Jesus Tapdancing Christ. Uncle Acid and Graveyard are Touring Together.

Posted in Whathaveyou on October 24th, 2018 by JJ Koczan

Uncle Acid and the Deadbeats (Photo by Ester Segarra)
graveyard

God damn. I mean, come on. Really? Isn’t there some kind of quota for awesome that this violates? When is it too much for one show?

March 2019. Uncle Acid and Graveyard. North American tour. Co-headline. Come on. I can’t even write the words. You gotta be kidding me.

I don’t know who the fuck sat down and was, okay America, you get Uncle Acid and Graveyard on the road together now. Have fun with that. Like the UN of Doom decided to do us a favor or something. God damn.

Blah blah blah Uncle Acid supporting Wasteland (review here), blah blah blah Graveyard supporting Peace (review here). Are you still reading this? Just go look at the fucking dates and get your ticket already. Think these shows won’t sell out? Come on.

From the PR wire:

uncle acid graveyard tour

UNCLE ACID & THE DEADBEATS and GRAVEYARD Announce “Peace Across the Wasteland” Co-Headlining North American Tour

UNCLE ACID & THE DEADBEATS and GRAVEYARD are teaming up next March for the “Peace Across the Wasteland” co-headlining North American Tour. The tour kicks off March 6th in Philadelphia, PA and runs through March 30th in Toronto, ON. Twin Temple will provide support through the March 16th date in San Francisco, CA. On March 18th, Demob Happy will join the tour for the rest of the run. A complete list of dates can be found below. Pre-sales start this Wednesday October 24th and the official public on-sale is this Friday October 26th

Revered Swedish heavy rock band Graveyard is touring in support of their critically heralded 5th album, “Peace”, which is available now from Nuclear Blast. The band’s latest chapter in a celebrated catalog, guides the listener through an ever-changing musical landscape filled with their trademark take on classic rock. From the opening track’s blistering declaration that ‘It Ain’t Over Yet’ to the final note of heart beating bass on the epic and moody rocker ‘Low (I Wouldn’t Mind)’ the band manages to squeeze out every last creative drop of what there is to know, hear and love about the band.

“It’s time to let Peace roll out across the Wasteland. Graveyard and Uncle Acid and the Deadbeats will co headline a tour of North America in march 2019. This will be the first time the bands tour together and were both bringing tons of new music. This one is going to leave no mind unblown,” says Graveyard of the upcoming run.

The brainchild of singer and guitarist Kevin Starrs, Uncle Acid &The Deadbeats have been making extraordinary music since 2009. After the succesful reissue of “Vol 1” in 2017, they have now returned in support of their widely acclaimed fifth album, “Wasteland” The record is 47 minutes of vital, audacious and frequently bewildering heavy psychedelia, and is instantly recognizable as Starrs’ most immersive and evocative body of work yet.

“We’re looking forward to travelling across the wasteland and destroying minds with Graveyard in 2019. This will be our first North American tour in three years so it feels long overdue. See you down the front!” says Uncle Acid frontman Kevin Starrs.

“Peace Across The Wasteland Tour”
3/6: Philadelphia, PA @ Union Transfer*
3/7: Baltimore, MD @ Rams Head Live!*
3/8: Asheville, NC @ The Orange Peel*
3/9: Atlanta, GA @ The Masquerade*
3/11: Houston, TX @ White Oak Music Hall*
3/12: Dallas, TX @ Gas Monkey Live!*
3/14: Phoenix, AZ @ The Van Buren*
3/15: Los Angeles, CA @ The Wiltern*
3/16: San Francisco, CA @ The Warfield*
3/18: Seattle, WA @ The Showbox#
3/19: Vancouver, BC @ Commodore Ballroom#
3/20: Portland, OR @ Roseland Theater#
3/22: Salt Lake City, UT @ Metro Music Hall#
3/23: Denver, CO @ Ogden Theatre#
3/25: Minneapolis, MN @ First Avenue#
3/26: Chicago, IL @ Metro#
3/28: Brooklyn, NY @ Brooklyn Steel#
3/29: Montreal, QC @ Corona Theatre#
3/30: Toronto, ON @ The Danforth Music Hall#

