The Obelisk Presents: The Top 20 of 2017 So Far

Posted in Features on June 12th, 2017 by JJ Koczan

the obelisk top-20-2017-so-far

The time has come to take a look at some of the best albums of 2017 so far. I hardly know where to start. In some ways, this list is harder to put together than the end-of-year one that comes out in December, because by then not only do you have the full year to draw on, but it’s easier to sort of put a narrative to the course of events of 12 months, whereas in this case, obviously, the story is half told. So I guess if the list feels incomplete, that might be part of why.

Even with just six months to work from, the list has become fairly immense. I’ve been keeping track of 2017 releases since about September of last year, and the amount of stuff that’s come through has been staggering. Every year brings good music, and the basic fact of the matter is that if you don’t think so it’s because you’re either unwilling to find it or unwilling to let yourself hear it, but 2017 has been a multi-tiered assault of sounds from all over the world, and it seems like whatever you might be into, the universe stands ready to accommodate.

There’s a lot to say about that — is the market flooded? — but it’s a topic for a different post. I’ll keep it short here and just say that as always, it’s an honor to be covering the stuff that I cover and that I deeply appreciate you taking the time to read. I hope if there’s a release you feel deeply passionate about that you don’t see on my list below that you’ll please let me know about it in the comments.

Also, please note that in order to qualify for this list, a record had to come out on or before June 9. That’s the cutoff.

Okay, here goes:

The Top 20 of 2017 So Far

elder reflections of a floating world

1. Elder, Reflections of a Floating World
2. All Them Witches, Sleeping Through the War
3. Samsara Blues Experiment, One with the Universe
4. Colour Haze, In Her Garden
5. Atavismo, Inerte
6. Sun Blood Stories, It Runs Around the Room with Us
7. Cloud Catcher, Trails of Kozmic Dust
8. Vokonis, The Sunken Djinn
9. The Obsessed, Sacred
10. Mothership, High Strangeness
11. Spaceslug, Time Travel Dilemma
12. Electric Moon, Stardust Rituals
13. Alunah, Solennial
14. Arc of Ascent, Realms of the Metaphysical
13. Rozamov, This Mortal Road
14. Siena Root, A Dream of Lasting Peace
15. PH, Eternal Hayden
16. Geezer, Psychoriffadelia
17. T.G. Olson, Foothills Before the Mountain
18. Telekinetic Yeti, Abominable
19. The Devil and the Almighty Blues, II
20. Lord, Blacklisted

Notes

If you keep up with this site at all, there probably aren’t a lot of surprises in there. These are all records that have been discussed at great length over the last six months, reviewed, streamed, analyzed, whathaveyou’d all the way. If you don’t believe me, search any of the names. Still, as far as my personal picks go and who I think has crafted something special over the last six months, this feels pretty representative to me. I managed to live for a full week with the list as you see it above, without making changes. That’s usually my standard.

And as always, it’s a combination of what I’ve listened to most and what I feel has had the greatest impact thus far into the year. Between the two, there was little doubt Elder would take the top spot. I’ve probably listened to the All Them Witches record more than anything else this year, including Elder’s Reflections of a Floating World, but the truth is the Massachusetts trio are working at a level of their own making in terms of their sonic progression, and that they’ve emerged as one of if not the most pivotal American underground heavy rock bands going. The situation was much the same when they put out Lore in 2015 and claimed that year’s top-album spot, but even since then their sound has expanded and they continue to demand ultimate respect.

As for the All Them Witches album — absolute stunner. The increased depth of their arrangements on Sleeping Through the War came at no expense of songwriting, resulting in ultra-memorable material that could either wash over you with melody or shove you out of your seat with the force of its rhythm, and that band continues to be a treasure. No other way to put it.

From there, we move into what I think are the four best heavy psych offerings of 2017 so far, with Samsara Blues Experiment, Colour Haze, Atavismo and Sun Blood Stories, in that order. Samsara Blues Experiment’s return has been a joy to witness and their first album in four years lived up to the occasion. Colour Haze expanded the palette from their last album with In Her Garden and proved as immersive as always. I’m still getting to know that record. Atavismo’s second full-length upped the progressive influences without losing fluidity or cohesion in songwriting, and Sun Blood Stories’ hypnotic shoegaze offered expansive thrills and a sense of varied, beautifully crafted exploration.

A pair of exciting young bands thereafter in Colorado’s Cloud Catcher, whose boogie is right-on-right-on and whose development continues to hold much potential, and Vokonis, whose crushing riffs on The Sunken Djinn were met with an increased focus on structure and tightening of approach that maximized overall impact. The Obsessed’s unexpected return could only be called a triumphant one, and Mothership’s third long-player found them working in a richer sense of mood than previous outings, adding yet more character to what was still a blast of good-time rock and roll. They round out the top 10 in full command of who they are as players.

Granted, the next 10 releases are kind of all over the place, but I think that just shows the overarching quality of work being done across the board. From Spaceslug’s melodic stoner-psych to Electric Moon’s studio return — so, so, so good — to Alunah’s continued growth in nature-worshiping heavy and Arc of Ascent’s comebacker of rolling heavy riffs and metaphysical themes, there’s been so much to take in. I especially like the pairing of Rozamov and Siena Root as a sense of scope for 2017 so far; the former being so dark and crushing and the latter who lived up to calling their record A Dream of Lasting Peace. You want to know both ends of the spectrum? There they are.

PH’s Eternal Hayden gets a nod for its effective reset of the context of that band following the completion of their trilogy of albums, and Geezer’s Psychoriffadelia might have been something of a tossoff in the making, but the level at which the New York trio jams nonetheless assures it a spot here. Plus, a Nazareth cover. So duh.

I couldn’t help but include T.G. Olson’s Foothills Before the Mountain on the list as the Across Tundras frontman creeps closer to a full-band sound for his solo work, adding to his acoustic singer-songwriter foundations, and the crush of Telekinetic Yeti’s post-Sleep riffing evoked so many nods I thought they deserved one here as well. Placing The Devil and the Almighty Blues was difficult, but especially after seeing them live, I felt like I had a better idea of where they were coming from on II, so knew they belonged somewhere, even if it was tucked in at the end. And of course, Lord. Always killer, always experimenting, always chaotic. Never have grind and sludge sounded more cohesive together. They’re the band I wish Soilent Green had become, and yes, I mean that.

Honorable Mention

Let’s do another 10 releases, shall we?

21. Beastmaker, Inside the Skull
22. Arduini/Balich, Dawn of Ages
23. Brume, Rooster
24. John Garcia, The Coyote Who Spoke in Tongues
25. Six Sigma, Tuxedo Brown
26. Demon Head, Thunder on the Fields
27. Summoner, Beyond the Realm of Light
28. Steak, No God to Save
29. Six Organs of Admittance, Burning the Threshold
30. Dool, Here Now There Then

And just to make the point, here are even more worthy of note in this space:

Elbrus, Elbrus
Cortez, The Depths Below
Ecstatic Vision, Raw Rock Fury
Child, Blueside (a December 2016 release, maybe, but I think the vinyl was this year, so whatever)
Pallbearer, Heartless
Spidergawd, IV
Green Meteor, Consumed by a Dying Sun
Loss, Horizonless

There are of course other names as well that come to mind. Like I said at the outset, it’s a crowded field: Hymn, Arbouretum, Green Meteor, REZN, Demon Head, Galley Beggar, Devil’s Witches, Orango, Heavy Traffic, Coltsblood, Mt. Mountain, Vokonis, Solstafir, High Plains, on and on.

