Inter Arma Announce East Coast Tour Supporting Sulphur English

Posted in Whathaveyou on July 12th, 2019 by JJ Koczan

inter arma

I know by now you’ve heard Inter Arma‘s latest masterpiece Sulphur English (review here) and so you don’t need me to recount for you its multifaceted righteousness, but if you’ll indulge me just a minute, consider how much even compared to the work the band was doing a few years ago their sound has become not a mash of different styles together — not doom one moment, death metal the next, post-this or that along the way — but one cohesive and identifiable aesthetic that they have made their own. It’s an easy-pick candidate for one of the best metal albums of the year, which makes it all the more of an exciting time to see the band live if you’re able. I don’t know what Inter Arma‘s future holds after Sulphur English, but it’s not a stretch to think this is a landmark moment for them one way or the other. I think I may have just talked myself into going to this show.

Dates came down the PR wire:

inter arma tour

INTER ARMA ANNOUNCE EAST COAST TOUR IN AUGUST & SEPTEMBER

Sulphur English out now on Relapse Records

Following the release of their universally acclaimed new album Sulphur English, Richmond’s Inter Arma have announced another string of North American tour dates in support of it. The band will tour along the east coast in late August into September with Creeping Death in tow. Check out the dates and venues listed below.

Out last April on Relapse, Sulphur English finds Inter Arma mining deeper in the proggy organic doom fields that made their prior albums so thrilling while expanding further the on the psych-folk strain that made those albums’ peaks seem so lofty. Despite all the new territory being covered both musically and lyrically, Sulphur English isn’t an experiment. It’s not Inter Arma testing the waters. It’s a necessary step in the evolution of a band whose music remains unclassifiable. Few bands make music as engrossing as Inter Arma; their lengthy, almost meditative songs rumble patiently forward until you’re ready to get thrown off a bridge — and then they throw you, with great force.

See Inter Arma on tour later this summer and look for more news from the band soon. Order your copy of Sulphur English here.

INTER ARMA – ON TOUR:
August 30 Washington, DC @ Atlas Brew Works *
August 31 Philadelphia, PA @ Kung Fu Necktie *
September 1 Northampton, MA @ RPM Fest *
September 2 Portland, ME @ Geno’s Rock Club *
September 3 Brooklyn, NY @ Saint Vitus *
September 4 Buffalo, NY @ Mohawk Place *
September 5 Hamtramck, MI @ Small’s *
September 6 Youngstown, OH @ Blackout Cookout
September 7 Harrisonburg, VA @ The Golden Pony *
* w/ Creeping Death

INTER ARMA Is:
Mike Paparo – vocals
T.J. Childers – drums
Steven Russell – guitars
Trey Dalton – guitars
Andrew Lacour – bass

http://relapse.com/inter-arma-sulphur-english/
https://www.facebook.com/INTERARMA/
https://www.instagram.com/interarmamusic/
http://interarma.bandcamp.com/

Inter Arma, Sulphur English (2019)

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Quarterly Review: Tia Carrera, Inter Arma, Volcano, Wet Cactus, Duskwood, Lykantropi, Kavod, Onioroshi, Et Mors, Skånska Mord

Posted in Reviews on July 4th, 2019 by JJ Koczan

quarterly-review

Day four. I should’ve known we’d hit a snag at some point in the week, but it happened yesterday afternoon when Windows decided I desperately needed some update or other and then crapped the bed in the middle of said update. I wound up taking my laptop to a repair guy down the road in the afternoon, who said the hard drive needed to be wiped and have a full reinstall. Pretty brutal. He was going to back up what was there and get on it, said I could pick it up today. We’ll see how that goes, I guess. Also, happy Fourth, if America’s your thing. Let’s dive in.

Quarterly Review #31-40:

Tia Carrera, Visitors / Early Purple

tia carrera visitors early purple

They had a single out between (review here), but the two-song LP Visitors / Early Purple is Tia Carrera‘s first album since 2011’s Cosmic Priestess (review here). The Austin, Texas, three-piece — which now includes bassist Curt Christianson of Dixie Witch alongside guitarist Jason Morales and drummer Erik Conn — haven’t missed a beat in terms of creating heavy psychedelic sprawl, and as the side-consuming “Visitors” (18:32) and “Early Purple” (16:28) play out, it’s with a true jammed sensibility; that feeling that sooner or later the wheels are going to come off. They don’t, at least not really, but the danger always makes it more exciting, and Morales‘ tone has been much missed. In the intervening years, the social media generation has come up to revere Earthless for doing much of what Tia Carrera do, but there’s always room for more jams as far as I’m concerned, and it’s refreshing to have Tia Carrera back to let people know what they’ve been missing. Here’s hoping it’s not another eight years.

Tia Carrera on Thee Facebooks

Small Stone Records on Bandcamp

 

Inter Arma, Sulphur English

inter arma sulphur english

I can’t help but think Inter Arma‘s Sulphur English is the album Morbid Angel should have made after Covenant. And yes, that applies to the harmonies and organ of “Stillness” as well. The fourth full-length (third for Relapse) from the Richmond, Virginia, outfit is a beastly, severe and soulful 66-minute stretch of consuming, beyond-genre extremity. It punishes with purpose and scope, and its sense of brutality comes accompanied by a willful construction of atmosphere. Longer pieces like “The Atavist’s Meridian” and the closing title-track lend a feeling of drama, but at no point does Sulphur English feel like a put-on, and as Inter Arma continue their push beyond the even-then-inventive sludge of their beginnings, they’ve become something truly groundbreaking in metal, doing work that can only be called essential to push forward into new ground and seeming to swallow the universe whole in the meantime. It’s the kind of record that one can only hope becomes influential, both in its purpose toward individualism and its sheer physical impact.

Inter Arma on Thee Facebooks

Relapse Records website

 

Volcano, The Island

volcano the island

So you’ve got Harsh Toke‘s Gabe Messer on keys and vocals and JOY guitarist/Pharlee drummer Zach Oakley on guitar, and bassist Billy Ellsworth (also of Loom) and Matt Oakley on drums, plus it seems whoever else happened to be around the studio that day — and in San Diego, that could be any number of players — making up Volcano, whose debut, The Island (on Tee Pee) melds Afrobeat funk-rock with the band’s hometown penchant for boogie. The songs are catchy — “10,000 Screamin’ Souls,” “Naked Prey,” “Skewered,” “No Evil, Know Demon”; hooks abound — but there’s a feeling of kind of an unthinking portrayal of “the islander” as a savage that I can’t quite get past. There’s inherently an element of cultural appropriation to rock and roll anyway, but even more here, it seems. They make it a party, to be sure, but there’s a political side to what Afrobeat was originally about that goes unacknowledged here. They might get there, they might not. They’ve got the groove down on their first record, and that’s not nothing.

Volcano on Instagram

Tee Pee Records website

 

Wet Cactus, Dust, Hunger and Gloom

wet cactus dust hunger and gloom

Sometimes you just miss one, and I’ll admit that Wet CactusDust, Hunger and Gloom got by me. It likely would’ve been in the Quarterly Review a year ago had I not been robbed last Spring, but either way, the Spanish outfit’s second long-player is a fuzz rocker’s delight, a welcoming and raucous vibe persisting through “Full Moon Over My Head,” which is the second cut of the total five and the only one of the bunch under seven minutes long. They bring desert-jammy vibes to the songs surrounding, setting an open tone with “So Long” at the outset that the centerpiece “Aquelarre” fleshes out even further instrumentally ahead of the penultimate title-track’s classic build and payoff and the earth-toned nine-minute finale “Sleepy Trip,” which is nothing if not self-aware in its title as it moves toward the driving crescendo of the record. All throughout, the mood is as warm as the distortion, and Wet Cactus do right by staying true to the roots of desert rock. It’s not every record I’d want to review a year after the fact; think of it that way.

