If my details are foggy, you’ll have to forgive me as I’ve only known this band existed for a couple hours. Zun is a new trio from the Californian desert that features Sera Timms (Black Math Horseman/Ides of Gemini/Black Mare) on vocals, Gary Arce (Yawning Man, etc.) on guitar and bass, and Bill Stinson (Yawning Man) on drums. Not to be confused with the Zune, which was Microsoft’s mismarketed attempt at competing with the iPod, Zun have just released the first audio from the collaboration, the sweetly toned and dreamy “Come through the Water.”
The track was recorded by Harper Hug at Thunder Underground, and if the statement put out through Yawning Man‘s Thee Facebooks page — which also updates on some new stuff from that band, including a split with fellow desert types Fatso Jetson — is anything to go by, it’s the first of several installments to come:
Behold, we have GREAT news! Songs from an upcoming 7″ split with FATSO JETSON and ZUN are hot off the mixing board, and will be available soon! ZUN is Gary Arce’s latest endeavor, and it features the revered Sera Beth Timms (Black Math Horseman), whose intense and haunting vocals meld alongside Gary’s signature guitar and lapsteel tones- and bass lines. The one and only thunderous Bill Stinson is on Drums.
Thanks to Harper Hug who engineered this project, which was recorded at Thunder Underground (http://thunder-underground.com/). Artwork by Christina Bishop.
AND if that isn’t exciting enough, get ready for ANOTHER killer release to come…another split EP with songs from your favorite Desert Rock Godfathers Fatso Jetson AND Yawning Man! More news about that to come. For now, stay tuned to hear sounds from ZUN. We will be sharing that within the next few days. Cheers, and thanks for your continued support!
Being a dork for Arce‘s inimitable guitar tone, it means something when I say that in Timms, Arce has a suitable complement. To wit, on “Come through the Water,” how both vocals and guitar are enhanced as they rise together just before the two-minute mark. The track, as does much of Arce‘s work, has a predilection toward wandering, echoing, and sliding into a wash of heavy psychedelic melody, but Timms also grounds the song with verse lines as Stinson provides the direction on the drums. I was not yet through the full five and a half minutes of the song before I decided I liked it a lot.
I’d love to hear and hope to hear how Zun might develop these ideas and change things up over the course of a full-length, but that’s probably a long ways off. Until then, the desert expanse portrayed in “Come through the Water” offers plenty to dig into, as you can hear on the stream below, hoisted from Soundcloud: