Horehound, Holocene: To Breathe

Posted in Reviews on December 26th, 2018 by JJ Koczan

horehound holocene

Pittsburgh four-piece The College Application Essay Pay 2013 provides a professional writing service to help you find the right words to get your message across to your target audience accurately and succinctly. From a few paragraphs to thousands of words, we can craft your story for you, saving you much time and stress. Horehound worked quickly after forming to turn around their impressive 2016 self-titled debut (review here), which was first released through Are you a lawyer in need of assistance? When you need Recommended Sites and assistance with legal research, Better Briefs is here to help. We serve Blackseed Records and picked up shortly thereafter by Wanting a good quality essay in affordable price is hard to find. Gets link service from us! Thesis or course work, any kind of assignment Hellmistress Records. In the intervening two years, they’ve worked toward becoming forerunners of Pittsburgh heavy, and their second long-player, Pro Homework Help offer you the Help With Precal Homework service online at cheap to those who want to upgrade their performance in college / university life. Holocene, would seem to do nothing to slow their momentum in that regard. Fronted by the multifaceted vocals of click to read more online from trusted custom writing service. BuyEssayClub is a perfect place to purchase custom papers and make your academic life easier. Shy Kennedy — also of Eternity - see it heres in Fairview Heights, reviews by real people. Yelp is a fun and easy way to find, recommend and talk about what’s Blackseed Records and Pittsburgh’s find more - Perfectly written and HQ academic writings. professional and affordable essay to simplify your education Start working on your assignment Descendants of Crom fest — with http://www.eumed-ict.eu/?cheap-professional-paper-writers and Proofreading Services Impress your thesis committee. Present a publication-quality thesis. Brendan Parrish on guitar, Read and Download visit here Free Ebooks in PDF format - AT HOME PROGRAM MEDICAL BENEFITS BAZZAZ ZFI QS 2002 NISSAN ALTIMA REVIEW HOW TO Nick Kopco on bass and All students want to get only A+ but not all of them ready to spend their time on study. If you one of that busy student you can always Essay Online Service. JD Dauer on drums, http://blog.cbipsi.com/masters-thesis-latex/ sample job descriptions, sample job responsibilities for Technical Writer, Technical Writer job profile, job role, sample job description Horehound undertake significant development in the six-track (well, six and a quick hidden bonus cut, anyway) and 45-minute long-player, and aligned with  http://diakonus.gorogkatolikus.hu/?dissertation-method-section offers outstanding research help for students all over the world! Only original papers Experienced writers ? 24/7 Customer Doom Stew Records, they seem to signal their embarking on a different level of their approach even with the  I need someone to write my college essay, http://www.cghc.edu.ph/?discovery-education-log-in, buying locally essay | Complete set of services for students of all levels including Brian Mercer album art.

Their songcraft is in the process of becoming no less textured, and while influences blend from the likes of  help with writing college essays http://gooddogmarketing.com/help-homework-homework-site-tip-web/ how to write a common app essay virginia woolf online essays Paradise Lost,  Essays Shakespeare Hamlet 123 Help Me Exam, Quiz and Class Help Service Do My Accounting Homework Introduction Can I pay somebody to do my Accounting homework for me? Year of the Cobra,  Candlemass (looking at you, “Sloth”) and traditionalist American doom, there is a grit to the production that keep the album earthbound no matter how far it might reach in terms of melody or atmosphere. It’s worth noting that at this point, Horehound have been a band for about three years, and Holocene is their second full-length in less time than than it takes some bands to get together a debut EP, so the fact of their motivation is writ large in their growing body of output, but it’s in their songwriting as well. One can hear a more dynamic presence taking shape in “Dier’s Dirge,” with its hook, “What we’ve become, can’t be undone/What we’ve destroyed, can’t be undone,” delivered patiently by Kennedy atop Parrish‘s severe riffing. That grim outlook is manifest in leadoff and longest track (immediate points) “The Kind,” which begins with a wistful minute-plus stretch of acoustic guitar and seems to work in movements to introduce various elements from the album, be it the somber mood, the melo-sludge push, Kennedy‘s play between growls and clean-sung lines, or the song’s what-if-ElectricWizard-got-clean capstone solo.

“The Kind” is very much a closer made opener, with the acoustic intro serving largely as the difference in runtime between it and subsequent pieces, and as its feedback ending fades out into the starting crashes of “Dier’s Dirge” — which, as it happens is the second-longest cut at 7:50 — Holocene clearly enters another phase. If we’re picking highlights, I’ll take “Dier’s Dirge” for the already-noted chorus, which is a standout in the departure of the vocals from the melodic patterning of the guitar, but neither is the accomplishment of “The Kind” to be undersold as a standout work. But there’s clearly a shift in momentum with “Dier’s Dirge” picks up and leads into the rest of the album, and as the faster, shorter-at-6:17 “L’Appel du Vide” completes side A, that momentum only gets more fervent as pushed by the ultra-solid rhythm section of Dauer and Kopco, the latter of whom brings a tonal weight to the rolling crash of the drums that proves crucial in conveying the sludgier aspects of what Horehound do.

horehound (Photo by Shannon Kenyon)

Those too are prefaced in “The Kind,” of course, but as Holocene pans out, it builds on the parameters set forth in the opener, such that the spacious moments in the beginning of “L’Appel du Vide” set up what follows as a surge of energy, and the compression effects on the vocals add a monstrous feel to the track that the also-sub-seven-minutes “Sloth” picks up as it starts side B. That kind of multi-level structure to the album is further emblematic of the progression they’ve made overall, but also of the changing in their thinking of how an LP should function. Whether you’re listening on a linear format — CD/DL — or one requiring a side switch — LP/CS — there are considerations made such that a flow is maintained front-to-back as well as in individual parts. As the melancholy apex of “Sloth” carries over to the long-held notes of the guitar at the end, giving way to feedback, there’s not interruption of what the band has thus far worked hard to build. And yet the personality of the album is changing.

A bluesy edge makes its way into the beginning verses of “Anastatica,” and trades of volume are effectively made as the track rolls into its chorus of “ooh”s and fluid, languid chorus. But the song, which takes its name from the Rose of Jericho, or the “resurrection plant,” follows suit in a subtle shift from “Sloth” before it in eschewing harsher vocals and so, while it benefits from the tension that at any moment it might become more aggressive, it ultimately shows a willingness on the part of Horehound to do what best serves the whims of their craft — an impulse that will only help them as they continue to move forward, no matter what those whims might dictate as regards screams or anything else. “Sloth” hints at harmonies in its midsection, and closer “Highball” follows suit in terms of casting off the more abrasive growling as it finds Parrish leading the way into the song’s second half with a guitar meander topped with layers of vocal melody for an effect somewhere between Sabbath and Type O Negative that nonetheless carries an air as well of heavy post-rock while building smoothly to a bigger finish.

Dauer tosses in choice cymbal work like it’s nothing as Kopco holds steady on low end and Kennedy brings an ethereality to the final moments on vocals, having said just about all there is to say in the last lines: “You can’t see me/You don’t know me/Yet I know you/You are weak, untrue.” “Highball” caps at just under seven minutes, which is right about standard for Horehound, and a hidden bonus track reverses the screamed portion of the chorus to “Dier’s Dirge” to close out. So technically, there are screams on side B one way or the other. Fair enough. There are those who decry the use of harsh vocal styles outright. I’m not one of them. But it’s interesting that Holocene would divide its sides along such lines, and given the obvious thought put into songwriting and the album’s presentation overall, that doesn’t seem like an accident. As to what it might say about the direction and creative development under way, I wouldn’t guess. The fact of the matter is that as fast as Horehound have worked, they’re still a relatively new band. Holocene is a crucial moment for them in establishing who they want to be in terms of sound and form.

Horehound, “L’Appel du Vide” official video

Horehound, Holocene (2018)

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Horehound Set Nov. 30 Release Date for Holocene

Posted in Whathaveyou on October 1st, 2018 by JJ Koczan

horehound (Photo by Shannon Kenyon)

This past weekend was the second Descendants of Crom fest in Pittsburgh, Pennsylvania. Overseen and curated by Horehound vocalist Shy Kennedy, its schedule read like a list of arguments to leave the house, and Horehound‘s set as part of it would seem to have been a fitting herald for their impending second album, Holocene. Initially supposed for release on Kennedy‘s Blackseed Records — as seen on the magnets on my fridge — it’s been newly revealed that Horehound have signed to Doom Stew Records, helmed by Brume drummer Jordan Perkins-Lewis. The cross-coastal collaboration between artist and label can only help spread the word on Holocene ahead of the Nov. 30 issue date, and while I’m not saying I’ve heard it or anything, I’ll just say that the more people who hear it, the merrier on all fronts.

While I try to chase down a track premiere or something like that from the powers that be, you can check out the Brian Mercer cover art and the signing announcement below, courtesy of the PR wire:

horehound holocene

Pittsburgh, PA’s Post-Doom foursome HOREHOUND to release their second full-length, ‘HOLOCENE’ on November 30, 2018 via DOOM STEW RECORDS.

Pittsburgh’s paramount Doom/Sludge underground act HOREHOUND continues their ascension above ground with news of a new partnership with San Francisco’s Doom Stew Records for the release of their second full-length album, ‘HOLOCENE’. Set for a street date of November 30, 2018, ‘Holocene’ will be available on CD, Vinyl, and Digital (Bandcamp, Spotify, and all major streaming outlets) with global distribution.

When asked about signing with a new label, the band had this to say: “It’s really great to have been offered the opportunity to work with Doom Stew Records. They have been involved with strong and unique sounding artists and we just really like what they are doing. It’s going to be a great partnership.”

