The Obelisk Show on Gimme Radio Recap: Episode 17

Posted in Radio on June 10th, 2019 by JJ Koczan

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So because I suck at naming themed episodes, this episode of The Obelisk Show on Gimme Radio was ‘Some of the Best of 2019 So Far.’ Yeah, I know, way to commit. Whatever. You get the point. We’re six months deep into the year if you can wrap your head around it, and it’s a good time to check in and see where we’re at.

One thing that stood out to me in making the playlist is that it’s been an exceedingly good half-year for doom. New records from Saint Vitus, Candlemass and Lord Vicar would be enough of their own, then you toss in stuff like Obsidian Sea and Demon Head, among others and it’s kind of incredible. Kings Destroy’s “Dead Before” is high on the list of the best songs I’ve heard this year, so I wanted to include that for sure, and there was room to space out a bit with Mammoth Weed Wizard Bastard and Bees Made Honey in the Vein Tree. I also really dug the Sigils record, and kind of felt like I didn’t write enough about it, so that’s in there too.

The bottom line, of course, is there was more than I could fit in one episode, and there are enough tracks that feel conspicuous in their absence for me to not put together a second episode working on the same theme. So I think I’ll probably do that next time. Can I get away with playing The Claypool Lennon Delirium on Gimme Radio? I don’t know, but it might be fun to try.

Here’s the full playlist:

The Obelisk Show – 06.07.19

Uffe Lorenzen Angakkoq Triprapport 0:04:08
Kings Destroy Dead Before Fantasma Nera 0:04:25
Green Lung May Queen Woodland Rites 0:06:41
BREAK
Spidergawd All and Everything Spidergawd V 0:06:12
Mammoth Weed Wizard Bastard Katyusha Yn Ol I Annwn 0:13:23
Bees Made Honey in the Vein Tree Grandmother Grandmother 0:10:58
Sigils Samhain You Built the Altar, You Lit the Leaves 0:09:39
Thunderbird Divine Bummer Bridge Magnasonic 0:05:34
BREAK
Candlemass Under the Ocean The Door to Doom 0:06:15
Saint Vitus 12 Years in the Tomb Saint Vitus 0:05:23
Demon Head Strange Eggs Hellfire Ocean Void 0:07:01
Obsidian Sea A Shore Without a Sea Strangers 0:08:49
Lord Vicar Levitation The Black Powder 0:04:57
BREAK
Lo-Pan A Thousand Miles Subtle 0:04:06
Valley of the Sun Dim Vision Old Gods 0:03:55
Yatra Snakes in the Temple Death Ritual 0:06:41

The Obelisk Show on Gimme Radio airs every other Friday at 1PM Eastern, with replays every Sunday at 7PM Eastern. Next show is June 21. Thanks for listening if you do.

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The Obelisk Show on Gimme Radio Recap: Episode 09

Posted in Radio on February 4th, 2019 by JJ Koczan

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Good show. I had fun, anyway. I cut the voice breaks for this one while The Patient Mrs. and her mom took The Pecan out to the grocery store, but the breaks nonetheless worked out to be maybe a minute longer than usual and that gave me a little rant time. Right before I played Goatsnake, which was the “new classic” choice cut for this episode, I went off about doing my dishes as rock and roll. As usual with words coming out of my mouth, the idea was kind of half-represented, but what I was talking about was the notion that your love of music should be a part of your life, not something separate from the rest of it. If you love music, it shouldn’t be something you segregate from the rest of who you are — something you sneak off to a dive bar to partake of — it should be a part of your everyday. I cut radio voice breaks while running the dishwasher. It’s a part of who I am.

How fortunate I have this post to explain the half-formed notions I don’t have the wherewithal to properly express vocally. Huzzah.

Anyway, if you got to listen, I tried to set this one up with a good flow from front to back plus a couple stark contrasts in the second hour. The break is between Graven and SubRosa, contrary to what the playlist says, but I liked that transition anyhow, and I think you can see early on that the focus is on some boogie with a sense of atmosphere. I talk up the Green Lung record again, because, well, it’s worth talking up, and dig into a few other things that I think are killer, including that Mount Saturn EP, which is likewise right on. And then I dip back from new music to play SubRosa’s “The Mirror” from their SubDued: Live at Roadburn 2017 release, because it’s a song I sing to The Pecan when I put him down for naps and have just about every day since he was born some 15 months ago. Fun stuff.