*Twin Temple Supports
#Demob Happy Supports

https://www.uncleacidband.com
https://www.facebook.com/uncleacid/

www.facebook.com/graveyardofficial
https://twitter.com/graveyard
https://www.instagram.com/graveyardmusic

Uncle Acid and the Deadbeats, “Shockwave City” official video

Graveyard, “Please Don’t” official video

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Graveyard, Peace: And the Price of It

Posted in Reviews on May 22nd, 2018 by JJ Koczan

graveyard peace

It has been a tumultuous few years for Swedish boogie kings Graveyard. In Sept. 2016, the four-piece announced their breakup. It followed the release of 2015’s fourth album, Innocence and Decadence (review here), which was more defined by its plays toward melancholy soul than anything the four-piece had done previously, and with an effective-immediately disbanding and string of cancelled tour dates, it sent shockwaves through the heavy underground in Europe and beyond, as Graveyard‘s influence had by that point already spread across borders to nearly a whole generation of retro and/or boogie-minded bands. It was a genuine surprise, and not the last.

A few months later, in Jan. 2017, they pulled the rug out from their own breakup by getting back together, and for another shocker, announced that guitarist/vocalist Joakim Nilsson, guitarist Jonathan Ramm and still relatively recently returned bassist Truls Mörck had parted ways with drummer Axel Sjöberg (now of Big Kizz), and replaced him with Oskar Bergenheim, who makes his first appearance on the band’s fifth long-player, Peace (on Nuclear Blast). It was no minor change. This wasn’t just a band swapping out one expendable drummer or another. Anyone who ever saw Graveyard live could tell you Sjöberg was a major part of their sound and stage presence both, and as a founder of the band, he’d been there over the years as the inimitable chemistry developed between them. Whatever Peace — its title perhaps aspirational given all the madness of the few years prior — would have to offer, it was going to be a new Graveyard standing behind its delivery. And so it is.

Or at very least it’s one that sounds refreshed in their purpose and like they’re shaking off the rust they never quite let gather on them considering the touring they did to make up for lost time after Bergenheim joined. No doubt that helped them reestablish the dynamic that’s so prevalent instrumentally throughout the 10 tracks/43 minutes of Peace, which as ever is driven by Nilsson‘s gravely and sometimes bluesy vocals — especially well done on organ-laced closer “Low (I Wouldn’t Mind)” — and as the record begins with the full-on thrust of “It Ain’t Over Yet,” the message comes through clear and the band’s energy proves infectious. Part of a spectrum-spanning opening salvo with the more midpaced “Cold Love” and the subdued, Mörck-fronted “See the Day” behind it, “It Ain’t Over Yet” is just the first of several all-out rushes that one wouldn’t have expected from Graveyard three years ago.

The hooks and the songcraft are still there, and when “Please Don’t” kicks in after the quiet end of “See the Day,” it’s Bergenheim driving the movement that Nilsson tops with a bluesy ballad of coming to the city and trying to survive. In its swing and vibrancy, “Please Don’t” is essential Graveyard, and it builds toward an exciting finish with keys backing the guitars of Ramm and Nilsson as it races to its finish and the swirling, semi-garage start of “The Fox,” the shortest inclusion on Peace  at a brisk 2:45 and a carrying a sans-frills hook that likely finishes side A  and leads to the longer “Walk On” at the start of the tracklist’s second half, which is longer and shifts from one of the album’s most memorable choruses into a wide open section of echoes that set the bed for a build into the last run through the hook and a finish that finds the instruments cutting out as Nilsson recites, “It’s time to walk on” one more time, far, far off the mic.

graveyard

“Walk On” would stand as a video-worthy single, and but one might say the same of the quieter “Del Manic,” which follows. Catchy and memorable for its repetitions of the line “It’s just like staring at the sun” and its might-just-be-a-waltz rhythm, it shifts past its midpoint into a momentary swell of lower end tone, but recedes back to Nilsson‘s croon before trading back again before the next hook, “Don’t you need a little more to feel it?/Don’t you feel a little like you need it?/Don’t need a little more to feel it?/Don’t you feel a little like you need it?” sets up a swirl-backed solo and a final drop back to bluesy guitar that fades into the more uptempo start of “Bird of Paradise,” which brings Mörck back to the frontman position, his voice vaguely recalling Thin Lizzy if in rawer fashion. His presence alongside Nilsson on vocals is more than just a change-things-up tactic — he genuinely brings something different to the material he tops, and it gives Graveyard even more breadth to their sound.

