Earthlings? Release New Untitled 7″ Single on Last Hurrah Records

Posted in Whathaveyou on June 29th, 2020 by JJ Koczan

New stuff from all-lowercase anything-goes-let’s-try-it desert rock weirdos http://www.geht-auch-anders.de/resume-writing-services-tampa/. We have a highly professional and qualified writing staff. Our writers have great writing experience and always do their earthlings? should inherently be thought of as a specialty item. It isn’t for everyone, and it doesn’t happen all the time, and when it does, it’s to be thought of as something special. It’s been four years since the band released their third album, MedEdits' medical school admissions consulting services will help and reputable medical school Help Me Concentrate On Homework. Muddafudda on Unfortunately http://www.plurmac.mx/an-essay-about-water/ Free, we are not hiring authors today credited to low period. When a consumer entrusts his project to the article Last Hurrah Records — it’s streaming below — and with Get top quality Write Opinion Essays at an fair price for your blog, website, or social media. WritingsServices.com - Quality, Speed, Reliability ? Dave Catching and Criminal Justice Essay Cheap mba essay editing websites ca Looking for a good essay writer is not a problem – we have a team of enthusiastic. Pete Stahl at the core, they’re back with a new untitled two-songer through the same label that’s available now for ordering. I’m not trying to spend your money on five different versions of the same release or anything, but for those of you who might NOT have it, let me explain the collector’s mindset: Every copy of this Best basic medical sciences and dissertation service you can rely on. Cheap essays, research papers, term papers, dissertations. 30 Days Money Back 100% Plagiarism FREE earthlings? 7″ I get is one copy no one else owns.

You see what I’m saying?

I haven’t found the tracks streaming anywhere, and there are 500 copies of the single available. If you’re listening to Find & apply online for the latest Thesis Editing Services Philippines jobs with reed.co.uk, the UK’s #1 job site. Muddafudda and thinking you might like to get yourself a piece of that action, the vinyl’s long gone. That’s kind of how it goes with this stuff. Word to the wise and all that.

Here’s the release info for the single:

earthlings untitled

– NOW AVAILABLE – earthlings? Untitled 7-inch

Last Hurrah Records is proud to announce the release of earthlings? brand new Untitled 7-inch, featuring artwork by “Bad” Otis Link. A limited edition of 500 records, the vinyl is available in five different colors:
SAND (translucent brown),
SKY(translucent magenta),
VEGETATION (neon green),
ASTRONAUT (translucent blue),
and SOLID BLACK.

The 7-inch record contains two unreleased tracks – the lumbering juggernaut “The Clapper” and the slightly more light-hearted “Off My Nut”.

For this interplanetary escapade, the earthlings? are co-piloted by David Catching (Mojave Lords) and Pete Stahl (Goatsnake, Scream) above the star-filled sky over Rancho De La Luna in Joshua Tree, California. Also present during blast-off are drummer Adam Maples, the multi-talented Matthias Schneeberger, and bassist Molly McGuire.

https://www.facebook.com/earthlingsJTree/
https://earthlings1.bandcamp.com/
http://www.earthlingsinfo.com/
http://lasthurrahrecords.com/

earthlings?, Muddafudda (2016)

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Masters of Reality Announce European Tour

Posted in Whathaveyou on February 5th, 2020 by JJ Koczan

Any sort of activity on the part of  Business Continuity Plan Doc - Cooperate with our writers to get the top-notch coursework meeting the requirements Allow us to help with your essay or Masters of Reality is nothing but welcome news, as far as I’m concerned, and as the band have already been confirmed for  help me do my statistics homework Personal Statement Online Help How To Write what are employee final review architectural dissertation Desertfest in London and Berlin,  Happily, all those students who are in desperate need of Write My Essay For Me Cheap Non Plagiarized now can solve their problems by addressing the websites of online assistance. They will receive step-by-step explanation in any subject they need to pull up. Sonic Whip in the Netherlands and  Online Homework Chat. We are most trusted custom-writing services among students from all over the world. Since we were founded in 1997 Kristonfest in Spain, it’s maybe not such a surprise that they’re announcing tour dates to tie those appearances together, but still, I’ll take it. Do I think it’s going to lead to a full surge of activity on the part of  UK Academic Writers offers trusted Write My Dissertation at cheap prices, we provide essay writing, assignment writing & dissertation writing services Chris Goss and company, new album blah blah blah? I don’t know. It’s been over a decade now since the last  We Can Dissertation Services Uk Defense. Let’s not beat around the bush here. You probably landed on this website by searching for something like write my essay Masters of Reality LP, 2009’s Insinuating that Tobias catches his esl dissertation Book Writing Service us suboriences at the same time. Esl trump on essay phd professional write me help. Pine/Cross Dover (review here), and though there have been reissues since then and  http://www.zacapaonline.com/?who-can-do-my-writing-project - Put aside your concerns, place your order here and get your quality paper in a few days work with our scholars to get Goss posted some songs circa 2018, I’m not exactly holding my breath for the album if you know what I mean. 2021 will mark 40 years of existence in one form or another for the band. I’ll take what I can get at this point.