If you missed the show, it airs again tomorrow at 9AM Eastern at http://gimmeradio.com

And if you dig this and want to hear more of The Obelisk Show, Gimme of course has their archive set up that you can sign on for at a reasonable price and dig into a bunch of various kinds of metallurgy.

Okay, here’s the playlist. Thanks to reading and/or listening:

The Obelisk Show Ep. 09 – 02.03.19

Straytones Dark Lord Beware, Dark Lord! Here Comes Bell-Man* 0:04:07
Green Lung Let the Devil In Woodland Rites* 0:05:02
BREAK
Geezer Spiral Fires Pt. 1 Spiral Fires* 0:05:50
Seedium Mist Haulers Seedium* 0:09:15
Crypt Trip Wordshot Haze County* 0:04:22
Cloud Catcher Beneath the Steel The Whip EP* 0:04:45
Heavy Feather Waited All My Life Debris & Rubble* 0:03:10
Mount Saturn Dwell Kiss the Ring* 0:07:08
BREAK
Goatsnake Mower I + Dog Days 0:06:05
The Black Heart Death Cult Davidian Beam Dream The Black Heart Death Cult 0:05:50
Crystal Spiders Tigerlily Demo* 0:05:37
Swallow the Sun When a Shadow is Forced into the Light When a Shadow is Forced into the Light* 0:07:26
Graven Backwards to Oblivion Heirs of Discord* 0:06:15
SubRosa The Mirror SubDued: Live at Roadburn 0:04:43
BREAK
Electric Octopus Mouseangelo Smile* 0:12:58
Tia Carrera Early Purple Visitors/Early Purple* 0:16:28

The Obelisk Show on Gimme Radio airs every other Sunday night at 7PM Eastern, with replays the following Tuesday at 9AM. Next show is Feb. 17. Thanks for listening if you do.

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Review & Track Premiere: Green Lung, Woodland Rites

Posted in audiObelisk, Reviews on January 28th, 2019 by JJ Koczan

green lung woodland rites

[Click play above to stream ‘Let the Devil In’ from Green Lung’s Woodland Rites. Album is out March 20 on Kozmik Artifactz.]

London’s Green Lung announced themselves with the 2017 single, Green Man Rising (review here), and have worked quickly since to distinguish their sound from the bulk of the UK’s nigh-on-saturated heavy underground. Through last year’s Free the Witch EP (review here) and now their Kozmik Artifactz-issued debut full-length, Woodland Rites, the five-piece unit have worked efficiently to develop a stylistic take drawing from classic rock and metal as well as nature-worshiping Britfolk, garage doom, goth rock, solo-era Ozzy, as well as contemporary countrymen standouts like Alunah, Elephant Tree and even Uncle Acid and the Deadbeats, the latter of whose influence can be heard in the creative vocal arrangements of frontman Tom Templar.

With a steady stream of organ lines from John Wright alongside Scott Masson‘s guitar, Andrew Cave‘s bass and Matt Wiseman‘s drumming, Green Lung offer righteousness of performance and put songwriting first throughout and draw thematically from pagan-style horror films in the lyrical play between sex, nature and evil, but manage to avoid a trap of misogyny that most of those films didn’t, and as the opening salvo of “Woodland Rites” and “Let the Devil In” gets underway in picking up from the intro “Initiation” — the beginning quiet guitar of which proves crucial in setting the atmosphere for what follows — the point of view of the lyrics remains more about ritual than discrimination. The choruses of songs like “The Ritual Tree” and “Call of the Coven” and even closer “Into the Wild” are catchy, and not unfortunately so for what they’re actually saying. Even the willfully sleazy nunsploitation hook of “Let the Devin In” — “Sister, you’ve been told that making love’s a sin/Open up your heart and let the devil in” — manages to capture the spirit of the grainy cinema from which it derives and periodically samples audio while leaving behind a dated objectification. This is but one element working to the advantage of an early contender to stand among 2019’s best debut albums.

And at no point throughout Woodland Rites‘ witch-rocking eight-song/42-minute run is craft sacrificed to theme one way or the other. Masson offers several solos that are marked accomplishments in and of themselves, including that in the apex of the penultimate “May Queen,” which is well plotted and complemented by Cave‘s bass and Wright‘s work on keys, but even beyond those performances or that of Templar across the earlier cuts or closer “Into the Wild,” there’s an overarching thoughtfulness to the LP’s construction that speaks to a specific intent on the part of the band. Its tracks break cleanly into two four-song sides, but more than that, each side has a progression of its own and a function that makes the entire album stronger while clean and clear in its own mission.

green lung (Photo by Sally Patti)

Each works its way toward its longest song in “The Ritual Tree” (6:49) and “Into the Wild” (6:51), respectively, and while this is nothing new, tapping into classic elements of sound and structure is part of the point stylistically. In addition, the movement from “Initiation,” which comes across an awful lot like something that might be played to introduce the band live, directly into the “Oh lord yeah!” that starts the title-track and through “Let the Devil In” to the end of side A with “The Ritual Tree” is not only fluid, but based around a quality of memorability in the material that conveys a sense of mood and ambience without giving up its direct impact. Wiseman‘s crash in “The Ritual Tree” is no less a standout than the melody that accompanies, and as the organ fills out that melody, Templar sounds smooth and comfortable over the rolling progression in a way that for many vocalists would prove awkward.

Going by a classic side A/B dynamic, the first half of Woodland Rites would be the place where the up front is upfront, and the second where they then branch out and expand their overall reach. The whole record is a multifaceted showcase of progression, but indeed, Green Lung follow the pattern and shift in side B from “Templar Dawn” and the Sabbath-swinging “Call of the Coven” to the mellowing out that happens in the first stretch of “May Queen,” which flows easily into its swell of volume before it hits its midsection, only to recede in the second half for another verse and rise again as it rounds out. This is a marked change of structure from what’s come before, and it signals not only the intended growth on the part of the band and their bringing that to bear, but their ability to work in multiple songwriting contexts and still maintain their sense of composition. Further, “May Queen” feeds directly into the initial riff of “Into the Wild,” which is tasked with summarizing the proceedings and lives up to that ably while pushing further and highlighting the promise so present in what Green Lung are doing. Another excellent guitar lead begins to draw the closer down, and “Into the Wild” ends somewhat suddenly but with a considerable impression that the band know that and are doing it on purpose.

The message there, and indeed of the album as a whole, would seem to be that Green Lung aren’t actually finished — which is fortunate. As quickly as they’ve cohered their take on heavy and found a recording partner in Wayne Adams of Bear Bites Horse Studios — who also helmed the EP — to bring their vision forward, I wouldn’t predict where they might go in terms of following-up their debut, but Woodland Rites is a significant opening statement for them to make, and if they have it in them to do the gritty work of honing their approach, could be well en route to a marked individualism that, in complement to their songwriting, is the stuff of something truly special. But as much as it’s an exciting showcase of what could be, and as much fun as it is to think of what Green Lung might go on to accomplish, it’s worth recognizing that wouldn’t be the case were Woodland Rites not as strong and as complete an offering as it is.

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Green Lung website

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Green Lung Announce March 20 Release for Woodland Rites

Posted in Whathaveyou on January 22nd, 2019 by JJ Koczan

green lung (Photo by Sally Patti)

I love speculating about upcoming albums, and after a couple encouraging short releases from London’s Green Lung — 2018’s Free the Witch EP (review here), and the 2017 single, Green Man Rising (review here) — their debut holds marked promise as one of the most anticipated of the year, at least as far as I’m concerned. The five-piece outfit who blend aspects of doom, goth, heavy rock and a bit of the ol’ forest-worship, will issue Woodland Rites as their first offering through Kozmik Artifactz on March 20, have tour dates forthcoming and are set to play HRH Doom Vs. Stoner as part of a oh-hell-yes lineup this September. Killer to see an up and coming band doing good things. I can’t wait to hear the record.

