Posted in Whathaveyou on May 28th, 2019 by JJ Koczan
I don’t think I knew it before, but Gurt‘s isn’t the first one I’ve seen and I think I might be a sucker for Lego-style animated videos. There’s always something new to discover about yourself. While I venture into solipsist meditations, you might check out the video in question which is for a short screamer called “Jazz Cabbage.” It’s probably about weed. It comes from Gurt‘s impending new full-length, Bongs of Praise, which likely also is about weed. Nothing wrong with working on a theme.
The shenanigans sludgers will release Bongs of Praise sometime in the coming months, which I assume means whenever the hell it’s done and they feel like it. Somehow a lack of specificity suits their aesthetic.
Info from the PR wire:
UK sludge purveyors GURT to release new album ‘Bongs Of Praise’ ; watch blistering first video now!
London party doom purveyors GURT announce the release of their third album ‘Bongs Of Praise’ and share a thundering first excerpt with the animated video for ‘Jazz Cabbage’!
They take the blues and groove of 70s rock and drag it backwards through the swamps of Louisiana. The drums are thunderous, the vocals demonic and the guitars down-tuned, down-tempo and down right sexy. This is not doom, this is not sludge: this is GURT.
The UK foursome’s wicked sense of humour bubbles at the surface of their latest release ‘Bongs of Praise’. Without any sense of irony, the band deliver sleaze in the best possible way, and first excerpt ‘Jazz Cabbage’ makes no exception and delivers a blistering, crushing minute-long sludge onslaught, enhanced by this fun animated video crafted by Dead Walk Designs.
GURT’s new album ‘Bongs Of Praise’ will see a release in the coming months, while the band are still on a hunt for a label to host their new sludgy adventures. Stay tuned as more details will be unveiled soon!
Since their genesis in 2010, the band have laced up their boots and stomped over everything you thought you might have known about them and the beloved conventions of metal. GURT collide their barbaric sound with lines of funk and tongue in cheek lyricism to mould what has been hailed as “party doom”. In 2014, they unleashed their debut album ‘Horrendosaurus’ through independent label When Planets Collide, and which they promoted through a three week European tour with Dopethrone, as well returning home to a packed out audience to open Bloodstock’s second stage.
Released in 2017, their sophomore album ‘Skullossus’ explores darker and more menacing shades of sludge doom. Through a theatrical performance, their sound swelled in size as they toyed with their repertoire; adding rip-roaring, guttural vocals, psychedelic rhythms and classic rock’n’roll-worshipping riffs. On top of their two full-lengths and seven EPs, GURT have been relentlessly touring the UK and Europe, sharing the stage with the likes of Weedeater, Red Fang, Eyehategod, Black Tusk, Valient Thorr, Cough. In their own right way, they have cast their hypnotic savagery to the crowds of Bloodstock, Desertfest, Riffolution (UK) as well as Stonerhead (Salzburg) and 2019’s Monospace Fest (Paris)
GURT are: Gareth Kelly – Vocals Bill Jacobs – Drums David Blakemore – Bass Rich Williams – Guitar
Posted in Whathaveyou on June 4th, 2018 by JJ Koczan
The ultra-populated UK heavy underground celebrates its own next month with the second installment of the End of the World Festival. An all-dayer-type event set for July 7, it boasts a lineup featuring the likes of Gurt, Monolithian and Sergeant Thunderhoof, as well as Chubby Thunderous Bad Kush Masters, whose debut album should be along any minute now and thereby not nearly soon enough. Even apart from its most noteworthy names, the bill is pretty massive, so if you happen to be sailing into Plymouth early next month, maybe you drop anchor for a bit and spend an afternoon and an evening getting tore up listening to riffl
You could do much, much worse. Dig what the PR wire:
End of the World 2018
15 BANDS, TWO VENUES, ONE DAY, 10 HOURS OF BACK TO BACK RIFF
End of the World festival is back in 2018; a small stoner/doom/psych/metal festival in the South West of the UK. Run by bands for a passion and love of Doom. Two venues, and some of the best underground doom (and subgenres) that the UK has to offer!!! This is as grassroots as possible, being our second event and building on the success of 2017!
End Of The World is a celebration of the best of the UK’s stoner and doom underground, focussing especially on the South-West but showcasing talent from all over the country. The first installment in 2017 saw big players like Elephant Tree, Morass of Molasses and Grifter take the stage, and this year the lineup is completed by heavyweights such as Gurt, Monolithian and Sergeant Thunderhoof.
First Band at 2pm Music until Midnight Two venues on Mutley Plain, Plymouth, numerous food shops on the street, carparking nearby.
The event takes place between The Underground and The Junction in Plymouth on 07.07.18.
The bands playing are:
Gurt Monolithian Sergeant Thunderhoof Chubby Thunderous Bad Kush Masters Cybernetic Witch Cult Morass Of Molasses Voodoo blood Thuum Gévaudan Trevor’s Head Silverchild Witch Tripper Sail Six Sins till Sunday Battle Ready Bear
Posted in Whathaveyou on September 1st, 2016 by JJ Koczan
Snuff’est 2016 is keeping secrets. As in, the Bristol-based all-dayer festival has finalized its lineup, adding Belzebong, Asteroid and Radar Men from the Moon alongside the formidable likes of Gnod, Hang the Bastard, Bong, Sigiriya, Beehoover and others. However, there’s one band who has yet to be announced and Snuff Lane, which is putting on the show Sept. 17 as well as the newly-announced pre-party the night before with Deville, Gurt, Trippy Wicked and Wiht, aren’t telling.
Sometimes in cases like that, it happens that the band is contractually obligated because of a show elsewhere not to announce other gigs, so if you happen to be familiar with who will be around Bristol or elsewhere in the UK on the nights before or after, you could maybe make a guess, but for me, I haven’t a damn clue. Will be fun to find out though.
Final posters and (announced) lineup came down the PR wire:
Snuff’est – Doom/Stoner/Psych
Snuff Lane loudly brings you Snuff’est; Bristol’s newest intimate Doom, Stoner, Psych sonic-sounding rifforgy, due next month.
All Tier-1 and Tier-2 tickets already Sold-Out and we still have another act to announce, alongside a surprise performance from some extraordinary Special Guests.
Boasting a beautiful blend of national and international artists, with some unmissable special performances; starting with stage headliners: Belzebong – UK EXCLUSIVE Asteroid – 1 0f 2 UK appearances for 2016 Radar Men From The Moon Also confirmed are: Hang The Bastard (last South-West show ever) / Gnod / Sigirya / Bong / Enos / Beehover / ANTA / Hogslayer / Oak / Sugar Horse, as well as hidden ‘Surprise Special Guests’.
Both Tier-1 and Tier-2 Early-Bird tickets have completely SOLD-OUT, with a limited number of remaining tickets on sale now.
There is also a special Snuff’est Pre-Party taking place the day before, which also boasts a special UK Headline Debut performance from Deville, who have only ever grace the UK at Desertfest London 2014. They’ll be joined by Gurt, Trippy Wicked and the Cosmic Children of the Knight and Wiht.
Snuff’est Pre-Party Friday 16th September The Stag & Hounds, Bristol Deville (SWE) / Gurt / Trippy Wicked and the Cosmic Children of the Knight / Wiht RSVP/FB Event:https://www.facebook.com/events/601810993310243/ Ticket Link:Big Cartel
This one’s for all the marbles. Or at very least tiddlywinks. The last day of The Obelisk’s Summer 2016 Quarterly Review begins. I’ll admit that when I was planning this out — started soon after the last Quarterly Review was finished in early April; that one ran late, this one has run early — I decided to take it easy on myself the last day. Still 10 reviews, so not that easy, but in terms of what’s included today, a lot of is stuff I feel pretty comfortable talking about, whether it’s bands I’ve covered before (which a lot of it is, now that I look at the list) or whatever. If you’ve been keeping up this week, thanks. I hope you found some cool music.
Quarterly Review #41-50:
Atomikylä, Keräily
From the Finnish hotbed of Tampere, Atomikylä made a striking impression with their 2014 Svart Records debut, Erkale (review here), giving a take on psychedelic black metal that was immediately and truly their own in its balance of elements. The band, featuring members of Dark Buddha Rising and Oranssi Pazuzu, return with doom-jazz fervor on sophomore full-length, Keräily, with three songs covering yet-unnamed stylistic reaches and offering a get-to-the-studio-and-see-what-happens experimentalism to go with their plotted course on 18-minute opener and longest track (bonus points) “Katkos,” which is followed by the building horn freakout “Risteily” (9:15), from which a space rock push takes hold on drums, resulting in maddening guitar swirl – because of course – and closer “Pakoputki” (6:55), which consumes with a darker thrust and more up-front blackened vibe that still holds onto some of the psychedelia in its layers of guitar. Keräily progresses effectively from Atomikylä’s debut and highlights just how individualized they are as a group. They continue to have the potential to do really special work, and the argument is easy to make they’re already doing it.
As opener and longest track (bonus points) “Beasts of Prey” careens toward its apex finish near the 12-minute mark and the title-track begins is crashing, harmonized intro before moving into an Alice in Chains-via-stoner verse, the distance Poland’s Sunnata cover on their second full-length, Zorya, begins to really unveil itself. There doesn’t seem to be a genre within the heavy sphere that’s off limits. They never get into death metal, but heavy rock, doom, psychedelia, prog, sludge – it’s all in play at one point or another in Zorya’s five-track/50-minute run. The reason the album works and isn’t just a haphazard mash of styles is because Sunnata, who’ve been active in Warsaw since the last decade, make each one their own and thus bend genre to suit their purposes and not the other way around. They continue to impress through the rush of “Long Gone,” the airy expanse of “New Horizon” and the more brooding closer “Again and Against,” conjuring effective flow from what in less capable hands would be disparate components.
I have kind of a hard time with White Dynomite. Not musically – the Boston five-piece’s new EP, Action O’Clock (on Ripple) typifies their accessible punk rock; a reminder of a time when the style used guitars – but conceptually. Their lineup features bassist Tim Catz and vocalist Craig Riggs (on drums) of Roadsaw, as well as guitarist Pete Knipfing (also Hey Zeus, Lamont), vocalist Dave Unger and guitarist John Darga, and while I can’t argue with the charm of a track like “Werewolf Underwear” or “Evil Ballerina” — the lyric “Tutu woman, too too much for me” alone makes Action O’Clock worth the price of admission, let alone “I got fangs in my pants” from “Werewolf Underwear” – but I haven’t yet been able to listen to the band in the context of it having been six years since the last time Roadsaw released an album, and thinking about years passing, priorities and whatnot. They sound they’re having a blast all the way through, and I won’t begrudge them exploring other influences, I guess I just miss that band.
Pittsburgh newcomers Horehound formed just last year, so one might go into their self-titled debut full-length thinking it’s an early arrival, but in an unpretentious seven-track/33-minute collection of straightforward but engaging doom rockers, the five-piece demonstrate a clear idea of what they want to do sonically. While it may not represent where they’ll ultimately end up as a band, its songs sound fleshed out in terms of direction and the resultant feel on the release is much more album than demo. So be it. A particular highlight is “The Waters of Lethe,” on which a sweeter melody emerges in the guitar and vocals, but neither will I discount the low-end crunch and vocal call-and-response in closer “Waking Time” or the more uptempo thrust of second cut “Sangreal.” Not that Horehound don’t have room to grow, but their initial offering preaches well to the converted and should give them a solid foundation to work from in that process.
Beyond the Hollow Mountain is the first full-length from Portuguese mostly-instrumentalists Sulfur Giant, who bring together influences from classic progressive rock, psychedelia and heavy rock so that when they dip into Iommic riffing on “Vertigo,” it’s no stranger than the peaceful jamming of “Whisper at Dawn,” which follows. Friendly if not exactly innovative, Sulfur Giant’s debut makes its chief impression with the four-piece’s instrumental chemistry, which brings about an easy flow within and between the eight tracks, which having already been issued digitally will see vinyl release later this year on Pink Tank Records. It’s hard to ignore what organ adds to “Evermore,” but “Sea of Stone” sneaks in some vocals amid its thicker-riffing and Sungrazer-style exploration, and “Magnolia” and the galloping “Unleash Fears” follow suit, so Sulfur Giant have a few tricks up their collective sleeve they hold back from the initial roll and gallop of the opening title-track. All the better.
