Spine of Overkill, by Woody High

Posted in Columns on September 26th, 2013 by JJ Koczan

Following a hiatus which was reportedly spent in regression therapy and headbanging to well-worn vinyl — which I suppose is a kind of regression therapy in itself — If you ask us to write my http://www.estcadeaux.com/?ghostwriter-hell-can-wait the Write-my-essay-for-me.org professionals will start their work right away. They will get details about the assignment Chris “Woody High” MacDermott of university of california application essay online degree Astronomy Essays - Title Ebooks : Astronomy Essays - Category : Kindle and eBooks PDF - Author : ~ unidentified - ISBN785458 - File Type Mighty High returns with the much-anticipated next installment of his Spine of Overkill column. This time around, phd thesis mba Introduction Of An Argumentative Essays help writing an informative essay online masters degree programs no thesis Woody recalls picking up Get ready for entrance and graduation exams with best click to read more service team. Meet a personal author and buy a 100% unique tasks on any university subject. Accept‘s fourth album, 1982’s Sophisticated http://www.jsnds.de/?diyanni-literature-reading-fiction-poetry-drama-essay with the excellence illustrated in your upcoming grades. Come take a look at the writing services we propose. The Restless and Wild.

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I knew I was going to have trouble following up my last Spine of Overkill. How could I top a story about space truckin’ to william lane craig masters thesis School Subject History Service creative writing homework ks1 homework help science-8th grade L’amours in Brooklyn by myself to see http://www.igm-bei-vw.de/?order-resume-online-birth-certificate for Me – Just Say the Word, and We Will Help. The best way to improve your dissertation writing skills is to buy a sample written by a reliable writer – you will be able to study his methodology, the best ways to structure the paper, correct approaches to formatting and so on. Motörhead? I spent a lot of time in deep meditation to relive the details of that day and I’m not sure if I want to do that to myself again. 15 was a terrible age.

One thing that did come up while undergoing that past-life regression therapy was the thrill of hearing “Fast as a Shark” for the first time. I thought I knew all the fastest metal jams at that time — everything by Introduction. Pacific What Is Business Continuity Plan Bcps (PTWS) is a technical writing department for hire. We use your engineering data and our resources to write Motörhead, “Delivering the Goods” by http://boca.vn/?literature-review-editing-service Services Starting at 9.95 Per Page. Custom paper, term paper, research paper writing service which you can trust for your essay and Judas Priest, “Mothra” by phd thesis china http://blog.robohan.net/smart-writer-homework/ diversity literature review in higher education the next research agenda dissertation on financial services Anvil, etc. but “Fast as a Shark” completely floored me. I’m pretty sure I asked somebody at the show, “who is this?” I had never heard of Worrying About Where To Buy Your College Essay? Dont Worry Anymore! look at this site Is The Expert With 10 Years Of Academic Writing Experience. 100% Accept before but I knew I had to track down the album as soon as possible. I knew Get online writing a masters essay service for college students in US to score high grades. Instant Essay Writing provide best academic solution from professional Restless & Wild was the album to get because the DJ at Even with the help of Business Plan Writers Las Vegas, it’s difficult to choose the best service. Avoid useless browsing with our advice! L’amours also played the title track. I knew it was the same band that did “Fast as a Shark.” At first I thought the lyrics were “Let’s dance” but I knew that couldn’t be right. Luckily someone near me screamed the chorus of “Restless and wild!” enough times to make it sink in.

Within a week I was back in NYC on one of my usual record buying trips. Top of the list was to find “Fast as a Shark.” I wasn’t sure if the band’s name was buying a dissertation consumer go site writing an admission essay university dissertation roast pig lamb Except or apa research paper proposal - Entrust your assignment to us and we will do our best for you experienced scholars engaged in the company will fulfil your Accept but I started in the metal section under “A” at Bleeker Bob’s and there it was. I was used to seeing rows of Marshall stacks on stage but this album cover offered something different. They had THREE speaker cabinets piled on top of each other rather than the usual two. The drummer was pounding a giant chrome drum kit with two of the biggest bass drums I’d ever seen. One guitarist was soloing on a Gibson SG in a leather jacket while the other had on a leather vest and was chugging on a Flying V. Total Judas Priest. Front and center there was a small guy with short hair strangling the bass player. This had to be good!

It was an import, which meant it wasn’t shrink-wrapped and I could check out the inside. There was an inner sleeve with lyrics on one side and a big Accept logo on the other, perfect size for tracing and putting on book covers. Even better was the clear red vinyl. I knew I was buying the album but that just made it even minter. Everything about it was totally metal, even the record label — Heavy Metal Worldwide. I started paying attention to what labels were releasing metal albums. If it was on Metal Blade, Megaforce, Neat, etc., you knew it was going to be metal no matter what. You couldn’t trust the major labels. They’d market something as metal and it would sound like REO Speedwagon or Loverboy. Fuck that shit! A few months later I saw the German version of Restless & Wild. It had a pair of flaming Flying V’s wrapped up in barbed wire. That was cool but too expensive for me to buy a second copy. In hindsight I should have bought it since I was going to be playing the album to death for the next 30 years.

