Greenleaf Set Nov. 9 Release for Hear the Rivers

Posted in Whathaveyou on September 6th, 2018 by JJ Koczan

greenleaf photo by edko fuzz

Swedish heavy rock institution Greenleaf will release their seventh album, titled Hear the Rivers, on Nov. 9 through Napalm Records. Among the many reasons this news should make you excited is the fact that Karl Daniel Lidén recorded it. Even just the drum sound immediately bears his signature to the point that, having had a bit of a preview, I knew it was him before I even read it. The guy adds a sense of space to a sound like no one else, and he brings to Greenleaf once again this time around and the results are nothing short of phenomenal. That’s not of course to discount the work of the band itself, which has only grown more stellar as the current lineup has settled in around founding guitarist Tommi Holappa.

I don’t want to say to much about it because we still have two months before November gets here, but the short version is make sure you save some room on your top albums list.

Greenleaf will tour with Berlin’s Samavayo to coincide with the record release, as the PR wire informs:

greenleaf hear the rivers

GREENLEAF – “Hear The Rivers” Comes Into The World In November 2018

Album Pre-Orders Start Now

On November 9th, the mighty Swedish Stoner force GREENLEAF present their latest album “Hear The Rivers” via Napalm Records.

This album turns out to be quite the mesmerizing bag of tricks that seizes the Swedish Stoner sound and enriches it with so many wonderful things, like the unforgettable riff-o-rama ‘Good Ol`Goat’ or the slow soul feeder ‘We Are The Pawns’. An absolute gem of an album that is best kept in the family – which is why former GREENLEAF- and Dozer drummer Karl Daniel Lidén (Craft, Bloodbath, Crippled Black Phoenix amongst others) produced it.

GREENLEAF summarize this record in the following way:

” ‘Hear The Rivers’ is our full length number 7. Lucky number 7? Well, we like to think so! All the songs give us huge smiles on our faces and we are extremely proud of what we have done! As always we try to take our listeners on a trip with our music, make them wanna bang their heads, dance, smile and cry (of happiness of course).
This is easily the biggest sounding record we have ever done and we hope people will enjoy it as much as we do!”

The full track listing of Hear The Rivers reads as follows:
1. Let It Out!
2. Sweet Is The Sound
3. A Point Of A Secret
4. Good Ol´Goat
5. The Rumble And The Weight
6. We Are The Pawns
7. Oh My Bones
8. In The Caverns Below
9. High Fever
10. The Rivers Lullaby
“Hear The Rivers” will be available in the following formats:
-4 Page Digipack
-Double LP-Gatefold
-Digital Album

Pre-Order HERE!

GREENLEAF – Live w/ SAMAVAYO
08.11.18 DE – Dresden / Beatpol*
09.11.18 DE – Berlin / Musik & Frieden
10.11.18 DE – Stuttgart / Keller Club
11.11.18 AT – Vienna / Viper Room
12.11.18 DE – Munich / Feierwerk
13.11.18 CH – Olten / Coq d’Or
14.11.18 DE – Cologne / Helios 37
15.11.18 UK – London / Underworld
16.11.18 FR – Paris / Glazart
17.11.18 NL – Eindhoven / Helldorado Festival*
*without SAMAVAYO

Line-up:
Arvid Hällagård: Vocals
Tommi Holappa: Guitar
Hans Fröhlich: Bass
Sebastian Olsson: Drums

http://www.napalmrecordsamerica.com/store/greenleaf
http://shop.napalmrecords.com/greenleaf
www.facebook.com/greenleafrocks
www.napalmrecords.com
www.facebook.com/napalmrecords
http://www.soundofliberation.com/greenleaf

Greenleaf, “Goin’ Down” (Freddie King cover)

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Greenleaf Announce November Tour Dates & Album Release

Posted in Whathaveyou on July 3rd, 2018 by JJ Koczan

greenleaf

Can you feel it? Any minute now, the PR wire is going to bring news of a release date for Greenleaf‘s new album, Hear the Rivers. Any minute. The new outing from the mainstay and road-dog Swedish heavy rockers was first announced back in January ahead of the band embarking on an Australian tour in March. They’ve reportedly been in the studio off and on as well as busy with procreating/family life, but they’re still getting out in November for a quick run mostly in Germany that will also include stops in Paris, London and at the Helldorado Festival in Eindhoven. Starting out with a gig in Dresden alongside My Sleeping Karma and Ripple Music upstarts The Necromancers, support for the bulk of the run will come from German trio Samavayo, who also have a new album in the works.

I don’t know if the Samavayo will be out by November — anything’s possible — but the prospect of a new Greenleaf only makes an already amazing 2018 even better. Somehow it’s only been two years since 2016’s Rise Above the Meadow (review here) scorched eardrums and took Greenleaf‘s sound to its greatest accomplishment yet, but I guess it feels like longer because, you know, the record’s timeless. Seriously. I still put it on, and it’s way harder for albums to pass the after-the-year-ends test for me these days. Just saying.

But yeah, so given that, I’m gonna go back to waiting for that Greenleaf press release to come rollin’ in. Any minute now…

greenleaf samavayo tour

New album and tour in November! Are you as excited as we are?!?!

We’re psyched to announce Greenleaf’s “Hear The Rivers Tour 2018”, with Samavayo as support (*) as follows!

08.11.18 (D) Dresden | Beatpol (with MY SLEEPING KARMA & The Necromancers)
09.11.18 (D) Berlin | Musik & Frieden (*)
10.11.18 (D) Stuttgart | Keller Club (*)
11.11.18 (A) Vienna | Viper Room (*)
12.11.18 (D) Munich | Feierwerk (*)
13.11.18 (CH) Olten | Coq d’Or (*)
14.11.18 (D) Cologne | Helios 37 (*)
15.11.18 (UK) London | Underworld (*)
16.11.18 (FR) Paris | Glazart (*)
17.11.18 (NL) Eindhoven | Helldorado Festival

http://www.napalmrecordsamerica.com/store/greenleaf
http://shop.napalmrecords.com/greenleaf
www.facebook.com/greenleafrocks
www.napalmrecords.com
www.facebook.com/napalmrecords
http://www.soundofliberation.com/greenleaf

Greenleaf, “Goin’ Down” (Freddie King cover)

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Friday Full-Length: Greenleaf, Secret Alphabets

Posted in Bootleg Theater on March 9th, 2018 by JJ Koczan

As we approach 15 years since its 2003 release, there’s something ironic about listening to Greenleaf‘s second full-length and Small Stone Records debut, Secret Alphabets, and it very much has to do with their relationship to Dozer. After the band, founded by Dozer guitarist Tommi Holappa, Demon Cleaner drummer Daniel Lidén and producer Bengt Bäcke who had worked with both outfits on their early material and came aboard to play bass, released their oh-someday-it-will-be-mine self-titled EP in 2000 with Lowrider‘s Peder Bergstrand on vocals, the first of many lineup changes found them bringing in Dozer‘s Fredrik Nordin to front the band for their first LP, 2001’s Revolution Rock (discussed here), which of course he did handily. The second album, like any decent record, marked both the beginning and the end of an era. It was the start of Greenleaf‘s collaboration with Small Stone, which would see the band release not only Secret Alphabets, but the subsequent 2007 outing, Agents of Ahriman (vinyl reissue review here), 2012’s Nest of Vipers (review here) and 2014’s Trails and Passes (review here) under the imprint’s banner before signing to Napalm for 2016’s Rise Above the Meadow (review here), and it was also the last time Nordin would be in the lead-singer role full-time, though he’d show up for guest appearances as Bergstrand does for the moody “One More Year” here.

More than that, and even more than bringing in Demon Cleaner guitarist Daniel Jansson to play alongside HolappaSecret Alphabets represents an important step in Greenleaf‘s progression in defining its personality apart from DozerHolappa‘s songwriting has borne certain markers throughout his now-lengthy career in both bands (though it’s been more than a decade since the last time Dozer put out a record), among them a penchant for riffs and a tendency to make memorable tracks by updating classic-influenced methods with a modern production and energy. Secret Alphabets does this through and through, whether it’s “Black Black Magic” and “Never Right” bringing to mind KISS via the performance of guest singer Singe, the outright thrust of post-intro opener “10,000 Years of Revolution,” or the let’s-go-a-wanderin’ Monster Magnetic psychedelia of side A finale “The Combination.” The material has character and a welcome sense of push behind its delivery, a crisper production than one found on Revolution Rock (though Bäcke helmed both recordings) and a pervasive sense of craft that gives little idea just how much of a transition point it actually was for the band.

In 2003, Dozer put out Call it Conspiracy (discussed here), and in so doing, brazenly moved beyond the post-Kyuss desert rock impulses of their first two long-players and early singles. That this happened roughly concurrent to Greenleaf issuing Secret Alphabets represents something of a crossing point between the two bands, who would both head ultimately in different directions. Dozer became more aggressive with 2005’s Through the Eyes of Heathens and 2008’s to-date swansong (one can always hope) Beyond Colossal (discussed here), and ultimately fell by the wayside as Greenleaf was joined by Truckfighters‘ Oskar Cedermalm for Agents of Ahriman and Nest of Vipers, becoming more or less a full-time touring band after the latter, as current frontman Arvid Johnsson grabbed hold of the singer role and worked quickly to make it his own despite the considerable shoes to be filled. One might then think of Secret Alphabets and Call it Conspiracy as the intersection point between the two bands on their respective paths. One doubts that Holappa, who’s the key figure in all of this riffy intertwining, thought of it on that level at the time, but a decade and a half later, it’s perhaps a bit easier to have that perspective on what was going on creatively with Holappa as a songwriter and the direction of both his groups. In fact, if anyone out there can honestly say as regards where Dozer and Greenleaf each wound up, “Yeah I called that shit in 2003,” including any of the band members, I’ll gladly tip my hat in their direction.

So there’s no question that Secret Alphabets was a pivotal moment for Greenleaf as a band, but that leaves out one essential detail of the record itself: it frickin’ rocks. From the funk in “Witchcraft Tonight,” to the raw Fu Manchu fuzz of the instrumental “The Spectre,” to the sleek groove in “Masterplan” and the two-parter finale in “No Time Like Right Now!,” it’s a brook-no-argument roller that does “classic” right. I know for a fact that many Greenleaf fans argue in its favor as the band’s best album to-date, and while I’m not sure anything can take the special place Agents of Ahriman holds in my heart, the stomp of “Never Right,” the spaciousness in “One More Year” and the underline-the-point vibing of “Masterplan” make a more than solid case.

Wherever you land in that debate, as always, I hope you enjoy.

I was in New Jersey all week. We were supposed to go down last Sunday but we left a day early because the power had gone out owing to I don’t know wind of more than 20mph and lack of infrastructure spending? Blah blah blah, more government subsidy, less corporate dominance. Lot of family time. I had been anxious about it but it worked out really well and I was glad we went. They had cleared out the house formerly occupied by my grandmother and done it up nice to give us a place to stay, bought a pack-and-play for the baby and a bed for the dog — really went all out. It was appreciated and a nice reminder of what life can be like when you have any kind of support system whatsoever. You know, feeling supported and all that.

So of course about two feet of snow fell on Wednesday and the power — because infrastructure! — went out down there as well. We stayed Wednesday night because trees were coming down almost as hard as the snow itself, and took off back to Massachusetts yesterday morning. In August it will be five years that we’ve lived up here. All this trip south really did for me was emphasize how at home I continue not to feel here. Don’t get me wrong, I know good people here and I’ve had some good times in the last half-decade, but it ain’t home. Everything’s an hour away from where I live except The Patient Mrs.’ job, and when I think about what’s keeping us here, that’s pretty much it. She likes her job. I’m glad. And I’m glad I don’t have a job and can take care of the house and the baby and write and all that, but when I think about vacuuming this kitchen floor vs. the several righteous shag rugs down in Parsippany, well, it ain’t even really a contest. There’s a reason I keep calling it “my beloved Garden State,” and it’s not just because they put in a Wegman’s close by.

Though that’s nice too.

