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The Obelisk Presents: The Top 20 Short Releases of 2016

Posted in Features on December 30th, 2016 by H.P. Taskmaster

the obelisk top 20 short releases

Please note: This post is not culled in any way from the Year-End Poll, which is ongoing. If you haven’t yet contributed your favorites of 2016 to that, please do.

Yeah, I know I said as much when the Top 20 Debut Albums of 2016 went up, but I take it back: this is the hardest list to put together. And to be honest, there’s a part of me that’s hesitant even to post it because I know as soon as I do someone’s going to be like, “No way you dick your entire existence is shit because you forgot Release X,” and very likely they’ll be right. Up to the very moment this post is going live, I’ve been making changes, and I expect I’ll continue to do so for a while after it’s out there.

So what’s a “short release?” That’s another issue. Pretty much anything that’s not an album. Singles, digital or physical, as well as EPs, splits, demos, and so on. The category becomes nebulous, but my general rule is if it’s not a full-length, it qualifies as a short release. Sounds simple until you get into things like, “Here’s a track I threw up on Bandcamp,” and “This only came out as a bonus included as a separate LP with the deluxe edition of our album.” I’m telling you, I’ve had a difficult time.

Maybe that’s just me trying to protect myself from impending wrath. This year’s Top 30 albums list provoked some vehement — and, if I may, prickishly-worded — responses, so I might be a bit gunshy here, but on the other hand, I think these outings are worth highlighting, so we’re going forward anyway. If you have something to add, please use the comments below, but remember we’re all friends here and there’s a human being on the other end reading what’s posted. Thanks in advance for that.

And since this is the last list of The Obelisk’s Best-of-2016 coverage, I’ll say thanks for reading as well. More to come in the New Year, of course.

Here we go:

scissorfight chaos county

The Obelisk Presents: The Top 20 Short Releases of 2016

1. Scissorfight, Chaos County EP
2. Earthless / Harsh Toke, Split
3. Mars Red Sky, Providence EP
4. Mos Generator, The Firmament
5. Soldati, Soldati
6. Monolord, Lord of Suffering / Die in Haze EP
7. Wren, Host EP
8. Goya, The Enemy EP
9. The Sweet Heat, Demo
10. River Cult, Demo
11. Stinkeye, Llantera Demos
12. Megaritual, Eclipse EP
13. Ragged Barracudas / Pushy, Split
14. Mindkult, Witchs’ Oath EP
15. Iron Jawed Guru, Mata Hari EP
16. Brume, Donkey
17. Bison Machine / Wild Savages / SLO, Sweet Leaves Vol. 1 Split
18. BoneHawk / Kingnomad, The Second Coming of Heavy: Chapter Three Split
19. Wicked Gypsy, EP
20. Love Gang, Love Gang EP

Honorable Mention

An expansive category as ever. In addition to what’s above, the following stood out and no doubt more will be added over the course of the next few days. If you feel something is missing, please let me know.

Presented alphabetically:

Cambrian Explosion, The Moon EP
Candlemass, Death Thy Lover EP
Cultist, Cultist EP
Danava, At Midnight You Die 7″
Dos Malés, Dos Malés EP
Druglord, Deepest Regrets EP
Fu Manchu, Slow Ride 7″
Geezer, A Flagrant Disregard for Happiness 12″
Gorilla vs. Grifter, Split
Holy Smoke, Holy Smoke! It’s a Demo!
Karma to Burn, Mountain Czar
LSD and the Search for God, Heaven is a Place EP
Pallbearer, Fear and Fury
Reign of Zaius, Planet Of…
Sea of Bones / Ramlord, Split
Shallows, The Moon Rises
The Skull, EP
Snowy Dunes, “Atlantis Part I” digital single
Sun Voyager / The Mad Doctors, Split
Valborg, Werwolf 7″

Notes

Was it just the raw joy of having Scissorfight back? No, but that was for sure part of it. It was also the brazenness with which the New Hampshire outfit let go of their past, particularly frontman Christopher “Ironlung” Shurtleff, and moved forward unwilling to compromise what they wanted to do that made their Chaos County so respectable in my eyes. Having always flourished in the form, they delivered an EP of classic Scissorfight tunes and issued a stiff middle finger to anyone who would dare call them otherwise. They couldn’t have been more themselves no matter who was in the band.

At the same time, it was a hard choice between that and the Earthless / Harsh Toke split for the top spot. I mean, seriously. It’s Earthless — who at this point are the godfathers of West Coast jamadelica — and Harsh Toke, who are among the style’s most engaging upstart purveyors, each stretching out over a huge and encompassing single track. I couldn’t stop listening to that one if I wanted to, and as the year went on, I found I never wanted to.

I was glad when Mars Red Sky included the title-track of the Providence EP as a bonus cut on their subsequent album, Apex III (Praise for the Burning Soul), both because it tied the two releases together even further and because it gave me another opportunity to hear it every time I listened to the record. Their short releases have always shown significant character apart from their full-lengths, and this was no exception. I still tear up when I hear “Sapphire Vessel.”

To bounce around a bit: Had to get Mos Generator on the list for the progressive expansion of the live-recorded The Firmament. Stickman was right to put that out on vinyl. Both Monolord and Goya provided quick outings of huge riffs to sate their respective and growing followings, while Megaritual’s Eclipse basked in drone serenity and the debut release from Sergio Ch.’s Soldati provided hard-driving heavy rock with the particular nuance for which the former Los Natas frontman is known. It’s the highest among a slew of first/early outings — see also The Sweet Heat, Wren (Host was their second EP), River Cult’s demo, Stinkeye, Mindkult, Iron Jawed Guru, Brume, Wicked Gypsy and Love Gang.

Ultimately, there were fewer splits on the list this year than last year, but I’ll credit that to happenstance more than any emergent bias against the form or lack of quality in terms of what actually came out. The BoneHawk and Kingnomad release, the Ragged Barracudas and Pushy split, and that heavy rocking onslaught from Bison Machine and company were all certainly welcome by me, and I’ll mention Gorilla vs. Grifter there too again, just because it was awesome.

One more time, thank you for reading, and if you have something to add, please do so in the comments below. Your civility in that regard is appreciated.

This is the last of my lists for 2016, but the Readers Poll results are out Jan. 1 and the New Year hits next week and that brings a whole new round of looking-forward coverage, so stay tuned.

As always, there’s much more to come.

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Dunsmuir Self-Titled Debut Due July 22; New 7″ out this Week

Posted in Whathaveyou on June 14th, 2016 by H.P. Taskmaster

dunsmuir

Dunsmuir‘s pedigree reads like other bands’ lists of influences. With members drawn from the ranks of Black Sabbath, Clutch, Fu Manchu and The Company Band, the four-piece’s existence was announced back in January. Since then, they’ve gone on to release three limited 7″ singles, with a fourth and final one out this week ahead of a July 22 issue date through Hall of Records for the band’s self-titled full-length debut. They’re apparently pressing 1,000 copies, selling them with a signed poster and leaving it at that. No word on whether this is an ongoing, occasional project or what. Probably best to get through putting the album out first before thinking about future plans.

Noteworthy that guitarist Dave Bone, bassist Brad Davis and vocalist Neil Fallon all make some mention either directly or indirectly of working with a metallic influence. Drummer Vinny Appice calls it “heavy rock that rocks,” as well, but having not heard the full outing, it adds intrigue to how that plays out across the tracklisting.

From the PR wire:

dunsmuir dunsmuir

DUNSMUIR FEATURING MEMBERS OF CLUTCH, BLACK SABBATH, FU MANCHU AND THE COMPANY BAND TO RELEASE DEBUT ALBUM 7/22/16

Dunsmuir, the new project featuring CLUTCH singer Neil Fallon, former Black Sabbath drummer Vinny Appice, Fu Manchu bassist Brad Davis, and The Company Band guitarist Dave Bone are set to release their self-titled debut album July 22nd via Hall Of Records. Presales will begin July 8th and will be released digitally exclusively on iTunes. The LP will have a limited pressing of 1,000 copies and will include a signed lithograph poster of the album cover. The LP will be available exclusively at: http://www.indiemerch.com/Dunsmuir/. The first single at radio will be “Our Only Master”.

Dunsmuir has released three 7” vinyl singles to date. The fourth and final 7” is slated for release June 15th with a very limited run of only 500 pieces and WILL NOT be re-pressed. It will be available exclusively at http://www.indiemerch.com/Dunsmuir/.

When asked about the album, Appice explains “This album is pure simple heavy ROCK that ROCKS!”

“This record is an intense collaboration of four minds all set on “destroy”. says Bone. “It’s been a few years in the making and now ready to erupt. Raw and in your face, we hope you like it hot!”

“Dunsmuir has given us the opportunity to explore some of our favorite heavy metal influences” adds Davis. “We strove to create something I hope will inspire a lot of head banging all over the world.”