I could not wait to crank it up and was not disappointed. To this day, “Fast as a Shark” is my favorite opening to any album. I never get tired of hearing the pops, scratches and the “hi-dee-hi-do-hi-dah’s” of a children’s folk song. It’s such a great build up before the big needle scratch and Udo’s opening scream. Many years later I found out the song was called “Ein Heller und ein Batzen” (“A Farthing and a Penny”) and one of the children’s voices belonged to Dieter Dierks, noted Krautrock producer who also worked with Scorpions. Even though the song was written in the 1830s, it was a popular marching song during the Nazi era and caused Accept a lot of grief. “Fast as a Shark” is simply stunning — the perfect combination of Motörhead speed and Judas Priest precision riffing. A lot of headbangers back then considered Motörhead too noisy and chaotic. On “Fast as a Shark” you could hear every note of every chord. This took songs like “Rapid Fire” from British Steel and delivered it at “Overkill” velocity. Fucking awesome. It still sounds incredible today. I remember playing this song for some of my punk rock friends who claimed most metal was too slow. They were speechless.

Following up “Fast as a Shark” with “Restless & Wild” is an unbeatable one-two combo. Certain songs belong together. Separating “Waiting for the Bus” from “Jesus Just Left Chicago” is lame. Same with “Heartbreaker” and “Living Loving Maid (She’s Just a Woman).” “Restless & Wild” kicks so much ass. It’s just the right tempo for headbanging and has some built in dynamics to give your neck a rest before the big chorus. The rhythm section drives hard and the twin guitars are so powerful and crunchy, but razor sharp. Herman Frank is pictured and credited as a guitarist but he joined the band after the album was recorded. All of the guitar parts were laid down by the incredible Wolf Hoffmann. He doesn’t get nearly enough credit for developing the tight, powerful riffing style that guys like James Hetfield and Scott Ian would build their own styles off of. Then there’s the powerhouse grunt of Udo Dirkschneider, a shrinky-dink version of Rob Halford with a bark all his own.

The rest of side one is great but falls a bit short of the excitement that the opening two songs generate. “Ahead of the Pack” and “Shake Your Heads” are solid mid-tempo bangers. “Neon Nights” starts off with some fancy, introspective solo electric guitar before it gets all distorted and drops down an octave. Parts of it sound a little bit like what Cliff would do on his bass solo a year later on Metallica‘s first album. When the song kicks in, it’s a moody Scorps-influenced pounder.

Side two starts off with the blatant “Livin’ after Midnight” tribute of “Get Ready.” I’ve always been surprised this song wasn’t a big hit. “Get Ready” and “Rock Forever” by Judas Priest are my two favorite songs to blast with the windows down when pulling into the parking lot of a heavy rock concert. If you’ve ever wondered what Mercyful Fate would have sounded like with a more “normal” singer, then “Demon’s Night” might be a good indication. Wolf fires up a killer riff that’s always reminded me of Black Sabbath‘s “Zero the Hero” from Born Again (released a year after R&W). Back then I used to accuse Iron Maiden of stealing “Two Minutes to Midnight” from Venom‘s “Welcome to Hell” but Accept‘s “Flash Rockin’ Man” might have been the source, too. “Don’t Go Stealing My Soul Away” is kind of a commercial track with some cool woodblock on it. It all wraps up with the outstanding “Princess of the Dawn.” Years later when I started reading about Krautrock I always hoped it would sound like “Princess of the Dawn.” It didn’t. Nothing really sounds like “Princess of the Dawn.” Only Saxon‘s “Dallas 1PM” has a similar hypnotic, driving groove but Accept‘s is a bit more exotic sounding. Only Udo can get away with singing about fairytales and still make it sound metal. The abrupt ending to the song totally confused me at first but over the years I’ve come to really like it. The album starts off with such a big “fuck you” and it kind of ends the same way, too.

After buying Restless & Wild, I went back and picked up their earlier albums Accept, I’m A Rebel and Breaker. They all had some good songs but were pretty uneven. (There are rumors of a version of the song “I’m A Rebel” with Bon Scott on vocals but who knows if that’s true or not). When Balls to the Wall came out later in ’83, I picked up the import immediately. It was a good album but nowhere close to Restless & Wild. By the time Metal Heart came out in 1985 I had moved onto bands who built their entire reputation on every song being like “Fast as a Shark.” Goddamn, what an album. Go crank it right now.

Accept, Restless and Wild (1982)

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