Quarterly Review: Electric Octopus, Crypt Trip, Love Gang & Smokey Mirror, Heavy Feather, Faith in Jane, The Mound Builders, Terras Paralelas, The Black Heart Death Cult, Roadog & Orbiter, Hhoogg

Posted in Reviews on March 21st, 2019 by JJ Koczan

quarterly-review-spring-2019

Day four of the six-dayer. Head’s a little reeling, but I’m not sure any more so than, say, last week at this time. I’d be more specific about that, but oddly enough, I don’t hook my brain up to medical scanners while doing reviews. Seems like an oversight on my part, now that I think about it. Ten years later and still learning something new! How about that internet, huh?

Since I don’t think I’ve said it in a couple days, I’ll remind you that the hope here is you find something you dig. There’s a lot of cool stuff in this batch, so that should at least make skimming through it fun if you go that route. Either way, thanks for reading if you do.

Quarterly Review #31-40:

Electric Octopus, Smile

Electric Octopus Smile

It’s been about two months since Electric Octopus posted Smile, so they’re about due for their next release. So, quick! Before this 82-minute collection of insta-chill jams is out of date, there’s still time to consider it their latest offering. Working as the four-piece of Tyrell Black and Dale Hughes — both of whom share bass and guitar duties — drummer Guy Hetherington and synthesist Stevie Lennox, the Belfast improv jammers rightfully commence with the 25-minute longest track (immediate points) “Abberation” (sic), which evolves and devolves along its course and winds up turning from a percussive jam to a guitar-led build up that still stays gloriously mellow even as it works its way out. You can almost hear the band moving from instrument to instrument, and that’s the point. The much shorter “Spiral,” “Dinner at Sea, for One” and closer “Mouseangelo” bring in a welcome bit of funk, “Moth Dust” explores minimalist reaches of guitar and ambient drumming, and “Hyperloop” digs into fuzz-soaked swirl before cleaning up its act in the last couple minutes. These cats j-a-m. May they do so into perpetuity.

Electric Octopus on Thee Facebooks

Electric Octopus on Bandcamp

 

Crypt Trip, Haze County

crypt trip haze county

Onto the best-albums-of-2019 list go San Marcos, Texas, trio Crypt Trip, who, sonically speaking, are way more Beto O’Rourke than Ted Cruz. The three-piece have way-way-upped the production value and general breadth from their 2018 Heavy Psych Sounds debut, Rootstock, and the clarity of purpose more than suits them as they touch on ’70s country jams and hard boogie and find a new melodic vocal confidence that speaks to guitarist Ryan Lee as a burgeoning frontman as well as the shredder panning channels in “To Be Whole.” Fortunately, he’s backed by bassist Sam Bryant and drummer Cameron Martin in the endeavor, and as ever, it’s the rhythm section that gives the “power trio” its power. Centerpiece “Free Rain” is a highlight, but so is the pedal steel of intro “Forward” and the later “Pastures” that precedes six-minute closer “Gotta Get Away,” which makes its transport by means of a hypnotic drum solo from Martin. Mark it a win and go to the show. That’s all you can do. Haze County is a blueprint for America’s answer to Europe’s classic heavy rock movement.

Crypt Trip on Thee Facebooks

Heavy Psych Sounds website

 

Love Gang & Smokey Mirror, Split Double EP

smokey mirror love gang split double ep

A bit of Tull as Love Gang‘s flute-inclusive opener “Can’t Seem to Win” skirts the line of the proggier end of ’70s worship. The Denver outfit and Dallas’ Smokey Mirror both present three tracks on Glory or Death RecordsSplit Double EP, and Love Gang back the leadoff with “Break Free” and “Lonely Man,” reveling in wall-o’-fuzz chicanery and organ-laced push between them, making their already unpredictable style less predictable, while Smokey Mirror kick off side B in particularly righteous fashion via the nine-minute “Sword and Scepter,” which steps forth to take ultra-Sabbathian ownership of the release even as the filthy tone of “Sucio y Desprolijo” and the loose-swinging Amplified Heat-style megashuffle of “A Thousand Days in the Desert” follow. Two bands in the process of finding their sound coming together to serve notice of ass-kickery present and future. If you can complain about that, you’re wrong.

Love Gang on Thee Facebooks

Smokey Mirror on Thee Facebooks

Glory or Death Records BigCartel store

 

Heavy Feather, Débris & Rubble

Heavy Feather Debris & Rubble

Very much a solid first album, Heavy Feather‘s 11-song Débris & Rubble lands at a run via The Sign Records and finds the Stockholm-based classic heavy blues rockers comporting with modern Euro retroism in grand fashion. At 41 minutes, it’s a little long for a classic-style LP if one measures by the eight-track/38-minute standard, but the four-piece fill that time with a varied take that basks in sing-along-ready hooks like those of post-intro opener “Where Did We Go,” the Rolling Stones-style strutter “Waited All My Life,” and the later “I Spend My Money Wrong,” which features not the first interplay of harmonica and lead guitar amid its insistent groove. Elsewhere, more mellow cuts like “Dreams,” or the slide-infused “Tell Me Your Tale” and the closing duo of the Zeppelinian “Please Don’t Leave” and the melancholy finisher “Whispering Things” assure Débris & Rubble never stays in one place too long, though one could say the same of the softshoe-ready boogie in “Hey There Mama” as well. On the one hand, they’re figuring it out. On the other, they’re figuring it out.

Heavy Feather on Thee Facebooks

The Sign Records on Bandcamp

 

Faith in Jane, Countryside

Faith in Jane Countryside

Five full-lengths deep into a tenure spanning a decade thus far, Faith in Jane have officially entered the running to be one of the best kept secrets of Maryland heavy. Their late-2018 live-recorded studio offering, Countryside, clocks in at just under an hour of organic tonality and performance, bringing a sharp presentation to the chemistry that’s taken hold among the three-piece of guitarist/vocalist Dan Mize, bassist Brendan Winston and drummer Alex Llewellyn, with Mize taking extended solos on the Wino model throughout early cuts “All is All” and “Mountain Lore” while the trio adds Appalachian grunge push to the Chesapeake’s flowing groove while building “Blues for Owsley” from acoustic strum to scorching cacophonous wash and rolling out the 9:48 “Hippy Nihilism” like the masters of the form they’re becoming. It’s not a minor undertaking in terms of runtime, but for those in on what these cats have been up to all the while, hard to imagine Countryside is seen as anything other than hospitable.

Faith in Jane on Thee Facebooks

Faith in Jane on Bandcamp

 

The Mound Builders, The Mound Builders

The Mound Builders The Mound Builders

Lafayette, Indiana’s The Mound Builders last year offered a redux of their 2014 album, Wabash War Machine (review here), but that was their last proper full-length. Their self-titled arrives as eight bruiser slabs of weighted sludge/groove metal, launching with its longest track (immediate points) in the 7:30 “Torchbearer,” before shifting into the outright screams-forward pummel of “Hair of the Dogma” and the likewise dry-throated “Separated from Youth.” By the time they get to the hardcore-punk-via-sludge of “Acid Slugs,” it’s not a little heavy. It’s a lot heavy. And it stays that way through the thrashing “Star City Massacre” and “Regolith,” hitting the brakes on “Broken Pillars” only to slam headfirst into closer “Vanished Frontier.” Five years later and they’re still way pissed off. So be it. The four-formerly-five-piece were never really all that gone, but they still seem to have packed an extended absence’s worth of aggro into their self-titled LP.

The Mound Builders on Thee Facebooks

Failure Records and Tapes

 

Terras Paralelas, Entre Dois Mundos

TERRAS PARALELAS ENTRE DOIS MUNDOS

It’s a fluid balance between heavy rock and progressive metal Terras Paralelas make in the six inclusions on their debut full-length, Entre Dois Mundos. The Brazilian instrumentalist trio keep a foundation of metallic kickdrumming beneath “Do Abismo ao Triunfo,” and even the chugging in “Espirais e Labirintos” calls to mind some background in harder-hitting fare, but it’s set against a will toward semi-psychedelic exploration, making the giving the album a sense of refusing to play exclusively to one impulse. This proves a strength in the lengthier pieces that follow “Infinito Cósmico” and “Do Abismo ao Triunfo” at the outset, and as Terras Paralelas move from the mellower “Bom Presságio” and “Espirais e Labirintos” into the more spaciously post-rocking “Nossa Jornada Interior” and the nine-minute-plus prog-out title-track that closes by summarizing as much as pushing further outward, one is left wondering why such distinctions might matter in the first place. Kudos to the band for making them not.

Terras Paralelas on Thee Facebooks

Terras Paralelas on Bandcamp

 

The Black Heart Death Cult, The Black Heart Death Cult

the black heart death cult the black heart death cult

Though one wouldn’t accuse The Black Heart Death Cult of being the first cumbersomely-named psych-rocking band in the current wave originating in Melbourne, Australia, their self-titled debut is nonetheless a gorgeous shimmer of classic psychedelia, given tonal presence through guitar and bass, but conjuring an ethereal sensibility through the keys and far-back vocals like “She’s a Believer,” tapping alt-reality 1967 vibes there while fostering what I hear is called neo-psych but is really just kinda psych throughout the nodding meander of “Black Rainbow,” giving even the more weighted fuzz of “Aloha From Hell” and the distortion flood of “Davidian Dream Beam” a happier context. They cap with the marshmallowtron hallucinations of “We Love You” and thereby depart even the ground stepped on earlier in the sitar-laced “The Magic Lamp,” finding and losing and losing themselves in the drifting ether probably not to return until, you know, the next record. When it shows up, it will be greeted as a liberator.

The Black Heart Death Cult on Thee Facebooks

Oak Island Records webstore

 

Orbiter & Roadog, Split

orbiter roadog split

I’m pretty sure the Sami who plays drums in Orbiter is the same dude playing bass in Roadog, but I could easily be wrong about that. Either way, the two Finnish cohort units make a fitting complement to each other on their two-songer 7″ single, which presents Orbiter‘s six-minute “Anthropocene” with the hard-driving title-track of Roadog‘s 2018 full-length, Reinventing the Wheels. The two tracks have a certain amount in common, mostly in the use of fuzz and some underlying desert influence, but it’s what they do with that that makes all the difference between them. Orbiter‘s track is spacier and echoing, where “Reinventing the Wheels” lands more straightforward in its three minutes, its motoring riff filled out by some effects but essentially manifest in dead-ahead push and lyrics about a motorcycle. They don’t reinvent the wheel, as it happens, and neither do Orbiter, but neither seems to want to do so either, and both bands are very clearly having a blast, so I’m not inclined to argue. Good fun and not a second of pretense on either side.


Orbiter on Thee Facebooks

Roadog on Thee Facebooks

 

Hhoogg, Earthling, Go Home!

hhoogg Earthling Go Home

Space is the place where you’ll find Boston improvisationalists Hhoogg, who extend their fun penchant for adding double letters to the leadoff “Ccoossmmooss” of their exclamatory second self-released full-length, Earthling, Go Home!, which brings forth seven tracks in a vinyl-ready 37 minutes and uses that opener also as its longest track (immediate points) to set a molten tone to the proceedings while subsequent vibes in “Rustic Alien Living” and the later, bass-heavy “Recalled to the Pyramids” range from the Hendrixian to the funkadelicness he helped inspire. With a centerpiece in “Star Wizard, Headless and Awake,” a relatively straightforward three-minute noodler, the four-piece choose to cap with “Infinitely Gone,” which feels as much like a statement of purpose and an aesthetic designation as a descriptor for what’s contained within. In truth, it’s a little under six minutes gone, but jams like these tend to beg for repeat listens anyway. There’s some growing to do, but the melding of their essential chemistry is in progress, and that’s what matters most. The rest is exploration, and they sound well up for it.

Hhoogg on Thee Facebooks

Hhoogg on Bandcamp

 

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The Heavy Co. Release Psychedelamigo Sessions Demo Collection

Posted in Whathaveyou on January 7th, 2019 by JJ Koczan

the heavy co

As will happen from time to time, every now and again a band kind of fizzles out with material that’s still in progress left unfinished. Indiana’s The Heavy Co. released their Uno Dose EP (review here) as their final offering in 2014 and had another demo session in the can, including a jam given the rather grim title of “Fuck Earth” which guitarist Ian Gerber highlights as a signal of where the band were headed. And fair enough. They were accomplished jammers during their time and well suited to that as a foundation of their material, but you know how these things go. As in, sometimes they don’t.

Thus Psychedelamigo Sessions arrives as a posthumous release, a kind of these-songs-are-here-might-as-well-do-something-with-them outing that, indeed, is better out there than not. Gerber, who offered the info below, doesn’t write off completely the notion of going back into the studio to finalize the material, but if he does or doesn’t, at least it’s documented as is.

They also still have a couple — four as of this post — tapes left of Uno Dose, which ruled, on their Bandcamp. If you’ve got eight bucks and room for a bit of groove in your life, you might consider it an investment.

Here’s the Psychedelamigo Sessions info, followed of course by the stream:

the heavy co psychedelamigo sessions

These recordings weren’t finished. I think they were done 2014. I was cleaning out my soundcloud and figured that at this point that it was fine to release these tracks as is. More of a relic showing how the band had progressed. I really liked Harry Lee and Smokey Little Number as songs. The fuck earth jam was definitely where the band was heading.

There is a very, very, very small chance that we will crack open the vaults to fix the mistakes. Therefore…here you go. This is the last material we worked on as The Heavy Co. Thanks for tuning in…

THC is:
Ian Gerber – Guitars/Vocals
Jeff Kaleth – Drums

Fuck Earth w/
Nicolae Ciobotaru – Drums
Michael Naish – Bass
Jeff Kaleth – Guitar
Ian Gerber – Guitar

https://www.facebook.com/theheavyco/
http://theheavycompany.bandcamp.com/

The Heavy Co., Psychedelamigo Sessions

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Apostle of Solitude Post Original Demos; Euro Touring Starts this Week

Posted in Whathaveyou on November 7th, 2018 by JJ Koczan

apostle of solitude old pic

As they prepare to head abroad later this week to tour in Austria, France, Belgium and Germany on a run bookended by appearances at Doom over Vienna XIII and Hammer of Doom XIII, Indianapolis doomers and all around national treasure Apostle of Solitude have posted their original demos from 2005 and 2006 for name-your-price public consumption via Bandcamp. The band has said it’s a limited-time thing, so if it’s the kind of whatnot you might be interested in, you might want to get while the getting’s good.

Of course, there have been some significant changes in the band’s sound in the last 13 years, but the mournful melodies and unmistakably doomed riffing is right there from the start, central to Apostle of Solitude‘s purpose even then. They go to Europe supporting this year’s From Gold to Ash (review here) full-length, a highlight of a strong 2018 in doom, and while it’s a lot of fun to revisit “Pale, Sick Horse” from the 2005 self-titled demo or the 11-minute rawness of “Life Like Quicksand” on 2006’s Embraced by the Black, there’s just no taking away from the quality of the work they’re doing now.

You can stream both demos and the album at the bottom of this post, because I feel strongly enough about that to include three embeds:

In honor of the Apostle of Solitude 2018 European tour starting this week, we are offering Bandcamp downloads of the first two Apostle of Solitude releases (the 2005 AOS Demo and 2006’s Embraced by the Black) with the “Name Your Price” option, for a limited time. link in the comments below.

Apostle of Solitude 2018 European dates:
11.09.18 – Vienna, Austria @ Viper Room Vienna DOOM OVER VIENNA XIII
11.10.18 – Marburg, Germany @ Knubbel Marburg w/ BST & Skinjob
11.11.18 – Lomme, France @ Bobble Café w/ Nornes
11.12.18 – Deinze, Belgium @ ELPEE Café w/ Growing Horns
11.13.18 – Oldenburg, Germany @ MTS LPs and CDs w/ BST
11.14.18 – Tilburg, Netherlands @ Little Devil Bar w/ BST and King Heavy
11.15.18 – Hamburg, Germany @ Bambi Galore w/ BST & King Heavy
11.16.18 – Wurzburg, Germany @ Posthalle Wurzburg HAMMER OF DOOM XIII
11.17.18 – Saarbrucken, Germany @ Horst w/ BST

APOSTLE OF SOLITUDE is:
Corey Webb – drums
Chuck Brown – guitars, vocals
Steve Janiak – guitars, vocals
Mike Naish – bass

www.facebook.com/apostleofsolitude
twitter.com/apostledoom
apostleofsolitude.com
www.cruzdelsurmusic.com
cruzdelsurmusic.bandcamp.com
www.facebook.com/cruzdelsurmusic
twitter.com/CruzDelSurMusic

Apostle of Solitude, Apostle of Solitude (2005 Demo)

Apostle of Solitude, Embraced by the Black (2006 Demo)

Apostle of Solitude, From Gold to Ash (2018)

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The Mound Builders Announce Jan. 18 Release for Self-Titled Album

Posted in Whathaveyou on October 25th, 2018 by JJ Koczan

The Mound Builders

It’s been a while since The Mound Builders made their debut with Strangers in a Strange Land (review here). Like, that was apparently 2011. Of course, they’ve hardly been idle since then, playing shows and releasing splits and EPs like Wabash War Machine (review here) in 2014. Still, if they were going to release a second album — hey, some bands don’t — it was probably time to do that. Thus arrives the bombast of The Mound Builders by The Mound Builders, set for release in the New Year via Failure Records and Tapes. What hath time wrought upon the Lafeyette, Indiana, sludgesters? I won’t pretend to know, but I’ve got a zip file on my desktop that’s going to let me find out, and needless to say, I’ll keep you posted.

No public audio yet, but the trusty PR wire brings album art and info, so have at it:

The Mound Builders The Mound Builders

The Mound Builders – The Mound Builders

Broadly speaking, bands that fall under the umbrella term of riff-worshippers – encompassing stoner, doom, and sludge metal – can fall under one of two categories. The majority of bands are content to walk (high as a kite) through the hills and valleys of their forefathers. A few, however, endeavor to take the tools that these legendary acts left and create new landscapes. Thus, we discover The Mound Builders from Indiana. While the blood of High on Fire, Buzzov*en and Crowbar among others flows through their veins, the resultant mix on their sophomore self-titled resembles the freshest dirt dug up for construction.

The most striking initial fact that jumps out on The Mound Builders is the fearless shift between tempos – instead of maintaining a reassuring tempo as many of their peers, they go from punk-inflected raging “Hair of the Dogma” to sludge metal swagger on “Separated From Youth”, stoner-thrash on “Star City Massacre” to vitriolic rough-and-tumble on closer “Vanished Frontier” – the latter of which has a stand-out vocal performance. The occasional pedal-manipulated solo wails out of nowhere – expertly handled by Brian Boszor, while the low end sounds both crisp and punishing as Robert Strawsma and Jason “Dinger” Brookhart hammer out relentless rhythms. You can spend any number of spins only hazarding a guess at influences, but the final result is a band who have their sound dialed in and know exactly how to wield it for maximum effect.

Narrating over the trio is the maniacal Jim Voelz, whose shrieks recall the great Johnny Morrow, and his growls echo the pains of the various strands of history from which the band draw lyrical inspiration, whether ancient tales or more recent life in their native Midwest, the grand cosmos or down here on Planet Earth. “It’s gonna be a massacre”, Jim warns, before another solo power-slides into existence, and it’s not long before the song in question comes to a crashing close.

It’s been seven long years since their début full-length Strangers in a Strange Land, and The Mound Builders have made good use of that time in their craft. Their self-titled is a step up and a step closer to honing that perfect mixture between so many styles. For now, they’ll just keep building and playing.

The Mound Builders will be released on Jan 18 2019.

Tracklisting:
1. Torchbearer
2. Hair of the Dogma
3. Separated From Youth
4. Acid Slugs
5. Star City Massacre
6. Regolith
7. Broken Pillars
8. Vanished Frontier

The Mound Builders live:
11.3.18 – Melody Inn – Indianapolis, IN
11.9.18 – Hobart Art Theatre -Hobart, IN
11.10.18 – Fireside Inn- Detroit, MI
12.8.18 – North End Pub – Lafayette, IN

The Mound Builders are:
Brian Boszor – Guitar
Jason “Dinger” Brookhart – Drums
Ryan Strawsma – Bass
Jim Voelz – Vocals

http://www.facebook.com/themoundbuilders
https://twitter.com/themoundbuilder
https://www.instagram.com/themoundbuilders/
https://themoundbuilders.bandcamp.com/

The Mound Builders Split w/ Pale Horseman (2016)

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Apostle of Solitude Touring in Europe Next Month

Posted in Whathaveyou on October 10th, 2018 by JJ Koczan

apostle of solitude

I’m glad Apostle of Solitude are touring Europe. That’s cool. I won’t see those shows, obviously, but it gives me an excuse to break out my copy of their 2018 album, From Gold to Ash (review here), and once again dig into “Ruination by Thy Name,” “Keeping the Lighthouse,” “My Heart is Leaving Here,” and the rest. I’ll finish writing about their upcoming stint next month that starts at Doom Over Vienna XIII on Nov. 9 before the record is done probably, but whatever. No way I’m not listening to it straight through. Why the hell would I stop it?

