Roadburn 2019: Thou to be Artist-in-Residence; Cave In, Daughters, Messa, Ulcerate and More Added

Posted in Whathaveyou on September 13th, 2018 by JJ Koczan

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Oh, Roadburn. Even after all these years, you continue to be the stuff of daydreams. In some of my grimmest hours of self-loathing and if-you-need-me-I’ll-be-sticking-a-t-shirt-in-the-muffler-and-listening-to-Anathema-in-the-car fetishizing, I think of the sun shining through the henge of Weirdo Canyon and press on toward another April to come. You are the center of every year and you continue to inspire. As exhausting as you are — and you are — you are a spiritual rejuvenation that is unparalleled in my experience. I consider myself fortunate and a richer person for having you in my life.

Here’s only a small part of why. If you get it, you get it. Tickets are on sale Oct. 4. They’ll go. Don’t miss them:

More names for Roadburn 2019 – including Artist In Residence; ticket onsale date confirmed.

– CAVE IN to play Roadburn 2019
– OLD MAN GLOOM return to the festival
– THOU confirmed as Artist In Residence
– Plus more…

CAVE IN

We are thrilled to confirm that CAVE IN will be performing at Roadburn. At the 2018 edition of Roadburn, Stephen Brodsky and Adam McGrath paid a moving tribute to bandmate Caleb Scofield who died the previous month, with an acoustic set of covers and CAVE IN tracks. As the audience and band members alike found catharsis through music, we wouldn’t have begrudged them one bit if this performance was the closest we ever got to CAVE IN at Roadburn.

When whispers reached us that CAVE IN would potentially be open to a Roadburn set for 2019 – our interest was well and truly piqued. Some months later, we’re beyond delighted to say it’s true – it’s really happening.

Stephen Brodsky comments:

“Without question, it’s a high honor of artistic merit to perform at Roadburn. Members of CAVE IN have had the fortune of playing with other bands/projects in years past. Seems only a matter of time that we’d do a proper set at one of the best festivals on the planet devoted to forward-thinking music. We hope you’ll join us for a celebratory sonic lift-off into Roadburn 2019.”

CAVE IN will perform on Saturday, 13 April.

OLD MAN GLOOM

Since OLD MAN GLOOM last played Roadburn in 2014, a lot has changed. Later that year they released The Ape of God, and The Ape of God… a pair of identically named albums which were challenging in all the right ways, and a few of the wrong ways too.

Following the death of bassist, Caleb Scofield, earlier this year, OLD MAN GLOOM vowed to continue what they had already started. Stephen Brodsky will be handling bass duties for this performance, and in turn Nate Newton will be taking on the role for Cave In’s set. This collaborative trip across the pond is made by a group of friends united by love and a desire to celebrate the life of Caleb. To that effect, OLD MAN GLOOM promise a special set at Roadburn and more details will be available in due course.

OLD MAN GLOOM will perform on Sunday, 14 April.

ARTIST IN RESIDENCE: THOU

There are a few pretty immovable parts of Roadburn these days; traditions that we maintain to showcase the best and brightest in our little world. One of these cornerstones is our Artist In Residence – a band or solo artist who will perform multiple times across the weekend, and with each set they showcase a different facet of their creativity. Past artists in residence include Earthless, Gnod and Misþyrming

The choice for 2019 was… easy. If there’s one band who have surpassed themselves – and arguably many of their peers – in terms of creative output this year, it’s THOU. They will play four times across the weekend; there will be a collaborative set, a covers set, an acoustic set, and a Magus era set. What exact form those performances take, and the details of them will unfold between now and… well, the moment they step on stage for each of those specific sets.

THOU will perform on each day of the festival.

CURATED: HENRIK PALM

The first artist out of the bag for Tomas Lindberg’s The Burning Darkness curated event at Roadburn 2019 is none other than HENRIK PALM. Tomas explains his choice:

“His name should ring a bell with everybody into anything heavier in our beloved alternative underground scene. He has been a part of seminal bands such as In Solitude and Ghost, and also more “off the map” bands such as the groundbreaking Pig Eyes.

“When I finally got to see him live some time ago, the performance just blew me away. Be sure to not miss out on this. It’s a must see show.”

HENRIK PALM will perform on Saturday, April 13 as part of Tomas Lindberg’s The Burning Darkness curated event.

ALSO ANNOUNCED:

Chaotic shapeshifters DAUGHTERS will make their Roadburn debut

DRAB MAJESTY will transcend time and space at Roadburn 2019

Prepare for a brain-altering, bone-shifting experience with ULCERATE

IMPERIAL TRIUMPHANT will exclusively perform tracks from their recent release Vile Luxury

GOLD return to Roadburn and will showcase new material and launch their new album

WOLVENNEST will perform Void in full on the Main Stage with special guest musicians

MESSA will take us on a transcendent journey

Poland’s MORD’A’STIGMATA to crush all hope when they play Roadburn 2019.