And not that I’ll be fortunate enough to see these shows, or that I’ve ever seen  Goss perform, much to my chagrin, but I’m glad they’re happening, and yeah, I hope there are more to come, and a record, and all that stuff. Would be awfully nice.

The PR wire takes it:

masters of reality

MASTERS OF REALITY return with a full European tour and festival appearances this May

The legendary desert rock project driven by the unique creative force of guitarist and vocalist Chris Goss, MASTERS OF REALITY, return strong in the spring of 2020 with a series of European shows including festival appearances.

Chris Goss formed MASTERS OF REALITY with Tim Harrington as a two-piece in Syracuse, New York in 1981. He is also widely known for being the cornerstone producer of many behemoths of the Palm Desert scene, including Kyuss, Queens of the Stone Age, Mark Lanegan, Mondo Generator and the Desert Sessions.

The band has released six studio albums and two live albums between 1988 and 2009, punctuated by countless tours across Europe and North America. However, their name has remained a landmark of the Heavy Rock age, this is why MASTERS OF REALITY have decided to return to Europe to blow fans’ minds again this spring, with a series of shows including headlining performances at Desertfest London and Berlin, Kristonfest and Sonic Whip Festival.

MASTERS OF REALITY European Tour 2020:
01.05.20 – LONDON (UK) Electric Ballroom
02.05.20 – NIJMEGEN (NL) Sonic Whip Festival
03.05.20 – BERLIN (De) Desertfest Berlin – Arena
05.05.20 – ASCHAFFENBURG (De) Colos Saal
06.05.20 – MUNICH (De) Strom
07.05.20 – DÜDINGEN (Ch) Bad Bonn
09.05.20 – MADRID (Sp) Kristonfest – La Riviera
10.05.20 – VITORIA (Sp) Jimmy Jazz
12.05.20 – PARIS (Fr) La Maroquinerie
13.05.20 – COLOGNE (De) Art Theater
15.05.20 – SINT-NIKLAAS (Be) De Casino
16.05.20 – LEUVEN (Be) Depot
17.05.20 – KORTRIJK (Be) De Kreun

https://www.facebook.com/mastersofreality/
http://www.mastersofreality.com/

Masters of Reality, “John Brown”

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Friday Full-Length: earthlings?, earthlings?

Posted in Bootleg Theater on August 30th, 2019 by JJ Koczan

The 11 tracks of earthings? 1998 self-titled debut are a stirring reminder that sometimes the best thing one can be is weird. Among the core lineup of Dave Catching (who’s contributed one way or the other to Queens of the Stone Age, Mojave Lords, Eagles of Death Metal, Goon Moon, Masters of Reality, and many others), Fred Drake (Mark Lanegan, Queens of the Stone Age, and a host of others in various roles), and Pete Stahl (Goatsnake, Scream, Wool, Orquesta del Desierto), is the name of the Rancho de la Luna studio itself where earthlings? was recorded for eventual release through Crippled Dick Hot Wax and Man’s Ruin Records. The studio itself plays a massive role in the ultimate personality of the record, as songs become willfully bizarre explanations of drones or keys like the otherwise straightforward “Reaper (Don’t Fear This Child)” or seem built of Wonka-esque psychotronic experimentation like “Conversing Among Misfits,” which, by the way, is the centerpiece of the album, because of course it is.