Fallon adds “We turned out some serious metal on this record and it shreds. The concept behind the lyrics is comprised of 10 tales from the survivors of a shipwreck. What had been intended as a scientific expedition, quickly deteriorates into a struggle to survive both the natural and supernatural world.”

Dunsmuir Track Listing
1. Hung On the Rocks
2. Our Only Master
3. The Bats (Are Hungry Tonight)
4. What Manner of Bliss?
5. Deceiver
6. …And Madness
7. Orb of Empire
8. Church of the Tooth
9. The Gate
10. Crawling Chaos!

DUNSMUIR
Brad Davis (Fu Manchu)
Vinny Appice (Dio / Black Sabbath / Heaven & Hell)
Dave Bone (The Company Band)
Neil Fallon (Clutch)

https://www.facebook.com/DunsmuirBand/
https://www.instagram.com/dunsmuirband/
https://twitter.com/DunsmuirBand
http://dunsmuirband.com/
http://www.indiemerch.com/Dunsmuir/

Dunsmuir, “Our Only Master”

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Psycho Las Vegas Announces Initial Lineup

Posted in Whathaveyou on January 20th, 2016 by H.P. Taskmaster

psycho las vegas banner

In the fine tradition of, well, last year’s Psycho fest, 2016’s Psycho Las Vegas has announced an overwhelmingly impressive initial group of acts for its lineup, including some of the finest North America has to offer and choice imports. Notable in that category are Candlemass, The Crazy World of Arthur Brown, Colour Haze, Mars Red Sky, Belzebong, Øresund Space Collective and The Cosmic Dead, and they’re joined by returning figureheads Sleep and Pentagram, who headlined the 2015 Psycho California fest, along with YOB, Down, Mudhoney, Acid King, Fu Manchu and a whole host of others listed below.

The truly insane part about Psycho Las Vegas is that, like last year with Psycho California, the lineup is staggered, so this isn’t it. On Valentines Day, the festival will announce its full lineup of acts, which I’m just going to go out on a limb and assume includes everyone else on earth, and then after that, in March, they’ll follow up again with the headliners. So what we learn today is that 2015’s headliners will have someone playing over them. I don’t know who, or how that could be possible, but you can bet your ass I’m anxious to find out.

All the details so far unveiled about Psycho Las Vegas, as well as the link to purchase tickets, appear below:

psycho las vegas poster

PSYCHO LAS VEGAS 2016

Neon Knights arrive and ignite the the city of light in a sleepless celebration of heavy culture. High rollin’ low lifes will low roll the high life at the world famous Hard Rock Hotel and Casino in “Sin City”, Las Vegas. For three straight days, from August 26th through the 28th, born losers win as Psycho Las Vegas holds a rock steady hand of bands, performance artists, tattoo artists, art exhibits, a black light chamber, custom van and chopper show, pinball arcade, and much more.

Psycho Las Vegas sins and grins two blocks south of the strip at the expansive Hard Rock Hotel and Casino. The high-octane Rock ‘n’ Roll-themed casino resort hosts three stages; The Joint, which is a main stage, Vinyl, the rock club and out under the desert night sky is the second main stage, The Pool Stage. Experience live music, 24 hours a day.

In between bands and bets, ride outside to the venue’s open lot and witness the most bitchin’ rides this side of Death Valley at Psycho’s first ever custom van and chopper show!

Psycho Las Vegas features some of the most revered screen printed poster artwork with an exclusive exhibition from commissioned Psycho Las Vegas artist David D’Andrea. D’andrea, who returns to Psycho for a second year, created all the official festival artwork. Attendees will be able to eternally commemorate the event on their own walls with signed, limited edition works from D’Andrea.

Psycho Las Vegas acts and events were co-curated with music scene stalwart Sean “Pellet” Pelletier. (“Last Days Here” documentary) “Thief Present’s ‘Psycho’ festivals are visionary and have consecutively been the number one music event I’ve want to attend since they’ve started”, said Pellet. “I’ve been dreaming about putting on a cool culture and music festival for quite some time and I jumped at the chance to help us all go psycho in Las Vegas! The event is a celebration of subculture and a spiritual gateway for all of us into sonically connected sub-genres of heavy rock that hopefully, some of which, may be new to our senses. I’m booking bands that I’ve always personally wanted to see and have requested setlists that we’ve all wanted to hear.”

Among the first string of live acts announced will be hard rock legends, BLUE OYSTER CULT with a set heavy on their early songs that have inspired so many great bands over the years. Mark Arm and Steve Turner, also both of Green RIver-fame, will remind us why MUDHONEY are heralded as essential grandfathers of grunge. English psych rock pioneer, THE CRAZY WORLD OF ARTHUR BROWN returns to America with a performance sure to highlight where groundbreaking artists such as Kiss, Alice Cooper, and Ghost may have gotten some of their ideas. We’ve reunited proto-metal masters TRUTH AND JANEY who will appear for an exclusive live set to celebrate the 40th anniversary of their underground classic debut, “No Rest For The Wicked”! “A Band Called Death” documentary film stars DEATH, pulsate the pool stage and will show us why they are finally considered one of the first Detroit punk bands. Germany’s top psychedelic stoners COLOUR HAZE have chosen the festival for a rare US manifestation that’s sure rise us all high above the neon. Swedish doom metal ministers CANDLEMASS come crushing in yet another one of Psycho Las Vegas’s special performances. Stay tuned for the announcement of even more acts, over 60 in total, over the next few months.

Thief presents
Friday, August 26, 2016 at 12:00 PM – Sunday, August 28, 2016 at 12:00 AM (PDT)
Las Vegas, NV

SLEEP
BLUE ÖYSTER CULT
CANDLEMASS
DOWN
THE CRAZY WORLD OF ARTHUR BROWN
MUDHONEY
COLOUR HAZE
PENTAGRAM
FU MANCHU
ACID KING
DEATH (Detroit)
YOB
BELZEBONG
ORESUND SPACE COLLECTIVE
DANAVA
TRUTH AND JANEY
GOLDEN VOID
JUCIFER
BONGRIPPER
MARS RED SKY
A STORM OF LIGHT
CAVE OF SWIMMERS
THE COSMIC DEAD

ACCOMMODATIONS
Join the bands and crew at the Hard Rock Hotel & use the code: Psych16 at checkout to recieve 30% off your rooms.

ANNOUNCEMENT SCHEDULE
1/20 – “Warm up” Tickets Onsale 8am pst
2/14 – Full Lineup (60+ acts)
3/15 – Headliners Revealed
5/4 – Van/Chopper & Alt Exhibitions

http://www.eventbrite.com/e/psycho-las-vegas-2016-tickets-20777507083
WWW.PSYCHOLV.COM
WWW.HARDROCKHOTEL.COM

Sleep, Live at Psycho California

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Dunsmuir: New Band Announced with Members of Fu Manchu, Clutch and Black Sabbath

Posted in Whathaveyou on January 18th, 2016 by H.P. Taskmaster

As of right now, there isn’t much more to go on when it comes to Dunsmuir than a logo and a lineup, but it’s a considerable lineup to start with. Frontman Neil Fallon of Clutch brings a loyal following with him wherever he goes, and in Dunsmuir he’s joined by The Company Band guitarist Dave Bone, Fu Manchu bassist Brad Davis and Heaven and Hell/Black Sabbath drummer Vinny Appice. The band takes its name from the sleepy fishing getaway town in Northern California that, in 1991, was the site of the largest chemical spill ever to happen in the state — a train fell off a cliff into a river carrying toxic, ecosystem-destroying this-and-that — and while there’s no word yet as regards what they’ll actually sound like, for the rhythm section pairing of Davis and Appice alone, the safest bet seems to be that it’ll rock.

For those reading between the lines of the above, the roots of Dunsmuir would seem to be in The Company Band. Dave Bone played guitar in that band and was principal songwriter, but Fallon and Davis were also members along with CKY‘s Jess Margera and Jim Rota of Fireball Ministry. That group’s last outing was the 2012 Pros and Cons EP (review here), which followed behind their 2009 self-titled debut full-length (review here) and 2008’s debut EP, Sign Here, Here and Here. If Dunsmuir is a continuation on some level of what The Company Band were doing, perhaps without the underlying corporate thematic that the last EP seemed to push away from anyhow, then I doubt they’d meet with many complaints, but it’s really all speculation at this point until some audio begins to surface.

As to that, there’s nothing yet at least that I’ve been able to find. When and if something comes along, I’ll let you know, but here’s that logo and lineup in the meantime, as posted by Davis, along with website/social links in case you’d also like to keep an eye:

dunsmuir logo

DUNSMUIR

Brad Davis (Fu Manchu)
Vinny Appice (Dio / Black Sabbath / Heaven & Hell)
Dave Bone (The Company Band)
Neil Fallon (Clutch)

https://www.facebook.com/DunsmuirBand/
https://www.instagram.com/dunsmuirband/
https://twitter.com/DunsmuirBand
http://dunsmuirband.com/

The Company Band, “El Dorado”

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Fu Manchu Announce 25th Anniversary Tour

Posted in Whathaveyou on April 24th, 2015 by H.P. Taskmaster

fu manchu (Photo by Andrew Stuart)

You know Fu Manchu‘s 25th anniversary tour is gonna be hell on wheels, but that’s no big deal. Actually, wait, it is a big deal. It’s frickin’ awesome. The masters of fuzz will head out starting this June on a round of shows spanning months and countries, hitting the West Coast of the US before hightailing it to Europe in September and not looking back. This is the first leg of the tour, and they’ll be reissuing 1999’s hook-factory King of the Road on 2LP through their own At the Dojo Records imprint to mark the occasion, also playing the album front-to-back at a free show in Chicago as one of two sets.

Two sets! At a free show! That’s twice the Fu at no cost to you, the consumer. If this was an infomercial, you’d already be dialing.

The band posted the following on Thee Facebooks:

fu manchu 25th anniversary tour

FU MANCHU announce 1st leg of their 25th Anniversary 2015 / 2016 Tour

The band will be hitting the West Coast of the USA, Canada and 14 countries in Europe from mid June through the end of October. There will also be a special FREE Chicago show at The Double Door on July 11th.

The band will be touring without an opening act in most markets and playing a 2 set show of rarely played songs spanning their 11 Album career and an entire set of their album “King Of The Road” from start to finish for the first time. “King Of The Road” will be reissued as a double LP for the tour. More shows will be added soon. Tickets go on sale this friday.

june 13 Costa Mesa CA wayfarer
june 25 calgary, canada sled island festival- Dickens
june 26 calgary, canada sled Island club show- The Palamino
july 11 chicago, IL double door (free show)
july 15 san francisco, CA bottom of the hill
july 17 portland, OR hawthorne
july 18 seattle, WA neumos
july 19 vancouver, canada rickshaw
july 21 reno, NV jub jubs
july 22 san jose, CA the ritz (support by Dusted Angel)
aug 8 west hollywood, CA troubadour
aug 15 san diego, CA casbah

September
Sat 26 Nijmegen Doornroosje, Netherlands
Sun 27 Haarlem Patronaat, Netherlands
Mon 28 Hamburg Kunst, Germany
Wed 30 Copenhagen Beta, Denmark

October
Thurs 1 Malmo Babel, Sweden
Fri 2 Oslo John Dee, Norway
Sat 3 Stockholm Debaser Strand, Sweden
Mon 5 Helsinki Nosturi, Finland
Tues 6 Tallin Rock Cafe, Estonia
Thurs 8 Poznan Minoga, Poland
Fri 9 Berlin Astra, Germany
Sat 10 Erfurt HsD Gewerkschaftshaus, Germany
Mon 12 Budapest A38, Hungary
Wed 14 Vienna Szene, Austria
Thurs 15 Salzburg Rockhouse, Austria
Sat 17 Milan / Mezzago Bloom, Ilaly
Sun 18 Geneva Usine, Switzerland
Mon 19 Zurich Mascotte. Switzerland
Wed 21 Munich Strom, Germany
Thurs 22 Cologne Gebaude, Germany
Fri 23 Paris Le Marpquinerie., France
Sat 24 London Islington Academy, UK

https://www.facebook.com/FuManchuBand
http://www.fu-manchu.com/
https://twitter.com/fumanchuband
http://fumanchuband.bigcartel.com/

Fu Manchu, King of the Road (1999)

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Friday Full-Length: Fu Manchu, The Action is Go

Posted in Bootleg Theater on January 2nd, 2015 by H.P. Taskmaster

Fu Manchu, The Action is Go (1997)

If you’re gonna start something — a year, for example — you might as well do it right, so yeah, it’s Fu Manchu‘s 1997 fourth album, The Action is Go. And so it was. Arriving just a year after their landmark third outing, In Search Of…, The Action is Go marked the beginning of a new era for the SoCal fuzz progenitors, who had in the time between the two records traded out guitarist Eddie Glass and drummer Ruben Romano for Bob Balch and Brant Bjork, respectively.

That’s no minor switch. In fact, I’d go so far as to argue it’s a pivotal moment in the development of American heavy rock in the mid and late ’90s. That sounds like hyperbole, but I don’t think it is. Glass and Romano would go on to form Nebula, whose first EP surfaced in ’98 and who went on to have a significant impact on the US and European stoner and heavy psych scenes in the ’00s until dissolving in 2010. Romano can currently be found in The Freeks, while Glass is MIA. Meanwhile, for Brant Bjork — who had produced Fu Manchu‘s 1994 debut, No One Rides for Free — filling the drummer role was his first solid gig since his departure from Kyuss, and it was a position he’d hold until 2001’s California Crossing, only four years but also three records later, also releasing the debut from Ché and his first solo record, Jalamanta, in the meantime. And as for Balch, well, his lead work and style of play has become an institution in and of itself and is as integral to Fu Manchu‘s sound as the riffs and attitude-dripping vocal style of guitarist Scott Hill or the density of Brad Davis‘ bass. Fu Manchu‘s with-Balch discography — records like The Action is Go, 1999’s Eatin’ Dust, 2000’s King of the Road, 2001’s California Crossing, all the way up to last year’s stellar Gigantoid (review here) — reads like a riff-lover’s dream playlist, and Fu Manchu simply wouldn’t be who they are today without him.

So yeah, The Action is Go was a very important time for US heavy rock, but I doubt it would be half as much so if the record itself didn’t kick so much ass. From “Eagle Eye” down through “Laserbl’ast” and “Saturn III,” it’s the kind of album that feels so much of its place and time — its fisheye-lens cover photo of a late-’70s skater dude is almost too perfect — that it manages to translate that atmosphere even going on 18 years later. I know I’ve written about The Action is Go a lot over the years. A live clip of “Eagle Eye” was one of the first week-closers I ever did. But it’s one of those albums that, well, if you like stuff that doesn’t suck, it’s worth going back to over and over. I’ve yet to not have my ass kicked by it.

Happy New Year, and enjoy.

Please note, this isn’t actually the close of the week since at midnight I’m premiering a new video from When the Deadbolt Breaks. No, it’s not the Rocky Horror Picture Show. It’ll all make sense later.

No New Year’s resolutions for me. Not that I couldn’t stand some self-improvement on any number of fronts — intellectual, physical, spiritual, sarcasm-mitigation — just that tying such things to days of the week has always seemed silly. If it’s your bag, good luck. Enjoy the satisfaction of knowing you’re doing something good for yourself — at least that’s usually how resolutions go; I don’t think anyone ever resolved to start smoking — while I’m still the same jerk I’ve always been. This guy in his frickin’ pajamas talking about riffs all day.

Oh yeah, and by the way, I wrote 50 fucking reviews this week. Five. Zero. Fifty. That’s one more than 49! The stack of discs on my desk? Demolished. It was a god damned thrill. I don’t know what the previous record was, but I beat it.

Gonna try to establish some post-holiday normalcy this coming week. Monday I’ve got a track stream from Spidergawd going up, and I want to get back to the stack of vinyl waiting for writeups. I’m pretty burnt out on lists, and after doing all those shorter reviews this week I feel like I’m ready to tackle something like the new Colour Haze, so I’ll do that sometime before next Friday. And despite being burnt out on lists, I’ll be continuing to put together my 2015-most-anticipated assemblage, which at this point is up over 70 entries. Not sure yet how I’m going to organize it, but it’ll be week after next anyway. Need to catch my breath a little.

Before I roll out, thanks to everyone again for checking out the best of 2014 coverage, be it the top 30, the Readers Poll, short releases list, debuts list, or whatever. I had more I wanted to do, but I think it might be time to let it go, save it for this Dec., and start looking forward instead. But especially with Facebook deciding all my posts don’t backtrack anymore to the Like button on this page (a more significant source of stress for me this week than it should have been), I appreciate you checking stuff out and sharing links, etc. That means a lot to me.

Hope you dig the Fu Manchu, hope you had a great New Year’s, hope you check out the forum and radio stream, and hope to see you back here at midnight for that Deadbolt video and on Monday. Cheers.

The Obelisk Forum

The Obelisk Radio

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The Top 20 of 2014 Readers Poll — RESULTS!

Posted in Features on January 2nd, 2015 by H.P. Taskmaster

top-20-of-2014-readers-poll-RESULTS-etching-by-maxime-lalanne

It was close for a long time, but in the last week or so, one record pulled ahead to stake a definitive claim on the top spot. Even so, more than the 2013 poll, this was a fun one to watch, three albums duking it out, trading back and forth in the raw votes depending on who happened to submit a list at any given time. In the end, 355 people participated in this year’s poll, which is an average of over 11 per day — there was a significant push at the end — and up from 2013, which now that it’s 2015 will no doubt soon feel like ancient history.

To that end, Happy New Year and huge, huge thanks to everyone who took the time to contribute a list to the poll. Even if it was one or two records, the simple fact that you felt it was worth your time to type out the names of bands and albums and take part in this thing is unbelievably gratifying to me. I do a lot of the talking around here, apart from comments and the forum, so to have your participation in this really means a lot to me. It’s nice knowing you give enough of a crap to take part.

You’ll find two lists below. The first, measured in points, is the weighted tally. A 1-4 ranking is worth five points, 5-8 worth four, 9-12 worth three, 13-16 worth two and 17-20 worth one. After that comes the raw votes, a measure of what caught the most attention along the way.

After the jump, you’ll also find all the lists contributed to the poll — including my own, which seemed fair since I do a lot of reading on this site, mostly to experience shame at the typos and correct them hoping no one else noticed — presented in the order in which they were received. Thank you all again.

Top 20 of 2014 — Weighted Results

yob-clearing-the-path-to-ascend

1. YOB, Clearing the Path to Ascend (560 points)
2. Wo Fat, The Conjuring (404)
3. Electric Wizard, Time to Die (367)
4. Pallbearer, Foundations of Burden (334)
5. Conan, Blood Eagle (275)
6. Orange Goblin, Back from the Abyss (254)
7. Greenleaf, Trails and Passes (240)
8. Truckfighters, Universe (237)
9. Brant Bjork and the Low Desert Punk Band, Black Power Flower (235)
10. Earth, Primitive and Deadly (230)
11. Fu Manchu, Gigantoid (225)
12. Blues Pills, Blues Pills (211)
13. Lo-Pan, Colossus (202)
14. Eyehategod, Eyehategod (198)
15. Monolord, Empress Rising (190)
16. Mastodon, Once More ‘Round the Sun (188)
17. Mars Red Sky, Stranded in Arcadia (161)
18. John Garcia, John Garcia (156)
19. Bongripper, Miserable (141)
20. Radio Moscow, Magical Dirt (127)

Honorable mention to:
Goat, Commune (126)
Swans, To be Kind (117)
Monster Magnet, Milking the Stars (116)
Blood Farmers, Headless Eyes (105)
Floor, Oblation (104)
Mothership, II (104)

Stubb, Elephant Tree, Thou and plenty of others also did very well in the voting, but everything else I could find was less than 100 points. Again, it was close for a while between Wo Fat, Electric Wizard and YOB — and Pallbearer wasn’t so far behind them, either — but YOB pulled it out in the end and jumped way in front of everyone else. A lot of number-one votes for Clearing the Path to Ascend, which I can understand completely, since I happened to agree with the position.

On to the raw votes:

Top 20 of 2014 — Raw Votes

yob-clearing-the-path-to-ascend

1. YOB, Clearing the Path to Ascend (138 votes)
2. Wo Fat, The Conjuring (111)
3. Electric Wizard, Time to Die (104)
4. Pallbearer, Foundations of Burden (89)
5. Orange Goblin, Back from the Abyss (78)
6. Conan, Blood Eagle (72)
7. Fu Manchu, Gigantoid (71)
8. Truckfighters, Universe (66)
9. Earth, Primitive and Deadly (65)
10. Greenleaf, Trails and Passes (64)
11. Blues Pills, Blues Pills (63)
12. Brant Bjork and the Low Desert Punk Band, Black Power Flower (60)
13. Lo-Pan, Colossus (58)
14. Eyehategod, Eyehategod (55)
15. Monolord, Empress Rising (52)
16. Mars Red Sky, Stranded in Arcadia (48)
16. Mastodon, Once More ‘Round the Sun (48)
17. John Garcia, John Garcia (47)
18. Bongripper, Miserable (41)
18. Radio Moscow, Magical Dirt (41)
19. Goat, Commune (37)
19. Mothership, II (37)
20. Swans, To be Kind (32)

And some honorable mentions:
Dwellers, Pagan Fruit (31)
Floor, Oblation (31)
Monster Magnet, Milking the Stars (31)
Mos Generator, Electric Mountain Majesty (30)
Thou, Heathen (30)
The Well, Samsara (30)

A couple ties here make the raw votes list a little more inclusive, and since it’s not like we’re giving out olympic medals, it didn’t seem fair to count out ties and sacrifice other numbers. The top 20 has 23 entries? Yeah, sounds about right. Again, not much mystery ultimately to who came out on top, but it was a more thrilling race than the final numbers might suggest. Cool to see some differences in placement emerge between the two lists as well, Greenleaf and Brant Bjork doing really well in the weighted results since they obviously inspire some strong support, and a couple of others working their way into the raw votes top 20. I’m not really a numbers guy, but it’s been cool putting this together.

