Brant Bjork Announces East Coast Tour with Ecstatic Vision

Posted in Whathaveyou on July 23rd, 2019 by JJ Koczan

brant bjork

I’ve been biding my time waiting to unleash a golly-BrantBjork-is-awesome-type review of the reissues of his first two solo albums that Heavy Psych Sounds has put and is putting out, and mark my words, I’ll get there by the time the Man Himself comes to play my beloved Garden State on Sept. 20. Brant Bjork, in New Jersey? I feel like I have a moral imperative to be there — and so do you, frankly. It’s not the kind of thing that happens every day, month, year, etc., so yeah, mark the calendar for it. All the better that the tour is with Heavy Psych Sounds labelmates Ecstatic Vision, whose new record For the Masses will also be out by then. Sometimes it just works. All of it. And it’s amazing how many of those times seem to involve Brant Bjork one way or the other.

Of course, Bjork and his band were just in Europe playing fests and supporting their earlier-2019 release, Jacoozzi (review here), of archived instrumental jams that followed 2018’s Mankind Woman (review here), his debut on Heavy Psych Sounds after completing a three-album deal with Napalm Records. Not a bummer in the bunch.

Here are the dates as posted by the label:

BRANT BJORK tour

*** BRANT BJORK – US TOUR 2019 ***

+Ecstatic Vision

Our desert rock legend Brant Bjork will tour US in September, supported by Ecstatic Vision !!! Don’t miss them..

BRANT BJORK US TOUR 2019

9/12 – St Louis, MO @ The Firebird
9/13 – Indianapolis, IN @ The Citadel Music Hall
9/14 – Youngstown, OH @ Westside Bowl
9/15 – Baltimore, MD @ Ottobar
9/16 – Columbus, OH @ Woodlands Tavern
9/17 – Buffalo, NY @ Iron Works
9/18 – Boston, MA @ The Middle East Upstairs
9/19 – Brooklyn, NY @ The Kingsland
9/20 – Teaneck, NJ @ Debonair Music Hall
9/21 – Philadelphia, PA @ Kung Fu Necktie
9/22 – Providence, RI @ Dusk
9/23 – New Haven, CT @ The State House
9/24 – Brattleboro, VT @ The Stone Church
9/25 – Toronto, ON @ Lee’s Palace
9/26 – Detroit, MI @ The Magic Bag
9/27 – Chicago, IL @ Reggies
9/28 – Milwaukee, WI @ Walker’s Point Music Hall

https://www.facebook.com/BrantBjorkOfficial
https://www.instagram.com/brant_bjork
http://www.brantbjork.com
https://www.facebook.com/HEAVYPSYCHSOUNDS
http://www.heavypsychsounds.com
https://heavypsychsoundsrecords.bandcamp.com

Brant Bjork, Jalamanta (1999)

Tags: , , , , ,

High Reeper & Crypt Trip Announce Fall European Tour Dates

Posted in Whathaveyou on July 8th, 2019 by JJ Koczan

high reeper (Photo Drew Wiedemann)

crypt trip

Crypt Trip and High Reeper both toured Europe this past Spring, the former in March/April and the latter in April/May. Crypt Trip played RoadburnHigh Reeper played Desertfest in London. The way I see the dates, the US-based Heavy Psych Sounds labelmates missed each other by all of five days in terms of intercontinental travel, and as apparently both acts left some unfinished business abroad, it seems only reasonable they’d head back over in good company. They’ll both take part in their label’s festival in Rome, Italy, and Innsbruck, Austria, as well as Desertfest Belgium and a host of other sweet-looking gigs, and because the astounding coincidences keep piling up, they both go supporting killer 2019 releases, as High Reeper‘s Higher Reeper (review here) and Crypt Trip‘s Haze County (review here) both came out this Spring. Go figure.

Still some dates TBA in the UK (that’s the new “Anarchy in the UK,” btw) here, so keep an eye out, but here’s what’s been announced:

high reeper crypt trip tour

*** HIGH REEPER & CRYPT TRIP European Fall Tour 2019 ***

We are so happy to present a very special combo tour. Our beloved HIGH REEPER and Crypt Trip will smash Europe together this Fall playing in Italy, Slovenia, Germany, Belgium, France, Spain, Portugal, Switzerland, Austria and UK. A lot of single shows but also great festivals such as Desertfest Belgium, Heavy Psych Sounds Fest // Roma and Heavy Psych Sounds Fest IBK | Conan, Black Rainbows, more !!!

HIGH REEPER & CRYPT TRIP EU Fall Tour 2019

11.10.2019 IT Pescara-Scumm
12.10.2019 IT Roma-Traffic, Heavy Psych Sounds Fest
13.10.2019 IT Cecina- Fuzz n Roll, Ritmi
14.10.2019 IT Zerobranco-Altroquando
15.10.2019 IT Trieste-El Covo De Jameson
16.10.2019 SL Ljubljana-Channel Zero
18.10.2019 DE Siegen-Freak Sabbath Vol 5
19.10.2019 DE Oldenburg-MTS Record Shop
20.10.2019 BE Antwerp-Desertfest Belgium
21.10.2019 FR Lille
22.10.2019 FR Nantes-La Scene Michelet
23.10.2019 FR Toulouse-Usine a Musique
24.10.2019 SP Bilbao-Satelite T
25.10.2019 SP Aviles-Factoria Cultural
26.10.2019 SP Madrid-Wurlitzer Ballroom
27.10.2019 PT Porto-Barracuda
28.10.2019 PT Lisbon-Sabotage Club
30.10.2019 SP Barcelona-Rocksound
31.10.2019 CH Olten-Coq D’or
01.11.2019 AT Innsbruck-PMK Heavy Psych Sounds Fest
02.11.2019 CH Winterthur-Gaswerk
04.11.2019 AT Koln-MTC*
05.11.2019 UK*
06.11.2019 UK*
07.11.2019 UK*
08.11.2019 UK Bristol*
09.11.2019 UK London-Black Heart*

HIGH REEPER ONLY*

HIGH REEPER are:
Zach Tomas – Vocals
Shane Trimble – Bass
Pat Dealy – Guitars
Andrew Price – Guitars
Justin Di Pinto – Drums

CRYPT TRIP are:
Ryan Lee – Vocals, Guitar
Sam Bryant – Bass
Cameron Martin – Drums

https://www.facebook.com/HIGHREEPER/
https://highreeper.bandcamp.com/
https://www.facebook.com/CryptTrip/
https://crypttrip.bandcamp.com/
https://www.facebook.com/HEAVYPSYCHSOUNDS/
http://www.heavypsychsounds.com/
https://heavypsychsoundsrecords.bandcamp.com/

High Reeper, Higher Reeper (2019)

Crypt Trip, Haze Country (2019)

Tags: , , , , , , , , , ,

Quarterly Review: Salem’s Bend, Motorpsycho, Sigils, Lord Dying, Sunn O))), Crimson Heat, Molior Superum, Moros, Glitter Wizard, Gourd

Posted in Reviews on July 2nd, 2019 by JJ Koczan

quarterly-review

Today is Tuesday, I’m pretty sure, and hey, that’s nifty. I thought yesterday kicked off the Summer 2019 Quarterly Review really well, and any time I get through one of these without my head caving in on itself, I feel like that’s a victory, so yeah. Now we wade even deeper into what will ultimately be a 60-review plunge, with another 10 offerings of various stripes and takes on heavy. Some higher profile stuff in here, which is fine, I guess, but most of it is pretty recent, so if there’s something you haven’t heard yet, I hope you find something you dig, as always.

Quarterly Review #11-20:

Salem’s Bend, Supercluster

salems bend supercluster

This is the sound of a band who’ve figured it out. Salem’s Bend have taken retroist boogie and modern tonalism, production and melody and turned it into something of their own. Supercluster (on Ripple) follows the Los Angeles trio of guitarist/vocalist Bobby Parker, bassist/vocalist Kevin Schofield and drummer Zach Huling‘s 2016 self-titled debut (review here), and with an uptick in the complexity of songwriting overall and particularly in the arrangements of dual-vocals, it is a marked step forward palpable as much in the hook of “Ride the Night” — and if you’re gonna call a song that, you better bring it — as the heavy crash ending “Heavenly Manna” and the languid, lucidly dreaming groove in “Infinite Horizon,” which appears ahead of the acoustic hidden track “Beltaine Chant.” That won’t be the last time these guys unplug, but whether it’s the raw Zeppelin vibe of “Show Me the Witch” or the crunching low-end nod of “Thinking Evil” or the leadoff thrust in “Spaceduster,” the message is clear that Salem’s Bend have arrived.

Salem’s Bend on Thee Facebooks

Ripple Music webstore

 

Motorpsycho, The Crucible

motorpsycho the crucible

The latest in Motorpsycho‘s nigh-on-impossible-to-chart and ever-growing discography is The Crucible, issued through Stickman Records, and taking some of the heavy rock push of 2017’s The Tower (review here) and stretching out to more willfully progressive execution across three increasingly extended tracks. Running from shortest to longest, the album begins with “Psychotzar” (8:44) which resolves itself in maddening turns after fleshing through an energetic beginning, and rounds out side A with the 11-minute “Lux Aeterna,” with vocal harmonies and mellotron building into a graceful swell of volume before a headspinner solo and jam take hold, break to near-silence and finish in a burst of directly earliest-King Crimson majesty. This all before the 20:51, side B-consuming title-track crashes in with immediate tension and plays back and forth at releasing that through a course that is rife with melody and an emphasis on the mastery of Motorpsycho over their sound and direction. Onto the list of the year’s best records it goes.

Motorpsycho on Thee Facebooks

Stickman Records website

 

Sigils, You Built the Altar, You Lit the Leaves

Sigils You Built the Altar You Lit the Leaves

Hypnotic and immersive heavy post-rock and metal becomes the genre tag well enough, but what New York’s Sigils do on their markedly impressive self-recorded, self-released debut album, You Built the Altar, You Lit the Leaves, is more soulful and emotive than “post-” anything generally conveys. With four tracks/38 minutes best taken as a whole, single listening experience, the band offer resonant depths of tone and vocal echoes centered around airy but still weighted guitar and consuming rhythms brought to bear with the patience of an organic Jesu. The ultimate triumph is in the melody and payoff of 13-plus-minute closer “The Wicked, the Cloaked,” which seems to manifest the haunting sensibility that “Samhain” and “Ritual” advocate on side A, but neither will I discount the chug of the prior “Faceless” or the underlying churn in those two leadoff tracks. Especially as a first album, You Built the Altar, You Lit the Leaves casts a sonic identity for itself that is striking and sees the band already beginning to push themselves forward. One hopes they continue to do so.

Sigils on Thee Facebooks

Sigils on Bandcamp

 

Lord Dying, Mysterium Tremendum

Lord Dying Mysterium Tremendum

Following 2015’s Poisoned Altars (review here), subsequent years of touring and a jump from Relapse to eOne Metal, Lord Dying‘s Mysterium Tremendum is enough of a stylistic melting pot that the best thing to do is call it progressive and just let it roll. Comprised of 11 tracks themed around death and the afterlife, the record takes the Portland, Oregon, outfit’s prior death-doom ways and expands them to incorporate an array of styles and melodies, like a vocoder-less Cynic or even Atheist, but more focused on the songs themselves. It’s being widely hailed as one of 2019’s best metal releases, and honestly I can’t speak to that because who the hell knows what “metal” even means, but it sees Lord Dying pull off a major sonic leap and if this is the direction they’re headed from now on, then I guess “metal” is going to be whatever the hell they want. So there. Expect to see a lot of Lord Dying t-shirts around in the years to come.

Lord Dying on Thee Facebooks

eOne Heavy on Thee Facebooks

 

Sunn O))), Life Metal

sunn life metal

The core of Sunn O)))‘s sound — that is, the drone-riffed tonality of Greg Anderson and Stephen O’Malley, has proven amorphous enough over the last two decades to either be orchestral, minimalist, impossibly bleak, or now, something brighter. The Steve Albini-recorded Life Metal is one of two purported Sunn O))) releases slated for this year, and it follows behind 2015’s Kannon (review here) in manifesting their project in a new way. It is 68 minutes long, comprised of four tracks — the first, “Between Sleipnir’s Breaths,” is notable for the inclusion of vocals from Hildur Guðnadóttir; the rest is instrumental — and while one wonders how much is the power of suggestion amid their colorful artwork and titular presentation, “life” as opposed to death metal, etc., their resonance throughout “Aurora” (19:07) and “Novae” (25:24) strips away much of the flourish that has engulfed Sunn O))) in their post-maturity years and reminds of the power at their center. They chose the right producer.

Sunn O))) on Bandcamp

Southern Lord Recordings website

 

Crimson Heat, Crimson Heat

Crimson Heat Crimson Heat

With a handful of tracks of dirt-coated Sabbathian doom rock, Crimson Heat make their debut with a self-titled demo/EP in no small part defined by its lack of pretense. I’d buy the tape at the show. You’d buy the tape at the show. The download is free. Clearly this is a band figuring out what they want to do and trying to catch a few ears, but the sound is right on. Notable as well for the participation of Sam Marsh of Sinister Haze, tracks like “At My Door” blend Tee Pee Records-style skate vibes with darker traditionalist crunch, and the subsequent acoustic interlude “Firewood” indeed adds a bit of burning-stove smell to the procession ahead of doomed shuffler finale “Deep Red.” They might be new, but from the nod of “Premonition” and the double-layered guitar of “Fortune Teller,” they very clearly know where they’re coming from. What they do with that from here will tell the tale, but for now, selling the tape at the show isn’t nothing. Guess they better get on pressing some up.

Sinister Haze on Thee Facebooks

Crimson Heat on Bandcamp

 

Molior Superum, As Time Slowly Passes By…

Molior Superum As Time Slowly Passes By

The boogie runs strong in Molior Superum‘s first album in seven years, As Time Slowly Passes By… (on H42 Records), the title of which might just hint at the distance between their two full-lengths. Their debut was Into the Sun (discussed here) in 2012, and they answered that with 2014’s Electric Escapism (review here), but for a band who sound so energized on cuts like “Att Födas Rostig” and “Through Valleys of Wonder,” the time differential from one record to the next is curious. Still, no question the Swedish four-piece make the most of the 36 minutes they present on their sophomore offering, realizing classic vibes and fuzz tones through modern production that recalls the likes of GraveyardJeremy Irons and the Ratgang Malibus and even, on “Into the Grey,” Demon Head‘s doomier fare, with an overarching bluesy sensibility that remains exciting even in moments like the hypnotic midsection build of centerpiece “Divinity Blues.” Even the closing soft-guitar title-track has movement. They sound hungry in a way that suggests maybe it won’t be another seven years before a third LP arrives.

Molior Superum on Thee Facebooks

H42 Records

 

Moros, Weapon

moros weapon

Just because Philly is leading the Eastern Seaboard in terms of psychedelic charge, that doesn’t mean there isn’t room for the guttersludge extremity of a unit like Moros. The destructive three-piece’s first full-length, Weapon (on Hidden Deity Records), is vicious in its bite and downright nasty in its groove, abrasive from the static intro “(Vortexwound)” onward through “We Don’t Deserve Death” and “Devil Worshipper,” which recalls slower Napalm Death in its riff but is met with a harsh scream as well as shouts. The brutality continues through “Wizard of Loneliness” and into the outright pummel of “Death Nebula,” such that the locked-in nodder groove in the second half of “Every Day is Worse Than the Last” feels almost like a lifeboat, though there’s little salvation on offer in the closing title-track, which fades out on a noisy note in much the same way it faded in. Filthy, mean and heavy. The crust is real and it is thick.

Moros on Thee Facebooks

Hidden Deity Records website

 

Glitter Wizard, Opera Villains

glitter wizard opera villains

I was enticed to dig further into Glitter Wizard‘s Opera Villains (on Heavy Psych Sounds) by the recent video for opener “A Spell So Evil” (posted here), and it’s not a choice I regret. The San Fran-based weirdo collective are putting on a show, no doubt, but the quality of their songwriting on “The Toxic Lady” and the punkish underpinning of “Dead Man’s Wax,” etc., puts them in a classic rocking no man’s land in which they absolutely revel. The laser-strewn drama of “March of the Red Cloaks” and the organ- and flute-laced swing of “Hall of the Oyster King” embrace the grandiose in brazen fashion, and thereby make it that much easier for the listener to join them on this wavelength that is so thoroughly their own. Closer “Warm Blood” taps prog-of-old pomposity in its largesse while the earlier “Fear of the Dark” seems to do the same thing with just an acoustic guitar and some vocal harmonies. A record that knew exactly what it wanted to be and then became that thing. Awesome.

Glitter Wizard on Thee Facebooks

Heavy Psych Sounds website

 

Gourd, Moldering Aberrations

gourd moldering aberrations

Ambient darkness is inflicted with only the cruelest of spirit throughout Gourd‘s Moldering Aberrations EP, the Irish two-piece alternating minimalist spaciousness with gurgling drone intensity, the extremity of which doesn’t so much come through in pummel or drive, but in the swell of volume and its contrast with the emptiness surrounding. Also the growls. Three tracks are offered up like monuments to pain, and through “Befoulment,” “Mycelium” and the title-track, they conjure a heft of atmosphere as much as one of low end, the claustrophobic feeling of their craft coming through even in the relatively peaceful opening of the last song. That peace, of course, isn’t so much moment of respite as it is precursor to the next plunge, and either way, Gourd work in grueling fashion over 23 minutes to dismantle consciousness and expectation with a grim, distortion-fueled chaos from which there seems to be no escape, until the rumble and noise leave “Moldering Aberrations” and there’s just residual hum and a cymbal crash left. Madness.