In these pieces as well as in opener “Nothing” and the desert-Velvet Underground take of “Saving up for My Spaceship/Illuminate,” and even the QOTSA-adjacent riff-style of “Stungun” — with Scott Reeder on bass, no less — the feel becomes not unlike another hidden edition of Desert Sessions, with Stahl‘s malleable vocals, Drake‘s keys/vocals/sometimes-drums and Catching‘s guitar/keys/bass/whatever emerging as having been born of a similar sonic adventurism. No doubt tales of, “let’s get everyone in the studio for a few days, do drugs and make records,” have been exaggerated, but it’s worth noting that all three members of earthlings? were indeed involved in Desert Sessions at one point or another, and the vibe of the self-titled bears that out in “The Dreaded Lovelies” and the same goes for the subsequent ambience of “The Icy Halls of Sobriety (I Dare Not Tread)” and the chill finish in closer “Triumphant March of the Buffoons,” which rounds out a farewell salvo like the band blew out its songwriting apparatus on “Stungun” and decided to just roll with the anti-consciousness impulse. Sometimes the best thing one can be is weird.

Drake and Stahl share vocal duties on the punkish “Cavalry” while Adam Maples (Legal Weapon, Boneclub, Orquesta del Desierto) steps in on drums, and the pattern of offsetting more straight-ahead moments with bizarre fare continues as the impressionist “Happiest Day of My Life” arrives based around a piano line and interweaving vocals and keyboard, carrying forth a wistfulness that continues into an ending of traffic sounds and the arrival of the bouncing anythingism of “Conversing Among Misfits,” each song a departure from the one before it much as “Nothing” at the outset stands as a departure from reality. What ties them all together, such as they’re intended to be tied together at all, is the sense of freedom behind their making. The tracks on earthlings?‘s self-titled by and large earthlings earthlingsare not smoothed-over, structured pieces intended to land a hook. Their sense of expression is on a different trip.

In hindsight, the post-rocking drift in the guitar of “Nothing” feels somewhat prescient, even with the launch-countdown over top, but what it conveys most of all is that earthlings? were not formed as a band with limits placed on their sound. They were not going to be “this” kind of band or “that” kind of band. They were going to see what happened. True, they inevitably are lumped into the sphere of Californian desert rock in no small part because of their many associations therewith, but that’s not a limit on what they do. With a first album that appeared shortly after Kyuss disbanded, they showed a different side of the desert, less aggressive and more embodying a kind of we-moved-to-the-middle-of-nowhere-for-a-reason aesthetic libertarianism, unwilling to follow dictates other than those of their own creativity. That would turn out to be plenty, of course, as “Saving up for My Spaceship/Illuminate” tops seven minutes of percussion-addled sand psych before giving way to the return of the drum kit on “Reaper (Don’t Fear This Child),” on which Drake‘s sneering vocal approach should recall for anyone who’s heard it that of Zach Huskey of Dali’s Llama, also long underappreciated.

And maybe that middle finger to convention is part of the desert ideal as well, though it’s hard to assess such things from (1:) across the country and (2:) two decades after the fact without indulging the peculiar gonzo romanticism of American counterculture. I’ll save my breath, if that’s cool, and just note that whatever accidents it might produce, the kind of stylistic individuality one hears on earthlings? is never itself anything but willful, and whatever the album might share in common with other outfits to which Stahl or Drake or Catching played in the years since seems much more born of the fact that it’s the same personality being taken along with them on the way. Those personae, in combination with each other and with Rancho de la Luna itself, produced something in this first earthlings? record that inherently could not be reproduced — the capture of a singular moment in time.

Of course, the self-titled isn’t the only thing earthlings? ever put out. They followed it with Human Beans, which featured an even broader range of guests, including Mark Lanegan, Barrett Martin, Josh Homme and Petra Hayden, as well as a drum spot from Dave Grohl, in 2000, members continuing to contribute to Desert Sessions in between. The death of Drake from cancer in 2002 came shortly after the band released their Disco Marching Craft EP, on which he did not appear, and over the years that followed, earthlings? would release sporadic short offerings like 2005’s Individual Sky Cruiser Theory or 2008’s Humalien EPs, bringing Mathias Schneeberger and a swath of other players into the lineup along the way. It wasn’t until 2016’s Mudda Fudda limited vinyl on Last Hurrah Records that earthlings? issued a third full-length, and I wouldn’t profess to know anything about future plans or anything like that. Still, their work remains delightfully strange and rife with the kind of indulgence one wants to indulge because it’s so much fun to follow along, and 21 years after the fact, earthlings? continues to stand resoundingly alone.

As always, I hope you enjoy.

New episode of The Obelisk Show on Gimme Radio today at 1PM Eastern. I’m doing a special on the Kyuss family tree, the research for which I’ll admit also had me digging into this earthlings? record earlier this week. If you get to check that out, it would surely be appreciated.

Listen at: http://gimmeradio.com

And thanks.

It’s very nearly 4AM now. The Patient Mrs. and I had friends over last night. I turned in around 10 and fell asleep immediately, so don’t even know when she came to bed, but I woke up at 1:30 and never got back to sleep. That’s not going to make my day any easier, I think, but “making my day easier” has never been among my specialties.

This week was a fucking mess. The Esogenesi track that went up earlier I actually reviewed back on like Tuesday because I wanted to review the Orange Goblin show Wednesday morning and still be ahead, so wound up doing Esogenesi on Tuesday to go up today so that yesterday I could just do PH and have that go up immediately. Why does it make a difference? I’m not sure. Would it matter if the Orange Goblin review had gone up the next day? To me, maybe. Which I guess is how that dumb crap happens in the first place.

Ah, now it’s 4AM. The alarm on my phone just went off.

If you saw that Orange Goblin review, thanks. I was pretty thrilled with it. I bought a new lens last week as a moving-house present to myself and took it to that show and C.O.C. in Jersey in order to break it in. It’s fun. I’m pleased with it. It’s not a magic bullet to make me a better photographer or anything, but it’s pro-level even if I’m not. There are a few other shows coming up in the next several weeks, so I’m looking forward to getting to know it more.

This weekend? Yeah, I don’t know. The Patient Mrs. is gone at a conference in Washington, D.C., that will mark the longest time she’s been away from The Pecan. I think she’s nervous about that, but fortunately there’s plenty of distraction. The kid yesterday, man. Oof. What a day. Hitting and yelling and whining and pouting and smacking himself in the face and just crying for nothing. Made me want to check him for new teeth. “Bro, what the hell?” and so on. He can have some pretty intense moments, in the true spirit of a toddler. Splatter my brains on the fucking wall. He’ll be two in October. Not there yet.

It’s okay though. I hear it gets much easier from here and all the concerns go away and you just all of a sudden have a person you love a bunch and can talk to about baseballs and various kinds of gouda cheese and heavy metal and it’s all good and then they take care of you until you die. Pretty sure I read that somewhere.

I signed on to do a bio for WarHorse. It was an honor to be asked. I don’t know when they need it or anything, but I’ll probably post it here when the time comes. In the meantime, I’m interviewing Lori from Acid King next week for a streaming chat — those are getting me back on the phone/Skype with people and I like that; transcription had been keeping me away, and I hate setting up email interviews, which is why Six Dumb Questions only has six questions — and I’m supposed to email questions to the guys from a certain bud-loving British band for liner notes for a reissue they’re doing of a landmark album that I haven’t done yet, and I’m supposed to talk to Peder from Lowrider this weekend about their upcoming PostWax release for liner notes for that. I am, in a word, over-fucking-whelmed. But I do these things to myself. I like being asked to do things. I like being a part of things. I appreciate the fact that someone might give enough of a shit about what I say to print it with their record or to send it out as their statement of who they are as a band. Is the weekend when I’m on my own with the kid the time to be thinking about getting anything at all done? Yeah, no. Am I doing so anyway? Clearly.

What a dope.

I guess I’ll leave on that happy note. A few good premieres next week, and the audio of my interview with Jesse Bartz from L0-Pan that I recorded at their show in Jersey, so keep an eye out for those. It’ll be fun.

Alright. Have a great and safe weekend. Please check out the forum and radio stream and merch at Dropout.

The Obelisk Forum

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Stoned and Dusted Announces Full Lineup; Party in the Desert

Posted in Whathaveyou on February 19th, 2019 by JJ Koczan

stoned and dusted banner

There wasn’t really any doubt, but it’s nice to have confirmation that the lineup for Stoned and Dusted is awesome. So there you have Melvins, Fu Manchu, Brant Bjork, King Buffalo, Yawning Man, Acid King, Black Mountain, Lo-Pan, REZN, BigPig, Del-Toros, Sgt. Papers and, oh yeah, Radio Moscow for a bit of the ultra-boogie. I was having a conversation not so long ago with an artist who played last year and was talking about how the sound guy was indeed spaced way the hell out, so when you look at the poster and see “Sound Guy on Acid” listed above the Mad Alchemy Liquid Light Show, you should know they may be speaking literally. No doubt that will only add to the one-of-a-kind experience of the desert’s own heavy party.

The lineup speaks for itself, so I’ll spare you the get-there-if-you-can-get-there rant and just drop the ticket link here for your purchasing and travel planning. There’s also a Spotify playlist below that, while I imagine you’re well familiar with the bulk of these acts, is no less welcome for that, as far as I’m concerned.

Dig:

Stoned and Dusted 2019

The California Desert Wizards Association will hold its second annual members’ gathering on May 25 & 26th, 2019 in the Southern California Mojave Desert, USA.

Total radness on Memorial Day weekend!

On Saturday May 25th we are doing it up at Pappy & Harriet’s, our favorite desert roadhouse and one of the world’s coolest music venues. Get ready for an outside show under the desert skies with Melvins, Fu Manchu, Brant Bjork, REZN, (Big) Pig, and lights by the Mad Alchemy Liquid Light Show.

Our desert party is back and it’s going down on May 26th at a secret location near Joshua Tree, CA with Black Mountain, Acid King, Radio Moscow, Yawning Man (Official), King Buffalo, Lo-Pan, Sgt. Papers, Del-Toros, and the Mad Alchemy Liquid Light Show.
Limited tickets available, get yours now!

https://cdwa.ticketleap.com/2019-stoned-and-dusted

Poster by Branca Studio
photo by Sam Grant.

Big thanks to Pizza Del Perro Negro and TIMEWARP MUSIC!!

https://cdwa.ticketleap.com/2019-stoned-and-dusted/
https://www.facebook.com/StonedandDusted/
https://www.facebook.com/events/1053849404806774
https://www.instagram.com/stonedanddusted/
https://www.stonedanddusted.com/

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Video Premiere: Mojave Lords Unveil New Single “Gloria in Absentia”

Posted in Bootleg Theater on November 9th, 2017 by JJ Koczan

MOJAVE LORDS

Centered around the core duo of Dave Catching and Kevin Bingo Richey, Joshua Tree’s Mojave Lords made their debut in 2014 with the Unfuckwithable LP (discussed here) and in so doing basked in a revelry of desert rock and punk that was at once familiar and decidedly their own in its presentation. The follow-up single, Gloria in Absentia, arrives officially via Left Front Door Records later this month — it’s streaming now, like, at the bottom of this post — and takes a more melancholic approach. Its two songs, “Gloria in Absentia” and “Rodeo Drive,” are presented each in English and French, and taken either way, they bring a moody sensibility from Richey and Catching that plays more to nighttime desert than the sun-baked chug of, say, “Dancefloor Slammer” or the driving “Microwave Me Baby” from Unfuckwithable, which were rawer in style and spoke to Catching‘s pedigree in contributing to outfits like Eagles of Death Metal and Queens of the Stone Age.

Gloria in Absentia hits in a more subdued way. Engagingly melodic, its chorus ismojave lords gloria in absentia memorable and unfolds atop a running line of cinematic keyboards, dreamy guitar to deliver the title line before receding once more into the verse. In English or French, “Gloria in Absentia” is a work of efficient songcraft, classy and atmospheric, but over in a crisp three and a half minutes and onto “Rodeo Drive,” which is led by a start-stop guitar riff with echoing vocals over top somewhere between Bowie and Mark Lanegan (if you gotta stake out territory, that’s good territory to stake out) toward a bounce-laden hook and subtly dynamic rhythmic turn, peppered with extra layers of guitar that set up the late arrival of a fuzzy line marking a welcome if somewhat understated apex that, like “Rodeo Drive” as a whole and “Gloria in Absentia” before it, hits as being overdone in no way but serves to stand Mojave Lords out in the storied pantheon of Californian desert vibes.

Nov. 24 is the release date for Gloria in Absentia, but again, you can stream the quick offering in its bilingual entirety now. I’m thrilled today to be able to host the video premiere for the title-track, which you’ll find below, followed by more info from the PR wire.