That it was The Patient Mrs.’ spring break made the trip south feasible — The Pecan did pretty well in the car, if you were wondering — and we had to be back for this morning because I have yet another appointment with yet another doctor. This one is in Brookline which is — you guessed it — a fucking hour’s trip each way from where I live. It’s cool though, I’m sure it won’t just be a they-take-blood-and-totally-waste-my-time kind of deal or anything. This is the doctor I’m going to because my nutritionist thinks my PCP doesn’t take my eating disorder seriously enough. He doesn’t, but who cares? So it’s “drive two hours to go to this doctor who’s going to take your blood then make you come back again to hear all the same shit I’ve been telling you for the last two months.” Won’t that be fun? Like I said, no way it’s a total waste of my fucking time or anything. Pas de chance.

Oh and though they gave me pills to mitigate, I’m still bloated as fuckall, though I’ll say that after upping my antidepressant dose on my own this week because I decided I was too lazy to cut pills — seriously? cutting pills? what is this, fucking 1930? — my general mood has improved, though this too could just as easily be a reaction to seeing my four-month-old son held in the arms of his laughing, Zelda-obsessed, about-to-be-awkward-as-hell cousin, which is, frankly, among the rawer examples of joy that I’ve experienced.

So yes, I’d like to move back to New Jersey. I also need a haircut. And to lose 50 pounds that kind of showed up out of nowhere. Ha.

Plan for next week, subject to change:

Mon.: Sammal album stream; Dollar Llama video.
Tue.: Et Moriemur track stream.
Wed. Merlin review; Black Salvation video premiere.
Thu.: Choral Hearse video premiere, maybe an Earthless review. That’d be fun.
Fri.: Desertfest Split 12″ stream and review.

Might head to Connecticut with The Patient Mrs. and The Pecan tomorrow, might take advantage of a day on my own to write like a bastard and get a jump on next week. We’ll see. In any case, whatever you’re up to, I hope it’s a good time. Stay safe, be well, and please check out the forum and the radio stream.

The Obelisk Forum

The Obelisk Radio

 

 

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Greenleaf Recording New Album Hear the Rivers; Touring Australia in March

Posted in Whathaveyou on January 29th, 2018 by JJ Koczan

Back in December, Swedish heavy rock mainstays Greenleaf wrapped up a European tour alongside New Jersey exports The Atomic Bitchwax and London desert anthropologists Steak that would seem to have been the final installment of their Euro touring cycle for 2016’s triumphant Rise Above the Meadow (review here) on Napalm. That album, their sixth overall and first for Napalm Records, was an unmistakable forward step from 2014’s preceding Trails and Passes (review here), which introduced the next phase of the band as founding guitarist/songwriter/spearhead Tommi Holappa (see also: Dozer) brought in vocalist Arvid Jonsson and seemed to be a moment whereby the group got its collective feet under them as a result of that shift.

In March, Greenleaf — HolappaJonsson, drummer Sebastian Olsson and bassist Hans Fröhlich — will head to Australia for the first time in their almost-20-year history, but before they go, the band has revealed that they’ve begun work on their seventh studio album, tentatively-titled Hear the Rivers, with longtime producer (and former drummer) Karl Daniel Lidén for a release through Napalm later this year. Over the course of Greenleaf‘s history, each record has built off its predecessor in one way or another, and I’d expect no less from Hear the Rivers, the making of which Jonsson is documenting in a series of vlog updates, because it’s the future and apparently that’s how we do things now. Wish I knew that earlier. Probably could’ve saved me a lot of time typing. Alas.

One more to look forward to as we move deeper into this still-relatively-New-Year. With Holappa‘s long-established approach at its core, Greenleaf‘s songwriting tack is essentially flawless, and if they can capture a fraction of the energy they brought to Rise Above the Meadow — mind you, there’s zero reason to think they won’t given all the momentum they’ve built on tour since that record came out — Hear the Rivers has the potential to stand among 2018’s finest offerings. Can’t wait to hear it.

