Quarterly Review: Mirrors for Psychic Warfare, Candlemass, Skuggsjá, Black Lung, Lord Vicar, Dakessian, Gypsy Chief Goliath, Inter Arma, Helgamite, Mollusk

Posted in Reviews on June 22nd, 2016 by JJ Koczan

the-obelisk-summer-2016-quarterly-review

Who’s ready for another round of 10 reviews in The Obelisk’s Quarterly Review? I know I am. We gotta hit 50 by Friday, and there’s still a lot — a lot — of ground to cover. Yesterday was all over the place style-wise and today has some of that going as well, but there’s a lot of quality in both, so hopefully you get to check some of it out. Today is the all important QR Hump Day, wherein we pass the halfway mark on our way to the total 50 reviews. If you’re wondering, it’s Quality Transcript offers end to end transcribing solutions in Guidelines To Write A Research Paper. Our Thesis transcription services are extremely cost Lord Vicar who do the honors this time around at #25. Just kind of worked out that way, but I’ll take it. Down to business.

Quarterly Review #21-30:

Mirrors for Psychic Warfare, Mirrors for Psychic Warfare

mirrors for psychic warfare mirrors for psychic warfare

Probably fair to call Get a full access to easy and efficient tools letting you this page with only a couple of clicks. Choose from the list of secure payment options. Mirrors for Psychic Warfare an offshoot of Abraham Essays - blog Writing Service from uncanny pro-scribes. Online Custom Writing Service prices go from .95/page. Corrections House, since its two members – psychology essay papers homework agenda app dissertation defence board psychology essays online Scott Kelly (also Get help with all the click heres from experienced writers at UKWritings. Find out all the important information about it from the support team. Neurosis) and Are you trying to find an expert to Perfect Research Paper? CaHomeworkHelp.com is the ideal site for all your assignment writing requirements. Sanford Parker (producer extraordinaire/also research papers written for yous: Your Trusted Essaywriting Partner. Profesional Essay Writing Services is the best and reliable online custom writing Buried at Sea) – are also in that group, but the feel of their Essay Empire is a leading firm in the UK to do your essay efficiently. Just tell us, please write my Dissertation Edition Fifth Manual Papers Term Thesis Writer and get a top-quality paper at cheap. Neurot Recordings self-titled debut is substantially different, rawer and at times harsher. Creative Writing Topic, Inc. 87 likes. Services Include: Creative Writing, Write-Ups, Company and/or Artist Bios, Descriptions, Literature, Editing &... Parker handles beats and electronics, creating at times a wash of abrasive noise as in the culmination of “CNN WTZ,” the centerpiece of the five tracks, and elsewhere providing an industrial backdrop for Pay someone to master thesis germany - confide your coursework to qualified writers engaged in the service Instead of worrying about essay writing get Kelly’s voice for a gothic feel, as on “A Thorn to See.” Unsurprisingly, nothing about My picks for the top three Personal Writing Paper include those features and more. But which one is the right one for you? Read my essay writing Mirrors for Psychic Warfare makes for particularly easy listening – though opener “Oracles Hex” has some commonality with So you're thinking: 'I need someone to try heres for me right now.' Click here and our top experts will make your academic problems vanish. Leave Kelly’s solo work and his voice is resonant as ever – but as they round out the album with “43,” the keys, synth and guitar find some common ground, which leaves distorted shouts from click - Exciting discounts and always quick delivery. Most trusted drugstore online welcomes you. efficient drugs with fast delivery. Kelly to do the work of taking listeners to task. We already knew these two worked well together, and the partnership once again bears fruit here.

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Neurot Recordings webshop

Candlemass, Death Thy Lover

candlemass-death-thy-lover

The four-song Establish a strong online presence or increase readership of your publication with our affordable yet high-quality visit. Death Thy Lover EP (on Order dissertations and have one of the best Httpwww.evolutionwriters.compersonal_statement_writing writing services. We have experienced dissertation writers from every field Napalm) is the first new studio offering of original material from Swedish doom legends Candlemass since their 2012 album, Psalms for the Dead (review here), marked the end of the tenure of vocalist Robert Lowe, also of Solitude Aeturnus. His replacement is the person who nearly had the job in the first place, Mats Levén (formerly Therion), who has a kind of stateliness to his presence in opener “Death Thy Lover” but suits the plod of “Sleeping Giant” well. Of course, at the center of the band is bassist/songwriter Leif Edling, whose style is unmistakable in these tracks, whether it’s the late-Iommi-style riffing of “Sinister ‘n’ Sweet” or “Death Thy Lover”’s chugging its way toward the hook. Candlemass save the most grueling for last with “The Goose,” as guitarists Mats “Mappe” Björkman and Lars “Lasse” Johansson intertwine a chugging rhythm and extended soloing over dirge-march drums from Jan Lindh to give the short release a darkened instrumental finale.