Wet Cactus on Thee Facebooks

Wet Cactus on Bandcamp

 

Duskwood, The Long Dark

duskwood the long dark

A follow-up EP to Duskwood‘s 2016 debut long-player, Desert Queen, the four-track The Long Dark is a solid showcase of their progression as songwriters and in the capital-‘d’ Desertscene style that has come to epitomize much of the UK heavy rock underground, taking loyalism to the likes of Kyuss and topping it off with the energy of modern London-based practitioners Steak. The four-piece roll out a right-on fuzzy groove in “Mars Rover” after opening with “Space Craft” and show more of a melodic penchant in “Crook and Flail” before tying it all together with “Nomad” at the finish. They warn on their Bandcamp page this is ‘Part 1,’ so it may not be all that long before they resurface. Fair enough as they’ve clearly found their footing in terms of style and songwriting here, and at that point the best thing to do is keep growing. As it stands, The Long Dark probably isn’t going to kick off any stylistic revolution, but there’s something to be said for the band’s ability to execute their material in conversation with what else is out there at the moment.

Duskwood on Thee Facebooks

Duskwood on Bandcamp

 

Lykantropi, Spirituosa

Lykantropi-Spirituosa

Sweet tones and harmonies and a classic, sun-coated progressivism persist on Lykantropi‘s second album, Spirituosa (on Lightning Records), basking in melodic flow across nine songs and 43 minutes that begin with the rockers “Wild Flowers” and “Vestigia” and soon move into the well-paired “Darkness” and “Sunrise” as the richer character of the LP unfolds. “Songbird” makes itself a highlight with its more laid back take, and the title-track follows with enough swing to fill whatever quota you’ve got, while “Queen of Night” goes full ’70s boogie and “Seven Blue” imagines Tull and Fleetwood Mac vibes — Flutewood Mac! — and closer and longest track “Sällsamma Natt” underscores the efficiency of songwriting that’s been at play all the while amidst all that immersive gorgeousness and lush melodicism. They include a bit of push in the capper, and well they should, but go out with a swagger that playfully counteracts the folkish humility of the proceedings. Will fly under many radars. Shouldn’t.

Lykantropi on Thee Facebooks

Lightning Records website

 

Kavod, Wheel of Time

kavod wheel of time

As Italian trio Kavod shift from opener “Samsara” into “Absolution” on their debut EP, Wheel of Time, the vocals become a kind of chant for the verse that would seem to speak to the meditative intention of the release on the whole. They will again on the more patient closer “Mahatma” too, and fair enough as the band seem to be trying to find a place for themselves in the post-Om or Zaum sphere of spiritual exploration through volume, blending that aesthetic with a more straight-ahead songwriting methodology as manifest in “Samsara” particularly. They have the tones right on as they begin this inward and outward journey, and it will be interesting to hear in subsequent work if they grow to work in longer, possibly-slower forms or push their mantras forward at the rate they do here, but as it stands, they take a reverent, astral viewpoint with their sound and feel dug in on that plane of existence. It suits them.

Kavod on Thee Facebooks

Kavod on Bandcamp

 

Onioroshi, Beyond These Mountains

onioroshi beyond these mountains

Onioroshi flow smoothly from atmospheric post-sludge to more thrusting heavy rock and they take their time doing it, too. With their debut album, Beyond These Mountains, the Italian heavy proggers present four tracks the shortest of which, “Locusta,” runs 10:54. Bookending are “Devilgrater” (14:17) and “Eternal Snake (Mantra)” (20:30) and the penultimate “Socrate” checks in at 12:29, so yes, the trio have plenty of chances to flesh out their ideas as and explore as they will. Their style leans toward post-rock by the end of “Devilgrater,” but never quite loses its sense of impact amid the ambience, and it’s not until “Socrate” that they go full-on drone, setting a cinematic feel that acts as a lead-in for the initial build of the closer which leads to an apex wash and a more patient finish than one might expect given the trip to get there. Beyond These Mountains is particularly enticing because it’s outwardly familiar but nuanced enough to still strike an individual note. It’s easy to picture Onioroshi winding up on Argonauta or some other suitably adventurous imprint.

Onioroshi on Thee Facebooks

Onioroshi on Bandcamp

 

Et Mors, Lux in Morte

et mors lux in morte

Whoever in Maryland/D.C. then-four-piece Et Mors decided to record their Lux in Morte EP in their practice space had the right idea. The morose death-doom three-songer takes cues from USBM in the haunting rawness of “Incendium Ater,” and even though the 19-minute “House of Nexus” comes through somewhat clearer — it was recorded to tape at Shenandoah University — it remains infected by the filth and grit of the opener. Actually, “infected” might be the word all around here, as the mold-sludge of closer “Acid Bender” creeps along at an exposed-flesh, feedback-drenched lurch, scathing as much in intent as execution, playing like a death metal record at half-speed and that much harsher because they so clearly know what they’re doing. If you think it matters that they mixed stuff from two different sessions, you’re way off base on the sound overall here. It’s patch-worthy decay metal, through and through. Concerns of audio fidelity need not apply.

Et Mors on Thee Facebooks

Et Mors on Bandcamp

 

Skånska Mord, Blues from the Tombs

skanska mord blues from the tombs

When Sweden’s Skånska Mord are singing about the deep freeze in album opener “Snow” on the Transubstans-released Blues from the Tombs, I believe it. It’s been seven years since Small Stone issued their Paths to Charon LP (review here), and the new record finds them more fully dug into a classic rocker’s take on hard-blues, rolling with Iommic riffs and a mature take on what earliest Spiritual Beggars were able to capture in terms of a modern-retro sound. “Snow” and “Simon Says” set an expectation for hooks that the more meandering “Edge of Doom” pulls away from, while “The Never Ending Greed” brings out the blues harp over an abbreviated two minutes and leads into a more expansive side B with “Blinded by the Light” giving way to the wah-bassed “Sun,” the barroom blueser “Death Valley Blues” and the returning nod of closer “The Coming of the Second Wave,” stood out by its interwoven layers of soloing and hypnosis before its final cut. It’s been a while, but they’ve still got it.

Skånska Mord on Thee Facebooks

Transubstans Records website

 

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Desertfest Belgium 2019: Church of Misery, Monkey3, Inter Arma, Lord Dying and Lucy in Blue Added

Posted in Whathaveyou on June 12th, 2019 by JJ Koczan

desertfest belgium 2019 banner

I saw Church of Misery last year and in case you’re wondering, yes, they’re still a damn good time. They’ll join the sub-headliner ranks of Desertfest Belgium 2019 this Fall in the company of Monkey3Inter ArmaLord Dying and Lucy in Blue, each band representing a different side of what it means to be heavy, from Lord Dying‘s born-again-melodic metal to Inter Arma‘s crush-of-death and Lucy in Blue‘s formative meandering prog rock. Desertfest Belgium wasn’t short on variety before — you got Ty Segall and Bongripper on the same bill, that’s fair enough — but this batch of five only adds to it, and you know, there’s still Sleep headlining. If you need a sure bet, that’s a good way to make one.

Still more announcements to come from the Antwerp-based Desertfest franchise, so keep an eye out. They always seem to manage a few surprises before they’re done.

To the PR wire:

desertfest belgium 2019 new poster

CHURCH OF MISERY at Desertfest Antwerp ’19! Lord Dying, Inter Arma & More

And so again it’s time to reveal another batch of deep cuts for the Desertfest Antwerp festival. First up: Church Of Misery! After their blistering set at our festival two years ago, we knew they would be back sooner or later. Their legacy in doom history is unmatched, and after several turnovers it seems this is the Church’s strongest line-up yet.