Find Greenleaf‘s Aussie dates and one of Jonsson‘s studio vlogs below. They’ve been appearing regularly on Greenleaf‘s Thee Facebooks page, if you’d like to keep up.

greenleaf

Greenleaf Australia tour:
03/02 The Bendigo Hotel Collingwood
03/03 Singing Bird Studios Frankston
03/04 Barwon Club Geelong
03/06 Rad Bar Wollongong
03/08 The Chippo Sydney
03/09 Crowbar Brisbane
03/10 Jive Adelaide

http://www.napalmrecordsamerica.com/store/greenleaf
http://shop.napalmrecords.com/greenleaf
www.facebook.com/greenleafrocks
www.napalmrecords.com
www.facebook.com/napalmrecords

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Greenleaf Announce March 2018 Australian Tour

Posted in Whathaveyou on November 15th, 2017 by JJ Koczan

greenleaf

Ostensibly, when Greenleaf go to Australia for the first time in their 18-year history next March, it will be supporting their 2016 Napalm Records long-player, Rise Above the Meadow (review here). It might even be the final leg of their touring cycle for that album, which has been considerable. But here’s what I’m thinking: That’s an awfully long way to go behind a record that by then will be coming up on two years old. I think of bands touring Australia — especially never having done so before — as a major event. Maybe it’s not as long a trip from Sweden, from whence Greenleaf hail, as from Massachusetts, from whence I hail, but still. It’s significant.

So couldn’t it just be possible that the Tommi Holappa-led four-piece will announce a new full-length sometime between now and then? I’m not saying I know that’s going to happen — let me be clear: I do not. at all. in any way. have that info. — but golly, it sure would be awfully nice. Rise Above the Meadow was triumph enough that I’m not sure they necessarily need a follow-up as an excuse to get on that plane. They’d be fine just going as they are. But to go heralding a brand new record? To me, that just seems like a cake and its icing coming together perfectly.

Again, I’ve got no inside track or anything, I’m just thinking it would be awesome if it happened. Greenleaf have some December shows as well with Steak and The Atomic Bitchwax. Those dates and the Australian dates follow here, the latter presented by Your Mate Bookings and Get on the Stage:

greenleaf aus tour

Greenleaf – Australia Tour

The legendary Stoner Rockers from Sweden ‘Greenleaf’ are set to embark on their first ever Australian tour in March 2018. Brought to you by Get On The Stage and Your Mate Bookings!

From what started out as a side project for Tommi Holappa from the prestigious stoner rock band ‘Dozer’, GREENLEAF has now seen six albums, three record labels (Molten Universe, Small Stone Recordings and currently Napalm Records) and a revolving door of band members since inception in 2000.

The much anticipated australian tour is set to begin in Melbourne and will take the Swedes through Frankston, Geelong, Wollongong, Sydney, Brisbane and Adelaide.

Keep your eyes and ears peeled for local shows and tickets and get ready for a Stoner Rock gig you’ve never seen before!

Greenleaf Dec. shows:
DEC 1 Greenleaf, The Atomic Bitchwax, Steak, The Underworld Camden London, United Kingdom
DEC 3 Greenleaf at Markthalle, Hamburg, Germany
DEC 4 Greenleaf at Luxor, Macul
DEC 5 Greenleaf / the Atomic Bitchwax / Steak Schlachthof, Wiesbaden, Germany
DEC 6 Greenleaf, The Atomic Bitchwax, Steak, WERK2-Kulturfabrik, Leipzig-Connewitz, Germany
DEC 12 Greenleaf at Kleiner Klub, Saarbrücken, Germany
DEC 13 Greenleaf, The Atomic Bitchwax, Steak in Doornroosje, Nijmegen, Netherlands
DEC 16 Greenleaf • The Atomic Bitchwax • Steak, Bi Nuu, Berlin, Germany
DEC 27 Sankt Hell på Loppen

Greenleaf Australia tour:
03/02 The Bendigo Hotel Collingwood
03/03 Singing Bird Studios Frankston
03/04 Barwon Club Geelong
03/06 Rad Bar Wollongong
03/08 The Chippo Sydney
03/09 Crowbar Brisbane
03/10 Jive Adelaide

http://www.napalmrecordsamerica.com/store/greenleaf
http://shop.napalmrecords.com/greenleaf
www.facebook.com/greenleafrocks
www.napalmrecords.com
www.facebook.com/napalmrecords