Details from the PR wire:

green lung woodland rites

GREEN LUNG announce debut album, Woodland Rites

South London-based heavy rock quintet GREEN LUNG have today announced details of their debut album. Woodland Rites will be released on heavyweight vinyl, CD, cassette and digital editions on March 20, the Spring Equinox. The band captured the attention of the international underground in 2018 with the release of their much acclaimed EP Free the Witch, and spent the year sharing stages with the likes of Conan, Conjurer and Primitive Man before signing to cult Berlin-based label Kozmik Artifactz.

With the addition of new member John Wright on organ, the band have also expanded their horizons musically, voyaging beyond the doomy psych of the EP to explore a spectrum of heavy music. On Let the Devil In they conjure up a blasphemous, arena-baiting hard rock single, while on Templar Dawn they veer into the cavernous (free)masonry of traditional doom metal. The psyched-out, prog-inflected The Ritual Tree attempts to answer the mystery of ‘Who put Bella in the Wych Elm?’, while May Queen is an ergot-tinged ballad of failing harvests and human sacrifice. The overall, irresistible impression is of a young band summoning up the eccentric English spectres of 70s proto-metal, early 80s NWOBHM and 90s stoner rock and dragging those sounds kicking and screaming into the 21st Century.

Singer Tom Templar said, ‘With the response to Free the Witch, the introduction of a new member and the chance to write a full LP we’ve been spurred on to take our sound to the next level – so expect a pro-witch party album of diabolical riffs, harmonized solos, inescapable hooks and lyrics inspired by folk horror films like The Wicker Man and Blood on Satan’s Claw. We hope Woodland Rites will become the soundtrack to many a debauched backwoods sabbath in 2019.’

Woodland Rites was recorded and mixed by Wayne Adams (Vodun, Ghold) who reprised his Free The Witch duties at Bear Bites Horse Studios. Mastering was undertaken by Brad Boatright at Audiosiege. Woodland Rites will be packaged in hallucinatory artwork by renowned woodcut artist, Richard Wells (The Wicker Man, Doctor Who) on vinyl and CD, with the cassette cover featuring photography by Courtney Brooke.

GREEN LUNG will be touring the UK and EU with labelmates Deathbell in May, with confirmed shows in Paris, London, Liege and Cologne; more information will be available in due course. The band will also appear at HRH Doom vs Stoner alongside Monolord, Orange Goblin and Church of the Cosmic Skull on September 29.

Woodland Rites tracklist
1. Initiation
2. Woodland Rites
3. Let The Devil In
4. The Ritual Tree
5. Templar Dawn
6. Call of The Coven
7. May Queen
8. Into The Wild

GREEN LUNG is:
Tom Templar – Vocals
Scott Masson – Guitar
Andrew Cave – Bass
Matt Wiseman – Drums
John Wright – Organ

Woodland Rites by GREEN LUNG will be released on March 20, 2019. Pre-order information will follow.

https://www.facebook.com/greenlungband
https://www.instagram.com/greenlungband/
http://www.greenlung.co.uk/
https://greenlung.bandcamp.com/
http://kozmik-artifactz.com/
https://www.facebook.com/kozmikartifactz

Green Lung, Free the Witch (2018)

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Green Lung Sign to Kozmik Artifactz

Posted in Whathaveyou on April 5th, 2018 by JJ Koczan

About a month and a half after releasing their debut EP, Free the Witch (review here), and still within a year of their initial single, Green Man Rising (review here), London four-piece Green Lung have signed on to release their first long-player through respected vinyl-minded purveyor Kozmik Artifactz. The condensed timeline one might attribute to the particular sonic niche the band seemed to immediately find and then quickly demonstrate a capacity to progress with. One does not expect the momentum to slow for the UK outfit, which boasts ex-members of Oak and Tomb King in the lineup of vocalist Tom Templar, guitarist Scott Masson, bassist Andrew Cave and drummer Matt Wiseman, as they make their way toward the album, which at the rate they’re going should be pressed and shipped any minute now.

Cheers to the band and to the label on the snag. Here’s the announcement off the PR wire:

green lung

Kozmik Artifactz Announce New Signing – Green Lung

Green Lung combine crushing heaviness with soaring hooks, summoning up the proto-metal spectres of Black Sabbath and Pentagram, the psychedelic heft of heavy prog and the anthemic gloom of Danzig and Type O Negative; all the while dragging those influences into the 21st Century and sculpting them into a sound that is entirely their own.

