Holy Grove Unveil Cover Art for Holy Grove II

Posted in Whathaveyou on September 25th, 2018 by JJ Koczan

holy grove ii full cover

I usually try to keep it reasonable as regards file sizes around here, mostly because I have a voice in my head that sounds a lot like Slevin (who built the site) berating me for not doing so, but every now and again you gotta just give a piece of art its due. Accordingly, click the image above to greatly enlarge the full two-sided cover for Holy Grove II, the impending second album and Ripple Music debut from Portland, Oregon’s Holy Grove. The art, of course, is by Adam Burke.

The striking artwork was a factor as well on Holy Grove‘s 2016 self-titled debut (review here), released by Heavy Psych Sounds, and like producer Billy Anderson, Adam Burke is a returning party in adding his visuals alongside Holy Grove‘s tracks. I haven’t heard the record yet — it’s a Nov. 9 release date, so we might be a while before we get there — but the band previously announced the tracklisting and offer some more comment about the record, and because one likes to be thorough, you’ll see the front-cover version of the art below, complete with a fancy Holy Grove logo that seems just about ready to become my new favorite t-shirt.

More on Holy Grove‘s Holy Grove II as I hear it (and hopefully I hear it soon — ha.), but for now here’s what I’ve got:

holy grove ii

Holy Grove on Holy Grove II:

For us this record represents a rebirth of sorts…we went through a trying few years where the future of the band was in doubt and making another record seemed like it may never happen. We continued on, believing that we had more to accomplish. This record is a result of that belief, as well as a lot of hard work. We’re all very proud of it, and are looking forward to sharing it.

Holy Grove II tracklisting:
Blade Born
Aurora
Valley of The Mystics
Solaris
Cosmos

Holy Grove is:
Andrea Vidal – Vocals
Trent Jacobs – Guitar
Gregg Emley – Bass
Eben Travis – Drums

https://www.facebook.com/holygroveband/
https://twitter.com/holygroveband
http://holygrove.bandcamp.com/
http://www.ripple-music.com
https://ripplemusic.bandcamp.com
https://www.facebook.com/theripplemusic/

Holy Grove, Live at the Tonic Lounge, Portland, OR 03.26.18

Holy Grove, Holy Grove (2016)

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Holy Grove Finish Work on New Album Holy Grove II

Posted in Whathaveyou on July 16th, 2018 by JJ Koczan

Portland, Oregon, heavy rockers Holy Grove announce the completion of their second full-length. The four-piece of vocalist Andrea Vidal, guitarist Trent Jacobs, bassist Gregg Emley and drummer Eben Travis already toured the West Coast this year after announcing in January they’d signed to Ripple Music for the follow-up to their 2016 self-titled debut (review here), which was released by Heavy Psych Sounds. Like that record, the new one was tracked with Billy Anderson, but it’s immediately apparent Holy Grove aren’t looking to repeat themselves this time out.

In the update/announcement that follows here, Holy Grove talk about coming together as a band as a result of touring — that’s how it happens — and working out the material both on the road and in their rehearsal space. I look forward to hearing the record not just for its special guest appearance from a checkered-shoe doomer who gets to remain nameless, or for Anderson‘s production, but to hear where Holy Grove‘s songwriting has carried them in the wake of the self-titled being so well received and offering such a string of memorable tracks. Going by what I read in the update below, it seems like they’ve genuinely put the effort forward to make the best album possible at this time. If you can find an argument against that, I’d be interested to hear it. Except not really.

I’ll hope to have much more to come as we continue to move closer to the release, but for today, cheers to Holy Grove on finishing Holy Grove II and here’s to the anticipation of actually digging in.

Photos by Alyssa Herrman, an update from the band, and the album’s tracklisting all follow here:

holy grove 1 (Photo Alyssa Herrman)

We started tracking basically the day after we returned from our West Coast tour in April, and spent about four days tracking at Hallowed Halls in Portland. We then spent an additional couple of days tracking at Everything Hz. We really enjoyed being back in the studio. We felt prepared, focused and really excited about the new material, especially after playing the songs live nightly for a few weeks on tour. Billy (Anderson, engine-ear supreme) was fired up and invested and inspired us to push ourselves in getting the takes we wanted, and obviously crucial in getting the sounds we wanted on tape.

This time around we were able to demo the songs as a band in our practice space. We put a lot of effort into revising and massaging songs to get them to sound the way we heard them in our heads. Demoing allowed the four of us to work through all our ideas and make the necessary changes before heading into the studio, so we went in with a clear picture of what we hoped to achieve. The second biggest difference was being able to tour the record beforehand. Prior to Eben joining in June of 2017, we were rarely in a position where we could tour. In March we embarked on our first West Coast tour and spent the entire time becoming more comfortable with the songs, working out kinks and figuring out what was working and what wasn’t. Knowing the material and being able to hammer it out in a live setting allowed us to bottle that energy and bring it to the studio.

To us, the album to represents turning a page and crossing a threshold musically and emotionally that wasn’t available or apparent before. We’re a different band then we were when we made the first record and it was important to us to reflect that in the songs. We made it a point to listen to our gut during the entire writing and recording process, but still allowed the songs take on a life of their own and let them dictate where to go with them, if that makes sense… The songs are darker, more epic (there are five songs on this record but the overall runtime is longer than our first album, which had seven), and more emotionally reflective of what the band has been through in the last 3-4 years. Andrea’s vocals are more emotive and powerful and her lyrics darker and more personal. Trent immersed himself in his playing and has evolved immensely as a player. Eben and Gregg have become the rhythm section they both always wanted to be a part of. It’s a pretty exciting time for all of us, and we’re excited to see what the future holds.

Holy Grove II tracklisting:
Blade Born
Aurora
Valley of The Mystics
Solaris
Cosmos

Holy Grove is:
Andrea Vidal – Vocals
Trent Jacobs – Guitar
Gregg Emley – Bass
Eben Travis – Drums

https://www.facebook.com/holygroveband/
https://twitter.com/holygroveband
http://holygrove.bandcamp.com/
http://www.ripple-music.com
https://ripplemusic.bandcamp.com
https://www.facebook.com/theripplemusic/

Holy Grove, Holy Grove (2016)

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Holy Grove Announce West Coast Tour

Posted in Whathaveyou on February 5th, 2018 by JJ Koczan

holy grove foto phortress

Holy Grove are hitting the road once again. Word comes down of the West Coast trek less than a month after the soulful Portland four-piece announced signing to Ripple Music to release their second full-length later this year, and ahead of an appearance this coming Spring as part of a bill at Stumpfest VII that also includes Windhand, Black Mare, Ruby the Hatchet and Dead Meadow, among others.

If you’re thinking this might be a release tour for the new long-player — I had the thought too — the band aren’t quite there yet. Rather, this seems to be the trip by which they’ll tighten up the new songs before hitting the studio to lay everything down. Certainly a great time to see them either way, and they’ll be keeping some good company as well. Check it out:

holy grove tour

We’re headed out on a little West Coast tour before we go in the studio to record our 2nd record. We’re going to playing a bunch of places we’ve never played before. We’re playing with some great bands, check out the poster for details. We’d love to see you. Tell your friends, we’d love to see them too.

Thanks to Martin Ontiveros for the poster!

Holy Grove live:
03/15 Bellingham WA The Shakedown w/ Crystal Myth
03/16 Seattle WA Substation w/ Into the Storm
03/17 Astoria OR Charlie’s Chop House w/ Void Realm
03/18 Eugene OR Old Nick’s Pub w/ Elephant Gun, Coyote
03/19 Reno NV Jub Jub’s Thirst Parlor w/ TBD
03/20 Las Vegas NV Dive Bar w/ Sonolith, Plague Doctor
03/21 San Diego CA Tower Bar w/ War Cloud
03/22 Los Angeles CA 5 Star Bar w/ War Cloud
03/23 San Jose CA The Caravan w/ ZED, KOOK
03/24 Nevada City CA Cooper’s Ale Works w/ War Cloud
03/25 Sacramento CA Blue Lamp w/ Royal Thunder, Pinkish Black, Brume
03/26 Portland OR Tonic Lounge w/ Royal Thunder, Pinkish Black
04/20 Portland OR Stumpfest VII