Lord Dying and Inter Arma are two of the most adventurous metal bands in the field right now, and we’re delighted you to present them at DFBE’19. Both have just released a new album, and each one boldly defies categorisation. Lord Dying finds new pathways in metal through progrock. Inter Arma has always been fiercely experimental going from strength to strength, always finding new ingredients to add to their melting pot of psych drone and sludge doom. Both come heavily recommended, and both are going to slay you all.

Monkey3 may follow a different path to musical enlightenment, but there are many ways to blow your mind. A psychedelic rock band at the absolute top of their game, just ask anyone who witnessed the headfuck that was their show at this year’s Desertfest Berlin. And finally, for those who want a trip back to the time when Crimson was King, the delicious quirky grooves of Icelandic prog jesters Lucy In Blue will do just that!

This should tide you over until our next batch, and maybe some news in between… stay tuned!

http://www.desertfest.be/tickets
https://www.facebook.com/desertfestbelgium/
https://www.facebook.com/events/2260579413999993/

Church of Misery, Live at the Echoplex, Los Angeles, June 3, 2019

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Blackout Cookout 10 Confirms Full Lineup; It’s Pretty Insane

Posted in Whathaveyou on May 3rd, 2019 by JJ Koczan

the blackout cookout 10 art

Congrats to Ohio’s The Blackout Cookout on making it to their Xth edition. That’s 10, in case you were wondering. Doing anything for 10 years in a row these days is pretty admirable. And I’m not just saying that because this site also started in 2009, but because it’s true, and whether it’s something that’s a passion project like putting on this festival — because I imagine nobody’s yet gotten rich off basically hosting an annual barbecue with friends and other cool bands — or just staying at the same job, a decade is a long time. Most people get high and wander off somewhere long before that mark is reached.

Blackout Cookout X however has a badass celebratory lineup, with Inter Arma and Big Business in headlining spots for its two-day run, and Ohio-based regular-types like Bridesmaid and Lo-Pan and the reactivated Rebreather slated to appear. Look out for Caustic CasanovaBrujas del SolAlbum and of course KENmode as well. Bottom line is it’ll be a good time, and it’s a party, and I guarantee there will be people there who’ve been to all 10 Blackout Cookouts, but if you’ve never been before and you show up and, like, don’t know where the bathroom is or something, I bet they wouldn’t be a dick about it. They’d just be like, “Yeah, it’s over there” and point you on your way. People helping people. The stuff of life.

Here’s the full lineup, as seen on the social medias:

the blackout cookout 10 poster

The Blackout Cookout 10 – Sept. 6 & 7

Westside Bowl
2617 Mahoning Avenue, Youngstown, Ohio 44509

The Blackout Cookout is an annual celebration of heavy music, friends and BBQ at Westside Bowl in Youngstown, Ohio.

Friday Sept. 6
INTER ARMA
Brain Tentacles
Homewrecker
ALBUM
Bridesmaid
Something Is Waiting
Caustic Casanova
Wallcreeper
DAGGRS
Modem

Saturday Sept. 7
Big Business
KEN mode
Lo-Pan
Rebreather
Fully Consumed
Microwaves
Brujas del Sol
Goosed
Persistent Aggressor
Matter of Planets
Lake Lake
Black Spirit Crown
Cheap Heat

Poster by Chris Smith.

https://www.facebook.com/events/324565261529821/
https://www.facebook.com/theblackoutcookout/

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Inter Arma Set April 12 Release for Sulphur English; Stream “Citadel”

Posted in Whathaveyou on February 18th, 2019 by JJ Koczan

inter arma (photo by Joey Wharton)

Richmond, Virginia-based anti-genre extremists Inter Arma will release their fourth album, Sulphur English, April 12 through Relapse Records. That’s pretty much what you need to know. There’s a new Inter Arma record. It’s coming out. If that isn’t enough of an immediate argument in favor of itself, the band have posted the new song “Citadel” with a march and underlying groove straight out of classic death metal to further their position. Their consistent refusal to settle into one style or another would seem to remain prevalent, and that’s just fine, especially because you can expect a decent amount of “Inter Arma announce tour dates” news stories forthcoming. These guys never hang around for too long.

They’ll mark Sulphur English‘s arrival at the Decibel Metal and Beer Fest — where I hear they’ll have both metal and beer — and continue to slaughter the unsuspecting from there while no doubt remaining persistently underrated for the value of the work they do in the studio and on stage.

Death. March. To oblivion:

inter arma sulphur english

INTER ARMA: Announce 4th-Studio Album Sulphur English Coming April 12; Share New Song “Citadel”

Richmond’s INTER ARMA, reigning masters of the slow build, continue to trace a distinctly ambitious trajectory through modern metal. Today, the band announces their 4th full-length offering Sulphur English, coming April 12th, 2019, and share the first single entitled “Citadel”.

Vocalist Mike Paparo comments:

“The lyrics to “Citadel” were written as a sort of clarion call to myself about overcoming depression and the demons that manifest with it. It, like most of the lyrical content on the record, is deeply personal to me.

For the band as a whole, Sulphur English is an ill-tempered, unrepentant act of defiance towards stagnation and complacency. We create this music on our own terms and we refuse to compromise our collective vision, for better or worse.”

Sulphur English is due out April 12th on CD/2xLP/Digital. Physical packages are available for pre-order via Relapse.com HERE. Digital Downloads / Streaming Services are available HERE.

Additionally, INTER ARMA have been announced for Decibel’s Metal & Beer Fest Pre-Fest and celebrate the release of Sulphur English with labelmates Integrity, Full of Hell & Devil Master. Stay tuned for more INTER ARMA live announcements in the near future.

Sulphur English Tracklist:
1. Bumgardner
2. A Waxen Sea
3. Citadel
4. Howling Lands
5. Stillness
6. Observances of the Path
7. The Atavist’s Meridian
8. Blood on the Lupines
9. Sulphur English

INTER ARMA are:
T.J. Childers – Drums, guitars, lap steel, keyboards, synthesizers, noise, vocals
Trey Dalton – Guitars, keyboards, vocals
Andrew Lacour – Bass
Mike Paparo – Vocals
Steven Russell – Guitars

http://relapse.com/inter-arma-sulphur-english/
https://www.facebook.com/INTERARMA/
https://www.instagram.com/interarmamusic/
http://interarma.bandcamp.com/

Inter Arma, “Citadel”

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Inter Arma Recording New Album for 2019 Release

Posted in Whathaveyou on May 17th, 2018 by JJ Koczan

Have you started your most anticipated of 2019 list yet? If not, Richmond’s Inter Arma might be a good place to begin. Their next album is being tracked right now with Mikey Allred at the helm in Nashville and Madison, Tennessee, and will be out on Relapse early next year as the follow-up to 2016’s Paradise Gallows (review here), the latest in a series of stylistic triumphs for the hard-touring five-piece unit.

Speaking of touring, I’m assuming the album will be done by the end of this month (if it’s not done already) since on May 31 Inter Arma head out on tour with fellow Virginians Earthling and Chicago’s Bruce Lamont (Corrections HouseBloodiestYakuza, etc.). Given everything Inter Arma put into their music, I’d imagine it’s the mixing that’s the challenge more than the basic tracking process, but either way, time’s a crunch, gentlemen.

Here’s the latest from the PR wire:

inter arma (Photo Tony Lynch)

INTER ARMA: Enter Studio To Record New Album

Richmond’s INTER ARMA has entered the studio to record their highly-anticipated fourth full-length album and follow-up to 2016’s Paradise Gallows. The yet-to-be-titled album is being recorded at The Tracking Room in Nashville, TN and Dark Art Audio in Madison, TN by INTER ARMA’s longtime engineer Mikey Allred. The album is expected to be released in early 2019 via Relapse Records.

Additionally, INTER ARMA begin their US headlining tour with Earthling and Bruce Lamont at the end of the month. The tour begins May 31 and ends June 9 including performances at Doomed and Stoned Festival & Raleigh Deathfest. INTER ARMA has announced a weekend tour in August/September surrounding the inaugural Heavy Mountain Festival in Asheville, NC during Labor Day Weekend. Includes a hometown concert on August 31st with labelmates Valkyrie and Genocide Pact. All confirmed tour dates are available below.

INTER ARMA Tour Dates:

— All Dates May 31-June 8 w/ Earthling —

May 31 Louisville, KY @ Zanzabar
Jun 01 Chicago, IL @ Doomed and Stoned Festival *
Jun 02 Lansing, MI @ Mac’s +
Jun 04 Cleveland Heights, OH @ Grog Shop +
Jun 05 Pittsburgh, PA @ Brillobox +
Jun 06 Columbus, OH @ Ruby Tuesday +
Jun 07 Nashville, TN @ The End +
Jun 08 Atlanta, GA @ Drunken Unicorn +
Jun 09 Raleigh, NC @ Raleigh Deathfest *

+ w/ Bruce Lamont
* Inter Arma only

Aug 31 Richmond, VA @ Strange Matter &
Sep 01 Durham, NC @ The Pinhook
Sep 02 Asheville, NC @ Heavy Mountain Festival

& w/ Valkyrie, Genocide Pact & Paint Store

INTER ARMA are:
T.J. Childers – Drums, guitars, lap steel, keyboards, synthesizers, noise, vocals
Trey Dalton – Guitars, keyboards, vocals
Joe Kerkes – Bass
Mike Paparo – Vocals
Steven Russell – Guitars

http://www.relapse.com/inter-arma-paradise-gallows/
https://www.facebook.com/INTERARMA/
https://www.instagram.com/interarmamusic/
http://interarma.bandcamp.com/

Inter Arma, Paradise Gallows (2016)

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Inter Arma Announce Southern & Midwestern Tour Dates

Posted in Whathaveyou on March 22nd, 2018 by JJ Koczan

inter arma

Anyone remember band on Relapse called Buried Inside? They were Canadian, around from about the turn of the century until 2010 and put out a couple records along the way. The thing about them? They were brilliant. I mean they smashed genres together like some formidably-sized Hadron collider, and though they have nothing directly to do with Richmond’s Inter Arma, the comparison to me still makes sense. Inter Arma‘s 2016 album, Paradise Gallows (review here)? Stellar. And they’ve gotten heaps and heaps of critical praise. But they should be a household name by now at least among open-minded metallers, and I don’t know if that’s happened yet.

A headlining tour can’t hurt in that regard. Inter Arma keep blasting away, keep playing the right fests, doing good tours. They still seem undervalued. One just hopes they don’t turn out to be the kind of band who has to break up before they get their due appreciation.

From the PR wire:

inter arma poster by jacob speis

INTER ARMA: Announce US Headlining Tour Dates

Richmond’s INTER ARMA announce US headlining tour dates with Earthling and Bruce Lamont. The tour begins May 31 and ends June 9 including performances at Doomed and Stoned Festival & Raleigh Deathfest. The band continues to support 2016’s highly praised Paradise Gallows full-length album. A full list of confirmed tour dates is available below.

Additionally, INTER ARMA recently shared the live video for “An Archer in the Emptiness” on a new episode of Overcoast Music’s Sessions series. Filmed and recorded live on-location inside Richmond’s beautifully haunting Byrd Park Pumphouse, the performance serves a powerful testament to the city’s creative, innovative, and artistic heartbeat as well as its connection with a deep and rich cultural history. The episode of Overcoast Sessions is in support of the Virginia Tourism Corporation’s “Virginia Is For Lovers” campaign.

