Helen Money Announces September Tour Dates

Posted in Whathaveyou on August 22nd, 2018 by JJ Koczan

helen money

Last time I tried to go to a show in New Haven, Connecticut, I couldn’t do it. It was a weekend night, and if you’ve never been to New Haven, it’s where Yale University is, so it’s kind of a weird vibe in the town in general. I don’t think that was at  http://www.fime.it/?college-admission-personal-essay uk 3 paragraph essay about love term paper about youtube need someone write my paper homework help wales homework help holt algebra 1 Cafe Nine, it was somewhere else, so I can’t speak to where this venue is in particular, but the point is  kite runner comparison essay Custom Case Study Paper For Me gender pay gap thesis miranda vs arizona essay Helen Money is fucking awesome and the fact that she’s playing with CT’s heaviest,  research paper on impact of advertising on consumer buying behaviour How To Make A Research Paper Dissertation Online bipolar disorder thesis dissertation funding Sea of Bones, only makes me feel like I should give that show a shot.  customs and traditions of great britain essay how to write a phd proposal in electrical engineering Uk division and classification essay thesis 4th grade essay writing worksheets Helen Money, aka  If you are looking the Find Someone To Write My College Paper in Australia, just stop and click on this Australian assignment help. Can't be more supreme! Alison Chesley, is brilliant live — her latest album, 2016’s  MHR Writer offers good 10 Best Resume Writing Services Federals with no-plagiarism guarantee. Our UK academic writers deliver best quality academic writing help in time. Become Zero (review here) was much the same. That record is streaming in full at the bottom of this post and I heartily recommend you take the time to click play if you never have.

She’s also in Brooklyn and Boston(-ish) and elsewhere and the whole round of performances kicks off with one at  Want to follow urls Online? MyAssignmenthelp.com is the best place to buy a dissertation. Leave your dissertation problems behind and Buy Reggies in Chicago with none other than  http://www.orizzontionlus.it/proposal-and-dissertation-help-violence/ from the professional team of essay writers and get better and better results each day of your studies. Wovenhand the rocking horse winner essay check here love exists essay formatting a mid term paper help Chesley and  High quality custom essay Colleges With The Best Creative Writing Programss for Australian and international students. Only qualified writers, reasonable prices and complete privacy guarantee. David Eugene Edwards sharing a stage? Put out a record together, already. And by that I mean I wish they already had one.

From the PR wire:

helen money tour poster

Cellist Helen Money touring throughout the Midwest and East Coast this fall

We provide Andrew Jackson Essay writing service. Our prices start at per page. We know how to write good paper in your field! Helen Money’s Become Zero out now

Late this summer and fall, Helen Money (cellist Alison Chesley) will be touring throughout the midwest and east coast, including shows with labelmates Thalia Zedek and Wrekmeister Harmonies.

Helen Money’s 2016 album Become Zero continued Chesley’s exploration of emotive and intense music. Written after the death of both of her parents, Become Zero amplified Chesley’s musical ferocity with palpable sadness and striking beauty. Using her extensively manipulated cello, Chesley joined forces once more with drummer Jason Roeder (Sleep, Neurosis), Rachel Grimes (Rachel’s) and collaborator and co-producer Will Thomas (who provides sound effects and samples) on an album that is incredibly personal and visceral.

Helen Money tour dates
Sep. 5 – Chicago, IL – Reggie’s w/ Wovenhand
Sep. 19 – Detroit, MI – Deluxx Fluxx
Sep. 20 – Syracuse, NY – Spark Art Space
Sep. 21 – Boston, MA – Midway Cafe w/ Thalia Zedek
Sep. 23 – Brooklyn, NY – Saint Vitus w/ Wrekmeister Harmonies
Sep. 24 – New Haven, CT – Cafe Nine w/ Sea of Bones
Sep. 26 – Philadelphia, PA – Ortliebs
Sep. 27 – Durham, NC – The Pinhook

http://www.thrilljockey.com/products/become-zero
http://helenmoney.com/
https://www.facebook.com/helenmoneyband/
https://twitter.com/Helen_Money