That shows itself as “Bird of Paradise” gives way to the semi-title-track “A Sign of Peace,” which may or may not ultimately be based thematically on everything the band’s been through to get to this album release, but has a feeling of culmination to it anyway and moves fluidly through a kind of build before closer “Low (I Wouldn’t Mind)” takes hold quietly at first but ultimately with the unfurling of a blues-locomotive rhythm that turns near the midpoint to dual-guitar stomp backed by Bergenheim‘s kick. That quickly sets the foundation for an increasingly chaotic-sounding crescendo which recedes past the four-minute mark — the keys remaining prevalent alongside softly noodled and strummed guitar — and just when near-silence hits at about 4:50, they kick back in and give “Low (I Wouldn’t Mind)” a full revival for Peace‘s final apex, ending by cutting off cold and giving way to a kind of manipulated and echoing moan that also is shortly to disappear.

Peace will likely not be hailed as one of Graveyard‘s most innovative releases. The days of their landmark 2007 self-titled debut, 2011’s Hisingen Blues (review here) and 2012’s Lights Out (review here) are gone and despite having a signature sound, the band show little interest in repeating themselves from record to record, instead offering something different each time out within the sphere of their aesthetic and songwriting. But while it’s not revolutionary, the album should still be welcomed by fans, both for the fact that it marks Graveyard‘s return — something that, if only for months, didn’t seem like it was going to happen anytime soon — and for the reassurance it provides that despite the high highs and the low lows they’ve had since Innocence and Decadence, they remain strong, certain of who they are, and masters of the form of heavy boogie and blues rock. They’re as essential on Peace as they’ve been all along, and reestablishing that place seems to have been part of the idea anyhow.

Graveyard, “The Fox” official video

Graveyard, “Please Don’t” official video

Graveyard on Thee Facebooks

Graveyard on Twitter

Graveyard on Instagram

Graveyard at Nuclear Blast

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Graveyard Post “The Fox” Video; Euro & UK Tour Dates Confirmed

Posted in Bootleg Theater on May 15th, 2018 by JJ Koczan

graveyard

The new Graveyard record has a couple barnburners on it, from the opener “It Ain’t Over Yet” to the penultimate semi-title-track “A Sign of Peace,” but as has been the case with their last several full-lengths, there’s more to the Swedish heavy rockers’ sound than just one approach. To wit, each half of the 10-song/43-minute LP gets a slower, moodier track, be it “See the Day” on side A or “Del Manic” on side B. Assuming the vinyl splits the tracklisting in half, that makes “The Fox” the finale on side A, and it draws a little bit from both sides. Where Graveyard‘s last video from Peace for “Please Don’t” (posted here), was a little more psychotic in its feel and a little more manic in the song itself, “The Fox” seems to be drawing from multiple sides.

I’m going to have an album review sometime in the coming weeks full of wax critique about what makes Graveyard such a special band and the serious risk they took in continuing on with new drummer Oskar Bergenheim after an initial hiatus, so I’ll save a lot of that kind of commentary for that, but for those looking forward to the arrival of Peace through Nuclear Blast on May 25, there’s much answered in this second video that the first one left to wonder about where the band was headed in terms of overall direction. The answer? They’re headed toward sounding like Graveyard Go figure.

Once again, the album is out May 25 on Nuclear Blast and Graveyard have newly confirmed tour dates in the UK and Europe for the Fall. All that whatnot follows via the PR wire. Dig it:

Graveyard, “The Fox” official video

Swedish classic rock connoisseurs GRAVEYARD are about to release their highly anticipated comeback album Peace, on May 25th through Nuclear Blast.

Today, the band releases another brand new song off their forthcoming record. Watch the music video for “The Fox” here.

Furthermore the band has announced the dates for their upcoming European and UK tours. See below.

Pre-order Peace in various formats, here: http://nblast.de/GraveyardPeace
Pre-order the album digitally to receive “Please Don’t” instantly!
Pre-save the album now via Spotify: http://nblast.de/GraveyardPeacePresave

Listen to “Please Don’t” in the NB Novelties Playlist: https://open.spotify.com/user/nuclearblastrecords/playlist/6aw9wiedFzzhJiI96DhNhw

The Nuclear Blast Mailorder Edition will feature the CD as well as a red 7″ vinyl single containing 2 exclusive and previously unreleased non-album tracks (‘Headache City’ & ‘Something Else’). Aside of that, the album will be available as digipak CD as well as on black, blue, yellow, beige, white and clear vinyl.

Peace – Track Listing:
01. It Ain’t Over Yet
02. Cold Love
03. See The Day
04. Please Don’t
05. Del Maniac
06. The Fox
07. Walk On
08. Bird Of Paradise
09. A Sign Of Peace
10. Low (I Wouldn’t Mind)

GRAVEYARD live:
08.06. S Sölvesborg – Sweden Rock
15./16.06. S Norrköping – Metallsvenskan
17.06. F Brétigny-Sur-Orge – Download Festival
21. – 23.06. DK Copenhagen – Copenhell
14.07. NL Weert – Bospop
21.07. S Stockholm – Ullevi (w/ GUNS N’ ROSES)
28.07. S Öland – Borgholm Brinner
08. – 11.08. D Eschwege – Open Flair Festival
08. – 11.08. CZ Jarom?? – Brutal Assault
15.08. D Dinkelsbühl – Summer Breeze

Peace over Europe 2018
+ BOMBUS
20 sept Columbia Club / Berlin (D)
22 sept Täubchenthal / Leipzig (D)
23 sept Futurum / Prague (CZ)
25 sept Arena Wien / Wien (AT)
26 sept A38 / Budapest (HUN)
28 sept Zona Roveri / Bologna (IT)
29 sept Bloom / Mezzago (IT)
2 oct Technikum / München (D)
3 oct Zoom / Frankfurt (D)
4 oct Garage Kleiner Klubb / Saarbrücken (D)
5 oct Im Wizemann / Stuttgart (D)
6 oct Den Atelier / Luxembourg (LU)
10 oct Ancienne Belgique / Brussels (BE)
11 oct De Oosterpoort / Groningen (NL)
12 oct Melkweg Max / Amsterdam (NL)
13 oct Luxor / Cologne (D)

PEACE over UK 2018
(support TBA)
30 nov Leadmill / Sheffield
1 dec The Key Club / Leeds
2 dec Rescue Rooms / Nottingham
3 dec G2 / Glasgow
5 dec Scala / London
6 dec Manchester Academy / Manchester
7 dec Birmingham 02 Academy 2 / Birmingham
8 Dec The Thekla / Bristol

Line-up:
Joakim Nilsson | vocals, guitars
Truls Mörck | bass
Oskar Bergenheim | drums
Jonatan Ramm | guitars

Graveyard on Thee Facebooks

Graveyard on Twitter

Graveyard on Instagram

Graveyard at Nuclear Blast

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Graveyard Post “Please Don’t” Video; Peace out May 25

Posted in Bootleg Theater on April 12th, 2018 by JJ Koczan

graveyard

I’m not saying I don’t dig the new Graveyard track. I’m not. That’s not what I’m saying at all. What I am saying is that for all the hullabaloo surrounding the May 25 release of the Swedish classic heavy rock forerunners’ new album, Peace, listening to “Please Don’t” doesn’t tell us all that much that we didn’t already know. Graveyard can write a hook. Joakim Nilsson is an awesome frontman with an ever-expanding range of melody and expression in his voice. The band rocks. These are all things that Graveyard fans know well. It’s part of the reason there are so many of them around.

