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Quarterly Review: Glanville, Destroyer of Light, The Re-Stoned, Ruff Majik, Soldat Hans, High Priestess, Weed Demon, Desert Storm, Ancient Altar, Black Box Warning

Posted in Reviews on July 17th, 2018 by JJ Koczan

quarterly-review-CALIFORNIA-LANDSCAPE-Julian-Rix-1851-1903

So Day 1’s done and it’s time to move on to Day 2. Feeling stressed and totally overwhelmed by the sheer amount of stuff still to be done? Why yes, I am. Thanks for asking. In the past, I used to handle the Quarterly Review well ahead of time. It’s always a lot to get through, but the week before, I’d be setting up back ends, chasing down links and Bandcamp players, starting reviews, etc., so that when it came time, all I had to do was the writing and plug it all into a post and I was set.

There was some prep-work done this past weekend, but especially this time, with my old laptop having been stolen in May, it’s all been way more jazz-improv. I was still adding releases as of last Friday, and writing beforehand? Shit. With the baby having just figured out how to climb? Not bloody likely. Accordingly, here we are, with much to do.

It’ll get done. I haven’t flubbed a Quarterly Review yet, and if I took an extra day to get there, I’m under no delusion that anyone else would care. So there you go. Let’s hit it for Day 2:

Quarterly Review #11-20:

Glanville, First Blood

glanville first blood

First Blood is the aptly-titled five-song debut EP from Glanville, a newcomer dual-guitar outfit with established players Philip Michel (The Earwix) on lead and Christopher West (Named by the Sun, ex-Stubb, etc.) on rhythm, Wight’s Peter-Philipp Schierhorn on bass and René Hofmann on vocals, and Thomas Hoffman (ex-Bushfire) on drums. Based in Germany and the UK, the group present 23 minutes of material on their first outing, drawing from the guitar-led likes of Thin Lizzy and Judas Priest to capture early metal and present it with a heavy rocking soulfulness and modern production. The most raucous of the cuts might be centerpiece “Durga the Great,” but neither “God is Dead” nor “Dancing on Fire” before nor “Demons” and “Time to Go” after want for action, and especially the latter builds to a furious head to close out the release. Hofmann as a standalone singer wants for nothing in range or approach, and the band behind him obviously build on their collective experience to dig into a stylistic nuance rarely executed with such confidence. They’ve found a place willfully between and are working to make it theirs. Can’t ask for more than that.

Glanville on Thee Facebooks

Glanville on Bandcamp

 

Destroyer of Light, Hopeless

destroyer of light hopeless

Having just recently signed to Argonauta Records for a new album in 2019, Austin doomers Destroyer of Light follow their 2017 long-player, Chamber of Horrors (review here), with a further auditory assault in the lumbering Hopeless. Psychedelic and yet still somehow traditional doom lingers in the brain after “Nyx” and “Drowned” have finished – the latter with an Alan Watts sample discussing alcoholism – and the band moves into demos for Chamber of Horrors cuts “Into the Smoke,” “Lux Crusher” and “Buried Alive.” Between the two previously unreleased songs and those three demos, Hopeless pushes to 39 minutes, but it’s probably still fair to call it an EP because of the makeup. Either way, from the miserable plod of “Nyx,” in which each chug in the riff cycle seems to count another woe, to the rolling nod early and surprising melody late in “Drowned,” Hopeless is anything but. Anticipation was already pretty high for Destroyer of Light’s next record after the last one, but all Hopeless does is show further depth of approach and more cleverly-wielded atmospheric murk. And the more it sounds like there’s no escape, the more Destroyer of Light seem to be in their element.

Destroyer of Light on Thee Facebooks

Destroyer of Light on Bandcamp

 

The Re-Stoned, Stories of the Astral Lizard

the re-stonEd stories of the astral lizard

The inevitable question is “Why a lizard?” and if you make it four minutes into 11-minute opener “Fractal Panorama” and don’t have your answer, go back ad start over. Moscow heavy psych instrumentalists The Re-Stoned intend the reptile as a spirit guide for their new outing Stories of the Astral Lizard (on Oak Island Records), which follows quickly behind their late-2017 offering, Chronoclasm (review here), and given the ultra-patient desert vibes in the opener, the acoustic-laced folk-prog of “Mental Print for Free,” the languid meander of “A Companion from the Outside,” the swirling sprawl of the 16-minute “Two Astral Projections” and the final cowpoke drift of “The Heather Carnival,” one might indeed just find a lizard sunning its belly amid all the atmospheric evocations and hallucinatory vibes. I’ll take “Two Astral Projections” as the highlight, but mostly because the extra length allows the band to really dig in, but really the whole album feeds together gorgeously and is a new level of achievement when it comes to atmosphere for The Re-Stoned, who were already underappreciated and find themselves only more so now.

The Re-Stoned on Thee Facebooks

Oak Island Records on Thee Facebooks

 

Ruff Majik, Seasons

Ruff Majik Seasons

Right on fuzz, right on groove, right on vibe – there isn’t much else one might say about Ruff Majik’s Seasons (on Rock Freaks Records and Forbidden Place Records) beyond “right on.” Heavy rock with twists of psychedelia, the Pretoria, South Africa, three-piece of Johni Holliday, Jimi Glass and Benni Manchino make their home on the lines of various subgenres, but wherever they go, the proceedings remain decisively heavy. To wit, a cut like “Breathing Ghosts” or the later “Birds Stole My Eyes” might dig into shuffle boogie or extreme-metal-derived thrust, but there’s a chemistry between the members and a resonant looseness that ties the material together, and as the last 14 of the total 66 minutes are dedicated to “Asleep in the Leaves,” there’s plenty of progressive weirdness in which to bask, one song moving through the next such that neither “Hanami Sakura (And the Ritual Suicide” nor the semi-doom-plodding “The Deep Blue” nor the funky twists of “Tar Black Blood” come across as predictable. Seasons might take a few listens to sink in, but it’s easily worth that effort.

Ruff Majik on Thee Facebooks

Ruff Majik at Rock Freaks Records webstore

Forbidden Place Records on Bandcamp

 

Soldat Hans, Es Taut

SOLDAT HANS ES TAUT-750

Hyperbole-worthy post-ism from Switzerland’s Soldat Hans makes their sophomore outing, Es Taut – on Wolves and Vibrancy Records as a 2LP – a forward thinking highlight. As rich in atmosphere as Crippled Black Phoenix and as lethal as Converge or Neurosis or anyone else you might dare to put next to them, the six-piece made their debut with 2014’s Dress Rehearsal (review here) and served notice of their cross-genre ambitiousness. Es Taut finds them four years later outclassing themselves and most of the rest of the planet across three extended tracks – “Story of the Flood” (26:15), “Schoner Zerbirst, Part I” (8:03) and “Schoner Zerbirst, Part II” (18:56) – that sprawl out with a confidence, poise and abrasion that is nothing short of masterful. Es Taut may be a case of a band outdoing their forebears, but whatever their legacy becomes and however many people take notice, Soldat Hans singlehandedly breathe life into the form of post-metal and prove utterly vital in so doing, not only making it their own, but pushing forward into something new in ambience and heft. This is what a band sounds like while making themselves indispensable.

Soldat Hans on Thee Facebooks

Wolves and Vibrancy Records website

 

High Priestess, High Priestess

high priestess high priestess

Calling to order a nod that’s immersive from the opening strains of leadoff/longest-track “Firefly” (still immediate points), Los Angeles trio High Priestess build out the psych-doom ritualizing of their 2017 demo (review here) to make their self-titled full-length debut through Ripple Music. The difference between the demo and the album in terms of what’s included comes down to artwork and the track “Take the Blame,” which adds its bell-of-the-ride swing between the atmosphere and melodic focus of “Banshee” and the spacious roller “Mother Forgive Me.” Potential is writ large throughout from guitarist/vocalist Katie Gilchrest, bassist/vocalist Mariana Fiel and drummer Megan Mullins, as it was on their demo, and even the harsh growls/screams on “Despise” seem to have found their place within the proceedings. As they wrap with the guitar-led jam of “Earth Dive,” High Priestess put the finishing touch on what’s hands-down one of 2018’s best debut albums and offer a reminder that as much potential as there is in their sound for future development, the accomplishments here are considerable unto themselves.

High Priestess on Thee Facebooks

Ripple Music website

 

Weed Demon, Astrological Passages

weed demon astrological passages

Four tracks of gurgling riffy plunder pervade Astrological Passages, the 41-minute – longer if you get the digital version or the tape/CD, which includes the 7:24 “Dominion of Oblivion” – debut album from Columbus, Ohio’s Weed Demon. Delivered on vinyl through Electric Valley Records, the nodder/plodder carves out a cave for itself within a mountain of tonally thick stoner metal riffing, infusing a sense of sludge with shouted and growled vocals from guitarists Andy and Brian and bassist Jordan – only drummer Chris doesn’t get a mic – and an overarching sense of bludgeoning that’s Sleep-derived if not Sleep-adjacent in terms of its actual sound. Nasty? Why, yes it is, but as “Sigil of the Black Moon” heads toward the midpoint of its 10-minute run, the repetitive groove assault makes the band’s intention plain: worship weed, worship riff. They get faster on “Primordial Genocide” and even sneak a bit of speed in amidst the crawl before the banjo takes hold in the second half of 12-minute closer “Jettisoned” – more Americana sludge please; thank you – but they never lose sight of their mission, and it’s the uniting factor that makes their debut hit like the brick to the head that it is.

Weed Demon on Thee Facebooks

Electric Valley Records website

 

Desert Storm, Sentinels

desert storm sentinels

With Sentinels, Oxford, UK, five-piece Desert Storm pass a decade since making their self-titled debut in 2008. They followed that with 2010’s Forked Tongues (review here), 2013’s Horizontal Life and 2014’s Omniscient (review here), and though they had a single out in 2014 on H42 Records as a split with Suns of Thunder (review here) in 2016, Sentinels is their first outing on APF Records and their first long-player in four years. Burl has always been an important factor in what they do, and the High on Fire-meets-Orange Goblin slamming of “The Brawl” backs that up, but Desert Storm have left much of the hyper-dudeliness behind in favor of a more complex approach, and while Sentinels isn’t a minor undertaking at 10 songs and 51 minutes, longer cuts like “Kingdom of Horns” and “Convulsion” demonstrate the maturity they’ve brought to bear, even as the one-two punch of “Drifter”  and “The Extrovert” offer swinging-fist hooks and beard-worthy chug that assures any and all testosterone quotas are met.

Desert Storm on Thee Facebooks

APF Records on Bandcamp

 

Ancient Altar, Cosmic Purge/Foie Gras

ancient altar cosmic purge foie gras

Based in Los Angeles, Ancient AltarScott Carlson (bass/vocals), Barry Kavener (guitar/vocals), Jesse Boldt (guitar) and Etay Levy (drums) – were last heard from on 2015’s dug-in atmosludger Dead Earth (review here), and they return lo these several years later with the two-tracker Cosmic Purge/Foie Gras, pushing into more extreme crush-of-riff with an abandon that’s anything but reckless. On the contrary, there’s some clear development in the 10-minute “Cosmic Purge” and 13-minute “Foie Gras,” rolling out oppressive grooves with blended screams/shouts and cleaner vocals. As with the last album, a drive toward individuality is central here, and Ancient Altar get there in tone while bringing forth a sense of scope to a sound so regularly thought of as closed off or off-putting in general. In its early going, “Foie Gras” hypnotizes with echoing melody and spaciousness only to resolve itself in a deeply weighted dirge march, furthering the pummel of “Cosmic Purge” itself. I don’t know if the EP – on vinyl through Black Voodoo Records, CD on Transcendental Void Records – will lead toward another album or not, but the sense of progression in Ancient Altar’s style is right there waiting to be heard, so here’s hoping.

Ancient Altar on Thee Facebooks

Black Voodoo Records on Thee Facebooks

 

Black Box Warning, Attendre la Mort

black box warning attendre la mort

Listen to it on headphones and the kickdrum on Black Box Warning’s Attendre la Mort is downright painful. Next-level blown-out aggro pulsations. Brutal in a physical sense. The rest of the band doesn’t follow far behind in that regard. Riffs are viscous and violent in noise rock tradition, but denser in their tone despite some underlying punkishness, and the vocals are likewise distorted and abrasive. The five-song/23-minute EP’s title translates to “Waiting for Death,” and each of the tracks is a dose: Opener “5 mg” is followed by “4 mg,” “1 mg,” “2 mg” and “3 mg.” Unsurprisingly, pills are a theme, particularly on “4 mg,” and the sense of violent threat is clear in “2 mg” and 3 mg,” which boast lines like, “Watch them all scream/Watch your enemy bleeded,” and “You are the pig/I am the butcher,” respectively. Between the lyrical and the general aural cruelty, the dis-ease is consuming and unmitigated, sludge becoming a slow-motion grindcore, and that’s clearly the point. Not stabbing, but gouging.

