Interview & Full Album Stream: Pat Harrington of Geezer on Groovy and More

Posted in audiObelisk, Features on May 27th, 2020 by JJ Koczan

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Shifting dynamics, readjusting priorities, moving forward, getting high and playing trippy shit. The way founding guitarist/vocalist Best http://oide.panda.gr.jp/2019/11/27/essay-on-citizenship/ you can rely on. Cheap essays, research papers, term papers, dissertations. 30 Days Money Back 100% Plagiarism FREE Pat Harrington talks about  Need http://paraderoyunguilla.com/writing-a-dissertation-plan/s? Browse profiles and reviews of top rated editors and have your writing professionally edited today. Geezer making their latest full-length,  Looking for best assignments of Services in UAE? Essayassignmenthelp.ae is one of the best solutions for students to get the essay assignment help Groovy (review here) — also their debut on  Title: Admission http://www.iusetsocietas.cz/?homeworkhotline-org 91504 Subject: free ebooks admission essay assistance 91504 and user guide admission essay assistance 91504 download as Heavy Psych Sounds; out digitally on Friday with physical to follow June 12; preorders here — it is as much purposeful and casual as the album itself. Tightened craft delivering immersive fuzz and languid heavy blues grooves, the record is nothing if not aptly named.

I was asked over the winter to write the bio for the album, and it was clear from the first listen both that it would be a highlight of 2020 — I think pushing back the release date as they have due to COVID-19 helps in that regard — and that essay mental disorders blog here after school i do my homework in french do my homework net Geezer had arrived at a special moment for the band, which is  Choose the Research Grant Proposal Format writing services that will help you to complete you MIT PhD thesis, or any other PhD thesis. Get PhD thesis online help here Harrinton alongside bassist  Are you looking for a this page committed to originality and high quality articles? No need to search any further! Premium Writing... Richie Touseull and drummer  How many times you said "someone please writing uk" and no one was around to provide assistance. Luckily, those times have passed and now you have us to Steve Markota. I did end up writing that bio, which I’ll probably post around here at some point, but as I’ve already reviewed it and I’m too busy being honored with the chance to do the full-LP stream in addition to posting this interview, I’ll spare you this time around and just say that  San Bernardino County Library Homework Help. You get all the advantages, you only can get and all you have to do is fill in the application and buy an essay! Groovy is what happens when a band starts out with an idea of what they want to do and then are willing to be guided by their own impulses into becoming what they’re meant to be. There’s a letting go and a holding on alike as a part of that process, but the results are inarguable. And, yes, groovy.

Please enjoy the album stream and the interview. Thanks for reading and thanks to official site online for Undergraduate, Master's and PhD degree at MastersThesisWriting.com. Buying custom dissertations written from scratch by PhD Harrington for taking the time.

Geezer, Groovy Interview with Pat Harrington

When you want to Essay Writing 15th Augusts for college there are things to consider in order not to fall a victim of poorly prepared work So the record is Groovy and the lead track is “Dig.” How much was the intention to strip things down to their essentials this time around?

I guess it wasn’t really the intention, it may be more of a side-effect. The song “Dig” has been around for a few years. Dig and a few other songs on the album pre-date most of the material on the Spiral Fires EP. Somewhere along the way, we made the decision to put all the trippy weird stuff on the EP, which kind of set the more direct tone of Groovy, almost by accident.

Write my essay for me is not a problem for us because we work only with qualified and experienced writers who have Who can http://sovetsky.info/?business-plan-for-construction? Geezer has gotten progressively jammier on each release to this point, and Groovy seems to pull back from that a bit. Tell me about the songwriting this time around, your goals for the material and ideas you had coming off of Spiral Fires?

In addition to the reasons above, I think another big reason for the change is our drummer Steve. Unlike our previous drummers, who are very much into improvisation, Steve approaches writing and arranging in a much more deliberate manner. As we spent time developing ideas, this became part of our process. I think it’s fair to say that we brought each other a little out of our comfort zones. Richie and I kept pushing Steve into jammier territory that I don’t think he really explored before. At the same time, he made us more structured in how we put the songs together. There is still room for experimentation, but overall the songs took on a more defined feel.

