Thin Lizzy Tribute Bow to Your Masters Available to Preorder

Posted in Whathaveyou on January 3rd, 2018 by JJ Koczan

While one could hardly at all argue that the title Bow to Your Masters is in any way inappropriate for a tribute to Irish heavy rock legends Thin Lizzy, it seems the intention on the part of Glory or Death Records is to make it an ongoing series, perhaps featuring different acts along the way in the spirit of Magnetic Eye‘s homages to Jimi Hendrix, Helmet and Pink Floyd? That’s of course if I’m correctly reading the preorder info — and hey, I’m pretty much a clueless moron so there’s always a chance I’m not — below for the first LP of the two currently slated to arrive for Bow to Your Masters: Thin Lizzy early this year and including a special screenprint of the album art and immediate streaming option.

You can see the LP1 and LP2 tracklistings below. They, uh, rule.

No really, I mean it. Killer assemblage:

Welcome to the first release from Glory or Death Records Bow to Your Masters series of tribute albums. For this first release we chose something special: Thin Lizzy, one of the most influential rock-and-roll bands of all time.

There are two vinyl options:
-“Glory” green LP1 vinyl and “Death” colored/patterned LP2 vinyl
-“Death” orange/black splatter LP1 vinyl and “Death” colored/patterned LP2 vinyl

There is also a tri-fold CD option!

All editions come with a 12×12 screen print of the album cover. Final shipping date TBD-likely early 2018.

LP1 live for preorder buyers now. Preorder on Big Cartel and we’ll send a link to listen to the entire first LP. You know you want it! Just to clarify, the preorder includes physical and digital files for both LPs!

Track Listing for LP1 (available to stream for preorder buyers)

Are you Ready – Mothership
Massacre – Mos Generator
Don’t Believe a Word – White Dog
Suicide – Egypt
Chinatown – Red Wizard
Thunder and Lightning – KOOK
She Knows – Slow Season
Cold Sweat – Great Electric Quest
Cowboy Song – Goya

Track Listing for LP 2 (not available to stream yet)

It’s Only Money – Wo Fat
Johnny – Worshipper
Jailbreak – DUEL
Emerald – Gygax
Still in Love with You – Isaiah Mitchell (Earthless)
Opium Trail – Jeff Matz (High on Fire), Mark Yalowitz (Zeke), Mike Scheidt (Yob), and more
The Rocker – Bow to Your Masters Supergroup
????? – High On Fire
And more…

http://gloryordeathrecords.bigcartel.com/product/bow-to-your-masters-volume-i-thin-lizzy
https://www.facebook.com/Gloryordeathrecords/

Thin Lizzy, “Cowboy Song”

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Psycho Las Vegas 2018 Announces High on Fire, Witchcraft, Goblin and More for Lineup; Tickets on Sale Now

Posted in Whathaveyou on December 18th, 2017 by JJ Koczan

It was only a matter of time, wasn’t it, before the great American disruptor returned? As Europe’s Spring 2018 festival season continues to take shape — I’ve hardly seen a word about summer outside of a certain hellacious France-based fest held annually each June — Psycho Las Vegas 2018, set once again for the dead heat of August in Nevada’s basically-uninhabitable-were-it-not-for-air-conditioning desert stronghold of decadence, is lashing out early with its first lineup announcements and putting its tickets on sale. Waste not want not in all things, including time.

If they’re early with the first Psycho Las Vegas 2018 announcements, they’re certainly already working at the scale one expects from what’s become the US’ premium heavy festival. High on Fire, Goblin, Witchcraft, a notable underground first-timer import in DVNE, as well as the extremity of Indian, the profile of Zakk Sabbath and the spacious S U R V I V E, otherwise known as the duo behind the soundtrack to Stranger Things. I still haven’t managed to watch the second season. Any good?

Either way, this is just the start for Psycho, as we all know, but it’s a hell of a start, and on looks forward to what they build up as we get closer to next summer. They haven’t failed yet to outdo themselves in scope or scale, and they continue to give the rest of Planet Earth a run for its money in that.

The PR wire brought official word:

psycho las vegas 2018

PSYCHO LAS VEGAS 2018: Announcing Witchcraft, Goblin, High on Fire + MORE, Tix on Sale

TICKETS ON SALE
FRIDAY 12/15 @ 10AM PST HERE

AUGUST 17-19, 2018
@ HARD ROCK HOTEL AND CASINO, LAS VEGAS

The award winning Psycho Las Vegas has announced its return, along with its first round of bands it plans to host next August 17-19 at The Hard Rock Hotel and Casino. Expectations are high for the fest after last year’s massive, expertly curated selection of artists from around the globe, and if
this first taste of the lineup is any indication, 2018 promises to go above and beyond, setting the desert on fire.

The list of bands they have unleashed to reign havoc as of now are:

The return and reunion of Swedish psychedelic fuzz legends Witchcraft will be playing their first US show since 2009. In line with their reputation for scoring highly coveted sets, Psycho Las Vegas will be only one of two US dates that the band will be performing in 2018. Joining the ranks are Italian purveyors of prog rock, Goblin, most notable for their original scores for Dawn of the Dead & Disturbia; beloved stoned thrashers High On Fire; guitar lord Zakk Sabbath; horror-synth group S U R V I V E, best known for scoring Stranger Things; the reunion of Chicago doom heavyweights Indian; and UK’s prog masters DVNE, who will be performing their first ever US show at this year’s fest.

The first 2500 tickets sold will also include access to the Psycho Las Vegas Pre-fest Pool Party on August 16, which is not only the most notorious pre-party in town, but also includes favorite Psycho alumni.

PSYCHO LAS VEGAS 2018
AUGUST 17-19

WITCHCRAFT
GOBLIN
HIGH ON FIRE
ZAKK SABBATH
S U R V I V E
INDIAN
DVNE
And many, many more to be unleashed…

https://www.eventbrite.com/e/psycho-las-vegas-2018-tickets-41041983678
http://www.vivapsycho.com
https://www.facebook.com/psychoLasVegas
https://www.instagram.com/psycholasvegas

DVNE, Asheran (2017)

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Desertfest London 2018 Adds High on Fire, Church of Misery, The Obsessed, Black Rainbows, Death Alley, Akercocke and More

Posted in Whathaveyou on December 4th, 2017 by JJ Koczan

Bit of a stunner announcement from Desertfest London 2018, whose third headliner arrives in the form of High on Fire celebrating their 20th anniversary, and who’ll be joined at the Camden Town festival by doom legends The Obsessed, Japan’s number one riff export Church of Misery, plus Italian forerunners Black Rainbows, UK devil worshiping extremists Akercocke, Dutch proto-specialists Death Alley and more.

Look. I post a lot of fest updates. I mean, a lot. This is one of three slated for today, for example. Rarely does an announcement immediately up the game of a given event like this one does for Desertfest London 2018. With High on Fire completing the triumvirate of headliners alongside Monster Magnet and Graveyard, and The Obsessed and Church of Misery joining EyehategodNapalm DeathWeedeaterElderNebula and Warning on the next tier, the festival’s seventh edition moves into nigh-unfuckwithable terrain. Kudos to Desertfest on outdoing itself once again in 2018.

From the PR wire:

desertfest london 2018 square banner

DESERTFEST LONDON announce final headliner High On Fire and more acts to join the 2018 edition!

DESERTFEST LONDON announce High On Fire as final headliner and further acts to join the likes of Monster Magnet, Graveyard, Napalm Death, Eyehategod and many more to set the riff party in Camden on May 4-6th, 2018.

The final headliner for Desertfest London 2018 is an act fronted by a man who is no stranger to the DF family and all it encompasses, having headlined last year’s proceedings with one of his many musical outlets Sleep: living legend Matt Pike returns to Camden with the mighty HIGH ON FIRE. Formed in Oakland, California in 1998, the heavy metal trio have perfected their feel-good, balls-out and take-no-prisoner sound. HOF’s sludgy-thrash vibrations are an unstoppable wrecking force, with seven seminal albums under their belt; we are more than ready for the HOF tidal wave to hit.

Doom-rock trailblazers THE OBSESSED will make their first UK appearance next May after their two-decade long hiatus. Having recently reformed and playing shows met with critical acclaim, this will truly be a set to remember, and it is an honour to finally play host to one of the most iconic bands of our time.

Also returning to UK shores are Japanese overlords CHURCH OF MISERY, always delivering staggering live performances, the trio are a constant welcome addition to Desertfest. Their riff-filled, horror inspired sound has risen to fresh heights with new singer Hiroyuki Takano at the helm.

Space leaders BLACK RAINBOWS are crashing into town, fuelled by the power of hard rock and insanely good riffs. The Italian psych-fuzz trio have been storming through the cosmos for the last 10 years, their expert fusion of slick 70’s swagger with a 90’s stoner-grunge tint make them one of the most talked about and respected acts of their kind across Europe. Straight up, fuzzing good times. Speaking of heavy, London extreme metal masters AKERCOCKE are heading to familiar grounds to bring their perfected devilry to eager ears!

Dutch destroyers and feel good heroes DEATH ALLEY will bring their rock’n’roll, punked up party to Desertfest 2018. A nod to times gone past, the band plays proto-metal psychedelic music with a slab of heavy metal chucked in for good measure – if you want energy, look no further. Acclaimed newcomers PUPPY, who have been on hot on the lips of the London scene for some time now, is another welcome addition. They are hard to label but a true must-watch!

Also making up the bill are Bay Area fuzz-lovers THE WATCHERS, UK favourite psych demons OLD MAN LIZARD, Oakland’s stoner rock stalwarts BLACKWÜLF, Mancunian groove leaders PIST and heavy doom harbourers MORASS OF MOLASSES.

Desertfest London 2018
4th-6th May in Camden Town, London
3-day pass (£115) now on sale AT THIS LOCATION

Our special split payment plan is available until December 12th!
Pay half of your ticket now and the other half in January. Find more info HERE.

http://www.desertfest.co.uk/
https://www.facebook.com/DesertfestLondon
https://www.instagram.com/desertfest_london/
https://twitter.com/DesertFest
https://www.instagram.com/desertfest_london/

High on Fire, “Devilution” Live at Roskilde 2017

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Desertfest Berlin 2018: High on Fire, Weedeater, Church of the Cosmic Skull and Freedom Hawk Join Lineup

Posted in Whathaveyou on December 4th, 2017 by JJ Koczan

Someday I’ll get to Desertfest Berlin. The flagship German edition of the festival brand makes a resounding argument for 2018 by adding High on Fire as its third headliner (London has done likewise), and they’ll join Graveyard and Monster Magnet at the top of an increasingly diverse bill of acts from Europe, the UK, the US and beyond. Slipped into the festival news below is also word that UK prog-psych cultists Church of the Cosmic Skull will have a new album out next year, which is invariably good news for those who worship at the altar either of melody or, you know, the devil.

The times will be good at Desertfest Berlin 2018, is the underlying point. One of these years, I’ll get there.

From the PR wire:

desertfest berlin 2018 flyer

HIGH ON FIRE TO HEADLINE DESERTFEST BERLIN!

NEW BANDS ANNOUNCED FOR 2018!

It feels like Christmas eve already, but no… it’s “just” another exciting announcement for DESERTFEST BERLIN 2018! Today we are more than thrilled to unveil our third headliner, the mighty HIGH ON FIRE, alongside a bunch of additionnal killer bands for next year’s edition: the much loved drug-guzzlers WEEDEATER, the highly-acclaimed psych-prog-pop-rock powerhouse CHURCH OF THE COSMIC SKULL (who will release their much-anticipated second album next spring), and last but no least, the heavy-groovy rockers FREEDOM HAWK!

HIGH ON FIRE (USA)

2018 will mark the Oakland outfit’s 20 years anniversary! To celebrate, the band will peform a special anniversary set entitled “Twenty Sunless Years with High On Fire”. We are more than proud, that our DESERTFEST BERLIN will be part of their upcoming anniversary shows! They will undoubtedly mix up some old and new stuff, but they want to hear from the fans first! So let them know what you want to hear!

WEEDEATER (USA)

Hailing from North Carolina, Weedeater is going to take over all your green – be forwarned! With an excellent mix of Stoner, Sludge & Doom, the trio will make sure to transform the entire Arena Berlin into a heavy tuned psychedelic wonderland and we just can’t wait to see this live!

CHURCH OF THE COSMIC SKULL (UK)

Church Of The Cosmic Skull define themselves as an “ever-growing spiritual organization, spreading the light of the Cosmic Rainbow across this planet and beyond”… Well, we cannot wait for them to bring these lights of the Cosmic Rainbow over the Arena Berlin and are very much looking forward to finally see their outstanding live performance on our stage in 2018!

FREEDOM HAWK (USA)

The amazing Freedom Hawk are rounding up today’s line-up announcement! This trio’s brand of heavy rock capitalizes on the best of the heavy ‘70s, with a hint of modern and massive fuzzy sound. Be prepared when they will bring their heavy riffs and rolling groove to DESERTFEST BERLIN 2018!

The Desertfest Berlin line up is getting thicker and ticker, and we are far from being done: A third of the line up is still to be announced! Desertfest Berlin 2018 will be outstanding so join us in the capital of the almighty Riff! Regular weekend tickets for the 7th DESERTFEST BERLIN can be purchased here: https://www.desertfest-tickets.de/produkte

DESERTFEST BERLIN @ ARENA // 4th, 5th & 6th MAY 2018 – 2 STAGES in 1 MAIN HALL –
NO OVERLAPPING SETS!

www.desertfest.de
www.facebook.com/desertfestberlin
www.facebook.com/events/128298847822160

High on Fire, “The Black Plot” official video

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Epicenter Fest 2017 Set for Sept. 16; High on Fire, Mos Generator, Big Business, Holy Grove & More to Play

Posted in Whathaveyou on July 17th, 2017 by JJ Koczan

When Epicenter Fest 2017 says it’s carefully curated, I have no trouble believing it. The inaugural edition of the San Jose, California-based all-day event is set for Sept. 16 and would seem to have undertaken the mission of setting West Coast heavy to task in celebrating some of its own finest purveyors. High on Fire headline, as they should, and the lineup flows from there with groups varied in geography and style, from the brash catchiness of Big Business to the rolling grooves of Holy Grove, the straight-ahead classicism of Mos Generator, and upstart outfits BrumeKOOK and Mesmer, as if to underscore the point that the Pacific region’s growth is still very much in progress.

A standout name on the bill not included in the paragraph above is Future Usses, which features guitar manufacturer Sacha Dunable (also Intronaut) and is a new outfit making its live debut at the fest. Even without the Bill and Ted reference in the moniker, that’d be a band to keep an eye on. So do that. I’ll do the same.

Fest info follows, along with ticket links and whatnot. Looks awesome even from the entire other side of the country:

epicenter fest 2017

OSKAR BLUES PRESENTS: EPICENTER HEAVY MUSIC FESTIVAL-2017

Honoring the Past, Present, and Future of Bay Area Heavy Underground Music Featuring High on Fire, Big Business & 7 more great bands

Heavy San Jose is bringing a festival unlike anything San Jose has ever seen. High on Fire, who got their start in San Jose in a practice studio just a couple of blocks from The Ritz, will headline this nine-band monster show. Epicenter Heavy Music Festival was designed to shake the Bay Area to its foundations.

The carefully curated lineup of nine bands represent nine different genres of heavy music. In addition to High on Fire, heavy music stalwarts Big Business, will also grace the Ritz stage with more earth-shaking sound than should come from a two-piece. Mos Generator (Seattle), and Holy Grove (Portland), will descend from the northern wilds to bring furious wrath and heavy-metal vengeance. Future Usses (Los Angeles) is a new band fronted by Sacha Dunable (Intronaut/Dunable Guitars), and Epicenter will be the first live taste of their loopy psych-doom. The line-up also features three up-and-coming local bands: KOOK (Glory or Death Records) from right here in San Jose, Brume (DHU/Doom Stew Records) from San Francisco, and Mesmer (Wicked Lester Records) from Oakland. There’s at least one more band not yet announced (but already booked) and more surprises in the works.

This festival is all about shining a light on the unique musical history of San Jose and the greater Bay Area, bringing a one-of-a-kind event to heavy music lovers, and putting the spotlight an amazing venue in San Jose (The Ritz). The Bay Area birthed some of the most influential bands in heavy music, starting with Blue Cheer in the late 60s, continuing through the thrash era in the 80s with Metallica, Exodus and Testament, and the birth of stoner/doom in the 90s with Sleep, High on Fire and Neurosis. New amazing heavy underground bands are constantly forming in the Bay, and it’s Heavy San Jose’s mission to highlight them, as well as provide an artist-friendly environment for touring bands in the heavy underground.

The event will showcase as much great local flavor as possible, featuring local artists and businesses (Martin Roberson, owner of Lucky Stars Tattoo in San Jose created the show poster). Sponsorships, are still available (contact info above). We’re offering VIP and General Admission tickets, and we’re expecting a sellout (capacity at the Ritz is just over 500). VIP tickets (only 50 available) are on sale now, with GA tickets going on sale Friday July 14th at 10:00am pacific.

Bands Performing (see below for band bios):
High on Fire (San Jose/Oakland)
Big Business (Los Angeles)
Mos Generator (Seattle)
Holy Grove (Portland)
Future Usses (Los Angeles)
Brume (San Francisco)
KOOK (San Jose)
Mesmer (Oakland)

Event Details:
When: September 16, 2017 5:30 PM – 1:30 AM
Where: The Ritz – 400 South First Street, San Jose, CA
Cost: General availability tickets are $45 with VIP tickets priced at $75 (early access to the venue, access to a private VIP area, limited edition screen printed show poster, and other fun surprise perks).

Tickets: https://www.ticketfly.com/purchase/event/1523269?utm_medium=bks
Facebook: https://www.facebook.com/events/1971651789739169

www.heavysj.com
www.facebook.com/heavysjc

High on Fire, “Devilution” live at Roskilde 2017

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Friday Full-Length: High on Fire, Blessed Black Wings

Posted in Bootleg Theater on July 14th, 2017 by JJ Koczan

High on Fire, Blessed Black Wings (2005)

The fury. The gallop. The sheer onslaught. From the riotous launch of ‘Devilution’ onward, High on Fire‘s Blessed Black Wings, even when it draws back on tempo, absolutely refuses to relent. Released via Relapse in 2005 — which I’ll note was 12 years ago, only to emphasize the math — it was the third High on Fire full-length, and at that point it carried all the trappings of a masterpiece. It ranged in mood all the way from seething to raging, and where its predecessors, 1999’s High on Fire EP, 2000’s The Art of Self-Defense debut long-player and 2002’s follow-up, Surrounded by Thieves, found guitarist/vocalist Matt Pike on increasingly sure ground in exploring this new, tonally weighted take on thrash metal that brought some of the heft of his then-prior-now-concurrent outfit, Sleep, to bear amid the unrepentantly propulsive drumming of Des Kensel, it was Blessed Black Wings that really marked High on Fire‘s arrival. Production from Steve Albini and a one-time-only tenure from former Melvins bassist Joe Preston (also Thrones, early Earth, etc.) made it even more of a standout from their prior work, and amid the assault of “Devilution,” the signature gallop of “Cometh Down Hessian” and the I-still-can’t-keep-up-with-it “Silver Back,” the three-piece tossed in landmark hooks like the title-track, “Anointing of Seer” and “To Cross the Bridge.”

Blessed Black Wings, with its dark Arik Roper cover and the clarity of purpose resting malevolently beneath the superficial violence of the chugging “The Face of Oblivion” and the later shred in its eponymous cut, was the moment when High on Fire stepped outside of Sleep‘s formidable stoner rock shadow and into something of their own. I won’t take away from either The Art of Self-Defense or Surrounded by Thieves — the latter was my introduction to the band; I remember being mesmerized by the pervasive filth of it, and it still holds a special place in my hearth among their discography — but it would take the greater sphere of metal a couple years to catch up to what PikeKensel and Preston were doing in these tracks. Relentless touring definitely helped. High on Fire hit the road with no less drive than they put into the memorable attack of “Cometh Down Hessian,” and it was on the stage, with Pike standing straight up and beating the crowd over the head with riff after riff after riff and solo after solo after solo while Kensel — barely visible behind the sheer size of the kit he was playing — thundered away on head-spinning tom and cymbal runs, his fills utterly essential to each turn in High on Fire‘s most bombastic stretches. If Blessed Black Wings proved their mettle as songwriters, it was the ensuing touring that really seemed to signal the force they were in the process of becoming and would continue to morph into as they solidified their lineup with speed-demon bassist Jeff Matz (Zeke) taking the place of Preston ahead of the release of 2007’s ultra-triumphant Death is this Communion (discussed here).

That record, produced by Jack Endino, I count as High on Fire‘s actual masterpiece, but there’s no question it couldn’t have happened without the course that Blessed Black Wings set before it and the work the band put in to support that outing. In that way, Blessed Black Wings was not only a standout in its own right, based on the strength of its material and of the performances it captured, but also as a necessary step in the progression of the band. Of course, following Death is this Communion, they’d go on to sign with eOne Music, through which their next three albums — 2010’s Snakes for the Divine (review here), 2012’s De Vermis Mysteriis (review here) and 2015’s Luminiferous (review here) — would see release, each one taking on a more directly metallic approach as Greg Fidelman and then Kurt Ballou (Converge) took the production reins, the latter managing to bring out some of the most vicious sounds of their career to-date as they moved past their 15th year together.

Word on the street is High on Fire will have a new album out before the end of 2017. I’ve yet to hear anything concrete in terms of a release date, and if it was going to happen sometime before November — which it likely would in order to squeeze in before the music industry at large takes a hike for the winter — one would expect an announcement probably in the next month or so, unless it won’t be out until next February or something like that. In any case, High on Fire have continued to keep up a fervent touring schedule, and as they’ve slid into headliner status and hit the road with the likes of Crowbar and Meshuggah, their willingness to bring up and coming acts like Windhand and Pallbearer has been an encouraging sign of support for those operating in their rather considerable wake. If in fact a new record is on the way, that’s only going to be welcome news as far as I’m concerned.

In the meantime, as always, I hope you enjoy.

On Wednesday, my plan was to not leave the house. I had it all worked out. A couple chores to do, but otherwise it would be the kind of relaxing experience one can only dream of when gainfully employed. And it worked out. I got up early, did Obelisk stuff, Quarterly Review, etc., and had coffee and breakfast and so on, and by lunchtime, was ready to basically hang around. I watched the Castlevania cartoon on Netflix — major flashbacks of Vampire Hunter D, but the nods to the game were fun — watched the All-Star game from the night before with The Patient Mrs., had pesto, peppered egg whites and super-garlicky cloud bread for dinner (my god it was good), and spent the evening getting toward the end of season two of Star Trek: The Next Generation. More or less the ideal do-almost-nothing day.

Yesterday, I also didn’t leave the house. It was not planned, just cold and raining off and on. I did laundry and dishes and made dinner — kale sauteed in butter and oil with fresh chicken sausage, red pepper, garlic (less for The Patient Mrs. and extra on the side for me; barely cooked), fresh-grated parmesan over top — and we spent another quiet night, but yeah, was less planned and after two days in a row of not going farther than the mailbox, I’m a little antsy going into the weekend.

I guess the fortunate part about that is the packed nature of the next few days. In a little bit, we head to Connecticut. Two-plus hours driving. Drop the dog off, an errand or two, then to the movies in North Haven at 2PM to see War for the Planet of the Apes — I’m a big Planet of the Apes nerd and way down with the reboot series, minus James Franco in the first one. After an early-ish dinner (fingers crossed for a grilled salmon caesar salad from the Shoreline Diner, who have the best one in the area, though I’d also make myself a peanut butter protein shake, save the $15 and be fine provided I can sort the timing), I drive another two-plus hours to New Jersey to crash for the night with a friend in Jersey City. That’s ahead of seeing family tomorrow and doing baby prep stuff and some other whatnot. Goal is to pick out a stroller and a car seat system. Did you know that when you have a kid sometimes you have to take it out of the house???

That’s assuming you manage to get out yourself, naturally.

Tomorrow night, back up to CT after dinner with my family, to reconvene with The Patient Mrs. and spend Sunday at the beach, writing, watching baseball and so on. She has a friend coming north from NYC for the day, so I don’t expect we’ll actually hang out much, but frankly I find just being in her presence redeeming. Sunday night, she heads back to MA to teach the summer program she’s doing for the next couple weeks on Monday, but I’m staying in CT to have Steve and maybe Carl from Kings Destroy up to hang out Monday afternoon. Very much looking forward to that, as they are most excellent human beings. I’ll float the idea of getting an early dinner with them circa 5:30 or 6PM at a local pub and then, because I won’t have a car (The Patient Mrs. having taken ours back to MA the evening prior), Steve will drop me off at the station in New Haven, I’ll catch a circa-7:30/8PM train to Providence, where The Patient Mrs. will pick me up and I’ll be back home to crash out Monday night, get up early on Tuesday, write and probably not leave the house. Ha.

So yeah, kind of a marathon the next few days, but that’s good. Like all the travel we did a couple weeks ago with the Maryland, North Carolina, Maryland, New Jersey, Connecticut, Massachusetts, Connecticut, Massachusetts back and forth, this has a certain feeling of trying to cram in as much as possible before the arrival of The Pecan in October, but I’m cool with that. There’s a lot to do.

Like more for the Quarterly Review as well. Special thanks to Boston’s Rozamov for letting me push back a track premiere a day to accommodate a sixth batch of reviews for this coming Monday. It’s hugely appreciated. Here’s what’s in the notes for the week, all subject to change of course:

Mon.: Quarterly Review Day 6; Cities of Mars track premiere.
Tue.: Rozamov track premiere; Godhunter video; Wasted Theory announcement.
Wed.: Six Dumb Questions with The Midnight Ghost Train.
Thu.: A side-by-side review of Lowrider’s deluxe Ode to Io LP with the original vinyl.
Fri.: Gonna play it by ear unless something comes in, but might review the new Egypt or Youngblood Supercult.

That’s the latest. I’m living well post-employment; got some meds and feel a little bit like I have my head back generally. Money is already tight and will only get tighter over the next couple months, but my mother and sister have been a huge help with baby stuff — you should see the bins of hand-me-downs — and we’re getting there. The Patient Mrs. astounds as always, and I feel so lucky to be able to spend extra time with her this summer, even if it’s just the two of us falling asleep on the couch in the evening. She is the absolute center around which the rest of my life spins. Looking forward to trying my hand at stay-at-home dadness when the time comes.

Like Nick Cave said on the second Grinderman record: “When my baby come.”

Please have a great and safe weekend, and please check out the forum and radio stream.

The Obelisk Forum

The Obelisk Radio

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Bow to Your Masters: Thin Lizzy Tribute to Feature High on Fire, Mos Generator, Mothership, Harsh Toke, Egypt and More

Posted in Whathaveyou on May 23rd, 2017 by JJ Koczan

Not that this one really needs a plug, considering that as of this writing Glory or Death Records‘ Kickstarter campaign for a Thin Lizzy tribute to be titled Bow to Your Masters has hit 274 percent of its fundraising goal, but it’s pretty awesome that as a result of that, the label has added a second LP to the project and announced the first band who’ll take part in it is High on Fire. The way the numbers have played out pretty much underscores the absolute no-brainer, duh-of-course-head-slap awesomeness of the idea in the first place, and among life’s many worthy tenets, “The more Thin Lizzy, the better,” continues to resound as dogma.

Will there be a Volume 2? Will Glory or Death earn enough in the remaining week of the campaign to add a third LP here? Time will tell.

Background info and the latest tracklisting update follow here, courtesy of the label:

Bow to Your Masters Volume 1: Thin Lizzy Set for Winter Release

First Vinyl Release from Glory or Death will be a Tribute Featuring Heavy Underground Heavyweights

Glory or Death Records is extremely excited to announce our first vinyl release, and the first in our series of Bow to Your Masters tribute albums. For this first release we chose a special band to pay tribute to: Thin Lizzy, one of the most influential rock-and-roll bands of all time.

The album announcement comes with a Kickstarter campaign that has already met the original goal, but is still going until 5/30/17. The Kickstarter preorder features limited vinyl and art packages and surprise rewards that will be added in the second half of the campaign. Buying now will grant access to the highly-limited first pressing of Bow to Your Masters Volume 1: Thin Lizzy, which will feature some of the best heavy metal, rock, and psych bands in the business putting their own unique spin on classic Thin Lizzy songs.

The album features bands from innovative labels like Doomentia Records, Riding Easy Records, Ripple Music, Tee Pee Records, and Totem Cat Records.

The 10 bands coming along for the ride are: Mos Generator (Seattle, WA), Egypt (Fargo, ND), White Dog (Austin, TX), Red Wizard (San Diego, CA), Slow Season (Visalia, CA), Mothership (Dallas, TX), KOOK (San Jose, CA), Great Electric Quest (Oceanside, CA), Sacri Monti (Encinitas, CA), and Harsh Toke (San Diego, CA).

**UPDATE-2nd LP announced, High on Fire First Band Added**

LP1 Band/Track Listing
Mos Generator-Massacre
Egypt-Suicide
White Dog-???
Red Wizard-???
Slow Season-She Knows
Mothership-???
KOOK-Thunder and Lightning
Great Electric Quest-???
Sacri Monti-???
Harsh Toke-???

LP2 Band/Track Listing
High on Fire-???
???
???
???

The launch teaser video for the Kickstarter campaign includes a sample of Mos Generator playing a monster cover of Massacre, and there is also a teaser of Egypt’s version of Suicide. The rest of the tracks will be revealed before the end of the Kickstarter campaign. The album will release in late 2017—with a current target of November.
The album cover features art from renowned album and band/poster artists David Paul Seymour and Austin Barrett; the 4-panel cover will feature re-interpretations of classic Thin Lizzy photos and album covers. The Kickstarter campaign has reward tiers that include the 4 original art pieces that make up the cover as well as signed screen-prints of the 4 cover panels.

Details:
Kickstarter Address: http://bit.ly/gloryordeath
Kickstarter pre-order deadline: 5/30/17

http://www.facebook.com/gloryordeathrecords
http://www.instagram.com/glory_or_death_records

Thin Lizzy, Fighting (1975)

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Matt Pike Selling Signed Limited Edition ‘Rabid Mammal’ Guitar Pedals

Posted in Whathaveyou on March 15th, 2017 by JJ Koczan

I’m just going to assume that if you’ve ever seen Matt Pike tear into a shred-your-skin-from-your-bones solo either on stage with High on Fire or in any of the infinite number of live clips of him with that band or with Sleep on YouTube, you probably don’t need to be told why his signature guitar pedal from Black Arts Toneworks is called the ‘Rabid Mammal.’ As a player, he’s rightly earned a reputation for the kind of I-just-make-this-happen abandon that has typified guitar greats for generations, and the unhinged sensibility of his style is just one aspect of his accomplishments with his weapon of choice.

Pike and the Chattanooga, Tennessee-based pedal maker first released the ‘Rabid Mammal’ late last year. It’s a limited edition creation, featuring art by Alyssa Maucere and the guitarist himself — begging the question why he’s never done a cover for High on Fire, though that’s not to take anything away from the gorgeousness that adorned the front of 2015’s Luminiferous (review here) — and though it’s been out for a while, Pike has put a batch of 18 up for sale at the link below, signed and everything. If you ever wanted to directly support the guy, this would seem to be the opportunity to do exactly that.

Next month, Sleep have a couple US shows ahead of heading abroad for a headlining spot at Desertfest London 2017. I’m still keeping my fingers crossed for a new recording of some sort this year, but I’ve yet to hear solid word of such a thing materializing. Doesn’t mean it can’t happen though. They’ll of course be at Psycho Las Vegas in August as well.

Pedal info and live dates follow:

matt pike black arts toneworks rabid mammal

Introducing the Rabid Mammal

Working in tandem with Matt Pike ( Sleep/High on Fire) Black Arts Toneworks are excited to announce this new Boost/Fuzz.

The Rabid Mammal consists of two separate circuits which compliment and push your tone in two different directions.

The Boost function will add a searing amount of treble and upper mids. Controls are: Treble and Volume

The Fuzz function will add a thunderous amount of low mids and and a foggy lowend with a somewhat loose sludgy feel. Controls are : Volume, Fuzz, Tone, High, Pre, and a toggle for Led or Mosfet clipping.

Switching is independent and true bypass.

Artwork by Matt Pike and Alyssa Maucere. Graphic layout by Jason @ Gr8Scott Graphics.

Sleep live:
APR 19 First Avenue Minneapolis MN
APR 20 Majestic Theater Madison, WI
APR 22 White Oak Music Hall Houston, TX
APR 23 Decibel Metal and Beer Festival The Fillmore Philadelphia, PA
APR 30 Desertfest London 2017 Camden Roundhouse London
JUN 3 Primavera Sound 2017 Barcelona, Spain
AUG 12 Alcatraz Festival Kortrijk, Belgium
AUG 18-20 Psycho Las Vegas Hard Rock Las Vegas, NV

https://www.blackartstoneworks.com/rabid-mammal/
https://reverb.com/item/4562941-matt-pike-rabid-mammal-signed-bundle-black-arts-toneworks
https://www.facebook.com/officialsleep/
http://www.facebook.com/highonfire

Matt Pike Rabid Mammal pedal demo

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