Holy Grove is:
Andrea Vidal – Vocals
Trent Jacobs – Guitar
Gregg Emley – Bass
Eben Travis – Drums

https://www.facebook.com/holygroveband/
https://twitter.com/holygroveband
http://holygrove.bandcamp.com/
http://www.ripple-music.com
https://ripplemusic.bandcamp.com
https://www.facebook.com/theripplemusic/

Holy Grove, Holy Grove (2016)

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Holy Grove Sign to Ripple Music; New Album out This Year

Posted in Whathaveyou on January 9th, 2018 by JJ Koczan

Portland, Oregon’s Holy Grove have signed to Ripple Music and will release their second full-length through the label this year. Of course, the four-piece made their debut with their self-titled (review here) via Heavy Psych Sounds in 2016, and especially after touring the US and Europe to support it, the prospect of a follow-up outing has intrigued since it was first discussed here last fall.

Obviously there’s no audio or anything like that to go on yet from the new record, but presumably we’ll get there. Holy Grove‘s first outing for Ripple, however, will be a reissue of the debut that’s also being positioned as its first North American release. Seems fair to think Holy Grove will hit the road at some point this year as well either at home or abroad, though I’d imagine a lot depends on the issue date that winds up being slated for the album, and as we all know, Ripple‘s calendar is pretty full these days. Nonetheless, I’m excited to see how it plays out. Kudos to the band and to the label on joining forces. Seems like a win for everyone involved.

The announcement was short and sweet:

holy grove ripple music

Please welcome with open arms. Holy Grove to the Ripple Family.

“Holy Grove have already proven to be one of the rising forces in the doom scene, with their atmospheric yet crushingly heavy sound,” says Ripple’s Todd Severin. “Thrilled to welcome them into the family and do our best to spread their music around the world.”

Says the band: “When it came time for us to plan the release of our second record, we had a list of labels we wanted to work with, and Ripple was at the top. We are extremely proud to be a part of the Ripple family and looking forward to everyone hearing our new record this year!”

Portland, Oregon’s Holy Grove walks in the long footsteps of tradition, pitting soulful vocals, searing guitar solos, and swinging grooves into its own Bic-flicking dinosaur stomp.

Together they have made waves on stage in the company of Uli Jon Roth, Jucifer, and Lord Dying, as well as at festivals like Psycho Las Vegas, the Malt Ball, Hoverfest, Ceremony of Sludge, and PDXPOPNOW!

Holy Grove live:
Mar 23 Caravan Lounge San Jose, CA
Mar 24 Eli’s Mile High Club Oakland, CA

Holy Grove is:
Andrea Vidal – Vocals
Trent Jacobs – Guitar
Gregg Emley – Bass
Eben Travis – Drums

https://www.facebook.com/holygroveband/
https://twitter.com/holygroveband
http://holygrove.bandcamp.com/
http://www.ripple-music.com
https://ripplemusic.bandcamp.com
https://www.facebook.com/theripplemusic/

Holy Grove, Holy Grove (2016)

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Six Dumb Questions with Holy Grove

Posted in Six Dumb Questions on September 13th, 2017 by JJ Koczan

holy-grove-photo-by-Foto-Phortress

This coming weekend, Sept. 16, Portland, Oregon’s Holy Grove are set to appear at Epicenter Music Fest in San Francisco, California. In that endeavor, the soulful riff rollers join the considerable ranks of High on Fire, Big Business, Mos Generator and others (full lineup here), and after appearances at Psycho Las Vegas in 2016, making their debut run through Europe alongside Boston’s Gozu, and offering one of last year’s finest debuts in their Heavy Psych Sounds-released and Billy Anderson-helmed self-titled (review here), it would seem to be the finishing stamp on the cycle for their first outing as they get ready to move on toward the writing and recording of the second.

Anyone who’s heard cuts like “Nix” and “Holy Grove” doesn’t need me to say that’s good news. Topped off as it was by some of the most striking cover art Adam Burke has ever produced (which is saying something), Holy Grove‘s Holy Grove offered modern tones and classic groove in kind, vocalist Andrea Vidal establishing a commanding presence amid the righteous lead work of guitarist Trent Jacobs and the full low end push from bassist Gregg Emley. They’ve worked with a succession of drummers already since founder Craig Bradford recorded with them, and they just recently welcomed Eben Travis to the fold as at least the fourth in that line, hopefully settling the issue once and for all.

