Belzebong & The Necromancers Announce Fall Tour Dates

Posted in Whathaveyou on June 15th, 2018 by JJ Koczan

Poland’s Belzebong and France’s The Necromancers will head out on a tour together this November. In the announcement that follows, Sound of Liberation notes a new album coming from the latter that has yet to be detailed, so that’s an immediate bit of intrigue right there, and Belzebong released their latest outing, Greenferno, in early 2016, so it may well be that even if they don’t have a new record out by the time the tour starts on Nov. 12, they’re road-testing new material with an eye toward a 2019 release. And while we’re speculating, let’s just say if it’s gonna happen next year, it’d probably happen on April 20. Just a guess. Just spitballing.

But the tour is definitely on and will make stops at Heavy Psych Sounds Fest in Innsbruck and at the VVitch Festival in Milan, so although it starts after the glut of European Fall festivals (some of which are also Sound of Liberation productions), the truth is there really is no “festival season” when it comes to the heavy underground over there. It just keeps going pretty much all the time at this point.

The following was hoisted directly from the social medias:

belzebong the necromancers tour

Tour Announcement – BelzebonG + The Necromancers

Folks, today we are proud to unveil the “Purveyors of Dankness” European Tour 2018, with Polish heavy-doomfuzz-metal outfit BelzebonG and French Heavy-Occult rockers The Necromancers, as follows!

12.11.18 | HUN | Budapest | Dürer Kert
13.11.18 | CRO | Zagreb | Vintage Industrial Bar
14.11.18 | SI | Ljubljana | Koncertna Dvorana Rog
15.11.18 | A | Innsbruck | Heavy Psych Sounds Fest (p.m.k)
16.11.18 TBC
17.11.18 | FR | Strasbourg | La Laiterie Artefact
18.11.18 | FR | Paris | La Maroquinerie
19.11.18 | FR | Rennes | Mondo Bizarro
20.11.18 | FR | Bordeaux | Make It Sabbathy 50th (VOID // BDX)
21.11.18 | SP | Barcelona | Rocksound BCN
22.11.18 TBC
23.11.18 TBC
24.11.18 | IT | Bolzano | Bunker Jugendtreff
25.11.18 | IT | Milano | VVitch Festival (Circolo Magnolia)
26.11.18 | D | Munich | Feierwerk
27.11.18 | NL | Utrecht | dB’s
28.11.18 | B | Brussels | Magasin 4
29.11.18 | D | Cologne | Helios37
30.11.18 | D | Berlin | Zukunft am Ostkreuz

The Necromancers will be presenting their new album whose first details will be unveiled very soon!

https://www.facebook.com/belzebong420/
www.soundofliberation.com/belzebong

https://www.facebook.com/thenecromancersband/
www.soundofliberation.com/the-necromancers

Belzebong, Greenferno (2016)

The Necromancers, Servants of the Salem Girl (2017)

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Dust Lovers Premiere “End Title: Film Noir” Video; Announce Name Change & Album Reissue

Posted in Bootleg Theater on June 13th, 2018 by JJ Koczan

dust lovers

Somehow, it seems appropriate that The Texas Chainsaw Dust Lovers would do some chopping. What the cinema-obsessed aggro heavy rocking Parisian four-piece have lobbed off, however, is a goodly portion of their moniker. On June 24, they’ll issue their 2017 album — their third — Film Noir, on vinyl through Besta Records, and presumably that will make the name change official: they’re just Dust Lovers now. Doesn’t matter if it comes from a Texas chainsaw or anywhere else.

Why the change? Why not? Plus, it seems like Dust Lovers — the lineup of guitarist/vocalist Clément Collot, guitarist Nagui Méhany, drummer Christophe Hogommat and bassist Étienne Collot — are looking to be taken a little more seriously, and the long moniker was a little goofy. In addition to the forthcoming LP of Film Noir, they’ll head out to play Hellfest in their home country later this month, so it’s easy to argue it’s already working, and with Ennio Morricone, Elvis, Kyuss and other influences in dust lovers film noirtheir material, there’s nothing to pull the listener out of the moment when listening. Dust Lovers is a pretty cool name. You can see why they’d want to roll with it.

And as for Film Noir, it originally came out last October and runs a pretty wide stylistic gamut while featuring a central plotline just the same. There’s the spiritual “Come by the River” and the ringing tones of and big hooks of “Let it Bleed” as well as the surf-gone-heavy party rock — finger snaps and all — of “Martyr with a Plan” ahead of the Queens of the Stone Age-style push in “California sur Marne,” but at the finale, Film Noir closes with its title-track, “End Title: Film Noir,” and takes a more brooding approach, grinning through a lounge-style subdued groove while holding a tension of something more fiendish beneath.

The video — copping stylistic influence from Tarantino, Italian horror, and, yes, classic film noir — for the song does likewise. Directed by Collot, it’s a murderous tale of maybe-revenge with deep-hued colors and enough faux blood to officially qualify as at least one bucket, if not multiple buckets. Looks like a good time was had during its making.

You can see the premiere of “End Title: Film Noir” below and once again, that Film Noir reissue is out June 24. Wait a minute! That’s the same day they’re at Hellfest! You’d almost swear these things were planned out ahead of time.

Take yourself to film school:

Dust Lovers, “Film Noir” official video premiere

Dust Lovers on “End Title: Film Noir”:

The song “End Title: Film Noir” was thought and crafted like a movie’s end credits. Like at the end of a flick, when the audience take their breath again, while digesting what they just saw. We did this video like we make a video, it was crafted like a short movie. As usual, our vocalist Clément Collot directed the whole thing alongside a proper video team for two days. (French director) Godard once said “to make a movie, you need a woman and a gun.” That’s what we did, taking our cue from giallo movies and Italian horror movies à la Dario Argento.

DUST LOVERS (new name!) – New video « Film Noir » taken off their third album « Film Noir » released Oct. 20th, 2017. The album is reissued on vinyl via Besta Records on June 24th. The band will be playing at Hellfest on the Valley Stage, Sunday 24th June.

FILM NOIR-
Directed by Clem Colt
Music by Dust Lovers
Recorded by Sylvain Biguet and Chris Hogommat
Mix by Chris Hogommat
Mastering by Brent Asbury
2018 / HUURG!! FILMS / BESTA RECORDS

Dust Lovers are:
Clément Collot – Guitar & Vocals
Nagui Méhany – Guitar & Harmonica
Christophe Hogommat – Drums
Étienne Collot – Bass

Dust Lovers on Thee Facebooks

Dust Lovers on Bandcamp

Besta Records on Thee Facebooks

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Abrahma Recording New Album Next Month

Posted in Whathaveyou on June 13th, 2018 by JJ Koczan

abrahma

It seems like a really long time since Abrahma released their second album, Reflections in the Bowels of a Bird (review here), but the truth is it’s only three years. That record, also their second for Small Stone behind 2012’s Through the Dusty Paths of Our Lives (review here), also followed its predecessor by three years, so actually the pace is pretty consistent. Maybe it just feels like a long time to me because I’ve been talking about their third album since Oct. 2016. Maybe I just can’t fucking do math. I don’t know. Point is: hasn’t actually been that long.

And in that time, I don’t even know how many players founding guitarist/vocalist Sebastien Bismuth has been through. At least one full lineup, and I think another one minus a guitarist? In any case, today’s news that Abrahma will record their third long-player — which had the tentative title In Time for the Last Rays of Light when it was first announced but may or may not be called something else by now — will be recorded next month at Orgone Studios in Bedfordshire, UK, with Jaime Gomez Arellano (Orange Goblin, Ghost, Paradise Lost, etc.) at the helm would seem to indicate that the current five-piece incarnation of the band will be the one captured on tape. Fair enough, and here’s looking forward to what comes out of the session, since while it hasn’t actually been that long since their last one, I’ve still been anxious for new Abrahma for three years running.

The band sent the following down the PR wire:

ABRAHMA LOGO

Long time without news from us… But after many up and down we’re delighted to announce that our third album Will finally be recorded in July with Jaime Gomez Arellano at Orgone Studios.