So don’t think I’m trying to talk smack on Graveyard as they come back from the hiatus after their graveyard peace2015 album, Innocence and Decadence (review here), that led to guitarist/vocalist Joakim Nilsson, guitarist Jonathan Ramm and bassist Truls Mörck parting ways with drummer Axel Sjöberg and bringing in Oskar Bergenheim to fill that role. Quite the opposite. Listen to that shuffle. Check out that boogie. That bluesy feel. It’s Graveyard alright. As many bands as have come along in the last decade trying to sound like that, nope. Graveyard still own it, vintage production or no.

But that brings us back to where we started. These are already established facts. Graveyard with a boogie track is awesome. It’s not, however, answering the question of whether Peace will follow in the melancholy soul footsteps of Innocence and Decadence, which had its boogie tracks too. It’s giving a solid first impression of Bergenheim on drums, to be sure, but it’s hardly answering the question of how the band’s personality will have invariably shifted with him behind the kit. It’s a full song, but it’s still also just a teaser for what’s invariably a more complete offering than one song could possibly convey.

So satisfying in some ways, leaving some questions in others. I guess that makes it an effective single…

Peace is out May 25 on Nuclear Blast. Album preorder link and more info follow here, courtesy of the PR wire.

Enjoy:

Graveyard, “Please Don’t” official video

Swedish classic rock connoisseurs GRAVEYARD have released the official music video for the first single, “Please Don’t,” off their eagerly anticipated upcoming comeback album, Peace.

Commented the band: ”As you may know, we’ve been doing some traveling lately. In many ways and on many levels. The good thing is that we brought back a few things for you all. Here’s a first souvenir from the road to PEACE.”

The album is now available for pre-order in various formats. The Nuclear Blast Mailorder edition will feature the CD as well as a red 7″ vinyl containing 2 exclusive and previously unreleased non-album tracks (“Headache City” & “Something Else”). Aside of that the album will be available as digipack CD as well as on black, yellow, mint, beige and clear vinyl.

Peace will be released on May 25, 2018 via Nuclear Blast.

Secure your copy via this link: http://nblast.de/GraveyardPeace

Graveyard – Peace – Track List:
01. It Ain’t Over Yet
02. Cold Love
03. See The Day
04. Please Don’t
05. Del Maniac
06. The Fox
07. Walk On
08. Bird Of Paradise
09. A Sign Of Peace
10. Low (I Wouldn’t Mind)

Line-Up:
Joakim Nilsson – vocals, guitar
Truls Mörck – bass
Oskar Bergenheim – drums
Jonatan Ramm – guitar

Graveyard on Thee Facebooks

Graveyard on Twitter

Graveyard on Instagram

Graveyard at Nuclear Blast

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Graveyard Begin Recording Process for New Album Due in 2018

Posted in Whathaveyou on December 19th, 2017 by JJ Koczan

Swedish classic heavy rock forerunners Graveyard have begun recording their fifth album for a 2018 release through Nuclear Blast. Yet untitled, the LP is currently being tracked at Park Studios in Stockholm and will serve as the follow-up to 2015’s Innocence and Decadence (review here). Spring tour dates are expected to accompany or perhaps precede the album release, as the revamped Örebro four-piece have already been confirmed to headline next year at Desertfest in London and Berlin in early May.

Since their sudden announced split in Sept. 2016 and subsequent return this past January with a new drummer, speculation has been rampant as to what the next Graveyard album might hold in store. The band’s increasing movement into soulful melancholy has been resonant over their last two outings especially, but with an inevitable change in dynamic and perhaps a new surge of energy as a result, the potential exists to either consciously or not revive the boogie stylings of their massively influential early works. Upbeat or down, new Graveyard is something to look forward to, for sure.

Just off the PR wire:

graveyard

GRAVEYARD – Enter Studio To Record New Album

Classic rockers GRAVEYARD have entered Park Studios in Stockholm to record their yet untitled album that is scheduled for release late spring/early summer in 2018. The album is produced by Chips Kiesbye (THE HELLACOPTERS, MICHAEL MONROE, THE NOMADS) and engineered by Stefan Boman (BURT BACHARACH, ALICE COOPER, DEF LEPPARD & KENT to name a few).

After a week of recording the band have got the following words of wisdom to say about the upcoming album and the ongoing process: “It’s great to be back in the studio and laying down the basic tracks have been nothing but sheer joy. This time around we’ve got more than enough songs to fill up an album and as always the really fun and thrilling part will be to see how the recording will treat each song from rehearsals to finished mix. With that said the obvious goal is to continue our walk down GRAVEYARD’s left hand album path with yet another album filled with all killers and no fillers. We’re up for a promising start here in the studio and we can’t wait to let all of you be the judge of how you think we did. All for now back to recording.”

https://www.facebook.com/graveyardofficial
https://twitter.com/graveyard
https://instagram.com/graveyardmusic/

Graveyard, “Too Much is Not Enough” official video

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Desertfest London 2018: Graveyard, Elder, Weedeater, Freedom Hawk, Zeke, Miss Lava, Mountains and Trevor’s Head Added

Posted in Whathaveyou on November 13th, 2017 by JJ Koczan

Hey, look, don’t get me wrong. It was pretty impressive when Desertfest London 2018 came out of the gate in September and confirmed Monster Magnet, Eyehategod and Nebula in its first round of announcements. That was badass — no doubt about it. But it seems like with this next batch of acts confirmed, we’re starting to see more of the shape the festival will take. Weedeater will make a return that will no doubt be welcome, and likewise Graveyard have been confirmed as headliners, and Zeke will bring their inimitable speed rock to the proceedings as well.

Portugal’s Miss Lava hit the UK for the first time, Freedom Hawk head across the Atlantic from their Virginia home, Elder return as conquering heroes, and locals Mountains and Trevor’s Head give London a chance to get to know some of its own. If that already looks righteous to you, and it should, there’s a payment plan available. Might want to hit it up.

Here’s details from the PR wire:

desertfest london 2018 poster

DESERTFEST LONDON adds Graveyard and seven more bands to the 2018 lineup; tickets on sale now!

DESERTFEST LONDON are thrilled to reveal the next 8 acts for the 2018 edition of the festival, who will be joining the likes of MONSTER MAGNET, EYEHATEGOD, NEBULA & JEX THOTH to bring a battering ram of riffs down upon Camden next May.

If any band can claim responsibility for the surge of retro-infused, blues-stuffed rock n roll seeping through the underground over the past decade, it has to be GRAVEYARD. We are delighted to announce that following their brief hiatus, the band will make their long awaited UK return in the most deserving form – a headline set at Desertfest 2018. Rising to the top of the fertile Swedish (and indeed European) fuzz-drenched scene thanks to four immaculate albums, Graveyard quickly mastered their straight-down-the-middle rock foundation and built outwards. Effortlessly creating mind invading hooks just waiting to rattle around your brain for weeks and peppering them with doses of heavy psych, subdued moments and the soulful vocals of Joakim Nilsson, it isn’t hard to see why Graveyard are one of the best bands on the planet.

Goliathan sludge shovelers WEEDEATER, who are no strangers to the Desertfest, are finally returning to their spiritual home. Each time these stoner titans have played, the queues have been round the block. Their legendary status precedes them, and for good reason – as frontman Dave ‘Dixie’ Collins revels in stories to punters at the bar of shooting off his own big toe, they are a true DF family band and one of the most “please book them every year” acts in our remit. Weedeater are simply not to be missed this May – it’s going to be sweaty, loud and most importantly, smoky.

We’re pleased once again to be bringing ELDER back to London, hot on the heels of yet another mesmerising album in Reflections of a Floating World. There was no question that the trio had their work cut out in following-up 2015’s epic Lore. Evolving over the past five years, from one of heavy riffing’s most potential-filled practitioners to a progressive scope entirely of their own, each time they take the stage the crowd are undoubtedly blown away by their sheer musical talent.

Also on the bill are Seattle underground legends ZEKE, a band sandwiched somewhere between the rapid-fire, speed-guzzling lunacy of punk and the distinctly bourbon-scented outright abandon of heavy rock n’ roll. Zeke are finally upon our shores and we’re thrilled to announce they’ll be joining us in Camden next May.