Helen Money, Become Zero

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Quarterly Review: Sumac, Dunsmuir, Monkey3, Oak, Lightsabres, Helen Money, Dali’s Llama, Suns of Thyme, Fungal Abyss, Wicked Gypsy

Posted in Reviews on October 3rd, 2016 by JJ Koczan

the-obelisk-fall-2016-quarterly-review

This is always a kind of nervewracking moment, sitting here in my chair as I do every couple months and introducing the next Quarterly Review. Between now and Friday, somehow, some way, I’ll post 50 reviews in batches of 10 per day. It will cover more ground than, frankly, I yet know, and by the time it’s done it’s going to feel (at least to me) like way more than a week has passed, but hell, at this point I’ve done this enough times to be reasonably confident I can get through it without suffering a major collapse either of heart or brain. I’ve taken steps beforehand to make it easier on myself and listened to a lot, a lot, a lot of music in preparation, so there’s nothing left to do but dive in and actually kick this this thing off. So let’s do that.

Quarterly Review #1-10:

Sumac, What One Becomes

sumac-what-one-becomes

With their second album, Comment Faire Une Dissertation En Histoire What makes My Homework Help the Leading Provider of Assignment Help in Accounting Subject. Accounting, often referred to as the business language is responsible for recording monetary transactions and directing management decisions of a company. What One Becomes (on Writing Services Carleton; How It Works; Why Us; Order Now; Stuck with your Nursing Paper? Order custom written term papers, essays, theses and more... Thrill Jockey), post-metal trio Abraham Essays - Essay Websites Service from uncanny pro-scribes. Online Custom Writing Service prices go from .95/page. Sumac move forward from what their 2015 debut, personal statement buy case study helper maynard 2006 disney literary analysis essay writing The Deal (review here), established as their crushing and atmospheric modus. Starting with a wash of blown-out noise in “Image of Control,” the collective of guitarist/vocalist Aaron Turner (ex-Isis), bassist Brian Cook (Russian Circles) and Nick Yacyshyn (Baptists) eventually settle into a barrage of chug and inhuman lumber over the course of the five-track/58-minute progression, testing tolerance on the 17-minute march “Blackout” and tapping into a satisfying moment of melody in centerpiece “Clutch of Oblivion” that, by the time it arrives, feels a bit like a life raft. There are stretches that come across as part collections, but the whole seems to be geared toward overwhelming, consuming and devastating, and ultimately What One Becomes accomplishes all of those things and more besides, finishing closer “Will to Reach” with the sense they could easily keep going. I believe it.

Sumac on Thee Facebooks

Thrill Jockey Records

 

Dunsmuir, Dunsmuir

dunsmuir-dunsmuir

Prior to making their full-length debut, Dunsmuir issued a series of 7” singles, so if you picked up any of that, the straightforward pulse running through the 10-track self-titled will probably be familiar. Likewise if you’d previously caught wind of The Company Band, the supergroup in which vocalist Neil Fallon (also Clutch), guitarist Dave Bone and bassist Brad Davis (also Fu Manchu) previously joined forces. Here they’re joined by drummer Vinny Appice (Black Sabbath, etc.), and the material is suitably metallic in its aftertaste, but while Fallon’s presence is irrepressible and it’s the songwriting itself that shines through in cuts like “Our Only Master” and “…And Madness,” both barnburner riffs in classic metal fashion, where the later “Church of the Tooth” draws back the pace to add sway leading into the mid-paced closing duo “The Gate” and “Crawling Chaos.” Not many surprises, but with the ingredients given, knowing what you’re getting isn’t anything to complain about.

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Dunsmuir webstore

 

Monkey3, Astra Symmetry

monkey3-astra-symmetry

Across a span of 12 tracks and 72 minutes, Swiss heavy progressives Monkey3 unfurl the massive scope of Astra Symmetry, their fifth album and the follow-up to 2013’s The 5th Sun. It is an immediately immersive listening experience and does not become any less so as it plays out, the generally-instrumental four-piece frontloading early songs like “Abyss,” “Moon” and the nodding, synthed-out “The Water Bearer” with vocals and backing that with “Dead Planet’s Eyes” on the second LP for good measure. Delving into Eastern-style melodicism gives Astra Symmetry a contemplative air, but Monkey3’s heavy psychedelia has always provided a free-flowing vibe, and as “Astrea,” “Arch,” “The Guardian” and “Realms of Lights” roll through ambient drones toward the album’s smoothly delivered apex, that remains very much the case. Taken as a whole, Astra Symmetry is a significant journey, but satisfying in that traveling atmosphere and in the hypnosis it elicits along the way.

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Napalm Records

 

Oak, Oak II

oak-oak-ii

Big progressive step from London four-piece Oak on their second self-released EP, Oak II. They follow last year’s self-titled (review here) with four more tracks that build on the burl established last time out but immediately show more stylistic command, vocalist Andy “Valiant” Wisbey emerging as a significant frontman presence and the band behind him – guitarist/engineer Kevin Germain, bassist Scott Masson and drummer Clinton Ritchie – finding more breadth, be it in a nod to djent riffing in “Mirage” or more melodic post-Steak desert rock in “Against the Rain.” In addition, “A Bridge too Far” showcases a patience of approach that the first EP simply didn’t have, and that makes its build even more satisfying as it hits its peak and goes quiet into the stonerly swing of “Smoke,” which ends Oak II with due fuzz and some social commentary to go with. Sounds like more than a year’s growth at work, but I’ll take it.

Oak on Thee Facebooks

Oak on Bandcamp

 

Lightsabres, Hibernation

lightsabres-hibernation

One word for Swedish one-man outfit Lightsabres? How about “underrated?” Since the 2013 Demons EP (review here), it has been nearly impossible to keep a handle on where John Strömshed (also Tunga Moln) might go on any given song, and his latest offering, the full-length Hibernation (on HeviSike with a tape out on Medusa Crush) works much the same, rolling out a melodic mellowness on the opening title-track before topping off-time chug with garage vocals on the subsequent “Endless Summer.” Elsewhere, “Throw it all Away” marries swallow-you-in-tone riffing with a surprisingly emotionally resonant lead, and “Blood on the Snow” offers a downtrodden vision of grunge-blues like what might’ve happened if Danzig had never gone commercial. It’s all over the place, as was 2014’s Spitting Blood (review here) and 2015’s Beheaded, but tied together through a wintry theme, and anyway, variety is the norm for Lightsabres, whose reach seems only to grow broader with each passing year.

Lightsabres on Thee Facebooks

HeviSike Records website

 

Helen Money, Become Zero

helen-money-become-zero

Knowing the context of Helen Money’s Become Zero having been written by cellist Alison Chesley following losing both her parents, and knowing that songs like the 10-minute “Radiate” and the effects-less “Blood and Bone” (which features pianist Rachel Grimes) deal directly with that loss, only makes it more powerful, but even without that information, the sense of melancholy and loneliness is right there to be heard. Chesley, who released the last Helen Money album, Arriving Angels (review here), in 2013, once again brings in drummer Jason Roeder (Sleep, Neurosis) to contribute, and his work on the title-track and the later churn of “Leviathan” make both standouts, but whether it’s the empty spaces of “Vanished Star” or the ambient wash of “Radiate” – I don’t even know how a cello makes that sound – the emotional force driving the music is ultimately what ties it together as a single work of poignant, deeply resonant beauty.

Helen Money on Thee Facebooks

Helen Money at Thrill Jockey Records

 

Dali’s Llama, Dying in the Sun

dalis-llama-dying-in-the-sun

It has been nearly three years since desert-dwelling rockers Dali’s Llama celebrated their two-decade run with the Twenty Years Underground vinyl (review here) and almost four since their last proper full-length, Autumn Woods (review here), was issued. For them, that’s an exceedingly long time. One can’t help but wonder if the band – now a five-piece, led as ever by guitarist/vocalist Zach Huskey and recorded as ever by Scott Reeder – went through a period of introspection in that span. After some stylistic experimentation with darker and more doomed influences, the seven tracks of Dying in the Sun would seem to reaffirm who Dali’s Llama are as they approach the quarter-century mark, bringing some of the gloom of Autumn Woods to extended centerpiece “Samurai Eyes” as easily as “Bruja-ha” seems to play off the goth-punk whimsy of 2010’s Howl do You Do? (review here). The fact is Dali’s Llama are all these things, not just one or the other, and so in bringing that together, Dying in the Sun is perhaps the truest to themselves they’ve yet been on record.

Dali’s Llama on Thee Facebooks

Dali’s Llama Records website

 

Suns of Thyme, Cascades

suns-of-thyme-cascades

Making their debut on Napalm Records, Berlin five-piece Suns of Thyme exhibit immediate sonic adventurousness on their second album, Cascades, melding krautrock and heavy psych keys and effects with a distinctly human presence in the rhythm section, engaging in songcraft in the new wave-ish “Intuition Unbound” while topping shoegaze wash with organ on “Aphelion.” It’s a vast reach, and with 14 tracks and a 55-minute runtime, Suns of Thyme have plenty of chance to get where they’re going, but the dynamic between the psych-folk of “Val Verde” and the drift of closing duo “Kirwani” and “Kirwani II” and the push of the earlier “Deep Purple Rain” impresses both in theory and practice alike. The task ahead of them would seem to be to meld these influences together further as they move forward, but there’s something satisfying about having no idea what’s coming next after the proggy sway of “Schweben,” and that’s worth appreciating as it is.

Suns of Thyme on Thee Facebooks

Suns of Thyme at Napalm Records

 

Fungal Abyss, Karma Suture

fungal-abyss-karma-suture

Two huge, side-consuming slabs of primordial improvised heavy psychedelia making up a 45-minute LP with a pun title and enough wash throughout that I don’t even feel dirty looking at it? Yeah, there really isn’t a time when I don’t feel ready to sign on for weirdo exploratory stuff like that which Seattle’s Fungal Abyss elicit on Karma Suture. Available as a 12” on Adansonia Records, the album brings together “Perfumed Garden” (22:12) and “Virile Member” (23:22), both sprawling, massive jams that launch almost immediately and are gone for the duration. Way gone. I won’t discount the consumption that takes place on side A, but I think my absolute favorite part of Karma Suture might be the guitar lead on “Virile Member,” which about eight minutes in starts to lose its way and you can actually hear the band come around and pick it back up to an exciting swing. It’s moments like that one that make a group like Fungal Abyss exciting. Not only are they able to right their direction when they need to, but they’re brave enough to put the whole thing on record: as raw and genuine as it gets.

Fungal Abyss on Thee Facebooks

Adansonia Records website

 

Wicked Gypsy, Wicked Gypsy

wicked-gypsy-wicked-gypsy

It’s an encouraging and unpretentious start that Malaysian four-piece Wicked Gypsy make on their self-titled, self-released three-song EP. In the 22-minute span of “Wicked Gypsy,” “Heavy Eyes” and “Gypsy Woman,” the band – vocalist/guitarist Mahmood Ahmad, bassist Mohd Azam, keyboardist Azyan Idayu and drummer Ahmad Afiq – bring together influences from modern doom and classic heavy rock, Idayu’s keys providing a distinct ‘70s flair to the opener while Azam’s wah bass and of course a liberal dose of rifffing from Ahmad lead a proto-metallic charge in “Heavy Eyes,” topped with gritty vocals reciting lyrics about smoking weed, black magic, the devil, etc. What one really hears in these tracks is Wicked Gypsy’s initial exploration of dark-themed doom rock, and while the going is rough in its sound, that adds to the appeal, and the drum solo/progressive flourish worked into “Gypsy Woman” speaks well of where they’re headed as they walk the Sabbathian path.

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Wicked Gypsy on Soundcloud

 

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Helen Money to Release Become Zero Sept. 16

Posted in Whathaveyou on May 24th, 2016 by JJ Koczan

helen money

Look, I’m not even gonna wax critical on this one, just read everything about the new Helen Money record, Become Zero, below and then preorder it. Couldn’t be simpler. The album is out on Sept. 16 through Thrill Jockey and follows 2013’s Arriving Angels (review here) and a 2015 collaboration with Jarboe. This Spring, Alison Chesley, the sole inhabitant of the band Helen Money, toured alongside French progressive rock legends Magma, and like them, she speaks a language entirely her own. Damn. I said I wasn’t gonna wax critical.

Save me, PR wire!

helen money become zero

LP version pressed on virgin vinyl and packaged with artworked inner sleeve and free download coupon. CD version in 4 panel mini-LP style gatefold package.

Limited quantity pressed on opaque yellow gold color vinyl

Helen Money’s Become Zero continues cellist Alison Chesley’s exploration of emotive and intense music. Written after the death of both of her parents, Become Zero amplifies Chesley’s musical ferocity with palpable sadness and striking beauty. Using her extensively manipulated cello, Chesley joins forces once more with drummer Jason Roeder (Sleep, Neurosis), Rachel Grimes (Rachel’s) and collaborator and co-producer Will Thomas (who provides sound effects and samples) on an album that is incredibly personal and visceral.

Through her music, Chesley takes us on a journey as she grapples with the concepts and the emotions of life’s end: loss, isolation, sorrow, peace and resolution. “Vanished Star” imagines a place where this life and what lies beyond it intersect in an eerie waltz between the piano and cello. “Facing the Sun,” takes its title from the loosely-translated name of the Tataviam Indians, who lived in the San Fernando Valley where Chesley grew up. “It also refers to my father who loved the Valley and loved sitting outside and feeling the sun on his skin,” Chesley says. “Radiate” begins in a place of struggle and hardship which is eventually transcended. The song starts with a dissonant, distorted chord on the cello and builds to a place where it fights with itself before finally falling apart. “To end the piece I wanted it to sound like it was dissolving into space – another reference to my father, who worked on the Apollo and Space Shuttle programs,” says Chesley. “Will and I even managed to replicate the sound of a satellite pinging at the end. The ending feels very peaceful to me. Resolved.”

On “Blood and Bone,” Chesley brought in pianist Rachel Grimes. While “Blood and Bone” is acoustic, don’t assume that it’s a gentler piece. “One of the things I struggle with as a composer is writing for my cello without any effects, especially music that is as powerful as my amplified pieces,” Chesley says. She had been practicing the 5th cello suite by JS Bach, a “very dark piece,” as she wrote Become Zero. In this suite, Bach has the cellist tune the top string down a whole step, and the music itself is very dissonant and powerful. Chesley wanted to incorporate the piano which adds a nice depth and percussiveness to the texture. So she opened the piece with those very stark chords and brought the cello in, letting it gradually take over.

Much of Become Zero was recorded at Thomas’ Los Angeles studio. Additional recording was done at Grimes’ studio outside of Louisville, Kentucky, and at East/West Studios in Hollywood. While Chesley had previously exclusively recorded analog to tape with Steve Albini, she went in a new direction for her Thrill Jockey debut. “I wanted to explore the freedom provided by digital recording,” Alison explains. “there is simply more flexibility with regards to multi-tracking…such as interfacing with electronic sounds, supplementing tracks with MIDI sounds, and ease of movement between the analog and digital domain. Become Zero’s songs called for a much wider palate of sounds.” Roeder’s drums were recorded separately at East/West Studios on a vintage Neve console. Chesley’s expanded approach to recording results in a beautiful mix of acoustic and processed sounds, a perfect fit for an album that is at once highly visceral and delicately ethereal.

Helen Money is equally at home in the New Music realm as she is in the New Metal realm. Chesley has toured extensively with an incredible array of musicians, including Shellac, Neurosis, Sleep, Russian Circles, Magma, Agalloch, Earth, and Nina Nastasia. Both Portishead and Shellac selected her for their respective All Tomorrow’s Parties festivals. Helen Money toured with Bob Mould in 2015, including a performance on the Late Show with David Letterman. Her history of collaborations with Chicago improvisers is extensive.

Chesley currently resides in Los Angeles and will be participating in a monthlong residency at the venue Complex throughout August 2016. Helen Money is actively touring throughout Europe and the United States. She will be touring again extensively in the fall and throughout 2017.

Tracklisting:
1 Every Confidence
2 Become Zero
3 Radiate
4 Blood and Bone
5 Vanished Star
6 Machine
7 Leviathan
8 Facing the Sun

http://www.thrilljockey.com/products/become-zero
http://helenmoney.com/
https://www.facebook.com/helenmoneyband/
https://twitter.com/Helen_Money

Helen Money, Live at the Regent Theater, March 16, 2016

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