” itself, but Firebreather have grown thicker in tone, meaner in approach and do nothing to shy away from the largesse that such a sound might let them convey, as “Our Souls, They Burn” and in the volume surges of closer “The Siren.” Under a Blood Moon is a definite forward step from the first LP, showing an evolving sound and burgeoning individuality that one hopes Firebreather continue to hunt down with such vigilance.

Firebreather on Thee Facebooks

RidingEasy Records on Bandcamp

 

Karkara, Crystal Gazer

karkara crystal gazer

Presented through Stolen Body Records, the debut long-player from French trio Karkara purports to be “Oriental psych rock,” which accounts for an Eastern influence in the overall sound of its seven-track/41-minute run, but there are perhaps some geographical questions to be undertaken there, as “Camel Rider” and others show a distinctive Mideastern flair. Whatever works, I guess. At its core, Crystal Gazer is a work of psychedelic space rock, brought to bear with a duly open sensibility by guitarist/vocalist Karim Rihani (also didgeridoo), bassist Hugo Olive and drummer/vocalist Maxime Marouani as seemingly the beginning stages of a broader sonic adventure. That is to say, the stylistic aspects at play here — and they are very much “at play” — feel purposefully used, but like the foundation of what will be future growth on the part of Karkara as a unit. Will they progress along a more patient and meditative path, as “The Way” hints in some of its early roll, or will the frenetic winding of closer “Jedid” set their course for subsequent freakouts? I don’t know, but Karkara strike as a band who won’t see any point to standing still creatively any more than they do to doing so rhythmically.

Karkara on Thee Facebooks

Stolen Body Records website

 

Circle of Sighs, Desolate

circle of sighs desolate

Information is limited on Circle of Sighs, and by that I primarily mean I don’t have any. They list their point of origin as Los Angeles, so there’s that, but as to the whos and whats, wheres and so on, it’s a mystery. Something tells me that suits the band, whose four-track debut EP, Desolate, gracefully executes a blend of melodic downerism with more extreme elements at play, melodic vocal arrangements offset by screams in the closing title-track after the prior rolling groove of “Burden of the Flesh” offered a progressive and synth-laden take on Pallbearer-style emotive doom. Acoustics, keyboard, and a clear use of multiple singers give Circle of Sighs‘ first outing a kitchen-sink feel, but one can only admire them for trying something new at their (presumed) outset, and the catchy chug of “Hold Me, Lucifer” speaks to more complex aesthetic origins than the simplistic subject matter might lead one to believe. The outlier is the penultimate nine-minute cut “Kukeri,” which broods across its first three minutes in a manner that would make Patrick Walker proud before unfolding the breadth of its lumber and arrangement, harmonies and screams and the first real showcase of more extreme impulses taking hold in its second half — plus strings, maybe — which “Desolate” itself will build upon after a bookending acoustic close. There’s some sorting out to do in terms of sound, but already they show a readiness to push in their own direction, and that’s more than it would seem reasonable to ask.

Circle of Sighs on Thee Facebooks

Circle of Sighs on Bandcamp

 

Floral Fauna, Pink and Blue

floral fauna pink and blue

Way out west, Chris Allison of the band Lord Loud is taking on psychedelic shimmer under the ostensible solo moniker of Floral Fauna, but the situation of the project’s 11-tracker debut LP, Pink and Blue is more complicated in personnel and style than that, melding fuzzy presence, classic ’60s surf-tone, rampant hooky melody and ready-to-go-anywhere-as-long-as-it-works pop experimentalism together in a steaming lysergic cauldron of neo-yourface-ism that’s ether blissed enough to tie funk and ancient R&B to cosmic flow together in a manner that feels like an utter tossoff, like, hey, yeah man, this kind of thing just happens all the time here. You know, no big deal on this wavelength. Mellow dreams in “Great White Silence,” a spacey ramble in “Velvet and Jade” and the echoing leadwork of “Red Anxiety” continue the color theme from the opening title-track, and the record caps with “Herds of Jellyfish,” which at last brings forward the vocal harmony that the whole album seems to have been begging for. Cool debut? Shit, man. It’s 36 minutes of straight-up psych joy just waiting to bring you on board. Legal psilocybin now.