Please enjoy:

Mojave Lords, “Gloria in Absentia” official video premiere

Mojave Lords
“Gloria In Absentia”
Gloria In Absentia EP
Left Front Door Records / Mojave Lords Records ML-002
Director – Art Haynie
© & Publishing 2017 by Mojave Lords
itcamefromwithin ASCAP / Hoopsnake BMI / District 6
All Rights Reserved

GLORIA IN ABSENTIA, the new single from MOJAVE LORDS, was made at Rancho de La Luna in Joshua Tree, California. The song is dedicated to the memory of all victims lost during the Bataclan terrorist attack in Paris in November 2015. The label releasing our vinyl is LEFT FRONT DOOR RECORDS. Based in Paris, LFDR was started by Arthur DĂ©nouveaux. Arthur is a survivor of the attack and LFDR is his way of giving something back to the life-affirming force of Rock & Roll. There are two versions of Gloria In Absentia: One in French and one in English.

RODEO DRIVE, the B-side of Gloria In Absentia, is a more personal offering of a love song to a lost lover. There are also two versions of Rodeo Drive available: One in French and one in English.

Mojave Lords are from Joshua Tree, California. In 2014, Bingo Richey and David Catching (QOTSA, Eagles of Death Metal, earthlings?) decided to put a band together. Along with help from Barrett Martin (Screaming Trees, Tuatara, Walking Papers), Brian O’Connor (EoDM), Chris Goss (Masters of Reality), and Gene Trautmann (QOTSA,EoDM) they birthed a new wave of Desert Stoner Rock. This is the Rancho de La Luna home team doing what they do best, originating and creating new rock music.

Mojave Lords, Gloria in Absentia (2017)

Mojave Lords on Bandcamp

Mojave Lords on Thee Facebooks

Mojave Lords on Instagram

Left Front Door Records website

Left Front Door Records on Thee Facebooks

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3rd Ear Experience, Stoned Gold: Ways to be Saved

Posted in Reviews on November 8th, 2017 by JJ Koczan

3rd-ear-experience-stoned-gold

Given the formidable title of Stoned Gold, the latest full-length from Joshua Tree-based heavy psychedelic rockers 3rd Ear Experience is nothing less than an attempt to present the very foundations of the band’s writing process. Or, perhaps more appropriately, it’s a presentation of those roots entirely. The story goes that bandleader Robbi Robb was pulling the group together to work on their next full-length — either their fifth or sixth, depending on what you count — for Space Rock Productions, which also stood behind 2016’s studio outing, Stones of a Feather.

Robb, who leads a rotating cast of players in the amorphous group that may or may not at any given point include Amritakripa, Alan Dude Swanson, Richard Stuverud, Dino Archon, Dug Pinnick, Eric Ryan, Joey Vera, Butch Reynolds, and/or Jorge Bassman, had toured Europe for the last record, had signed a booking deal to go back, and so one imagines the creative juices were flowing and spirits were high. The band would start or end each day of the session with an improvised jam. Something to get the blood moving. A warm-up or a cool-down, and maybe the basis for a song to come together. Not at all unheard of. Well, when it came time to dig through the days’ worth of recordings and piece together the next 3rd Ear Experience long-player, Robb found that it was these jams that best represented the band as a whole and their musical intentions.

Accordingly, Stoned Gold arrives via Space Rock Productions — the label, one is compelled to note, owned by Scott “Dr. Space” Heller of Øresund Space Collective — as a collection of these jams, led by Robb‘s own scorching guitar work, with six tracks and just under 70 minutes of righteous desert freakouts, presented one into the next with a variety of personality and presentation to them that feels emblematic of the creative process behind their making.

Structures are way, way open. Vibes are way, way open. The spirit behind Stoned Gold is less like an album and more like an audio documentary — the idea being to bring to listener as close as possible to 3rd Ear Experience in the making. They’re not the only band to take this approach, and one would be remiss to not mention the progressive explorations of Øresund Space Collective here as forerunners of the improv-based heavy psych style, but it’s exceedingly rare for an American outfit to do so and to do so with such abandon as 3rd Ear Experience bring to pieces like the eight-minute title-track or more extended “I am Not Robot (Warm up Jam Day 3),” which follows opener and longest cut (immediate points) “Infinite Unmanifest (Warm up Jam Day 1)” and the subsequent “Iceberg Dream (Last Jam Day 4)” as one of three pieces named in part for when it took place in the session.

3rd ear experience

It’s telling of the mission behind Stoned Gold that the album would launch with a warm-up jam from the first day, since that effectively places the audience at the same starting point — equal footing — as the group itself as they begin to unfold what becomes the immersive, molten flow of the release as a whole. Whether or not “Iceberg Dream (Last Jam Day 4)” marks the end of the recording session as a whole, I don’t know, but it would make sense, and taking the two back-to-back is to hear 3rd Ear Experience shift deftly between classic space rock propulsion, exploratory melodic wash and an ultimate drive into cosmic swirl.

Those two songs alone comprise nearly half an hour of listening, but with as shuffling start of “Stoned Gold” signals before the band starts to weave its way through a couple harrowing turns toward a Sabbathian riff peppered with a couple lines of obscure, effects-laden vocals, it’s abundantly clear that they by no means make up the complete picture of the album’s scope, and indeed that turns out to be the case as “I am Not Robot (Warm up Jam Day 3)” digs into its 13 minutes of post-Hendrix shimmer and dazzle, more of a straight-ahead flow than a build, but underscored by highlight fuzzy bass tone in its midsection and honest enough to keep going even after it starts to fall apart.

It is surprisingly hypnotic in that, and that makes the transition into “No Walls, No Wars” somewhat more jarring. The penultimate cut is probably as close as 3rd Ear Experience come to traditional songcraft on the record, starting out with African-style percussion before cutting out to a solo-vocal verse and resuming its rhythmic charge. Swirls come and go around this central tribalist figure, and where so much of the album is instrumental, “No Walls, No Wars” is full of words, syllables, lines and obscure shouts, met head-on by an ongoing guitar lead, as well as drums, keys and synth, all of which seem to find further emphasis than in any of the previous jams. At 5:20, just about everything except a line of effects drops out and there’s one last verse to bring everything to a head, and the band presses forth once more into the groove at its foundation, fading slowly to let the toms of closer “The Drone” take hold.

Airy, peaceful guitar arrives with a kind of post-rock feel soon into the 12-minute finale, and once again there are vocals early in a kind of meditative spirit, but just after four minutes in, they’re swallowed by a surge of lead guitar and volume, beginning a back and forth of open spaces and consuming solos that continues until the latter finally seems to win out just after a drum pause near the six-minute mark. Less improvised-sounding — and loosely Zeppelin-esque, somehow — that “The Drone” nonetheless caps with a foray into the sonically unknown (some last lines sneak in there as well; don’t tell anybody) could not be more fitting a way to end Stoned Gold, which in its results lives up to the promised vibrancy of atmosphere in the manner it came together.

3rd Ear Experience have essentially issued their listeners an invitation to join them on this journey, which could hardly resonate more in its endgame if it were happening in real-time on a stage or in a studio, and that invitation is well worth accepting for both its realization of concept and the raw experience of the travel itself. Whether you engage consciously or turn off your mind, relax and float down-sand, 3rd Ear Experience‘s Stoned Gold shines bright.

3rd Ear Experience on Thee Facebooks

Robbi Robb website

Space Rock Productions on Thee Facebooks

Space Rock Productions website

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3rd Ear Experience to Release Stoned Gold Nov. 1; Teaser Clip Posted

Posted in Whathaveyou on August 29th, 2017 by JJ Koczan

Set for release Nov. 1, the new outing from Joshua Tree, California-based heavy psych jammers 3rd Ear Experience comes with the formidable backing of Space Rock Productions, the imprint helmed by Scott ‘Dr. Space’ Heller, who, let’s face it, knows a thing or two when it comes to all things heavy and jammy. He’s pretty much a doctor of it. Also actual science, but that’s besides the current point, which is that 3rd Ear Experience will issue their latest opus, the improv-minded Stoned Gold this Fall, and they’re teasing it now with a minute-long clip of scorching guitar that you can see below, set appropriately as it is to sped-up highway footage, presumably of some CA interstate. Maybe the 101? The 10? Hell, I don’t know. Whatever it is, it works.

Gonna hope to have more to come on this one before we get to the release date, but here’s the basic info as per the PR wire and the band’s EPK:

3rd-ear-experience-stoned-gold

3rd Ear Experience – Stoned Gold

We are well pleased to announce our latest album, Stoned Gold!