Unlike other albums, we also had a concept together before all the songs were written. Once the Spiral Fires masters were handed in, we started to look at the songs we had, other ideas that were being developed, etc. Then one day it all clicked. We decided that we were going to focus on songs that were groovy as opposed to the heavier or trippy stuff. So then we should call the album Groovy, right? After that, everything kind of fell right into place.

Our Law Of Life Essay service really believes in successful meeting the most strict deadlines our clients have every student day! Rely upon our talented team! Talk about your time in the studio for the album. At what point did you know you wanted keys on “Awake” and the title-track? Is that something you think you might explore more going forward?

The real story actually is about the time we spent BEFORE going into the studio. As we’ve already talked about, these songs are much more defined compared to most of our past work. The reason for that is we spent a long time developing the ideas and arrangements. We played most of the songs live. We gave the songs time to grow. We were very disciplined when it came to rehearsals. Everyone worked very hard at developing their parts. Richie and Steve worked especially hard to get all the grooves locked in, they became a machine! I cannot stress this enough, being in a band is HARD WORK and if you don’t take it seriously, it shows.

We spent two days recording most of the “basics”. We did it at Darkworld Studio, where we recorded the Spiral Fires EP. We had the same production team that we’ve pretty much had since the beginning. Everyone came prepared and acted professionally. That doesn’t mean it wasn’t fun as fuck, but all the preparation paid off. We recorded all these songs together. Standing in the same room. Feeling the kick drum. Connecting to each other. All the drums, bass, rhythm guitars and solos recorded at the same time (more or less). I’m proud to say, not every band can pull that off… we can.

The experimentation mostly came in after the fact. Steve spent weeks developing the percussion tracks (we threw tambourines around like we were AC/DC!). I also stretched out a bit with ambient guitar stuff, synth noise and acoustic guitar tracks. As you mentioned, our friend Jeff Mercel contributed keys to “Awake” and “Groovy: (Jeff also played on “Long Dull Knife” a few years back). We knew right away that we wanted some Hammond B3 type stuff on Groovy, it’s just that type of song. “Awake” has a very tight, syncopated feel to it and I thought some keys could add a softer melodic vibe to it. I was listening to a lot of Nebula at the time, I think I actually sent Jeff the song “So Low” as a reference, I think he nailed it! He really did go above and beyond and his contribution to the songs and album was immense… next level shit.

check heres from experts with knowledge in all writing aspects. You should entrust your writing assignments to the best specialists. Some of the songs on Groovy have an almost escapist vibe, and then there are pieces like “Dead Soul Scroll” and “Drowning on Empty.” How comfortable are you with presenting an emotional side in lyrics in a way that’s kind of apart from the blues?

At this point, I think I’ve stripped away most insecurities I’ve had when it comes to songwriting. It took me a long time to figure out, but vulnerability in music is one of the things that people connect to the most. It’s about saying the things that people can’t (or won’t) say themselves. It gives them something to latch on to, a way to express or connect to feelings that they otherwise weren’t able to. The lyrics to both those songs are, in fact, about real personal things. I try and relay them in a way that is open to interpretation, tap into feelings without assigning them to situations. That way, people can relate them to whatever they themselves are going through. To me, that is what music is all about.

http://bursadacicek.com/?why-abortion-is-wrong-essay - Let us help with your essay or dissertation. Let the professionals do your essays for you. get the needed review here How did the Heavy Psych Sounds deal come about? What does it mean to you to be labelmates with acts like Brant Bjork and Nebula and Yawning Man?

The deal came about very fast actually. I’ve been a fan of the label for many years and I had somewhat of an internet friendship with Gabe. With the exception of the first record, this is the first time we’ve “shopped” a record and HPS was very much at the top of our list. I can’t remember how long he had the album, but I followed up with Gabe on a Thursday and by that Monday he was sending contracts. Above all else, I wanted to be on a label that treated us like a priority. Since day one, Gabe and his team have done that and continue to do so. For that, we are extremely grateful.