This new album Will contain 7 songs and some surprises…

It took 3 years to give birth to this album and we really hope you’ll enjoy the fruit of this long work…

Stay tuned for more info….

Tracklisting:
– Lost.Forever.
– Lucidly Adrift
– Eclipse Of the Sane pt.1: Isolation Ghost
– Last Epistle
– Wander in Sedation
– Eclipse of the Sane part.2: Fiddler of the bottle
– There Bears the fruit of Deceit

Sébastien Bismuth – Vocals, Guitars
Florian Leguillon – Guitars, Vocals
Benjamin Carel – Guitars, Synths & Effects
Romain Hauduc – Bass, Vocals
Baptiste Keriel – Drums, Vocals

www.abrahmamusic.net
www.facebook.com/ABRAHMAMUSIC
www.twitter.com/ABRAHMAMUSIC

Abrahma, Reflections in the Bowels of a Bird (2015)

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Demande à la Poussière Premiere “L’Univers”; Self-Titled Debut Due Fall 2018

Posted in audiObelisk on June 11th, 2018 by JJ Koczan

demande a la poussiere

Parisian trio Demande à la Poussière are set to make their self-titled debut early this Fall on Argonauta Records. The project is new. Really new. As in, I-think-the-track-premiere-below-might-be-their-first-public-audio new. They were founded last year by members of The Great Old Ones, Würm and Nerv, among others, and when one considers the pedigree as well as the span of influences at work within it, it’s hardly a surprise the group’s first single from the album, “L’Univers,” is both so cohesive in its churn and so difficult to place in terms of genre. Hearty proportions of black metal, doom and noisy post-metallic churn make their way into the five-minute cut, and the three-down-from-five-piece of guitarists Jeff Grimal and Edgard Chevallier (the latter also programming) and vocalist Krys Fruit-Denhez call to mind a more charred version of German one-man outfit Owl in their rhythm and inescapable extremity.

As the leadoff of the eight-song/43-minute outing, “L’Univers” is charged with setting the grim but not overblown atmosphere upon which the rest of what follows ultimately builds. The band vary the balance throughout on songs like “Le Lendemain” and the marching groove of “L’Unique Certitude” and the near-apocalyptic “Condamnes,” with a consistency of tone and a malleable sound that keeps songwriting at the center while also allowing them to move outward into an ambient bleakness. The later cut “Accroche” teases some minimalism in its quiet stretches, soon enough giving way to explosive heft, and by the time they get down to closer “Drone” — which, yes, lives up to its name — Demande à la Poussière have found a cosmic place as rich in sound as it is in a sense of terror. Even then, Demande à la Poussière refuse to let go of their darkened sensibilities, the rage driving the creation, and what “L’Univers” starts only grows more virulent along the way.

Naturally, that’s the whole idea, and “L’Univers,” in its shove and its underlying current of noise, is indicative of much of what follows. As such, it’s all the more my pleasure to be able to host the premiere below. Demande à la Poussière‘s signing to Argonauta was just announced last month, but the record is done and in the can, so the early Fall release seems like a perfectly reasonable expectation at this point. I’ll hope to have more as we get closer to the actual drop date, but until then, you can listen to “L’univers” on the player here, with a quote from the band and more background info beneath that.

Please enjoy:

Demande à la Poussière, “L’Univers”

Demande à la Poussière on “L’Univers”:

“L’Univers” is the title that opens the album and that will undoubtedly herald a deluge of heaviness and disillusioned feelings. Pessimism as an engine for aggressiveness and reconstruction.

DEMANDE À LA POUSSIÈRE is a Blackened Post-core band founded in 2017 whose members come from experienced Black Metal, Hardcore and Indus scenes. Members are: Jeff (vocals and guitar – The Great Old Ones / Spectrale), Edgard Chevallier (machine – ex Würm / Gloomy Hellium Bath), Vincent Baglin (Moshi-Moshi-battery), Krys (chant-Nerv / Omrade), Jiu (Bass -ex No return), the band quickly records a first album at Lower tones Place Studio in September 2017. The band has diverse influences to offer a unique style. Combining heaviness Sludge / Doom, the blackness of Black Metal, the intensity of Post Hardcore tinged post rock atmosphere. This music is impacting, encompassing and intense. The name of the band is taken from a book by John Fante, but there is no connection to see it as the deep darkness of the music leads to other feelings.

Krys Fruit-denhez : Vocals
Jeff Grimal : Guitars
Edgard Chevallier : Guitars, Programming

Demande à la Poussière on Thee Facebooks

Argonauta Records website

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June Bug to Release A Thousand Days on Atypeek Music; Tour on Now

Posted in Whathaveyou on June 6th, 2018 by JJ Koczan

june bug

Sometimes I post about things I think are cool and think other people might dig. Every now and again, I post about things I’m a little ambivalent about. And then, once in a good long while, I post about something I think is really fucking awesome and I don’t even care how anyone else feels about it. French avant psych-folk two-piece June Bug, who bring a delightfully weird and unpredictable style to their debut album, A Thousand Days, for sure fall into the latter category.

On tour now since the end of May, the band released A Thousand Days on their own back in April, but this month they’ll have it out again with backing from the respected taste of Atypeek Music, and as this is the first time I’m hearing it, and I dig the crap out of it, I’m posting about it. Because sometimes I have to do something like that to keep myself sane. So I dig this. If you do too, great. If not, wait for the next post. I’m sure it’ll be full of riffs.

Nothing against riffs, mind you.

Info and audio follows, courtesy of the PR wire:

june bug a thousand days

Atypeek Music: JUNE BUG Release New Album A Thousand Days

French avantgarde label Atypeek Music releases in June the new album by french Anti-Folk/ Pop, Psych Rock Duo June Bug.

June Bug has an alternative approach to Folk Music, where electronic and saturated sounds merge with the harmonies of human voices, guitars, percussions and synthesizers. The words and the melodies strongly match with the personality of Sarah June, self-taught artist singer songwriter who, through her musical journey, crossed the path of Beryl, guitarist multi-instrumentalist, who now accompanies her in the musical arrangements and on stage.

June Bug live:
07/06 CHERBOURG (50) Club Dinette
08/06 SAINT-BRIEUC (22) Le Fût Chantant
09/06 VANNES (56) Les Valseuses
10/06 VANNES (56) Bernus Café “concert privé”
20/06 MOUSCRON (BE) Festival Mouscr’on the Rock “Dottignies”
21/06 VILLENEUVE-D’ASCQ (59) La Ferme d’en Haut + Monsieur Thibaut
23/06 AMIENS (80) Festival Minuit avant la Nuit
28/06 DUNKERQUE (59) Le Bommel
30/06 SAINT-LAURENT-BLANGY (62) Médiathèque
01/07 LILLE (59) Concert privé
08/07 TULLE (19) Festival C’est Ma Tournée
28/07 CHAUNY (02) Festival Cantons Chante
11/08 TAVIGNY (BE) Festival La Truite Magique
13/08 AUXERRE (89) Festival Garçon La Note
14/08 NEVERS (58) Festival Nevers Plage
15/08 GOUDET (43) Festival Rock’n’Camp
19/08 MONTPELLIER (34) La Ferme Marine
20/08 BUIS-LES-BARONNIES (26) Les Ephélides
22/08 PANTIN (93) Le Bar Gallia
25/08 DARMSTADT (GER) Summer Festival Forst
08/09 MINSLEBEN (GER) Festival Mendevie

June Bug is:
JUNE : lead voice, electric guitar, drums, sample pad, omnichord.
BERYL : backing vocal, electric guitar, folk guitar, drums, sample pad, synthesizer.

https://www.facebook.com/junebugacoustic/
http://www.twitter.com/junebugacoustic
http://instagram.com/junebugacoustic
http://junebugacoustic.tumblr.com/
https://www.facebook.com/AtypeekMusic/
https://atypeek.bandcamp.com/
atypeekmusic.com/

June Bug, “Silenced” official video

June Bug, A Thousand Days

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Domadora Announce June 29 Release for Lacuna

Posted in Whathaveyou on May 30th, 2018 by JJ Koczan

domadora

Last heard from with their 2016 sophomore outing, The Violent Mystical Sukuma (discussed here), Parisian heavy psychedelic three-or-four-piece Domadora have set a June 29 issue date for their new album, Lacuna. No audio from it as yet, but one imagines that can’t be far off, and given the sonic adventurousness that showed itself through their material their last time out, I’d expect the forthcoming four-track long-player to do a healthy bit of wandering. One would hope so, at least.

