Kadavar, Rough Times: To Chronicle

Posted in Reviews on September 6th, 2017 by JJ Koczan

kadavar rough times

It feels like every time Kadavar release a new album, it’s a crucial moment for the band. On some level, this has to be because the standard of quality they’ve set for their work continues to seem impossible to maintain over the longer-term. Not that they haven’t earned respect as a special group in more than just their haircuts and fashion sense through their songwriting, constant touring, and three full-lengths to-date —  2015’s Berlin (review here), 2013’s Abra Kadavar (review here) and 2012’s self-titled debut (discussed here) — just that the echelon of craft at which they’ve worked for the last half-decade is exceedingly rare and even more rarely maintained over a stretch of years and releases. Yet, with the arrival of their fourth long-player and third for Nuclear BlastRough Times, one doesn’t at all anticipate the three-piece of guitarist/vocalist Christoph “Lupus” Lindemann, drummer Christoph “Tiger” Bartelt and bassist Simon “Dragon” Bouteloup will fail to meet the expectations of their massive fanbase.

Indeed, if Berlin proved anything at all about the band’s sound in the clearer, more modern, less vintage-minded production approach it brought forth, it’s that Kadavar‘s sonic and aesthetic reach is even greater than anyone could’ve anticipated from the warm, ’70s-fueled sounds of their earliest work. Rough Times, with 10 songs and 44 minutes divided over two distinct LP sides, is no less brazen in pushing even further. Side A cuts like “Into the Wormhole” (video posted here) and “Skeleton Blues” turn the crispness of Berlin on its head with the outright heaviest low end the band has ever conjured and a gnarled-out fuzz in the guitar — see “Into the Wormhole” after about 2:45 especially — that maintains the modernity of the preceding offering and most importantly, the memorable songwriting Kadavar have proffered all along, but is nonetheless immediately distinguished from the rest of their work in intention and execution. They’re a big enough band at this point that opinions on anything they do will be divided, but in listening to Rough Times, the band make their mission clear and accomplish it with poise and purpose alike. If you were anxious, rest easy. Kadavar have done it again.

About that mission, though. The chief clue would seem to be right there in the title Rough Times. Through the initial tumbling chaos of the opening title-track, the key-laced weirdness of “Into the Wormhole,” the “fake news” reference in the nod-stomp of “Skeleton Blues” and even the later drift of “The Lost Child,” Kadavar seek to capture something essential about the moment in which we live. As an American hearing songs like “Skeleton Blues” and the thrust-laden urgency of side B opener “Tribulation Nation,” my mind immediately turns to politics, and for Germans whose home country has been called the last and best hope for stewardship of the European Union, the case may or may not be the same, but Rough Times avoids direct engagement with the issues of the day in favor of a more general impression of the confusion and pessimism engendered thereby.

That’s not to say there’s no hope, which one readily finds in the penultimate romance of “You Found the Best in Me” — though it’s only fair to be skeptical of sentiment coming from Kadavar after “Pale Blue Eyes” (video posted here) from Berlin turned out to be an inside joke written by Lindemann about Bartelt in a dress — but especially as the first half of Rough Times proceeds into the horrors of “Die Baby Die” and “Vampires,” the impression is unquestionably the darker than any of Kadavar‘s prior output. And it’s supposed to be. That’s the point.

kadavar

Particularly through “Rough Times,” “Into the Wormhole,” “Skeleton Blues,” “Die Baby Die” and “Vampires,” with flourish of keys in and out among the guitar bass and drums, varied tonality, still-righteous hooks and melodicism from Lindemann on vocals, Rough Times channels the turbulence of 2017 — and thankfully, it does so with none of the exhausting despair that each week seems to bring. Instead, even “Vampires” keeps an uptempo swing behind its midsection solo, and “Die Baby Die” stands among the catchiest tracks Kadavar have ever written. Likewise, as “Tribulation Nation” and “Words of Evil” begin to transition into side B, the former with perhaps the most direct political theme here in its lyrics, they mark the starting point of an expansion that will push outward in multiple directions until atmospheric, French-language spoken word closer “À L’Ombre du Temps” (“to the shadow of the times”) brings Rough Times to its end.

The turn that commences with “Tribulation Nation” is key, since while “Into the Wormhole” and “Die Baby Die” and “Skeleton Blues,” etc., certainly have their mood and ambient aspects, the rhythm of the side B opener is practically space rock in its approach, and each song that follows — “Words of Evil,” “The Lost Child,” “You Found the Best in Me” and “À L’Ombre du Temps,” in that order — offers something different from its surroundings. In the case of “Words of Evil,” that’s a motor-ready chug of a riff feeling in conversation with the post-Priest vibe of Berlin‘s “Into the Night,” brought to bear over a quick-running three and a half minutes light on frills other perhaps than some echo on Lindemann‘s vocals and a winding groove that feels likely to build momentum on stage as well as it does leading into “The Lost Child,” which immediately turns again. An intro of keys lead the way to softer tom hits as part of a subdued verse topped with eerie crooning, and though the chorus will bring a swell of volume and tone, the longest track on Rough Times at 5:52 shifts just before its fourth minute into acoustic-strummed, whistle-inclusive Spaghetti Westernism, ending with sampled waves to set the stage for Tiger‘s drum intro to fluidly begin “You Found the Best in Me,” on which Kadavar marry Beatlesian pop hooks with Skynyrd-derived Southern rock in a way that, after the reaches of the previous track and the morose spirit of some of the other material surrounding, is a welcome moment of relief.

The message in the context of the rest of the album? Whatever or whoever the song is actually about, it would seem to be that we’ve still got each other. And fair enough. “You Found the Best in Me”‘s classic feel is the strongest tie on Rough Times to Kadavar‘s first two records, but while its roots are classic, there’s precious little about it looking to retread either their own or anyone else’s past. Instead, like “The Lost Child” before and “À L’Ombre du Temps” after, it finds the trio once again in new territory, and as its finish moves into the keys, background drones and whispers of “À L’Ombre du Temps,” the flow of side B is only further emphasized — all the more a masterful realization given the range — and the quiet epilogue comes across as no more out of place than any of the brash stylistic changes before it.

Granted, “À L’Ombre du Temps” isn’t without a spiritual predecessor either — a cover of Nico‘s “Reich der Träume” was included as a bonus track on the last album — but still, as an original piece and in its place as the last statement on Rough Times, it stands out in a way very much intended to be striking, and it is. One might take it as a last-minute confirmation of the fact that, four LPs deep into their tenure, Kadavar are able to go where they please in theme and sound alike, but as relates to the rest of Rough Times surrounding, the closer is one more example of the strength of their songwriting and their ability to work within multiple contexts to create not just landmark individual singles like “Die Baby Die” or “Tribulation Nation,” but an album as an entirety that’s strengthened by the various sides of personality shown throughout. In this, Kadavar prove once more why they’ve become one of the most crucial heavy rock acts currently going, and as they engage with the roughness of our times in theme and sound, they almost can’t seem to help but make the days a little easier to endure.

Kadavar, “Into the Wormhole” official video

Kadavar, “Die Baby Die” official video

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Kadavar Post “Into the Wormhole” Video; Rough Times out Sept. 29

Posted in Bootleg Theater on September 1st, 2017 by JJ Koczan

kadavar photo joe dilworth

I’ve got Kadavar‘s new album, Rough Times, slated for review next week, so you’ll pardon me if I don’t say too much about it here while I’m still gathering my thoughts for the inevitable brainsplurge to come, but suffice it to say that when I think about the record, this song plays a big role in the overarching impression I get from it. Like their preceding video for “Die Baby Die” (posted here), this one for “Into the Wormhole” speaks to the more metallic tonality on display in Rough Times‘ earlier cuts, whether it’s the opening title-track or the surprisingly thickened “Skeleton Blues.”

Though that’s only part of what the full record ultimately has on offer before moving into the classically motoring “Words of Evil” and the Southern-tinged “You Found the Best in Me” on side B, the cynical worldview (and why not?) and harsher approach is new ground for Kadavar, who even in modernizing their production style across 2015’s Berlin (review here) after positioning themselves are retro-rock forerunners with their first two albums, 2013’s Abra Kadavar (review here) and 2012’s self-titled debut (discussed here), didn’t come nearly as close to anything quite so aggressive in tone as they do in “Into the Wormhole.”

But as the title says, these are Rough Times. There’s a ton or two of PR wire info included with the video — tour dates and all that — and again, with the review coming up, I’m going to leave it there, but the moral of the story is that if you thought after Berlin you knew what Kadavar were all about or where they were headed in terms of sound, “Into the Wormhole” will very likely make short work of that notion.

Enjoy:

Kadavar, “Into the Wormhole” official video

Berlin, Germany-based rock overlords KADAVAR have released the official music video for the brand new song “Into The Wormhole”. The track comes off their eagerly awaited fourth studio album, Rough Times.

The video was shot at Sphaèros Art Cave in Paris, France, directed by Luizo Vega (Studio V). The video starring actor AQUA NEBULA OSCILLATOR singer David Sphaèros follows a concept by drummer Tiger.

Commented Tiger: “The darkness that surrounds us when reality seems like a big black hole, those times when we try to turn around trying to escape the gravity of modern life looking for the shortcut to a more pleasant one, our biggest wish is that wormholes do exist and can take us to another dimension. A place where our thoughts are not poisoned and our souls can resonate freely. Playing music together has always been an attempt to enter this rare state of mind where everything is fine for just a second. While ‘Into The Wormhole’ is rather slow and possibly the heaviest song we have ever written, it philosophies about the shortcuts to enter the state of bliss at speed of light, the WORMHOLE.

Our history with our french buddies in AQUA NEBULA OSCILLATOR, goes far behind and each of us has tried in their own way to find salvation through music. This is why I’ve had the idea to ask singer and main brain David Sphaèros to open the doors to his infamous caves in the Parisian underground for us to collaborate for this video. Being able to get Luizo Vega on board as a director, who has just worked on Dracula’s Not Dead, pushed the whole thing just in the right direction.”

The pre-orders for Rough Times and brand new merchandise can be viewed here.

Rough Times will be released on September 29 via Nuclear Blast.

KADAVAR live:
30.09. UK London – The Dome
01.10. UK Sheffield – HRH Doom vs. Stoner
20.12. D Bremen – Tower
21.12. D Mannheim – Alte Feuerwache
22.12. D Münster – Sputnikhalle
28.12. D Chemnitz – AJZ Talschock
29.12. D Siegen – Vortex

w/ MANTAR, DEATH ALLEY
12.10. D Essen – Zeche Carl
13.10. D Hamburg – Markthalle*
14.10. D Leipzig – Conne Island
15.10. B Antwerp – Desert Fest
17.10. F Strasbourg – La Laiterie Club
18.10. F Paris – Le Trabendo
19.10. F Rennes – L’Ubu
20.10. F Bordeaux – La Krakatoa
21.10. E Madrid – But
22.10. E Barcelona – Bikini
24.10. F Lyon – Feyzin
25.10. CH Monthey – Pont Rouge
26.10. CH Aarau – Kiff
27.10. D Munich – Backstage
28.10. A Vienna – Flex
29.10. A Graz – PPC
30.10. HR Zagreb – Mocvara
01.11. H Budapest – A38
02.11. PL Warsaw – Progresja
03.11. PL Krakow – Kwadrat
04.11. CZ Prague – Nová Chmelnice
05.11. D Nuremberg – Hirsch
07.11. NL Amsterdam – Paradiso Noord
08.11. D Hanover – Capitol
09.11. DK Copenhagen – Pumpehuset
10.11. S Stockholm – Debaser
11.11. N Oslo – Bla
12.11. S Gothenburg – Pustervik
13.11. NL Deventer – Burgerweeshuis
15.11. D Cologne – Bürgerhaus Stollwerck
16.11. D Wiesbaden – Schlachthof
17.11. D Stuttgart – LKA Longhorn
18.11. D Berlin – Columbiahalle
*no MANTAR

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Kadavar Post “Die Baby Die” Video; Live Dates Underway

Posted in Bootleg Theater on August 8th, 2017 by JJ Koczan

kadavar-photo-Elizaveta-Porodina

Fresh off appearances this past week at Wacken Open Air and the Los Almiros festivals, German trio Kadavar have unveiled the first single from their forthcoming Rough Times album. Set for release via Nuclear Blast on Sept. 29, Rough Times follows 2015’s Berlin (review here) and once again marks a turn for the highly-stylized outfit, keeping the sonic modernity of its predecessor while embarking on a much more tonally weighted feel overall, especially in the low end. “Die Baby Die,” the single which is also being issued as a 7″ with an accompanying cover of The Beatles‘ “Helter Skelter,” finds Kadavar‘s underlying songcraft as catchy as ever, but in theme and sound, represents the LP’s heavier side well.

Could it be Kadavar are reacting to the somewhat cleaner feel that Berlin had coming off the more vintage-sounding 2013 outing Abra Kadavar (review here) and their 2012 self-titled debut (discussed here)? Listening to the opening title-track to Rough Times, with its buzzsaw fuzz, deep-running bass and riotous crash followed by the even thicker push of “Into the Wormhole,” it certainly sounds like it. As the name would lead one to believe, Rough Times has a darker overarching atmosphere certainly than Berlin, which even at its moodiest kept a celebratory vibe, but is still definitively Kadavar‘s own, and that comes across in “Die Baby Die” in the melody of guitarist Lupus Lindemann‘s vocals, the bounce of drummer Tiger‘s snare and the foundation of warmth from Simon “Dragon” Bouteloup‘s bass.

These are preliminary thoughts, and I’m planning on having a full review up prior to the Sept. 29 release date, so I’ll park my brain there for the time being and let you dig into the video below and the info that follows. Kadavar, as they will, have a substantial amount of touring planned in support of the impending long-player, including a full European run alongside Mantar and Death Alley in October and November. You can see the dates for that in the PR wire info that follows the clip.

Enjoy:

Kadavar, “Die Baby Die” official video

Berlin, Germany-based rock overlords KADAVAR have announced the details for their upcoming fourth studio album, Rough Times. The 7″ vinyl single “Die Baby Die” including the BEATLES cover ‘Helter Skelter’ is available now via nblast.de/KadavarDieBabyDieNB

The official music video for the “Die Baby Die” as well as the pre-orders for Rough Times (in various lavish formats, see below) and brand new merchandise can be viewed here.

Commented singer & guitarist Lupus: “I always wanted to do a trashy VHS styled green screen video. Milan from the band ROTOR got my idea and we shot it on one day at Felsenkeller in Leipzig. As you can see it was great fun. Lots of layers, colors and fast cuts. A lot of chaos. I think it fits the song pretty well.”

Rough Times will be released on September 29 via Nuclear Blast.

After announcing a string of summer shows as well as an extensive European headline run with their label mates MANTAR and DEATH ALLEY, KADAVAR, have also revealed more dates for December 2017. Dates as follows:

KADAVAR live:
30.09. UK London – The Dome
01.10. UK Sheffield – HRH Doom vs. Stoner
20.12. D Bremen – Tower
21.12. D Mannheim – Alte Feuerwache
22.12. D Münster – Sputnikhalle
28.12. D Chemnitz – AJZ Talschock
29.12. D Siegen – Vortex

w/ MANTAR, DEATH ALLEY
12.10. D Essen – Zeche Carl
13.10. D Hamburg – Markthalle*
14.10. D Leipzig – Conne Island
15.10. B Antwerp – Desert Fest
17.10. F Strasbourg – La Laiterie Club
18.10. F Paris – Le Trabendo
19.10. F Rennes – L’Ubu
20.10. F Bordeaux – La Krakatoa
21.10. E Madrid – But
22.10. E Barcelona – Bikini
24.10. F Lyon – Feyzin
25.10. CH Monthey – Pont Rouge
26.10. CH Aarau – Kiff
27.10. D Munich – Backstage
28.10. A Vienna – Flex
29.10. A Graz – PPC
30.10. HR Zagreb – Mocvara
01.11. H Budapest – A38
02.11. PL Warsaw – Progresja
03.11. PL Krakow – Kwadrat
04.11. CZ Prague – Nová Chmelnice
05.11. D Nuremberg – Hirsch
07.11. NL Amsterdam – Paradiso Noord
08.11. D Hanover – Capitol
09.11. DK Copenhagen – Pumpehuset
10.11. S Stockholm – Debaser
11.11. N Oslo – Bla
12.11. S Gothenburg – Pustervik
13.11. NL Deventer – Burgerweeshuis
15.11. D Cologne – Bürgerhaus Stollwerck
16.11. D Wiesbaden – Schlachthof
17.11. D Stuttgart – LKA Longhorn
18.11. D Berlin – Columbiahalle
*no MANTAR

Video Credits:
Kamera, Schnitt & Postproduktion – Milan Pfützenreuter
Licht & Bühne – Alexander Jung & Marco Schulz
3D und Titelanimation – Denny Münster
ein Dankeschön an den Felsenkeller Leipzig und Meyer Bros. Leipzig

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Kadavar Announce New Album Title Rough Times; Cover Art Posted; New 7″ Coming Soon

Posted in Whathaveyou on June 19th, 2017 by JJ Koczan

kadavar-photo-Elizaveta-Porodina

German traditionalist heavy rock forerunners Kadavar have set Rough Times as the title of their impending fourth album. When we heard from them at the end of last month, the Berlin-based trio had newly finished recording and set a Sept. release date through Nuclear Blast, and in addition to announcing the title of the record and posting the striking cover art which you can see below, Kadavar now put out word that Rough Times will be preceded by a new 7″ featuring the Beatles cover “Helter Skelter” and the album track “Die Baby Die.” That’s available for preorder now.

Rough Times, of course, will be the follow-up to 2015’s Berlin (review here), which was arguably Kadavar‘s high-water mark to-date. Below, the band explains their motivation behind the title and details the single. More as I hear it.

Goes like this:

kadavar rough times

Kadavar – Rough Times

Our album “Rough Times” will soon be released!

Tiger: “The process of making this record was quite intense. I kind of went through my inner hell. Working all day, you’re fine but at night all these things were torturing me. The new songs are crazy and absurd sometimes, but also serious and very personal. It’s the ambiguity that holds »Rough Times« together. Every song evolved from a certain strong feeling.

We chose the title because it has this duality. It’s not just funny, yet it’s not a complete serious title. we’re doing fine, but something’s missing in this world. We don’t really fit in or want to but at the same time we’re stuck in this. the times are rough when you wake up and just wanna die, but times can also be rough for very trivial reasons, the latter I have the feeling is very zeitgeisty.

This collage for the cover is the perfect match for the title. I had this picture in my head throughout the whole process. It’s a little rough, but this picture tells a lot.”

Added singer & guitarist Lupus: For me it’s a very serious title, bar any humor. We maintain the achievements of our elders, such as women rights, peace and a corporate Europe by touring through clubs, sniffing 100 euro bills through our noses and call attention to ourselves by posting insta stories. Meanwhile people rising to power decline economy, free thinking and progress. If we don’t start to really care for this heritage and leave it to people who just want to enrich themselves, we will soon face »Rough Times«.

The album itself is a journey through our states of mind. The first 3 songs is us venting our spleen. About everything and everyone we despise – until towards the end when there’s something kinda like hope.”