New Planet Trampoline, Dark Rides and Grim Visions
Never say never in rock and roll. From Cleveland, Ohio, the psych-rocking four-piece New Planet Trampoline called it quits in 2008, leaving behind an unfinished album. After coming back together for 2014’s The Wisconsin Witch House EP, the ‘60s-stylized outfit set themselves to the task of finishing what became Dark Rides and Grim Visions, basking in the glow of early Floyd, Beatles and others of the ilk while keeping a harder edge to songs like “Grim Visions” and a healthy cynicism to “We’ll Get What We Deserve” and the tongue-in-cheek keyboard-laced closer “Haunted as Fuck.” Of the several more extended tracks, the nine-minute “Acts of Mania” is the longest, and provides suitable patience and atmospherics to stand up to its scope. All told, Dark Rides and Grim Visions is a formidable journey at 13 songs/68 minutes, but after more than half a decade away, it’s hard to hold New Planet Trampoline having their say against them, particularly when that say is as lush and dreamy as “This is the Morning.”
With their second LP, Cold Winds (on Crusher Records), Gothenburg’s Hypnos seem to be betting that the next step in the retro game is NWOBHM. They make a convincing argument; it’s kind of how it went the first time around, and their songwriting offers a top-notch look at the moment where Thin Lizzy bounce became Iron Maiden gallop, as on second cut “I’m on the Run,” just minutes after opener “Start the Hunt” featured a flute solo. Broken into two sides, each one works its way toward a longer finale – “Det Kommer en Dag” (7:23) on side A and “1800” (8:32) on side B – but sonic diversity and changes in song structure throughout do much to keep Cold Winds from feeling overly plotted, and like their countrymen in Horisont, Hypnos offer a seamless melding of classic heavy rock and metal, soaring and scorching on “Descending Sun (Unrootables White)” and swinging and swaggering immediately thereafter on “Cold September,” both accomplished with unwavering command.
Texas boogie rockers Honky were last heard from with 2012’s 421 – which I’ll assume is the “going to 11” equivalent for getting high – and their eighth outing, Corduroy, finds bassist JD Pinkus (Butthole Surfers, Melvins) and guitarist Bobby Ed Landgraf (Down) hooked up with drummer Trinidad Leal of Dixie Witch and Housecore Records for the release. To call is business as usual for the underrated outfit in the classic swing and grit they hone would only be a compliment, songs like “Baby Don’t Slow Down,” “Bad Stones” and the harmonized “Double Fine” offering soul as much as push, ‘70s influences given a modern kick in the ass throughout as a swath of guests, including Melvins drummer Dale Crover, come and go, perhaps none making their presence felt as much as Rae Comeau, whose work on “Bad Stones” makes that song a highlight – not to take away from the a capella cover of Led Zeppelin’s “Moby Dick,” here retitled as “Mopey Dick,” that closes. Chicanery ensues, booze flows, good times are had for those who’ll have them.
Distinguished as on centerpiece “The Rambler” by their use of organ amid a semi-retro heavy boogie style, French five-piece Cheap Wine recorded Sad Queen – as the cover art says – live for Celebration Days Records. It’s somewhere between an EP and album, and strips away some of the individual track length of their 2013 debut, Mystic Crow, in favor of maximizing the energy put into each piece, the subdued “Intro” and “Opening” that start sides A and B, respectively, aside, though as “Opening” feeds cleanly into the quiet, airy and soulful beginning of the title-track, even that seems to have a tension that builds toward its eventual release, different from the shuffling raucousness of the post-“Intro” opener “Cyclothymic” maybe, but palpable nonetheless. They close somewhat melancholy on “Yesterday’s Dream,” but the complementary guitar of Valentin Constestin and keys of Ahn Tuan aren’t to be missed, nor how well work in concert with vocalist Mathieu Devillers, bassist Valentin Lallart and drummer Louis Morati.
Gurt & Trippy Wicked and the Cosmic Children of the Knight, Guppy
The UK heavy scene excels at not taking itself too seriously. To wit, Gurt and Trippy Wicked and the Cosmic Children of the Knight get together for a split (on When Planets Collide for CD and HeviSike cassette) and, they call it Guppy and the first two songs are “Owlmegeddon” and “Super Fun Happy Slide.” It kind of goes from there. Recorded together, sharing a drummer and collaborating on the centerpiece, “Revolting Child,” it’s basically two outfits who are close friends coming together to have a good time, but that doesn’t take away from Gurt’s sludgy intensity on “I Regret Nothing” or the nodding heavy rock Trippy Wicked hold forth on closer “Reign.” Taking its title from the two band names put together, one can only wonder if this will be the last conjoined offering Gurt and Trippy Wicked will make, or if there might be a whole school of guppies in the future. Frankly, this sounds like too good a party to only throw it once.
Posted in Whathaveyou on April 20th, 2016 by JJ Koczan
If you’re wondering where Gurt and Trippy Wicked and the Cosmic Children of the Knight got the name of their new split, Guppy, that’s due to release on May 6, take a look at their names: “Gu” from the former, “ppy” from the latter. That bit of cleverness, no doubt, is emblematic of the shenanigans throughout the CD/DL set to arrive via When Planets Collide and the limited run of tapes that’ll be out through HeviSike Records, and it works even more because they not only recorded together and collaborated on a song, but they share drummer Bill Jacobs between them, so yes, the running theme is togetherness. And togetherness if great. Who doesn’t like togetherness?
A trailer for the release has surfaced that emphasizes the level of good times involved, if indirectly. Find that under the info below, which comes from the PR wire:
Gurt & Trippy Wicked team up for GUPPY split – May 6th
The build up has been pretty long and a lot of work has gone in to creating it but When Planets Collide are very happy to announce that ‘GUPPY’, the new split release between GURT and Trippy Wicked and the Cosmic Children of the Knight is ready for release on Friday May 6th!
Digital / CD – When Planets Collide Limited Edition Cassette Tape – HeviSike Records
The release features 5 songs clocking in just short of half an hour with two brand new songs from each band and one epic collaboration which features both guitarists, both bassists and both vocalists… we really can’t wait for you to hear what we hope will be one of the best releases so far in 2016.
The bands have been close friends for many years (as well as now sharing a drummer in Bill Jacobs) so entering the studio together to create GUPPY was a natural move. With the help of Steve Sears and Tony Nigelson at TITAN Studios in Watford the record sounds absolutely massive and showcases the expert groove and wicked sense of humour that both bands pride themselves on!
The track-listing is as follows:
1: OWLMEGGEDON 2: SUPER FUN HAPPY SLIDE 3: REVOLTING CHILD 4: I REGRET NOTHING
You’ll have to work out for yourself which songs are by which band!
GURT are: Bill Jacobs – Drums Richard Williams – Guitar Gareth Kelly – Vocals David Blakemore – Bass
TRIPPY WICKED are: Peter Holland – Guitar/Vocals Dicky King – Bass Bill Jacobs – Drums
Posted in Whathaveyou on January 28th, 2016 by JJ Koczan
Well, that’s a wrap for Desertfest London 2016… unless, you know, you count the actual holding of the fest in April. Which you should probably count. Okay, maybe not a wrap at all.
But the lineup is complete, and that’s something in itself. Spanning genres and geographical borders, I feel like this year’s Desertfest London perfectly emphasizes just how much this festival has grown in its five years into this encompassing celebration of heavy rock, sludge and doom, holding firm to its local roots even in this last batch of bands, while also expanding its reach in pulling legendary acts from beyond the UK and Europe as well.
Russian Circles will headline the second of Desertfest London 2016’s three dog nights, and a slew of others have joined the bill as well, including Mondo Drag, Stinking Lizaveta, underrated Londoners Crystal Head, Siena Root and many more details below:
DESERTFEST LONDON: lineup complete with Russian Circles headlining the Saturday!
Russian Circles to headline the fifth edition of DESERTFEST LONDON this spring in Camden!
It’s finally here: your complete DESERTFEST LONDON 2016 line-up has arrived! Chicago’s majestic instrumental progsters Russian Circles are set to headline the Saturday night with Pelican as lead support. Not only that, but we have the mighty forefathers of doom Trouble celebrating their 30th anniversary with a very special show for us, just before Electric Wizard bring down the Sunday night curtain in style! See you all in April…
Desertfest is all about our passion for heavy music, our love through deep-rooted friendships and above all, our collective appreciation of diversity, musical skill and the broadest range of powerful performances…
RUSSIAN CIRCLES are not from the desert, they’re not exponents of standard 5-minute, 4-4 rock songs and they expose their soundscapes exclusively for us to form our own interpretations without the mask of any form of lyrics. Shrouded in darkness, illuminated only by flashes of white light and the occasionally projected visual, they’re performers worthy of headlining any show in front of an audience who have the ability to think before they roar. With fellow instrumental crusher-destroyers PELICAN primed and ready as their main support, get ready to see, smell and FEEL the sheer weight of these swirls of Siberia.