We’ve also added the fuzz filled frenzy that is FREEDOM HAWK, Portugal’s stoner-grunge quartet MISS LAVA (making their first UK appearance), proggy Londoners MOUNTAINS and the chunky stoner riffs of TREVOR’S HEAD all lined up for the 2018 proceedings. This is just the tip of the iceberg – stay tuned for the next offering!

Desertfest London 2018
4th-6th May in Camden Town, London
3-day pass (£115) now on sale AT THIS LOCATION

Our special split payment plan is available until December 12th!
Pay half of your ticket now and the other half in January. Find more info HERE.

http://www.desertfest.co.uk/
https://www.facebook.com/DesertfestLondon
https://twitter.com/DesertFest
https://www.instagram.com/desertfest_london/

Graveyard, “Too Much is Not Enough” official video

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Desertfest Berlin 2018: Church of Misery, Elder, Graveyard, The Black Wizards, Maidavale and Vonavibe Join Lineup

Posted in Whathaveyou on November 13th, 2017 by JJ Koczan

Desertfest Berlin 2018 welcomes its second round of bands, including the likes of Graveyard, Elder, The Black Wizards, Church of Misery, MaidaVale and Vonavibe. As is tradition, some of the bigger acts named here are shared with the London-based edition of the fest — Graveyard and Elder — though there’s usually some staggering, so while I don’t believe Church of Miseryhave joined the UK lineup, they may yet. As for the other three, to the best of my knowledge, they’re all Berlin’s as of now, so in keeping with the usual modus of the two Springtime Desertfests, they’re gradually beginning to distinguish themselves from each other even as they share groups between them in common cause. It’s always fun to see this happen over the few months that the lineups take shape.

To wit, this from the PR wire:

desertfest berlin 2018 poster

DESERTFEST BERLIN ANNOUNCES GRAVEYARD, ELDER, CHURCH OF MISERY & MANY MORE FOR 2018!

Today, a third announcement for DESERTFEST BERLIN 2018 has been revealed! Six new kick-ass bands have been added to next year’s line-up, including GRAVEYARD as second headliner! The Desertfest Berlin crew wanted the Swedes for many years, and it’s now finally happening! On top ELDER, CHURCH OF MISERY as well as many more exciting acts have been added to the 2018-festival edition, which will take place between May 4th – 6th 2018 at the Arena in the heart of Berlin:

GRAVEYARD (SWE)
ELDER (USA)
CHURCH OF MISERY (JP)
THE BLACK WIZARDS (POR)
MAIDAVALE (SWE)
VONAVIBE (GR)

But make no mistake: not even half of the entire line up is announced yet and way more great bands will be announced soon. DESERTFEST BERLIN 2018 will be outstanding, so better make sure to join the capital of the almighty Riff! Early bird tickets are already sold out, regular weekend tickets for the 7th DESERTFEST BERLIN can be purchased here: https://www.desertfest-tickets.de/produkte

DESERTFEST BERLIN @ Arena // 4th, 5th & 6th May 2018 – 2 STAGES in 1 MAIN HALL – No overlapping sets!

MONSTER MAGNET – GRAVEYARD – EYEHATEGOD – CHURCH OF MISERY – ELDER – PLANET OF ZEUS –
NEBULA – DOPELORD – YURI GAGARIN – DEATH ALLEY – JEX THOTH – THE BLACK WIZARDS – MAIDAVALE
THE NECROMANCERS – VONAVIBE – AND MANY MORE TO BE ANNOUNCED!

www.desertfest.de
www.facebook.com/desertfestberlin
www.facebook.com/events/128298847822160

Church of Misery, Live at Blowup Vol. 3, Oct. 13, 2017

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Desertfest Belgium 2017: Graveyard, White Hills, Elephant Tree, OHHMS, Minami Deutsch and Kaleidobolt Join Lineup

Posted in Whathaveyou on June 22nd, 2017 by JJ Koczan

As predicted at the outset, the poster showcasing the lineup for Desertfest Belgium 2017 has become very, very crowded. I don’t think they’re done, either. Where will the next batch of bands squeeze, what with the sizable logo addition of Graveyard here along with OhhmsElephant TreeWhite Hills and so on? I don’t know. It’s a problem for a graphic designer to tackle that’s well beyond my depth, to be sure. But they’ll sort it out. They always do.

The Fall festival season — there are many, you know the names and don’t need me to recount — by now rivals Spring. It might even surpass it in terms of the sheer one-into-the-next-into-the-next-into-the-next style proceedings from country to country, weekend to weekend. It’s astounding how strong and sustaining the European underground has become over the last several years. Desertfest, the growth of the brand in general and in its autumnal incarnations in Antwerp and Athens, has been a big part of that, and accordingly, Desertfest Belgium 2017 stands among the best lineups one is likely to find on the continent this Fall.

To wit:

desertfest-belgium-2017-poster-graveyard

GRAVEYARD PLAYS DF ANTWERP 2017 – White Hills, Elephant Tree & more announced

So here it is – Karma strikes, part two!

Last year we were gutted when GRAVEYARD decided to call it quits, moments before their appearance at Desertfest Antwerp. Fortunately, their breakup turned out to be short-lived, and the band announced their return with a new drummer in January 2017. So naturally, we had to put ’em in a headliner spot again to make it up to you guys!

We’re also very glad to announce the appearance of WHITE HILLS, possibly the coolest band in the universe. With OHHMS and ELEPHANT TREE, we present you with two of the hottest bands from the UK heavy scene at the moment. Going worldwide, let’s throw in Oriental Krautrock with MINAMI DEUTSCH from Tokyo, and the psychedelic jazz-prog of KALEIDOBOLT from Helsinki.

From where we’re sitting, Desertfest Antwerp is starting to look pretty good… and we’re still not done!

GRAVEYARD

After the breakup of 2016, Graveyard did what every great classic rock band should do: take some time off to recollect the good spirit, and then come back with a mighty vengeance. And so here they are: the Swedish rock giant is back in the saddle with a new drummer, and ready to kick ass in 2017! We can only imagine what awesomeness they’ll bring to make it up to the DF crowd…

WHITE HILLS

White Hills are proponents of psychedelia as transformation. The music made by Dave W. and Ego Sensation is risky and cutting edge, rooted in dystopian futurism and hyper-conscious of our constant desire for a new and better drug. On their new album ‘Stop Mute Defeat’, White Hills has flipped the script with an industrially-charged record that pulsates unlike anything you’ve heard of them before.

OHHMS

OHHMS (written “((OHHMS))”) are a Canterburian metal band who are quickly becoming the buzz of the UK doom scene. They’ve established a reputation of playing extremely loud, delivering long and complex tracks at a deafening volume. Their first album release ‘The Fool’ is earning accolades across the scene, winning over crowd and critics alike.

ELEPHANT TREE

Another big promise from the UK, Elephant Tree came out with one of the best damn albums from 2016. Combining clear vocal harmonies with insanely heavy riffs, and switching it up with sudden mood shifts and slow-burning grooves, their debut album is truly something special that you should seek out immediately. Word from Desertfest London & Berlin is they easily hold their ground on the stage.

MINAMI DEUTSCH

Minami Deutsch is a Krautrock band from Tokyo. Starting off playing live music on the city streets, they got picked up for a spot at the Tokyo Psych Fest. In September 2015, they released their first record through the English cult label Cardinal Fuzz Records, as well as Japanese psych label Guruguru Brain. Expect motorik kraut grooves with a distinct Oriental flavour!

KALEIDOBOLT

Kaleidobolt is a power trio from Helsinki, blending loud guitars with furious jazz moves. Their music is a dizzying maelstrom of progressive song structures, crushing riffs and loose psychedelic soundscapes, delivered with joy and ferociousness. Working since 2014, they’ve released two albums to much acclaim, and toured with the likes of Radio Moscow and Samsara Blues Experiment.

http://www.desertfest.be/tickets
https://www.facebook.com/desertfestbelgium/
https://www.facebook.com/events/264364590656095/
https://twitter.com/DesertfestBE

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