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Quarterly Review: Hornss, Khemmis, Fox 45, Monolith Wielder, No Man’s Valley, Saturna, Spotlights, MØLK, Psychedelic Witchcraft, Moon Coven

Posted in Reviews on December 26th, 2016 by JJ Koczan

the obelisk winter quarterly review

2016 ends and 2017 starts off on the right foot with a brand new Quarterly Review roundup. The first time I ever did one of these was at the end of 2014 and I called the feature ‘Last Licks.’ Fortunately, I’ve moved on from that name, but that is kind of how I’m thinking about this particular Quarterly Review. You’ll find stuff that came out spread all across 2016, early, middle, late, but basically what I’m trying to do here is get to a point where it’s not March and I’m still reviewing albums from November. Will it work? Probably not, but in order to try my damnedest to make it do so anyway, I’m making this Quarterly Review six full days. Monday to Monday instead of Monday to Friday. 60 reviews in six posts. Sounds like madness because it is madness. Let’s get started.

Quarterly Review #1-10:

Hornss, Telepath

hornss telepath

San Francisco trio Hornss debuted on RidingEasy Records with 2014’s No Blood No Sympathy (review here) and further their raw genre blend on Telepath, their half-hour follow-up LP delivered via STB, melding heavy punk and metallic impulses to a noisy, thick-toned thrust on songs like “Atrophic” and the bouncing “Sargasso Heart” while opener “St. Genevieve” and the penultimate “Old Ghosts” dig into more stonerly nod. The latter track is the longest inclusion on the record at 3:26, and with 11 cuts there’s plenty of jumping between impulses to be done, but the trio of guitarist/vocalist Mike Moracha, bassist/vocalist Nick Nava – both formerly of desert punkers Solarfeast – and drummer Bil Bowman (ex-Zodiac Killers) work effectively and efficiently to cast an identity for themselves within the tumult. It’s one that finds them reveling in the absence of pretense and the sometimes-caustic vibes of songs like “Leaving Thermal,” which nonetheless boast an underlying catchiness, speaking to a progression from the first album.

Hornss on Thee Facebooks

STB Records store

 

Khemmis, Hunted

khemmis hunted

Easily justifiable decision on the part of Denver’s Khemmis to return to Flatline Audio and producer Dave Otero (Cephalic Carnage, etc.) for their second album, Hunted. No reason to fix what clearly wasn’t broken about their 2015 debut, Absolution (review here), and on the 20 Buck Spin Records release, they don’t. A year later, the four-piece instead build on the doomly grandeur of the first outing and push forward in aesthetic, confidence and purpose, whether that’s shown in mournful opener “Above the Water,” the darker “Candlelight” that follows, or the centerpiece “Three Gates,” which opens as muddied death metal before shifting into a cleaner chorus, creating a rare bridge between doom and modern metal. Khemmis save the most resonant crush for side B, however, with the nine-minute “Beyond the Door” capping with vicious stomp before the 13-minute title-track, which closes the album with an urgency that bleeds even into spacious and melodic break that sets up the final apex to come, as emotionally charged as it is pummeling.

Khemmis on Thee Facebooks

20 Buck Spin on Bandcamp

 

Fox 45, Ashes of Man

fox 45 ashes of man

In addition to the outright charm of titles like “Doominati,” “Coup d’étwat,” “Murdercycle” and “Urinal Acid” (the latter a bonus track), Rochester, New York’s Fox 45 offer fuzzy roll on their Twin Earth Records debut full-length, Ashes of Man, the three-piece of Amanda Rampe, Vicky Tee and Casey Learch finding space for themselves between the post-Acid King nod of “Necromancing the Stone” and more swing-prone movements like the relatively brief “Soul Gourmandizer.” Playing back and forth between longer and shorter tracks gives Ashes of Man a depth of character – particularly encouraging since it’s Fox 45’s first record – and the low-end push that leads “Phoenix Tongue” alone is worth the price of admission, let alone the familiar-in-the-right-ways straightforward heavy riffing of “Narcissister” a short while later. Very much a debut, but one that sets up a grunge-style songwriting foundation on which to build as they move forward, and Fox 45 seem to have an eye toward doing precisely that.

Fox 45 on Thee Facebooks

Twin Earth Records on Bandcamp

 

Monolith Wielder, Monolith Wielder

monolith wielder self titled

Double-guitar Pittsburgh four-piece Monolith Wielder make their self-titled debut through Italian imprint Argonauta Records, bringing together Molasses Barge guitarist Justin Gizzi and Zom guitarist/vocalist Gero von Dehn with bassist Ray Ward (since replaced by Amy Bianco) and drummer Ben Zerbe (also Mandrake Project) for 10 straightforward tracks that draw together classic Sabbathian doom with post-grunge heavy rock roll. There’s a workingman’s sensibility to the riffing of “No Hope No Fear” and the earlier, more ‘90s moodiness of “Angels Hide” – von Dehn’s vocals over the thick tones almost brings to mind Sevendust on that particularly catchy chorus – but Monolith Wielder’s Monolith Wielder isn’t shy about bringing atmospherics to the Iommic thrust of its eponymous cut or the penultimate “King Under Fire,” which recalls the self-titled Alice in Chains in its unfolding bleakness before closer “Electric Hessian” finishes with a slight uptick in pace and a fade out and back in (and a last sample) that hints at more to come.

Monolith Wielder on Thee Facebooks

Argonauta Records website

 

No Man’s Valley, Time Travel

no man's valley time travel

The stomp and clap intro “The Man Who Would be King” casts an immediately bluesy hue on No Man’s Valley’s debut album, Time Travel (LP release on Nasoni), and the Netherlands-based five-piece seem only too happy to build on that from there. It’s a blend outfits like The Flying Eyes and Suns of Thyme have proffered for several years now between heavy psychedelia and blues, but No Man’s Valley find a niche for themselves in the dreamy and patient execution of “Sinking the Lifeboat,” a highlight of the eight-track/33-minute LP, and bring due personality to the classic-style jangle-and-swing of “The Wolves are Coming” as well, so that Time Travel winds up more textured than redundant as it makes its way toward six-minute piano-laden finale “Goon.” Once there, they follow a linear course with a post-All Them Witches looseness that solidifies into a resonant and deeply engaging apex, underscoring the impressive reach No Man’s Valley have brought to bear across this first LP of hopefully many to come.

No Man’s Valley on Thee Facebooks

Nasoni Records website

 

Saturna, III/Lost in Time

saturna lost in time

Barcelona classic rocking four-piece Saturna seem to avoid the boogie trap when they want to, as on the more rolling, modern heavy groove of “Five Fools,” and that keeps their World in Sound/PRC Music third album, III/Lost in Time, from being too predictable after the opening “Tired to Fight” seems to set up Thin Lizzy idolatry. They dip into more complex fare on “Leave it All,” somewhere between Skynyrd leads, Deep Purple organ-isms topped with a rousing hook, but keep some shuffle on songs like “Disease” and the earlier “All Has Been Great.” Highlight/closer “Place for Our Soul” seems to be literal in its title, with a more subdued approach and harmonized vocal delivery, and listening to its more patient delivery one can’t help but wonder why that soul should be relegated to the end of the album instead of featured throughout, but the songwriting is solid and the delivery confident, so while familiar, there’s ultimately little to complain about with what III/Lost in Time offers.

Saturna on Thee Facebooks

World in Sound website

 

MØLK, Hate from the Bong

molk hate from the bong

Especially with the title of their second EP set as Hate from the Bong, one might be tempted to put Belgian outfit MØLK immediately in the same category of malevolent stoner/sludge metal as the likes of Bongripper, but frankly they sound like they’re having too much fun for that on the five-tracker, reveling in lyrical shenanigans on the politically suspect “Stonefish” and opener “Methamphetamine.” Make no mistake, they’re suitably druggy, but even Hate from the Bong’s title-track seems to keep its tongue in cheek as it unfolds its post-Electric Wizard echoes and tonal morass. That gives the five-piece an honest vibe – they’re a relatively new band, having released their first EP in 2016 as well; why shouldn’t they be having a good time? – to coincide with all that thickened low end and vocal reverb, and though they’re obviously growing, there isn’t much more I’d ask of them from a debut full-length, which is a task they sound ready to take on in these songs.

MØLK on Thee Facebooks

MØLK on Bandcamp

 

Psychedelic Witchcraft, The Vision

psychedelic witchcraft the vision

Italian cult rock outfit Psychedelic Witchcraft have proven somewhat difficult to keep up with over the last year-plus. As they’ve hooked up with Soulseller Records and reissued their Black Magic Man EP (review here), their full-length debut, The Vision, and already announced a follow-up compilation in 2017’s Magick Rites and Spells, the band consistently work to feature the vocals of Virginia Monti (also Dead Witches) amid semi-retro ‘70s-style boogie, as heard on the debut in cuts like “Witches Arise” and “Wicked Ways.” At nine tracks/34 minutes, however, The Vision is deceptively efficient, and though they’re unquestionably playing to style, Psychedelic Witchcraft find room to vary moods on “The Night” and the subdued strum of “The Only One Who Knows,” keeping some sonic diversity while staying largely on-theme lyrically. To call the album cohesive is underselling its purposefulness, but the question is how the band will build on the bluesy soulfulness of “Magic Hour Blues” now that they’ve set this progression in motion. Doesn’t seem like it will be all that long before we find out.

Psychedelic Witchcraft on Thee Facebooks

Soulseller Records website

 

Spotlights, Spiders EP

spotlights spiders

Following the heavy post-rock wash of their 2016 debut album, Tidals, Brooklynite two-piece Spotlights – bassist/guitarist/vocalist Sarah Quintero and guitarist/synthesis/vocalist Mario Quintero – return on the quick with a three-track EP, Spiders, and set themselves toward further sonic expansion. The centerpiece “She Spider” is a Mew cover, electronic beats back opener “A Box of Talking Heads V2” and the spacious closer “Joseph” is a track from Tidals remixed by former Isis drummer Aaron Harris. So, perhaps needless to say, they hit that “expansion” mark pretty head-on. The finale turns out to be the high point, more cinematic in its ambience, but still moving through with an underlying rhythm to the wash of what one might otherwise call drones before becoming more deeply post-Nine Inch Nails in its back half. How many of these elements might show up on Spotlights’ next record, I wouldn’t guess, but the band takes an important step by letting listeners know the potential is there, adding three wings onto their wheelhouse in three tracks, which is as efficient conceptually as it is sonically immersive.

Spotlights on Thee Facebooks

Spotlights on Bandcamp

 

Moon Coven, Moon Coven

moon coven self-titled

This self-titled second full-length from Malmö, Sweden-based Moon Coven begins with its longest track (immediate points) in “Storm” and works quickly to nail down a far-reaching meld between heavy psych and riffy density. Issued through the much-respected Transubstans Records, it’s a nine-track/50-minute push that can feel unipolar on an initial listen, but largely avoids that trap through tonal hypnosis and fluid shifts into and out of jams on cuts like “The Third Eye,” while centerpiece “Haramukh High” provides a solidified moment before the organ interlude “The Ice Temple” leads into the mega-roll of finisher “White Sun.” What seems to be a brooding sensibility from the artwork – a striking departure from their 2014 debut, Amanita Kingdom – is actually a far more colorful affair than it might at first appear, and well justifies the investment of repeat visits in the far-out nod of “Conspiracy” and the swirling “Winter,” which goes so far as to add melodic texture in the vocals and notably fuzzed guitar, doing much to bolster the proceedings and overarching groove.

Moon Coven on Thee Facebooks

Transubstans Records

 

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GIVEAWAY: Win a Signed Copy of Fox 45’s Ashes of Man LP!

Posted in Features, The Obelisk Presents on October 20th, 2016 by JJ Koczan

fox-45-ashes-of-man-giveaway

[TO ENTER GIVEAWAY: Leave a comment on this post with your email address in the form. You’ll be contacted at that address if you win.]

Free signed record. Boom. Post over. Who said I wasn’t a salesman?

Oh wait. I say that. All the time. And while that’s true, I honestly don’t think it should take much convincing to get you on board with entering this giveaway for an LP copy of Fox 45‘s Ashes of Man hand-signed by the Rochester four-piece. Their debut album following a 2014 EP, it was released earlier this year via Twin Earth Records.

You can stream the record in full via the label’s Bandcamp below, and for giveaways I like to keep the posts pretty short — in hope that people will, you know, actually read them — but I’ll say that while it took me a little time to catch onto Ashes of Man, the band do make a striking debut. Raw in the spirit of grunge but unafraid to indulge a bit of boogie on a song like “Coup d’Etwat” — only one of several clever wordplay titles — or some doom on “Snake Oil,” it preaches righteously in a manner that the converted should have no problem hearing.

ode-to-doom-nov-16Particularly when it’s coming in the form of FREE FRICKIN’ SIGNED VINYL, so get on that.

Fox 45 will join Eternal Black, Clouds Taste Satanic and Goat Wizard at the second Ode to Doom show presented by Freebird Productions and The Obelisk at Arlene’s Grocery in Manhattan on Nov. 16, 2016.

You can find more info about the gig at the link below, which will open in a new tab. That’s convenient because you can still enter this giveaway; something I cannot encourage you enough to do.

Thanks to all who participate, to the band, to Ode to Doom and to Twin Earth Records. Winner will be picked at random one week from today and contacted at the email provided, which of course will never be shared. One more time, the prize is a signed copy of Fox 45‘s Ashes of Man on vinyl.

[TO ENTER GIVEAWAY: Leave a comment on this post with your email address in the form. You’ll be contacted at that address if you win.]

Fox 45, Ashes of Man (2016)

Fox 45 on Thee Facebooks

Twin Earth Records on Bandcamp

Ode to Doom at Arlene’s Grocery, NYC, Nov. 16 event page

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The Obelisk Presents: La Otracina Farewell Show at The Acheron in Brooklyn, July 6

Posted in The Obelisk Presents on June 23rd, 2016 by JJ Koczan

la-otracina-brooklyn-flyer

This week, respected Brooklyn venue The Acheron announced that as of next month, it would no longer be hosting shows. It’s a considerable blow to New York’s support system for all things heavy and metal, and from grind to doom and all in between, The Acheron has been a home for one of the most vital undergrounds in the US. Goes without saying that it will be much missed.

It’s been four years since frenetic psych rockers La Otracina toured Europe, and in the interim, members have gone on to found other projects, explore other creative facets. Murmurs of a La Otracina reunion started brewing a while ago, and they’ve done a couple shows over the last few months, but even apart from The Acheron closing, it’s bittersweet to have La Otracina‘s July 6 show, with The Company Corvette and Fox 45 supporting, as one for The Obelisk Presents, because it’s also going to be the official goodbye for the band.

Just days before the venue shuts down, La Otracina will call it quits on one of Brooklyn’s most venerable stages. It’s an ending worthy of the creative breadth La Otracina showed over their prolific career, which is fodder for cult worship if ever there was.

Below, spearhead Adam Kriney talks about the show and what led to his decision to bring the band to an end. Ticket and other links at the bottom of the post.

Adam Kriney on La Otracina’s farewell:

It is with great pride, a clear head and resolved heart that I announce the final LA OTRACINA performance and the true end of the artistic entity known as such. Started many moons ago in 2003, when I had just moved to Brooklyn, the band was my outlet to explore the outer reaches of experimental, progressive, improvised and psychedelic musical worlds, merging them into a unique voice that reflected my interests, abilities, and the contributing talent of who I was playing with at the time.

Over the years, the lineups would change, vibe would change, intentions would change, and generally speaking the group became a pure extension of both my artistic discoveries and creative wants, and I was forever on a search for those who wanted to chart unknown territories with me… and I found many, both willing and resistant, to leap off of the abyss with me, to quite a mixed effect!

So here we are, 13 frenetic, chaotic, and shoulder-shrugging years later, and after about 20 releases (from CD-Rs and splits/comps to 12” EPs and double-albums), and approximately 300 concerts across the US and two European tours (the final one being the massive 46-date/18-country 2012 EU Tour), I have come to the conclusion that there is nothing more to say artistically under this group name. The sordid, bizarre, schizophrenic, multi-genre, juggernaut of LA OTRACINA no longer holds any interest for me to pursue, and is filled with enough emotional baggage and unrequited output/dedication to fill a 747!

Of course since the initial hiatus in 2012, I got extremely involved with the creation of THE GOLDEN GRASS where the majority of my time/energy now resides, to which things are going quite well and joyous! Current (as well as past) guitarist Philippe Ortanez has also been busy with his groups POLYGAMYST and VIMANA which are both worth your investigation. It’s been a wild ride, and the discography speaks for itself… but alas, July 6 2016, shall be the last cosmic dance of the Otra-sonic Spaceship!

Also performing at The Acheron gig will be Rochester, NY heavy doom rock quartet Fox 45 and Philadelphia, PA, psychedelic doom trio The Company Corvette! It’s sure to be a heavy pulsing night from some top notch northeast US bands!

Facebook event page

La Otracina on Thee Facebooks

Ticket purchase

The Acheron website

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