About not being a numbers guy: All the lists that came in appear after the jump below. If you find some glaring error in my math, or something seems like it really got enough votes to be included in one or the other, it’s possible I just missed it. I hope you’ll point it out in the comments so that if there is a mistake, I can get on correcting it as soon as possible. Your vigilance is sincerely appreciated.

And thank you again so much for being a part of this readers poll. It’s been a really great experience and I look forward to doing it again come Dec. 2015.

Please find everybody’s list after the jump, and have fun browsing:

Read more »

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audiObelisk Transmission 043

Posted in Podcasts on December 23rd, 2014 by H.P. Taskmaster

Click Here to Download

 

Here is the Music Player. You need to installl flash player to show this cool thing!

Since I don’t do theme podcasts or anything, the thoroughly unofficial subtitle of this latest one is “SOME of the Best of 2014.” Truth be told, it’s four hours long and I feel like I barely scratched the surface, so definitely the emphasis should be on “some.” By no means is it meant to be comprehensive, or am I claiming that it’s all the best and the rest sucked or anything like that. But some of the best stuff is here, so, you know, I hope you enjoy.

My intent was to make it three hours long, and then I got there and it just didn’t feel done without another hour’s worth of extended psych jams. That’s an odd habit to have. Could be worse. For what it’s worth, I was thinking of this as a companion for some of the year-end coverage that’s already been posted and is still to come. Some of this was inspired by picks from the Readers Poll, the submissions for which are still open. If you haven’t added your list yet, I’d greatly appreciate it.

And once again, hope you dig it:

First Hour:
YOB, “Nothing to Win” from Clearing the Path to Ascend
Fu Manchu, “Radio Source Sagittarius” from Gigantoid
Radio Moscow, “Death of a Queen” from Magical Dirt
The Golden Grass, “Stuck on a Mountain” from The Golden Grass
Monster Magnet, “No Paradise for Me” from Milking the Stars: A Reimagining of Last Patrol
Pallbearer, “The Ghost I Used to Be” from Foundations of Burden
The Skull, “Sick of it All” from For Those Which are Asleep
Electric Wizard, “Time to Die” from Time to Die
Orange Goblin, “The Devil’s Whip” from Back from the Abyss
Moab, “No Soul” from Billow

Second Hour:
Sleep, “The Clarity” from The Clarity 12”
Mars Red Sky, “Hovering Satellites” from Stranded in Arcadia
Floor, “Rocinante” from Oblation
Slomatics, “And Yet it Moves” from Estron
Conan, “Foehammer” from Blood Eagle
Druglord, “Feast on the Eye” from Enter Venus
Apostle of Solitude, “Die Vicar Die” from Of Woe and Wounds
Pilgrim, “Away from Here” from II: Void Worship
Blood Farmers, “The Road Leads to Nowhere” from Headless Eyes

Third Hour:
Lo-Pan, “Regulus” from Colossus
Elephant Tree, “Vlaakith” from Theia
The Well, “Mortal Bones” from Samsara
Lucifer in the Sky with Diamonds, “Counting Time” from The Shining One
Brant Bjork and the Low Desert Punk Band, “Stokely up Now” from Black Power Flower
Joy, “Driving Me Insane” from Under the Spell of Joy
Greenleaf, “Depth of the Sun” from Trails and Passes
Mothership, “Priestess of the Moon” from Mothership II
Truckfighters, “Get Lifted” from Universe
Mos Generator, “Enter the Fire” from Electric Mountain Majesty
Mammatus, “Brain Drain” from Heady Mental

Fourth Hour:
Øresund Space Collective, “Beardlandia” from Music for Pogonologists
My Brother the Wind, “Garden of Delights” from Once There was a Time When Time and Space were One
The Cosmic Dead, “Fukahyoocastulah” from Split with Mugstar
Montibus Communitas, “The Pilgrim to the Absolute” from The Pilgrim to the Absolute

Total running time: 4:02:57

 

Thank you for listening.

Download audiObelisk Transmission 043

 

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