Also worth highlighting several really, really quality live records that have surfaced so far this year. I didn’t really know where to place them among the other studio offerings, but they deserve note for sure:

Causa Sui, Live in Copenhagen
Death Alley, Live at Roadburn
My Sleeping Karma, Mela Ananda – Live
Enslaved, Roadburn Live

More to Come

Of course, we’re still just barely halfway through the year, so keep on the lookout for more to follow. If you didn’t see my massive 200+ albums to watch for list in January, it has many that have come out and many more still to surface, but here are a few highlight names as well that you’re going to want to keep an eye on in the months ahead:

Queens of the Stone Age
Radio Moscow
The Atomic Bitchwax
Kadavar
Ufomammut
The Midnight Ghost Train
Moon Rats
Clamfight
Egypt
the Melvins
Bison Machine
Seedy Jeezus
High on Fire
Monster Magnet

Thanks for Reading

Before I check out, I’d like to give special mention to Lo-Pan’s In Tensions EP as the best short release of the year thus far. Along with EPs from Godhunter, Kings Destroy, Solace and Shroud Eater, it has assured those seeking a quick fix are handed their ass in return for asking.

Well, that’s about where I’m at with it. As per usual, I’m sure there are things I forgot and/or left off here, because I’m human and whatnot, so please if you have something to add, feel free to do so in the comments so long as you can keep it cordial. No name calling. I’m sensitive and you’ll ruin my whole day. I mean that.

Thanks again for being a part of this and here’s to an excellent rest of 2017.

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John Garcia Announces European Tour Dates

Posted in Whathaveyou on February 10th, 2017 by JJ Koczan

Prior to hitting stages at Freak Valley 2017, Desertfest London and Berlin, and Psycho Las Vegas this Spring/Summer with the reunited Slo Burn, desert rock’s iconic frontman John Garcia will embark on a European tour next month supporting his first-ever acoustic solo album. Released last month on Napalm Records, The Coyote Who Spoke in Tongues (review here) blends new original material with fresh arrangements of classic Kyuss tracks like “Gardenia,” “Space Cadet” and “Green Machine” — staples of Garcia‘s nigh-unmatchable body of work. Since the record was born out of European “evening with”-style tour, it seems only fair he’d return abroad to support it, even as one of multiple international trips being made this year.

The run has been dubbed, fittingly enough, “Coyote Unplugged.” Dates and more info follow:

john garcia

JOHN GARCIA: Coyote Unplugged Tour 2017!

Kyuss, Slo-Burn, Unida, Hermano, Vista Chino – yes, desert crooner John Garcia may rightfully be considered the ultimate incarnation of stoner rock. His first solo album and opus eponymous from 2014 is followed roughly three years later by The Coyote Who Spoke In Tongues, a comparatively relaxed and purely acoustic affair! “Better late than never”, Mister Garcia himself comments on the rather lengthy period of time he invested in his new baby. Offering chilled out renditions of some well-known classics as well as John Garcia’s solo work, The Coyote Who Spoke In Tongues seamlessly merges past gems with future, howling hits like ‘The Hollingsworth Session‘ – all you need now is a crackling fire!

John Garcia comments satisfied: “This record is one of the most important of my career, difficult and challenging to do, but worth every minute of sweat!”

Recorded and mixed by Steve Feldman and Robbie Waldman, mastered by Gene “The Machine” Grimaldi at Oasis Mastering in California, ‘The Coyote Who Spoke In Tongues’ offers an emotional acoustic ride through John Garcia’s solo work as well as songs by Kyuss in new arrangements like you have never heard before.

Acoustic guitar: Ehren Groban
Percussions: Greg Saenz
Bass: Mike Pygmie

JOHN GARCIA – Coyote Unplugged Tour 2017
14.03. CH – Bern, ISC Club
15.03. GER – Munich, Backstage
16.03. CRO – Zagreb, Vintage Industrial Bar
17.03. SLO – Nova Gorica, Mostovna
18.03. GR – Athen, AN Club
20.03. PL – Wroclaw, Carpe Diem
21.03. PL – Warsaw, Beerokracja
22.03. DK – Kopenhagen, Loppen
24.03. NL – Hilversum, De Vorstin
25.03. GER – Bielefeld, Heimat + Hafen
26.03. NL – Breda, Mezz
27.03. B – Arlon, L’Entrepôt

www.facebook.com/JohnGarciaOfficial
https://twitter.com/johngarciasolo
www.napalmrecords.com

John Garcia, “Kylie” official video

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Desertfest London 2017: Individual Day Schedules Announced

Posted in Whathaveyou on January 30th, 2017 by JJ Koczan

I have no problem admitting to feeling overwhelmed looking at the full lineup and individual day splits for Desertfest London 2017. I mean, seriously. Look at that poster. What a way to spend a weekend.

Likewise, I have few grand reflections to offer in light of that overwhelming feeling, except perhaps to take a step back and be massively impressed at how much this event has grown in just six incarnations. Along with Desertfest Berlin, the London edition has become an anchor not only for the UK heavy rock underground — which is well represented here as ever in Elephant TreeBlack SpidersStubbVodunPigs Pigs Pigs Pigs Pigs Pigs PigsTerminal CheesecakeChubby Thunderous Bad Kush MastersMammoth Weed Wizard Bastard, and so on — but for bands from abroad as well. You’ll note the three headliners: two American, one Norwegian, and the next line down on the poster is two Swedish, one American. Desertfest London 2017’s reach feels wider than ever. Staring at the final lineup, it’s clear just how much of a big fucking deal this festival has become.

Wish I could be there to see it.

Here’s the announcement of the individual day lineups from their website:

desertfest london 2017

DESERTFEST 2017 DAY SPLITS AND DAY TICKETS ARE HERE!

Finally, the Desertfest 2017 day and stage splits are here, along with individual day tickets. It’s the point of the year where you can start planning the weekend, you can imagine the sets in your head and you can curse those god damned clashes.

Last things first, let’s get straight to that insane Sunday main-stage. To celebrate The Roundhouse joining the Desertfest family, we made their debut appearance something special. Not only will stoner doom icons Sleep be topping the bill, but the Roundhouse hosts a full bill of huge acts. Candlemass, with over three decades of underground acclaim to their name, bring the epic doom metal. USA’s Wolves in the Throne Room bring the atmospheric black metal. Traditional doom metal stalwarts Saint Vitus bring the classic riffs. And how about this for a ‘curtain jerker’? Bongzilla bring the raw weed metal for their second show of the weekend; more on the first later.

It’s not just about the Sunday though. Friday’s stage at the Electric Ballroom is headlined by returning heroes Slo Burn whose short run in the mid 90s furthered the then fledgling stoner rock scene. One band they surely had an impact on is Lowrider, who play Europe’s finest stoner rock alongside them. Ukraine’s Stoned Jesus celebrate their resonant album Seven Thunders Roar, and 1000Mods and Pontiak round up the main stage on the Friday.

The Electric Ballroom on Saturday will be swarming with Turbojugends as death-punk grandmasters Turbonegro turn Camden into party central. John Garcia sticks around for a solo show, sure to feature classics from his years of nonstop mastery in the stoner rock scene. Sheffield’s rock and roll five piece Black Spiders visit London for one last time on their farewell tour, with Satan’s Satyrs and Avon rounding up the main stage.

As ever though, it doesn’t stop at the main stages. Our regular partners have delivered three stages with diverse lineups. Human_Disease_Promo and When Planets Collide take over The Underworld on Saturday in a bill headlined by Bongzilla with a special set celebrating the band’s early work. The Quietus stage is led by synth wavers Zombi, and Nightshift Promotions bring an eclectic mix led by Hungary’s Apey & the Pea. To be honest, just stick a pin in the lineup poster and you’re guaranteed a good time.