I am in no way trying to equate myself with these cats, but the fact is, my musical journey was very similar to the bands that were a part of the first generation of stoner rock (or whatever you want to call it). I’m the same age as a lot of these guys, our musical references are all very similar. I grew up on metal and hardcore, felt boxed in by the rules that inevitably popped up around those genres, just like those dudes. Iommi, Page and Hendrix were gods to me… so was Mike Dean and Jello Biafra… so was Chuck D and Duane Allman. Somehow when you distill all this down, a lot of us ended up just wanting to get high and play heavy trippy shit without all the hassle that mainstream music seems to impose.

Because of this, I look up to people like Brant Bjork, Nick Oliveri, Eddie Glass and Mario Lalli. Not only do I love their music, they helped a lot of us figure out a way to express ourselves without having to worry about all the genre politics of the time. To be on the same label as these bands, as well as bands like Black Rainbows, Duel, Gorilla and Ecstatic Vision, is an honor and a challenge. It’s an honor to be here, but we gotta prove that we belong. That is the challenge.

Will you return to Europe to tour for the album? Any other plans or closing words you want to mention?

There were all kinds of plans. This past weekend was supposed to HPS Fest in NYC which has been postponed indefinitely. We had quite a few shows set up for this summer to promote the record, they have all been postponed indefinitely as well. In addition, we were well on our way to booking a European Tour for the late fall and that too is no more. It’s a total bummer for sure, but in the grand scheme of things, these are mild inconveniences compared to the suffering that many are going through right now, so I do my best to try and stay positive.

On that note, there is some good news here in NY. Much of the state has been moved into “Phase 1” of re-opening and our region is on schedule to enter Phase 1 this week. There is still a long way to go, but after a seemingly endless stream of bad news over the last few months, these are all very welcoming signs. Stay strong everybody, take care of yourselves and each other and we may actually make it through this thing. It will still be a while before live music returns. When it does, we’ll be there. I got a new fuzz pedal for fuck sake, I need to crank that shit and rip a hole in the sky! Ya dig?

Geezer, Groovy (2020)

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Album Review: Geezer, Groovy

Posted in Reviews on May 18th, 2020 by JJ Koczan

Geezer Groovy

They throw it down immediately. The question is right there, track one, in the hook: Can you dig it? While the lyrics that accompany that central question in the opener of Geezer‘s fifth full-length and first for Heavy Psych Sounds, titled simply Groovy, turn out to be something of a subtle screed against the greedy ravages of capitalism and an urging toward a more communal lifestyle — “We gotta stand and testify/We gotta live for today, yeah” — the question remains, “Can you dig it?”

Well, can you, punk?

If not, it’s not the band’s fault. Groovy is the finest work the Kingston, New York-based three-piece have yet issued, hands down. With guitarist/vocalist Pat Harrington helming as producer with engineering and mixing by Matthew Cullen (assisted by David Daw and Robert Kelly) at Darkworld Studio, the eight-track/45-minute offering to the gods of groove arrives in with a two-sided LP structure that, in normal circumstances could be thought of like a mullet — business up front, party in the back. Except in this case, the business is the party too. So it’s party up front, party in the back, like if Cousin Itt were a record. A hairy undertaking, and one that wholly justifies a blacklight poster for the Ryan Williams cover art. Make it so.

Harrington as the founding member is joined by the returning rhythm section of Richie Touseull, who came aboard in 2015, and drummer/percussionist Steve Markota, who made his first appearance on early 2019’s Spiral Fires EP (review here), as well as Jeff Mercel, who contributes organ and other keys to midtempo side A closer “Awake” and the title-track that launches side B. The two sides of the album intertwine for sure, as the titular “Groovy” more than earns its tambourine with its ultra good-timey vibe and the earlier second cut “Atlas Electra” follows “Dig” with a more spacious preview of things to come on side B’s spacious cappers “Slide Mountain” and “Black Owl.” But there is a question of balance to both, and while Geezer have never shown so much range in terms of their dynamic between the tightness of their songwriting — “Groovy,” “Dig,” “Awake,” even the beginning stretch of “Atlas Electra” — neither have they shown such a propensity for purpose to their jamming.