“The last twelve months have been a blur for us; forming last March, putting out a demo, playing up and down the country, and finally getting an incredible reception for our EP Free the Witch. Signing with Kozmik Artifactz is the perfect way to cap off our first year as a band – we’re excited to collaborate with a label that cares about vinyl as deeply as we do, and join a family of bands we love. We can’t wait to get to work on making our debut LP better than anything we’ve done before, and welcome more initiates to the cult of the Lung. Doom over the world!”

Hailing from South London and made up of vocalist Tom Templar, guitarist Scott Masson, bassist Andrew Cave and drummer Matt Wiseman, the band released their debut EP, Free the Witch, in February 2018.

Green Lung is:
Tom Templar – Vocals
Scott Masson – Guitar
Andrew Cave – Bass
Matt Wiseman – Drums

https://www.facebook.com/greenlungband
https://www.instagram.com/greenlungband/
http://www.greenlung.co.uk/
https://greenlung.bandcamp.com/
http://kozmik-artifactz.com/
https://www.facebook.com/kozmikartifactz

Green Lung, Free the Witch (2018)

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audiObelisk Transmission 065

Posted in Podcasts on February 26th, 2018 by JJ Koczan

aOT65

I recognize that saying so is the cliché equivalent to writing a song with the same bassline as ‘N.I.B.,’ but if this was December and not February and the year was about to end in a couple weeks’ time, would you really be able to complain about any lack of fantastic releases? It’s been two months and before the next one is out we will have seen and heard new offerings from Corrosion of Conformity, Monster Magnet, Earthless, Fu Manchu and literally hundreds of others. It’s been as awesome as it’s been impossible to keep up with.

This new podcast follows the same model as the last one, vis-a-vis using Spotify as the medium of conveyance. You can see the playlist in the player below, and you may accordingly wonder why I’ve bothered to type it out underneath as well. It’s because streaming sites disappear even quicker than they rise to dominance, and I’m not saying The Obelisk is going to outlast Spotify or anything, but just in case, I like to keep my own records. I appreciate the indulgence on your part.

Awesome mix this time around. No real theme other than it’s new stuff I’ve been listening to a lot and digging. I very much hope you enjoy it as well. 21 tracks. About two and a half hours long.

Thanks for listening and reading:

Track details:

Artist, Track, Album, Runtime
Earthless, “Black Heaven” from Black Heaven, 8:45
Sundrifter, “Targeted” from Visitations, 4:45
Psilocibina, “Acid Jam” from LSD / Acid Jam, 7:08
Blackwater Holylight, “Sunrise” from Blackwater Holylight, 4:51
Fu Manchu, “Clone of the Universe” from Clone of the Universe, 2:57
Green Lung, “Free the Witch” from Free the Witch, 5:55
Monster Magnet, “Mindfucker” from Mindfucker, 4:59
All Souls, “Never Know” from All Souls, 5:59
Red Lama, “Perfect Strangers” from Motions, 6:47
Blackwülf, “Sinister Sides” from Sinister Sides, 4:53
Fuzz Lord, “Worlds Collide” from Fuzz Lord, 6:58
Corrosion of Conformity, “Forgive Me” from No Cross No Crown, 4:06
Apostle of Solitude, “Ruination Be Thy Name” from From Gold to Ash, 6:37
Avon, “Space Native” from Dave’s Dungeon, 4:42
Psychic Lemon, “Exit to the Death Lane” from Frequency Rhythm Distortion Delay, 8:32
The Dry Mouths, “Catalonian Cream” from When the Water Smells of Sweat, 4:34
Insect Ark, “Windless” from Marrow Hymns, 8:38
Naxatras, “You Won’t Be Left Alone” from III, 11:17
Mythic Sunship, “Into Oblivion” from Upheaval, 13:56
King Buffalo, “Repeater” from Repeater, 13:40
Hound the Wolves, “Masquerade” from Camera Obscura, 13:10

If you’re interested, you can follow me on Spotify here.

