Talmud Beach, Chief: Forest Blues

Posted in audiObelisk, Reviews on February 10th, 2016 by H.P. Taskmaster

talmud-beach-chief

[Note: Click play above to hear the premiere of “Mountain Man” by Talmud Beach. Chief is out March 18 on Svart.]

There are several different kinds of blues that pop up throughout Chief, the second full-length and Svart Records debut from Finnish trio Talmud Beach. “Pharmacy Blues” is first, followed later by the somewhat less politically correct “Chinaman Blues” and “Born with the Blues,” but whatever the context, the band’s blues are delivered in ultra-mellow, laid back form. Talmud Beach find pastoral serenity the way most bands find their overdrive pedal. It is a humble nine-track/37-minute listen that is deceptively rich in its overall affect without coming close to overwhelming even in its moments of greatest arrangement depth, as on “Mountain Man” or the extended closing title-track.

Elements of Finnish folk pop up in the sweet acoustic guitar strummed throughout and particularly on centerpiece “Kekkonen,” but even on the more electrified “Forest,” birdsong maintains a connection to the natural world, and that’s an atmosphere that is established on the brief boogie-blues opener “Ain’t So Young” and maintained as the album progresses from front to back, guitarist Aleksi Lukander leading a subdued shuffle as bassist/vocalist Mikko Siltanen unfolds a simple hook that needs nothing more than it presents, drummer Petri Alanko moving the proceedings along at what will become one of the record’s faster clips by the time it’s done. The mood is humble, but not still, and while Talmud Beach — whose name derives from members of the band having been accosted on an Eastern European beach by local anti-Semites — maintain that mood, they also set up a dynamic range sound-wise in which it plays out.

To wit, “Pharmacy Blues” is likewise upbeat, with a classic snare shuffle rhythm and an especially catchy chorus, but “Mountain Man” takes a turn toward a more folkish-style, interweaving layers of guitar as it fluidly moves through a verse and chorus, some light but still quick percussion underlying this peaceful, serene setting. A vocal highlight from Siltanen, it’s one of the album’s most memorable impressions, building along a linear course after its second chorus with harmonized singing and an arrangement of increasing complexity until finally, it’s a chorus fading out as birdsong takes over as an interlude before the big chill-out of “Forest.”

talmud-beach

Quieter and based around a creeping blues bassline, “Forest” nonetheless basks in psychedelia in its background guitar work and trippy lyric about journeying into woods and finding — wait for it — mushrooms, leading to a host of visions in nature. Subtle fuzz emerges as “Forest” moves past its midsection, but Talmud Beach hold firm to the spirit of the record they’ve established, ending with a stretch of silence before “Kekkonen” kicks in with arguably Chief‘s most active arrangement, a sax (or sax sounds, if it’s keys) added to play up a humppa feel for the track about former Finnish President Urho Kekkonen, presented in the band’s native language and with a clap-along bounce. Still, if it’s a party, that means the drums are harder hit, the guitar is louder and the hook is vital in whatever language, and Talmud Beach do as well in the environment of “Kekkonen” as they did among the birds in “Forest,” the one-two punch of the tracks demonstrating a decent portion — not all — of the band’s range while keeping the album’s flow duly liquefied.

“Snow Snow Snow” manages to be individual despite a chorus that features the line “let it snow,” which is no minor feat, and plays harmonies off a bluesy verse in a kind of classic call and response, but its most resonant impression is in the layers of acoustic and electric guitar weaving through and the soft, wish-it-was-longer interlude in the track’s midsection before the last verse, chorus and acoustic leadout. It’s just 2:45, but “Snow Snow Snow” makes a fitting companion both for “Forest” and “Mountain Man” and captures a lot of Chief‘s overall mindset. The subsequent “Chinaman Blues” is another turn, the speaker in the song longing for an escape from everyday Finnish life and imagining being Chinese, apparently, as the farthest thing from it. Again, not exactly politically correct in its nomenclature, and almost unfortunately catchy, but its psych-blues blend finds a middle space between “Ain’t So Young” and “Pharmacy Blues” and songs like “Mountain Man,” and it finishes with a heavier push of fuzz guitar, keys and harmonized vocals that seems to payoff much of the album’s momentum while also leading smoothly into “Born with the Blues,” the lyrics of which trade off Finnish and English lines in the verses and choruses while keeping a steady bounce throughout.

That sets up nine-minute closer “Chief,” which uses its extended runtime for a spacious psychedelic sprawl after the ’70s folk chorus, “If you are the chief/Wear the rainbow hat,” keeping an exploratory feel to what’s probably a nonetheless plotted progression, incorporating more sunshine-soaked sounds to bookend with “Forest” and allowing Talmud Beach to play their way off the record on a proggy but still cohesive note, a melodic swirl of vocals and some still-earthbound guitar leading peacefully to silence. Even if the songwriting wasn’t so effective throughout, Chief would likely offer substance based on its atmosphere alone, but the memorable core of these tracks and the calmness with which they’re delivered makes the record belong equally to the ethereal and the terrestrial. Talmud Beach walk that balance throughout with confidence and an approach that doesn’t need to be loud to make itself heard.

Talmud Beach on Thee Facebooks

Talmud Beach on Bandcamp

Svart Records

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Hexvessel, When We are Death: Transmigration

Posted in Reviews on February 5th, 2016 by H.P. Taskmaster

hexvessel when we are death

There have been, are, and no doubt will continue to be any number of people touting the work of Finnish outfit Hexvessel in hyperbole of one sort or another. Between their accomplished songwriting, a crisply defined aesthetic and ethos, sonic individuality and evocative emotionality nodding at a plethora of obscure influences out of the pantheon of lost and worshiped classics — not to mention how well the Tampere-based band has recontextualized these elements into their own take — they’ve made an easy target for high-minded praise since their debut full-length, Dawnbearer, showed up in 2011 and its follow-up, No Holier Temple, landed in 2012, both through Svart. Fair enough. Different groups resonate on different levels, and Hexvessel push their resonance further via charismatic vocalist/guitarist Mat McNerney, who’s been a central presence all along but comes even more forward on When We are Death, which in addition to being Hexvessel‘s third LP is also their debut for Century Media.

With guitarist Simo Kuosmanen, bassist Niini Rossi, drummer Jukka Rämänen, percussionist/backing vocalist Marja Konttinen and keyboardist/violinist/trumpeter Kimmo Helén alongside McNerney, the six-piece explore depths of arrangement they had not previously dared to seek out, and the resulting 11 tracks/47 minutes of When We are Death present a bold stylistic shift for a group who had established a niche and an influence in touting environmentalist/naturalist psychedelic folk. When We are Death reaches outside those and most other confines, brazenly, and while I won’t decry the sweet progressive fuzz of “Sacred Marriage” from No Holier Temple or the effective sense of ritual Hexvessel brought to their songs previously, they pull off a multitude of stylistic shifts across songs like “Earth Over Us,” “Drugged up on the Universe,” “Hunter’s Prayer,” “Mirror Boy,” “Cosmic Truth” and so on, and range well beyond what I think even the most fervent of praise-heapers might have expected were their limitations.

It is no minor accomplishment. Between the organ-laced trad-psych bounce of opener “Transparent Eyeball” and the brooding, pun-happy accusations of closer “Shaman You,” When We are Death pushes through diverse material that, in less capable hands, would come across disjointed or incongruous. Hexvessel avoid this trap in part by executing the underlying theme — as the title hints — of death. 10 of the 11 tracks make some sort of direct reference to death, dying or being dead in the lyrics — only “Shaman You” is left out, and that has no shortage of betrayed sensibility — and whether it’s a tertiary line like “Please leave me here to extinguish and die” in “Teeth of the Mountain,” tossed off in a verse en route to the chorus or the hook of “When I’m Dead,” “I’ll remember you/I’ll remember you/When I am dead,” that serves as the catchiest of the album delivered with goth-psych aplomb following verses on which a duly theatric McNerney channels Elvis via Peter Murphy, death is an ever-present spectre. You might say that’s the human condition, but it ties When We are Death together in a way that emphasizes the universality of the whole work rather than splitting it apart into some stylistic patchwork.

hexvessel

McNerney‘s performance is also central in this regard. No less amorphous vocally than the songs, he’s equally at home in the darkened space rock of “Drugged up on the Universe” (“Mainline a secret vein of the universe and you will find — death”) as he is on “Green Gold,” which paints a reincarnation scenario of the speaker in the lyrics returning as a tree and is arguably the closes Hexvessel come here to their past work, and that confidence is pivotal to how fluidly the band lead the way through their various changes, even unto the King Crimson-style chase late in “Mushroom Spirit Doors” — Rämänen‘s snare work should get special mention — and the atmospheric spaciousness cast in “Cosmic Truth.” Hooks are deceptively memorable throughout with the exception perhaps of “When I’m Dead,” which is consciously all about its chorus, and between the shifts in keys across “Earth Over Us” and the soft tones in the second half of “Teeth of the Mountain” behind an electrified guitar solo and the leaps that When We are Death makes as it moves from “Mushroom Spirit Doors” — as tripped out as the title suggests, and a structural triumph — to the percussive “Hunter’s Prayer” and into “Shaman You” to finish out, Hexvessel‘s defining statement comes through in exactly how unwilling the album is to be defined beyond its core theme.

Among the good many things that When We are Death is, it is not simple. I’m by no means a touchstone for perception, but I was three times through before Hexvessel‘s apparent intent started to sink in, and it may take a while for the material to grab hold of the listener’s consciousness. This ultimately becomes a strength, since while the group’s songs are accessible, they still provide enough of a challenge to make it worth coming back for repeat visits, and that balance is rare — a release that still maintains a pop sensibility while refusing to dumb itself down to broaden appeal. There may be those who feel loyal to the sound Hexvessel established on Dawnbearer and No Holier Temple and the subsequent 2013 EP, Iron Marsh, who likewise need time to adjust to the diverse methods presented here, but the answer to that is the obvious craft that has gone into making these songs, the rich details that “Cosmic Truth,” “Green Gold” and “Hunter’s Prayer” offer and the improbable fluidity that Hexvessel build as the album moves through its course, excitingly careening but masterfully directed. It’s not intended to be simple, or humble, or plain; it’s intended to be encompassing and vast, and it is precisely those things.

Hexvessel, “Cosmic Truth” official video

Hexvessel on Thee Facebooks

Century Media Records

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Albinö Rhino Premiere 20-Minute Single “Uphold the Light Part 2”

Posted in audiObelisk on February 1st, 2016 by H.P. Taskmaster

albino-rhino-(Photo-by-Nooa-Katajala)

As the title would seem to hint, the new single from Helsinki-based trio Albinö Rhino is a sequel of sorts. The original “Uphold the Light” was the 14-minute closer of their 2014 self-titled sophomore outing, a four-song full-length that set up shop between heavy rock and doom, its stylistic spread made even wider by the obviously jam-based finale. Comprised of bassist/vocalist Ville Harju, guitarist/vocalist Kimmi Tyni and drummer Viljami Väre, the band will make their third album something of a turn in aesthetic with just the two tracks, “Uphold the Light Part 2” and “Uphold the Light Part 3,” each taking up a side on a single LP.

Sure enough, to listen to “Uphold the Light Part 2,” it follows the same rhythmic progression as its predecessor in the series, Harju‘s basslines and Väre‘s drums acting as the albino rhino uphold the light part 2foundation for sections of exploratory guitar from Tyni as the song makes its way past the halfway point. It’s an extended piece anyway, but Albinö Rhino take full advantage of the opportunity to psych out, and in direct comparison, one can hear growth not only in the patience of the guitar and the progress of the piece overall — there are verses early on, or at least lines, but the feel overall is less rushed — but in the production overall, which is natural and clear as the dense low-end fuzz takes hold around 13 minutes in and rolls forward to be met by the no-less dreamy guitar.

Shades of earliest Los Natas (thinking “Alberto Migré” specifically), shades of Sungrazer, shades of Colour Haze, but in a context that still has some of the doomier straightforwardness in its impulses — Albinö Rhino move smoothly from the song to the jam and eventually can’t quite let it end without bringing back some semblance of earthiness as vocals in the track’s latest stretches follow the guitar lines, ending out on a particularly thick note. I’m not sure if “Uphold the Light Part 3” picks up right from where “Uphold the Light Part 2” finishes — that is, if they’re one jam — but in the places Albinö Rhino take it, “Uphold the Light Part 2” has a personality of its own both distinct and built onto the accomplishments of the original.

They’ll release the single on Feb. 9 digitally, and vinyl is to follow afterwards, with the title Upholder for the two parts put together. More info follows the player below, on which you can hear “Upholder of the Light Part 2” in its entirety.

Please enjoy:

The self-titled Albinö Rhino debut album that was released 2014, included a 14 minute theme song “Uphold the Light Part 1” as it’s final track. A track that differed from the record’s blues riff-based doom, with it’s progressive and mild psychedelic touch. The song is set to continue now, as the band is ready to introduce parts 2 & 3 during 2016.

The 9th of February is now set as the digital release date for “Uphold the Light Part 2”, as something to chew on while we wait for the complete “upholder” vinyl, which is to be released later during 2016, with Part 2 on the A-side and Part 3 on the B-side. The “single”, clocking at approx. 20 minutes, is a dynamic journey based on bass and drum cycles topped with progressing guitar melodies. Not forgetting the importance of gut pounding riffs conjured at right times.

As from the band’s initiation in 2010, Albinö Rhino has been driven by the freedom of improvisation, and Part 2 has formed step by step by jamming in the practice room and on gigs since the release party of the debut album. The studio sessions were conducted under the surveillance of the great Spirit of Sound. The new album will be packed once again in the beautiful pictures of Minna Kulmala Photography, with layout and additional graphics from Tuomas Valtanen / Dark Side of Zen.