As we move into Fall and begin to look ahead toward some of 2018’s most anticipated releases, it’s only fair to include an impending sophomore outing from Holy Grove on that list. The level of bluesy stylistic cohesion and songwriting they brought to the driving, swinging “Huntress” and to the nodding, semi-metallic expanses of “Hanged Man” would demand no less. Just how will the four-piece, now including Travis as a (fingers crossed) permanent member, begin to move forward and expand their sound in the New Year? And will they hit the road again with the same fury they did behind the self-titled? Sounds to me like it’s time to check in with Vidal for a full update.

Please enjoy the following Six Dumb Questions:

epicenter-music-festival

Six Dumb Questions with Andrea Vidal of Holy Grove

We’re about 18 months out from the self-titled release at this point. Looking back on your first album, how do you feel about how the songs came out? What is your favorite thing about it and what is your favorite memory of the recording process?

I think overall, we’re pretty satisfied with how the songs are represented on the record. We knew going into the recording process that we wanted to create studio versions of the songs, and have the live versions be their own thing. To that end, I think we were successful. It served the purpose of introducing people outside of Portland to the songs. My favorite memory of the recording process was the day we finished mixing at Everything Hz (Billy‘s studio). We literally finished up mixing the last song, and then listened to the whole thing from beginning to end. It was definitely one of “those moments.”

What’s the status of new material? Do you have a recording plan yet and a ballpark release date? How have the new songs started to come together?

New material is progressing nicely. Even while we were down a drummer, the three of us continued to show up to practice to work on new material with the intent to have songs basically finished and ready to start working on as soon as we found a drummer. We played two new ones at our first show back which felt great. We have a few more nearing completion and a large backlog of riffs and ideas that we’ll start pouring over in the next few months to get a new record written and recorded by early next year.

Is there anything in particular you want the new songs to build on from the self-titled? Anything you want to change in the band’s sound or a new way to challenge yourself or the band as a whole? Something new you just want to try out in the studio, maybe?

I think the idea for the new batch of songs is to push ourselves to take the tunes to the next logical level. I wouldn’t say there is anything we want to change or reinvent particularly, but we do want to amplify everything that we did on the first record. More swing, more groove, more power, more riffs!

Tell me about bringing Eben Travis into the band. What was it about him that let you know he was right to take on the drummer position? What were you looking for in someone new?

We basically knew as soon as Eben started playing that he was “the one.” We really wanted someone who understood the feel of the tunes without us having to explain it, someone who hit the drums fucking hard, and was someone who we could welcome in to the band on a personal friendship type level… someone we could also be pals with, basically. Thankfully Eben was that guy. Dude is the total package.

You toured in the US and in Europe for the self-titled. How do you feel about the way the band has been received on the whole, in terms of the record and live? Can you sense a difference at shows between now and before the album came out?

We’re all pretty flattered and humbled by the response to the band and record. I think after we played Psycho Las Vegas in 2016 and got a positive response that we realized we had a chance to make a mark outside of Portland. Having the record out means that when we play people are familiar with the tunes a bit more, and Psycho was the first time I looked out and saw people in the crowd singing along, which was really a special moment for me personally.

You’ve got Epicenter fest Sept. 16. Any other plans or closing words you want to mention?

First and foremost, we can’t thank everybody enough for the support. It truly means the world to us. After we get back from Epicenter, we have a few local shows with The Obsessed, then the plan is to finish up writing the new record, get it recorded and hit the road. We’re in the early planning stages of getting a European tour planned for 2018, which is something we are all really looking forward to. More shows, more music!

Holy Grove, Holy Grove (2016)

Holy Grove on Thee Facebooks

Holy Grove on Bandcamp

Holy Grove at Heavy Psych Sounds

Heavy Psych Sounds on Thee Facebooks

Epicenter Music Festival 2017 event page

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Epicenter Fest 2017 Set for Sept. 16; High on Fire, Mos Generator, Big Business, Holy Grove & More to Play

Posted in Whathaveyou on July 17th, 2017 by JJ Koczan

When Epicenter Fest 2017 says it’s carefully curated, I have no trouble believing it. The inaugural edition of the San Jose, California-based all-day event is set for Sept. 16 and would seem to have undertaken the mission of setting West Coast heavy to task in celebrating some of its own finest purveyors. High on Fire headline, as they should, and the lineup flows from there with groups varied in geography and style, from the brash catchiness of Big Business to the rolling grooves of Holy Grove, the straight-ahead classicism of Mos Generator, and upstart outfits BrumeKOOK and Mesmer, as if to underscore the point that the Pacific region’s growth is still very much in progress.

A standout name on the bill not included in the paragraph above is Future Usses, which features guitar manufacturer Sacha Dunable (also Intronaut) and is a new outfit making its live debut at the fest. Even without the Bill and Ted reference in the moniker, that’d be a band to keep an eye on. So do that. I’ll do the same.

Fest info follows, along with ticket links and whatnot. Looks awesome even from the entire other side of the country:

epicenter fest 2017

OSKAR BLUES PRESENTS: EPICENTER HEAVY MUSIC FESTIVAL-2017

Honoring the Past, Present, and Future of Bay Area Heavy Underground Music Featuring High on Fire, Big Business & 7 more great bands

Heavy San Jose is bringing a festival unlike anything San Jose has ever seen. High on Fire, who got their start in San Jose in a practice studio just a couple of blocks from The Ritz, will headline this nine-band monster show. Epicenter Heavy Music Festival was designed to shake the Bay Area to its foundations.

The carefully curated lineup of nine bands represent nine different genres of heavy music. In addition to High on Fire, heavy music stalwarts Big Business, will also grace the Ritz stage with more earth-shaking sound than should come from a two-piece. Mos Generator (Seattle), and Holy Grove (Portland), will descend from the northern wilds to bring furious wrath and heavy-metal vengeance. Future Usses (Los Angeles) is a new band fronted by Sacha Dunable (Intronaut/Dunable Guitars), and Epicenter will be the first live taste of their loopy psych-doom. The line-up also features three up-and-coming local bands: KOOK (Glory or Death Records) from right here in San Jose, Brume (DHU/Doom Stew Records) from San Francisco, and Mesmer (Wicked Lester Records) from Oakland. There’s at least one more band not yet announced (but already booked) and more surprises in the works.

This festival is all about shining a light on the unique musical history of San Jose and the greater Bay Area, bringing a one-of-a-kind event to heavy music lovers, and putting the spotlight an amazing venue in San Jose (The Ritz). The Bay Area birthed some of the most influential bands in heavy music, starting with Blue Cheer in the late 60s, continuing through the thrash era in the 80s with Metallica, Exodus and Testament, and the birth of stoner/doom in the 90s with Sleep, High on Fire and Neurosis. New amazing heavy underground bands are constantly forming in the Bay, and it’s Heavy San Jose’s mission to highlight them, as well as provide an artist-friendly environment for touring bands in the heavy underground.

The event will showcase as much great local flavor as possible, featuring local artists and businesses (Martin Roberson, owner of Lucky Stars Tattoo in San Jose created the show poster). Sponsorships, are still available (contact info above). We’re offering VIP and General Admission tickets, and we’re expecting a sellout (capacity at the Ritz is just over 500). VIP tickets (only 50 available) are on sale now, with GA tickets going on sale Friday July 14th at 10:00am pacific.

Bands Performing (see below for band bios):
High on Fire (San Jose/Oakland)
Big Business (Los Angeles)
Mos Generator (Seattle)
Holy Grove (Portland)
Future Usses (Los Angeles)
Brume (San Francisco)
KOOK (San Jose)
Mesmer (Oakland)

Event Details:
When: September 16, 2017 5:30 PM – 1:30 AM
Where: The Ritz – 400 South First Street, San Jose, CA
Cost: General availability tickets are $45 with VIP tickets priced at $75 (early access to the venue, access to a private VIP area, limited edition screen printed show poster, and other fun surprise perks).

Tickets: https://www.ticketfly.com/purchase/event/1523269?utm_medium=bks
Facebook: https://www.facebook.com/events/1971651789739169

www.heavysj.com
www.facebook.com/heavysjc

High on Fire, “Devilution” live at Roskilde 2017

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Holy Grove Working on New Album; Seek New Drummer

Posted in Whathaveyou on May 1st, 2017 by JJ Koczan

Holy Grove made a soulful debut via Heavy Psych Sounds in 2016 with their self-titled full-length (review here), full of right-on riffs, belted-out hooks and weighted nodding groove. They’ve spent a good amount of time since on the road supporting it. They did the West Coast and the East, and ventured to Europe alongside Boston’s Gozu. They’ve been at HoverfestPsycho Las Vegas and more besides. For a band with one album and a prior live EP (review here) out, they’ve amassed a considerable CV.

In the process, vocalist Andrea Vidal, guitarist Trent Jacobs and bassist Gregg Emley have already worked with a few different drummers. Founder Craig Bradford played on the album, but by the time the record came out, he’d been replaced twice over, by Ryan Northrop (ex-Sons of Huns) and subsequently by Adam Jelsing. As they start to move forward and begin the process of putting together their second long-player — currently being written — Holy Grove once again find themselves in need of a percussionist.

As you can see below, they’re looking for a swing player — anytime someone mentions Ian Paice, yes, swing is the thing — who hits hard and can tour as well. As crowded a scene as Portland is, and as good a band as Holy Grove are, I can’t imagine it’ll take all that long for them to get someone in the role, but here’s the want ad in case you or someone you know happens to be looking for an awesome drumming gig:

holy grove

Portland based stoner/heavy blues/doom band Holy Grove is looking for a full-time dedicated drummer.

Here’s what we’re looking for……a hard hitter with big drums, the ability to swing/groove, and play in the style of John Bonham, Bill Ward, Ian Paice, Cozy Powell, Brant Bjork etc.

Our goal is to find someone dedicated, who can practice twice a week, and is able to tour when necessary (we’re not necessarily trying to live in our van, but we want be able get out a couple times a year.)

We have label and tour support for Europe, and are in the process of writing a new record for release this year.

Here are links to our music:

http://www.heavypsychsounds.com/bands/holy-grove.htm

https://holygrove.bandcamp.com/

Please have samples of your playing available, and send them to holygrovedrummer@gmail.com

If any of this sounds good, we’d love to hear from you!

https://www.facebook.com/holygroveband/
http://holygrove.bandcamp.com/
https://www.facebook.com/HEAVYPSYCHSOUNDS
http://www.heavypsychsounds.com/bands/holy-grove.htm

Holy Grove, Live at Hoverfest

Holy Grove, “Death of Magic” live at Psycho Las Vegas

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The Top 20 of 2016 Year-End Poll — RESULTS!

Posted in Features on January 1st, 2017 by JJ Koczan

top 20 year end poll results

The poll is closed, the results are counted and the top 20 albums of 2016 have been chosen. Hard to argue with the list as it’s shown up over the course of the past month, so I won’t try. Instead, let me just say thanks to incredible amount of participants who contributed this year.

All told, between Dec. 1 and Dec. 31, 612 people added their picks to the proceedings, compared to 388 in last year’s poll. Considering how much that number blew my mind on Jan. 1, 2016, I’m sure you can imagine how I feel about adding another 200-plus lists to the pot. In short, I’m astounded, deeply humbled and so, so, so grateful. I feel like we got enough of a sampling this year to give a genuinely representative showing for where people’s heads have been at, so thank you if you were a part of it.

Thank you as well as always to Slevin for running the poll’s back end and tabulating the results. As ever, the weighting system is one in which a 1-4 ranking is worth five points, 5-8 worth four, 9-12 worth three, 13-16 worth two and 17-20 worth one. You’ll find that list (plus some honorable mentions) below, followed by the raw-vote tally.

And after the jump, as has become the tradition, are the full lists of everyone who submitted, alphabetized by name. I’m in there too. It’s a huge amount to wade through, and even if you thought you heard everything in 2016, it should be more than enough to keep you busy for the next year.

One last note: I’m no statistician. Please allow for these numbers to change over the next couple days on some small level.

Let’s go:

Top 20 of 2016 — Weighted Results

wo fat midnight cometh

1. Wo Fat, Midnight Cometh (375 points)
2. Greenleaf, Rise Above the Meadow (368)
3. Elephant Tree, Elephant Tree (324)
4. Asteroid, III (302)
5. Brant Bjork, Tao of the Devil (295)
6. Gozu, Revival (274)
7. Neurosis, Fires Within Fires (253)
8. King Buffalo, Orion (244)
9. Mars Red Sky, Apex III (Praise for the Burning Soul) (238)
10. Conan, Revengeance (232)
11. Cough, Still They Pray (228)
12. Holy Grove, Holy Grove (218)
13. SubRosa, For this We Fought the Battle of Ages (213)
14. Truckfighters, V (206)
15. Blood Ceremony, Lord of Misrule (200)
16. Khemmis, Hunted (192)
16. Red Fang, Only Ghosts (192)
17. Inter Arma, Paradise Gallows (181)
18. Witchcraft, Nucleus (174)
19. Opeth, Sorceress (173)
20. Church of Misery, And then there Were None (159)

Honorable mention to:
Causa Sui, Return to Sky (157)
Goatess, II: Purgatory Under New Management (157)
Black Mountain, IV (148)
Mos Generator, Abyssinia (144)
Wretch, Wretch (140)

Look at those tallies for number one and two. That race was close all month. Wo Fat kept out front for the most part, but Greenleaf kept it interesting and Elephant Tree’s debut snuck in there at third, which I love to see, both because it’s their first album and because that record was indeed so great. King Buffalo, another debut, also made the top 10, underscoring those two as bands to watch, and though Brant Bjork, Conan, Asteroid, Neurosis, Gozu and Mars Red Sky might be more expected names, they still certainly delivered excellent records, so again, nothing to fight with here. Things flesh out a bit in the 10-20 range, but I don’t think there’s one album on this list you could call is “miss.”

Top 20 of 2016 — Raw Votes

wo fat midnight cometh

1. Wo Fat, Midnight Cometh (109)
2. Greenleaf, Rise Above the Meadow (92)
3. Brant Bjork, Tao of the Devil (87)
4. Elephant Tree, Elephant Tree (82)
5. Asteroid, III (80)
6. Gozu, Revival (76)
7. Conan, Revengeance (73)
8. Cough, Still They Pray (70)
9. Mars Red Sky, Apex III (Praise for the Burning Soul) (68)
10. King Buffalo, Orion (67)
11. Truckfighters, V (62)
12. Red Fang, Only Ghosts (61)
13. Khemmis, Hunted (60)
14. Blood Ceremony, Lord of Misrule (59)
14. SubRosa, For this We Fought the Battle of Ages (59)
15. Holy Grove, Holy Grove (58)
16. Church of Misery, And then there Were None (53)
17. Inter Arma, Paradise Gallows (49)
17. Witchcraft, Nucleus (49)
18. Opeth, Sorceress (47)
19. Mos Generator, Abyssinia (45)
20. Black Mountain, IV (44)
20. Causa Sui, Return to Sky (44)
20. Wretch, Wretch (44)

Honorable mention to:
Goatess, II: Purgatory Under New Management (43)
Mondo Drag, The Occultation of Light (43)
Geezer, Geezer (41)
Crowbar, The Serpent Only Lies (41)
Gojira, Magma (37)
Slomatics, Future Echo Returns (36)
Graves at Sea, The Curse that Is… (35)
Black Rainbows, Stellar Prophecy (33)
Beastmaker, Lusus Naturae (32)
Vokonis, Olde One Ascending (31)

Left a few more honorable mentions in the raw-vote count, just for fun and so you could get more of a feel beyond the top 20 itself, which you’ll notice has a couple ties in it as the raw votes usually do and reorganizes a bit from the weighted results. One and two remain the same, however, and in the same order, and you’ll see Wo Fat was the only album that scored more than 100 votes on its own. As a whole, there were over 2,400 separate entries for albums this year, which is by far the most spread out that the voting has ever been. Frankly, with so many people involved and such a variety of stuff being voted on, I’m amazed anyone managed to agree on anything at all, but of course they did and once again a stellar list is the result.

Well, Happy New Year.

Before I go, thanks again to Slevin for the work put into running the back end of this site and this poll particularly. I show up with the finish lists, but it’s his code that makes it happen, and his efforts are appreciated more than I can say. Dude has never asked me for anything in the nearly eight years I’ve been a constant pain in his ass.

After the jump, you’ll find everybody’s list, alphabetized by name. Please enjoy browsing. I hope you find something awesome, because there’s certainly plenty in there that qualifies, and if you see something that looks like it appears often enough that it should be included in one or both of the counts above, let me know in the comments.

Thanks.

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