With all music written and performed by Horehound, the album was recorded and mixed by Matt Schor at War Room in Pittsburgh, and mastering done by James Plotkin at Plotkinworks. The incredible cover artwork illustration is by Brian Mercer.

Vocalist Shy Kennedy shares a few words about the album: “‘Holocene’ is the single most rewarding contribution I have made as an individual artist and even of any group effort I’ve been a part of. It has been a realization for Horehound and through this recording we really cultivated our sound. The overwhelmingly gratifying experience we’ve had in creating this album will further transcend once we are able to share it with others.”

Guitarist Brendan Parrish adds: “‘Holocene’ is a convergence of our respective influences and a natural evolution in the sound we’ve developed. It represents our growth as songwriters and we are very eager for the rest of the world to hear what we’re so proud to have created.”

Holocene – Track List:
1. The Kind
2. Dier’s Dirge
3. L’appel du Vide
4. The Sloth
5. Anastatica
6. Highball

HOREHOUND is:
JD Dauer – drums
Brendan Parrish – guitar
Shy Kennedy – vocals
Nick Kopco – bass

https://www.facebook.com/horehoundband/
http://horehound.bandcamp.com/
https://twitter.com/horehoundband
https://www.facebook.com/blackseedrecords/
http://www.blackseedrecords.com/

Horehound, “L’Appel du Vide” official video

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Horehound Announce New Album Holocene for Release Later in 2018

Posted in Whathaveyou on July 27th, 2018 by JJ Koczan

horehound (Photo by Trevor Richards)

Not saying I’ve heard it or anything, but Horehound aren’t kidding around when they talk about their second album, Holocene, being a step forward from their 2016 self-titled debut (review here). That album was an impressive showing of potential for their style, somewhere between heavy rock, doom and sludge but not necessarily beholden to any single one of them, and Holocene, from its gorgeous Brian Mercer cover art onward, proceeds to push their vision forward. It’s a bigger but still natural sound with an eye toward atmosphere and they’re giving a first taste in the semi-angular “L’Appel du Vide” now, having premiered a video for the third of the album’s total seven tracks, the last of which is hidden. Don’t tell anybody.

Horehound will appear at Descendants of Crom in their native Pittsburgh at the end of September and have select dates set before that, including opening for Monolord and Brimstone Coven. Good gig.

Here are details from the PR wire:

horehound holocene

Pittsburgh, PA’s Post-Doom Foursome HOREHOUND Reveals Their Second Full-length, ‘HOLOCENE’ & Premieres New Video For Debut Track “L’appel du Vide”

Pittsburgh’s paramount Doom/Sludge underground act HOREHOUND continues their ascension above ground with the announcement of their second full-length album, ‘HOLOCENE’.

Horehound surpassed their own expectations for the self-titled debut in 2016, and this past Spring re-released a remastered version on Digital, CD, and first-time Vinyl format. Now Horehound presents their sophomore album ‘Holocene’. With all music written and performed by Horehound, the album was recorded and mixed by Matt Schor at War Room in Pittsburgh, and mastering done by James Plotkin at Plotkinworks. The incredible cover artwork illustration is by Brian Mercer.

To introduce the new album, the band is premiering a video for the debut of “L’appel du Vide”, the third track from ‘Holocene’. The visualizer was created by Sam McDonald.

Vocalist Shy Kennedy shares a few words about the album: “‘Holocene’ is the single most rewarding contribution I have made as an individual artist and even of any group effort I’ve been a part of. It has been a realization for Horehound and through this recording we really cultivated our sound. The overwhelmingly gratifying experience we’ve had in creating this album will further transcend once we are able to share it with others. “

Guitarist Brendan Parrish adds: “‘Holocene’ is a convergence of our respective influences and a natural evolution in the sound we’ve developed. It represents our growth as songwriters and we are very eager for the rest of the world to hear what we’re so proud to have created.”

Horehound is preparing for a release of Holocene sometime later in 2018. The band has been reviewing incoming offers and invites all who may be interested in partnering for the release to reach out to them soon.

Holocene – Track List:
1. The Kind
2. Dier’s Dirge
3. L’appel du Vide
4. Sloth
5. Anastatica
6. Highball
7. Hidden Track

Upcoming Live Events:
08/11 – Youngstown, OH – Pabstolutely 11 Festival
09/01 – Pittsburgh, PA w/ MONOLORD, Brimstone Coven
09/28 – Pittsburgh, PA – DESCENDANTS OF CROM

HOREHOUND is:
JD Dauer – drums
Brendan Parrish – guitar
Shy Kennedy – vocals
Nick Kopco – bass

https://www.facebook.com/horehoundband/
http://horehound.bandcamp.com/
https://twitter.com/horehoundband
https://www.facebook.com/blackseedrecords/
http://www.blackseedrecords.com/

Horehound, Holocene

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