Live Review: Psycho Las Vegas Friday, 08.17.18

Posted in Features, Reviews on August 18th, 2018 by JJ Koczan

psycho las vegas

08.18.18 – 5:00AM – Saturday – Hotel room

Gluttons for punishment, unite! Cast off the chains of your dayjobs and journey to a druggy boozy place where you can smoke indoors and piss away your head-earned on, well, potentially, someone else’s hard-earned. You never liked those brain cells anyway, and what good have they done?

Me, I prefer my brains melted or otherwise obliterated with fatigue. Dripping out my ears, either way. But I see some folks around here going nuclear, and hey, I get it. Safe environment, plenty of support, nothing to lose. It’s self-directed cruelty more than anything else that keeps me sober. I don’t deserve the good time everyone else is having. Kablooey.

It was an early start for a busy day. 12:30PM. I’d imagine there were people who hadn’t gone to bed yet. But DVNE were not to be missed, so, I didn’t miss them. A lot of back and forth early and not really much staying-put later makes for a hell of a time, but everything is right there around the corner and everyone here is very nice. At least the people who’ve said hi to me. I’m sure just by simple population-sample math there are one or two jerks running around, but none I’ve run into.

Witchcraft didn’t make it. That’s a band I’ve dug on some level or other for more than a decade, but wasn’t gonna cry over it. Plenty to see besides with three stages open: The Joint, Vinyl and the Pool.

And like I said, early start. Went like this:

DVNE

dvne (Photo by JJ Koczan)

Good band. That’s what I wrote in my notes. Direct quote: Good band. Pro shop. For DVNE‘s first appearance on a US stage — and sizable US stage at that, in The Joint at the Hard Rock Hotel and Casino — they hit it like absolute professionals. Crisp in their sound, intense in delivery, every bit in command of the room, from “go” onward. With full lighting and production behind them, CO2 canisters firing and lasers behind and their logo blasted on massive stage-side screens, the Edinburgh progressive post-metal four-piece certainly seemed to be made to feel welcome on what to them was foreign shores. Killed. Just nailed it. They have a new record out next year following up on last year’s righteous Asheran, and playing beneath oranges and reds that echoed that album’s cover art, they delivered a set that quite frankly, unless they break up tomorrow, I sincerely doubt will be their last time on an American stage. In other words, they seem ready to hit the road in a we’re-a-full-time-band-now kind of way, and more power to them. It’ll be worth keeping an eye out in 2019 for when they come through supporting their next full-length, but in the meantime, this set was basically serving early notice of a significant arrival.

Night Horse

Night Horse (Photo by JJ Koczan)

Sure, it’s been eight years since L.A.’s Night Horse released their second album, Perdition Hymns (review here), but what the hell? The double-guitar five-piece — one of those guitarists happens to be Justin Maranga from Ancestors — took the stage and quickly warmed up their classic your-dad’s-rock-was-better vibe that, with added charm from vocalist Sam James Velde introducing them by saying, “We’re Integrity from Cleveland, Ohio,” was a total blast. I’ll admit it’s been a while since the last time I had Perdition Hymns or their 2008 debut, The Dark Won’t Hide You, on for a spin, but even though Maranga forgot his slide and no one seemed to have a beer bottle to use instead, they definitely made it work. With guitarist Greg Buensuceso and bassist Nick D’Itri holding down the other side of the stage and drummer Norm Block swinging away in the middle, they were way more locked in than one might think for a band who haven’t really kicked around all that much in at least a half-decade. Velde stepped over the barricade and into the crowd during the last song and asked everyone to sit with him on the floor — a proposition that I’d imagine would be way stickier later in the day — while he told the story of the song, and it made for a special moment, as almost everyone actually did it. He got back up and they rocked to a finish, but if you ever needed to know how much Night Horse owned that room, they literally sat it down to give some background on their material. He could do that at every show for all I know, but it was something special here anyway and I felt lucky to see it.

The Munsens

The Munsens (Photo by JJ Koczan)

Denver trio The Munsens posted a new single earlier this week called “Dirge (For Those to Come)” as a preview of their upcoming full-length, Unhanded, and with it, gave a first look at a notable change in direction, pushing more into the territory of extreme sludge than even two years ago found them on their Abbey Rose EP (review here). With guitarist/vocalist Shaun Goodwin and bassist/vocalist Michael Goodwin welcoming drummer Graham Wesselhoff, the shift is easy enough to place, but a corresponding turn to harsher vocals and more grueling fare would seem to be at hand. Most, if not all, of what they played in Vinyl was also from Unhanded, and they unfurled an onslaught of tone and noise that seemed to bounce right off the back of the room and make a wall of death with the next riff cycle. It was brutal, and not as given to crust as Dopethrone, but seemed to be somewhat of that spirit. Delivered with a likewise visual assault of strobe, their time went quick — unless I passed out from all the flashing lights — but was well enough to get the point of the evolution they’ve undergone. I don’t know if I’ll be ready when Unhanded, hits, but at least I’ll see it coming.

