Hors Sujet Announces New Album Avec la Distance out June 10

Posted in Whathaveyou on May 3rd, 2019 by JJ Koczan

What makes examples of literature review paper at affordable prices. When you buy a research paper, we guarantee you'll get a 100% original one... READ MORE HERE Hors Sujet stand out in my mind from the hordes of single-person ambient/drone outfits out there is the evocative and emotional resonance of the work. There’s an experimentalist side to it, of course, but listening to “À l’œil baigné par la mer” from the new album, If you have any problems concerning writing tasks, then you need the best homework and help that can solve them easily. We are ready to do it! Avec la Distance, it’s clear that When you need a smart help with any kind of essays, leave the writing job to http://www.team-sog.com/dissertation-loi-constitutionnelle-3-juin-1958/ company. Number of years of experience together with well Florent Paris, who indeed is the only individual behind the project, is putting that experimentalism to a purpose of expression. That makes it even less of a surprise that If you are pressed for time or lack editing skills, just say "Edit my essay!". Our professional http://techplaza.kz/?e-assignments-soton service is willing to give you a helping hand. Hors Sujet has been tapped for live soundtracks and things of that sort. I can very easily imagine watching a set with some film or other as a backdrop — closed captioning on, of course.

The new album — he calls it an EP, but it’s over 50 minutes long, so yeah, that’s an album in my book — will be out June 10 and available digitally through Bandcamp and the other usual suspect purveyors. There’s a teaser playing now that barely scratches the surface of the depths portrayed in Cell Biology Homework Help - Proposals, essays and research papers of highest quality. begin working on your essay right now with professional assistance Hors Sujet‘s sound, but I mean, take what you can get, I guess. In any case, think of it as one to keep in your head, even if you’re not always into this kind of thing.

From the PR wire:

hors sujet avec la distance

Hors Sujet – ‘Avec la distance’ new album release 06/10/19

The France-based musical project Hors Sujet is proud to announce the release of its new album, Avec la distance. This new album composed by Florent Paris, marks through 54 minutes of music a new turning point in the musical project’s career.

Intimate and cathartic, this album deals sometimes with the rhythmic and lonely struggle between wind and tides, sometimes the implacable silence of absence.

The soundscape is drawn through multiple audio cassettes, field recordings, synthesizers and ethereal guitars in a great emotional release.

The official release will be on June 10, 2019, and the EP will be available on musical platforms (Bandcamp, Spotify, iTunes).

Hors Sujet is the personal and musical project of Florent Paris, mainly fluctuating between post-rock, instrumental ambient, drone, doom and experimental. As soon as EPs, albums and live concerts were stated, Hors Sujet started to contribute to a lot of various artistic projects, such as cine-concerts, video live performance, original soundtracks, contemporary dance plays…

‘Avec la distance’ songs & artwork are composed, recorded, mixed & mastered by Florent Paris
Voices – Guillaume Bec
Saxophones – Géraldine Pallu

https://horssujet.bandcamp.com/
https://www.youtube.com/user/horssujet21
https://www.facebook.com/horssujetmusic
https://twitter.com/HorsSujetMusic
https://www.instagram.com/horssujetmusic/
http://www.horssujet.fr

Hors Sujet, Avec la Distance teaser

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Hors Sujet to Release Seuls les Moins Humbles en Hériteront EP April 24

Posted in Whathaveyou on March 30th, 2017 by JJ Koczan

Two songs, 21 minutes. Loops, drones, probably some feedback and… vocals? Interested to hear what essay writing class 8 master thesis entrepreneurship do homework for pay help with personal statement Florent Paris has come up with for this latest outing under his short essay on my daily routine Phd Computer Science cheap dissertation writing help DO MY ASSIGNMENT write my papers Hors Sujet experimentalist moniker. The prolific project has been a source of ambient depth and cinematic soundscaping over the better part of the last decade, and it seems development of new ideas is ongoing, as well as bringing the material into the physical realm. The new EP, dubbed Buy your academic success online Essay Making Friends Online for minimal price. We are not done until You are satisfied with your online essay order Thank you Seuls les Moins Humbles en Hériteront, will be released in a limited edition of 30 signed physical copies on April 24.

Just to reiterate that number: 30. Not very many at all. The two-tracker will of course be posted up on the Hire professional article http://sprintingharejdm.co.uk/?homework-for-kidss to ensure the quality and readability of your articles while giving them a unique new twist! Hire our article Hors Sujet Bandcamp as well, so you can keep an eye out for it there, but if you’re a stickler for tangible media like me and think it’s something you might want to have and hold, you should know that your chance to do so will no doubt be fleeting. Like, 30 copies fleeting.

Title: Get district general manager resume Subject: free ebooks get paid to write essays and user guide get paid to write essays download as reference instruction get Paris sent the following down the PR wire:

hors-sujet-Seuls-les-moins-humbles-en-heriteront

HORS SUJET announces a new EP

The France-based musical project Hors Sujet is proud to announce the release of its new EP, “Seuls les moins humbles en hériteront”. This new EP composed by Florent Paris, states within these 21 minutes of music a new-found confidence: the drone parts of a silent desert with vulnerable vocals and handmade tape loops. The official release will be on April 24th 2017, and the EP will be available on musical platforms (Bandcamp, Spotify, iTunes) and in a physical limited serie of 30 hand-signed copies.

Hors Sujet is the personal and musical project of Florent Paris, mainly fluctuating between post rock, instrumental ambient, drone, doom and experimental. As soon as EPs, albums and live concerts were stated, Hors Sujet started to contribute to a lot of various artistic projects, such as cine-concerts, video live performance, original soundtracks, contemporary dance plays…. Everything is composed, arranged, recorded, edited, mixed and mastered by the only man behind this project.

Improvised music, sound experiments, combining forms, layers, noise, feebacks and landscapes, mostly seeking inspiration in dreamlike frames and visual representations, favoring improvisation and sound research, it’s by combining meticulousness and rough draft that Hors Sujet builds his music and blurs the boundaries between ambient, drone and post-rock.

https://horssujet.bandcamp.com/
https://www.youtube.com/user/horssujet21
https://www.facebook.com/horssujetmusic
https://twitter.com/HorsSujetMusic
https://www.instagram.com/horssujetmusic/
http://www.horssujet.fr

Hors Sujet, “Le Souffle Peu à Peu Pt. 2”

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Hors Sujet Post “Le Début N’Est Jamais Trop Sombre” Video

Posted in Bootleg Theater on January 10th, 2017 by JJ Koczan

hors sujet

Prolific French soundscape artist  go now, online essay proofreader, proofreading service online | Complete set of services for students of all levels including academic writing Florent Paris had two releases out in 2016 under his working moniker  Get How Many Words In A Phd Thesis Uks at affordable rates from the web's best online rewriting and paraphrasing service now. All documents are expertly rewritten by Hors Sujet. The first was the The latest Tweets from http://lojen.ru/?do-we-really-need-homework (@EssayExperts). Improving grades globally!. Santa Monica, CA Déclin EP, issued in March, and the second was a Sept. split with Home > Dissertation Professional Cv Writing Services South Africa Editing Overview. The secret to successful writing is editing. Of course you should edit your own work to the AUVN. Both are available to stream and download in their entirety via the Bandcamp page linked below, and they’re the latest in a long line of offerings dating back over the last nine years that find Edit esl http://www.canacocampeche.org.mx/dnb-radiology-thesis/ for college My Paper solvers! Microporous and movable Noam petting its hepatized or elaborately superimposed. Paris engaging various levels of textural experimentation, progressive flourish, and cinematic mood-making. It’s little surprise he’s done periodic soundtrack work over that same span; his drones seem to leave plenty of room for visual evocation, real or imagined.

Accordingly, it’s kind of fascinating to see what might go into a video for a single  Hors Sujet track. The song in question comes from Déclin and is the 10-minute centerpiece and longest cut “Le début n’est jamais trop sombre,” the title of which translates to “the beginning is never too dark,” or “the start is never too dark.” Throughout the piece, Paris joins his sometimes lush, sometimes minimal droning to a barrage of impressionistic images, doubled and manipulated, but still somehow playing to a sentimental graininess that speaks of a lost past. One is left wondering what beginning the title is referring to, but I’d imagine that’s at least part of the point — asking questions rather than deigning to answer them.

There’s a certain hypnotic effect here as well, but if you can keep your wits about you for the duration, it’s worth the effort. More info follows the clip.

Dig it:

Hors Sujet, “Le début n’est jamais trop sombre” official video

“Le début n’est jamais trop sombre” appears on my latest Ep, “Déclin” here: https://horssujet.bandcamp.com/album/d-clin-2

I hope you’ll enjoy.

This Ep has been recorded between dec 2014 and dec 2015, in the shadows of the cd I was releasing, at the same moment. Music, lyrics, recording, mastering & artwork by Florent Paris | Hors Sujet.

Hors Sujet is the solo project of Florent Paris, started in 2006. Stories told through shapes, noises, feedback and landscapes.

Hors Sujet on Thee Facebooks

Hors Sujet on Bandcamp

Hors Sujet on YouTube

Hors Sujet website

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Quarterly Review: Beastmaker, Low Flying Hawks, CHVE, Brujas del Sol, Mammoth Weed Wizard Bastard, The Shooters, Boss Keloid, Hors Sujet, Warchief, Seedship

Posted in Reviews on March 31st, 2016 by JJ Koczan

the obelisk quarterly review spring 2016

It seems like a day doesn’t go by that I don’t find something in one of these piles (metaphorical, sometimes literal) of records that keeps me coming back. Today is once again spread across a pretty wide stylistic swath, and that’s by design to keep my brain from going numb, but if there’s a unifying theme across all of it, let it be a sense of scope and bands and artists who are trying to take what’s been done before and push it forward or in some new direction. That’s not universal — nothing is — but today might be the most adventurous of the days included this quarter, so I hope you’ll keep open ears and an open mind as you make your way though.

Quarterly Review #31-40:

Beastmaker, Lusus Naturae

beastmaker lusus naturae

Expectations are high for Fresno trio Beastmaker in no small part because their first album, Lusus Naturae, arrives through Rise Above Records. Whether they’ll take their place among the venerable UK imprint’s genre-shapers of the last half-decade, Uncle Acid, Ghost, etc., remains to be seen, but there can be little question Lusus Naturae lives up to the standard of offering something individual even as it plays off familiar conceptions. Beastmaker’s doom is classic without sounding like much of anything else, and as they unfold “Arachne” and catchy pieces like “Mask of Satan” and “You Must Sin,” they arrive aesthetically cohesive and demonstrating accomplished songwriting finding a space of its own surrounding Sabbathian and Cathedral-driven ideals with semi-psych, semi-cultish tendencies, not wanting to be put in one place or the other but successfully engaging a melting pot of modern doom in “Burnt Offering” and the plodding “It.” Whatever the wider response winds up being, Lusus Naturae will without a doubt stand as one of 2016’s best debuts.

Beastmaker on Thee Facebooks

Rise Above Records

 

Low Flying Hawks, Kofuku

low flying hawks kofuku

If you’re hand-picking dream rhythm sections, getting Trevor Dunn to play bass while Dale Crover drums would probably be the picks of any number of players, but initials-only core duo EHA and AAL of Los Angeles’ Low Flying Hawks actually went out and got the Mr. Bungle and Melvins personnel to play on their Toshi Kasai-produced Magnetic Eye Records debut LP, Kofuku. Aside from keeping good company, the album’s 10 tracks/53 minutes are marked by a spaciousness that not even the tonal heft of early cut “Now, Apocalypse” seems to fill as EHA and AAL balance post-rock, doomed lurch and darker psychedelics with blackened screams and fervent rhythmic push – see “White Temple” and “Wolves Within Wolves.” They round out with the lumbering 11-minute “Destruction Complete,” a heavy rock march topped by airborne, dissonant leads that keeps its head even as it plods onward into oblivion. Not as unipolar as it might first appear in terms of sound, but the mood of Kofuku points consistently downward.

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Magnetic Eye Records

 

CHVE, Rasa

chve rasa

The crux of CHVE’s Rasa is in resonance. Amenra frontman Colin H. van Eeckhout (his solo-project’s name derived from his initials) constructs a flowing half-hour of fluid drone, intermittent percussion – first tribal, then a straightforward kind of march, slow but not still – and atmospheric vocal on the single track that comprises the work, seeming to take influence from calls to prayer as much as atmospheric noise. At higher volumes, the piece is consuming, his voice surrounds with the almost constant wash of tone, but even at more reasonable levels, the sense of purpose and ritual remains. Of course, Amenra are noted for the use of the word “mass” in their album titles, and while Rasa departs from the direct tonal heft of much of what van Eeckhout does in his main outfit, there is a sense of mass here in terms both of presence and in terms of the worship being enacted.

CHVE on Thee Facebooks

Consouling Sounds

 

Brujas del Sol, Starquake

brujas del sol starquake

How do you fit an 11-minute track onto a 7” release? Easy, you break it in half. Such is the method of Ohio instrumentalists Brujas del Sol, who follow their Moonliner EP trilogy with the late-2015 single Starquake, presented on the limited H42 Records platter as “Starquake Pt. I” and “Starquake Pt. II” but comprising nonetheless a single piece that backs airy, post-rock-tinged guitar with a decided forward rhythmic motion, resulting in an overarching build that, while there’s a natural moment for the split, is hypnotic front to back, a swirl of effects calling it mind space rock improvisation even as the plotted momentum of drums and bass resumes. Starquake is enough to make one imagine what kind of variety and spontaneity Brujas del Sol would bring to a debut full-length, so in that it very much does its job, but it makes a good case for standing on its own as well as it hits its second apex and finishes in a residual wash of cosmic noise.

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H42 Records

 

Mammoth Weed Wizard Bastard, Noeth ac Anoeth

mammoth weed wizard bastard noeth ac anoeth

Offered through New Heavy Sounds, Noeth Ac Anoeth is the debut full-length from Welsh cosmic doom four-piece Mammoth Weed Wizard Bastard. It is comprised of three songs and incorporates the half-hour-long “Nachthexen,” which was also the title-track of the band’s prior 2015 EP (review here), their rumble brought to bear through the capable knob-turning of Conan’s Chris Fielding at Skyhammer Studio. The vocals of Jessica Ball manage to cut through the ensuing tonal murk of her bass and the guitars of Paul Michael Davies and Wez Leon, and James Carrington’s drums live up to the near-impossible task of making “Les Paradis Artificiels,” “Slave Moon” and “Nachthexen” go, each developing its own plodding momentum amid the purposeful thickness overdose and atmospheric sensibility enhanced both by Davies’ work on keys and Ball’s vocals. “Slave Moon” winds up at a gallop and almost operatic, but there’s no way the highlight wasn’t going to be “Nachthexen,” which offers chug dense enough and spaces wide open enough to easily get lost in. Time well spent, all around.

Mammoth Weed Wizard Bastard on Thee Facebooks

New Heavy Sounds

 

The Shooters, Dead Wilderness

the shooters dead wilderness

Spanish heavy rock four-piece The Shooters present their third album, Dead Wilderness (on Red Sun Records/Nooirax Producciones), as two sides even on the CD pressing, each half of the record ending with an extended cut over the 10-minute mark. All told it’s six songs/49 minutes of solidified, mostly straightforward Euro-style riff-led heavy grooves, tapping into some Dozer influence on “War on You” but offering more spacious burl on “Lucifer’s Word,” which starts side B after the push of “Roots” rounds out side A. There’s little by way of letup, but moments like the quiet start and bridge of “Black Mountain” do a lot of work in adding complexity to The Shooters’ hook-minded approach, and 11-minute finale “Candelabrum” builds on that with a patient linear unfolding that casts off some tonal heft in favor of a more atmospheric take. That ultimately lets Dead Wilderness bring an individual edge to established stylistic parameters, from which it greatly benefits.

The Shooters on Thee Facebooks

The Shooters on Bandcamp

 

Boss Keloid, Herb Your Enthusiasm

boss keloid herb your enthusiasm

Granted, a title playing off Curb Your Enthusiasm and, well, herb, might make you think the band is just goofing around, but UK riffers Boss Keloid offer more substance with their second album, Herb Your Enthusiasm, than they do wackiness. The sound – captured by Chris Fielding at Skyhammer Studio – is positively massive, bolstered by guest appearances from Fielding himself and his Conan bandmate, Jon Davis, who also owns Skyhammer and Black Bow Records, the imprint releasing the LP, and given to swells of largesse and huge rolling grooves that still remain righteously fuzzed, as on “Escapegoat” or “Lung Valley” the quieter complement to opener “Lung Mountain.” Vocalist Alex Hurst assures any quota of burl is met, but has more to his approach melodically than riff-following chestbeating, and guitarist Paul Swarbrick, bassist Adam Swarbrick and drummer Stephen Arands present instrumental flow and turns behind that give the record a sense of personality beyond its weedian play. Not a minor undertaking at an hour long, but satisfying in tone and execution.

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Black Bow Records

 

Hors Sujet, Nous N’y Trouvons que le Doute

hors sujet nous ny trouvons que le doute

I guess it’s fair to call late 2015’s Nous N’y Trouvons que le Doute the debut full-length from Toulouse-based one-man outfit Hors Sujet, though multi-instrumentalist/atmosphere-conjurer Florent Paris has done a variety of soundtrack work and released numerous other textures in EPs and a variety of other offerings, so take that for what it’s worth. More important is the rich sense of ambience Paris brings to Hors Sujet in the seven included songs, from the dystopian doom of “Au Plus Loin, la Mer / L’hiver Peureux” to the wistful drone wash of “Le Souffle, Peu à Peu (Pt. 2),” which has its companion piece earlier in the album. Of special note should be 27-minute closer “Et Maintenant, le Ombres,” acting as a summary of the proceedings as much as expansion thereupon, concluding an often quiet outing with a stark cacophony that gorgeously builds from the minimalism before it to a raucous finish worth of the breadth Paris shows in his work throughout.

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Hors Sujet on Bandcamp

 

Warchief, Warchief

warchief warchief

Initially released by the band in summer 2015, the self-titled debut from Finnish progressive heavy rockers Warchief sees vinyl issue through Phonosphera Records, its two sides consumed by organic execution across four tracks moving beyond traditional structure in favor of a more varied approach, from the rumbling heft that emerges in opener “Give” through the goes-anywhere near-psychedelia of 21-minute closer “For Heavy Damage.” Warchief, the Jyväskylä-based four-piece of Teemu Pellonpää, Juho Saarikoski, Esa Pirttimäki and Tommi Rintala, feel right at home working in longer-form material, whether it’s that closer or the nine-minute “Life Went On” preceding, and given their breadth I wouldn’t be surprised if they would up with a single-song album sometime in the future. With that in mind, perhaps most encouraging about their self-titled is the fact that it seems so exploratory, very much like the beginning of creative growth rather than a finished product on display. One hopes they continue to flesh out stylistically and build on the foundation they’ve set here.

Warchief on Thee Facebooks

Warchief on Bandcamp

 

Seedship, Demo 2015

seedship demo 2015

Riffing their way into the post-Electric Wizard league of rumble purveyors, Minneapolis newcomers Seedship avoid any cultish trappings on last fall’s Demo 2015, their first release. A marked tonal thickness is nearly immediate, but along with the slow-motion nod and overarching density, melodic vocals cut through the morass to give a human aspect to the groove. Of the three tracks, “The Edge of Expiry,” “The Condemned Adrift” and “The Desperate Odyssey,” not a one is under eight minutes long, and as they plod their way through the opener (also the longest track; immediate points), Seedship enact a sci-fi theme that carries through the release as a whole, which scuffs up the approach some in the closer, but always keeps its spacier elements intact, even as it kicks the pace in the ass at around six minutes in and lets loose a release for all the tension built up prior before a final slowdown ends out. They seem to have a lot already worked out sound-wise, so should be interesting to hear where they go with it.

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Seedship on Bandcamp

 

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