Paradise Gallows is out now on CD/2xLP/Digital via Relapse Records. Physical orders, including limited vinyl colors and bundles, are available via Relapse.com at this location, and digital orders can be found at Bandcamp HERE.

INTER ARMA Tour Dates:

— All Dates May 31-June 8 w/ Earthling —

May 31 Louisville, KY @ Zanzabar
Jun 01 Chicago, IL @ Doomed and Stoned Festival *
Jun 02 Lansing, MI @ Mac’s +
Jun 04 Cleveland Heights, OH @ Grog Shop +
Jun 05 Pittsburgh, PA @ Brillobox +
Jun 06 Columbus, OH @ Ruby Tuesday +
Jun 07 Nashville, TN @ The End +
Jun 08 Atlanta, GA @ Drunken Unicorn +
Jun 09 Raleigh, NC @ Raleigh Deathfest *

+ w/ Bruce Lamont
* Inter Arma only

INTER ARMA are:
T.J. Childers – Drums, guitars, lap steel, keyboards, synthesizers, noise, vocals
Trey Dalton – Guitars, keyboards, vocals
Joe Kerkes – Bass
Mike Paparo – Vocals
Steven Russell – Guitars

http://www.relapse.com/inter-arma-paradise-gallows/
https://www.facebook.com/INTERARMA/
https://www.instagram.com/interarmamusic/
http://interarma.bandcamp.com/

Inter Arma, “An Archer in the Emptiness” Live at the Byrd Park Pumphouse

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Roadburn 2017 Audio Streams Mega-Batch Posted Featuring Bongzilla, Slomatics, Valborg, Warning and More

Posted in audiObelisk on September 15th, 2017 by JJ Koczan

warning-1-Photo-by-JJ-Koczan

It’s been tradition around these parts for I don’t even know how long to post the annual audio streams as they come out from each Roadburn, and I hope the case will be no different as we move further away from Roadburn 2017 this past April in Tilburg, the Netherlands, and inexorably toward the first announcements for Roadburn 2018 to come. This process — the posting — used to require a slew of links and media players, which I actually kind of liked because it allowed for emphasis on just how much material there was emerging from the festival, how much work Marcel van de Vondervoort and his team put into the recording and mixing of these sets for all the bands, and so on.

Well, it’s the future now — or I guess it was the future like five years ago? I may have missed when it actually became the future; whatever — and we apparently don’t even need to have 22 different media players to post 22 different streams from Roadburn 2017. We need one. Netherlands-based media company 3voor12, which has always hosted the sets, brings forth a mega-batch today featuring the likes of (alphabetically) Atala, Author and Punisher, Bongzilla, Carpenter Brut, Casual Nun, Cobalt, Disfear, Forn, GNOD, Inter Arma, Joy, Les Discrets, Nadra, Pontiak, Serpent Venom, Slomatics, Temple ov BBV, Trans Am, Ultha, Valborg, Warning and Wolvennest.

Not inconsiderable. It’s been mere hours since Slomatics‘ Futurians: Live at Roadburn was reviewed here, but I also had occasion to see Warning (pictured above), JoyLes DiscretsAtalaValborg and others on that list, and I can attest to their being a joy to behold. Part of the fun of these streams is also getting some sense of what you missed at Roadburn due to making the inevitable hard choice of a schedule conflict, so I guess this is my shot at hearing what Bongzilla got up to during their time on stage. If you need me I’ll be doing that.

Hope you enjoy as well:

Thanks as always to Walter for sending the embed my way. For all this site’s Roadburn 2017 coverage, click here.

Roadburn’s website

Marcel Van De Vondervoort on Thee Facebooks

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