Temple of Void

Temple of Void (Photo by JJ Koczan)

I don’t know whether Temple of Void are the doom of death or the death of doom, but fucking hell they’re heavy. The Detroit five-piece released their second LP, Lords of Death, last year on Shadow Kingdom, and they’d only dip back once to 2014’s Of Terror and the Supernatural (review here) for “Examinate Gaze,” while everything else was from the new album. Fair enough for the significant assault factor of their death metal plunge. They took the stage to the Lords of Death intro “The Charnel Unearthing” — which given the intensity of what followed, I almost found unnecessary; they hit it so hard, why give people the chance to get ready? — and from there proffered an extremity that went beyond even the death metal to the atmospheric weight of what they were doing. Vocalist Mike Erdody had a soulful, tortured aspect to his headbanging and while behind him drummer Jason Pearce slammed into his kit with palpable resentment thereof and guitarists Alex Awn and Eric Blanchard tore into searing riffs and leads given all the more weight by Brent Satterly‘s bass, the sense of emotionalism Erdody brought to his growls was something rare on either side of the genre. It was another level on which Temple of Void make their impact felt, and a distinguishing factor that resonated throughout their time.

Church of Misery

Church of Misery (Photo by JJ Koczan)

There was something of a crunch at this point in the schedule. Church of Misery were going on in the Joint while Temple of Void finished up in Vinyl, and then by the time the serial-killer-crazed Japanese riff lords were done, Yakuza would have already started, also in Vinyl. Still, history said “go see Church of Misery,” and history wasn’t wrong. Bassist/founder Tatsu Mikami is nothing less than doom royalty, and while I’ve seen him perform with several different lineups over the years, it always seems like he’s ready to deliver no matter who’s joined him on stage at the time. Psycho was no exception as he, vocalist/thereminist Hiroyuki Takano, guitarist Yasuto Muraki and drummer Junichi Yamamura ran through a selection of the hits: “Shotgun Boogie,” “I, Motherfucker,” “Born to Raise Hell” and so on. I’m not huge on the whole serial killer thing — by coincidence, I wound up in an elevator today with one of Charles Manson’s descendants who was telling his friends it’s way less cool when it’s your family — but regardless, Church of Misery did plenty of slaying on their own and made it easy to hope they record with this lineup, as it seemed like they were more than ready to get down to business at the Sabbathian core of what the band has always been about. I did end up poking my head in to see Yakuza for a moment — and Bruce Lamont is still way ahead of his time — but Church of Misery weren’t taking no for an answer. I was back in the Joint before long as they blew out the rest of their set and any number of eardrums in the process.

Tinariwen

Tinariwen (Photo by JJ Koczan)

Absolutely stunning. I knew next to nothing about the Tuareg group Tinariwen going into the announcement they’d play Psycho Las Vegas, but the schedule cut off both the pool and Vinyl stages while they played, so clearly they were an act Psycho wanted people to see. Rightly so. Dressed in robes and traditional garb and backed by hand percussion, the band led by guitarist/vocalist Ibrahim Ag Alhabib brought a desert blues that tied to Psycho better than one might’ve ever expected. With acoustic and electric guitars, bass and deep-running vocal arrangements, dancing on stage — some dancing in the crowd too — and video of them on huge screens on either side, it was no less of a production in terms of lighting and staging than Church of Misery or DVNE had been, but the soothing vibe and ebbs and flows in the music made it a total standout. They were another one I was going to stay for a bit and then wander off and find some more coffee, but I was hooked. They could’ve played twice as long and I don’t think I would’ve moved. Their set felt like a gift and on a day that wasn’t exactly hurting for highlights anyhow, they were something truly special to behold. Their 2017 album, Elwan, was recorded in the California desert and has quickly made its way to the front of my must-purchase line.

Boris

Boris (Photo by JJ Koczan)

In their 25-plus years, enough wax poetry has been written in honor of Japanese noise and heavy rock innovators, droners, experimentalists, J-poppers and anything-else-they-want-to-be-that-day Boris that even attempting to talk about their set feels superfluous. I’d only be echoing a chorus of praise that’s resounded for the last two decades. Suffice it to say, they’re masters at what they do. Individually and collectively, guitarist Wata, drummer Atsuo and guitarist/bassist Takeshi are relentless in their forward progression, and though most of what they played after a drifting, slower opening came from the Heavy Rocks and Pink-style, the wash of noise and over-the-top push were never far off. Their 2017 album, Dear (review here), was a stunning glimpse at where they’ve been in their time and where they might still go, and bathed in fog on the Joint stage, they captured much the same feel in celebrating their past while continuing to move ahead toward something new. I don’t know if it’s possible for Boris to be underrated, but the chemistry between them on stage — whether it’s Atsuo shouting into his headset mic to raise the energy level or Wata scorching out another solo or Takeshi switching from his rhythm guitar neck to his bass neck and hurling out blistering low end runs — is among the most pivotal aspects of what they do, and as much as they’ve done to push heavy rock to multiple avenues over their tenure, they’ve only gotten to be a more potent force live.

High on Fire

High on Fire (Photo by JJ Koczan)

If a single person could embody what Psycho Las Vegas is, it might be Matt Pike. The High on Fire frontman and Sleep guitarist has played all three editions of this festival in some form or other — time for a Kalas reunion? — and he, bassist Jeff Matz and drummer Des Kensel came out like the statesmen they are; one of the most crucial bands not just in underground heavy, but in the wider sphere of metal. Hugely influential, with a maddening signature gallop and tales of war and bludgeonry to delight the downtrodden of spirit. Their upcoming LP, Electric Messiah, marks the third collaboration between the trio and producer Kurt Ballou, and while they didn’t play anything from it, they did give due representation to 2015’s Luminiferous (review here) in “The Black Plot,” “Carcosa” and “Slave the Hive,”  and 2012’s De Vermiis Mysteriis (review here) with “Fertile Green” and “Serums of Laio,” while older works like 2007’s Death is This Communion (discussed here) and 2005’s Blessed Black Wings (discussed here) made their presence felt with cuts like “Rumors of War” and “Sons of Thunder.” I’d argue they were the night’s headliners even before Witchcraft dropped off, but either way, High on Fire were more than up to the occasion, and with “Blood from Zion” from 2000’s The Art of Self-Defense late in the set, they brought together past and present in a way that was every bit the culmination of the evening. There was still plenty more Psycho after them, but no doubt High on Fire left their mark on the night and all who assembled to see them.

I don’t know if you saw it, but on the social medias I posted a picture of The Pecan and asked if anyone could turn it into the cover of Vol. 4 by Black Sabbath. Several came in, which was hugely appreciated, and among them was this one from Slevin, which I subsequently spent the rest of the night staring at because it’s so friggin’ awesome. If you need me, I’ll be meme-ing my baby. Next up, his head on Jean-Luc Picard’s body. It will happen.

Anyway, I came back to the room after the show and sorted pictures and whatnot and then crashed out pretty soon thereafter to get up early and write. My alarm was set for six and I woke up a bit before five and decided to roll with it. Psycho starts an hour later today, but is another super-busy day, so I’m going to get some more rest in preparation for that. I may or may not check in again before that review goes up, depends on time, but there are more pics after the jump here and I appreciate you reading and taking time to have a look if you do.

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Desertfest Belgium 2018: High on Fire Headlining, The Devil and the Almighty Blues, The Well, Admiral Sir Cloudesley Shovell, The Oscillation, Dead Quiet and Frayle Join Lineup

Posted in Whathaveyou on August 14th, 2018 by JJ Koczan

The story here is pretty short: ‘Really good lineup gets better.’ The end.

I’m not sure what more one could reasonably as of Desertfest Belgium 2018 that it isn’t already delivering. I mean, seriously. Just look at the names. Festivals happen all the time in Europe — hell, for the last couple years there’s been one through just about each successive week in October, somewhere, in some country, usually with a lot of the same bands. But even with that factored in, how could you look at the names below and not know it’ll be something special?

Even just the circumstances of timing. So many of these bands will have or already have new records out, from High on Fire themselves to YOB, AncestorsThe SkullEagle Twin, CastleSonic WolvesDopethrone, on and on. To have all these groups come together at the same time can only be a win. You know they’ll be fired up, and even those who aren’t directly plying their wares on new records still have stuff recent enough or coming — or, like Acid King, a new lineup — so yeah. It looks absolutely unreal. If you get to go, I’m jealous.

Here’s the latest announcement:

desertfest belgium 2018 poster

HIGH ON FIRE HEADLINES DESERTFEST 2018

The Devil & The Almighty Blues, Oscillation & 4 more

And so the cat’s out of the bag, so to speak… High On Fire is headlining Desertfest 2018 and we couldn’t be more thrilled. In fact, you might call it a fever dream come true! Especially since the band recently announced their new album cum Lemmy tribute ‘Electric Messiah’ to be released just 1 week before the Fest, so we can expect a freshly hot live set.

But of course, the good news doesn’t stop there. We still have a hefty load of names to drop unto you, and we start with The Devil And The Almighty Blues. The Norsemen have made it their mission to follow all the strains of blues that run through the history of rock’n’roll, and we’re totally on board for their killer blues trip.

Replace the blues by the psych, and you could end up with The Oscillation. For ten years Demian Castellanos and his cohorts have made their mark with their unique brand of psychedelic rock that points to everything from krautrock to new wave disco, all drenched in that sweet sweet echo chamber feedback that you love.

Admiral Sir Cloudesley Shovell are on board once more with their time machine into a mythical past when hardrock was only just turning to doom, and denim bell-bottoms were not frowned upon in society. From that time they bring along The Well, another keeper of the flame that sparked many a toke in the bonehead freak era.

If you can take a slightly more epic take on the genre, Dead Quiet will fit the bill. Their ‘Grand Rites’ album from end of last year was certainly a trip in many exciting directions. And finally, make sure you don’t miss the unique sounds of Frayle, occult blues with a female lead that draws comparison to anything from Sleep to Portishead.

We’re nearing the finishing line, so all you casual Festers screaming for day tickets will soon get their fill. But of course, there’s nothing like getting the full 3-day fix! So if you can make it, there’s still some combi tickets left at a reduced price – although how long they’ll last, we can’t tell for sure!

http://www.desertfest.be/tickets
https://www.facebook.com/desertfestbelgium/
https://www.facebook.com/events/364607267372737/
https://twitter.com/DesertfestBE

High on Fire, “Electric Messiah” lyric video

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High on Fire Announce US Tour; “Electric Messiah” Lyric Video Posted

Posted in Whathaveyou on August 10th, 2018 by JJ Koczan

high on fire

Science tells us that if you want to live right, you need to see High on Fire at least once per album cycle, preferably more. Only days removed from the announcement of their new album, Electric Messiah, being released Oct. 5 and posting the first single in the form of the title-track, the trio have returned with a vast swath of tour dates and a lyric video highlighting the Lemmy homage of that same song. This won’t be the last tour High on Fire announce, but it will be the first round of US dates they’ll do following Electric Messiah‘s release, and even apart from the thrashy company they’re keeping, that’s reason enough to show up. As if you needed it.

From the PR wire:

high on fire tour

HIGH ON FIRE ANNOUNCE NEW U.S. TOUR DATES WITH MUNICIPAL WASTE

“ELECTRIC MESSIAH” LYRIC VIDEO RELEASED

ALL NEW LP, ELECTRIC MESSIAH, DUE OCTOBER 5, 2018
PRE ORDERS AVAILABLE NOW

On the heels of announcing their first new LP in three years, Electric Messiah, HIGH ON FIRE has posted new headlining dates throughout the U.S. and Europe this fall.

The new tour dates will be co-headlined by MUNICIPAL WASTE with Toxic Holocaust and Haunt in support. The three-week trek will kick off in Dallas, TX at Canton Hill on 11/2/18, hitting both coasts before wrapping up in San Diego, CA on 11/25/18. Tickets are now on sale.

“Man it’s gonna get crazy every night!,” says drummer Des Kensel. “Legends will be made on this tour! For after party info contact Dave Witte @ (804) 555-1212.”

High On Fire has announced extensive touring to support the recently announced all-new LP. After a batch of European festival dates, the band will head back to the U.S. to perform at Psycho Las Vegas, The Muddy Roots Music Festival, and the highly anticipated Adult Swim Festival. The band will then head back to Europe for a co-headline run with Enslaved before kicking off the Municipal Waste dates mentioned above.

Just yesterday HIGH ON FIRE released a new single titled “Electric Messiah.” The new song serves as the title track off the band’s all-new LP, which will be released on October 5, 2018, via Entertainment One (eOne). A lyric video for the track is available today.