Black Box Warning on Thee Facebooks

Black Box Warning on Bandcamp

 

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Destroyer of Light Sign to Argonauta Records

Posted in Whathaveyou on July 3rd, 2018 by JJ Koczan

Austin doomers Destroyer of Light will release their next full-length in 2019 through Argonauta Records. The four-piece outdid themselves with last year’s Chamber of Horrors (review here), and more than ever, it’s easy to look forward to whatever they have coming next. Their 2018 EP, Hopeless, is streaming at the bottom of this post and will be the impetus for a run to Bad Reputation Fest in Houston later this month. This Fall, they’ll also head out on a tour of the East Coast and Midwest, hitting Shadow Woods IV in Maryland and venerable rooms up, down and all around the Atlantic Seaboard and the middle of the country. Hardly their first run, and presumably the tour will allow them to finalize new material before they actually get down to the business of making their upcoming record.

Argonauta announces the signing thusly:

destroyer of light

DESTROYER OF LIGHT join ARGONAUTA Records

Stoked to announce that DESTROYER OF LIGHT (Austin, TX) are now part of ARGONAUTA Records!

Formed in 2012 from constantly boiling musical cauldron that is Austin, TX, Destroyer of Light has taken a straight forward approach to tempering the disparate and harmonious parts of their influences into a total sum of slow motion tidal heaviness that bows to no altar but that of the riff. With the smoky flavors of hazed out doom and the stomping cadence of rock’s heyday, the band both tickles and deafens the ears with the theatrical flashes of Mercyful Fate, the ominous tones of Electric Wizard, and the ferociously feral feedback of a Sleep dirge.

The band says: “We are excited to announce our collaboration with Argonauta Records for our next LP. As a band, we have continued to evolve and mature, while maintaining the core sound of what is Destroyer of Light. So, after finishing the writing process and doing pre-production on these new songs, it is rewarding to have a record label that feels enthusiasm for these songs just as much as we do.”

New album to be released in 2019, more details to follow soon.

Destroyer of Light – Dates 2018
July Dates
July 13th – San Marcos, TX @ The Morgue Bar
July 18th – Austin, TX @ The Lost Well
July 19th – San Antonio, TX @ The Mix
July 20th – Harlingen, TX @ The Hop Shop
July 21st – Houston, TX @ White Oak Music Hall (Bad Reputation Fest)

Sept./Oct. Dates
9/1 – Denton, TX @ Dan’s Silver Leaf
9/2 – Oklahoma City, OK @ The Blue Note
9/3 – Wichita, KS @ The Elbow Room
9/4 – Lawrence, KS @ Replay Lounge
9/5 – Omaha, NE @ Lookout Lounge
9/6 – St. Paul, MN @ Caydence Records & Coffee
9/7 – Sioux Falls, SD @ Big’s Bar
9/8 – Des Moines, IA @ Vaudeville Mews
9/9 – Milwaukee, WI @ Cactus Club
9/10 – Chicago, IL @ Reggies
9/11 – Cleveland, OH @ 5 O’Clock Lounge
9/12 – Philadelphia, PA @ Kung Fu Necktie
9/13 – Camp Hidden Valley, MD (Shadow Woods Music Fest)
9/16 – Brooklyn, NY @ Lucky 13 Saloon
9/17 – Allston, MA @ O’Briens Pub
9/18 – Buffalo, NY @ Sugar City
9/19 – Montreal, ON @ Piranha Bar
9/20 – Ottawa, ON @ Maverick’s Bar
9/21 – Toronto, ON @ Coalition
9/22 – Detroit, MI @ Sanctuary
9/23 – Lansing, MI @ Mac’s Bar
9/25 – Kalamazoo, MI @ Shakespeare’s Pub
9/26 – Canton, OH @ Buzzbin Art and Music Shop
9/27 – Pittsburgh, PA @ Howlers (Pre-Gala of Descendants of Crom)
9/28 – Columbus, OH @ Tree Bar
9/29 – Indianapolis, IN @ Black Circle Brewery
9/30 – Cincinnati, OH @ Junker’s Tavern
10/1 – Louisville, KY @ Highlands Tap Room
10/2 – Nashville, TN @ Springwater
10/3 – Birmingham, AL @ The Nick
10/4 – Memphis, TN @ Growler’s
10/5 – Little Rock, AR @ White Water Tavern
10/6 – Dallas, TX @ Ruins