For those who can’t make the full weekend, we have a limited number of individual day tickets. Priced at £40 for Friday tickets, £40 for Saturday tickets and £45 for Sunday tickets, links are below.

So there we have it. Our final lineup for Desertfest 2017. We hope you’re as excited as we are to get back to Camden this April and riff London to the ground.

DESERTFEST LONDON 2017 Final Lineup:
SLEEP
SLO BURN
TURBONEGRO
CANDLEMASS
WOLVES IN THE THRONE ROOM
SAINT VITUS
JOHN GARCIA BAND
BONGZILLA
LOWRIDER
SCISSORFIGHT
BLACK SPIDERS
SAMSARA BLUES EXPERIMENT
THE PICTUREBOOKS
STONED JESUS
SATAN’S SATYRS
INTER ARMA
WEAR YOUR WOUNDS
1000MODS
STEAK
AVON
DEATH ALLEY
DEAD LORD
BOSS KELOID
PONTIAK
YURI GAGARIN
HARK
VODUN
CHRON GOBLIN
PIGS PIGS PIGS PIGS PIGS PIGS PIGS
THE WELL
MAMMOTH STORM
CELESTE
STUBB
MONOLITHIAN
WUCAN
VENOMOUS MAXIMUS
BRUME
APEY & THE PEA
ELEPHANT TREE
GRAVE LINES
IRON WITCH
EARTH SHIP
BACKWOODS PAYBACK
WIZARD FIGHT
BRULE
CLOSET DISCO QUEEN
GRAND MAMMOTH
CHUBBY THUNDEROUS BAD KUSH MASTERS
MAMMOTH WEED WIZARD BASTARD
SAMAVAYO
WELCOME BACK DELTA
DEAD LETTUCE
MONSTERTONE
LEDFOOT
ZOMBI
TERMINAL CHEESECAKE
KHÜNNT
BASK
BRUXA MARIA

http://www.desertfest.co.uk/#tickets-section
https://www.eventbrite.co.uk/e/desertfest-2017-tickets-27305267791
http://www.desertfest.co.uk/
https://www.facebook.com/DesertfestLondon
https://twitter.com/DesertFest
https://www.instagram.com/desertfest_london/

Dead Lettuce, Booze and Blues EP (2015)

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Tomorrow’s Dream: 200+ of 2017’s Most Anticipated Releases

Posted in Features on January 23rd, 2017 by JJ Koczan

tomorrow's dream 2017

Looks like it’s going to be another busy 12 months ahead. It’s been a busy better-part-of-a-month already, so that stands to reason, but you should know that of the several years now that I’ve done these ‘Tomorrow’s Dream’ posts, this is the biggest one yet, with over 150 upcoming releases that — one hopes — will be out between today and the end of 2017.

Actually, at last count, the list tops 180. Do I really expect you to listen to all of them? Nope. Will I? Well, it would be nice. But what I’ve done is gone through and highlighted 35 picks and then built lists off that in order of likelihood of arrival. You’ll note the categories are ‘Gonna Happen and/or Likely Candidates,’ ‘Definitely Could Happen’ and ‘Would be Awfully Nice.’

Beyond that last one, anything else just seems like speculation — one might as well go “new Sabbath this year!” with zero info backing it up. The idea here is that no matter where a given band is placed, there has been some talk of a new release. In some cases, it’s been years, but I think they’re still worth keeping in mind.

Another caveat: You can expect additions to this list over the next week — probably album titles, band names people (fingers crossed) suggest in the comments, and so on — so it will grow. It always does. The idea is to build as complete a document as possible, not to get it all nailed down immediately, so please, if you have something to contribute and you’re able to do so in a non-prickish, “You didn’t include Band X and therefore don’t deserve to breathe the same air as me,” kind of way, please contribute.

Other than that, I think it’s pretty straightforward what’s going on here and I’ll explain the category parameters as we go, so by all means, let’s jump in.

— Tomorrow’s Dream 2017 —

Presented Alphabetically

1. Abrahma, TBA

Late last year, Paris heavy progressives Abrahma announced a new lineup and third full-length in progress. No reason to think it won’t come to fruition, and a follow-up to 2015’s Reflections in the Bowels of a Bird (review here) is an easy pick to look forward to. Even with the shift in personnel, it seems likely the band will continue their creative development, driven as they are by founding guitarist Seb Bismuth.

2. All Them Witches, Sleeping Through the War

all them witches sleeping through the warIf 2017 ended today, Sleeping Through the War would be my Album of the Year. Of course, there’s a lot of year to go, but for now, Nashville’s All Them Witches have set the standard with their second album for New West Records behind 2015’s Dying Surfer Meets His Maker (review here) and fourth overall outing. They’ve got videos up so far for “3-5-7” (posted here) and “Bruce Lee” (posted here). Both are most definitely worth your time. Out Feb. 24. Full review should be later this week.

3. Alunah, Solennial

Seems like UK forest riffers Alunah are on this list every year. Wishful thinking on my part. Nonetheless, their fourth LP and Svart Records debut, Solennial, is out March 17, and if the tease they gave already with the clip for “Fire of Thornborough Henge” (posted here) is anything to go from, its Chris Fielding-produced expanses might just be Alunah‘s most immersive yet.

4. Arbouretum, TBA

I asked the Baltimore folk fuzzers a while back on Thee Facebooks if they had a new record coming in 2017 and they said yes, so that’s what I’m going on here. The last Arbouretum album was 2013’s Coming out of the Fog (review here), and even with frontman Dave Heumann‘s 2015 solo outing, Here in the Deep (review here), factored in, you’d have to say they’re due. Keep an eye on Thrill Jockey for word and I’ll do the same.

5. Atavismo, Inerte

This is another one that already has a spot reserved for it on my Best-of-2017 year-end list. Spanish heavy psych rockers Atavismo up the progressive bliss level with their second full-length, Inerte, without losing the depth of style that made 2014’s Desintegración (review here) so utterly glorious. It probably won’t have the biggest marketing budget of 2017, but if you let Atavismo fly under your radar, you are 100 percent missing out on something special.

6. Bison Machine, TBA

In addition to the video for new track “Cloak and Bones” that premiered here, when Michigan raucousness-purveyors Bison Machine put out the dates for their fall 2016 tour, they included further hints of new material in progress. As much as I dug their earlier-2016 split with SLO and Wild Savages (review here) and 2015’s Hoarfrost (review here), that’s more than enough for me to include them on this list. Killer next-gen heavy rock.

7. Brothers of the Sonic Cloth, TBA

News of a follow-up to Brothers of the Sonic Cloth‘s 2015 Neurot Recordings self-titled debut (review here) came through in October, and it remains some of the best news I’ve heard about 2017 doings. Took them a while to get the first record out, so we’ll see what happens, but it kind of feels like looking forward to a comet about to smash into the planet and cause a mass extinction, and by that I mean awesome. Can’t get here soon enough.

8. Cloud Catcher, Trails of Kosmic Dust

cloud catcher trails of kosmic dustOkay, so maybe I jumped the gun and did a super-early review of Denver trio Cloud Catcher‘s second long-player and Totem Cat Records debut, Trails of Kosmic Dust, but hell, no regrets. Some albums require an early-warning system. Their 2015 debut, Enlightened Beyond Existence (discussed here), was a gem as well, but this is a band in the process of upping their game on every level, and the songwriting and momentum they hone isn’t to be missed.

9. Colour Haze, TBA

I’ve gotten some details on the upcoming full-length from Colour Haze. They do not include a title, artwork, audio, song titles or general direction. Less details, I guess, than word that the CD version of this answer to 2015’s To the Highest Gods We Know (review here) is set to come out next month, as ever, on Elektrohasch. That puts it out in time for Colour Haze‘s upcoming tour with My Sleeping Karma (announced here). Fingers crossed it happens. Colour Haze are perpetual top-albums candidates in my book.

10. Corrosion of Conformity, TBA

Signed to Nuclear Blast after being rejoined by guitarist/vocalist Pepper Keenan, North Carolina’s C.O.C. have been in the studio since last year. The lineup of Keenan, bassist/vocalist Mike Dean and guitarist Woody Weatherman and Reed Mullin on drums is the stuff of legend and last worked together on 2000’s America’s Volume Dealer, so no question this reunion makes for one of 2017’s most anticipated heavy rock records. They nailed the nostalgia factor on tour. Can they now add to their legacy?

11. Elder, TBA

I was incredibly fortunate about a month ago to visit progressive heavy rockers Elder at Sonelab in Easthampton, MA, during the recording process for their upcoming fourth album. I heard a couple of the tracks, and of course it was all raw form, but the movement forward from 2015’s Lore (review here) was palpable. That LP (on Stickman) brought them to a wider audience, and I expect no less from this one as well, since the farther out Elder go sound-wise, the deeper the level of connection with their listeners they seem to engage.

12. Electric Wizard, TBA

Could happen, could not happen. That’s how it goes. Announced for last Halloween. That date came and went. Word of trouble building their own studio surfaced somewhere along the line. That was the last I heard. Frankly, I wouldn’t be surprised if it showed up tomorrow, if it showed up in 2018, or if the band broke up and never put it out. They’re Electric Wizard. Anything’s possible.

13. John Garcia, The Coyote Who Spoke in Tongues

Out Jan. 28 on NapalmThe Coyote Who Spoke in Tongues (review here) is the first-ever acoustic album from former Kyuss frontman John Garcia, also of Unida, the reunited Slo BurnHermanoVista ChinoZun, etc. — basically the voice of desert rock. He does a couple Kyuss classics for good measure, but shines as well on the new/original tracks, and while it’s a piece for fans more than newcomers — that is, it helps if you know the original version of “Green Machine” — his presence remains as powerful as ever despite this new context.

14. Goya, Harvester of Bongloads

Riffs, dude. Goya seem to have them to spare. The Arizona-based wizard doomers have set a pretty prolific clip for themselves at this point, with at least two short releases out in 2016, one a 7″ of Nirvana covers (review here), and the The Enemy EP (review here). Set for a March 3 release through their own Opoponax Records imprint, Harvester of Bongloads continues the march into the abyss that 2015’s Obelisk (review here) and 2013’s 777 set in motion, finding the band coming more into their own as well. Creative growth — and bongloads! The best of both worlds.

15. Ides of Gemini, TBA

Ides of Gemini are set to record their yet-untitled third album with Sanford Parker early this year, and it will also mark their debut on Rise Above Records upon its release. They’ve also got a new lineup around vocalist Sera Timms and guitarist J. Bennett, so as they look to move forward from 2014’s Old World New Wave (review here), one can’t help but wonder what to expect, but to be honest, not knowing is part of the appeal, especially from a band who so readily specialize in the ethereal.

16. Kind, TBA

Three-fourths of Kind feature elsewhere on this list. Bassist Tom Corino plays in Rozamov. Drummer Matt Couto is in Elder. Vocalist Craig Riggs is in Roadsaw. And for what it’s worth, guitarist Darryl Shepherd has a new band coming together called Test Meat. How likely does that make Kind to release a second LP in 2017? I don’t know, but their 2015 Ripple Music debut, Rocket Science (review here), deserves a follow-up, and I know they’ve demoed some new songs. If it happens, great. If it’s 2018, at least these dudes will be plenty busy besides.

17. Lo-Pan, In Tensions

lo-pan in tensionsYes, Lo-Pan‘s In Tensions (review here) has already been released — CD/LP with an artbook on Aqualamb. It’s out. Limited numbers. You can get it now. Why include it on a list of most anticipated releases? Because that’s how strongly I feel about your need to hear it. The fruit of a shortlived lineup with guitarist Adrian Zambrano, it distinguishes itself from everything they’ve done before in style while still keeping to the core righteousness that one hopes the Ohio outfit will continue to carry forward. It’s more than a stopgap between albums. Listen to it.

18. The Midnight Ghost Train, TBA

It seems to have been a rough ride for hard-boogie specialists The Midnight Ghost Train since their 2015 Napalm debut and third album overall, Cold was the Ground (review here). They’ve never taken it easy on the road or in terms of physicality on stage, and between injuries and who knows what else, their intensity at this point veers toward the directly confrontational. Nonetheless, they’ve been writing for album number four, may or may not have started the recording process, and I expect that confrontationalism to suit them well in their new material.

19. Monster Magnet, TBA

I have it on decent authority that NJ heavy psych innovators Monster Magnet were in the studio this past autumn. I’ve seen no concrete word of a new album in progress from Dave Wyndorf and company, and I wouldn’t necessarily expect to until it was time to start hyping the release, but after their two redux releases, 2015’s Cobras and Fire (review here) and 2014’s Milking the Stars (review here), their range feels broader than ever and I can’t wait to hear what they come up with next.

20. Mothership, High Strangeness

A pivotal moment for Mothership arrives with High Strangeness, and the heavy-touring, heavy-riffing Texas power trio seem to know it. Their third record on Ripple Music pushes into new avenues of expression and keeps the energy of 2014’s Mothership II (review here) and 2012’s Mothership (review here), but thus far into their career, it’s been about their potential and what they might accomplish going forward. 2017 might be the year for Mothership to declare a definitive place in the sphere of American heavy rock.

21. The Obsessed, Sacred

On Halloween 2016, founding The Obsessed guitarist/vocalist and doom icon Scott “Wino” Weinrich announced a new lineup for the band, with his former The Hidden Hand bandmate Bruce Falkinburg on bass/vocals, Sara Seraphim on guitar and Brian Costantino continuing on drums. A genuine surprise. Their first album since 1994, Sacred (due on Relapse) was tracked as the trio of WeinrichCostantino and bassist/vocalist Dave Sherman, but clearly they’ve moved into a new era already. Wouldn’t even guess what the future holds, but hopefully Sacred still comes out.

22. Orange Goblin, TBA

When it was announced that London’s Orange Goblin were picked up by Spinefarm as part of that label’s acquisition of Candlelight Records last Spring, the subheadline from the PR wire was “Working on Ninth Studio Album.” I haven’t heard much since then, but even as 2014’s Back from the Abyss (review here) pushed them deeper into metallic territory than ever before, their songs retained the character that’s made the band the institution they are. Always look forward to new Orange Goblin.

23. Pallbearer, Heartless

pallbearer heartlessDoomers, this is your whole year right here. I haven’t heard Pallbearer‘s third album, Heartless (out March 24 on Profound Lore), but I have to think even those who haven’t yet been won over by the Arkansas four-piece’s emotive, deep-running style have to be curious about what they’ve come up with this time around. I know I am. These guys have been making a mark on the genre since their 2012 debut, Sorrow and Extinction (review here), and there’s little doubt Heartless will continue that thread upon its arrival.

24. Radio Moscow, TBA

Fact: Radio Moscow stand among the best classic heavy rock live acts in the US. They’re the kind of band you can watch upwards of 15 gigs in a row — I’ve done it — and find them putting on a better show night after night, in defiance of science, logic and sobriety. Word of their signing to Century Media came just this past week and brought with it confirmation of a follow-up to 2014’s stellar Magical Dirt (review here), and for me to say hell yes, I’m absolutely on board, seems like the no-brainer to end all no-brainers. Can’t wait.

25. Roadsaw, TBA

Nearly six full years later, it’s only fair to call Boston scene godfathers Roadsaw due for a follow-up to their 2011 self-titled (review here). Granted, members have been busy in KindWhite Dynomite, and other projects, but still. Their upcoming outing finds them on Ripple Music after years under the banner of Small Stone Records, and though I haven’t seen a solid release date yet, my understanding is they hit Mad Oak Studio in Allston, MA, this past fall to track it, so seems likely for sooner or later. Sooner, preferably.

26. Rozamov, This Mortal Road

Speaking of albums by Boston bands a while in the making, This Mortal Road (out March 3 on Battleground Records and Dullest Records) is the debut full-length from Boston atmospheric extremists Rozamov. Haven’t heard it yet, but I got a taste of some of the material when I visited the band at New Alliance Audio in Aug. 2015, and the bleak expanses of what I heard seem primed to turn heads. I’m a fan of these guys, but in addition, they’ve found a niche for themselves sound-wise and I’m curious to hear how they bring it to fruition.

27. Samsara Blues Experiment, TBA

It’s been a pleasure over the last couple months to watch a resurgence of Berlin heavy psych trio Samsara Blues Experiment take shape, first with the announcement of a fourth album in October, then with subsequent confirmations for DesertfestRiff Ritual in Barcelona, and a South American tour. Reportedly due in Spring, which fits with the timing on shows, etc., the record will follow 2013’s righteous Waiting for the Flood (review here) and as much as I’m looking forward to hearing it, I’m kind of just glad to have these guys back.

28. Seedy Jeezus, TBA

Work finished earlier this month on Melbourne trio Seedy Jeezus‘ second full-length. As with their 2015 self-titled debut, the band brought Tony Reed of Mos Generator to Australia to produce, and after their blissed-out 2016 collaboration with Earthless guitarist Isaiah MitchellTranquonauts (review here), it’s hard not to wonder what experimentalist tendencies might show in the trio’s style this time out, and likewise difficult not to anticipate what guitarist Lex “Mr. Frumpy” Wattereus comes up with for the cover art.

29. Shroud Eater, Strike the Sun

Not to spoil the surprise, but Feb. 1 I’ll host a track premiere from Florida’s Shroud Eater that finds them working in a different context from everything we’ve heard from them to this point in their rightly-celebrated tenure. They also recently had a split out with Dead Hand, and their second long-player, Strike the Sun, will be their debut through STB Records. It’s been since 2011’s ThunderNoise (review here) that we last got a Shroud Eater album, so you bet your ass I’m dying to know what the last six years have wrought.

30. Sleep, TBA

If Sleep were any other band, they’d probably be in the “Would be Awfully Nice” category. But they’re Sleep, so even the thought of a new record is enough to put them here. The lords of all things coated in THC are reissuing their 2014 single, The Clarity (review here), on Southern Lord next month, but rumors have been swirling about a proper album, which of course would be their first since the now-legendary Dopesmoker. If it happens, it’ll automatically be a heavy underground landmark for 2017, but it’s one I’m going to have in my ears before I really believe it.

31. Stoned Jesus, TBA

Even as they tour playing their second album, 2012’s Seven Thunders Roar (review here), to mark its fifth anniversary and continued impact, Ukrainian trio Stoned Jesus are forging ahead with a fourth record behind 2015’s The Harvest (review here). The capital-‘q’ Question is whether or not looking back at Seven Thunders Roar and engaging that big-riffing side of their sound will have an impact on the new material, and if so, how it will meld with the push of The Harvest. Won’t speculate, but look forward to finding out.

32. Stubb, TBA

Since reveling in the soul of 2015’s Cry of the Ocean (review here) on Ripple, London trio Stubb have swapped out bassists, and they were in Skyhammer Studio this month recording a single that may be an extended psychedelic jam. I’ll take that happily, but I’m even more intrigued at the prospect of a third LP and what guitarist/vocalist Jack Dickinson, bassist/vocalist Tom Hobson and drummer Tom Fyfe might have in store as the band moves forward on multiple levels. Might be 2017, might not.

33. Sun Blood Stories, It Runs Around the Room with Us

sun blood stories it runs around the room with usIt Runs around the Room with Us seems to find peace in its resonant experimentalist drones, loops, open, subdued spaces, but there’s always some underlying sense of foreboding to its drift, as if Boise’s Sun Blood Stories could anticipate the moment before it happened. Toward the end of the follow-up to 2015’s Twilight Midnight Morning (review here), they execute the 90-second assault “Burn” and turn serenity to ash. Look for it in April and look for it again on my best of 2017 list in December.

34. Ufomammut, TBA

Any new offering from the Italian cosmic doom magnates is worth looking forward to, and while Ufomammut have left the 15-year mark behind, they’ve never stopped progressing in style and form. To wit, 2015’s Ecate (review here) was a stunner after 2012’s two-part LP, Oro (review here and review here), tightening the approach but assuring the vibe was no less expansive than ever. They started recording last summer, finished mixing in November, so I’m hoping for word of a release date soon.

35. Vokonis, The Sunken Djinn

Born out of Creedsmen Arise, whose 2015 demo, Temple (review here), offered formative thrills, Swedish trio Vokonis debuted with last year’s Olde One Ascending (review here) and proved there’s still life in post-Sleep riffing when it’s wielded properly. They signed to Ripple in November and confirmed the title of their sophomore effort as The Sunken Djinn, as well as a reissue for the first album, which will probably arrive first. I don’t know how that will affect the timing on this one, but keep an eye out anyway.

Gonna Happen and/or Likely Candidates

Obviously some of these are more likely than others. Some have solidified, announced release dates — Dopelord‘s out this month, Demon Head‘s out in April, etc. — and others come from social media posts of bands in studios and hints at upcoming releases and so on. A big tell is whether or not a band has an album title with their listing, but even some of those without have their new albums done, like Atala and Royal Thunder, so it’s not necessarily absolute.

Either way, while I’m spending your money, you might want to look into:

36. Against the Grain
37. Amenra
38. Atala
39. Attalla, Glacial Rule
40. Ayahuasca Dark Trip, II
41. Beastmaker
42. Beaten Back to Pure
43. Blackout
44. Bretus
45. Buried Feather, Mind of the Swarm
46. The Clamps
47. Cold Stares
48. Coltsblood, Ascending into the Shimmering Darkness
49. Come to Grief, The Worst of Times EP
50. Cortez
51. Cruthu, The Angle of Eternity
52. The Dead-End Alley Band, Storms
53. Dead Witches, Dead Witches
54. Dealer
55. Death Alley, Live at Roadburn
56. Demon Head, Thunder on the Fields
57. The Devil and the Almighty Blues, II
58. Devil Electric
59. Doctor Cyclops, Local Dogs
60. Dool, Here Now There Then
61. Dopelord, Children of the Haze
62. Doublestone, Devil’s Own/Djævlens Egn
63. Dread Sovereign, For Doom the Bell Tolls
64. Drive by Wire
65. Elbrus, Elbrus
66. Electric Age
67. Electric Moon, Stardust Rituals
68. Endless Floods, II
69. Five Horse Johnson
70. Forming the Void, Relic
71. Funeral Horse
72. Greenbeard
73. Green Desert Water
74. Greenleaf
75. Grifter / Suns of Thunder, Split
76. Hair of the Dog, This World Turns
77. Heavy Temple, Chassit
78. Here Lies Man, Here Lies Man
79. Hollow Leg, Murder EP
80. Holy Mount, The Drought
81. Hooded Menace
82. Horisont, About Time
83. Hymn, Perish
84. Lecherous Gaze
85. Magnet, Feel Your Fire
86. Mastodon
87. Merlin, The Wizard
88. Merchant
89. Mindkult, Lucifer’s Dream
90. Mirror Queen
91. Moonbow, War Bear
92. Mos Generator
93. The Moth
94. MotherSloth
95. Mouth, Vortex
96. My Sleeping Karma, Mela Ananda – Live
97. Orango
98. Papir
99. PH, Eternal Hayden
100. Psychedelic Witchcraft, Magick Rites and Spells
101. Royal Thunder
102. Saturn, Beyond Spectra
103. Season of Arrows, Give it to the Mountain
104. Siena Root
105. Six Organs of Admittance, Burning the Threshold
106. Six Sigma, Tuxedo Brown
107. Sólstafir
108. The Sonic Dawn, Into the Long Night
109. Spelljammer
110. Spidergawd, IV
111. Steak
112. Stinking Lizaveta, Journey to the Underworld
113. Sula Bassana, Organ Accumulator
114. Summoner
115. Sun Voyager, Sun Voyager
116. Sweat Lodge, Tokens for Hell EP
117. Thera Roya, Stone and Skin
118. Toke
119. Troubled Horse, Revelation on Repeat
120. VA, Brown Acid The Third Trip
121. Weedpecker
122. Youngblood Supercult, The Great American Death Rattle

Definitely Could Happen

Maybe a recording process is upcoming (Gozu, Cities of Mars, YOB), or a band is looking for a label (The Flying Eyes), or they’ve said new stuff is in the works but the circumstances of an actual release aren’t known (Arc of Ascent, Dead Meadow, High on Fire), or I’ve just seen rumors of their hitting the studio (Freedom Hawk, La Chinga, Ruby the Hatchet). We’ve entered the realm of the entirely possible but not 100 percent.

So, you know, life.

Dig it:

123. The Age of Truth
124. Ape Machine
125. Arc of Ascent
126. At Devil Dirt
127. Bantoriak
128. Bask
129. BCAD
130. BoneHawk
131. La Chinga
132. Chubby Thunderous Bad Kush Masters
133. Cities of Mars
134. Crypt Sermon
135. Dead Meadow
136. Death Alley (Studio LP)
137. Dee Calhoun
138. Destroyer of Light
139. Devil
140. Devil Worshipper
141. Duel
142. Dustrider
143. Egypt
144. Electric Moon
145. Elephant Tree
146. Farflung
147. The Flying Eyes
148. Freedom Hawk
149. Gozu
150. The Great Electric Quest
151. Green Meteor, Consumed by a Dying Sun
152. High on Fire
153. Horrendous
154. Insect Ark
155. In the Company of Serpents
156. Iron Monkey
157. Jeremy Irons and the Ratgang Malibus
158. The Judge
159. Killer Boogie
160. King Dead
161. The Kings of Frog Island
162. Lords of Beacon House, Recreational Sorcery
163. Mangoo
164. Mondo Drag
165. Monolord
166. Mountain God
167. The Munsens
168. Naxatras
169. Never Got Caught
170. Ommadon
171. Orchid
172. Ordos
173. Pilgrim
174. Poseidon
175. Purple Hill Witch
176. Ruby the Hatchet
177. Sasquatch
178. Satan’s Satyrs
179. Serpents of Secrecy
180. Shabda
181. Shooting Guns
182. Sleepy Sun
183. Slow Season
184. Snowy Dunes, Atlantis
185. Spectral Haze
186. The Sweet Heat
187. Switchblade Jesus
188. Superchief
189. Tÿburn
190. YOB
191. Zone Six

Would be Awfully Nice

This last category is basically as close as I’m willing to come to rampant speculation. Endless Boogie have hinted at new material, and Queens of the Stone Age have talked about hitting the studio for the last two years. There were rumors about Om, and though Kings Destroy just put out an EP, they have new songs as well, though I doubt we’ll hear them before the end of 2017. I’ll admit that Across Tundras, Fever Dog, Lord Fowl, Lowrider and Hour of 13 are just wishful thinking on my part. A boy can hope:

192. Across Tundras
193. Eggnogg
194. Elephant Tree
195. Endless Boogie
196. Fever Dog
197. Fu Manchu
198. Halfway to Gone
199. Hour of 13
200. Kadavar
201. Kings Destroy
202. Lord Fowl
203. Lowrider
204. Masters of Reality
205. Om
206. Orodruin
207. Queens of the Stone Age

If you’ve made it this far, thanks for reading. Whatever this year brings, I hope it’s been great so far for you and I hope it continues to be so as we proceed inexorably to 2018 and all the also-futuristic-sounding numbers thereafter. At least we know we’ll have plenty of good music to keep us company on that voyage.

As always, comments section is open if there’s anything I’ve left out. I’m happy to add, adjust, etc., as need be, so really, have at it, and thanks in advance.

All the best.

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John Garcia, The Coyote Who Spoke in Tongues: Finding the Dose (Plus Lyric Video Premiere)

Posted in Bootleg Theater, Reviews on January 13th, 2017 by JJ Koczan

john garcia the coyote who spoke in tongues

[John Garcia releases The Coyote Who Spoke in Tongues via Napalm Records on Jan. 27. Please enjoy a lyric video premiere for ‘Give Me 250ml’ by clicking play above.]

It’s hard to say exactly how long John Garcia‘s acoustic album has been in the works. Granted, if we’re talking about this release, The Coyote Who Spoke in Tongues, which teams the singer whose voice inarguably most typifies California’s desert rock movement with guitarist Ehren Groban (War Drum), bassist Mike Pygmie (Mondo Generator, You Know Who) and percussionist Greg Saenz (The Dwarves, You Know Who), it’s a more recent affair, following up on Garcia‘s fully-plugged 2014 self-titled solo debut (review here). But the notion of a Garcia acoustic record goes much further back.

In 1998, after the demise of his former band Kyuss and as the late ’90s stoner rock movement he helped inspire was taking shape — which Garcia would further solidify on the West Coast in Slo Burn, Unida, Hermano and by contributing to other groups and projects in the early ’00s — he provided the closing track on MeteorCity‘s first release, the Welcome to MeteorCity compilation (discussed here) under the guise of J.M.J., with the song “To Believe.” Just to do some quick math for emphasis, The Coyote Who Spoke in Tongues arrives 19 years later and finds Garcia an entirely different presence, having long since cemented his legacy in the aforementioned acts and pushed ahead through further work with Hermano, the Garcia Plays Kyuss/Vista Chino semi-reunion of Kyuss, who released their lone album to-date, Peace (review here), in 2013, and his ensuing solo outfit. His vocal approach, guttural at times in the true sense of coming from the gut, but able to be sweetly melodic in its croon, has influenced a generation of heavy rock singers while remaining inimitable.

This nine-track/39-minute offering finds him at the top of his game and seemingly delivering as much for his fans as for himself. It brings together the new material in opener “Kylie,” “Give Me 250ml,” “The Hollingsworth Session,” “Argleben II” — an apparent sequel to “Argleben” from Garcia‘s self-titled — and instrumental closer “Court Order” with Kyuss classics “Green Machine,” “Space Cadet,” “Gardenia” and “El Rodeo,” which of course are reworked to suit the acoustic context. Garcia is right to keep the scale weighted on the side of newer songs, and not that they needed to, but the Kyuss cuts earn their place as well owing to the fact that Garcia played them on his acoustic European tour. In any case, one doubts he’ll get many complaints. On The Coyote Who Spoke in Tongues, they appear in the order in which I just listed them, with “Green Machine” following “Kylie” at the start of the record and introducing the listener to the notion that, while familiar at their root, the arrangements are fair game when it comes to the older stuff; the signature riff of “Green Machine” becomes a sentimental intertwining of string plucks and Garcia‘s verse vocals — practically shouts on the original — are a subdued croon that well earn the late flourish of keyboard after the last chorus.

The pair “Give Me 250ml” and “The Hollingsworth Session” follow, with the former providing a considerable groove for Garcia to ride as he will — a forceful strum and some backing vocals layered in that make it easy to imagine a full-on heavy version. It’s the shortest track here at 2:58, but leaves an upbeat impression that carries into “The Hollingsworth Session,” which stands as the most complex of the pieces making their first appearance here in its back and forth trades of “loud” and “quiet” — all things relative, right? — and proffers a hook that stands up to the triple-shot block of Kyuss songs that immediately follow. Its layered chorus, prominent bass and energetic start-stop groove lead to a winding guitar solo finale that fits well as a lead-in for the album’s well-deserved centerpiece, “Space Cadet.”

Of all the Kyuss one might include on an acoustic outing, “Space Cadet” probably makes the most sense, since the quiet track from 1994’s mega-crucial Welcome to Sky Valley (and yes, before you get all internet-clever, I know it’s officially a self-titled) was practically unplugged to start with, but that doesn’t mean it doesn’t work. It just needs less rearranging as compared to the more driving “Green Machine,” or “Gardenia,” which follows. What seems to be a far-back inclusion of organ or keyboard adds to the forward guitar strum, but it’s Garcia himself carrying “Space Cadet,” which is as it should be, and he makes it a highlight. But for the lyrics, “Gardenia” is hardly recognizable for the hypnotic picking of strings, punctuating percussion and quiet, meditative spirit it’s given. “Hear a purring motor and she’s a-burnin’ fuel/Push it over baby/Makin’ love to you” never sounded more romantic.

Just before two and a half minutes in, the vibe picks up a bit with some slide guitar added to the song’s more bouncing end progression, but like “Green Machine” before it, “Gardenia” gets a considerable reworking for The Coyote Who Spoke in Tongues, while “El Rodeo,” which begins with a foreboding moment of piano before its guitar introduction, seems to allow itself to be a little more fun. Strings or key-strings back the verse, which Garcia doles out in full-force despite the lack of distortion behind him, letting loose in a cadence that brings together the layered lines of the original in an effective, stage-style presentation. Percussion from Saenz backs the section of instrumental pauses in the second half, and the repetitions of the title bring “El Rodeo” to a vibrant finish, leading to the more atmospheric “Argleben II,” which brings piano to the fore alongside the guitar and seems to pull together and swell with each run through its chorus, making for a quick five-minute stretch. It ends on a fade, leading to the closing meditation of “Court Order,” which may or may not actually be included as a result of one.

Somewhat surprising for Garcia — who’s known entirely for his vocals — to cap his first acoustic solo LP with a quick three-minute instrumental, but it may well be that desert rock’s greatest frontman is sending a message of branching out and letting his audience know they should do likewise in terms of what they might expect from him. Given that, as noted, The Coyote Who Spoke in Tongues has been nearly two decades in the making in one form or another, one hesitates to think of what a follow-up might bring, but one thing to note is that with a catalog as vast as his has been, if he’s looking to blend new material and old on records like this, there is a wealth of songs ripe for reinterpretation. Thinking of tracks like Slo Burn‘s “Muezli,” “Hermano‘s “Brother Bjork” or Unida‘s “Slaylina,” or even Vista Chino‘s “Adara,” there would seem to be little reason a conversation between Garcia and his fans in this manner couldn’t be ongoing. There are numerous contingencies to consider there, including the Slo Burn reunion happening this year — will that result in a studio album? — and persistent rumors of a new Hermano record, which would be their first in a decade, so one can’t necessarily guess where Garcia might be headed following this release. But that’s part of what makes it enjoyable as a moment finally captured, and the realization of The Coyote Who Spoke in Tongues should be considered a landmark in one of heavy rock’s most pivotal careers.

John Garcia on Thee Facebooks

John Garcia on Twitter

Napalm Records

 

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Desertfest Berlin 2017: John Garcia to Headline; 1000mods, Suma, Pontiak and Riff Fist Added

Posted in Whathaveyou on December 22nd, 2016 by JJ Koczan

desertfest berlin 2017 john garcia

Once the reunited Slo Burn had been announced for London, I had been wondering how Desertfest Berlin 2017 might manage to work them into the lineup despite what had been revealed previously as a German-exclusive show at Freak Valley 2017 just weeks later. We have our answer in the latest update that frontman John Garcia and his solo band will do a set spanning material from the Kyuss and Slo Burn catalogs for the Berlin-based festival, thereby avoiding conflict with the Freak Valley slot and giving Desertfesters something special in their own right. I recall seeing Garcia Plays Kyuss at Roadburn in 2010 and they did Slo Burn‘s “Pilot the Dune.” Sat pretty well next to the Kyuss material if I do say so myself.

As Garcia will be performing with Slo Burn the same weekend in London, I’d be very interested to know the lineup for this incarnation of his solo band, whether it’s the same players working under a different name or if anyone is swapping out from one show to the next. Everything’s politics, folks. Make no mistake.

In addition to this bit of intrigue, 1000mods, Suma, Pontiak and Riff Fist have been added to Desertfest Berlin 2017, who sent over this pre-holiday update:

desertfest-berlin-2017-first-poster

JOHN GARCIA & BAND (playing from SLO BURN to KYUSS) to HEADLINE Desertfest Berlin 2017

DESERTFEST BERLIN 2017 – APRIL 28-29-30

Christmas is approaching, and before you all go away for the Holidays, we wanted to give you 5 more names confirmed for Desertfest Berlin 2017, including our second headliner. So we are proud to have for this sixth edition of the festival:

JOHN GARCIA (USA)
The original and legendary voice of the desert pays us a visit with a suitcase packed with everything from Kyuss to Slo Burn.

SUMA (SWE)
Doomy, sludgy and so heavy that the Berlin buildings will tremble for weeks after Malmös finest has destroyed all Desertfesters ears.

1000mods (GR)
The Greek tornado will hit us with their energetic and fuzz loaded rock, it’s gonna be a show that will be remembered.

PONTIAK (USA)
We’ve been able to lure them away from Virginia to perform their trippy and psychedelic tunes, then they’ll take us on a trip for a lifetime.

RIFF FIST (AUS)
It’s always a pleasure to welcome back who defends the riff and Riff Fist are the true defenders.

Also confirmed for our 2017 edition of DESERTFEST BERLIN: SLEEP, SAMSARA BLUES EXPERIMENT, MARS RED SKY, LOWRIDER, TOUNDRA, ECSTATIC VISION, THE COSMIC DEAD, TUBER, SATAN’S SATYRS, WUCAN, VENOMOUS MAXIMUS, THE WELL, GOLD, TSCHAIKA 21/16.

There are still many more acts to be unveiled, including our last headliner, so stay tuned! And do not miss your chance to be part of the amazing DESERTFEST BERLIN experience… Check out our Website to get your tickets, or the links below in this release! We were sold out last year in February, so better be quick! Let’s turn all together the DESERTFEST BERLIN 2017 into another milestone when it comes to Berlin and festivals!

http://www.desertfest.de/tickets
https://www.facebook.com/DesertfestBerlin
http://woolheads.com/shop-2/festivalmerchandise/desertfest-berlin-2016-early-bird-ticket-action-1/
https://shop3.ticketscript.com/channel/html/get-products/rid/4MGC3S6H/eid/327518/validity/any_day/language/en

John Garcia, “Pilot the Dune” live in 2014

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Desertfest London 2017: Slo Burn Added to Lineup

Posted in Whathaveyou on November 30th, 2016 by JJ Koczan

With the confirmation that they’ll stand among the headliners at Desertfest London 2017, the impending Slo Burn reunion gets even more interesting. About a week and a half ago, they were announced for Freak Valley 2017 in Germany. Fair enough. I’d expect at some point word from Desertfest Berlin 2017 and maybe Stoned from the Underground and a few others as well. What’s interesting about it — aside from the fact that the reunion is happening at all — is the span of time between the two to-date announcements.

Desertfest London 2017 is April 28-30. Freak Valley 2017 is June 15-17. Now, it’s entirely possible that Slo Burn will fly over for a Desertfest or two, head back to California and sit tight until their next trip abroad. Entirely possible. The other potentiality is that we’re looking at least a month and a half on the road for a band who, in all fairness, haven’t been a band for the better part of 20 years.

If in fact that’s how it turns out, that’s one hell of a comeback. Of course, frontman John Garcia has put in some significant road time over the last half-decade-plus, between Garcia Plays Kyuss, Kyuss Lives!, Vista Chino, Desertfest veterans Unida, his own John Garcia solo band and acoustic shows, but to reignite Slo Burn in such a fashion would be a major statement of intent going forward, leading one to immediately wonder about the possibility of new studio work at some point in 2017 or thereafter.

I have no confirmation of a full European tour or anything other than the two dates so far posted, so quote me on none of it. Nor am I looking to spread rumors — this is pure speculation. But like I said, I’m definitely interested to see how it all shakes out in the months ahead.

Either way, welcome to Desertfest, Slo Burn:

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SLO BURN TO POSITIVA-LY BLOW MINDS WHEN THEY HEADLINE DESERTFEST 2017

Get ready to spit out your Muezli; stoner rock pioneers Slo Burn are the second headliners for Desertfest 2017.

Rising from the ashes of Kyuss, Slo Burn are about as close as you can get to the epicentre of stoner rock’s progenesis. Fronted by John Garcia, (the stoner rock scene’s ultimate Prizefighter) alongside Chris Hale (guitar), Damon Garrison (bass) and Brady Houghton (drums), Slo Burn continued the groundwork Kyuss laid down.

Their four track EP, Amusing the Amazing, stands out as a classic; brimming with a rough and ready tone, riffs catchier than cactuses and Garcia’s signature gravel infused vocals, it’s a condensed 15 minutes and 48 seconds of pure joy.

Then, after only a year, Slo Burn disbanded, leaving us with only their EP, a few badass demos, and a video of their set at 1997s Dynamo Festival. We shouldn’t have grumbled, given the quality and impact of those releases, but we wanted more. We wanted to see them in the flesh.

Well you’re in luck. After a Round Trip via Unida, Hermano, Vista Chino, Brave Black Sea and more, Slo Burn are back, ready to play those legendary tracks and more in the setting they deserve to be seen. Desertfest. Main Stage. Headlining. So get ready and willing to shake those Snake Hips when Slo Burn pilot Desertfest 2017.

– DESERTFEST LONDON 2017 –
28th to 30th April in Camden, London
Weekend passes are available HERE

First bands announced:
TURBONEGRO, SAMSARA BLUES EXPERIMENT, THE PICTUREBOOKS, SATAN’S SATYRS, VODUN, YURI GAGARIN, MAMMOTH STORM, ELEPHANT TREE

Second bands announced:
Candlemass, Lowrider, Black Spiders, Venomous Maximus, Wucan, Stubb, Pigs Pigs Pigs Pigs Pigs Pigs Pigs, 1000mods, The Well, Gravelines

Third lineup announcement:
Slo Burn

https://www.eventbrite.co.uk/e/desertfest-2017-tickets-27305267791
http://www.desertfest.co.uk/
https://www.facebook.com/DesertfestLondon
https://twitter.com/DesertFest
https://www.instagram.com/desertfest_london/

Slo Burn, “Pilot the Dune” official video

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John Garcia to Release Acoustic Album The Coyote Who Spoke in Tongues in January

Posted in Whathaveyou on October 6th, 2016 by JJ Koczan

john-garcia

John Garcia, frontman of Kyuss, Vista Chino, Slo Burn, Unida, Hermano, etc., will release his first-ever acoustic solo album, The Coyote Who Spoke in Tongues, on Jan. 27, 2017, through Napalm Records. How far back does this project go? Well, the first time John Garcia was heard doing acoustic solo material was in 1998, with the song “To Believe” that was featured at the very end of the Welcome to MeteorCity compilation — he used the moniker J.M.J., but his voice is unmistakable — so it’s been at least 18 years in the making, and honestly, probably longer than that. About a week ago, Garcia posted on Thee Facebooks that a release was imminent, but didn’t say much about the circumstances or the timing, both of which we now know thanks to the PR wire.

The tracklisting will consist of Kyuss tracks as well as some originals, and you’ll find it after the cover art and recording info below, which just hit the inbox:

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JOHN GARCIA UNVEILS FIRST DETAILS OF UPCOMING ACOUSTIC ALBUM!

Cover, Tracklist and Release Date announced!

John Garcia. The living desert rock legend and most distinctive voice of an entire genre, is finally back with a new studio album! Normally you would expect some heavy guitars, pounding drums and fuzzy tunes from Mr Garcia. But not this time, as he is about to release something extremely special and presenting himself stronger and more emotional then he has ever been.

After successful tours all over the world, playing Kyuss, Slo Burn, Hermano and his solo project, John Garcia recently blew away the audiences with a unique live acoustic performance. Now the desert king has unveiled the first and hotly anticipated details about his upcoming acoustic solo album, entitled ‘The Coyote Who Spoke In Tongues’ and is set to be released on January 27th 2017 on Napalm Records!

John Garcia comments satisfied: “This record is one of the most important of my career, difficult and challenging to do, but worth every minute of sweat!”

Recorded and mixed by Steve Feldman and Robbie Waldman, mastered by Gene “The Machine” Grimaldi at Oasis Mastering in California, ‘The Coyote Who Spoke In Tongues’ offers an emotional acoustic ride through John Garcia’s solo work as well as songs by Kyuss in new arrangements like you have never heard before!

With longtime desert and touring fellas Ehren Groban on the acoustic guitar, Greg Saenz on percussions and bassist Mike Pygmie, ‘The Coyote Who Spoke In Tongues’ will be a MUST-HAVE for every fan of the desert rock and Kyuss era, and will come with an artwork every collector’s heart will beat faster:

Dive into some Kyuss classics and John Garcia’s solo project when he plays his tunes acoustic, the track listing of ‘The Coyote Who Spoke In Tongues’ will read as follows:

Kylie
Green Machine
Give Me 250ml
The Hollingsworth Session
Space Cadet
Gardenia
El Rodeo
Argleben II
Court Order

www.facebook.com/JohnGarciaOfficial
www.napalmrecords.com

John Garcia, “Space Cadet” live in Germany, Dec. 6, 2015

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