The PR wire has art and details and whatnots for the digging, so have at it:

domadora lacuna

DOMADORA announce the release of their third album “Lacuna” this June 29th.

France’s premium psychedelic jammers DOMADORA return with their long-awaited third full-length “Lacuna” this June 29th.

“Lacuna” commonly refers to the “empty space” or “void” from which everything takes shape. The void is at the beginning of everything: matter and time, light, sound and art. It is the starting point of the artwork. It just takes the scratching a match of creativity inside the void to generate an idea, a note, a melody… and feelings as well as emotions are born. So how is an idea born? Where does it come from? A Big Bang. Music is a way to reach mind elevation. DOMADORA’s music intends to put the willing listener into a state of trance and reach a state of elevation.

“Lacuna” is different from DOMADORA’s two previous albums and recorded far from the auditoriums of “Tibetan Monk” (2013) and “The Violent Mystical Sukuma” (2016). Domadora is convinced that context directly influences the intuitions and colours of improvised music. That’s the reason why the band has made the choice to record this album on an isolated farm in western France. Therefore, a very strong human experience and geographical isolation are on the list of ingredients of this album.

“Lacuna” was recorded and mixed by Brice Chandler, and mastered by Kent Stump in Crystal Clear Sound Wo Fat studios in Dallas, Texas.

TRACK LISTING:
1. Lacuna Jam
2. Gengis Khan
3. Vacuum Density
4. Tierra Last Homage

Artwork by Antoine d’Agata

The influences of Domadora are more in musical trends : free, uninhibited and daring to make music. Of course, you’re gonna easily think rock of the late 60’s and top 70 – but also to proto punk, the freedom of the area, or the heavy rock jam born in the desert. You can also find an influence in some classic pieces including the way to live a journey through successive wave intensities – from Pink Floyd to Fatso Jetson passing Led Zeppelin and Beethoven.

DOMADORA is
Organ – Angel Hidalgo Paterna
Drums – Karim Bouazza
Bass – Gui Omm
Guitars – Belwil

https://www.facebook.com/DomadoraBand
https://twitter.com/domadoraband
http://www.domadora.fr/
https://domadora.bandcamp.com/

Domadora, The Violent Mystical Sukuma (2016)

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Mars Red Sky Announce Spring Tour Dates

Posted in Whathaveyou on March 6th, 2018 by JJ Koczan

Seems to me it’s about time we started hearing murmurings of a follow-up to Mars Red Sky‘s 2016 full-length, Apex III (Praise for the Burning Soul) (review here). Now, I haven’t heard any, so I’m not trying to surreptitiously say there’s something in the works or anything like that, just that if you look at the arc of the band’s career to-date, it was three years from their 2011 self-titled debut (review here) and their second album, 2014’s Stranded in Arcadia (review here), and two between that record and the aforementioned Apex III, so figure sometime in the not too distant future if they’re keeping on pace it would make sense for them to have something new brewing. Maybe an announcement in summetime? Really, whenever would work as far as I’m concerned.

In the meantime, they’re still on the road for Apex III, playing Freak Valley and Resurrection Fest later this summer, as well I’m sure as more to come.

Dates follow:

mars red sky tour poster

MARS RED SKY go East: European spring shows announced!

French heavy psych trio MARS RED SKY keep spreading the sounds of their latest album “Apex III (Praise For The Burning Soul)” by hitting the roads of Eastern Europe this spring, including first ever appearances in some countries.