Albinö Rhino on Thee Facebooks

Albinö Rhino on Bandcamp

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Talmud Beach Announce Chief for March 18 Release on Svart

Posted in Whathaveyou on January 28th, 2016 by H.P. Taskmaster

talmud beach

My reasons for posting about Talmud Beach‘s upcoming Svart debut are about as pure as motives get for this kind of thing: I checked it out and dug it. That’s about as far as it’s gone as yet. As I write this, I’m three songs into Chief, which is set to release on March 18, and very, very much into the vibe of its laid back, airy, naturalist blues. The PR wire talks about “quiet intensity” below and I can see where it’s coming from, but whether it’s the proggy background vocals in “Mountain Man” or the birdsong behind the start of “Forest,” there’s clearly more going on here than one genre might try to wall in. Looking forward to getting to know this one better, and I mean that.

The Helsinki-based band released their self-titled debut in 2013, but if you’d like to get introduced to Chief, they have a video for album-opener “Ain’t so Young” that you can check out below. I hope you’ll be as pleasantly surprised upon doing so as I was:

talmud beach chief

TALMUD BEACH set release date for SVART debut

Talmud Beach is a blues trio from the heartlands of Finland, releasing their second album, Chief, on March 18th via Svart Records. The new album carries with it the same praised spirit evoked on the debut: it puts a blues on your face, without pushing, pulling, or shouting. The boogie is still floating with the weight of a snowflake, but the colors and shades are more varied than on the vivid green debut. “Chinaman Blues” swamps; “Forest” is redolent and dark; “Mountain Man” is left in the white haze of the mountain top, and in the end, a chief’s hat awaits you in all the colors of the rainbow.

Talmud Beach is wandering the trails marked by artists like Robert and Blind Willie Johnson, Mississippi Fred McDowell, Canned Heat, ZZ Top, J.J. Cale, and 22-Pistepirkko. During their five years of existence, apart from their eponymous first album, Talmud Beach has released a live album with Daniel Johnston and a motorik single, “Summertime Mother.” The biggest hit from the debut album, “Hobo Don’t Mind a Little Rain,” could be heard not only on the radio, surfing the waves for some time, but also as the theme for a hit comedy series, Napamiehet, on Finnish national television.

A Finnish proverb “calm is the loon’s field” is the motto of Chief. The loon is an aquatic bird also seen on the cover of the new album. Today, music is often played at loud volume, and it has intensively produced and massive sound. For Talmud Beach, the quest for intensity has always gone beyond the volume knob – a quiet, sensitive approach is more effective. With an open listener, the limpid surface will start to reveal the hidden depths: passing youth, a sweaty, shirtless “Kekkonen” (the former Finnish president), or endless flow of snow – all lie below.

For the opening title “Ain’t So Young,” Tuomo Tuovinen directed a music video that won the grand prize at the Oulu Music Video Festival in 2015, and which can be viewed in its entirety HERE. Cover and tracklisting are as follows:

Tracklisting for Talmud Beach’s Chief
1. Ain’t So Young
2. Pharmacy Blues
3. Mountain Man
4. Forest
5. Kekkonen
6. Snow Snow Snow
7. Chinaman Blues
8. Born With the Blues
9. Chief

www.facebook.com/talmud.beach1
http://talmudbeach.bandcamp.com/
http://www.svartrecords.com/
https://www.facebook.com/svartrecords

Talmud Beach, “Ain’t so Young” official video

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Tomorrow’s Dream: 135+ of 2016’s Most Anticipated Releases

Posted in Features on January 25th, 2016 by H.P. Taskmaster

tomorrows dream 2016

If 135-plus releases sounds like a lot, you’re right, it is. I must be out of my god damn mind. To put it to scale though, last year, I did a feature every couple of months called the Quarterly Review that throughout the course of 2015 resulted in no fewer than 200 separate album writeups. 135 is a lot, but it’s not everything. It’s still January. It couldn’t possibly be everything.

The basic fact of the matter is there’s so much out there right now that anyone claiming to even hint at totality of coverage is either clueless or lying. I don’t come close to catching it all. I do the best I can to do as much as I can. I know you’ve heard this all before.

Over the last seven or eight months, I’ve been keeping track of albums, EPs, singles, etc., slated for 2016 release. Some of these are independent, some through labels, some names familiar, some names new. I’ve tried to mix it up as much as possible, and I reserve the right to add to the list over the next couple days anything anyone might suggest in the comments. Last year’s list turned out to be a resource I used throughout the entire time, so, fingers crossed, I’ll be doing the same this go around. Thanks in advance for your participation in making it more complete by leaving a comment.

Ordered Alphabetically by Artist

1. Alunah, TBA

alunahThe Birmingham doom-rollers seem to be on this list every year, but I have it on good authority — namely, Alunah posted about it on the social medias — that they’re writing and entering the studio with an eye toward a late-2016 release for the follow-up to their 2014’s excellent Awakening the Forest (review here), their third full-length and debut on Napalm Records. Alunah on Thee Facebooks, at Napalm Records.
 

2. Ancient Warlocks, II

I don’t even know how many pressings STB Records has been through of Ancient Warlocks‘ self-titled debut (review here), but the follow-up has been finished since September and is reportedly due sometime this Spring. Primo fuzz is expected from the dual-guitar Seattle outfit. Ancient Warlocks on Thee Facebooks, STB Records.
 

3. Asteroid, III

Since their late-2015 reunion (announced here), Swedish trio Asteroid have been added to the lineup for Desertfest in Berlin and just this past week re-signed to Fuzzorama Records — which also released their last full-length, 2010’s II (review here) — for an upcoming release they’ve appropriately-enough dubbed III. Much more to come. Asteroid on Thee Facebooks, Fuzzorama Records.
 

4. Atavismo, TBA

Not much more to go on here than the band alluding to a forthcoming LP being put together, but frankly, I was so enthralled with the Spanish group’s late-2014 debut, Desintegración (review here), that that’s enough to make me excited at the prospect of a next installment from them. Keeping my hopes up it gets here before December. Atavismo on Thee Facebooks, on Bandcamp.
 

5. Banquet, Jupiter Rose

Picked up last fall by Heavy Psych Sounds as part of a torrent of signings from the label, San Francisco’s Banquet make their debut next month with Jupiter Rose, following their 2015 single, Run to You / Mother Road, which was released by Who Can You Trust? Records and boasts soulful West Coast heavy ’10s thrust. Banquet on Thee Facebooks, Heavy Psych Sounds.
 

6. Beelzefuzz, Beelzefuzz II: The Righteous Bloom

When I starting keeping notes for this list, this album was pegged as the debut from Beelzefuzz-offshoot Righteous Bloom, but word came down in December that band had reassumed its former moniker and that Beelzefuzz II: The Righteous Bloom would be issued in the early part of 2016 via The Church Within as the follow-up their 2013 self-titled debut (review here). Whatever name the progressive doomers release it under, I can’t wait to hear it. Beelzefuzz on Thee Facebooks, The Church Within Records.
 

7. Bellringer, TBA

bellringerThere hasn’t been any sort of official announcement of a debut LP from the Mark Deutrom-led Bellringer, but over the course of the last year, the Austin-based former Melvins/Clown Alley bassist has unveiled a number of singles (posted here), and if he keeps it up long enough, he’ll get to an album one way or another. As a fan of creative weirdo heavy rock, I’m looking forward. Bellringer on Thee Facebooks, on Bandcamp.
 

8. Blaak Heat Shujaa, TBA

As of this past April, L.A. desert psych rockers Blaak Heat Shujaa (aka Blaak Heat) were in pre-production for their third full-length and second for Tee Pee Records behind 2013’s expansive The Edge of an Era (review here). The album may or may not be done, but whenever it arrives, it’ll do so with extra interest due to the inclusion of Tom Davis (ex-Nebula) on bass. Blaak Heat Shujaa on Thee Facebooks, Tee Pee Records.
 

9. Black Black Black, TBA

I feel like Brooklyn post-hardcore heavy rockers Black Black Black caught a bum rap because of their name, but the band’s blend of melody and intensity was not to be ignored on account of moniker or anything else. No solid release date yet, but last I heard, Aqualamb Records, which issued the artbook version of their 2012 self-titled debut (review here) would have a sophomore album released in similar style in the first half of this year. Black Black Black on Thee Facebooks, Aqualamb Records.
 

10. Black Cobra, Imperium Simulacra

You’ll note several records on this list have a release date of Feb. 26, and it would seem only fair to put Black Cobra‘s fifth outing and first for Season of Mist, Imperium Simulacra (review here), at the head of the bunch even if it didn’t wind up there by alphabetical happenstance. Not by any means the San Francisco duo’s rawest outing, but definitely their most stylistically expansive, and with plenty of their trademark destructive gallop to boot. One you probably don’t need me to tell you that you should hear. Black Cobra on Thee Facebooks, Season of Mist.
 

11. Black Cowgirl, TBA

Last time Pennsylvania heavy rockers Black Cowgirl were heard from, they said one simple thing: “2016.” That was October. Well, it’s 2016 now, and if we’re talking new releases, an LP from them would just about be their debut. Their 2012 self-titled (discussed here) on Kozmik Artifactz paired newer songs with material from their 2010 demo (discussed here), so a straight-up album feels due. Maybe this is the year. Black Cowgirl on Thee Facebooks, on Bandcamp.
 

12. Black Rainbows, Stellar Prophecy

Black Rainbows Stellar ProphecyIf this one’s fresh in mind, that’s because it was just announced last week that Rome trio Black Rainbows would release their new album, Stellar Prophecy in April on Heavy Psych Sounds. It’s a quick turnaround for them from 2015’s Hawkdope (review here), but as that album was a marked step forward in their sound, I’m even more eager to hear where they go next. Black Rainbows on Thee Facebooks, Heavy Psych Sounds.
 

13. Black Shape of Nexus, Carrier

It’s an establish Spring release date for the new Black Shape of Nexus, whose brand of sludge crosses a threshold of thoughtfulness without falling into post-metal cliche. The German outfit’s last record, 2012’s Negative Black (streamed here), was plenty punishing, and I’d expect only creative progression on Carrier, though wouldn’t dare guess at the form in will take. Black Shape of Nexus on Thee Facebooks, Exile on Mainstream.
 

14. Blood Ceremony, Lord of Misrule

Toronto’s Blood Ceremony enter into their recently-announced fourth full-length, Lord of Misrule in something of a stately position. Since 2013’s The Eldritch Dark, their influence has only spread further across North America and beyond, so the question as the new LP makes its way out via Rise Above on March 25 is how they can stand out from the crowd formed at least partly in their wake. Blood Ceremony on Thee Facebooks, Rise Above Records.
 

15. Boris with Merzbow, Gensho

So you get your Boris record, then you get your Merzbow record, then you play both at the same time, and that’s your collaborative release. The intermittent pairings from Boris with Merzbow have always been unflinchingly creative and bold in their experimentalism, and going by the teaser posted last week, Gensho will be no different when it arrives March 18 on Relapse. Expect who the hell knows what. Boris on Thee Facebooks, Merzbow website, at Relapse Records.
 

16. Borracho, TBA

In mid-2015, Washington D.C.’s Borracho took part in a Ripple Music split with Geezer called The Second Coming of Heavy – Chapter One (review here). A bolt title, but it found them continuing to refine their sound as a power trio following 2013’s sophomore LP, Oculus (review here). No solid word of something due as yet, but a recent update from the band said they’d be hitting the studio next month. Borracho on Thee Facebooks, on Bandcamp.
 

17. Brimstone Coven, Black Magic

Out this week on Metal Blade, Brimstone Coven‘s debut album follows a well-received self-titled EP compilation (track stream here) that came out last year, and should prove interesting to see how the West Virginian doomers have grown since that material was recorded in 2013, just a year after they formed. I can’t claim to have heard it yet, but it seems like one that the doom converted should be all over. Brimstone Coven on Thee Facebooks, at Metal Blade Records.
 

18. Causa Sui, Return to Sky

causa suiDanish heavy psych instrumentalists Causa Sui posted an album teaser late last week for Return to Sky, and though it only showcased two tracks, it showed their tonal warmth intact and their will to explore as vibrant as ever. To be released through their own El Paraiso Records, my only hope is they don’t get saddled with pressing delays in the Spring, because really, the sooner it gets here, the better off we’ll all be. Causa Sui on Thee Facebooks, El Paraiso Records.
 

19. La Chinga, Freewheelin’

An awaited follow-up and Small Stone debut brings Freewheelin’ (review here) from Vancouver heavy rockers La Chinga on March 20. The new album reignites the hard-driving, classic-minded methods of their 2013 self-titled (discussed here), but refines the songwriting as well to affect a more memorable impression. The beginning of a big return year for Small Stone. La Chinga on Thee Faceboks, Small Stone on Bandcamp.
 

20. Church of Misery, …And Then There Were None

Unquestionably one of the most anticipated albums of the year. And Then There Were None brings Church of Misery founder Tatsu Mikami to the US from his native Japan and finds him teamed up with members of Blood Farmers, Earthride and Repulsion in a completely revamped lineup from that which appeared on 2013’s Thy Kingdom Scum (review here). Rise Above recently announced a March 4 release. Church of Misery on Thee Facebooks, Rise Above Records.
 

21. Cities of Mars, TBA

Swedish trio Cities of Mars caught attention with the big riffs and steady swing of their debut single (review here), and announced back in October that they’d have a new EP out in March via Suicide Records. Still somewhat in their formative stages, they’ve presented a sci-fi thematic and it will be interesting to see if they stick with it or move toward something else. Cities of Mars on Thee Facebooks, Suicide Records.
 