The Indianapolis four-piece were out this summer with Pale Divine on a tour that it was my pleasure to have this site co-present, and as they make their way toward Hammer of Doom XIII — I guess a lot of Euro doomfests got started around 2005? — they’ll do gigs with BST, Growing Horns and King Heavy. They’re not a band who get abroad all the time, so if you can see them, consider it recommended not just because they kill it live, which they do, but also in a get-while-the-getting’s-good kind of way.

They have a couple warmup shows later this month in Kentucky as well and sent the following announcement down the PR wire:

apostle of solitude euro tour poster

Apostle of Solitude – EUROPE 2018

Following the spring release of the band’s 4th full length album, From Gold To Ash (Cruz Del Sur Music) earlier in the year and a summer tour of the southern United States with Pale Divine, Apostle of Solitude have announced a European Tour in November. The tour includes dates in Austria, Germany, France, The Netherlands, and Belgium, a performance on the big stage at the legendary Hammer of Doom festival, and a headlining appearance at the 13th annual Doom Over Vienna festival. Prior to the tour, catch Apostle of Solitude October 26 in Louisville, KY or October 27 in Nicholasville, Kentucky.

Apostle of Solitude tour:
11.09.18 – Vienna, Austria @ Viper Room Vienna DOOM OVER VIENNA XIII
11.10.18 – Marburg, Germany @ Knubbel Marburg w/ BST & Skinjob
11.11.18 – Lomme, France @ Bobble Café w/ Nornes
11.12.18 – Deinze, Belgium @ ELPEE Café w/ Growing Horns
11.13.18 – Oldenburg, Germany @ MTS LPs and CDs w/ BST
11.14.18 – Tilburg, Netherlands @ Little Devil Bar w/ BST and King Heavy
11.15.18 – Hamburg, Germany @ Bambi Galore w/ BST & King Heavy
11.16.18 – Wurzburg, Germany @ Posthalle Wurzburg HAMMER OF DOOM XIII
11.17.18 – Saarbrucken, Germany @ Horst w/ BST

APOSTLE OF SOLITUDE is:
Corey Webb – drums
Chuck Brown – guitars, vocals
Steve Janiak – guitars, vocals
Mike Naish – bass

www.facebook.com/apostleofsolitude
twitter.com/apostledoom
apostleofsolitude.com
www.cruzdelsurmusic.com
cruzdelsurmusic.bandcamp.com
www.facebook.com/cruzdelsurmusic
twitter.com/CruzDelSurMusic

Apostle of Solitude, From Gold to Ash (2018)

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Spirit Division to Release Forgotten Planet Aug. 31; Track Streaming Now

Posted in Whathaveyou on July 30th, 2018 by JJ Koczan

spirit division

If you’re up for such things, Spirit Division‘s third album, Forgotten Planet, is available now to preorder through their Bandcamp page. Set for issue on Aug. 31, it’s the third album from the Indianapolis doomers, who are streaming the track “River Rising” now to herald the impending. Those who heard either 2016’s No Rapture or their 2015 self-titled debut (review here) will find the three-piece’s doom rock modus intact, with an undercurrent of traditional metal suited to their Midwestern home. They cite The Gates of Slumber as an influence, but while both acts fall broadly under a trad-doom umbrella, the riffing of “River Rising” seems to be drawing from other sources as well. I haven’t heard the record yet, but the third of the nine total inclusions makes a suitable introduction to anyone unfamiliar, and finds them sans-pretense in style and delivery.

The PR wire has album details, and you can find the track streaming at the bottom. Dig it:

spirit division forgotten planet

SPIRIT DIVISION Reveals Details On Third Full-length ‘FORGOTTEN PLANET’; Pre-order Available Now, Album Releases August 31st

Spirit Division is pleased to announce the completion of their third album, Forgotten Planet, with the full-length offering set for release on August 31, 2018.

Forgotten Planet represents a bold change in direction for the Indianapolis doom trio. The nine-track composition includes longer, more elaborate song structures, the band braiding the sonic cord from an array of deeper influence than before. The lyrics are also the darkest and most nihilistic that Spirit Division has ever written. Much of this can be attributed to the recruitment of Andy Bowerman (guitarist/vocalist), whose energetic style and intense approach has well integrated with Jace Epple’s intricate drumming patterns, as well as founding member (vocalist/bassist) Chris Latta’s melodic sensibility.

