High on Fire Announce Jan./Feb. Touring

Posted in Whathaveyou on December 5th, 2018 by JJ Koczan

high on fire

Before High on Fire guitarist/vocalist Matt Pike‘s toe became the stuff of heavy metal clickbait — which to my biased estimation is just about the saddest kind of clickbait there is — his band were supposed to tour with Municipal Waste. Didn’t happen, what with the gnarlyfoot and all, so High on Fire have newly posted a run through January and into February that includes dates along the East Coast and in the Midwest. They of course are still supporting this year’s Electric Messiah (review here), which is their fourth studio LP for eOne Music, and they’ve recently been announced for a return slot at Psycho Las Vegas, where Pike is pretty much as high a roller as they come.

You don’t need me to tell you to go see High on Fire. That’s something you already know. If you missed them at Psycho this year, however, their set is streaming in full below. Because that’s how it works now.

Shows are here:

high on fire 2019 tour

HIGH ON FIRE ANNOUNCE ELECTRIC MESSIAH TOUR 2019

PSYCHO LAS VEGAS CONFIRMED

TICKETS ON SALE NOW

http://highonfire.net/

High On Fire have announced the Electric Messiah tour 2019 in continued support of their new LP released earlier this year.

These dates will be the first time the band has played live since the cancellation of their tour with Municipal Waste earlier this year due to the partial amputation of Matt Pike’s toe.

Additionally, High On Fire will be performing at 2019 Psycho Las Vegas taking place August 16-18, 2019 in Las Vegas at Mandalay Bay Resort. Tickets are on sale now, click here for more info.

High on Fire Jan/Feb. tour:
Jan. 10 – Atlanta, GA – Masquerade
Jan. 11- Carrboro, NC – Cat’s Cradle
Jan. 12 – Richmond, VA – Broadberry
Jan. 13 – Baltimore, MD – Baltimore Soundstage
Jan. 15 – Philadelphia, PA – TLA
Jan. 16 – Brooklyn, NY – Warsaw
Jan. 18 – Boston, MA – The Sinclair
Jan. 19 – Montreal, QC – Fairmount
Jan. 20 – Toronto, ON – Opera House
Jan. 22 – Chicago, IL – Metro
Jan. 23 – Minneapolis, MN – Skyway
Jan. 25 – Denver, CO – Oriental
Jan. 26 – Omaha, NE – Slowdown
Jan. 27 – St. Louis, MO – Delmar Hall
Jan. 29 – Dallas, TX – Gas Monkey Bar and Grill
Jan. 30 – Austin, TX-Barracuda
Jan. 31 – Houston, TX – White Oak
Feb. 1 – New Orleans, LA – House Of Blues

HIGH ON FIRE features Matt Pike (guitar, vocals), Des Kensel (drums) and Jeff Matz (bass).

https://www.facebook.com/highonfire
https://www.instagram.com/highonfireband/
www.highonfire.net
https://twitter.com/eoneheavy
https://www.facebook.com/eOneHeavy

High on Fire, Live at Psycho Las Vegas 2018

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High on Fire, Electric Messiah: Sanctioned Annihilation

Posted in Reviews on September 28th, 2018 by JJ Koczan

high on fire electric messiah

Raging furies, unmistakable gallop, deceptively inventive rhythms and Matt Pike‘s gutturalist vocals from with in the tempest — Electric Messiah bears all the hallmarks of latter-day High on Fire and then some. It is the Oakland trio’s eighth full-length, their fourth with E1 Music and their third that finds Pike, bassist Jeff Matz and drummer Des Kensel working with producer Kurt Ballou (Converge, etc.) following 2015’s Luminiferous (review here) and 2012’s De Vermiis Mysteriis (review here). Obviously it’s hard to know at this point whether that relationship between band and producer will continue going forward — hard to think of a reason for it not to unless the three-piece just decided to try someone else at the helm next time — but if one thinks of Electric Messiah as the third installment in a to-date trilogy, then it at very least proves there continues to be life in the collaboration six years after it first got going.

Since High on Fire debuted on E1 in 2010 with Snakes for the Divine (review here) after leaving Relapse Records following 2007’s Jack Endino-produced Death is This Communion (discussed here), the arc of their progression has seen them become more and more of a metal band, trading thickness of tone for a sharper edge to the aggression in Pike‘s riffs and to the presentation of their production. Luminiferous was perhaps the most fervent example of this, though Snakes for the Divine is arguably the cleanest-sounding High on Fire release in terms of the actual recording. Electric Messiah, slightly longer than its two immediate predecessors at 56 minutes and nine tracks, beefs up the tones from Pike‘s guitar and Matz‘s bass and, in combination with the always-vicious impact of Kensel‘s drumming — somehow still an underrated factor in the band 18 years after their debut, The Art of Self-Defense, saw its first release — it makes for some of the chewiest output High on Fire have had in more than a decade going back to Death is This Communion if not 2005’s Blessed Black Wings (discussed here).

That doesn’t mean High on Fire are playing the stoner thrash of their earliest days, but it does mean that to go along with their ripping speed and tight performances, there’s an underlying bombast to songs like opener “Spewn from the Earth,” “The Pallid Mask” and closer “Drowning Dog,” the latter two of which touch on cleaner vocal styles from Pike — who’s long flirted with melody amid his harsher shouts — that adds further dimension to the sound of Electric Messiah on the whole. The well-publicized lead single/title-track, with lyrics written reportedly in homage to Lemmy Kilmister of Motörhead, to whom Pike has often been compared, is a full-on scorcher as it inevitably would be, and along with the later “Freebooter” and the aforementioned opener, is among the fastest cuts here, but even these songs showcase a heft of tone on the part of the guitar and bass — frankly, the drums don’t exactly lack weight either — that ties them to the march in longer pieces like nine-minute second track “Steps of the Ziggurat/House of Enlil” and “Sanctioned Annihilation.”

high on fire

Appearing at the end of side B on the first of the two LPs, “Sanctioned Annihilation” is notable on its face for, at 10:29, being the longest song High on Fire have ever written; they only other time they touched the 10-minute mark was “Master of Fists” from The Art of Self-Defense, which was 10:06. They don’t waste the time, and instead offer one of their most dynamic compositions, moving from a quiet but tense beginning into a raucous double-kick assault before shifting into a triplet-gallop that consumes the track’s middle third and perhaps sees Pike taking some influence from YOB‘s Mike Scheidt, who’s made the staccato chugs something of a trademark, though again, it’s an opportunity for Kensel to demonstrate just how special a player he is as he locks step with Matz and Pike on his bass drum and lends a severity that is as much militaristic as it is barbarians-coming-over-the-hill. “Sanctioned Annihilation” moves into further war-drum thud and one of Pike‘s many impressive carbon-burning solos, but remains informed by that rhythmic surge, and as the second LP moves into expanded sonic territory with “The Pallid Mask” and the righteously for-the-converted, HighonFire-being-HighonFire — the band acting as their own aesthetic — “God of the Godless,” the sprawl of “Sanctioned Annihilation” continues to have an effect on the listener.

It is not a minor undertaking at nearly an hour long, and it’s not a minor undertaking in terms of its sound — one could easily get out of breath just trying to keep up with the band even in their slower moments — but each piece on the second LP earns its place, whether its the familiar of “God of the Godless,” which is the kind of track that as one comes back for multiple listens only seems to land harder and harder, or the blistering “Freebooter,” which reinvents Slayer‘s moodier ping-ride-isms en route to an absolute massacre. With both over six minutes, the closing duo of “The Witch and the Christ” and “Drowning Dog” are something of a salvo unto themselves, but the former alternates between nods and headbangs, and the finale, again, “Drowning Dog” almost seems to sneak in its more rock-based approach while still remaining consistent in tone and its noisy affect. It’s not out of place by any means, but put next to a song like “Steps of the Ziggurat/House of Enlil,” which isn’t entirely void of melody either in its layers of guitar or later vocals, it’s moving toward a different end.

Such grit isn’t new for High on Fire, but what makes Electric Messiah stand out as it does is how it blends new and old within the band’s particular sound. High on Fire remain one of the most recognizable acts in metal regardless of subgenre, and Electric Messiah reshapes that sphere as it sees fit to best serve the songs. For all its brashness and axe-swinging triumphs, it’s unquestionably the work of professionals on all fronts — that includes Ballou certainly, and Skinner, who did the cover art — and it finds High on Fire marking their 20th year with a reaffirmation of who they are, were and will be not just by trodding out expected elements, but by using them in fresh-sounding and exciting ways. They’re big enough that there will be opinions on all sides, but established fans will have no trouble getting on board with Electric Messiah‘s bludgeoning revelry.

High on Fire, “Electric Messiah” lyric video

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High on Fire Announce US Tour; “Electric Messiah” Lyric Video Posted

Posted in Whathaveyou on August 10th, 2018 by JJ Koczan

high on fire

Science tells us that if you want to live right, you need to see High on Fire at least once per album cycle, preferably more. Only days removed from the announcement of their new album, Electric Messiah, being released Oct. 5 and posting the first single in the form of the title-track, the trio have returned with a vast swath of tour dates and a lyric video highlighting the Lemmy homage of that same song. This won’t be the last tour High on Fire announce, but it will be the first round of US dates they’ll do following Electric Messiah‘s release, and even apart from the thrashy company they’re keeping, that’s reason enough to show up. As if you needed it.

From the PR wire:

high on fire tour

HIGH ON FIRE ANNOUNCE NEW U.S. TOUR DATES WITH MUNICIPAL WASTE

“ELECTRIC MESSIAH” LYRIC VIDEO RELEASED

ALL NEW LP, ELECTRIC MESSIAH, DUE OCTOBER 5, 2018
PRE ORDERS AVAILABLE NOW

On the heels of announcing their first new LP in three years, Electric Messiah, HIGH ON FIRE has posted new headlining dates throughout the U.S. and Europe this fall.

The new tour dates will be co-headlined by MUNICIPAL WASTE with Toxic Holocaust and Haunt in support. The three-week trek will kick off in Dallas, TX at Canton Hill on 11/2/18, hitting both coasts before wrapping up in San Diego, CA on 11/25/18. Tickets are now on sale.

“Man it’s gonna get crazy every night!,” says drummer Des Kensel. “Legends will be made on this tour! For after party info contact Dave Witte @ (804) 555-1212.”

High On Fire has announced extensive touring to support the recently announced all-new LP. After a batch of European festival dates, the band will head back to the U.S. to perform at Psycho Las Vegas, The Muddy Roots Music Festival, and the highly anticipated Adult Swim Festival. The band will then head back to Europe for a co-headline run with Enslaved before kicking off the Municipal Waste dates mentioned above.

Just yesterday HIGH ON FIRE released a new single titled “Electric Messiah.” The new song serves as the title track off the band’s all-new LP, which will be released on October 5, 2018, via Entertainment One (eOne). A lyric video for the track is available today.

High on Fire live:
10/08 – BE Belgium, Ieperfest
11/08 – DE Sinzendorf, Void Fest
12/08 – HU Budapest, Durer Kert

8/17/2018 – Las Vegas, NV – Hard Rock Hotel & Casino (Psycho Fest)
9/1/2018 – Cookeville, TN – Muddy Roots Music Festival
9/2/2018 – Asheville, NC – The Orange Peel

w/ Enslaved
30/09 – U Bazyla Poznan PL
01/10 – Proxima Warsaw PL
02/10 – UT Connewitz Leipzig DE
03/10 – Kulturfabrik Esch LU
04/10 – Mezz Jupiler Zaal Breda NL

10/5/18 – Los Angeles, CA – Adult Swim Festival

08/10 – Academy 2 Manchester UK
09/10 – Tivoli Dublin EIRE
10/10 – Limelight 2 Belfast UK
12/10 – The Mill Birmingham UK
14/10 – SWX Bristol UK
15/10 – The Dome London UK
16/10 – La Machine Du Moulin Rouge Paris FR

w/ Municipal Waste
2-Nov-18 – Dallas @ Canton Hall
3-Nov-18 – Austin @ Mohawk
4-Nov-18 – New Orleans @ Southport Hall
6-Nov-18 – Tampa @ Orpheum Theatre
7-Nov-18 – Atlanta @ The Masquerade
9-Nov-18 – Washington @ Black Cat
11-Nov-18 – Brooklyn @ Warsaw
12-Nov-18 – Philadelphia @ Union Transfer
13-Nov-18 – Boston @ Paradise Rock Club
15-Nov-18 – Chicago @ Metro
17-Nov-18 – Denver @ The Oriental Theater
18-Nov-18 – Salt Lake City @ Metro Music Hall
20-Nov-18 – Portland @ Bossanova Ballroom
21-Nov-18 – Seattle @ Showbox at the Market
23-Nov-18 – Sacramento @ Ace Of Spades
24-Nov-18 – Berkeley @ The UC Theatre

HIGH ON FIRE features Matt Pike (guitar, vocals), Des Kensel (drums) and Jeff Matz (bass).

https://www.facebook.com/highonfire
https://www.instagram.com/highonfireband/
www.highonfire.net
https://twitter.com/eoneheavy
https://www.facebook.com/eOneHeavy

High on Fire, “Electric Messiah” lyric video

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High on Fire to Release New Album Electric Messiah on Oct. 5; New Song Streaming

Posted in Whathaveyou on August 6th, 2018 by JJ Koczan

high on fire

October just got ridiculous with the word that heavy thrash titans High on Fire will release their awaited new album, Electric Messiah, on Oct. 5 through Entertainment One. They’re streaming the title-track now and you can hear it at the bottom of this post. The trio’s latest outing will be their third in a row tracked by Converge guitarist Kurt Ballou, and it follows behind the raging 2015 LP Luminiferous (review here) and 2012’s De Vermiis Mysteriis (review here), which I think it’s fair enough to argue are the hardest-hitting records of the band’s career thus far. Luminiferous showed a little more dynamic in letting up from the gas a bit as it played through, so I’m interested to hear how guitarist/vocalist Matt Pike, bassist Jeff Matz and drummer Des Kensel proceed along the line of melodic flourish they brought to bear last time out, let alone the punishment that surrounded.

Art and title-track audio follow here, as sent freshly along the PR wire:

high on fire electric messiah

HIGH ON FIRE ANNOUNCE NEW LP, ELECTRIC MESSIAH, DUE OCTOBER 5, 2018

PRE ORDERS AVAILABLE NOW

HIGH ON FIRE releases a new single today titled “Electric Messiah.” The new song serves as the title track off the band’s all-new LP, which will be released on October 5, 2018 via Entertainment One (eOne).

“I had a dream about Lemmy,” says Matt Pike, explaining the inspiration behind the title of High on Fire’s triumphant new “Electric Messiah.” “When Lemmy was still alive I always got compared to Lemmy,” the gravelly-voiced guitarist elaborates, “so I had this dream where he got pissed at me.”

“He gave me a bunch of shit, basically, and was hazing me. Not that he didn’t approve of me, but like I was being hazed. The song is me telling the world that I could never fill Lemmy’s shoes because Lemmy’s Lemmy. I wanted to pay homage to him in a great way. And it turned out to be such a good title that the guys said we should call the album ‘Electric Messiah.'”

Electric Messiah will serve as the follow-up to Luminiferous released in 2015, which went on to be one of the band’s most critically acclaimed albums.

Electric Messiah reunites the band once again with producer Kurt Ballou (Converge, Torche, Kvelertak) for the third time. “Kurt just has a knack for us, man,” Matt Pike says. “We all work really well with him. Even if we have differences about how we want to record something, he works with us and understands what we do. We’ve been sticking with him because we haven’t made a bad record with him yet.”

It feels absurd to think that this late into their career High on Fire has hit a new career peak, but that’s what happens when you have a trio that works this well together. For all of Ballou’s sonic wizardry, Electric Messiah is all about the evolution of Pike, Matz, and Kensel. They simply cannot be denied a permanent spot among American royalty.

“This band keeps evolving,” Pike enthuses. “This is by far the best record I’ve ever made with the High on Fire stamp. It just keeps getting better and better. We just try to outdo ourselves. I’m not saying the old work is progressively worse, it’s just that we get better every time instead of burning out, which is a common finality for a lot of bands. This album is fucking excellent, I just love everything on it, I’m not bummed about anything. It’s great when you think that about your record.”

Tracklisting:

1. Spewn from the Earth
2. Steps of the Ziggurat/House of Enlil
3. Electric Messiah
4. Sanctioned Annihilation
5. The Pallid Mask
6. God of the Godless
7. Freebooter
8. The Witch and the Christ
9. Drowning Dog

HIGH ON FIRE features Matt Pike (guitar, vocals), Des Kensel (drums) and Jeff Matz (bass).

https://www.facebook.com/highonfire
https://www.instagram.com/highonfireband/
www.highonfire.net
https://twitter.com/eoneheavy
https://www.facebook.com/eOneHeavy

High on Fire, “Electric Messiah”

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