High on Fire live:
10/08 – BE Belgium, Ieperfest
11/08 – DE Sinzendorf, Void Fest
12/08 – HU Budapest, Durer Kert

8/17/2018 – Las Vegas, NV – Hard Rock Hotel & Casino (Psycho Fest)
9/1/2018 – Cookeville, TN – Muddy Roots Music Festival
9/2/2018 – Asheville, NC – The Orange Peel

w/ Enslaved
30/09 – U Bazyla Poznan PL
01/10 – Proxima Warsaw PL
02/10 – UT Connewitz Leipzig DE
03/10 – Kulturfabrik Esch LU
04/10 – Mezz Jupiler Zaal Breda NL

10/5/18 – Los Angeles, CA – Adult Swim Festival

08/10 – Academy 2 Manchester UK
09/10 – Tivoli Dublin EIRE
10/10 – Limelight 2 Belfast UK
12/10 – The Mill Birmingham UK
14/10 – SWX Bristol UK
15/10 – The Dome London UK
16/10 – La Machine Du Moulin Rouge Paris FR

w/ Municipal Waste
2-Nov-18 – Dallas @ Canton Hall
3-Nov-18 – Austin @ Mohawk
4-Nov-18 – New Orleans @ Southport Hall
6-Nov-18 – Tampa @ Orpheum Theatre
7-Nov-18 – Atlanta @ The Masquerade
9-Nov-18 – Washington @ Black Cat
11-Nov-18 – Brooklyn @ Warsaw
12-Nov-18 – Philadelphia @ Union Transfer
13-Nov-18 – Boston @ Paradise Rock Club
15-Nov-18 – Chicago @ Metro
17-Nov-18 – Denver @ The Oriental Theater
18-Nov-18 – Salt Lake City @ Metro Music Hall
20-Nov-18 – Portland @ Bossanova Ballroom
21-Nov-18 – Seattle @ Showbox at the Market
23-Nov-18 – Sacramento @ Ace Of Spades
24-Nov-18 – Berkeley @ The UC Theatre

HIGH ON FIRE features Matt Pike (guitar, vocals), Des Kensel (drums) and Jeff Matz (bass).

https://www.facebook.com/highonfire
https://www.instagram.com/highonfireband/
www.highonfire.net
https://twitter.com/eoneheavy
https://www.facebook.com/eOneHeavy

High on Fire, “Electric Messiah” lyric video

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High on Fire to Release New Album Electric Messiah on Oct. 5; New Song Streaming

Posted in Whathaveyou on August 6th, 2018 by JJ Koczan

high on fire

October just got ridiculous with the word that heavy thrash titans High on Fire will release their awaited new album, Electric Messiah, on Oct. 5 through Entertainment One. They’re streaming the title-track now and you can hear it at the bottom of this post. The trio’s latest outing will be their third in a row tracked by Converge guitarist Kurt Ballou, and it follows behind the raging 2015 LP Luminiferous (review here) and 2012’s De Vermiis Mysteriis (review here), which I think it’s fair enough to argue are the hardest-hitting records of the band’s career thus far. Luminiferous showed a little more dynamic in letting up from the gas a bit as it played through, so I’m interested to hear how guitarist/vocalist Matt Pike, bassist Jeff Matz and drummer Des Kensel proceed along the line of melodic flourish they brought to bear last time out, let alone the punishment that surrounded.

Art and title-track audio follow here, as sent freshly along the PR wire:

high on fire electric messiah

HIGH ON FIRE ANNOUNCE NEW LP, ELECTRIC MESSIAH, DUE OCTOBER 5, 2018

PRE ORDERS AVAILABLE NOW

HIGH ON FIRE releases a new single today titled “Electric Messiah.” The new song serves as the title track off the band’s all-new LP, which will be released on October 5, 2018 via Entertainment One (eOne).

“I had a dream about Lemmy,” says Matt Pike, explaining the inspiration behind the title of High on Fire’s triumphant new “Electric Messiah.” “When Lemmy was still alive I always got compared to Lemmy,” the gravelly-voiced guitarist elaborates, “so I had this dream where he got pissed at me.”

“He gave me a bunch of shit, basically, and was hazing me. Not that he didn’t approve of me, but like I was being hazed. The song is me telling the world that I could never fill Lemmy’s shoes because Lemmy’s Lemmy. I wanted to pay homage to him in a great way. And it turned out to be such a good title that the guys said we should call the album ‘Electric Messiah.'”

Electric Messiah will serve as the follow-up to Luminiferous released in 2015, which went on to be one of the band’s most critically acclaimed albums.

Electric Messiah reunites the band once again with producer Kurt Ballou (Converge, Torche, Kvelertak) for the third time. “Kurt just has a knack for us, man,” Matt Pike says. “We all work really well with him. Even if we have differences about how we want to record something, he works with us and understands what we do. We’ve been sticking with him because we haven’t made a bad record with him yet.”

It feels absurd to think that this late into their career High on Fire has hit a new career peak, but that’s what happens when you have a trio that works this well together. For all of Ballou’s sonic wizardry, Electric Messiah is all about the evolution of Pike, Matz, and Kensel. They simply cannot be denied a permanent spot among American royalty.

“This band keeps evolving,” Pike enthuses. “This is by far the best record I’ve ever made with the High on Fire stamp. It just keeps getting better and better. We just try to outdo ourselves. I’m not saying the old work is progressively worse, it’s just that we get better every time instead of burning out, which is a common finality for a lot of bands. This album is fucking excellent, I just love everything on it, I’m not bummed about anything. It’s great when you think that about your record.”

Tracklisting:

1. Spewn from the Earth
2. Steps of the Ziggurat/House of Enlil
3. Electric Messiah
4. Sanctioned Annihilation
5. The Pallid Mask
6. God of the Godless
7. Freebooter
8. The Witch and the Christ
9. Drowning Dog

HIGH ON FIRE features Matt Pike (guitar, vocals), Des Kensel (drums) and Jeff Matz (bass).

https://www.facebook.com/highonfire
https://www.instagram.com/highonfireband/
www.highonfire.net
https://twitter.com/eoneheavy
https://www.facebook.com/eOneHeavy

High on Fire, “Electric Messiah”

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High on Fire Finish Work on New Album

Posted in Whathaveyou on March 21st, 2018 by JJ Koczan

What we know about the next High on Fire album: It exists. Converge‘s Kurt Ballou, who produced 2015’s Luminiferous (review here) and 2012’s De Vermiis Mysteriis (review here), helmed it. That’s about all. No song titles yet. No album title. No artwork. No audio. No behind-the-scenes documentary clips on YouTube where Matt Pike talks about battle axes and raiding villages and all that kind of stuff. None of that. But yeah, it exists. That’s worth a press release.

I’m curious though why it’s slated for “late 2018.” It’s March. Even with a summer spent touring and a full hype machine behind it of videos, track premieres through major outlets, press releases for the title, the artwork, the song titles, the behind-the-scenes documentaries, etc., it doesn’t seem unreasonable to me to think a September release would be possible. When I read “late 2018,” I think more October/November. That seems a long way off.

Or maybe I just want to hear new High on Fire sooner rather than later. That’s entirely possible. Here’s this from the PR wire:

high on fire

HIGH ON FIRE WRAP PRODUCTION ON ALL NEW ALBUM DUE LATE 2018

Legendary metal band HIGH ON FIRE have wrapped production on their eighth studio LP and is gearing up for its release later this year. The band has been busy in the studio since February putting the finishing touches on yet another blistering album.

“We are pretty happy with how the new material came together on this one,” says drummer Des Kensel. “We usually go into the studio with about two-thirds of the record done which can be a little stressful but it forces us to make final arrangement decisions which would normally be put off in a rehearsal studio atmosphere. It also puts some pressure on us to perform at a higher level.”

“The bar has definitely been raised on this one, at least for me. There’s a good mix of fast and slow. The fast has gotten faster and the slow is…still slow.”

Bassist Jeff Matz adds, “We’ve definitely pushed ourselves musically on this album. The material covers a broad range of tempos and styles, but the overall sound and vibe are unmistakably High On Fire.”

And finally, vocalist and lead guitarist Matt Pike declares, “hold on tight! You’re in for a ride!”

HIGH ON FIRE again teamed up with producer Kurt Ballou and God City Studios where the last two LPs were created. Additional tracking was done by Bryan Sours of Sour Sound.

The as-yet-unnamed release will serve as the highly anticipated follow-up to 2015’s Luminiferous, which garnered its own massive critical acclaim.

HIGH ON FIRE has also been confirmed for the 2018 PSYCHO LAS VEGAS Festival taking place August 17-19 at the famed Hard Rock Hotel and Casino in Las Vegas, NV.

HIGH ON FIRE features Matt Pike (guitar, vocals), Des Kensel (drums) and Jeff Matz (bass).

https://www.facebook.com/highonfire
https://www.instagram.com/highonfireband/
www.highonfire.net
https://twitter.com/eoneheavy
https://www.facebook.com/eOneHeavy

High on Fire, Live at Psycho Las Vegas 2016

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Psycho Las Vegas 2018 Reveals Lineup; Dimmu Borgir, Hellacopters, Godflesh, Witchcraft and More to Play

Posted in Whathaveyou on February 23rd, 2018 by JJ Koczan

Psycho Las Vegas 2018 logo

It’s only taken a few years for Psycho Las Vegas to establish itself as the premier underground festival in the US. All well and good. With 2018’s lineup, though, it’s time to start thinking of Psycho among the best in the world.

Sounds like too much? Consider Godflesh and Dimmu Borgir sharing a stage, both for exclusive West Coast appearances. Think of Sweden’s Witchcraft playing one of the two shows they’ll do in the US at Psycho, and ditto that for Japanese riff-madmen Church of Misery. Think of US exclusives from Lee Dorrian’s With the Dead, or Lucifer, whose Johanna Sadonis will also DJ the Center Bar. The commitment to up and coming underground acts local, domestic and foreign like Temple of Void, King Buffalo, Dreadnought, The Munsens and DVNE. Picture yourself watching Wolves in the Throne Room headline a pre-fest pool party with Elder, Young and in the Way, Dengue Fever, Fireball Ministry and Toke.

2018 is the year Psycho Las Vegas outclasses even itself and pushes further than it ever has in terms of stylistic reach (Integrity walks by and waves… at Boris) and the sheer power of its construction. If you’re looking for the future, you’ll find it in scumbag paradise.

Here’s the lineup:

Psycho Las Vegas 2018 poster

Psycho Las Vegas 2018

Hard Rock Hotel and Casino Las Vegas
4455 Paradise Rd, Las Vegas, Nevada 89169

Tickets: https://www.vivapsycho.com/pages/tickets

PSYCHO LAS VEGAS 2018 lineup:
DIMMU BORGIR (west of chicago exclusive)
HELLACOPTERS (one of two shows to be played in the USA in 2018)
SUNN 0)))
GODFLESH (west of chicago exclusive)
WITCHCRAFT (one of two shows to be played in the USA in 2018)
ENSLAVED
AMERICAN NIGHTMARE
HIGH ON FIRE
ROCKET FROM THE CRYPT
RED FANG
ZAKK SABBATH
CHURCH OF MISERY (usa exclusive 2018 with exception to one other show in San Diego)
TINARIWEN
GOBLIN
CKY
VENOM INC
EYEHATEGOD
VOIVOD
BORIS
COVEN
INTEGRITY
PALLBEARER
WITH THE DEAD (USA exclusive 2018)
MONOLORD
LUCIFER (USA exclusive 2018)
ACID WITCH
SURVIVE
DOPETHRONE
BIG BUSINESS
UNEARTHLY TRANCE
MUTOID MAN
TODAY IS THE DAY
HELMS ALEE
SPIRIT ADRIFT
BATUSHKA
PRIMITIVE MAN
DVNE
ALL PIGS MUST DIE
EIGHT BELLS
WORMWITCH
INDIAN
NECROT
HOMEWRECKER
BRAIN TENTACLES
CLOAK
BLACK MARE
MAGIC SWORD
UADA
TEMPLE OF VOID
DREADNOUGHT
WOLVHAMMER
ASEETHE
DISASTROID
FORMING THE VOID
VENOMOUS MAXIMUS
GHASTLY SOUND
HOWLING GIANT
KING BUFFALO
NIGHT HORSE
THE MUNSENS
GLAARE

Paradise Pool Pre Party
August 16th

WOLVES IN THE THRONE ROOM
ELDER
YOUNG AND IN THE WAY
DENGUE FEVER
FIREBALL MINISTRY
TOKE

Center Bar DJ’s
Andrew W.K.
Nicke Andersson (Entombed/Hellacopters)
Johanna Sadonis (Lucifer)

https://www.facebook.com/psychoLasVegas/
https://www.facebook.com/events/125340824913552/
http://vivapsycho.com

High on Fire, Live at Psycho Las Vegas 2016

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Thin Lizzy Tribute Bow to Your Masters Available to Preorder

Posted in Whathaveyou on January 3rd, 2018 by JJ Koczan

While one could hardly at all argue that the title Bow to Your Masters is in any way inappropriate for a tribute to Irish heavy rock legends Thin Lizzy, it seems the intention on the part of Glory or Death Records is to make it an ongoing series, perhaps featuring different acts along the way in the spirit of Magnetic Eye‘s homages to Jimi Hendrix, Helmet and Pink Floyd? That’s of course if I’m correctly reading the preorder info — and hey, I’m pretty much a clueless moron so there’s always a chance I’m not — below for the first LP of the two currently slated to arrive for Bow to Your Masters: Thin Lizzy early this year and including a special screenprint of the album art and immediate streaming option.

You can see the LP1 and LP2 tracklistings below. They, uh, rule.

No really, I mean it. Killer assemblage:

Welcome to the first release from Glory or Death Records Bow to Your Masters series of tribute albums. For this first release we chose something special: Thin Lizzy, one of the most influential rock-and-roll bands of all time.

There are two vinyl options:
-“Glory” green LP1 vinyl and “Death” colored/patterned LP2 vinyl
-“Death” orange/black splatter LP1 vinyl and “Death” colored/patterned LP2 vinyl

There is also a tri-fold CD option!

All editions come with a 12×12 screen print of the album cover. Final shipping date TBD-likely early 2018.

LP1 live for preorder buyers now. Preorder on Big Cartel and we’ll send a link to listen to the entire first LP. You know you want it! Just to clarify, the preorder includes physical and digital files for both LPs!

Track Listing for LP1 (available to stream for preorder buyers)

Are you Ready – Mothership
Massacre – Mos Generator
Don’t Believe a Word – White Dog
Suicide – Egypt
Chinatown – Red Wizard
Thunder and Lightning – KOOK
She Knows – Slow Season
Cold Sweat – Great Electric Quest
Cowboy Song – Goya

Track Listing for LP 2 (not available to stream yet)

It’s Only Money – Wo Fat
Johnny – Worshipper
Jailbreak – DUEL
Emerald – Gygax
Still in Love with You – Isaiah Mitchell (Earthless)
Opium Trail – Jeff Matz (High on Fire), Mark Yalowitz (Zeke), Mike Scheidt (Yob), and more
The Rocker – Bow to Your Masters Supergroup
????? – High On Fire
And more…

http://gloryordeathrecords.bigcartel.com/product/bow-to-your-masters-volume-i-thin-lizzy
https://www.facebook.com/Gloryordeathrecords/

Thin Lizzy, “Cowboy Song”

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Psycho Las Vegas 2018 Announces High on Fire, Witchcraft, Goblin and More for Lineup; Tickets on Sale Now

Posted in Whathaveyou on December 18th, 2017 by JJ Koczan

It was only a matter of time, wasn’t it, before the great American disruptor returned? As Europe’s Spring 2018 festival season continues to take shape — I’ve hardly seen a word about summer outside of a certain hellacious France-based fest held annually each June — Psycho Las Vegas 2018, set once again for the dead heat of August in Nevada’s basically-uninhabitable-were-it-not-for-air-conditioning desert stronghold of decadence, is lashing out early with its first lineup announcements and putting its tickets on sale. Waste not want not in all things, including time.

If they’re early with the first Psycho Las Vegas 2018 announcements, they’re certainly already working at the scale one expects from what’s become the US’ premium heavy festival. High on Fire, Goblin, Witchcraft, a notable underground first-timer import in DVNE, as well as the extremity of Indian, the profile of Zakk Sabbath and the spacious S U R V I V E, otherwise known as the duo behind the soundtrack to Stranger Things. I still haven’t managed to watch the second season. Any good?

Either way, this is just the start for Psycho, as we all know, but it’s a hell of a start, and on looks forward to what they build up as we get closer to next summer. They haven’t failed yet to outdo themselves in scope or scale, and they continue to give the rest of Planet Earth a run for its money in that.

The PR wire brought official word:

psycho las vegas 2018

PSYCHO LAS VEGAS 2018: Announcing Witchcraft, Goblin, High on Fire + MORE, Tix on Sale

TICKETS ON SALE
FRIDAY 12/15 @ 10AM PST HERE

AUGUST 17-19, 2018
@ HARD ROCK HOTEL AND CASINO, LAS VEGAS

The award winning Psycho Las Vegas has announced its return, along with its first round of bands it plans to host next August 17-19 at The Hard Rock Hotel and Casino. Expectations are high for the fest after last year’s massive, expertly curated selection of artists from around the globe, and if
this first taste of the lineup is any indication, 2018 promises to go above and beyond, setting the desert on fire.

The list of bands they have unleashed to reign havoc as of now are:

The return and reunion of Swedish psychedelic fuzz legends Witchcraft will be playing their first US show since 2009. In line with their reputation for scoring highly coveted sets, Psycho Las Vegas will be only one of two US dates that the band will be performing in 2018. Joining the ranks are Italian purveyors of prog rock, Goblin, most notable for their original scores for Dawn of the Dead & Disturbia; beloved stoned thrashers High On Fire; guitar lord Zakk Sabbath; horror-synth group S U R V I V E, best known for scoring Stranger Things; the reunion of Chicago doom heavyweights Indian; and UK’s prog masters DVNE, who will be performing their first ever US show at this year’s fest.

The first 2500 tickets sold will also include access to the Psycho Las Vegas Pre-fest Pool Party on August 16, which is not only the most notorious pre-party in town, but also includes favorite Psycho alumni.

PSYCHO LAS VEGAS 2018
AUGUST 17-19

WITCHCRAFT
GOBLIN
HIGH ON FIRE
ZAKK SABBATH
S U R V I V E
INDIAN
DVNE
And many, many more to be unleashed…

https://www.eventbrite.com/e/psycho-las-vegas-2018-tickets-41041983678
http://www.vivapsycho.com
https://www.facebook.com/psychoLasVegas
https://www.instagram.com/psycholasvegas

DVNE, Asheran (2017)

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