Destroyer of Light is:
Steve Colca – Guitar, Vocals
Nick Coffman – Bass
Keegan Kjeldsen – Guitar, Synth
Penny Turner – Drums

https://www.facebook.com/destroyeroflight/
http://www.instagram.com/destroyeroflightofficial/
http://www.twitter.com/DoLAustinDoom
http://destroyeroflight.bandcamp.com/
www.argonautarecords.com
https://www.facebook.com/ArgonautaRecords/
https://twitter.com/argonautarex
https://www.instagram.com/argonautarecords/

Destroyer of Light, Hopeless EP (2018)

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Destroyer of Light Announce Fall Tour Dates; Playing Shadow Woods Metal Fest & Descendants of Crom 2018

Posted in Whathaveyou on June 27th, 2018 by JJ Koczan

destroyer of light

No secret at this point that Destroyer of Light get around. The Texan doomers were out earlier this year on a West Coast run heralding the then-soon release of their latest EP, Hopeless (review pending), and come September they’ll be back on the road for a month-plus touring the Midwest and East Coast, making stops for a return appearance at Shadow Woods Metal Fest in the forests of Maryland, and hitting Pittsburgh for the Descendants of Crom 2018 pre-show. They’ll even get up into Canada for gigs in Montreal, Ottawa and Toronto. I’ve seen far less substantial lists of shows called “North American tours,” so fair enough.

Hopeless is out now on Heavy Friends Records as the follow-up to last year’s Chamber of Horrors (review here) long-player, which again, if you haven’t heard, you should hear. Like, get on it. Today would be good. Tomorrow works too.

Happy to host the announcement of this tour. Destroyer of Light are at this point a better band than people know — they also kill it live, which always helps — and hopefully they continue to turn heads their direction this time around.

From the PR wire:

destroyer of light new poster

Destroyer of Light – Fall Tour 2018

This will be the first East Coast tour in two years since the last Shadow Woods appearance with the exception of a few cities, it’ll be over a year. And to add this also be our first time hitting these cities since the releases of Chamber of Horrors (2017) and Hopeless (2018).

9/1 – Denton, TX @ Dan’s Silver Leaf
9/2 – Oklahoma City, OK @ The Blue Note
9/3 – Wichita, KS @ The Elbow Room
9/4 – Lawrence, KS @ Replay Lounge
9/5 – Omaha, NE @ Lookout Lounge
9/6 – St. Paul, MN @ Caydence Records & Coffee
9/7 – Sioux Falls, SD @ Big’s Bar
9/8 – Des Moines, IA @ Vaudeville Mews
9/9 – Milwaukee, WI @ Cactus Club
9/10 – Chicago, IL @ Reggies
9/11 – Cleveland, OH @ 5 O’Clock Lounge
9/12 – Philadelphia, PA @ Kung Fu Necktie
9/13 – Camp Hidden Valley, MD for Shadow Woods Music Fest
9/16 – Brooklyn, NY @ Lucky 13 Saloon
9/17 – Allston, MA @ O’Brien’s Pub
9/18 – Buffalo, NY @ Sugar City
9/19 – Montreal, ON @ Piranha Bar
9/20 – Ottawa, ON @ Maverick’s Bar
9/21 – Toronto, ON @ Coalition
9/22 – Detroit, MI @ Sanctuary
9/23 – Lansing, MI @ Mac’s Bar
9/25 – Kalamazoo, MI @ Shakespeare’s Pub
9/26 – Canton, OH @ Buzzbin Art and Music Shop
9/27 – Pittsburgh, PA @ Howlers (Pre-Gala of Descendants of Crom)
9/28 – Columbus, OH @ Tree Bar
9/29 – Indianapolis, IN @ Black Circle Brewery
9/30 – Cincinnati, OH @ Junker’s Tavern
10/1 – Louisville, KY @ Highlands Tap Room
10/2 – Nashville, TN @ Springwater
10/3 – Birmingham, AL @ The Nick
10/4 – Memphis, TN @ Growler’s
10/5 – Little Rock, AR @ White Water Tavern

Destroyer of Light is:
Steve Colca – Guitar, Vocals
Nick Coffman – Bass
Keegan Kjeldsen – Guitar, Synth
Penny Turner – Drums

https://www.facebook.com/destroyeroflight/
http://www.instagram.com/destroyeroflightofficial/
http://www.twitter.com/DoLAustinDoom
http://destroyeroflight.bandcamp.com/