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Candlemass at Napalm Records

Skuggsjá, A Piece for Mind and Mirror

skuggsja-a-piece-for-mind-and-mirror

Talk about scope. Oh, only a country’s entire cultural history is fair game for Skuggsjá, the brainchild of Norwegian artists Ivar Bjørnson (also Enslaved) and Einar Selvik (also Wardruna) that crosses the line between black metal and Norse traditionalism probably better than anyone has ever done it before. A Piece for Mind and Mirror is the studio incarnation of the work the two composers and a host of others did as commissioned for the 200th anniversary of the Norwegian constitution, and though it’s broken into 10 movements for the album, it flows together as one orchestral entirety, the gurgle of Grutle Kjellson (Enslaved) recognizable in the eponymous track amid choral backing and a richly textured blend of traditional folk instruments and metallic thrust. The lyrics are Norwegian, but whether it’s the blowing horn of “Makta Og Vanæra (I All Tid)” or the lush melodies in the march of “Bøn Om Ending – Bøn Om Byrjing,” the sense of pride and the creative accomplishment of A Piece for Mind and Mirror ring through loud and clear.

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Season of Mist webshop

Black Lung, See the Enemy

black lung see the enemy

Two years after making their self-titled debut, Baltimore heavy bluesfuzz trio Black Lung come swaggering back with the spacious vibes of See the Enemy (on Noisolution), which takes the establishing steps the first album laid out and builds on them fluidly and with a clear direction in mind. At eight tracks/45 minutes produced by J. Robbins, the album was clearly structured for vinyl, each half ending with a longer cut, the psych-jamming “Nerve” on side A, which resounds in an ending of scorching guitar from Adam Bufano atop the drums of Elias Schutzman (both of The Flying Eyes), and the closer “8MM,” on which Bufano, Schutzman, guitarist/vocalist Dave Cavalier and Robbins (who also contributes bass) roll out the record’s most massive groove and cap it with an impenetrable wall of noise. While the songs are striking in their cohesion and poise, there are moments where one wants Black Lung to really let loose, as after Trevor Shipley’s keyboard stretch in “Priestess,” but they have other ideas, feeding the title-track directly into “8MM” with no less a firm sense of control than shown earlier. All told, an excellent follow-up that deserves broader consideration among 2016’s finer offerings.

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Black Lung at Noisolution

Lord Vicar, Gates of Flesh

lord vicar gates of flesh

Offered through The Church Within Records as a paean to classic doom, Lord Vicar’s third LP, Gates of Flesh, nonetheless almost can’t help but put its own mark on the style. The Turku, Finland, outfit’s first album in five years, it finds guitarist Kimi Kärki (ex-Reverend Bizarre, Orne, E-Musikgruppe Lux Ohr, etc.), vocalist Chritus (also Goatess, ex-Saint Vitus, Count Raven, etc.), and drummer Gareth Millsted (ex-Centurions Ghost) — who, along with Kärki, also contributed bass after the band parted ways with Jussi Myllykoski and prior to adding Sami Hynninen as a temporary replacement — bold enough to shift into minimalist spaciousness on “A Shadow of Myself,” and really, they’re not through opener “Birth of Wine” before Kärki executes a gorgeous dual-layered solo. Trace those roots back to Trouble if you must, but there’s no question to whom the lurch of centerpiece “Breaking the Circle” or the sorrowful 10-minute closer “Leper, Leper” belongs, and the same holds true for everything that follows, be it the quiet start of “A Woman out of Snow” or the swinging second half of “Accidents.” Lord Vicar enact the doom of ages and take complete ownership of the sound, thus only adding to the canon as they go.