Bowerman also provided the striking artwork for Forgotten Planet and helmed much of the recording process. Drum recording and overall mixing were done at The Swollen Goat by Jeff Kaleth (of fellow Hoosier group Astral Mass), with mastering handled by Collin Jordan at The Boiler Room LLC.

Forgotten Planet – Track List:

1. Forgotten Planet
2. Nothing To Be Missed
3. River Rising
4. The Light That Shines (When All Must Die)
5. Seeking The Crow Witch
6. Behemoth
7. Half-Hearted
8. Solitude
9. King Of Scars

Some words from Spirit Division about the creation of Forgotten Planet:

“Forgotten Planet is easily the most experimental album Spirit Division has recorded. The songs are longer and more complex, but also very emotional in places. I had a feeling we would be going in a direction like this when Jace and I first started arranging new songs after No Rapture, but Andy brought an aggressive edge when he joined. He really pushed us to explore different sounds that we wouldn’t have otherwise. It’s truly a testament of how far we’ve come as a band” – Chris Latta (vocals/bass)

“Forgotten Planet felt like a raw exposure of the shadow self, that part of humanity most people don’t like to talk about” – Jace Epple (drums)

The first single “River Rising” is available for streaming on Spirit Division’s Bandcamp page.

Upcoming Live Dates:
Aug 25 – Louisville, KY @ Highlands Tap Room (w/ Majutsu, Batwizard)
Sep 29 – Indianapolis, IN @ Black Circle Brewing (w/ Destroyer Of Light, Thorr-Axe, Drude)

SPIRIT DIVISION is (left to right):
Chris Latta: Vocals, Bass
Jace Epple: Drums
Andy Bowerman: Guitar, Vocals

https://www.facebook.com/SpiritDivision
https://instagram.com/spiritdivision/
https://twitter.com/SpiritDivision
https://spiritdivision.bandcamp.com/

Spirit Division, Forgotten Planet (2018)

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The Obelisk Presents: Apostle of Solitude & Pale Divine Tour Dates

Posted in The Obelisk Presents on June 19th, 2018 by JJ Koczan

Earlier this year, Indianapolis four-piece Apostle of Solitude threw themselves into contention for the best doom release of 2018 with their fourth album, From Gold to Ash (review here), but before the year is out, one hopes, Pennsylvania-based trio Pale Divine will have their first long-player in more than half a decade released by Shadow Kingdom, and there’s little doubt it’ll have its own argument to make in that regard. If you want a preview of the head-to-head matchup that seems likely to at least make my December more difficult come year-end list time, the two bands will hit the road together next month for a tour of which I’m proud to count this site among the presenters. I know I’ve said this before, but pretty much anytime Apostle of Solitude do anything — video, new track, shows, whatever — I’m happy to be involved somehow. The company they’re keeping on this run only makes that truer.

You can dig the dates below, as well as copious linkage and album streams, because it’s good to be informed and all that kind of thing, but the point here is you should go see these bands. Especially if you haven’t, but even if you have. Apostle of Solitude are riding their best stuff to-date, and Pale Divine are heralding the release of a new record, and I don’t know if you knew this about them, but that’s not exactly something that happens every day.

Dates follow as put together by Hi-Wattage Booking:

pale divine apostle of solitude tour poster

Apostle of Solitude & Pale Divine – 2018 How the West Was Doomed Tour

7/20 Lafayette LA – Freetown Boom Boom Room w Forming the Void & Doomstress
7/21 Houston TX – Dan Electro’s (1pm early show)
7/21 San Antonio TX – Faust Tavern
7/22 Austin TX – Beerland w Witchcryer
7/23 Dallas TX – Prophet Bar w Kin of Ettins, Space Ape & Stone Machine Electric
7/24 Fort Smith AR – Hero’s w RedWitch Johnny
7/25 Shreveport LA – Bear’s w 18th State
7/26 Memphis TN – Growlers w Admiral Longtooth
7/27 Indianapolis IN – State Street Pub w Desert Planet
7/28 Chicago IL – Reggie’s w deepspacepilots

Apostle of Solitude is:
Corey Webb – drums
Chuck Brown – guitars, vocals
Steve Janiak – guitars, vocals
Mike Naish – bass