22. Cloud Catcher, TBA

The progressive Denver newcomers are set to hit the studio in Spring to record their sophomore LP and the follow-up to 2015’s Enlightened Beyond Existence (discussed here), so it might be summer or even fall by the time it gets issued, depending on timing of the recording, what label picks them up, etc., but it’s one to keep an eye out for anyway. They’ve shown a willingness to hit the road as well, and I wouldn’t be surprised if they did so again sometime after their Spring tour in Feb./March. Cloud Catcher on Thee Facebooks, on Bandcamp.
 

23. Comacozer, Astra Planeta

When Sydney trio Comacozer signed with HeadSpin Records last July, it was announced they’d be recording in October for a debut full-length to be titled Astra Planeta that would be due this Spring on the label. That process has been delayed somewhat, but there’s still no reason to think they can’t get the record out this year. Their 2015 EP, Deloun Sessions, found them pushing more into tense, moody atmospherics, and it was a shift that suited them well. Comacozer on Thee Facebooks, HeadSpin Records.
 

24. Conan, Revengeance

conan revengeanceOut this week on Napalm Records, the third album from UK destroyers Conan, Revengeance (review here), finds the trio revamped around founding guitarist/vocalist Jon Davis, with longtime producer Chris Fielding adding a striking, effective counterpoint on bass and vocals and drummer Rich Lewis adding to the tectonic roll on drums. Happy to report, it still sounds like Conan, only perhaps even deadlier. Conan on Thee Facebooks, at Napalm Records.
 

25. Conclave, TBA

I don’t think Massachusetts four-piece Conclave — whose members trace their pedigree back to outfits like Warhorse and Grief — are ready to make the name of their full-length debut public yet, so I’m not going to say it, but I’ve heard the album and it’s full-on death-doom punishment that should bring a satisfied grin to even the most discerning of purists. Their debut EP, Breaking Ground (review here), was grim and brutal in kind, and the album only pushes further into the dark. Conclave on Thee Facebooks, on Bandcamp.
 

26. Corrosion of Conformity, TBA

Since the North Carolinian legends first announced they were reuniting with guitarist/vocalist Pepper Keenan, the question has been whether or not a new album would surface. Last October, they signed to Nuclear Blast while on tour with Clutch and The Shrine (review here), and followed that tour with a headlining run in December. I expect we’ll hear from them a lot in 2016 as they record the first outing with this full four-piece since 2000, and that’s just fine by me. Corrosion of Conformity on Thee Facebooks, Nuclear Blast.
 

27. Cough, TBA

Richmond doomers Cough entered the studio last August to begin tracking their first full-length since 2010’s Ritual Abuse (review here). I haven’t seen any announcement as to when it will be released, but it was finished in September, and we’ll see if it winds up coming out through Relapse, which would be expected, or if part of the delay has been in finding it a new home. That’s sub-speculation, mind you. I’m figuring on release news any minute now. Will let you know how that goes.Cough on Thee Facebooks, Relapse Records.
 

28. Curse the Son, Isolator

curse the son isolatorI was very glad I got to see Connecticut’s Curse the Son this past fall (review here), both because I dig what they do and because it gave me a sneak peak at the songs that will show up on their new album, Isolator, when it surfaces in March via Snake Charmer Coalition. Expect big, tone-led vibes a la 2012’s Psychache (review here), but with some new edge thanks to the addition of bassist/backing vocalist Brendan Keefe alongside guitarist/vocalist Ron Vanacore and drummer Michael Petrucci. Curse the Son on Thee Facebooks, Snake Charmer Coalition.
 

29. Dali’s Llama, Dying in the Sun

Perpetually underrated CA desert rockers Dali’s Llama will release their new album, Dying in the Sun, early this year. I’m not precisely sure when, but sooner or later it will come out, and when it does, I have full faith it will be a stirring reminder of just how overlooked the band continues to be as they’re now well past their 20th anniversary. The upcoming full-length was mastered as of December, so look out for an update hopefully sooner than later. Dali’s Llama on Thee Facebooks, Dali’s Llama Records.
 

30. Darsombra, TBA

Drone/noise/visual two-piece Darsombra toured across the US in 2015 across 109 different cities. That is no easy feat, and I can’t even imagine how an experience like that might play into the writing from Brian Daniloski and Ann Everton on the band’s next full-length, which, when they finished the last leg of that massive and ambitious run, they said was in the works. I’d like to find out, though, as Darsombra continue to aspire to inner peace through cosmic noisemaking. Darsombra on Thee Facebooks, on Bandcamp.
 

31. Dead Feathers, Dead Feathers 10″

Expected out Feb. 19 via HeviSike Records, the self-titled debut EP from Chicago heavy psych rockers Dead Feathers has been subject to some considerable pressing delays. The band was signed last Spring initially for an Aug. 2015 release that has continued to be pushed back, presumably as a result of so much interest in pressing vinyl at the moment. Still, the tracks have been streaming for a while now, so anyone looking to quench their thirst can do so readily on their Bandcamp. Dead Feathers on Thee Facebooks, HeviSike Records.
 

32. Deadsmoke, Deadsmoke

DEADSMOKE DEADSMOKEAs announced a couple weeks ago, Duna Jam veterans Deadsmoke will issue their self-titled debut via Heavy Psych Sounds on March 25. The Italian sludgers have plans to tour Europe in May as well, and should they happen to pop on a late-spring or summer festival or two along the way, I wouldn’t necessarily be surprised. Heavy Psych Sounds‘ spree continues. Deadsmoke on Thee Facebooks, Heavy Psych Sounds.
 

33. Deamon’s Child, Scherben Müssen Sein

The German title of Deamon’s Child‘s second album, Scherben Müssen Sein, translates to “shards must be.” I’m not sure what it means, but I am sure that the trio’s 2014 self-titled debut (review here) was an intriguing and offbeat brand of noise rock-plus, so I’ve no problem getting down with the idea of another outing from them, though given their breadth I wouldn’t necessarily expect the second LP to be a carbon copy of the first. Deamon’s Child on Thee Facebooks, on Bandcamp.
 

34. Deathkings, All that is Beautiful

Hailing from what I’ll assume is the darkest underbelly of Los Angeles, Deathkings issue their sophomore LP, All that is Beautiful, on March 18 as the follow-up to a 2015 split with Boston’s Rozamov (review here). I’ve got a track stream slated for this week from these guys, so I’ll save more for that, but suffice it to say that it’s surprising music so grueling can come from a place where it never rains. Deathkings on Thee Facebooks, on Bandcamp.
 

35. Devil to Pay, A Bend Through Space and Time

Indianapolis heavy rockers Devil to Pay and their label, Ripple Music, have set a tentative “Summer” release date for the band’s fifth album, A Bend Through Space and Time, but as the recently unveiled “Your Inner Lemmy” showcased, the songwriting that has long served as their chief appeal is ready to roll on the new collection. That song surfaced early as a timely tribute to Lemmy Kilmister of Motörhead, so it might be a while before more solid details come down the wire, but whenever it shows, it’ll be welcome. Devil to Pay on Thee Facebooks, Ripple Music.
 

36. Dream Death, Dissemination

A second post-reunion album is always a tricky prospect. A band wants to continue to acknowledge what they were when they started out, progress from their last outing, and get over that hump of songs that may or may not have been written years prior and onto something fresh. How will Pennsylvania’s Dream Death tackle this issue on their forthcoming Dissemination, due out March 4 via Rise Above? Probably by being heavy as hell and sounding completely fucking miserable. Just a guess. More info here. Dream Death on Thee Facebooks, Rise Above Records.
 

37. Droids Attack, Sci-Fi or Die

droids attack sci-fi or dieAnother Feb. 26 release, Sci-Fi or Die, the fourth long-player from Madison, Wisconsin’s Droids Attack, has been in the works for at least the last three years. I’ll be hosting a full-stream of it sometime between now and the release (which I’m stoked for), so keep an eye out for that, but these guys have deserved more attention for a while now one way or another, and the follow-up to 2010’s Must Destroy! (review here) might be the record that gets it for them. Droids Attack on Thee Facebooks, Droids Attack website.
 

38. Drug Honkey, TBA


Various announcements have floated around over the last year and a half or more from Chicago death-churners Drug Honkey, and I’m not sure at this point whether their next release will be an EP of or a complete album or what. Their last full-length was 2012’s Ghost in the Fire (review here), which was inhumane in its onslaught, abrasive in loud or quiet parts, and swirled out an otherworldly sense of terror. So yeah, something to look forward to in a new one. Drug Honkey on Thee Facebooks, Transcending Obscurity on Bandcamp.
 

39. Duel, Fears of the Dead

In addition to boasting a cover that has immediately made my list of the year’s best, look for hard-driving heavy rock swing on Duel‘s debut LP, Fears of the Dead, due out Feb. 12 on Heavy Psych Sounds. The Austin, Texas, four-piece have newly announced European tour dates that will start March 9 and run through April 2, and I’ve little doubt their brash ways will find favor among the beer-soaked good-timers abroad. Over here, I’m just looking forward to hearing the album. Duel on Thee Facebooks, Heavy Psych Sounds.
 

40. Egypt, Endless Flight

We know it’s awesome. It was streamed here last month in its entirety. The real question with Egypt‘s sophomore outing is whether it’s a 2015 or a 2016 release. Vinyl’s still forthcoming last I heard, but the CD hit in December. What counts? For what it’s worth, I’m clearly thinking of it as a 2016 outing, but whatever format you might prefer, think of this as a note to remind you that you should check out. Because it’s awesome. We knew that. Egypt on Thee Facebooks, Egypt on Bandcamp.
 

41. Eight Bells, Landless

Out Feb. 12 on respected purveyor Battleground Records with tapes through Tartarus, Landless casts a severe and progressive glance at the scope of atmospheric heavy and offers an individualized take developed even from what the Portland, Oregon, trio brought to their 2013 debut, The Captain’s Daughter. Doom, black metal and a stately sort of psychedelia intertwine over the album’s span, and it seems all the more likely the band will turn heads with their approach on tour with Voivod (dates here) starting Feb. 6. Eight Bells on Thee Facebooks, Battleground Records.
 

42. Electric Citizen, Higher Time

Before Electric Citizen posted the new track “Evil” in a RidingEasy Records sampler last month, word on the street was the Ohio heavy ’10s rockers were looking to add a full-time keyboardist. That search doesn’t seem to have panned out, but their Higher Time is hotly anticipated anyway as the answer to their 2014 debut, Sateen (review here), which showed the Sabbath worshipers how Sabbath worship is done. Electric Citizen on Thee Facebooks, RidingEasy Records.
 

43. Elephant Tree, TBA

elephant treeFull disclosure: I know way more about Elephant Tree‘s upcoming Magnetic Eye Records debut LP than I’m putting in this post. Like that it rules. And why! Stick around. Later this week, I’ll have a track premiere from the album up with a review, but the follow-up to their 2014 debut EP, Theia (review here), has already made it into my best-of-2016 consideration and my best-debuts-of-2016 consideration, and I know it’s only January, but right now it’s the one to beat in the latter category. More to come. Elephant Tree on Thee Facebooks, Magnetic Eye Records.
 

44. Elevators to the Grateful Sky, Cape Yawn

Sicilian four-piece Elevators to the Grateful Sky signed to HeviSike Records last month, and while a March 11 release date for the band’s second album, Cape Yawn seems like a quick turnaround, until I hear otherwise it’s what I’m going with. The band released their debut, Cloud Eye, on Transubstans in 2013, but should fit well with HeviSike‘s growing and diverse roster, being growing and sonically diverse themselves. Elevators to the Grateful Sky on Thee Facebooks, HeviSike Records.
 

45. Faith in Jane, TBA

I have it on zero authority that Maryland heavy rockers Faith in Jane are working on a new release — I know they jammed with Wino earlier this month, and that’s cool — but having had the chance to see the trio play last September at Vultures of Volume II (review here), I’m including them on this list anyway just because they’re one to watch out for. Deep blues vibes roughing up some of the West Coast’s ’70s fetishizing; way heavy and way swinging. Not technical, but intricate, and thoroughly grooved. Lots of potential there.Faith in Jane on Thee Facebooks, on Bandcamp.
 

46. Fatso Jetson, TBA

They’re due, right? Sure, the last couple years have brought splits with Farflung (review here), Herba Mate (review here) and Yawning Man, but we’re coming up on six years since Archaic Volumes (review here) was released in 2010, and I’m dying to hear what a new Fatso Jetson album would sound like with Mario Lalli and son Dino, who’s joined the band in the interim, going head-to-head on guitar. Whenever it’s ready, so am I. Fatso Jetson on Thee Facebooks, Fatso Jetson website.
 

47. Fever Dog, TBA

Could be later in the hear, could be in 2017 that it shows up, but the next offering from Californian desert psych rockers Fever Dog is reportedly now in the writing stage, and given the effectiveness with which 2014’s Second Wind (review here) demonstrated their willingness to mess around with structure and sound alike, their third outing should find them at an important stage in their development. Still young and significantly underrated. Fever Dog on Thee Facebooks, on Bandcamp.
 

48. The Flying Eyes, Poison the Well / 1969 7″

the flying eyes poison the well 1969It’s another year for me and you. Another year with nothin’ to do. Baltimore’s The Flying Eyes are covering The Stooges‘ “1969” (baby) on their new single from H42 Records, mashing it up with “Poison the Well” from their 2011 second album, Done so Wrong (review here). Might be a stopgap on the way to whatever’s next, but should be an interesting listen anyway. The Flying Eyes on Thee Facebooks, H42 Records.
 

49. Foehammer, TBA

Virginia soul-bashers Foehammer released my favorite EP of 2015 in the form of their Grimoire/Australopithecus self-titled (review here), and I’m eager to know how they’ll expand on the outright brutality of that offering over the course of a full-length, or if they will at all. Entirely possible they’ll just kill, kill, kill the whole way through, and that’s also something I’d like to see them pull off. Either way they go, count me in. Foehammer on Thee Facebooks, Grimoire Records, Australopithecus Records.
 