Destroyer of Light, Hopeless EP (2018)

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Destroyer of Light Announce Hopeless EP; New Track Posted; Touring West Coast

Posted in Whathaveyou on April 2nd, 2018 by JJ Koczan

destroyer of light

Last year, Texas four-piece Destroyer of Light hit a new level of misery entirely with their third long-player, Chamber of Horrors (review here). Seriously. Did you hear it? Don’t get me wrong, there’s a lot of doom out there these days, and a fair amount of it comes from the Lone Star state, but fucking hell, you want to talk about a band outdoing themselves, that’s exactly what happened with that record. All these guys have done is tour and kick ass. They’re like specialists.

Destroyer of Light have a new track posted now called “Nyx” that comes from their upcoming EP, Hopeless, which is out May 11 on their affiliated imprint, Heavy Friends Records. It’s nine minutes long, and the video’s cool, but if you have to put it on and switch to another tab or something because your life is just that busy — and hey, it may well be; if so, thanks for taking the time to check in — the important thing obviously is that you listen to the song, which once again is dead-on in its crawl and atmosphere. I swear this band would be bigger if their name didn’t make you think they were grindcore.

They’re not, by the way. Not grindcore.

To the PR wire:

destroyer of light hopeless

DESTROYER OF LIGHT: Texan Harbingers of Doom Return with Hopeless EP | West Coast Tour Kicks Off Next Month

Hopeless EP by Destroyer of Light is released on 11th May 2018 on Heavy Friends Records

From deep within the belly of the beast, Texan harbingers of doom Destroyer of Light rise in 2018 with the release of a brand-new EP and string of West Coast tour dates throughout North America.

Hopeless EP is the latest in the Austin-based quartet’s devastating canon and will get an official release on 11th May through Heavy Friends Records. Containing two, practically feature-length tracks which set out to fill the silence between the praise of last year’s Chamber of Horrors and the promise of their follow up full-length next year, the EP charts an ominous course into the heart of darkness which deals directly with depression, suicide and drug addiction. Reworking the grim theatricality and crushing, heavy metal dirges of their earlier recordings, death and destruction is very much the order of service but with a new and somewhat progressively charged life-force.

“With Hopeless, I wanted to focus more on my clean singing, and our song writing has become more melodic while still maintaining the heavy riffs,” explains guitarist/vocalist Steve Colca. “We don’t limit ourselves to what we write, and the direction you’ll hear on this EP is a taste of what’s to come in the future.”

Unmistakably influenced by the likes of Electric Wizard, Mercyful Fate, EYEHATEGOD, Sleep and Autopsy, along with countless literary and horror anthologies, this new EP signals a massive shift in potential and a development that will see the band step out of cavernous, dank basements and into psychedelic realms hitherto unknown. What’s more, on their way to that strange place, over the coming months the band takes to the road for an extensive West Coast tour (see tour info below) in support of Hopeless, which will be released on 11th May 2018 on Heavy Friends Records.

TOUR DATES:
20th April – El Paso, TX – Neon Rose
21st April – Albuquerque, NM – Sister Bar
22nd April – Denver, CO – Streets of London
23rd April – Boise, ID – High Note Cafe
24th April – Richland, WA – Emerald
25th April – Tacoma, WA – The Valley
26th April – Portland, OR – High Water Mark
27th April – Sacramento, CA – The Blue Lamp
28th April – San Francisco, CA – Thee Parkside
29th April – Pacifica, CA – Winter’s Tavern East
30th April – Los Angeles, CA – Five Star Bar
1st May – San Diego, CA – Til Two Club
2nd May – Tempe, AZ – Yucca Tap Room
3rd May – El Paso, TX – Rockin’ Cigar Bar
4th May – Odessa, TX – The Gabby Doo Saloon
5th May – San Antonio, TX – Faust Tavern
DESTROYER OF LIGHT:

Steve Colca – Guitar, Vocals
Nick Coffman – Bass
Keegan Kjeldsen – Guitar, Synth
Penny Turner – Drums

https://www.facebook.com/destroyeroflight/
http://www.instagram.com/destroyeroflightofficial/
http://www.twitter.com/DoLAustinDoom
http://destroyeroflight.bandcamp.com/

Destroyer of Light, “Nyx” official video

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