Aside of the big album announcement, the band also revealed to be releasing an exclusive 7″ vinyl for the first single off the album, called ‘Die Baby Die’. The single will also contain the BEATLES cover ‘Helter Skelter’ and is available for pre-order now: http://nblast.de/KadavarDieBabyDieNB

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Kadavar, “Lord of the Sky” official video

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SonicBlast Moledo 2017: Colour Haze, Acid King, Black Bombaim & Bar de Monjas Added

Posted in Whathaveyou on May 31st, 2017 by JJ Koczan

sonicblast-moledo-2017-banner

If you had a two-band festival, and those two bands were Colour Haze and Acid King — and that’s it — no one else — I’d still call it an awesome time. Accordingly, kudos to SonicBlast Moledo 2017 for signing up both acts and setting my mind immediately adrift on a daydreaming course of Portuguese wonders that could be had. Of course, Colour Haze and Acid King aren’t the only bands playing — see also Elder, Sasquatch, The Machine, Monolord, Death Alley, Blaak Heat, Orange Goblin, Kadavar, and so on — but yeah, that’s a special couple days right there when you can get those groups together. “Kudos” is probably an understatement.

The PR wire has the latest:

sonicblast moledo 2017 colour haze

SonicBlast Moledo 2017 | Haze of acid in sight!

With the dates settled for August 11th and 12th, the seventh edition of SonicBlast Moledo closes the two-day lineup with Colour Haze, Acid King, Black Bombaim, Stone Dead, It Was the Elf, Ana Paris and Bar de Monjas !

They’ll be joining the previously confirmed Orange Goblin, Kadavar, Elder, Sasquatch, Kikagaku Moyo/?????, Dead Witches, Monolord, The Machine, Yuri Gagarin, The Well, Death Alley, Blaak Heat, Toxic Shock, Löbo, Vinnum Sabbathi and Holy Mushroom!

Now heading to its seventh edition, the festival located at the small beach village of Moledo, North of Portugal, includes two stages (the smaller one with a pool), free camping (to ticket holders) right by the beach and an amazing ambient for any heavy rock, psych, doom or stoner fan.

Colour Haze

With more than twenty years on the road, almost twenty studio records and a relentless will to keep going, it’s more than comprehensible that Colour Haze are easily considered one of the highest exponents within the European Psychedelic Stoner culture. On their course, they count with innumerable presences throughout all Europe and also on USA, although, they never had the chance to debut on Lusitanian territory. Following the release of their newest full-length album “In Her Garden”, the German trio embraces themselves to descend upon Portuguese lands for the first time ever in their career, received with all the enthusiasm for this seventh edition of SonicBlast Moledo.

Acid King

Formed by the charismatic Lori S. during the year of 1993, Acid King are, without any doubt, one of the classic acts of the Stoner Doom’s genre. Their intense and powerful sound, turn them into one of the most influential band within this musical circuit, only having passed through Portugal once. On 2017, they make their debut on Moledo and we can only wait for a triumphant presence.

Bar de Monjas

The Mexican / German duo Bar de Monjas promises a thunderous discharge of agitated rhythms, always heavy and filled with fuzz. On the road since 2010, they already count with one full-length studio record, two EP’s and an amazing split, released in collaboration with the already confirmed Vinnum Sabbathi.

Black Bombaim

After being obliged to cancel their presence at the last edition, Black Bombaim are ready to return to Moledo to spread their contagious psychotropic Rock.

We also receive the fresh Rock n Roll of Stone Dead, as well as the energetic Stoner Metal of It was the Elf and the return of Ana Parisw ith their characteristic Stoner Rock force.

Tickets Price:
2nd pre-sale : 42€ | From 01/03/17 to 30/06/17
3rd pre-sale : 48€ | From 01/07/17 to 31/07/17
4th pre-sale: 55€ | From 01/08/17 to the event’s final

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Colour Haze, In Her Garden (2017)

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Kadavar Finish Recording New Album for Sept. Release

Posted in Whathaveyou on May 30th, 2017 by JJ Koczan

German classic heavy rock forerunners Kadavar have finished recording their fourth album and have their eye on a late-Sept. release. Presumably the record will be delivered via Nuclear Blast, which also issued 2015’s Berlin (review here), the trio’s third offering that marked a distinct turn in sound away from the vintage-ism of their earlier two outings, 2012’s self-titled debut (discussed here) and its 2013 follow-up, Abra Kadavar (review here), but that has yet to be confirmed, and four months out from the new long-player’s arrival, there would seem to be plenty of time for details to be unveiled. They likely will, one at a time — artwork, tracks, tour dates, song premieres, etc. — over a stretch of considerable hype leading into the release.