50. Fog Cult, The Dying Sun

Initially self-released by the band last year, The Dying Sun is the second full-length by Bethlehem, Pennsylvania, weedian rockers Fog Cult, and it’s set for a vinyl issue via Black Farm Records sometime this year. Not much fixing what isn’t broken about large-scale nod riffs and sludge vibing, but a track like “Altars of the Night” manages to evoke early Alice in Chains-type harmonies without falling into post-Creed cliche, and that in itself is something remarkable. Streaming in full now on their Bandcamp. Fog Cult on Thee Facebooks, Black Farm Records.
 

51. Foghound, The World Unseen

Might be May before it shows up, but The World Unseen will serve as Maryland heavy rockers Foghound‘s debut on Ripple Music. It’s their second offering behind 2013’s Quick, Dirty and High (review here) and a meaner, leaner take on their sound. The turns are tighter and the groove is more aggressive, but they still sound like they’re having a complete blast. More to come this Spring. Foghound on Thee Facebooks, Ripple Music.
 

52. Fuzz Evil, TBA

They’ll be playing the Borderland Fuzz Fiesta next month, which I’m proud to say I’ll be attending, and I hope to have a better picture of the debut album by Fuzz Evil‘s arrival date by the end of that if not before. The Arizona band, which shares brothers Wayne and Joseph Rudell with Powered Wig Machine, offered up a split with Chiefs in late 2014 (streamed here) and has piecemealed a track or two since, but the full-length was sent off to mastering in November, so it seems like it’s just a matter of time before it shows up. Fuzz Evil on Thee Facebooks, Fuzz Evil on Bandcamp.
 

53. John Garcia, TBA

john garciaAmong the several Garcia-related releases that 2016 might have on offer — he appears no fewer than in three separate entries on this list — the former Kyuss, Slo Born, Unida, Vista Chino, Hermano, etc., vocalist has announced intentions toward a follow-up for his 2014 Napalm Records self-titled solo debut (review here) and an acoustic record, the second of which he reportedly began recording this month. The more the merrier, quite frankly. John Garcia on Thee Facebooks, Napalm Records.
 

54. Geezer, TBA

According to The Obelisk’s deep-running investigative team — by which I mean I looked at their Thee Facebooks page — New York heavy blues trio Geezer are heading into the studio in a couple weeks to record their next full-length. In 2015, the band offered up the already-noted split with Borracho, The Second Coming of Heavy – Chapter One (review here), via Ripple Music, and they’ve set about refining their chemistry on-stage as they hone their fluid mix of languid vibes and smoked-out shuffle. Looking forward to this one. Geezer on Thee Facebooks, STB Records.
 

55. Goatess, Purgatory Under New Management

First announced here with a track stream in November, the second album from Chritus Linderson-fronted doomers Goatess, titled Purgatory Under New Management, is due out this March of Svart, which also released the Swedish outfit’s 2013 self-titled debut (review here). I haven’t heard much about it since that track stream, so it may or may not be pushed back, but whatever, I’m just glad they did a second record either way. It’ll be out when it’s out. Goatess on Thee Facebooks, Svart Records.
 

56. The Golden Grass, TBA

Bring on the good vibes. The sophomore LP from sweet ’70s-style rockers The Golden Grass will be the band’s first for Listenable Records after releasing their self-titled debut (review here) via Svart in 2014. They finished mixing earlier this month, so once it’s mastered it seems like it’s really up to the label’s schedule as to when it will be out. Spring or summer would be my guess, which suits the warmth of their harmonies just fine. The Golden Grass on Thee Facebooks, Listenable Records.
 

57. Gozu, Revival

After issuing two albums through Small Stone in 2010’s Locust Season (review here) and 2013’s The Fury of a Patient Man (review here), Boston four-piece Gozu have aligned themselves to Ripple Music for the release of Revival, their LP overall. Recorded this past fall, it is easily the band’s tightest and most aggressive outing to-date, but their soulful, melodic core remains, and it is all the more identifiable as their own for that. More to come. Gozu on Thee Facebooks, Ripple Music.
 

58. Graves at Sea, TBA

I know I’ve used the phrase “More to come” several times already in this post — like right now, in the last entry — but while the full-length debut from reactivated West Coast sludge-doomers Graves at Sea was announced as being completed and ready for release by Relapse back in October, legitimately, more info on that prospect is coming up, so keep an eye out. That’s all I’m at liberty to say at the moment. I may have already said too much. Graves at Sea on Thee Facebooks, Relapse Records.

59. Greenleaf, Rise Above the Meadow

greenleaf rise above the meadowOh fuck yes. How good is the new Greenleaf? So good. You know how 2014’s Trails and Passes (review here) kind of reset the band and gave a more stripped-down, stage-ready take? Rise Above the Meadow takes that, pushes it forward exponentially, adds some Dozer-style edge to the mix and presents it all with ferocious energy more common to bands on their second album rather than their sixth. Out Feb. 26. Will be a top 10 record in December, no question. Greenleaf on Thee Facebooks, Napalm Records.
 

60. Heavy Temple, TBA

There have been many changes in Philadelphia trio Heavy Temple since they offered up their self-titled debut EP (review here), or at least a couple involving the lineup of the band. Either way, it’s a revamped trio that last summer discussed a second extended-player for 2016. So far as I know, record label is still to be determined so far as I know — the first EP came out on Ván, which is an immediate endorsement — but they’ve been gaining traction in Philly and they seem to have ambitions beyond that city’s limits, so I can’t imagine someone won’t get on board with it, if they haven’t yet. Heavy Temple on Thee Facebooks, on Bandcamp.
 

61. Hermano, TBA

In addition to taking part in Hellfest 2016 in Clisson, France, this June, Hermano have put out word of an impending full-length to be released at some point this year. The John Garcia-fronted outfit also featuring bassist Dandy Brown (who will also play the Borderland Fuzz Fiesta solo) last released an album in 2007, which was Into the Exam Room, a striking, mature, engaging heavy rocker that not only showcased Garcia‘s vocals in creative arrangements, but them memorable songs to top and a variety of moods in which to work. Even nine years later, that record was enough to make me look forward to a follow-up. John Garcia on Thee Facebooks, Borderland Fuzz Fiesta.
 

62. Hexvessel, When We are Death

Out this week as their first release for Century Media, Hexvessel‘s When We are Death pushes beyond the confines of psychedelic folk rock (not that there were so many, particularly as regards their prior output) and into more solidified rock territory, an edge of gothic theatricality making itself felt alongside a stylistically amorphous late-’60s cultistry that doesn’t want to be defined nearly so much as to enthrall. I’ll have a review up one of these days soon, but I feel like I’m still getting to know the record, and that may be a permanent condition. Hexvessel on Thee Facebooks, Century Media.
 

63. High Priest of Saturn, Son of Earth and Sky

Here is yet another of Feb. 26’s many releases. I haven’t heard it yet, but given the traditionalism of the Norwegian outfit’s first LP and the fact that there are only five tracks on Son of Earth and Sky, it seems fair to expect High Priest of Saturn are letting their material flesh out a bit on their sophomore offering through Svart. Announced just a couple weeks ago, it’s been in the can since 2014, so it may not be all that long before a follow-up makes an appearance as well. High Priest of Saturn on Thee Facebooks, Svart Records.
 

64. Hijo de la Tormenta, El Manto de la Especie

I dug Argentinian heavy psych trio Hijo de la Tormenta‘s 2014 self-titled debut (review here), and last year, they followed it up with a quick live two-songer called En Vivo en Buenos Aires that found their sound no less engaging on stage than on record. The upcoming El Manto de la Especie was recently announced here, and should hopefully be together and out sometime in the first half of this year. Hijo de la Tormenta on Thee Facebooks, on Bandcamp.
 

65. Hollow Leg, Crown

hollow leg crownFloridian sludgers Hollow Leg also appeared on this list last January, but the difference is not only has their third album been recorded, but it’s been given a solid March 4 release date by Argonauta Records. So I feel a good deal more comfortable saying it’s definitely going to be out, since it exists, has artwork, tracks, a teaser and all that kind of thing. Hollow Leg on Thee Facebooks, Argonauta Records.
 

66. Holy Grove, Holy Grove

There’s been a buzz around the Pacific Northwest’s fertile ground over the last couple years for Portland, Oregon’s Holy Grove, and on March 18, the soul-rock four-piece will make their full-length debut via Heavy Psych Sounds. The only other release from them I know about to-date is 2014’s Live at Joonior’s (review here), a two-track sampler, so for a lot of listeners outside the band’s regional homebase, this will really be their first experience hearing them. Holy Grove on Thee Facebooks, Heavy Psych Sounds.
 

67. Holy Serpent, TBA

The hot tip is look for it in August on RidingEasy. Melbourne, Australia’s Holy Serpent shroom-doomed their self-titled debut (review here) last year, and they’ll be going for a fast turnaround on the follow-up in 2016. No audio, info or art or anything like that yet, but I’m told it’ll be late summer, so that’s what I’m going on. Holy Serpent on Thee Facebooks, RidingEasy Records.
 

68. Inter Arma, TBA

So far, both Inter Arma and Relapse Records have been pretty tight-lipped on specifics when it comes to the Virginian genre-melders’ second LP for the label (third overall), but we know it was recorded by Mikey Allred, that it’s done and due out this summer, and that they’re starting their touring cycle for it even before it comes out. That’s not nothing. Given the laudatory response to 2014’s single-song EP The Cavern, I’d expect this one to get considerable attention both in the pre-release hype and the post-release exclamatory stages. Inter Arma on Thee Facebooks, Relapse Records.
 

69. Joy, Ride Along!

Announced just last week, Ride Along! will be West Coast jammers Joy‘s second album out through Tee Pee, following the psych spellcasting of 2014’s Under the Spell of… (review here). A few notable guests show up, but I’m looking for the band to distinguish themselves further this time around, find their niche within the post-Earthless sphere of instrumental Cali heavy. They showed some genuine personality on the last one, hope they keep it up. Out April 29. Joy on Thee Facebooks, Tee Pee Records.
 

70. King Dead, Woe and Judgment

king dead woe and judgmentBrooding atmospheres, a kind of post-metallic anxiety and moments of outright physical exertion are spread across Woe and Judgment (review here), the first LP from Pennsylvanian trio King Dead. The band released the album digitally last year on the sly in order to self-finance a vinyl pressing, and after succeeding in that endeavor, they’ll have the record out officially in April or thereabouts. King Dead on Thee Facebooks, on Bandcamp.
 

71. Lightsabres, TBA

Swedish one-man outfit Lightsabres began its association with HeviSike Records with a tape release for 2014’s sophomore album Spitting Blood (review here). The genre-spanning garage psych project linked up with STB for 2015’s Beheaded, but returns to HeviSike for the follow-up fourth long-player, which is due out March 4 with preorders starting this week. Lightsabres on Thee Facebooks, HeviSike Records.
 

72. The Linus Pauling Quartet, Ampalanche

Unlike most offerings on this list, Ampalanche by Texas noise rock weirdos the Linus Pauling Quartet is actually out now. Vincebus Eruptum released the vinyl on Jan. 15. It’ll be out digitally in April as well though, and there’s a big ol’ zip file on my desktop waiting to be reviewed — several, actually but bear with me — so sometime between now and then expect to hear more about the album, which is the band’s first full-length since 2012’s Bag of Hammers (review here), despite a slew of singles between. Linus Pauling Quartet on Thee Facebooks, Vincebus Eruptum Recordings.
 

73. Lo-Pan, TBA

I don’t know what Lo-Pan‘s secret plan is, but I know they were in the studio last week, so whether it’s a new album, a single, an EP, split or whatever, they’ve got something going. It would be a relatively quick turnaround from 2014’s Colossus (review here), but they’ve since added guitarist Adrian Zambrano (also Brujas del Sol) to the lineup, so a burst of creativity isn’t necessarily out of the question. Whatever they’re up to, they’ll be on the road as ever this year, touring with Black Cobra and Bongzilla this spring. Lo-Pan on Thee Facebooks, Small Stone Records.
 

74. Lord, Awake

As of last September, chaotic Virginian five-piece Lord were mastering their Awake album with an eye on a 2016 release. I’ve been keeping a relatively close eye, and I haven’t heard anything about a meteor crashing into the final tapes (or hard drive) or anything, so I’m just going to assume and hope that it gets out this year. Lord‘s last full-length, Chief (review here), came out in 2011 and they also issued the Alive in Golgotha EP (review here) in 2014. Lord on Thee Faceboks, Heavy Hound Records.
 

75. Lord Fowl, TBA

More wishful thinking than nailed-down guarantee, perhaps, but Connecticut’s Lord Fowl are due to give an answer to their 2012 Small Stone debut and second album overall, Moon Queen (review here). Last I spoke to the band was the middle of last year and they were writing, but in October, they entered the studio to begin the recording process, so hopefully that means it’ll be out sooner than later. Lord Fowl on Thee Facebooks, Small Stone Records.
 

76. Low Flying Hawks, Kofuku

low flying hawks kofukuNot exactly out of nowhere — apparently out of Los Angeles, or somewhere thereabouts — but Low Flying Hawks‘ forthcoming Magnetic Eye debut, Kofuku, did seem to show up as a sudden blip on the radar. Notable for working with such Melvins-related characters as producer Toshi Kasai, drummer Dale Crover, and bassist Trevor Dunn, the band effectively blends moody post-rock atmospheres with weighted, hypnotic grunge, keeping things dark as seen in their recent video for “Ruins.” Low Flying Hawks on Thee Facebooks, Magnetic Eye Records.
 