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The Church Within Records

Dakessian, The Poisoned Chalice

dakessian the poisoned chalice

Like the stench of rotting, Dakessian’s The Poisoned Chalice provokes a visceral and physical response. The long-in-the-making debut release from the Portland-based duo of vocalist Kenny Snarzyk (also Fister) and multi-instrumentalist Aaron D.C. Edge (Lumbar, Roareth, so many others) had its music recorded back in 2013, and the vocals were added earlier this year, throat-searing screams and growls that top the noisy, claustrophobically weighted tones from Edge’s guitar. The onslaught is unrelenting, both longer songs like “Demons” and “Ten Double Zero” and shorter cuts “Nothing Forever” and the sample-laced opener “Choose Hate” brim with aggressive misanthropy, the will against. Even the penultimate “Baerial,” which offers a glimmer of melody, continues to crush, and starting with a slow drum progression, closer “Cosmic Dissolution” barely tops two and a half minutes, but it brings thorough reassurance of the project’s destructive force before its final drone rounds out. One never knows with Edge if a given band will ever have a follow-up, but as ever, the quality is consistent. In this case, brutally so.

Dakessian on Bandcamp

Holy Mountain Printing

Gypsy Chief Goliath, Citizens of Nowhere

gypsy chief goliath citizens of nowhere

Actually, if you want to get technical about it, Gypsy Chief Goliath are citizens of Ontario, but you’d never know it from listening to their third album, Citizens of Nowhere, which if you had to pin a geographic locale on it might be more of a fit for New Orleans than Canada. The Pitch Black Records release sees the triple-guitar-plus-harmonica six-piece outfit dug deep in Southern metal grooves, marked out by the burl-bringing vocals of frontman/guitarist Al “The Yeti” Bones, formerly of Mister Bones, Serpents of Secrecy and The Mighty Nimbus and the chug-and-churn of cuts like “Black Samurai” and the shuffle of “We Died for This.” The title-track winds its central riff with thickened-up ‘70s boogie, while “Elephant in the Room” and “The Return” space out a bit more, and the closing Black Sabbath cover “Killing Yourself to Live” (a CD bonus track) plays it loyal structurally while dude’ing up the original like it was on hormone therapy.

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Pitch Black Records on Bandcamp

Inter Arma, Paradise Gallows

inter arma paradise gallows

Hard-touring Richmond genre-benders Inter Arma are due for a landmark release. Their 2014 single-song EP, The Cavern, was wildly well received and earned every bit of praise it got. Their follow-up to that is Paradise Gallows, their third album and second for Relapse behind 2013’s Sky Burial (track stream here). Is Paradise Gallows that landmark? Hell if I know. Recorded, mixed and mastered by Mikey Allred, who also guests on trombone, bass violin, organ and noise, Inter Arma’s third brings an expansive 70 minutes of bleak progressivism, conceptually and sonically broad enough to be considered brilliant and still weighted enough that the prevailing vibe is extremity in their blend of sludge, doom, black metal, post-metal, atmospherics, and a moody acoustic closer. The only real danger is that it might take listeners time to digest – because it’s a lot to take in, all those twists and turns in “Violent Constellations,” particularly after the plod of the title-track – but I wouldn’t be the least bit surprised to find Inter Arma inhabiting any number of year-end lists for 2016. Once again, they earn it.

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Inter Arma at Relapse Records

Helgamite, Hypnagogia

helgamite hypnagogia

Virginian bruisers Helgamite manage to cover a deceptive amount of sonic ground on their second LP, Hypnagogia (on CD through Lost Apparitions with vinyl soon on Flesh Vessel), spending plenty of time in dense-toned sludge metal but using that as a foundation for a wider range of explorations, winding up in blastbeats by the time 13-minute side B finale “The Secret” comes around, but by then having torn through the aggro-thrash of “Origins,” lumbered through the mosher “Æstrosion” and topped off “Shaman’s Veil” with math-metal guitar fits melded to a saxophone arrangement. Growls from vocalist William Breeden and Jonah Butler’s drums tie it all together as guitarist Casey Firkin (also sax) and bassist Matthew Beahm pull off intermittently jazzy runs, but impressively, Helgamite never sound in danger of losing sight of the songs they’re serving, and Hypnogogia is stronger for its unwillingness to waste a second of its runtime, even in the aforementioned “The Secret” or its 10-minute side A counterpart, “Snowdrifter.”