Greenleaf, “Tyrants Tongue” official video

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Greenleaf, The Atomic Bitchwax & Steak Announce Dec. European Tour

Posted in Whathaveyou on October 16th, 2017 by JJ Koczan

True, the Fall festival season will pretty much be over by the time December rolls around, but that doesn’t mean that enviable package tours still can’t kick into gear all over the European continent. It never stops, folks. Just as they make ready to issue their new album, Force Field, via Tee Pee Records, my beloved Garden State’s own The Atomic Bitchwax will head abroad once more to team up with Swedish mainstays Greenleaf — who last I heard were planning a new record of their own for 2018, though it’s been a minute since I last harassed guitarist Tommi Holappa with a, “When’s your next album coming out?,” message on Thee Facebooks; should get on that — and London desert bruisers Steak for a 16-date run beginning Dec. 1.

The tour is presented by Sound of Liberation — of course — and if you need me to tell you that it’s a killer mix of acts, you probably shouldn’t. There’s really no letup between the three of them. I’m not saying I’ve heard the new Bitchwax or anything, but word on the street is it’s an absolute supercharged monster, bringing to life the ethic of “Coming in Hot” that 2015’s Gravitron (review here) proffered. That’s the rumor. All the better for them to be on the road heralding new material. Greenleaf meanwhile head out once again supporting 2016’s ultra-righteous Rise Above the Meadow (review here), and Steak go on the heels of 2017’s Ripple Music debut, No God to Save (review here), which brought them to new levels of accomplishment in aesthetic and songwriting alike. Bottom line? You can’t miss with this one. If you’re in its path, consider yourself lucky.

Poster and dates follow, as seen on the social medias by Sound of Liberation:

greenleaf-the-atomic-bitchwax-steak-tour

Greenleaf – The Atomic Bitchwax – Steak – Hail the Hounds Tour 2017

We are proud to present the “HAIL THE HOUNDS” Tour 2017, with Greenleaf + The Atomic Bitchwax + Steak!!

01.12.17 – London | Underworld
02.12.17 – Brussels | Magasin 4
03.12.17 – Hamburg | Markthalle
04.12.17 – Cologne | Luxor
05.12.17 – Wiesbaden | Schlachthof
06.12.17 – Leipzig | Werk2
07.12.17 – Munich | Feierwerk
08.12.17 – Olten | Schuetzenhaus
09.12.17 – Linz | Posthof
10.12.17 – Vienna | Arena
11.12.17 – Stuttgart | Universum
12.12.17 – Saarbruecken | Garage
13.12.17 – Nijmegen | Doornroosje
14.12.17 – Paris | Glazart
15.12.17 – Dortmund | JunkYard
16.12.17 – Berlin | Bi Nuu

It’s gonna be hot in December

https://www.facebook.com/greenleafrocks/
https://www.facebook.com/The-Atomic-Bitchwax-86002001659/
https://www.facebook.com/steakuk/
https://www.facebook.com/Soundofliberation/

Greenleaf, “Howl” lyric video

The Atomic Bitchwax, “Hope You Die” live in West Virginia, Sept. 12, 2017

Steak, “Living Like a Rat” official video

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Greenleaf & Steak Desertfest Split 7″ Available to Preorder

Posted in Whathaveyou on April 4th, 2017 by JJ Koczan

This year will be the third that H42 Records has offered up an exclusive single to mark the arrival of Desertfest. The first featured Sons of Alpha Centauri and Karma to Burn, and the second was Monster Magnet and Ramming Speed. This year, it’s quintessential Swedes Greenleaf with a classic track and London heavy underground ambassadors Steak with brand new material. Seeming to represent both Desertfest London and Berlin 2017, this year’s single is limited to 400 copies, and the green vinyl is already gone on preorders, so if you want one at all, you probably don’t want to sleep on it.

I also don’t know how many of these will actually make it to Desertfest, versus how many have been preordered and just sold through that way, so yeah, much to consider here. Not trying to sell you on anything, I’m just saying these are factors to consider when acquiring heavy rock and roll. You know how it is.