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Review & Full EP Stream: Green Lung, Free the Witch

Posted in audiObelisk, Reviews on February 12th, 2018 by JJ Koczan

green lung Free the Witch

[Click play above to stream the Free the Witch EP by Green Lung in its entirety. EP is out Feb. 19 on Deckhead Records.]

It’s only been eight months or so since London’s Green Lung issued their debut two-songer digital single, but apparently that’s been enough time for them to clarify a few things about their sound. Most notably: their sound itself. With the Deckhead Records tape release of their debut EP, the four-song Free the Witch, the four-piece turn away from some of the more blown-out aspects of the prior Green Man Rising (review here), with a crisp production that brooks no sacrifice either in its atmospheric spaces or tonal depth but nonetheless strikes with a clean, bright impression, whether it’s in the righteous hooks of opening duo “Lady Lucifer” and “Free the Witch” — which seem to be in competition with each other to determine the catchier chorus — or in “Living Fossil” and the eight-minute finale “Older than the Hills,” which respectively delve into low-end-driven nod (still pretty damn catchy) and slower, more patient build and payoff (also still pretty damn catchy).

Of course, a big part of the difference might be that this time around, Green Lung, which is comprised of vocalist Tom Templar, guitarist Scott Masson, bassist Andrew Cave and drummer Matt Wiseman, went to an actual studio — Bear Bites Horse, where the likes of Torpor, Terminal Cheesecake and Vodun have also recorded — to work with engineer/mixer Wayne Adams instead of putting the songs to tape in their practice space as they did with Green Man Rising, but another way in which Free the Witch distinguishes itself from the prior outing and in general is in the band’s focus on structure. These songs are executed with purpose, and while they have a flow, most especially between the latter two on a one-into-the-next level, and a sense of space throughout, they remain vigilant in their direction. They are as efficient.

That’s not to say they’re spare. “Lady Lucifer,” “Free the Witch” and “Living Fossil” all run between five and six minutes long, and even in the raucous, crashing opener — which surely would be or would’ve been or could still be, I suppose, a highlight of any debut full-length — there is room in that time for atmospheric diverging. This comes paired with a notable change in the vocal approach of Templar, who gave hints of the echoing style he uses here on “Green Man Rising,” but seems at least for the time being to have left behind the gruff, Ben Ward-style bark with which that post-Sabbath melodic approach shared time. It is another way in which Green Lung seem to be following the path of fellow Londoners Elephant Tree, whose aesthetic underwent similar clarifying between their first EP and album.

green lung

I wouldn’t bet that Green Lung are finished growing into themselves, but as “Lady Lucifer” gives way with a drum fill to the forward gallop of the complementary “Free the Witch” — a two-sided tape, indeed, since the latter ends in silence before “Living Fossil” takes hold — the work they’ve undertaken in beginning their progression is appreciable both in its effort and outcome. Their debut EP, in other words, kicks a good bit of ass. And as an early-outing EP should, it acts as a showcase of their material and potential for the longer term; promise displayed in their songwriting and breadth alike. “Free the Witch,” with a noteworthy guest organ spot in a pre-solo jam section by Joe Murgatroyd (also backing vocals), resolves with a slowdown into largesse that earns Templar‘s cavernous effects, and eases the way into “Living Fossil,” which though faster initially, continues to broaden the sphere.

While it seems to follow a similar structure to the title-track, with a bass-led break from the boogie at its midpoint where the preceding cut was more guitar-led, instead the penultimate cut picks up with its chorus again and moves into a secondary hook to finish with a vibrant last push and a ringout that paves the way for Cave to set the stage for “Older than the Hills,” which pushes further outward. Much as they were able to control the stricter chorusmaking of “Lady Lucifer,” so too do Green Lung prove ready to handle the increased stretch of “Older than the Hills,” which, again, is the slowest and most patient inclusion here, proclaiming its hook in a wide space of its own creation.