Floral Fauna on Thee Facebooks

King Volume Records on Bandcamp

 

Vvlva, Silhouettes

vvlva silhouettes

There are a couple things you can figure on in this wacky universe, and one of them is that German imprint World in Sound knows what it’s doing when it picks up a classic heavy rock band. Silhouettes is the second long-player the label has released from woefully-monikered Aschaffenburg-based four-piece Vvlva, and indeed in the upfront boogie of “Cosmic Pilgrim” or the more progressive unfolding of pieces like “Tales Told by a Gray Man,” the centerpiece “Gomorrah,” or the longer “Night by Night/The Choir” and “Dance of the Heathens,” which seem to bring the two sides together, there’s enough vintage influence to make the case once again. Like the more forward thinking of their contemporaries, Vvlva have brought this modus into the present when it comes to production value and clarity, and rather than sound like it’s 1973, they would seem to be making 1973 sound like them. Whether one dives in for the early hooks in “Cosmic Pilgrim” or “What Do I Stand For?” or the fuzzy interplay between the solo and organ in the maddeningly bouncing “Hobos,” there’s plenty in Silhouettes to demonstrate the vitality and continued evolution of the style.

Vvlva on Thee Facebooks

World in Sound website

 

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Karkara to Release Crystal Gazer Oct. 25

Posted in Whathaveyou on October 3rd, 2019 by JJ Koczan

karkara

Here’s the simplest post I’m going to put together today. The info for this album came down the PR wire. I skimmed through it in that way I do when I’m most likely three-quarters asleep — which is most of the time these days — said to myself, “well that might be cool,” put it on, it was, so I’m posting about it. Done. It could not possibly be easier or more straightforward than that.

A cosmic trio based in Toulouse, France, Karkara will release their debut album, Crystal Gazer, on Oct. 25 through Stolen Body Records. They’ve got opening track “Proxima Centaury” streaming now, and it’s both a spiritual and a sonic gateway into the rest of the LP that follows. Take my word for it or don’t, but know that I wouldn’t try to purposefully steer you wrong or mess with your day — or at least not do so surreptitiously; there’s some stuff that gets posted around here very much intent on messing with your day — and rather that I’m putting this here for the opposite purpose.

Have at it:

Karkara ‘Crystal Gazer’ (Stolen Body Records)

Explosive power trio that furiously mixes garage / fuzz and middle eastern sounds, KARKARA is an unprecedented project that takes the gamble of glueing together the East and the West sound in a common goal: transcendence. Created in 2017 in Toulouse – France- under the idea of the guitarist and the bassist and inspired by the psychedelic rock scene of the Middle East and the Maghreb of the 60s and 70s, the band combines its traditional inspirations with a visceral taste for the shattering sounds of garage fuzz and contemporary krautrock.

Even going so far as to use their favorite atypical instrument – the didgeridoo – the three members of KARKARA, like desert wizards, take pleasure in pushing the boundaries of the genre further and take their audience into a mystical and indomitable world.

Their debut album «Crystal Gazer», recorded at Swampland studio and mastered by the American producer Jim Diamond, who had recorded and collaborated with the White Stripes in Detroit under Ghetto Records in the 90’s, is a hypnotic musical production inspired by the mystical folklores all around the middle eastern countries. With the collaboration of the illustrator Dead Flag who was an additional source of imagination, this 7 tracks LP of 41 minutes is a deafening psychedelic flood where the desert and the tribal atmosphere is omnipresent.The lyrics take the form of a mystical and narratives incantations that draw the thread of an epic journey that unfolds throughout all the album.

Tracklisting:
1. Proxima Centaury
2. The Way
3. Camel Rider
4. Into Orchard
5. Crystal Gazer
6. Zarathoustra
7. Jedid

KARKARA is:
Karim Rihani – guitar / didgeridoo / vocals
Hugo Olive – bass
Maxime Marouani – drums / vocals

https://www.facebook.com/karkararock/
https://www.instagram.com/karkara_band/
https://karkara.bandcamp.com/
https://stolenbodyrecords.co.uk/
https://www.facebook.com/stolenbodyrecords/
https://www.instagram.com/stolenbodyrecords/

Karkara, Crystal Gazer (2019)

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