That is to say, while both Spiral Fires and the preceding LP, 2017’s Psychoriffadelia (review here), went all-in on post-Wo Fat heavy blues jam exploration, Groovy redirects. Even its broadest, most open-feeling moments, which surely come in the nine-minute “Black Owl” as the three-piece slowly make their way into a long-fade oblivion of guitar effects, Groovy retains a sense of purpose in terms of substance and aesthetic. “Black Owl” jams out precisely because “Drowning on Empty” could have and didn’t, instead riding its fuzz-coated solo-topped crescendo of layered electric and acoustics, more tambourine and righteous bass to a finish exciting enough to mask the darker emotional undercurrent of its lyrics. Likewise, back on side A, “Dead Soul Scroll” highlights Touseull‘s bass tonality as the guitars trip out, essentially reversing the structure to put its somewhat moodier jam forward while the instrumental solidification hits right around the four-minute mark and carries through the rest of the song’s 5:31 as one of the record’s most satisfying payoffs.

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By toying with structure in this way, adding arrangement details and nuance as they are — percussion elements like that tambourine or the cowbell in “Dig” are used with class and efficiency throughout — and adjusting their focus on songwriting, Geezer showcase the mastery of their sound even as they use that sound in ways they haven’t done to this degree before. One could cite “Dead Soul Scroll” as clear evidence of their progression, but really any track on Groovy makes the case, be it the ending drift in “Slide Mountain” that seems to end by asking, “Is everybody high enough?” (unless I’m hearing wrong), or the sleeper hook in “Awake” — “I’ve seen more than most/But not as much as many/When I’m feeling lost/Here you come to make me smile” — bolstered by the Mercel‘s well-mixed keys as it moves smoothly through its patient and well-controlled tempo; not slow, but no quicker paced than it needs to be.

But while Groovy goes deeper into emotionality than Geezer have been willing to go before — lines like those quoted above from “Awake” and others about drinking contribute to the coinciding depressive strain — the record is remains an upbeat affair in its overarching spirit. It almost has to. You can’t help but groove, what with the bounce-a-quarter shifts between its verses and choruses and the clarity with which it comes to fruition across the two sides, its stretch finally going in “Black Owl” willfully beyond the limits of its own point of no return. Influences remain — Wo Fat have already been mentioned, Brant Bjork is another — but with that has to comes the realization that Geezer have transcended the fervent stylization of their 2013 debut, Electrically Recorded Handmade Heavy Blues (discussed here), and found a path of their own within a sphere that encompasses not only those heavy blues, but psychedelia, classic rock, stoner groove and so on. More than ever on Groovy, they are singly identifiable. Harrington‘s gravelly vocals are a big part of that, but he also demonstrates a more melodic take than could be found either on Psychoriffadelia or their 2016 self-titled (review here), which until now had been the band’s highest achievement in songwriting.

There are two key lessons, takeaways, whatever-you-want-to-call-them, from Groovy. The first is that Geezer have found their way. And in fact, they’ve worked their way toward doing so. Each of their records has built on the last, and even their stopgaps have been effective in constructing the forward line of their progression. So while Groovy stands and testifies its own accomplishments, there’s nothing to say those can’t or won’t be surpassed. The second is that the balance in their sound is something no less fluid to them than their jams themselves. That is, with GroovyGeezer offer proof of dynamic and live chemistry, but their method for doing so does not hold that their next work will be staid or simply seeking to recapture the same feel. The next party might be even more wild, but as Harrington advises, it’s worth living in the present. This is a moment captured. A crucial one for them. One that is wholly theirs. Can you dig it?