If it seems like I’m painting a picture of nothing but encouraging signs from the band, I am, and consciously, but that’s not to say I think their creative evolution has peaked or is finished. Rather, what’s impossible not to take away from Free the Witch is that Green Lungas a unit have begun what one hopes will be the ongoing task of growing as a band, and while their first single indicated a drive toward an individualized sound, to hear that come so much more to fruition after such a short stretch of time is satisfying to say the least. It is still soon to speculate on what a debut long-player from them might bring, but if they’re able to employ the lessons of these songs the way they were those of the single coming into this EP, they would seem to be poised to make a significant sonic impact. The real work is ahead of them, but even in leading one to think of Green Lung‘s longer-term prospects, Free the Witch helps establish their presence in London’s crowded scene and in the greater heavy underground. A success on every level.

Green Lung on Thee Facebooks

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Green Lung website

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Green Lung Announce Debut EP Free the Witch out Feb. 19; New Single Posted

Posted in Whathaveyou on January 24th, 2018 by JJ Koczan

green lung

London’s Green Lung will release their first EP, Free the Witch, on Feb. 19. You might recall the band hit on a fascinating stylistic blend of pastoralism, heavy riffing and underlying metallurgy with their 2017 two-songer demo, Green Man Rising (review here). Well, I’m not saying I’ve heard the new four-track outing or anything — oh wait, that is very much what I’m saying, yes — but it would seem at least on first/second impression that Free the Witch finds Green Lung working to solidify a cohesive whole and individual approach from their swath of influences, and, if the eight-minute roll of “Older than the Hills” is anything to go by, getting to where they’re going with little to no trouble whatsoever.

Bottom line: If you’ve dug the work of Elephant Tree or were into the first Sigiriya record when that came along, keep an eye on these guys.

To herald the EP’s impending issue, Green Lung have a new single straming for opening track “Lady Lucifer.” You can check it out at the bottom of this post, of course, but first, the PR wire has its requisite say:

green lung free the witch

GREEN LUNG announce debut EP Free the Witch, release ‘Lady Lucifer’ single

???Today Green Lung release ‘Lady Lucifer’, a single taken from their upcoming debut EP Free the Witch, set to be released on 19th February on digital and cassette via Deckhead Records. The single (along with b-side ‘When the Axe Comes Down’) is streaming now on Spotify.

‘Lady Lucifer’, the follow-up to last year’s well received demo ‘Green Man Rising’, sees the band encounter a femme fatale straight out of a 70s Jess Franco or Jean Rollin movie. Producer Wayne Adams of Bear Bites Horse Studio (Vodun, Ghold, Riddles) brings the band’s sound into high definition, shearing off the woolly fuzz of the demo and sharpening the impact of their soaring vocals and thundering tone. With an irresistible chorus, barrage of riffs and virtuosic solo, the single harks back to the occult-obsessed catchiness and groove of early 90s purveyors of doom and gloom like Cathedral and Type O Negative, displaying an uncanny ear for melody without sacrificing any of the band’s psychedelic heaviness. The accompanying promo video, directed by Tracy Mathewson, features clips of the band performing alongside a host of leading ladies from vintage horror cinema.

The Free the Witch EP is now available for pre-order on the band’s Bandcamp page, and on Deckhead Records’ Bandcamp for US customers.

Green Lung bio:

Green Lung combine crushing heaviness with soaring hooks, summoning up the proto-metal spectres of Black Sabbath and Pentagram, the psychedelic heft of heavy prog and the anthemic gloom of Danzig and Type O Negative; all the while dragging those influences into the 21st Century and sculpting them into a sound that is entirely their own.

Hailing from South London and made up of vocalist Tom Templar, guitarist Scott Masson, bassist Andrew Cave and drummer Matt Wiseman, the band released a demo, ‘Green Man Rising’, in 2017 which will be followed by a debut EP, Free the Witch, on February 19th 2018. The band have been critically acclaimed and have shared the stage with a host of UK heavy titans including the likes of Desert Storm and Mammoth Weed Wizard Bastard.

Green Lung is:
Tom Templar – Vocals
Scott Masson – Guitar
Andrew Cave – Bass
Matt Wiseman – Drums

https://www.facebook.com/greenlungband
https://www.instagram.com/greenlungband/
http://www.greenlung.co.uk/
https://greenlung.bandcamp.com/
https://deckheadrecords.bandcamp.com/

Green Lung, “Lady Lucifer”

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