TICKETS:

Tickets for Roadburn 2019 will go on sale on Thursday, October 4. They will be available to purchase in person from Sounds Tilburg record store (from 6pm) for those in the vicinity. For those further afield, tickets will be available from Ticketmaster.nl from 8pm CEST/ 7pm BST/ 2pm EDT. We recommend setting up a Ticketmaster.nl account in advance.

Tickets will be priced as follows:
3 days ticket €181 + €4,50 service fee
4 days ticket €204 + €4,50 service fee
Day ticket (Thu, Fri or Sat) €62 + 4,50 service fee
Sunday ticket €55,50 + €4,50 service fee

News regarding the the new luxury cabins at the Beekse Bergen Safari Park, and information regarding the 2019 Urban Campsite in Tilburg will be available ahead of tickets going on sale.

The artists performing at Roadburn 2019 are:
Birds In Row
Cave In
Curator: Tomas Lindberg
Daughters
Drab Majesty
Gold
Gore
Have A Nice Life
Heilung
Henrik Palm
Imperial Triumphant
Louise Lemón
Messa
Midnight
Mord’a’Stigmata
Old Man Gloom
Seven That Spells
Sleep
Thou
Ulcerate
Vile Creature
Wolvennest

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Stephen Brodsky & Adam McGrath, Tribute to Caleb Scofield at Roadburn 2018

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Drcarlsonalbion, Gold: Once upon a Time in the West

Posted in Reviews on June 19th, 2014 by JJ Koczan

It should stand to reason that any Dylan Carlson solo outing released under the banner of Drcarlsionalbion (also stylized in all-caps or all-lowercase) should have a certain amount of continuity with Earth, since as much as that band has become a rotating-member collaboration, Carlson‘s guitar remains the driving force of it. He’s done a few solo releases at this point, a Latitudes session in 2012 brought particularly resonant results (review here), but the latest, Gold, has the distinction of being Carlson‘s first soundtrack work. That in itself is a little surprising. One wonders if it’s something he’s particularly avoided doing over the years or just never got around to with Earth. As focused on atmosphere as Earth has been since returning from a multi-year hiatus with 2005’s Hex: Or Printing in the Infernal Method — a landmark the influence of which continues to be felt nearly a decade later — to tap them for soundtrack work seems like a natural fit. Even working on his own, that proves to be the case with Carlson and Gold. The 24-piece offering serves as the score to a German western of the same name set and filmed in Canada, and Carlson sounds well in his element on these tracks, which vary from noodly snippets like the 18-second “Gold VIII” to full-song breadth like the closing “Gold XXIV,” which has enough of an end-credit feel at just under five minutes (it’s also the longest inclusion) to evoke a sense of finality even without the silence that follows. Through it all, Carlson‘s tone is very much his own, and clearly intent on portraying open spaces and an undercurrent of foreboding that never comes to outright terror, but lingers vague in the distance.

Watching the film and hearing Carlson‘s guitar complement footage of horses walking slowly through desolate woods, one can’t help but think of Jim Jarmusch‘s 1995 western, Dead Man, and Neil Young‘s guitar score for that, which had a similar echoing feel in places and which was a noted point of inspiration for Carlson with Earth‘s Hex album. Part of the appeal of Carlson‘s work over the years has been interpreting the feelings and emotions contained in what are usually very minimalist atmospheres, figuring out where the music wants to take you and then going to that place, and on that level, Gold taps into some of the similar big sky, wide-angle Americana that Hex did, though the spirit of this release is different because very often it jumps from one piece to the next before an ambience is fully set. That keeps Gold from really being able to be evaluated as a full-length album, but if you catch it in the right headspace, the vibe is open enough and consuming enough that you can get lost in Gold without really even realizing, the 44-minute span not a slog to wade through, but a well-honed dronescape comprised of individual glimpses. It is minimal — Carlson and his guitar. As Earth have expanded their sound in multiple directions over the last nine-plus (really almost 25) years around Carlson and drummer Adrienne Davies who joined in 2001, Drcarlsonalbion seems to be the place the guitarist retreats to in order to be alone with the frequencies he crafts. There are some other noises far back in the mix on “Gold V” and elsewhere, an obscure sense of someone hitting something with something else, an actual tom hit on “Gold XI,” but Gold has a lonesome sound and that’s clearly the intent from the beginning.

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