77. Mantar, Ode to the Flame

I’ll admit to being somewhat surprised when Germany’s Mantar signed to Nuclear Blast late last year. Their sound is so raw, so unabashedly extreme in its intent on their 2014 debut, Death by Burning (review here) — which was released by Brutal Panda and Svart both — and something tells me that with a title like Ode to the Flame, their second LP won’t offer much letup in intensity, but having seen the band live (review here), they are unmistakably a force. Mantar on Thee Facebooks, Nuclear Blast Records.
 

78. Mars Red Sky, Apex III (Praise for the Burning Soul)

The third album from Bordeaux-based heavy psych rockers Mars Red Sky feels like a logical step forward from 2014’s Stranded in Arcadia (review here), but it is very definitely a step forward, in its atmospheric complexity, in the depths of its arrangements and the breadth of its tones. Songs like “Mindreader” and “Under the Hood” exemplify how much the band has progressed since their 2011 self-titled debut (review here), and though it comes preceded by the newly-released Providence EP (review here), that’s really just the beginning of the story about to be told. Mars Red Sky on Thee Facebooks, Listenable Records.
 

79. Merchant, Suzerain

Finished recording as of Jan. 11, Suzerain will serve as the debut full-length from aggro tone-bearers Merchant, who announced their coming with a 10-minute single called Seismic (review here). Their principal task will be to distinguish themselves from the pack of Melbourne’s crowded heavy underground, but I’m looking forward to finding out how they go about it and where their apparent potential will take them. Merchant on Thee Facebooks, on Bandcamp.
 

80. Merlin, Electric Children

Kansas City doom rockers Merlin gave a taste of Electric Children back in November with a track premiere for “Bad Trip” and the album itself will see release on March 11 through 4One8 Records on CD. Vinyl will be through Poisoned Mind, who also issued the band’s Christkiller LP (review here) in 2014. To say they have a flair for the dramatic might be understating it, but Merlin do well to keep a reliable core of songwriting underneath. Merlin on Thee Facebooks, 4One8 Records, Poisoned Mind Records.
 

81. Mondo Drag, The Occultation of Light

mondo drag the occultation of lightReady for release on — you guessed it — Feb. 26, The Occultation of Light is the third full-length from psych-prog traditionalists Mondo Drag, second via RidingEasy, and it gives a more updated take on their sound than did last year’s self-titled (review here), which was recorded in 2012 with a different lineup. They seem poised to really establish themselves with this record, which was announced in November, and from where I sit, the record is strong enough to do it. Mondo Drag on Thee Facebooks, RidingEasy Records.
 

82. Mondo Generator, TBA

Nick Oliveri oversaw some lineup changes last fall for Mondo Generator, but to go with that and their European tour, it was announced that the band was working — as a trio now — on their fifth full-length for an eventual 2016 release. That’s not to say it’s showing up tomorrow, but if they were writing in the fall, it doesn’t seem outside the realm of possibility that they could have something out before the year is done. Oliveri‘s last release was the 2014 solo album, Leave Me Alone (streamed here). Mondo Generator on Thee Facebooks, Mondo Generator webstore.
 

83. Monkey3, TBA

For Swiss instrumentalists Monkey3‘s Nov. 2015 European tour, the band specifically noted they would be playing out new material as a “preview.” I don’t know if that means their next album is recorded or if they were trying stuff out on stage before they went into the studio, but, now signed to Napalm, the band will hopefully in 2016 have a follow-up out for 2013’s The 5th Sun, which was their fourth long-player. Monkey3 on Thee Facebooks, Napalm Records.
 

84. Monobrow, TBA

Last time Ottawa’s Monobrow mentioned their new LP was Nov. 24. They said, “new album slowly coming together.” So there you go. They reportedly took more time after a Dec. 5 show with Public Animal to work on it, but there’s been no solid word of a release date or even recording date as yet. It’s in progress. Their 2015 single, A Handwritten Letter from the Moon (review here), presented a less bombastic feel than, say, 2014’s Big Sky, Black Horse (review here). We’ll see which impulse ultimately wins out in their sound. Monobrow on Thee Facebooks, on Bandcamp.
 

85. Mos Generator, TBA

Among the safest bets one might place this year is that Washington’s Mos Generator will release something, but the band, led of course by workaholic guitarist/vocalist Tony Reed, premiered an acoustic take on Easy Evil” back in September that was to be included on an unplugged release through H42 Records, and their last album, Electric Mountain Majesty (review here), came out in 2014, so I wouldn’t be surprised if in addition to continuing to road-dog across the US and likely beyond, they didn’t also find time to punch out a new studio LP. Mos Generator on Thee Facebooks, Listenable Records.
 

86. Mothership, Live over Freak Valley

mothership live over freak valleyTrue, Mothership released Live over Freak Valley on Jan. 15. You got me. The reason I’ve still got them on this list, however, is because I’m wondering if the Texas heavy rockers might keep the momentum they’ve got on their side after their recent tour with C.O.C., Saviours and Brant Bjork going by jumping back in the studio and belting out a follow-up to 2014’s Mothership II (review here). Even if it’s later in the year, crazier things have happened. Mothership on Thee Facebooks, Ripple Music.
 

87. Mountain God, TBA

Early last year, bleak Brooklyn atmosludge extremists Mountain God offered their single-song EP, Forest of the Lost (review here), which followed their prior 2013 demo tape, Experimentation on the Unwilling (review here). They’ve been writing all the while, and it seems likely they’ll manage a release of some sort this year as well. Whether that’s their debut full-length, which I’m hoping creeps as much as it shrieks — or at least a little — or something else, I don’t know. Mountain God on Thee Facebooks, on Bandcamp.
 

88. Mountain Tamer, Mountain Tamer

These West Coast stoner rockers were picked up by Argonauta Records last month after their Mtn Tmr Demo (review here) offered psychedelia-via-neo-grunge thrills and classic-minded swing. More to come on this self-titled debut from the Santa Cruz trio, which will be out on Feb. 12. Mountain Tamer on Thee Facebooks, Argonauta Records.
 

89. Naxatras, II

Sold out in numerous CD and cassette editions following its release in April, the live-recorded self-titled debut from Greek heavy psych rockers Naxatras continued to earn praise throughout the rest of last year. The Thessaloniki-based trio will reportedly release a single as a 10″ before their second long-player surfaces, but both have been recorded and seem like they’re ready to roll out as soon as they’re pressed. I wouldn’t mind if they did a CD re-press of the first album either, but no word on that as of yet. Naxatras on Thee Facebooks, on Bandcamp.
 

90. Neurosis, TBA

It’s done, it’s in the can, it’s mastered, and it pains me that a new Neurosis album exists somewhere on this planet and I haven’t heard it yet. It’s a downright tragedy. The post-metal progenitors also recently announced a deluxe anniversary boxed set of all their albums to-date (not including the new one) called Strength and Vision, but as ever, their eyes are forward even as they’re celebrating their 30 years as a band. But seriously, if I don’t hear that record soon, I’m gonna cry. Actual tears. Neurosis on Thee Facebooks, Neurot Recordings.
 

91. Om, TBA

The Al Cisneros-led trio Om were recently in the studio, and while I can’t say for certain it was for a new album to follow-up 2012’s brilliant Advaitic Songs (review here), I sure as hell hope so. Om are another band who were on last year’s list too, so take this for what it is, but I think it’s safe to say Advaitic Songs is one of the strongest albums of the decade so far, and a subsequent outing feels due. Om on Thee Facebooks, Drag City.
 

92. Oranssi Pazuzu, Värähtelijä

Oranssi Pazuzu VärähtelijäEffective, trance-inducing psychedelic black metal isn’t easily done, and when someone does it as well as Oranssi Pazuzu on Värähtelijä or as Deathspell Omega on Fas – Ite Maledicti, in Ignem Aeternum, it tends to get noticed by a very specific subset of the heavy metal literati. No doubt the same has been and will continue to be the case for the Finnish blackened hypnotists leading up to the Feb. 26 Svart/20 Buck Spin release of Värähtelijä, their fourth album, but the hype is legitimate, and the record crosses vast expanses over the course of an encompassing 69 minutes. Sometimes it’s hard to argue with consensus. Oranssi Pazuzu on Thee Facebooks, 20 Buck Spin, Svart Records.
 

93. Pale Divine, TBA

Pennsylvanian doomers Pale Divine take their time. Nothing wrong with that, and anyway, it’s only been four years since their last album, Painted Windows Black (review here), came out a full five after 2007’s Cemetery Earth, so, you know, no rush. In 2016, however, they’re coming closer to marking 20 years since the release of their first demo, 1997’s Crimson Tears, which in many ways established the course of their sound, so if a new full-length were to happen this or next year, it would seem only appropriate. Would also be their first since adding Ron McGinnis (Admiral Browning, Bailjack, etc.) on bass several years ago now. Pale Divine on Thee Facebooks, Shadow Kingdom Records.
 

94. Picaporters, TBA

Buenos Aires-based trio Picaporters posted a new track called “War is Over” on their Bandcamp a while back that will feature on their upcoming album, which is listed on that page as being released on Aug. 1, 2016. Last I heard it was due to be ready in January, so I’m not actually sure when the follow-up to their 2013 debut, Elefantes (review here), will actually be out, but the doomers have leaked a couple songs from it at this point and it sounds right on. Best I can say is keep an eye out. Picaporters on Thee Facebooks, on Bandcamp.
 

95. Iggy Pop, Post Pop Depression

The immortal badassery of Iggy Pop notwithstanding, his Post Pop Depression probably wouldn’t be in this site’s field of vision were it not for the involvement of Queens of the Stone Age frontman Joshua Homme as guitarist and songwriting collaborator. Announced to much fanfare on The Late Show with Stephen Colbert as being released March 18, the record is intended as a sequel to the Pop/David Bowie collaboration Lust for Life, and since Homme does a pretty mean Bowie I’m sure it’ll be just fine. I thought it was hilarious that the first song released from the album was called “Gardenia.” Iggy Pop website, Queens of the Stone Age on Thee Facebooks.
 

96. Psychedelic Witchcraft, The Vision

Though they’re still in the process as well of overseeing reissues of their 2015 Black Magic Man EP (review here) — the latest is vinyl through Taxi Driver Records with a bonus Sam Gopal cover that follows a CD through Twin Earth Records — Italian cult rockers Psychedelic Witchcraft have signed to Soulseller Records for the release of their debut long-player, The Vision. It’s due in Spring and can be reasonably expected to generate much fanfare, at least if the response to the prior EP is anything to go by. Psychedelic Witchcraft on Thee Facebooks, Soulseller Records.
 

97. Radio Moscow, TBA Live Album

radio moscow (Photo by Tony Wold)Freshly returned from a South American tour, Radio Moscow will head to Australia for a run next month with Kings Destroy and Holy Serpent before they get around to issuing the double-live album they recorded last month in Los Angeles. And then after that, they’ll probably go tour somewhere else, because that’s how they do. The live record arrives at a particularly choice moment, though, since the material from their fourth LP, 2014’s Magical Dirt (review here) translates particularly well to the stage. Also they’re one of the best live bands in the world. That helps too. Radio Moscow on Thee Facebooks, Alive Naturalsound.
 

98. Red Fang, TBA

I’m twofold intrigued at the recently-announced prospect of Red Fang‘s fourth full-length. Maybe even threefold. First, automatic interest on the basis of their prior work. They’ve certainly earned that. Second, though it would be a mistake to call 2013’s Whales and Leeches (review here) anything other than a marked success, it was put together in a hurry and it sounded like it, so I’m wondering if they’ll be able to stretch out this process more. Third, it’s Ross Robinson producing, and given the commercial breadth of his work across genres, I’m eager to hear what he brings to a genuine heavy rock band. Could be a whole new take on the sound, one way or another. Red Fang on Thee Facebooks, Relapse Records.
 

99. Rozamov, TBA

Now veterans of Psycho California and tours across the US, having opened for Slayer in their hometown and spread their darkened gospel along the Eastern Seaboard, don’t you think it’s time Boston’s Rozamov put out an album? I know I do. I was in the studio with them for a check-in last August, and what I heard in progress sounded utterly punishing as a follow-up to their split with Deathkings (review here), and that holds true on the five tracks of the finished product as well, but it’s high time it came out. Side note, they recently announced the arrival of new drummer Tranxidis. Pretty sure that’s more recent than the recording though. Rozamov on Thee Facebooks, Rozamov on Bandcamp.
 

100. Salem’s Pot, TBA

Bizarro riff worshipers Salem’s Pot will have a new full-length out, reportedly, in June 2016. It will be their sophomore LP behind 2014’s …Lurar ut dig på prärien (discussed here), which garnered praise for its atmosphere and riff-rolling methods alike, stoner for stoners and all that. I was fortunate enough to catch the band’s set last year at Roadburn (review here), and they offered thrills in bulk, unabashedly basking in pill-popper groove but keeping a spirit of underlying violence in the material as well, as much drug as droog. A new 7″ titled The Vampire Strikes Back is also due Feb. 15. Salem’s Pot on Thee Facebooks, RidingEasy Records.
 

101. Samavayo, TBA

Not certain of the timing on the new full-length from Samavayo, who will also play Desertfest Berlin this April, but their 2015 Setalight Records split 10″ with The Grand Astoria (review here) was much-dug around these parts and efficiently presented a diverse take from the Berlin natives, between instrumental stretch-out and more traditional hooks and structure. Their last full-length, Soul Invictus, came out in 2012 as the third in a series of three albums each year (it was their fourth overall), so maybe they needed to catch their breath. Samavayo on Thee Facebooks, Setalight Records.
 

102. Serpents of Secrecy, TBA

This West Virginia/Virginia/Maryland collaboration between former members of Sixty Watt Shaman — drummer Chuck Dukehart and bassist Rev. Jim Forrester (both also of Foghound) — and King Giant guitarist Todd Ingram did right last summer in picking Ontario-based vocalist Al “Yeti” Bones as the singer for their debut record. Maybe not so much geographically, but no question Bones (formerly of Mister Bones and The Mighty Nimbus) has all the burl their riffs could ask for, and I haven’t heard the album yet, but I’m sure they’re asking for plenty. Serpents of Secrecy on Thee Facebooks, their website.
 

103. Sinister Haze, Laid Low in the Dust of Death

After issuing their Betrayed by Time EP (review here) via Heavy Slab Records last year, Virginian doombringers Sinister Haze have signed on with STB to issue their debut full-length, Laid Low in the Dust of Death. The trio played Psycho California this May, touring out and back, and also had a two-song self-titled cassette out in 2015 that they took with them on the road, but no word as to whether any of that material will make it onto the album. In fact, no word on if the album is an album. I’m just kind of going by what STB says they have coming up in the next few months. Presumably more info will surface before the release arrives. Sinister Haze on Thee Facebooks, STB Records.
 

104. -(16)-, TBA

Blunt as ever, Los Angeles/San Diego sludge metallers -(16)- pulled no punches on Dec. 31 when they rang in the New Year by saying, “We will be releasing a new album in 2016.” They finished recording in December, and I’m relatively sure that whatever the new album is called, it’ll be released by Relapse — using the logic of, if you were the label, why wouldn’t you want to put out a new -(16)- album? — but other than that, there’s no info. They said it’s coming this year. Seems like they’d be the ones to know. -(16)- on Thee Facebooks, Relapse Records.
 

105. Skuggsjá, A Piece for Mind and Mirror

skuggsja a piece for mind and mirrorIf you know, then you know. I was pleasantly surprised that the Skuggsjá collaboration between Enslaved‘s Ivar Bjørnson and Wardruna‘s Einar Selvik was doing anything at all, let alone putting out a studio release of their commissioned work for the 200th anniversary of Norway’s constitution. A Piece for Mind and Mirror was recently given a March 11 release date through Season of Mist, and while it may be a few who latch on to the combined vision of Bjørnson and Selvik, that’s going to be a lucky few indeed. Skuggsjá on Thee Facebooks, Season of Mist.
 

106. Slabdragger, Rise of the Dawncrusher

If I’m not mistaken — and to be sure, I probably am — this is the last release on this list coming out on Feb. 26. Slabdragger‘s sophomore LP, Rise of the Dawncrusher is being delivered via Holy Roar, and it comes some six years after their debut, Regress. I remember being at Desertfest in London circa 2012-2013 and hearing people talk up Slabdragger as having significant boot-to-ass potential. Listening to Rise of the Dawncrusher, it’s pretty easy to hear what might’ve given them that impression. Slabdragger on Thee Facebooks, Holy Roar Records.
 

107. Slomatics, TBA

Yes. Bring on new Slomatics. The sooner the better, the louder the better. The riff-bashing Belfast trio signed to Jon Davis of Conan‘s Black Bow Records last November, and quickly set about reissuing their first two albums, 2005’s Flooding the Weir and 2007’s Kalceanna, and that’s super, but as someone who caught on relatively late to the glories of the band’s 2014 album, Estron (review here), there’s no way I’m letting the next one get by me. Slomatics on Thee Facebooks, Black Bow Records.
 

108. Snowy Dunes, Atlantis

Stockholm heavy rockers Snowy Dunes left a resonant impression with their 2015 self-titled debut, and on Jan. 13, they unveiled a completely improvised 19-minute track called “Atlantis, Part I” digitally as a precursor to their second LP, Atlantis, which is reportedly set to release next month as they head out on tour with countrymen riffers Skraeckoedlan. The extended piece is impressive in building on the boogie rock of the debut, but how much its atmosphere will ultimately play into the record itself remains to be seen. In any case, a good band who don’t seem like they’ll be under the radar of Europe’s heavy rock scene for much longer. Snowy Dunes on Thee Facebooks, on Bandcamp.
 

109. Soon, Vol. I

I’ll readily admit my ignorance when it comes to indie rock, so I haven’t heard of The Love Language, Bitter Resolve or Grohg, which are the bands from whose lineups the ungooglable Soon draw, but after checking out a couple demos when the March 4 release of Vol. I was announced, I dug the sound anyway. Someone else might have a completely different context for hearing it, but to me it just sounds like interesting, wide-ranging excursions into sonic heft. It’s pretty rare something like that isn’t going to find welcome, as far as I’m concerned. Soon on Thee Facebooks, Temple of Torturous.
 

110. Spidergawd, III

spidergawd iiiFor the last two years, Norwegian four-piece Spidergawd have been churning out high-grade heavy rock and roll with a vitality that few could come close to matching. 2015’s Spidergawd II (review here) fleshed out elements of psychedelia from their 2014 self-titled debut (review here), and with Spidergawd III, the approach continues to be refined and honed to an even finer point on hooks like “El Corason del Sol” and “The Funeral.” Reportedly out now, so go get it. Spidergawd on Thee Facebooks, Stickman Records, Crispin Glover Records.
 

111. Spirit Caravan, TBA

By now I’m sure they’ve played “Be the Night” (live video here) at more than just the Vultures of Volume II fest, which was where I saw it, but either way, the first new material from a reunited Spirit Caravan — also kind of a The Obsessed hybrid with Ed Gulli on drums — reignites the collaboration between bassist/vocalist Dave Sherman and guitarist/vocalist Scott “Wino” Weinrich, who since they got back together in 2014 have been reminding audiences of just how vital that one-two punch of tone is to what heavy rock has become over the last decade and a half, in Maryland and beyond. Hope they get a record together, hope it gets out in 2016. Spirit Caravan on Thee Facebooks, Tone Deaf Touring.
 

112. Spiritual Beggars, Sunrise to Sundown

Back to business for Swedish heavy rockers Spiritual Beggars. The Michael Amott-led troupe recently revealed that they will offer their ninth long-player, Sunrise to Sundown on March 18 (March 25 North America) through InsideOut Music. Turns out they’ll also have a 7″ out concurrently via H42 Records, and they’re set to tour in Europe beginning the week after the album comes out, hitting Desertfest Berlin and more. This will be their third album with vocalist Apollo Papathanasio, but for me, the band is even more about the blend of Amott‘s guitar and the keys of Per Wiberg (ex-Opeth, Candlemass). Doesn’t get much more classic than that. Spiritual Beggars on Thee Facebooks, InsideOut Music.
 

113. Stone Machine Electric, TBA

The recently-released jammer EP, The Amazing Terror (review here), was intended as a precursor to the next full-length from Stone Machine Electric, which is reportedly now in the process of being recorded. On Jan. 11, they also asked their audience if they’d get behind a crowdfunding campaign to support a vinyl release, so it might be a while before the album actually shows up, but given the response they received, it seems fair to expect a pressing on wax. Stone Machine Electric on Thee Facebooks, on Bandcamp.
 

114. Suma, The Order of Things

2016 makes it 15 years since Swedish aural devastators Suma got their start, and it’s been six years since their last album, Ashes, was released, but that album continues to gain a following, having been snagged for a re-release on Argonauta Records just a couple weeks ago. The Malmö four-piece were on the US West Coast this month to record The Order of Things with the venerable Billy Anderson — who also helmed Ashes and 2006’s Let the Churches Burn — and they managed to sneak in a couple shows playing with, among others, Brothers of the Sonic Cloth. Now that is a fucking bill. Suma on Thee Facebooks, Suma on Bandcamp.
 

115. Summoner, TBA

Been a quick three years since Boston neo-prog heavy riffers Summoner released their second album, Atlantian (discussed here), and pushed ahead of the already sprawling, richly arranged approach of their 2012 debut, Phoenix. Well, I saw the band last month, and I’m happy to report they haven’t fallen apart or anything in the interim. I have it on good authority — by which I mean they told me — that they’ll be recording later this year, and while that may or may not mean a 2017 release, I thought it better to serve early notice of their impending third LP. So heads up on that. Summoner on Thee Facebooks, Magnetic Eye Records.
 

116. Sunnata, Zorya

sunnata zoryaAnnounced just after the New Year for an April arrival, Zorya will serve as the second album from Warsaw-based Sunnata, who delivered their debut in 2014 with Climbing the Colossus. I haven’t heard it yet, but the band effectively blended heavy rock groove with progressive ideals on the first outing, and I see no reason to expect anything but a step forward along the same lines this time around. I’ll take it. Sunnata on Thee Facebooks, on Bandcamp.
 

117. Sun Voyager, TBA

Time for Sun Voyager to do this thing. The New York heavy psych rockers put out one of 2015’s best short releases in their Lazy Daze tape (review here), but after putting themselves on the hook last month in announcing their first album release, it’s time to make that a reality. Like a reality I can listen to. And groove out on. Because that would be awesome. They were also working on a split single with The Mad Doctors for King Pizza, and that’s all well and good so long as it doesn’t delay the full-length. Sun Voyager on Thee Facebooks, King Pizza Records.
 

118. Swans, TBA

Sometimes it’s too easy to be greedy. Since getting back together at the start of the decade, Swans have released three albums — 2010’s My Father Will Guide Me up a Rope to the Sky (review here), 2012’s The Seer and 2014’s To be Kind (review here) — as well as older LP reissues, limited-edition live recording, and so on. They’ve toured the world over and have a fourth post-reunion album due out this year, but even so, when Michael Gira said last summer that the next Swans would be the last Swans for the time being — he didn’t even say forever — it was hard not to feel sad. Enjoy yourself, it’s later than you think. Swans on Thee Facebooks, Young God Records.
 

119. Teacher, TBA

It took Seattle duo Teacher about 49 seconds to get me interested in hearing their forthcoming debut LP. Really less than that, because by the time the vocals kicked in on the recently-posted teaser clip, I was already on board. Whenever it comes out, the album will be released by Devil’s Child Records, which is quickly making a name for itself in the Pacific Northwest with offerings by Mos Generator/Sower and Year of the Cobra. No release date yet, but it sounds like the band are sneaking into a niche of natural, unpretentious swing, and I hope that’s exactly how the record goes. Teacher on Thee Facebooks, Devil’s Child Records.
 

120. Ulver, ATGCLVLSSCAP

Ulver‘s good-luck-making-a-word-of-this-acronym new album ATGCLVLSSCAP came out last week. Doesn’t mean it wasn’t one of 2016’s most anticipated. Really, anytime this Norwegian post-genre leviathan breathes, it’s an event, and as ATGCLVLSSCAP draws on live-recorded improvisations and explorations, but I’m not sure it’s proper to call it a live record in the is-everybody-having-a-good-time-tonight sense of the phrase. Info is plentiful and descriptive, but vague on the actual nuts and bolts of the makings, and that’s likely not an accident. Mystery is part of the fun. Is everybody having a good time tonight? Ulver on Thee Facebooks, House of Mythology Records.
 

121. Uzala, TBA

uzala live at roadburn mmxvI know, I know. Uzala just put out Live at Roadburn MMXV (review here). Hell, I know that. And that vinyl is reportedly coming soon, but I’ve got the Boise trio on this list because I’m holding out for a studio follow-up to 2013’s Tales of Blood and Fire. I’m not saying it has to happen immediately, or really at all. I’m just saying I’d greatly prefer it if it did. That last album still gets fairly regular plays around here, so it only seems reasonable to call it haunting, and the live record had two new songs on it, so maybe there’s more in progress. Uzala on Thee Facebooks, on Bandcamp.
 

122. VA, Brown Acid: The Second Trip

How could RidingEasy Records not do a second Brown Acid compilation of lost heavy ’70s freakout and heavy singles, how could they not call it Brown Acid: The Second Trip, and how could they not release it on April 20? The whole thing seems so inevitable it’s astounding. Look for forgotten cuts by Sonny Hugg, Buck, Glass Sun, Ash, the awesomely-monikered Iron Knowledge and a whole host of others you can pretend you knew about beforehand. RidingEasy Records website, on Thee Facebooks.
 

123. Venomous Maximus, TBA

Like several others on this list, Texas’ Venomous Maximus will take part in the Obelisk-presented Heavy Metal Parking Lot 3 at SXSW (info here). They’re no strangers to awesome bills, having toured this past fall alongside High on Fire to support the release of their second album, Firewalker (review here), which was released on Shadow Kingdom. Looking back on my notes, I’m not sure where I heard they had a new release in the offing, but it would be awesome to see them recapture the momentum they had coming out of their first album, 2012’s raging Beg upon the Light (review here), and a quick turnaround certainly wouldn’t hurt that. Venomous Maximus on Thee Facebooks, Shadow Kingdom Records.
 

124. Vista Chino, TBA

Maybe most of all the entries posted today, this one is wishful thinking. I saw a couple months back that Vista Chino — the John Garcia and Brant Bjork post-Kyuss Lives! incarnation that wound up with Mike Dean of C.O.C. on bass in a lineup rounded out by guitarist Bruno Fevery — were confirmed for Hellfest in France this summer, and couldn’t help but think about the possibility of a follow-up to their 2013 debut, Peace (review here). Doesn’t seem likely with everyone working on their respective projects, but I’m still hoping those guys get back in the studio someday. Cool they’re playing out at all, if nothing else. Vista Chino on Thee Facebooks, Napalm Records.
 

125. Vodun, Possession

Preorders are up now for the debut album from London ritual-psych purveyors Vodun, and the Possession vinyl will also mark the first physical offering from Riff Rock Records, the new label spearheaded by Groan bassist Leigh Jones. Clearly someone who knows how to make an entry, Jones brought Vodun on board and issued a digital single last year for “Minos Army” (video here), the band tearing through influences in the metallic, heavy, Afrobeat, psychedelic and beyond. I haven’t heard the full-length yet, but it’s out March 25 and I feel safe guaranteeing that nothing else in 2016 will sound quite like it. Vodun on Thee Facebooks, Riff Rock Records.
 