Desertfest is also proudly joining in with Chicago doom legends TROUBLE’s 30th anniversary celebrations. Original members Bruce Franklin and Rick Wartell will be touching the sky with their classic dual guitar leads and now-established front man Kyle Thomas (Alabama Thunderpussy, Floodgate, Exhorder) will be tempting the crowds with his prayers for the dead, it’s going to be a real mind bender!
The rest of final announcement for Desertfest London 2016 goes as follows: SIENA ROOT STINKING LIZAVETA DYSE MANTAR MONDO DRAG GURT NECRO DEATHMORT CAROUSEL THE MOTH CRYSTAL HEAD SPIDER KITTEN SEDULUS BEASTMAKER DOG DAYS
– DESERTFEST LONDON 2016 – April 29th to May 1st in Camden, London (UK) Weekend tickets availableAT THIS LOCATION
Posted in Whathaveyou on August 26th, 2015 by JJ Koczan
Two aggressive-as-hell Londoner outfits teaming up to, as they put it, “beat the shit out of Europe?” Yeah, I’d say the pairing of Gurt and Diesel King makes sense. All the more so since both bands have material recently out. Gurt issued their latest EP, D.I.Y.M.C.A. (get it?), back in April, and in June, Diesel King unleashed a free download single, beefing up Toto‘s “Hold the Line” with their particular brand of dudely extremity. Whether or not they’ll take that cover on the road, I don’t know, but it’s almost worth showing up to find out, even without the rest of the show.
You know the deal. Info and audio? Yes. Info and audio:
GURT + DIESEL KING // EURO TOUR 2015
Dead Pig Entertainment & When Planets Collide present : GURT & DIESEL KING
Beating the shit out of Europe for the first time together…
GURT take the blues and groove of 70s rock and drag it backwards through the swamps of Louisiana. The drums are thunderous, the vocals demonic and the guitars down-tuned, down-tempo and down-right sexy. This is not doom, this is not sludge, THIS IS GURT.
Diesel King play aggressive & abrasive music which has been described from sludge to hardcore to death metal. The London mob have been on various tours and have supported bands such as Corrosion of Conformity, Eyehategod, Entombed and many others. Playing in the UK and Europe and featuring on various high profile festival bills such as Bloodstock, their live shows are likened to being punched in the face repeatedly. With 2 Eps under their belt the band are set unleash their debut album in 2015 “Concrete Burial” and look to continue their dominance in the UK metal scene.
03.09 : UTRECHT (NL), dB’s 04.09 : get in touch 05.09 : SALZBURG (AT), Stonerhead Fest 06.09 : get in touch 07.09 : PARIS (F), Stoned Gatherings Klub 08.09 : LILLE (F), Le Biplan 09.09 : BRUXELLES (BE), Magasin 4
Posted in Whathaveyou on June 11th, 2013 by JJ Koczan
The news about Gurt‘s new single, Hoboreaper, is cool and all, but what really catches my attention in the info below is the hint dropped that it’s going to be 2014 before the London sludgers get their full-length debut out. I guess that makes this release something of a stopgap, but if the new track is something of a teaser for what’s to come, it’s one I’m especially looking forward to for next year after seeing the band at Desertfest in April.
Info and trailer follow, courtesy of the PR wire:
GURT – Hoboreaper – Coming July 1st 2013
GURT are currently beavering away on their on going mission to encourage the world to groove to a sludgier stomp and create their first full length release and its looking like this will be with you all in the early parts of 2014. In the mean time they think it would be polite to show you how this work is going in the form of a brand new single ‘HOBOREAPER’.
This track was originally planned for release on a split but it the project has been delayed and it was decided that the world should not have to wait for an example of how the GURT sound is evolving so this new song has been coupled with 2 recent live tracks that have been professionally recorded by Paul Hollinsworth (of paulofsound) at the ‘When Planets Collide – Winter Warmer Weekender’ to bring you a single that should keep the rabid GURT fans happy for the time being.
Featuring new Artwork from Front man Gareth Kelly (GrowthsBrainDribbles) Mixed and Mastered by our long time collaborator Nick Kinnish previously of Serafina Studios (whom has also worked on the likes of Dopefight, Johnny Truant, Architects and War Wolf) This CD single and digital release shall be available from July 1st and is now up for pre-order atgurt.bigcartel.com.
Featuring the tracks: 1: Hoboreaper 2: You Ain’t From Around these Parts? (Live at the Brixton, Windmill) 3: Soapfeast (Live at the Brixton, Windmill)