France – Club shows (March to May 2018)
02/03 TOULOUSE (31) Les Pavillons Sauvages
21/03 CHAMBERY (73) Le Brin de Zinc
22/03 LYON (69) Jack Jack
23/03 LE HAVRE (76) Centre d’Expression Musicale
29/03 RENNES (35) Le Mondo Bizarro
11/05 LARBBEY (40) Café Boissec
12/05 PARIS (75) Fuzzy Sounds Festival – FGO
30/05 STRASBOURG (67) No Vulture

Go East Tour (June 2018)
30/05 STRASBOURG (FR) No Vulture
31/05 NÜRNBERG (D) Muz
01/06 NETPHEN (D) Freak Valley Festival
02/06 DRESDEN (D) Beatpol
03/06 BRATISLAVA (SLO) Fuga
04/06 BUDAPEST (HU) Robot
05/06 TIMISOARA (RU) Reflektor
07/06 SOFIA (BG) Mixtape 5
08/06 THESSALONIKI (GRE) WE Complex
09/06 ATHENS (GRE) Temple
12/06 SARAJEVO (BA) Jazzbina
13/06 ZAGREB (HR) Vintage Industrial Bar
14/06 SCORZE, Venecia (ITA) Novak
15/06 OLTEN (CH) Le Coq D’Or

Summer Festivals :
01/06 NETPHEN (DE) Freaks Valley
06/07 LA SOUTERRAINE (23) Les Rentontres du 23ième type
12/07 VIVEIRO (SP) Resurrection Festival

More Shows to be announced soon…

http://www.marsredsky.net/
http://www.facebook.com/marsredskyband/
http://www.marsredsky.net
http://www.twitter.com/MarsRedSky1
http://www.listenable.net
http://www.facebook.com/listenablerecs

Mars Red Sky, “Under the Hood” official video

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Conviction Release Outworn Single; New Lineup Coming Soon

Posted in Whathaveyou on January 11th, 2018 by JJ Koczan

conviction

Kind of an interesting prospect when it comes to French doom outfit Conviction. The band, which started as a one-man project for Olivier “Amduscias” Verron of black metallers Temple of Baal and released its debut recording in 2014, has a new two-songer single out now digitally called Outworn, and bringing together influences from the likes of Warning and Celtic Frost, it also marks the beginning of an expansion of the lineup, with Verron (seen above) apparently joined on the title-track by drummer Rachid Trabelsi as well as a guitarist and bassist whose names haven’t yet been revealed.

My question: how come? Why keep those identities a secret? Verron recorded that 2013 outing on his own, so it’s entirely possible he’s just playing everything on “Outworn” save for the drums and saying that the lineup will be completed as the band moves toward its proper debut full-length later this year, but I’m not sure. Seems like a curious mystery to perpetuate if the positions have actually been filled, right? I’m all for the occasional secret identity and whatnot, but still.

Either way, doomly grimness prevails on “Outworn” and “Tedium,” which was tracked in 2015, and you can hear both songs at the bottom of this post in the embedded Bandcamp player. PR wire info follows:

conviction outworn

CONVICTION (Temple Of Baal members) release new single “Outworn”; new album details announced.

French Doom Metal band CONVICTION, side project of Olivier Verron aka Amduscias from TEMPLE OF BAAL, announces the release of their new digital single «Outworn».

This release is downloadable for free on CONVICTION’s bandcamp: http://www.convictiondoom.bandcamp.com

«Those two tracks deal with time, and the damage it does to both human relationships and self esteem », says Oliver Verron. « I had this pure Doom Metal project in mind since the nineties, but couldn’t find any musicians back then so I finally decided to go for it alone, as a one-man band, first by releasing a demo in 2013».

A one-man band that was doomed to evolve into a real band, as drummer Rachid «Teepee» Trabelsi (Moonskin, Corrosive Elements), joined CONVICTION soon after the release of the single as well as a bass player and a guitar player whose names are still to be announced.

CONVICTION has now started to work on their first album that should be released at the end of the year.

http://www.convictiondoom.bandcamp.com
http://www.facebook.com/convictiondoom
http://www.twitter.com/convictiondoom
http://www.instagram.com/convictiondoom
https://www.youtube.com/channel/UCuecjYaLIrtOIvq9Y8JNhLg

Conviction, Outworn (2017)

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