Gourd on Thee Facebooks

Cursed Monk Records on Bandcamp

 

Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

Black Rainbows Announce European Touring & Fest Dates

Posted in Whathaveyou on June 28th, 2019 by JJ Koczan

black rainbows

It’s going to be a busy couple months for Black Rainbows. The Italian magnates of heavy psychedelic rock have two recently-announced reissues on deck for July 26 release, and they have a bunch of killer shows booked, including dates with Orange Goblin and Wolfmother and stops at numerous festivals, HRH Doom vs. StonerUp in Smoke, and four dates of the Heavy Psych Sounds Fest among them. That will take them through the end of the year, and I wouldn’t be surprised if a new album followed sometime sooner than later in 2020, though I wouldn’t fight with them if they decided to do an American tour either. I think they’re about due, don’t you?

Here’s the (hypothetical, of course) package: Ecstatic VisionDuel and Black Rainbows. I’d say Nebula headline, but Nebula are already touring this Fall, and I’m thinking a 21-date full-US tour in Spring 2020. Just don’t hit New York while I’m at Roadburn and that’ll be great, thanks.

…And booking shows is that easy, right?

Seriously though, Black Rainbows have been around for 12 years and frontman Gabriele Fiori‘s label, Heavy Psych Sounds, has made itself among the most essential outlets going in no small part because of picking up bands like Duel and Ecstatic Vision — also Fatso JetsonYawning Man, Brant Bjork, etc. — so yeah, I think it’s time we got them over. Let them play some fest or other to make a little cash, and set them up with Made in Brooklyn for a bunch of merch, and they’d be good to go. They can get robbed in Chicago, for the complete ‘American Tour’ experience. Shit, while we’re daydreaming, I’ll drive the van and write a book about it. I always wanted to do that anyway.

I’m getting off track. Dates from the PR wire:

black rainbows tour dates

Heavy Psych Sounds Records & Booking is really stoked to present BLACK RAINBOWS – Heavy Space Psychedelic Tour Dates

Our heavy fuzz riffers BLACK RAINBOWS are presenting a bunch of gigs during the next 6 months !!!

The band will play single gigs but also perform at some of the biggest European festivals such as UP in SMOKE festival at Z7 in Switzerland, Black Bass Festival in France, HRH Doom Vs HRH Stoner in UK and at the HEAVY PSYCH SOUNDS Fest in Rome, Innsbruck, Berlin and Dresden.

!!! Don’t miss them !!!

– Heavy Space Psychedelic Toud Dates –
06.07.2019 IT Roma-Traffic w/Orange Goblin
07.07.2019 IT Chiusi-Lars Fest w/ Wolfmother
12.07.2019 IT Isernia-Rock in Musica
25.07.2019 IT Parma-Splinter Club
26.07.2019 FR Saint Felix-Panic Fest
27.07.2019 IT Alessandria-Cascina Bellaria
30.08.2019 FR Bordeaux-Black Bass Fest
28.09.2019 UK Sheffield-HRH Doom vs Stoner
03.10.2019 CH Basel-Up in Smoke Fest
04.10.2019 CH Chur-Palazzo Bowling & Beat Club
05.10.2019 IT La Spezia-Shake Club
12.10.2019 IT Rome-Traffic HPS Fest
01.11.2019 AT Innsbruck-PMK HPS Fest
06.12.2019 DE Berlin Dresden-HPS Fest
07.12.2019 DE Berlin Dresden-HPS Fest

Since the release of their debut album, Twilight in the Desert, in 2007, Roma rockers Black Rainbows have become one of the most essential acts in Europe’s heavy underground. As the spearhead of an entire movement of Italian bands, They’ve issued five full-lengths to-date and are on the precipice of their sixth in 2018, with founding guitarist/vocalist Gabriele Fiori and bassist Giuseppe Guglielmino welcoming new drummer Fillippo Ragazzoni to the fold for the first time.

Across albums like 2010’s Carmina Diablo (recently reissued), 2011’s Supermotherfuzzalicious!!, 2015’s Hawkdope and 2016’s Stellar Prophecy, Black Rainbows’ sound has oozed between classic ‘90s-style stoner fuzz and deep-cosmos psychedelia, drawing on the best of hard-driving space rock to conjure a vibe totally tripped-out and all its own. By bringing Ragazzoni on board, the riffs have gotten tighter and are fuzzed as ever, and two years after their last outing, Black Rainbows enter 2018 refreshed and with well-earned veteran status resulting from countless tours, festival appearances, and their track record of absolutely unstoppable energy. In january they released their new record Pandaemonium.

BLACK RAINBOWS is:
Gabriele Fiori – Vocals, Guitars
Giuseppe Guglielmino – Bass, Vocals
Filippo Ragazzoni – Drums

http://www.theblackrainbows.com/
https://www.facebook.com/BLACKRAINBOWSROCK/
http://blackrainbows.bandcamp.com/
https://www.facebook.com/HEAVYPSYCHSOUNDS/
http://www.heavypsychsounds.com/
https://heavypsychsoundsrecords.bandcamp.com/

Tags: , , , , ,

Alunah Release Violet Hour Oct. 11; Preorders Available

Posted in Whathaveyou on June 25th, 2019 by JJ Koczan

alunah

We knew this news was coming last week when Alunah were announced as being picked up by Heavy Psych Sounds and the pre-sale date for their next record was given as this past Thursday. Violet Hour is the name of the record and it’ll be out Oct. 11. Preorders are indeed up right at this very moment, and I’m particularly interested to hear what it might sound like as not only will it be the band’s first album with Siân Greenaway on vocals — she also sang on last year’s Amber and Gold EP (review here) — but also with guitarist Dean Ashton, who plays bass in Diamond Head. Essentially they’ve revamped half the band since their last full-length, which is a considerable amount of change. How will that change the atmosphere, dynamic, theme, etc.? Well, the EP was a preview, but I look forward to finding out the real deal upon the album’s arrival, or preferably, before.

PR wire info follows here:

alunah violet hour

Heavy Psych Sounds to start the presale of ALUNAH new album VIOLET HOUR

ALBUM PRESALE: https://www.heavypsychsounds.com/shop.htm#HPS112

USA PRESALE via All That Is Heavy: https://allthatisheavy.com/search?type=product&q=alunah

RELEASE DATE: OCTOBER 11th

On the back of last year’s critically acclaimed “Amber & Gold” EP, Alunah return with “Violet Hour”, the new album and first for Heavy Psych Sounds (Brant Bjork, Nebula, Nick Oliveri).

“Violet Hour” sees the energy of Alunah’s dark, doom tinged hard rock being cranked up with the arrival of guitarist Dean Ashton (bass, Diamond Head) alongside the soaring vocals of Sian Greenaway and rhythmic foundation of Dan Burchmore and Jake Mason. Recorded at the historic Welsh Foel Studio and produced by Chris Fielding (Conan, Electric Wizard, Primordial) the 8 tracks on display show the fruits of a productive early 2019 with a searing combination of melodies, riffs and focused writing. From the opening combination of “Trapped & Bound” and “Dance of Deceit” the album pulls the listener in to an ominous world brought to life by artist “Felipe Froeder – Arcano XV” and doesn’t let go until the brooding finale “Lake of Fire”.

With roots dating back to 2006 in “Sabbath City” UK and an evolution that has grown over four previous albums and numerous European tours/festival dates, the momentum now picks up the pace. A UK summer tour with The Obsessed and an appearance at this year’s prestigious Damnation Festival have just been confirmed with further live dates to TBA.

AVAILABLE IN :
40 ULTRA LTD TEST PRESS VINYL
250 LTD ORANGE Trasp. Background SPLATTER in Purple-Black-Blue VINYL
500 LTD PURPLE VINYL
BLACK VINYL
DIGIPAK
DIGITAL

TRACKLIST
Trapped & Bound
Dance of Deceit
Hunt
Hypnotised
Violet Hour
Unholy Disease
Velvet
Lake of Fire

UK tour w/The Obsessed:
17.7 Coventry The Arches
18.7 Glasgow Audio
19.7 Manchester Rebellion
20.7 Bristol Exchange

Alunah is:
Siân Greenaway – Vocals
Dean Ashton – Guitar
Daniel Burchmore – Bass
Jake Mason – Drums

http://www.facebook.com/alunah.doom
http://twitter.com/#!/alunah_doom
http://alunah.bandcamp.com
http://www.alunah.co.uk

Alunah, Amber and Gold (2018)

Tags: , , , , ,

Planet of Zeus Premiere “Revolution Cookbook” Video from Faith in Physics

Posted in Bootleg Theater on June 18th, 2019 by JJ Koczan

planet of zeus

Last week, it was announced that Planet of Zeus had signed to Heavy Psych Sounds and will release their new album, Faith in Physics, on Sept. 27, with preorders up now. The album would seem to take a more political direction that the opening title-track of their 2016 LP, Loyal to the Pack, hinted toward, and with the unveiling of the first single/video for “Revolution Cookbook,” that’s borne out across a sub-three-minute run of catchy, uptempo and hard-hitting heavy rock. My curiosity when the press release came through was how the Athens-based four-piece would square their burly, Clutch-style groove with the thematic, and I think “Revolution Cookbook” answers that question pretty succinctly in its intense forward drive and cyclical chorus, sticking the landing on the line “We got our first-world problems” and pitting that against the contrast of “They got the tv and the money and the power and the guns.” I don’t want to put too fine a point on it, but it sounds in that scenario like “we” are fucked.

I’m not sure who that “we” encompasses, but fair enough. If nothing else, “Revolution Cookbook” would seem to demonstrate that Planet of Zeus, if indeed they’re revising their focus lyrically, aren’t doing so at the expense of efficiency in craft. That is, they’re not so caught up in the message as to lose sight of the song. Faith in Physics would seem to be setting itself up for an exploration of these contrasts, whether it’s the melodic and shouted vocals here or the workman groove and more considered lyrics themselves. I haven’t heard the rest of the record yet — and since the release date is still more than three months out, I think that’s totally reasonable — but even the title Faith in Physics speaks to an idea of conflict or struggle, hinting toward the idea of science vs. dogma and commenting that even “believing” in science is a belief system, even if one based on empirical observation. This too would seem to make it a fitting follow-up to Loyal to the Pack, the first lines of which were, “No fake gods/No submission/No trust to anyone.”

The video itself is pretty straightforward in terms of capturing the band’s performance, but is well timed to the rhythm of the song nonetheless, though if you’re sensitive to flashing lights you might want to watch out in parts. It’s not too bad. I expect you’ll be fine.

Ultimately, it does nothing so much as make me curious to hear the rest of the album.

Enjoy:

Planet of Zeus, “Revolution Cookbook” official video premiere

ALBUM PRESALE: https://www.heavypsychsounds.com/shop.htm#HPS108

Faith in Physics was recorded in Autumn 2018 at “Villa Guiseppe Studio” (drums), Planet of Zeus’s studio (guitars and bass) and “Kiwi Studio” (vocals) in Athens, Greece. It was produced by Planet of Zeus and recorded, mixed and mastered by Nikos Lavdas. The album artwork was created by “Aristotle Roufanis Studio”.

PLANET OF ZEUS is:
Babis Papanikolaou – Vox & Guitars
Stelios Provis – Guitars
Giannis Vrazos – Bass
Serafeim Giannakopoulos – Drums

Planet of Zeus website

Planet of Zeus on Thee Facebooks

Planet of Zeus on Bandcamp

Heavy Psych Sounds on Thee Facebooks

Heavy Psych Sounds website

Heavy Psych Sounds on Bandcamp

Tags: , , , , ,

Alunah Sign to Heavy Psych Sounds; Finish Recording New Album

Posted in Whathaveyou on June 17th, 2019 by JJ Koczan

I guess the first hint was when Alunah were confirmed for the Heavy Psych Sounds Fests in Berlin and Dresden, but now we have confirmation that the UK four-piece will release their next full-length through the label as well. Presales start on Thursday, so I expect another press release will follow then with the album title, cover, tracks, release date, and so on — maybe even a track to stream — but for now, the band put out word the other day that they’ve finished the recording process with Chris Fielding at Foel Studio, and the label has passed the news down the PR wire of the pickup, so much joy all around.

Alunah hit the road next month with The Obsessed, and those dates are below as well, along with the stream of their 2018 EP, Amber and Gold (review here).

Have at it:

alunah

Heavy Psych Sounds to announce a NEW BAND signing: UK doom rockers ALUNAH !!!

HEAVY PSYCH SOUNDS RECORDS is proud to welcome a new member to their eclectic artist roster and family: UK hard doom rockers ALUNAH have signed a worldwide deal for a brand new album with the Italian cult label !!!

Says the band:

“The first half of this year has been an incredibly positive, creative and productive period for Alunah. We are therefore extremely honoured and excited for the resulting album to be coming out on Heavy Psych Sounds and to join a roster that features such inspirational artists. After a week in the idyllic Welsh countryside, our time at Foel Studio has come to a conclusion. As ever, it was an absolute pleasure to work with Chris Fielding and we are immensely happy with what we have created. Stay tuned for more news!”

NEW ALBUM PRESALE STARTS: JUNE 20th

On the back of last year’s critically acclaimed “Amber & Gold” EP, Alunah return with a brand new album, the first for Heavy Psych Sounds.

With roots dating back to 2006 in “Sabbath City” UK and an evolution that has grown over four previous albums and numerous European tours/festival dates, the momentum now picks up the pace. A UK summer tour with The Obsessed and an appearance at this year’s prestigious Damnation Festival have just been confirmed with further live dates to TBA.