3rd Ear Experience are pleased to announce the release of a new album; STONED GOLD. Special thanks to Scott Heller and Sabine Pottien of SPACE ROCK PRODUCTIONS who will be pressing and distributing special limited editions of Vinyl and Cd’s. These limited editions will include in the package a Musical Primer called THE ART OF THE JAM BAND based on a letter written by Robbi to his band mates and friends. STONED GOLD is scheduled for release November 1st.

Right from the first warm up jam something broke loose, like a wild horse or like a bottle of whiskey that topples over, pours out onto the floor, someone strikes a match, the barn explodes…don’t know what or how to explain. In a few days we came away with six finished pieces of music – an unexpected surprise. STONED GOLD has a great energy, like that sand-less dust devil rushing across the desert, you cannot see it; but you can feel it and you can hear it.

We are extremely excited to announce that we will be working with Benjamin Schuster from NOISOLUTIONS BOOKING. We look forward to a long and prosperous relationship with this fine company. So, if all goes well in the world, we will be jamming out for you in the new year! – and as our good friend and touring partner Malko assures us : “you are in good hands then”

Hell yea! – we like the sound of that!

Upon the release of STONED GOLD we will also be unveiling our Bandcamp site.

https://www.facebook.com/3rdearexperience/
http://www.robbirobb.com/
https://www.facebook.com/spacerockproductions.dk/
www.spacerockproductions.com/

3rd Ear Experience, Stoned Gold teaser clip

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Of the Horizon Self-Titled LP Available to Preorder

Posted in Whathaveyou on November 9th, 2016 by JJ Koczan

of-the-horizon

Half a decade in the making, the self-titled debut from Joshua Tree’s Of the Horizon will see release through Kozmik Artifactz on Nov. 18. The band has a decent portion of the material streaming now, though whether those are the final versions or if something’s changed in the last five years is anyone’s guess, but either way, their blend of heavy desert psych and crunching, Sleep-style riffing on “3 Feet,” which you can hear below, should give you some general idea what they’re getting up to. Or what they got up to circa 2011, anyhow. I suppose they could pretty much be doing anything at this point, including not being a band since last I heard, bassist Kayt Vigil was in Italy and playing in Sonic Wolves.

So yeah, maybe not too sure on the status of Of the Horizon, but at least the record is coming out. If you’re the gotta-preorder-it type, Kozmik Artifactz has it up for sale now, and they posted the following announcement with the Kyle Stratton cover art:

of-the-horizon-self-titled

Of The Horizon – s/t full length now on pre-sale!

More than 4 years after the final recording of Los Angeles/Joshua Tree, CA’s …Of The Horizon, the long awaited self-titled full length album is on the way – on wax!

The three piece brings the listener crushing low end, heavily fuzzed out guitar, precise and intense drumming and melodically droning vocals. The album transports you straight into the soul-warming freeness of the California high desert while taking you on a sonic journey through the soundscape of open valleys and high mountains – complete with fuzzed-out grooves, massive and sonorous riffs finely detailed with swells of volume and feeling …and all with a trance-inducing psychedelic edge!

Recorded in November of 2011 in Joshua Tree, CA by Tony Mason. Cover art by Caveman Kyle Stratton of the amazing band, Atala. Mixed and Mastered by Brian Zee and drummer Shig and later on by Lorenzo Stecconi (Ufomammut’s “sound lord”).

VINYL FACTZ
– Plated & pressed on high performance 180g vinyl by PALLAS in Germany
– 100x orange black marbled (Exclusive mailorder edition, handnumbered)
– 200x black
– matt laquered 300gsm gatefold Cover
– special vinyl mastering

TRACKS
A1. 3 Feet
A2. Caravan
A3. Unknown
B1. Gladhander
B2. Hall of the Drunken King

Of the Horizon is:
Mike Hanne – Guitars/Vocals
Shig – Drums/Cymbals/Gong
Kayt Vigil – Bass

https://www.facebook.com/kozmikartifactz/
www.kozmik-artifacts.com/artist/ofthehorizon/
https://soundcloud.com/ofthehorizon
https://www.facebook.com/Of-The-Horizon-119745221373471/

Of the Horizon, “3 Feet”

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