Release details from the PR wire:

desertfest-split-steak-greenleaf

GREENLEAF & STEAK will take part on this years DESERTFEST Split-7″

GREENLEAF is a righteous kick in the ass and a testament to the almighty riff! On Side A they presents you their alltime classic “Sold My Old Lady (Out of the back of an Oldsmobile)”. The song was originally released on their long sold out debut EP from 2000. If you don’t own this EP this is your chance the get this song on vinyl. That’s the first time in 17 years.

Side B is reserved for a brand new song from STEAK: “Overthrow” is the first living sign of the four Londoners since ‘Slab City’ from 2014. And what is closer to the fact that Steak is represented with a new song on the new DesertFest Split cause they will also rock the stage of the DesertFest London this year.

Limited Edition up to 400 copies out on H42 Records (H42-040)
200 on DARK GREEN vinyl
200 on BROWN vinyl

Tracklist:
A1 // Greenleaf Side: Sold My Old Lady (Out of the back of an Oldsmobile)
B1 // Steak Side: Overthrow

http://www.h42records.8merch.com/presale
https://h42records.bandcamp.com/
https://www.facebook.com/H42Records
https://twitter.com/H42Records
https://www.h42records.com/

Greenleaf, “Sold My Lady (Out the back of an Oldsmobile)”

Steak, “Pisser” Live in London, 2016

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Greenleaf Cancel North American Tour

Posted in Whathaveyou on February 15th, 2017 by JJ Koczan

Bummer news out of Sweden today in that Greenleaf have been forced to cancel their planned US tour. The run, which was slated to begin March 5 at Brooklyn’s Saint Vitus Bar, would’ve been the first for the band, and was to take place over two legs, with desert legends Yawning Man and fellow Swedes Truckfighters keeping company as Greenleaf supported their 2016 Napalm Records release, Rise Above the Meadow (review here), which was without question one of the best albums of last year.

On a purely selfish level, I’m sorry to see this news come out because it means I won’t get to see the band, but they leave open the possibility of making another attempt to get over later in 2017 or next year, and so at least the idea isn’t completely off the table as of now. Visa issues. As ever.

I haven’t seen word of whether Yawning Man will press forward with their intention to play the East Coast for the first time, or who will fill in on the Truckfighters run, if anybody, but when and if I hear, I’ll do my best to post accordingly.

Greenleaf‘s announcement and the list of canceled dates follows:

greenleaf tour off

GREENLEAF – North American Tour CANCELLED

We regret to inform everyone who was so excited to see us on our upcoming dates with Yawning Man and Truckfighters that due to complications with our visas we are very sad to say that we must cancel our appearances on this tour. We’ll do our best to solve this issue and appear on your shores later this year or in worst case in 2018.
And yes we know… this really sucks DONKEY BALLS.

All the best
Tommi Holappa, Sebastian Olsson, Arvid Jonsson and Hans Fröhlich

Affected dates:
03/05 Brooklyn NY Saint Vitus Bar
03/06 Richmond VA Strange Matter
03/07 Chapel Hill NC Local 506
03/08 Pittsburgh PA Smiling Moose
03/09 Chicago IL Reggies
03/10 Kansas City MO Riot Room
03/11 Saint Louis MO Fubar
03/12 Oklahoma City OK TBA
03/13 El Paso TX TBA
03/15 San Diego CA Brick by Brick
03/16 Los Angeles CA Complex
03/17 San Francisco CA Bottom of the Hill
03/18 Sacramento CA Starlite
03/19 Portland OR Ash St. Saloon
03/20 Seattle WA El Corazon
03/21 Vancouver BC Rickshaw
03/23 Calgary AB Distortion
03/24 Edmonton AB Starlite
03/25 Saskatoon SK Amigos
03/26 Regina SK Exchange
03/28 Denver CO Moon Room
03/29 Albuquerque NM Launchpad
03/30 Tucson AZ Flycatcher
03/31 Mesa AZ Club Red

http://www.napalmrecordsamerica.com/store/greenleaf
http://shop.napalmrecords.com/greenleaf
www.facebook.com/greenleafrocks
www.napalmrecords.com
www.facebook.com/napalmrecords

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