And at this point, that hype is well earned. The three-piece of guitarist/vocalist Lupus Lindemann, drummer Tiger and bassist Simon “Dragon” Bouteloup have been around the world touring and even through the aesthetic shift toward a smoother production style on Berlin, their songwriting remained second to none. It was an album rich enough in its components that the band set out to make a video for each track on it. They didn’t quite get there by my last count — though I could be wrong on that; there were certainly plenty of videos — but the intent says something anyway.

For their latest, Kadavar built their own studio and took on the task of self-recording. It should be interesting to hear where this process takes them as they follow Berlin, whether they stick to the sleekness or opt for something rawer in its overall impression. For a band as keyed into presentation as Kadavar have been for the last half-decade, that’s a huge step to take at a pivotal moment in their tenure, but they’ve never wanted for boldness in either style or substance.

Slots are already booked at SonicBlast Moledo in August and Desertfest Belgium in October, and one assumes there’s more to come. Till then, they announced the album’s completion thusly:

kadavar-photo-Elizaveta-Porodina

As of today, our fourth longplayer is officially done! in january, we started building our own recording studio in an old factory. by the end of march we started writing new material while finishing the control room and within the last two weeks, we recorded and mixed all tracks. it has been a crazy year for us, but we love our new home and the new songs. they will be released in late september, more info soon!!!

Photo by the one and only Elizaveta Porodina Photography & styling by our Judith Suer

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Kadavar, “Lord of the Sky” official video

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Desertfest Belgium 2017: Kadavar, Church of Misery, Monolord and Church of the Cosmic Skull Join Lineup

Posted in Whathaveyou on May 18th, 2017 by JJ Koczan

desertfest belgium 2017 banner

The plot thickens as regards Desertfest Belgium 2017, set for this October in Antwerp. A quick turnaround from the last announcement brings the news that Kadavar, Church of Misery, Monolord and Church of the Cosmic Skull will take part in this year’s fest, and while this latest round of additions keeps with the four-at-a-time theme that the festival has worked with thus far in unveiling its acts, it departs from the prior two updates in not including an actual Belgian band.

You’ll recall that Hidden Trails and Hemelbestormer had previously been added. One doubts those are the last Belgian outfits who’ll take the stage at Desertfest Belgium 2017 in any case, but it’s just something different this time around. I don’t think anyone could look a the roster of talent thus far assembled and say the organizational effort has been misspent.

To wit, this from the PR wire:

desertfest-belgium-2017-poster

Desertfest Belgium 2017 – NEW NAMES! Kadavar, Church of Misery and more!

Hot on the trails of our last announcement, we’re back already with a quadruple punch of heavy rocking goodness that will get the blood rushing for October to come, for sure!

We realize that for some of you internet-savvy Festers, the addition of the mighty Kadavar to the DF Antwerp line-up is a known fact already. So how about we turn it up even more, and drop Church of Misery as a headliner as well? And if that’s still not enough, would the announcement of Monolord do the trick?
Yep, that’s what we thought! So as a cherry on the cake, let’s round it off with the Nottingham supergroup Church of the Cosmic Skull, who dropped one of the more memorable rock albums from last year.

More details below, and more great bands to come in the near future!

KADAVAR

Whether in front of 3,000 sweating Mexican souls, in a remote pub in the Macedonian mountains or facing huge European festival crowds – every single night, KADAVAR performs as furiously as a tremendous tempest hailing down on earth! Now returning to the city where they recorded their eponymous live album in 2013, Kadavar will make sure to meet high expectations, and exceed them if possible!