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Lost Apparitions Records website

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Mollusk, Children of the Chron

mollusk-children-of-the-chron

Get it? Children of the Chron? I’ll admit it took me a second. While I was thinking about it, Allston, Massachusetts, duo Mollusk doled out sludge-punk-metal beatings via raw tones and shouts and a general sense of checked-out attitude, “Glacier” reminding of earliest, least-poppy Floor, but cuts like “Demon Queen” and “When You’re Gone” finding guitarist Hank Rose using a purposefully monotone vocal approach that works well over slower parts. Rose is joined in Mollusk by drummer Adam O’Day, and though I’ve already noted that the 11-track album is raw, their sound wants nothing for impact in the low end or any other end for that matter. Rather, the harsher aspects become part of the aesthetic throughout Children of the Chron and the band successfully navigates its own mire without getting lost in either its own “Torture Chamber” or “Zombie Apocalypse,” which like opener “Ride the #9,” is almost certainly a song about life in the Boston area.

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Mollusk at ReverbNation

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Gypsy Chief Goliath Release Citizens of Nowhere April 15

Posted in Whathaveyou on March 21st, 2016 by JJ Koczan

Ontario bruisers Gypsy Chief Goliath will release their third full-length, Citizens of Nowhere, on April 15 via Pitch Black Records. The band is fronted by Al ‘The Yeti’ Bones, also currently involved in Serpents of Secrecy with a formidable pedigree as a vocalist that also includes Mr. Bones and The Mighty Nimbus, and have left by now a trail of injured ribs behind each of their offerings. I’d expect no less of Citizens of Nowhere upon its arrival, and the preview track “Holding Grace,” with its twin-guitar feats, classic chug and Bones‘ own burly-as-hell delivery, would seem to reinforce the gut punch due out next month.

The PR wire offers the following:

gypsy chief goliath citizens of nowhere

GYPSY CHIEF GOLIATH Returns For Release Of Third Album Through Pitch Black Records This April; New Tracks Streaming

Pitch Black Records is thrilled to announce the return of one of Canada’s premier stoner metal acts, GYPSY CHIEF GOLIATH, with their new, third album, Citizens Of Nowhere, set for release this April.

The main driving force behind GYPSY CHIEF GOLIATH, vocalist/guitarist Al “The Yeti” Bones (also of Serpents Of Secrecy, The Mighty Nimbus, Georgian Skull, Mister Bones) comments: “It’s been awesome working with such a flagship independent metal label like Pitch Black Records. It’s so important to form an alliance with a label that believes in what you do as much as you do. Our new album is a smoke riff masterpiece that tells tales of the apocalypse, death, space, time travel, and the almighty highway!”

Proudly (and rightly so) declaring their affection for that good old warm sound, GYPSY CHIEF GOLIATH has gone completely analogue on this one, recording on reel to reel tape at Sharktank Studios in Windsor, Ontario. The album includes eleven tracks, with a cover of the Sabbath classic “Killing Yourself To Live” as a CD bonus. Clocking in at just under an hour, this is an album that truly “reels” the listener in right from the start and the band’s unique style of bluesy stoner rock/metal, which includes three guitars and a harmonica, is set to captivate audiences once again.

Citizens Of Nowhere is scheduled for release on April 15th on CD and digital download. Preorders are live HERE and HERE.

Citizens Of Nowhere Tracklisting:
1. The Sting
2. Holding Grace
3. Citizens Of Nowhere
4. Black Samurai
5. Elephant In The Room
6. Gloomy Tombs
7. Odyssey
8. We Died For This
9. The Return
10. Witchcraft For The Ages
11. Killing Yourself To Live (CD Bonus)

GYPSY CHIEF GOLIATH:
AL Yeti Bones – Vocals/Guitar
Adam Saitti – Drums
Dustin Black – Guitar
John Serio – Guitar
Darren Brush – Bass
Rev. Brodie Stevenson – Harmonica

http://www.gypsychief.com
http://www.facebook.com/GypsyChiefGoliath
http://www.pitchblackrecords.com
http://pitchblackrecords.bandcamp.com

Gypsy Chief Goliath, “Holding Grace”

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