126. Vokonis, TBA

After releasing an impressive demo last year called Temple (review here) under the moniker Creedsmen Arise, Swedish riffers Vokonis swapped out bassist, swapped out monikers, signed to respected purveyor Ozium Records and set a February entry to hit the studio and record their debut album. They’ve gotten a good response so far, but I think we’re only seeing the beginning of what they can do. Look for more throughout the year. Vokonis on Thee Facebooks, Ozium Records.
 

127. Wight, Love is Not Only What You Know

wightGerman trio-turned-foursome Wight make a bold shift with their upcoming third full-length, Love is Not Only What You Know, digging deep into full-on psychedelic funk on tracks like “Kelele,” “The Love for Life Leads to Reincarnation,” and the opener “Helicopter Mama,” which came out last year as a 7″ single (review here) to herald the change in direction from their jammy 2012 LP, Through the Woods into Deep Water (review here). It’s a fine line to walk, but Wight do right by dancing all over it instead. They’ve also got a limited tape, Live in Athens, due March 7, on which a good portion of the new album is played. Wight on Thee Facebooks, Wight on Bandcamp.
 

128. Witchskull, The Vast Electric Dark

Word came out last month that Canberra three-piece Witchskull had inked a deal with STB Records. The Aussie band check in with a particularly classically metallic take on heavy rock and doom, as evidenced by their 2015 debut full-length, The Vast Electric Dark, which will serve as their debut vinyl on the NJ-based imprint. Haven’t heard a solid release date for it yet, but “early 2016” was the ballpark figure given, so I guess anytime between now and summer would be a possibility. Witchskull on Thee Facebooks, STB Records.
 

129. Wo Fat, Midnight Cometh

If Wo Fat‘s Midnight Cometh is not near the top of your most wanted list, you are fucking up. Unless you’re going alphabetically with your list, as I am with mine, in which case their position at #129 makes sense. In whatever organizational method, the coming sixth long-player from these Texan fuzz forerunners deserves the utmost consideration. Their first for Ripple Music after two on Small Stone (info here), Midnight Cometh boasts all the riffy jamming and heavy grooves we’ve come to love from the three-piece, but refines the vocal approach markedly, giving the band even more of a sense of command of the material. Sure to be a highlight of the year. Expect it this summer. Wo Fat on Thee Facebooks, Ripple Music.
 

130. Worm Ouroboros, TBA

Sorry to say I missed out completely on Worm Ouroboros‘ second album, Come the Thaw, when it was released by Profound Lore in 2012. I’d dug their 2010 self-titled debut (review here), but the next one, yeah, just kind of got by me. Never to late, you might say, and I’d have to agree. Maybe I can sneak in a purchase before the band are finished in the studio for their third record, which they were set to begin recording this month. In any case, will do my best to see that the same doesn’t happen with the new LP as happened with the last one. Hence putting them on this list. What, you thought it was for you? Worm Ouroboros on Thee Facebooks, Profound Lore Records.
 

131. The Wounded Kings, Visions in Bone

Always fascinating, always changing, UK progressive doomers The Wounded Kings have managed to deliver high-quality material seemingly no matter who is in the lineup. For the forthcoming Visions in Bone, founding guitarist Steve Mills reunites with former/founding vocalist George Birch, who hasn’t been in the band since their 2010 second album, The Shadow over Atlantis (review here). Haven’t seen an official release date yet, but they’re touring in March to support the record, so one might reason a Spring arrival. Not saying I’ve heard it, but the record kills. The Wounded Kings on Thee Facebooks, Candlelight Records.
 

132. Wretch, TBA

By the last update, The Gates of Slumber offshoot Wretch were starting to record their debut album in December. I don’t know whether that was a long-term process or a couple days in and out of the studio, but I’m betting that at some point in 2016 we’ll find out. Having had the opportunity to see the Indianapolis trio last fall at Vultures of Volume II (review here), I’m glad to report that the ultra-downer vibes that pervaded The Gates of Slumber’s final album, 2011’s The Wretch (review here), have found a new home and that frontman Karl Simon seemed as soulfully, Sabbathly miserable as ever. Wretch on Thee Facebooks.
 

133. Yawning Man, Live at Maximum Fest

yawning man live at maximum festivalThe last couple years of these lists have featured Yawning Man, more specifically the perpetually-in-the-making next studio offering, Gravity is Good for You, but as that may or may not get out this year, it seemed fair to include them for the Go Down Records live outing, Live at Maximum Fest anyway. Put up for preorder in Nov., it was recorded back in 2013 and features the founding lineup of guitarist Gary Arce, bassist Mario Lalli and drummer Alfredo Hernandez; an allstar roster of desert rockers if ever there was one. Yawning Man on Thee Facebooks, Go Down Records.
 

134. Year of the Cobra, TBA

Somehow, I think it probably won’t be out until later in the year, but if you caught onto Seattle duo Year of the Cobra‘s 2015 EP, The Black Sun (review here) when it was released by Devil’s Child or DHU Records, then you’re probably already hip to the fact that the follow-up LP will be released by STB Records and is set to be recorded by a certain legendary West Coast producer of heavy who used to be based in the Bay Area but has since set up shop in Portland, Oregon. Not naming names or anything, but as you already know, it should rule. Year of the Cobra on Thee Facebooks, STB Records.
 

135. Young Hunter, TBA

I have been dying to hear the next full-length from Portland-by-way-of-Arizona mood rockers Young Hunter since long before I hosted the premiere of the track “Nothing Shakes the Void” (posted here) back in Oct., and I’m going to continue to be dying to hear it until I actually do, so there. Very, very much looking forward to it, hoping the stars align and whatever else needs to happen happens so it can get out in the early part of the year. We’ll see how it pans out, but last I heard they beat their crowdfunding goal to press it, so something should show up from that. Not soon enough, in any case. Young Hunter on Thee Facebooks, on Bandcamp.
 

136. Zaum, TBA

The mystical, Eastern-influenced doom trafficked longform by Canadian outfit Zaum has offered immersive vibes across the band’s debut LP, 2014’s Oracles (review here), and their 2015 split with Shooting Guns (review here) and that’s enough to make me look forward to their second album without reservations. The New Brunswick duo started out with a firm idea of what they wanted their sound to do, and I’m hoping they continue to follow that vision where it takes them on the next offering. Summer release expected. Zaum on Thee Facebooks, I Hate Records.
 

137. Zun, Burial Sunrise

zun burial sunriseFirst made public three years ago via the track “Come Through the Water” (posted here), which will also appear on the album, Zun began as a collaboration between guitarist Gary Arce of Yawning Man and vocalist Sera Timms of Ides of Gemini, the album Burial Sunrise also brings in John Garcia as a lead vocal contributor, Mario Lalli, Harper Hug and a host of others (detailed here) for an atmosphere of subdued desert rock that’s unmatched in recent memory, in the desert or out of it. I mean that. This one is essential. Out March 25. Zun on Thee Facebooks, Small Stone Records.

What’s that you say, 137 releases isn’t enough? You want more? Okay.

Well, I’m pretty sure I just put up news about a new album from Iron Man vocalist Dee Calhoun due in Spring. That’s one. And fucking King Buffalo. Their record will be out not at all soon enough.

And while you’re hawkishly keeping an eye out for the stuff listed above, why not also watch for word from Bongzilla, whose reunion is now well underway, as well as The Body, who have a new collaborative release with Full of Hell coming out, Ice Dragon, who spent the better part of last year curiously silent, and All Them Witches, who probably won’t have a new LP out but are always putting together singles, jams and so on for those aching for a digital fix?

There is a “slim but real” chance of a new Clamfight record in the fall. I’ve heard murmurings indicating Elder are working on a follow-up to 2015’s glorious Lore, and since Baby Woodrose are playing Freak Valley, is it possible they could blow our minds with a new album as well? Conny Ochs has a new one on Exile on Mainstream, Mount Desert could easily follow-up their 2015 two-songer that made such a splash, and EYE — oh EYE! — I’ve been waiting for their new one since last year, so hopes are high it’s out soon. And I didn’t include them because the album already came out in Europe, but The Shrine make their Century Media debut with Rare Breed this week in North America.

Other names to watch for in no particular order or likelihood: Argus, Serpent Throne, Them Bulls, War Drum, Black Lung, Worshipper, The Exploding Eyes Orchestra, 3rd Eye Experience, Switchblade Jesus, Seedy Jeezus, Horsehunter, Bright Curse, It’s Not Night: It’s Space, Black Moon Circle, Bison Machine, Fogg, Electric Moon, Arc of Ascent, Beastwars, Thera Roya, Svartanatt (late Spring), Red Wizard (on STB), and Ripple Music‘s second chapter of The Second Coming of Heavy split series with Supervoid and Red Desert.

Still not enough? Check back soon. Just in the time I was putting this list together, I got emails about new releases from Nicklas Sørensen of Papir, Mr. Bison, Instant Boner, Duckhunters, Lord Summerisle and Sonic Mass — and others. Point is there’s always more to come.

What’d I miss? Let me know in the comments.

Thanks for reading.

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Hexvessel Post New Video for “Cosmic Truth”; When We are Death Available to Preorder

Posted in Bootleg Theater on January 18th, 2016 by H.P. Taskmaster

hexvessel (Photo by Tekla Valy)

Finnish progressive psych-folk explorers Hexvessel will release their new album, When We are Death, next week. Also their debut on Century Media, it’s their third full-length overall behind two released in 2011-2012 on SvartDawnbearer and No Holier Temple — and two concurrent EPs, and it moves away from some of the environmentalist folk of their prior work in favor of a far-ranging sound that often finds its root in late-’60s organ-laced psychedelia. Hexvessel are strangers neither to expanse nor creative growth, but after four years, a label jump, and the participation of guitarist/vocalist Mat McNerney in the more gothically-themed Beastmilk in 2013 and later soundtrack work, it’s a striking shift.

What ties When We are Death to its predecessors is an overarching sense of openness and atmosphere, and the quiet space thematic of “Cosmic Truth” exemplifies that well. Atop piano and a subdued roll, McNerney leads the band through a soft-edged psychedelic pop — is it too soon for a Bowie comparison? — enriched by trumpet and interweaving guitars. An accompanying video for the track has been released with time-lapse photography by Riku Karjalainen that’s no less stunning than the song itself, providing a resonant, colorful and lasting backdrop for the band’s meditation on the nature of existence and the shape our lives ultimately take.

When We are Death is available now to preorder from Century Media in a host of configurations and formats which you can find detailed under the video below. Please enjoy:

Hexvessel, “Cosmic Truth” official video

HEXVESSEL pre-sale for new album has started, new video launched

The pre-sale for HEXVESSEL’s new album When We Are Death has started! Head over to CM Distro and get the album in the physical format of your choice:

http://smarturl.it/wwadCMDISTRO
http://emp.me/CQk

When We Are Death will be released January 29th, 2016 in the following formats:

Ltd. Deluxe Mediabook (with 32-page booklet, sturdy slipcase and one exclusive bonus track)
Deluxe LP (gatefold sleeve, 8-page LP booklet, CD plus bonus track)
Digital album

The LP version is available with the following vinyl colors:
Black vinyl: unlimited
White vinyl: limited to 100 copies, exclusively offered at CM Distro
Red vinyl: limited to 500 copies, exclusively sold by RED (US distribution)

“When We Are Death” tracklist:
1. Transparent Eyeball (5:27)
2. Earth Over Us (3:26)
3. Cosmic Truth (4:33)
4. When I’m Dead (4:37)
5. Mirror Boy (4:17)
6. Drugged Up On The Universe (3:42)
7. Teeth Of The Mountain (4:01)
8. Green Gold (3:31)
9. Mushroom Spirit Doors (5:33)
10. Hunter’s Prayer (4:38)
11. Last Lovers In Hell (3:44) *
* bonus track on the Mediabook version and the CD included in the LP

HEXVESSEL line-up:
Mat McNerney – Vox & guitar
Marja Konttinen – Vox & percussion
Jukka Rämänen – Drums
Simo Kuosmanen – Lead Guitar
Niini Rossi – Bass Guitar
Kimmo Helén – Keys/Trumpet/Violin

Hexvessel website

Hexvessel on Thee Facebooks

Hexvessel Tumblr

When We are Death preorder

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Quarterly Review: Jess and the Ancient Ones, Iguana, Seamount, Gentlemans Pistols, Wired Mind, Automaton, Sideburn, Year of the Cobra, Drive by Wire, Akris

Posted in Reviews on January 4th, 2016 by H.P. Taskmaster

the obelisk quarterly review winter

And so it begins again. It had been my original intention to launch this latest Quarterly Review last week, but as that would’ve had me basically walking out on the holidays with my family, it seemed somehow prickish to be like, “Uh, sorry dudes, riffs call” and split, particularly when there are hours of driving involved. Still, though it’s already running late by the arbitrary calendar in my mind, I’m glad to be able to tackle a batch of releases that both looks back on the last part of 2015 and to the New Year we’ve just entered. As ever, there is a lot, a lot, a lot of ground to cover, so I won’t delay except to remind of what the Quarterly Review actually is:

Between now and this Friday, I will post 10 reviews a day in a single batch grouped like this one. The order is pretty much random, though something higher profile is usually first. It is my intention that each post covers a range of styles, and hopefully within that, you’re able to find something that speaks to you. Many of these releases were sent to me as physical product, and before I start, I want to extend thanks to those groups for undertaking the time and expense of giving me the full representation of their work to hopefully better do mine.

Quarterly Review #1-10:

Jess and the Ancient Ones, Second Psychedelic Coming: The Aquarius Tapes

jess and the ancient ones the second psychedelic coming

Finnish six-piece Jess and the Ancient Ones pay homage to psych cultistry on their sophomore full-length, Second Psychedelic Coming: The Aquarius Tapes (on Svart), and while one might argue with the band marking this out as the “second coming” of psych – I’d say the third, generationally-speaking – the paean to late-‘60s sonic spaciousness in “In Levitating Secret Dreams” is unmistakable, the songwriting of guitarist Thomas Corpse conjuring fervent swirl behind the soulful Grace Slick-isms of vocalist Jess. At 65 minutes, it’s a classic double-LP, but Second Psychedelic Coming seems most engaged in its longer pieces, the eight-minute “Crossroad Lightning,” which pulls back from the urgency of earlier cuts “”The Flying Man” or the opening “Samhain,” and the 22-minute closer “Goodbye to Virgin Grounds Forever,” which has an arrangement to match its scope that unfolds no less gracefully. Some of the more frenetic parts seem to be arguing with themselves, but the overarching vibe remains satisfyingly tripped out and that closer is their to-date masterpiece.

Jess and the Ancient Ones on Thee Facebooks

Jess and the Ancient Ones at Svart Records

Iguana, Cult of Helios

iguana cult of helios

No big surprise that a record called Cult of Helios would seem to so unabashedly bask in sunshine. The four-track/32-minute sophomore full-length from German heavy psych four-piece Iguana has its driving moments, some in opener “Josiah” but more in the subsequent melodic thriller “Albedo,” but the prevailing sensibility is toward tonal warmth and steady groove. The band – vocalist/guitarist Alexander Lörinczy, guitarist Thomas May, bassist Alexander May and drummer Robert Meier – debuted in 2012 with Get the City Love You (review here), but Cult of Helios is a more cohesive, individualized release, whether it’s the hook of “Albedo,” the Beatles-gone-fuzz of “A Deadlock Situation” or the lush, flowing 15-minute jam of the closing title-track. Iguana’s propensity for blending underlying structure with a wide-open, welcoming atmosphere is writ large over Cult of Helios, and the album shines in a manner befitting its inspiration. A sleeper that begs waking.

Iguana on Thee Facebooks

Iguana website

Seamount, V: Nitro Jesus

seamount v nitro jesus

Most long-distance projects fizzle out after a record or two. With a lineup split between Bavaria and Connecticut, doom rockers Seamount have managed to sustain a remote collaboration, the German band of bassist Markus Ströhlein, guitarist Tim Schmidt and drummer Jens Hofmann working with New England-based vocalist Phil Swanson (ex-Earthlord, ex-Hour of 13, Vestal Claret, etc.). The excellently-titled Nitro Jesus (on The Church Within) is their fifth full-length since 2007, and boasts a refined blend of doom, NWOBHM and dark thematics common to Swanson’s lyrics. Tonally crisp but immersive, slow crawlers like “Can’t Escape the Pain” are offset by the ‘80s metal swing of “Beautiful Sadness,” and each side caps with a longer track, whether that’s the seven-minute “Scars of the Emotional Stuntman,” the most singularly sweeping movement here, or the closer “No One Knows,” which has a moodier feel, the guitar recalling Don Henley accompanied by piano as the finale hits its apex. For those who like their metal of tried and true spirit and individual presentation, Nitro Jesus delivers in more than just its name.

Seamount on Thee Facebooks

The Church Within Records

Gentlemans Pistols, Hustler’s Row

gentlemans pistols hustler's row

Every now and then you hear a record that reminds you what you love about rock and roll in the first place. It doesn’t need to be the most complicated thing in the world, or the most expressive, or the heaviest or the most whatever of anything else, but like Gentlemans Pistols’ third LP, Hustler’s Row (on Nuclear Blast), if it locks in a special chemistry between its players, that’s more than enough to carry it through. That the UK four-piece are ace songwriters and bolstered by the lead guitar chops of Bill Steer (Firebird, Carcass) for the Thin Lizzy dual-solos – vocalist/guitarist James Atkinson on the other end – helps plenty as well, but with the tight, classic-style grooves brought to across Hustler’s Row by bassist Robert Threapleton and drummer Stuart Dobbins, Gentlemans Pistols give essential heavy rock a non-retro modern interpretation that might leave one wondering why so many people try to ape a ‘70s production to start with.

Gentlemans Pistols on Thee Facebooks

Gentlemans Pistols at Nuclear Blast

Wired Mind, Mindstate: Dreamscape

wired mind mindstate dreamscape

Each side of Wired Mind’s Mindstate: Dreamscape LP (on HeviSike Records) gracefully unfolds a lushly-toned, warm, engaging heavy psychedelic sprawl. The chief influence for the Hannover two-piece of guitarist/vocalist Mikey and drummer Chris is their countrymen godfathers Colour Haze, but the duo make their presence felt early on “Road,” the opener and longest-track at 11:01, which balances serene and spaced exploration with post-Kyuss “Thumb” shuffle, all the more enticing for having been recorded live, conjuring Echoplex spaciousness around the repeated line, “All we gotta do is love.” Both sides work on the same structure of a longer track feeding into a shorter one, “Road”’s considerable amassed thickness giving way to the winding groove of “Jennifer’s Dream of a Switchblade” while the Duna Jam-ready vibes permeating from “Wired Dream” finding a moving complement in closer “Woman,” which effectively captures desert rock rhythmic propulsion. As their debut, Mindstate: Dreamscape feels conceptually and stylistically cohesive, and sets Wired Mind up with a sonic breadth on which to continue to build.

Wired Mind on Thee Facebooks

Wired Mind at HeviSike Records

Automaton, Echoes of Mount Ida

automaton echoes of mount ida

Greek heavy rollers Automaton revisit their 2013 debut full-length, Echoes of Mount Ida, for a limited vinyl release. The four-track offering initially surfaced coated in burl and massive riffing, but a remix adds psychedelic edge to the lumbering fervor of “Fear,” on which the Athenian five-piece are joined by Scott “Dr. Space” Heller of Øresund Space Collective for added synth and swirl. He delivers, and the opener also adds guest vocals from Nancy Simeonidou, but the remix keeps things consistent as Automaton transition into the chugging “Beast of War,” a complex near-djent rhythm (which will find complement in the end of “Echoes of Mount Ida” itself) smoothly met by drummer Lykourgos to finish side A of the LP while the locked-in nod of “Breathe in Stone” bleeds into the closing title-track as Automaton offer riffy largesse set in a spacious backdrop like mountains in the distance. Interesting to see if the semi-reboot of their debut is indicative of some overall shift in direction, but at least on the vinyl offering, it makes their sound that much broader.

Automaton on Thee Facebooks

Sound Effect Records

Sideburn, Evil or Divine

sideburn evil or divine

Between Martin Karlsson’s keys (also bass) and vocalist Dimitri Keiski’s propensity to soar, the mood turns epic pretty quick on Sideburn’s fifth album, Evil or Divine (on Metalville Records). The Swedish foursome’s latest shares more than just its titular reference in common with Dio — who, in addition to the lyric from “The Last in Line” had a live record with the same title – but keep a foot in doom territory throughout, drummer Fredrik Haake playing with metallic precision and an edge of swing as Morgan Zocek pulls out leads over “Sea of Sins.” The later “The Day the Sun Died” is particularly post-Ozzy Iommic, but Evil or Divine benefits from the kick in the ass that the penultimate “Evil Ways” seems only too happy to provide before “Presence” finishes on a hopeful note. Definitely more fist-pump than nod, Evil or Divine cries out to legions of the brave who want a thicker groove than modern metal is willing to provide without giving up the occasional cause to headbang.

Sideburn on Thee Facebooks

Metalville Records

Year of the Cobra, The Black Sun

year of the cobra the black sun

Seattle-based bass/drum duo Year of the Cobra had two labels pick up their debut EP, The Black Sun, between Devil’s Child Records and DHU Records, and they’ve signed to STB Records for the follow-up, so it seems safe to say their three-track outing has gotten a solid response. The songs make a compelling argument for why. With vocals that recall Soph Day from Alunah on opener “White Wizard” before delving into faster, more punkish fare on “The Black Sun” itself, Year of the Cobra serve immediate notice of a breadth in their sound, and the seven-minute wah-bass finale “Wasteland” enacts a low-end swirl that pushes even further out while keeping hold of itself via steady, tense drumming. That finisher is a particular high point, with bassist/vocalist Amy Tung Barrysmith self-harmonizing in layers over the steady build and drummer Johanes Barrysmith making sure the considerable tone keeps moving forward. Easy to hear why they’ve found such support in such a short time.

Year of the Cobra on Thee Facebooks

Dark Hedonistic Union Records

Devil’s Child Records

STB Records

Drive by Wire, The Whole Shebang

drive by wire the whole shebang

The third long-player from Dutch four-maybe-five-piece Drive by Wire, The Whole Shebang gets more complex as it goes. Its first couple tracks, “Kerosine Dreams” [sic], “Woodlands,” “The Whole Shebang” and “Five Ft. High” are deeply indebted to desert rock circa Songs for the Deaf, tonally and even in some of Simone Holsbeek’s sing/talk call and responses on “Woodlands.” From there, “Rituals,” “In This Moment” and the moody “River Run” and “Promised the Night” push into more individual ground, and even though they tie it back together in the album’s third and final movement with “Rotor Motor,” “All Around” and “Voodoo You Do,” the context has changed, and by the time guitarist Alwin Wubben swells lead lines behind the verse of the closer, the fuzz of “Kerosine Dreams” is a distant memory. Completed by bassist Marcel Zerb and drummer Jerome Miedendorp de Bie, Drive by Wire wind up on a considerable journey, and while the title at first seems off-the-cuff, it works out to be a whole shebang indeed.

Drive by Wire on Thee Facebooks

Drive by Wire webstore

Akris, Fall EP

akris fall ep

Relaunched as a trio in the first half of 2015, Virginia trio Akris made a studio return with the four-song/32-minute Fall EP, which probably should’ve been called a full-length and probably should’ve been pressed to vinyl (paging Tony Reed to master and STB Records to release…), but the digital-only offering finds Akris and particularly founding bassist/vocalist Helena Goldberg anything but apprehensive as she, guitarist/vocalist Paul Cogle (Nagato, Black Blizzard) and drummer Tim Otis (Admiral Browning) follow-up the band’s raucous sans-guitar 2013 self-titled full-length debut (review here), balancing plodding grooves, melody and abrasion deftly atop rumble and riffs in “Forgiven” as Goldberg swaps between screams and grunge-styled croons. The subsequent “People in the Sky” is less patient, and caps its nine-minute run with a barrage of noise rock synth that continues at the start of closer “Alley Doorway” but ultimately recedes (momentarily) to let that song establish its own course of loud/quiet tradeoffs and resonant exploration. Unless Akris are planning a series of seasonal short releases, I see no reason why Fall EP shouldn’t be characterized as a second long-player and heralded for the bold expansion of the band’s approach it represents.

Akris on Thee Facebooks

Akris on Bandcamp

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Seremonia Post New Video for “Tee Mitä Tahdot”

Posted in Bootleg Theater on December 18th, 2015 by H.P. Taskmaster

seremonia

My personal favorite moment in the new Seremonia video for “Tee Mitä Tahdot?” Thanks for asking. It’s when, amid all the Finnish band’s demon iconography, analog tape warble, cultish whathaveyou, ’70s bikerisms and odd punches to the face, a clip art hockey player shows up just after the solo, about two minutes in. I’m not a hockey fan, so I can’t necessarily tell you if that’s supposed to represent any particular player or someone perhaps out of Finnish hockey history, but as I made my way through the three-minute clip, it’s just random enough to truly represent the ethic of the song, the title of which translates to “Do What Thou Wilt.”

The track, which underlines its catchy chorus with visualization of the title, comes from Seremonia‘s earlier-2015 third album, Kristalliarkki (review here, track stream here), a joyous rite of weirdo heavy psych no less analog-naturalist than the video for “Tee Mitä Tahdot.” Whether or not you speak Finnish (sad to say I do not), it provided an immersive front-to-back experience, less geared toward sonic heft than an overarching atmosphere of ’70s cultistry — you know the names and you don’t need me to drop them for comparison. What singled out this record over its predecessors was a looming spirit of early prog, and while I wouldn’t speculate as to what moves the band might make stylistically their next time out — they’ve worked quick to-date, so “next time out” could be any minute now — it provided another edge to their increasingly individualized take.

If you feel like you’re ready to have your mind destroyed and your soul reaped, I submit the following hedonism.

Enjoy:

Seremonia, “Tee Mitä Tahdot” official video

Today, Finnish heavy psych rockers Seremonia premiere the new video “Tee mitä tahdot” exclusively HERE. Directed by David Aje Forsberg and with illustrations by guitarist Ville Pirinen, “Tee mitä tahdot” hails from Seremonia’s critically acclaimed third album, Kristalliarkki, released this past May by Svart Records. With lyrics (still all in their native tongue) revolving around the spiritual cult practices and teachings of a mysterious doomsday cult, Kristalliarkki (English: “The Crystal Ark”) also explores the cultist mindset musically.

The heavy riffing, the psychedelic solos, the out-of-control drum fills, the blood-chilling vocal delivery, and the collective free rock freak-outs all go way beyond just playing good ol’ heavy rock: Seremonia is a band on a sacred mission, possessed by the black flame of rock ‘n’ roll. Kristalliarkki bears their trademark garage doom sound and catchy riffage, and adds an abundance of acid rock experimentalism, proto-punk anger, sacred music bliss, and even some cosmic jazz flavors in the 15-minute title track of the album. It’s a hard-rocking hard rock record, but a wonderfully weird one – even by Seremonia’s weirdo standards. Eat more psychedelic fruit exclusively HERE, with the video for “Tee mitä tahdot.”

Seremonia on Thee Facebooks

Seremonia at Svart Records

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