CHURCH OF MISERY

The Church rises again! Now back on the stage with an entirely new line-up formed around founding bassist Tatsu Mikami, we can’t wait to hear what this most legendary of doom bands has in store for us. Whether it’s bonafide classics from the vaults, tracks from last year’s ‘And Then There Were None’, or entirely new material – be sure to find us in the front row!

MONOLORD

No flash and no frills, since their formation in 2013 Monolord has been a trusted staple for the stoner rock community for one reason: they’re a damn hard working band delivering the goods night after night. Finding themselves before ever growing crowds, their straightup workingman’s doom’n’sludge is certainly at its most effective when mainlined in a live setting.

CHURCH OF THE COSMIC SKULL

Church of the Cosmic Skull is a twofold entity: a new religious movement who seek to free mankind from their material possessions and unify all living beings into a singular cosmic whole… and a 7-piece supergroup from Nottingham playing seventies psychrock with six-part Queen-esque vocal harmonies and a touch of Thin Lizzy. Fans of Black Mountain, King Gizzard and Uncle Acid should get psyched for this.

http://www.desertfest.be/tickets
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Kadavar, “Last Living Dinosaur” live in France 2017

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SonicBlast Moledo 2017: Orange Goblin, Kadavar, Sasquatch, The Well, Yuri Gargarin and Mammoth Weed Wizard Bastard Added

Posted in Whathaveyou on January 26th, 2017 by JJ Koczan

Portuguese-based summer fest SonicBlast Moledo 2017 came out swinging last month with its first round of lineup announcements, and the second round finds them no less ambitious in their reach. I’ve yet to hear of Kadavar showing up anyplace and being unwelcome, and anywhere Orange Goblin go is of note. I wouldn’t be surprised if by the time August hits, either or both hit Moledo as part of a European tour — maybe even supporting or advancing the arrival of new albums? — and one can’t help but be encouraged by the inclusion of Los Angeles trio Sasquatch here as well. Good to know they’ll be making a return trip to Europe in 2017. Again, one looks forward to more info on that to come. Ditto for The Well.

Yuri Gargarin have made a name for themselves over the last couple years across numerous fest appearances — they keep popping up here and there — but Mammoth Weed Wizard Bastard out of the UK would be newer on the circuit. They’ll hit SonicBlast Moledo 2017 behind last year’s Y Proffwyd Dwyll (review here), which continues to resonate with its ethereal and cosmic doom.

Fest announcements follow:

ORANGE GOBLIN SONICBLAST MOLEDO 2017

SONICBLAST MOLEDO 2017 – NEW ANNOUNCEMENTS

With more than 20 years on the road, Orange Goblin are certainly one of the most cherished and distinguished heavy stoner rock bands of the world. Their impeccable union between heavy metal, stoner rock and many psychedelic influences won’t leave no one indifferent! Bang your head!

After their apotheotic show at SonicBlast Moledo’s third edition back in 2013, the German rockers KADAVAR return with their greatly acclaimed latest album “Berlin”, the second one released under Nuclear Blast!

Austin based The Well are also confirmed to invade Moledo with their singular compositions, gifted with a sound which blends psychedelic rock, heavy blues and sinister melodies!

From Los Angeles, California, we announce the comeback of Sasquatch to Portuguese lands, a notable band within the stoner rock movement, who has been relentlessly practicing it since the beginning of the century!

Hailing from Sweden, we welcome for the first time ever in Portugal the psychedelic space rock of Yuri Gagarin, the cosmic quintet whose approach to each musical theme corresponds to an authentic trip through time and space!

Directly from Wales, we cast the musical druidism of Mammoth Weed Wizard Bastard, exemplary practitioners of their own Doom Metal’s kind!

* Orange Goblin (uk) + Kadavar (ger) + Elder (usa) + Sasquatch (usa) + Monolord (se) + Kikagaku Moyo (jp) + Yuri Gagarin (sue) + The Well (usa) + Mammoth Weed Wizard Bastard (uk) +++ and many more to come +++

Artwork: Pedro Guardao | Till the Grave tattoo

https://sonicblastmoledo.bol.pt/
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Orange Goblin, “Red Tide Rising” official video

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