Pale Divine is:
Greg Diener – vocals & guitar
Ron “Fezzy” McGinnis – bass & vocals
Darin McCloskey – drums

www.facebook.com/apostleofsolitude
twitter.com/Chuck_solitude
apostleofsolitude.com
www.cruzdelsurmusic.com
cruzdelsurmusic.bandcamp.com
www.facebook.com/cruzdelsurmusic
twitter.com/CruzDelSurMusic

https://www.facebook.com/serpentspath/
http://www.paledivineband.com/
https://www.facebook.com/ShadowKingdomRecords/
https://twitter.com/ShadowKingdom/
https://shadowkingdomrecords.bandcamp.com/
https://www.shadowkingdomrecords.com/

Apostle of Solitude, From Gold to Ash (2018)

Pale Divine, Painted Windows Black (2012)

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Apostle of Solitude Post “Ruination be Thy Name” Video

Posted in Bootleg Theater on March 23rd, 2018 by JJ Koczan

Apostle of Solitude

If Apostle of Solitude wanted to just go ahead and make a clip for each of the non-intro/interlude tracks on their new album, From Gold to Ash (review here), I’d be cool with that. As long as I get to premiere one or two of them. Thus far in giving the record video interpretation, they’ve covered side A (if in reverse order) between their prior clip for the ultra-hooky “Keeping the Lighthouse” (posted here) and the new one below for post-intro opener “Ruination be Thy Name.” That leaves “My Heart is Leaving Here,” “Monochrome (Discontent)” and “Grey Farewell.” I say go for it. Those last couple tracks get pretty morose, but screw it, it’s doom. If you can’t handle being miserable, you’re in the wrong subgenre.

Unlike its darker companion piece inthe prior video, “Ruination be Thy Name” is pretty bright in its (visual) tone, comprised of manipulated green-screen performance footage edited together to the rhythm of the song itself. And it’s a considerable rhythm. Where later on, From Gold to Ash gets into some particularly heart-rending fare, both “Ruination be Thy Name” and “Keeping the Lighthouse” bask in more middle-ground tempos and some of the album’s most resonant hooks. Massive groove abounds, naturally, and “Ruination be Thy Name” seems to be built as much around its nodding riff as the repetitions of its title line. One way or another, it provides one of From Gold to Ash‘s most memorable impressions, and as the de facto leadoff cut, it emphasizes just how much the band has grown in the last several years.

I said in my review that this is one of the year’s best records. Well, since I wrote that I’ve only heard more of the candidates, and I completely stand by the earlier statement. From Gold to Ash shows how much life there can be in so-called traditional doom when a band works so diligently to make those traditions their own. If you haven’t checked it out yet, you should. That’s about all there is to it.

Enjoy the clip below, followed by more info from the PR wire:

Apostle of Solitude, “Ruination be Thy Name” official video

U.S. Doom Giants APOSTLE OF SOLITUDE have released the official video for “Ruination Be Thy Name,” a track from new album From Gold to Ash.

Cruz Del Sur Music released From Gold to Ash February 23 on CD, vinyl LP, cassette, and digital formats.

CD: http://tinyurl.com/yaty2zet
Vinyl: http://tinyurl.com/ycjz3elg
Digital (album stream): apostleofsolitude.bandcamp.com/album/from-gold-to-ash

APOSTLE OF SOLITUDE will host an album release show this Friday, March 23 at Black Circle Brewing in Indianapolis, along with Desert Planet, Devil to Pay and Shroud of Vulture.

A U.S. summer tour is currently in the works, as well as another trip across the pond with the band’s confirmed appearance at the 2018 installment of DOOM OVER VIENNA festival.

Recorded in September 2017 at Russian Recording in Bloomington, IN with studio mastermind Mike Bridavsky, From Gold To Ash offers seven songs of ambitious, aching doom. Largely defined by the heartfelt and emotive dual vocals of Chuck Brown and Steve Janiak, From Gold To Ash covers a wide spectrum of heavy, from raging instrumentals to introspective guitar duos, monolithic doom riffs and reflective, melodic heartache. From Gold to Ash is also the first APOSTLE OF SOLITUDE album to feature bassist Mike Naish (Astral Mass, Shroud of Vulture).

APOSTLE OF SOLITUDE is:
Corey Webb – drums
Chuck Brown – guitars, vocals
Steve Janiak – guitars, vocals
Mike Naish – bass

Apostle of Solitude on Thee Facebooks

Cruz del Sur Music website

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