UK tour w/The Obsessed:
17.7 Coventry The Arches
18.7 Glasgow Audio
19.7 Manchester Rebellion
20.7 Bristol Exchange

Alunah is:
Siân Greenaway – Vocals
Dean Ashton – Guitar
Daniel Burchmore – Bass
Jake Mason – Drums

http://www.facebook.com/alunah.doom
http://twitter.com/#!/alunah_doom
http://alunah.bandcamp.com
http://www.alunah.co.uk

Alunah, Amber and Gold (2018)

Tags: , , ,

Planet of Zeus Sign to Heavy Psych Sounds; Faith in Physics Preorders Up

Posted in Whathaveyou on June 14th, 2019 by JJ Koczan

planet of zeus

There’s no audio from it yet, but the description of the intent behind the upcoming album from Planet of Zeus — titled Faith in Physics, out Sept. 27 through Heavy Psych Sounds — certainly has my interest piqued, and not just because I watched that Flat Earther documentary on Netfli. The Greek outfit would seem to be taking on a more grounded-in-now perspective in their themes, and I have to wonder how that will manifest in their songs. I tend to think of them as burly heavy rock, but maybe some different kinds of energies this time around? Titles like “The Great Liar” and “Let Them Burn” would seem to hint toward a yes in that regard, but definitely, I’m curious to hear how it will all meld. It’s the band’s first outing through Heavy Psych Sounds and preorders are up as of yesterday for vinyl and CD and whatnot.

The PR wire puts it thusly:

PLANET OF ZEUS FAITH IN PHYSICS

Heavy Psych Sounds Records & Booking is really proud to start the presale of the new album PLANET OF ZEUS – FAITH IN PHYSICS

ALBUM PRESALE:

https://www.heavypsychsounds.com/shop.htm#HPS108

USA PRESALE via All That Is Heavy (available soon):

https://allthatisheavy.com/search?type=product&q=faith+in+physics

RELEASE DATE: SEPTEMBER 27th

AVAILABLE IN :
40 ULTRA LTD TEST PRESS VINYL
250 TRANSPARENT SPLATTER BLUE / CLEAR BLUE / PINK FLUO / GREEN FLUO VINYL
550 LTD GOLD VINYL
BLACK VINYL
DIGIPAK
DIGITAL

In 2019, at a time in which irrationalism seems to be king, with far-right politics enjoying mainstream status worldwide, religious fundamentalists, flat-earthers, and anti-vaccinists testing the limits of freedom of speech, Planet of Zeus return with their highly anticipated fifth studio album, “Faith in Physics” (Heavy Psych Sounds records). Lyrically, this album seems to be Planet of Zeus’s most socio-politically conscious release, dealing with themes such as digitalization, religion, social network pseudo-revolution, addiction and lonerism. Musically, it sounds like the band’s chosen to take the dirtiest path possible in order to create the highly charged atmosphere needed to get its messages through. 46 minutes of heavy, intellectual riffology and fat grooves, reminiscent of RATM’s best days, MC5-esque attitude and energy, coupled with QOTSA’s pop sensibilities. An album that flows like water and closes with Planet of Zeus’s signature psychedelic last track, that sounds like “the Doors” landing in 2019 Athens via teleportation.

Faith in Physics was recorded in Autumn 2018 at “Villa Guiseppe Studio” (drums), Planet of Zeus’s studio (guitars and bass) and “Kiwi Studio” (vocals) in Athens, Greece. It was produced by Planet of Zeus and recorded, mixed and mastered by Nikos Lavdas. The album artwork was created by “Aristotle Roufanis Studio”.

TRACKLIST
Gasoline 4:31
Man Vs God 5:26
The Great Liar 5:03
Revolution Cookbook 2:55
All These Happy People 4:04
Your Song 4:46
Let Them Burn 5:58
On Parole 5:23
King of the Circus 8:15

PLANET OF ZEUS is:
Babis Papanikolaou – Vox & Guitars
Stelios Provis – Guitars
Giannis Vrazos – Bass
Serafeim Giannakopoulos – Drums

http://www.planetofzeus.gr
https://www.facebook.com/planetofzeus
http://planetofzeus.bandcamp.com/
https://www.facebook.com/HEAVYPSYCHSOUNDS/
http://www.heavypsychsounds.com/
https://heavypsychsoundsrecords.bandcamp.com/

Planet of Zeus, Loyal to the Pack (2016)

Tags: , , , , ,