Geezer, Groovy (2020)

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Geezer Sign to Heavy Psych Sounds for Groovy LP May 22; Premiere New Track “Dig”

Posted in audiObelisk, Whathaveyou on February 4th, 2020 by JJ Koczan

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Sincere congratulations to Kingston, New York, three-piece Geezer on inking a deal to release their new album, Groovy, on May 22 through Heavy Psych Sounds. I’ve been sitting on my excitement about the record, which is aptly-titled, for more than the last month at this point as they were kind enough to ask me to write the bio for the record, and while I don’t want to say too much about it even now because it’s early heading into the release, it’s their fifth album and it seems to coalesce the jammy impulses they’ve showed across their last couple of releases into pointed, excellently-crafted songs. They show some influence from Brant Bjork — now a labelmate — and by no means let go of those jammy impulses, but using them as a means to grow and move forward. Progress, people. I’m talking about progress.

They’re seven years out from their first record and growing. Not every band can say that.

“Dig” — of which I have the pleasure of hosting the premiere below — opens the record and lays it all out for you. Geezer. Groovy. “Dig.” This is a band stripping it down to the most essential components.

See? I’m getting ahead of myself.

More to come, stay tuned. I’m not wrong to be excited about this album. And we didn’t even talk about the cover art! Blacklight poster immediately!

Announcement from the PR wire, along with the bio I wrote:

geezer groovy

Geezer to Release New LP, ‘Groovy’, May 22

Underground New York Power Trio Signs with Heavy Psych Sounds Records

Preorder link: https://www.heavypsychsounds.com/shop.htm#HPS131

Kingston, New York acid rock band Geezer has signed with Heavy Psych Sounds Records (Brant Bjork, Nebula, Mondo Generator). The cosmic blues unit will release its new LP, ‘Groovy’, on May 22 via the Rome-based independent record label.

Known for its fuzz-fueled, groove-driven psychedelic blooze, Geezer’s sound has been described as “an application of psychedelic sensibilities” that draws inspiration in equal parts from Robert Johnson and Muddy Waters, to Bad Brains and Black Flag. Formed in 2014, Geezer has enjoyed a steady ascent over the course of multiple releases and a robust live show that has helped the group develop a following both in the U.S. and abroad, while sharing the stage with High on Fire, Acid King, Nebula, Earthless, Ufomammut and more.

“Geezer has been honored to work with some of the best record labels in the underground rock world. That being said, one look at the roster of Heavy Psych Sounds and it’s easy to see why they are the right label for us right now,” says the band in a statement. “Whether it’s legends of the genre like Brant Bjork, Nebula and Yawning Man, or a new generation of bands like Black Rainbows, Ecstatic Vision and Duel, Heavy Psych Sounds reputation speaks for itself. Geezer is looking forward to earning our place among these titans of the riff. Inhale the groove, keep it heavy. Dig.”

A first taste of what the new Geezer LP holds in store can be heard now as the band streams the new song “Dig.”

Track listing:

1.) Dig
2.) Atlas Electra
3.) Dead Soul Scroll
4.) Awake
5.) Groovy
6.) Drowning On Empty
7.) Slide Mountain
8.) Black Owl

Produced by: Pat Harrington
Recorded and Mixed by: Matthew Cullen
Asst. Engineers: David Daw & Robert Kelly
Recorded at Darkworld Studio, Kingston, NY
Mastered by: Scott Craggs
Album cover by: Ryan Williams (A Subtle Difference Design)
Photo by: Monik Geisel

Pre-order ‘Groovy’ AT THIS LOCATION. Heavy Psych Sounds Records is distributed in the USA by All That Is Heavy and Forced Exposure.

Geezer are:
Pat Harrington – Guitar/Vocals
Richie Touseull – Bass
Steve Markota – Drums/Percussion

Jeff Mercel: Keys on “Awake” & “Groovy”

https://www.instagram.com/geezertown/
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http://geezertown.bandcamp.com/
heavypsychsoundsrecords.bandcamp.com
www.heavypsychsounds.com
https://www.facebook.com/HEAVYPSYCHSOUNDS/

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