The sun-drenched wonder you see in the photo above is the shelf unit at my office (I work here). Top to bottom, it’s got a turntable that needs a new belt, a Mini-Disc player (I used to use them for interviews and just kind of happened into the thing; it’s there now because I think it’s neat), dual cassette deck, 5-CD changer and receiver. The speakers on either side are Infinity studio monitors acquired at a discount for review, and there’s a subwoofer below that’s not pictured. I don’t always use it, because frankly my computer has some decent speakers as well and so I don’t really need it all the time, but sometimes, when I’m working late and no one else is around, there’s nothing else quite like it.
Of the components, the cassette deck is the newest. I hooked it up just this afternoon after finding it the other day laying around the house. I asked The Patient Mrs. what was up with it and she said it was part of the stereo she had as a kid (we’ve been together long enough that I already knew that), and as it was currently not in use, I immediately raised an eyebrow at the possibility.
That was a few days ago, and it wasn’t until today that I finally brought the thing to work and plugged it in. Thinking I was all smart, I grabbed what I thought were some spare A/V cables to go with but turned out to be the camera connector. Fortunately, also at the office, I found these laying around:
Monster Cables! That’s right. Today, I hooked up a cassette player with Monster Cables. A format that’s only “come back” as much as it has over the last couple years because it sounds crappy — hooked up like it’s part of an overpriced home theater. Hey, I roll with what I can find that I don’t have to pay for.
The impetus for this whole thing was the recent purchase of three tapes from Acid Punx Records. I’ve bought tapes here and there for a while now — I have a cassette player in my car and have considered it a point of pride for the seven years I’ve had it — but these were different. Mostly those tapes cost about 50 cents. These tapes cost $10 each.
Yes. I spent $30 on tapes. $35, actually, when you add shipping. I’d been turned onto Boston doomers Ice Dragon‘s newest album, Dream Dragon, in a thread on the forum, and I really dug it. In an all-too-familiar mix of impulse and strategy, I thought as I investigated various purchase options that I’d better pick up some older stuff that was available in limited runs before I missed out. The psychedelically cinematic Dream Dragon — which came out last month and is a pay-what-you-want download at Ice Dragon’s Bandcamp page — doesn’t seem to have a physical pressing yet anyway, so from Acid Punx, I got their 2007 self-titled and 2011’s The Sorrowful Sun instead.
Both tapes are first pressings, limited to 100 copies (the self-titled is a reissue) and pretty clearly homemade — all of which I like about them. While I was putting them in my virtual shopping cart, I stumbled on an Elder tape also for sale called Demos & Live (2007-2010) and couldn’t resist. The result:
It was actually pretty nerve-racking waiting for them to come in the mail. Not that Acid Punx took an exceedingly long time to send them or anything, but I’ll admit to feeling a little silly having shelled out $35 for three tapes. If I was at the grocery store, I’d be staring at the “Unit Price” sticker and punching myself in the head. Nonetheless, when they finally came, I heaved a sigh of relief and immediately put the Elder on in the car.
With the anticipation of seeing them over Labor Day weekend at SHoD in Connecticut mounting and that recent stream of their Armageddon Records vinyl, Spires Burn/Release, I’ve been on something of a kick. Of the tape, I’ll say that Elder were a much, much different band in 2007 than they are half a decade later. Guitarist/vocalist Nick DiSalvo lets loose some pretty vicious sludgy screams, and especially on tape, it sounds like the material was recorded right on a room mic in the rehearsal space.
There are three demo tracks — “1162,” “Red Sunrise” and “Black Midnight” — and two live cuts — “Gemini” recorded at SHoD in 2009 and “Riddle of Steel” from Valley Homegrown TV in 2010. As you might expect, the newest is the cleanest-sounding of the bunch, but overall, it’s a pretty concise look at how far the three-piece has come in their time together. Whatever faux-authenticity might come from listening to a bona fide demo tape in this day and age, Demos & Live (2007-2010) is legitimately a cool release, and I was glad to have picked it up.
I’ve got more digging into the two Ice Dragon tapes (both of which are also streaming on their Bandcamp) — and wanting to do that was a big part of why I finally caved and brought the tape player into the office — but on a cursory listen, they sound righteous in their lo-fi classicism, The Sorrowful Sun being more melodically developed than its self-titled predecessor. Both feel caked in blown-out-cone distortion and are pretty well suited to the format. I was glad to get them out of the car so they wouldn’t get any further warped by the heat. From what I’ve heard so far, they’re plenty warped on their own.
And while I get to know them better, I’ve got the joy of staring at the spines on my desk:
Even for $35, I could do much worse than that. Just for kicks, here’s the stream of Ice Dragon‘s Dream Dragon, which inspired all this silliness: