EYE, Vision and the Ageless Light: Life in the Wash

Posted in Reviews on November 17th, 2016 by H.P. Taskmaster

eye-vision-and-the-ageless-light

There’s a line to follow, something like a trail EYE leave for their listeners to lead them into their third album, Vision and the Ageless Light. It would be cruel on their part to offer no guidance whatsoever for their debut offering through The Laser’s Edge, which basks in space ritualizing in an increasingly immersive pattern from three-minute opener “Book of the Dead” through the 27-minute, multi-tiered finale “As Sure as the Sun.” All flows as one piece, at least where they want it to, and all comes across in a gorgeous wash of synth, guitar, and vocal harmonies, building on what EYE accomplished with their last outing, 2013’s Second Sight (review here) and their 2011 debut, Center of the Sun (review here and here), while finding new avenues of texture, atmosphere, and dynamic throughout.

The band has been through some key changes in the last three years, bringing in guitarist Jon Finely and bassist Michael Sliclen alongside founders Brandon Smith (drums and vocals) and synth/Mellotron/Moog expert Lisa Bella Donna (also vocals and acoustic guitar), but the core of their sound in heavy progressive rock remains well intact and undiminished, and if anything, the patience they show early on in the record, the boldness of their craft on “As Sure as the Sun” and the overarching flow across Vision and the Ageless Light in its entirety make it plain that not only have EYE not lost a step since Second Sight, they’ve only continued to grow and move forward in their creative breadth — which should be the ultimate endgame of anything bearing a “prog” label of any kind.

I’m not sure it needs to be said, but EYE earn theirs outright, and Vision and the Ageless Light is a cosmic adventure that moves inward and outward in kind and for all its indulgence — nature of the beast for a release of this kind — it never leaves those making the journey with it alone on the path it lays out. Nor, like its full-length predecessors or other offerings like the Wooden Nickels single (review here) or the Live at Relay tape (review here) in 2013, does it shy away from beauty. To wit, the synth/acoustic mindmeld of the penultimate “Dweller of the Twilight Void,” which one invariably has to hear as the closer for side A of Vision and the Ageless Light given the breadth that unfolds thereafter.

With the introductory “Book of the Dead,” the spacial Hawkwindian shuffle of “Kill the Slavemaster,” and the sleeker thrust of “Searching” before it, “Dweller of the Twilight Void” offers a surprising turn toward serenity, offering highlight vocal harmonies and a patience that “Book of the Dead” hints at in its relatively brief 3:35 unfolding and agenda-setting blend of Mellotron and synth, but gives way to the initial roll of “Kill the Slavemaster” before it can fully develop as an entity of its own. The smoothness of that transition is not to be understated, however. Side A of Vision and the Ageless Light functions no less as a single work than does “As Sure as the Sun” as it pushes the limits of side B (if it doesn’t actually surpass them — can a 27:11 track fit on a vinyl side?), despite the shifts in vibe and purpose throughout. “Kill the Slavemaster” plays organ and guitar leads off each other to exciting effect in its midsection after establishing its hook early, then moves into bass and key-led jazz as the foundation for its turn back to where it started, some backwards guitar tossed in for good measure along the way.

It hits into a quick finish at 6:05 with not one of its component seconds wasted and the momentum continues into “Searching”‘s more low-end-minded vibing. There’s just about no way it’s not plotted, but after “Searching” departs its verses and instrumental all-push chorus, it does seem to take a jammier approach than “Kill the Slavemaster” before it, as the drums crash out cymbals to clear the way for a guitar-driven boogie at about 3:20 and the four-piece spend the remaining two minutes living up to the title — i.e. searching — until a sudden appearance of synth swirl signals the arrival of “Dweller of the Twilight Void.”

eye-photo-by-danielle-petrosa

From there, EYE only continue to go further and further out. The opening lines, “Pay no mind to what you see/You were not born for the grave,” ooze with headphone-worthy melody over acoustic strum and various kosmiche psychedelics, and though I can’t help but be reminded of lost Belgian troupe Hypnos 69, in reality it’s probably more a common latent Pink Floyd/King Crimson influence than anything so direct.

Wherever it comes from, EYE make it their own here with no need to repent in the process because there’s no doubt of the traditions to which they’re playing. After three minutes in, Bella Donna‘s keys come to the fore in a mini-freakout, and while the guitar line holds underneath, and it’s strum and underlying Mellotron that actually finish the song, it’s clear they’re not coming back from that voyage. So ends side A, and on side B, “As Sure as the Sun” begins with its title lyric, again, gorgeously harmonized, near-Beatlesian, before a Mellotron progression is established and the full scope of layers begins — but only begins — to show itself. Acoustic guitar, electric guitar, more devices than I can name come into play before EYE are two minutes deep into “As Sure as the Sun,” and the song has barely started.

Drums don’t even show up until after the next movement, more cinematic, dramatic, a drone emerging that leads to a faded-in winding guitar figure that Smith joins at 5:20, not crashing in in grandiose style, but showing up right when he’s needed all the same with hit and rolling toms and immediately backing a shredding guitar solo that gives way to Mellotron wash before a snare roll turns back to that winding figure — different now, with more keys — and a more peaceful section that marks a reintroduction of more commanding vocals, more declarative in the classically progressive sense of intonation, and over the next few minutes, EYE rock out, fall into a singularity of synth and rock out again, finding shuffle in all that mystery circa 14 minutes in as swirling vocals underscore the idea that all this — all of it — is a ritual at work.

They build toward a solo with crashes and turns, then return to the serenity of the quiet verse, now more tense with the shifted context and a build in Smith‘s ride cymbal and Bella Donna‘s Mellotron/synth and the vocals. Rather than explode, at 20 minutes, the tempo cuts and EYE go even more pastoral, setting the stage for what will be Vision and the Ageless Light‘s last movement and, more immediately, another guitar solo. Thicker tones arrive before the 22-minute mark, and they continue to build melody around them while maintaining a measured tempo for the time being, and though they build with black-queen-chants-the-funeral-march fluidity circa 25 minutes in, they never let themselves fully go into chaos even in the closing minutes of “As Sure as the Sun.”

It’s an active finish — they’re not still by any means — but the sense of control that EYE have displayed all throughout the record and that steady, guiding hand never seem to lose their place. That would seem to be the clearest signal of all throughout Vision and the Ageless Light of EYE‘s utter mastery of their form, but that’s not necessarily meant to take away from the impact the songwriting across their third long-player has either. In a still-manageable five tracks/46 minutes, their craft brings them to places they’ve never been before and finds them not only covering this new sonic ground but establishing their claim on it, and once more, inviting those listening to be a part of that happening. It is not an invitation that should be in any way refused.

EYE, “Searching” official live video

EYE on Thee Facebooks

EYE on Bandcamp

EYE BigCartel store

Vision and the Ageless Light preorder at Laser’s Edge

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EYE Post “Dweller of the Twilight Void” Video

Posted in Bootleg Theater on November 9th, 2016 by H.P. Taskmaster

eye

That warmth you feel on the horizon is the Nov. 18 release date of EYE‘s Vision and the Ageless Light drawing closer. Don’t worry, it’ll get here soon enough. The Ohio space-prog masters make their debut on The Laser’s Edge with their third full-length, which proffers tumult and serenity in kind and brings to bear a richly textured and expansive vibe that only seems to keep moving outward until, finally, it decides it doesn’t want to bother coming back. And why should it? It’s been a long three years since EYE offered up their sophomore record, Second Sight (review here), and I’d say we’re all due a voyage through the three-dimensional soundscapes that seem to flow so naturally from them.

Oh yeah, and hey, they’re playing with Hawkwind twice this week. No big deal, though frankly they probably should be playing as Hawkwind and not just in a supporting role. Somehow I doubt EYE are inclined to complain. I’m going to have a review of the album up sometime between now and when it’s out, so I don’t really want to dive too deep into its structure or whatnot, but as they’ve got a new, kind of atmospherically-minded video for the track “Dweller of the Twilight Void,” it seemed only reasonable for me to post that in the interim, both because it gives me an excuse to talk about Vision and the Ageless Light more, which is fun, and because it serves as a preview to the album for anyone who had the misfortune of not seeing them dig into new material earlier this summer at the first-ever The Obelisk All-Dayer in Brooklyn, where they absolutely shined in the most heartening manner possible.

Not that I’m an impartial observer or anything, but yeah. Food for the soul.

Check out “Dweller of the Twilight Void” below, followed by more info from the PR wire.

And enjoy:

EYE, “Dweller of the Twilight Void” official video

Written and performed by EYE
Recorded & Mixed by Lisa Bella Donna
Film & Video production: Bubba Ayoub

With their Vision And The Ageless Light LP approaching release through Laser’s Edge later this month, Ohio-based psychedelic/prog quartet EYE has just debuted a video for “Dweller Of The Twilight Void.”

The serene but intense kaleidoscope of sound EYE produces on Vision And The Ageless Light is expressed perfectly within the track, “Dweller Of The Twilight Void,” as displayed in the new video for the track, which was created by Bubba Ayoub.

The band offers, “‘Dweller Of The Twilight Void’ was the final song to be written and recorded for Vision And Ageless Light…We met at our dimly lit studio one evening and performed over the already tracked acoustic guitar and constantly drifting Mellotron. Brandon and I sang together as I played the Moog straight through to the end. Jon rolling through it with us on second acoustic, and Michael putting it all together on upright bass. It was fun and fulfilling to capture that moment which we feel is the epicenter of the record in such a gliding session. Some songs don’t come so easily. There were definitely lots of laughter, smiles, and smoke rings swirling with the frequency and spirit of this song that night…”

EYE’s Vision And Ageless Light was recorded in parts at Relay Recording with Jon Fintel, and at the band’s Lisa Bella Donna’s own Backroads Recording Studio, after which it was mastered by Phil Demetro from Lacquer Channel Mastering in Toronto, and completed with artwork by Anthony Yankovic, as with the band’s three prior albums.

Laser’s Edge will issue Vision And The Ageless Light on CD, LP, and digital formats on November 18th, 2016; preorders for the CD are live HERE and the LP HERE.

EYE Live:
11/11/2016 The Union – Athens, OH w/ Hawkwind
11/13/2016 The Grog Shop – Cleveland, OH w/ Hawkwind
12/16/2016 Thursdays – Akron, OH w/ Nights
12/17/2016 Happy Dog – Cleveland, OH

EYE is:
Brandon Smith: Vocals
Lisa Bella Donna: Vocals, Acoustic Guitar, Mellotron, MiniMoog & ARP 2600 Synthesizers
Jon Finely: Acoustic Guitar
Michael Sliclen: Upright Bass

EYE on Thee Facebooks

EYE on Bandcamp

EYE BigCartel store

Vision and the Ageless Light preorder at Laser’s Edge

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The Obelisk All-Dayer — THANK YOU!

Posted in The Obelisk Presents on August 22nd, 2016 by H.P. Taskmaster

the-obelisk-all-dayer-thanks

I honestly can’t remember the last time I was so tired. Pure physical and mental exhaustion. By the end of the day I could barely stand up, keep my head up, or down one last cup of coffee while watching Mars Red Sky close out the show. It’s been three days. I’m still not sure I have the mental faculties to write this post.

I hereby dub the first-ever The Obelisk All-Dayer a success.

The day started with The Patient Mrs.’ car breaking down on I-95 in Connecticut on the way south to Brooklyn and continued through flash floods, the first two bands running late (both got there on time, but my nerves were already frayed from being late myself), my camera breaking – again – during Funeral Horse, Death Alley blowing a tire on their way up from Philly, and so on, but there were tacos, the day ultimately ran on time, and everybody killed.

Absolutely killed. I mean it. Front to back. What a show.

From Heavy Temple bringing it for an early 2:30 start through Mars Red Sky dipping back to their first record for a rendition of “Strong Reflection” that nearly brought a tear to my eye, and everything in between. King Buffalo? Funeral Horse? Fucking EYE? Kings Destroy? Snail? Death Alley’s absolute ownership of the room? There wasn’t a dud in the bunch.

Most importantly, it seemed like everybody there had a good time. The tacos went. We wound up with about 170 people in the door, not counting bands and guests, and with the professionalism of the Saint Vitus Bar staff, the show ran smoothly the whole time, changeovers were easy, and my sincere hope is that everyone who came felt welcome, because they absolutely were.

On that note, I’ll say that I’m not going to review the show. Just doesn’t feel right. But I did want to say thank you to a few people who helped make the day so incredibly special.

First to The Patient Mrs., who not only handled money at the end of the night, but sold posters and patches, kept me sane as we stood on the side of the highway and waited for the tow truck, reminded me to eat, and got me that aforementioned last cup of coffee to get me through the last part of the show. She was there (almost) the whole day and it was deeply meaningful to me to have her around.

Thanks to Walter Roadburn, who left the comforts of home to come and co-DJ the afterparty, sat in traffic with The Patient Mrs. and I on the trip from Boston to Connecticut, Connecticut to Brooklyn, and back again. The time we got to spend talking about music, about what he does with his festival, and his insights on the show are memories that I imagine I will continue to treasure for as long as I can remember anything at all. Highlight of the weekend, without question. And thanks to Esther, who convinced him to come.

Thanks to David Castillo, George Souleidis, Sound Guy Jeff and the staff at the Saint Vitus Bar, which leaves absolutely nothing to question as to why it has the reputation it has. The generosity they showed in welcoming the All-Dayer into their rightly-hallowed space, the accommodation of the weird schedule, and just the sheer slog of the hours put in – all handled with professionalism beyond enviable. Other venues should aspire to run such a ship. It was staggering to see it from the end of someone organizing a show. Thank you so much.

Thank you to Steve Murphy for the endless, thoroughly unjustified belief in my being able to pull this whole thing off, for the tacos and for the support across the board. Thank you for your friendship, your kindness, and for your threat to print up bootleg Obelisk t-shirts to give away at random. I hope that works out.

Thanks to the bands. Mars Red Sky coming from France to play, Death Alley from the Netherlands, Snail from the West Coast, Kings Destroy giving New York due representation with a special set – “Planet XXY?” who knew? – EYE from Ohio, Funeral Horse from Houston, King Buffalo from Rochester and Heavy Temple from Philly. And to Walter and Adam Otracina for helming the afterparty. Whether they were coming from near or far, it really felt like everybody put something extra into the show and I was continually humbled and blown away by what I saw and heard all day and into the night. People loaning each other gear, making adjustments on the fly, starting and ending on time, everything came together better than I could’ve hoped, and it was just wonderful to see. I am deeply grateful.

Thanks to Jaime Traba for recording the audio of the sets. More on that hopefully soon. Thanks to Frank Huang for capturing video. Steve Truglio, Randy Blood, Harry Booth and others for getting photos. Like I said, my camera died, so knowing that there were plenty of others around was a great comfort.

Thanks to Skillit for the amazing poster and logo design, and to Dave from Made in Brooklyn for printing the patches. Thanks to my family, Suze Wright, Andy Wright and Rob Jones, for coming and helping sell merch. Thanks to Slevin and Ralph. Thanks to Liz and Dave from Earsplit and Becky Laverty for the plugs. Thanks to Postman Dan for buying tickets even though he couldn’t make it. Thanks to Randy and Laura Blood, Juan Lopez, Jen Hendrix-Johnson, Kenny Sehgal, Phil Moon, Adam Sawford, Nico Liengme and Laurel Jane May, Earl Walker Lundy, Seibert Lowe, Paul John Shaft, Lisa Hass, Melanie Streko, Ron, Jill Lavilette, Brian Schmidt, Ross Colombo, Alex Jakstas, Natasha Padilla, Tad Proshansky, Zack Kurland, Greg Aramini, and many, many others who came out, everyone who had a kind word about the site, the band selection, my book, everything. I’m quite sure I’ll add to this list as I regain even my usual limited use of my mental faculties, but this is for starters and please know that whether you were there in-person or if you shared a link or saw a post about it and liked it or bought tickets in advance or just read the site generally. Thank you. Thank you all so much. Thank you.

Thank you.

I’m going to take a couple weeks and really think about whether this is something I want to do again, but if I do, I know it won’t be an annual thing. Whatever happens moving forward, I want you to know how unbelievable this night was for me and I hope for everyone who attended as well. One more time, thank you.

I don’t have photos of my own, Steve Truglio was kind enough to send me shots of each band who played, and you’ll find them after the jump.

Read more »

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The Obelisk All-Dayer Countdown: EYE, Vision and Ageless Light Album Trailer Premiere

Posted in Bootleg Theater, Features, The Obelisk Presents on August 15th, 2016 by H.P. Taskmaster

the obelisk all-dayer

The Obelisk All-Dayer tickets

My understanding is that the release date for EYE‘s long-awaited third album — actually not that long, it just feels that way — has been pushed back to November. When it arrives, Vision and Ageless Light will be the Ohio space-psych rockers’ first outing for new label home The Laser’s Edge, following 2013’s Second Sight (review here) and their 2011 debut, Center of the Sun (discussed here and here).

The trailer premiered below marks the first audio to be made public from Vision and Ageless Light, as well as the debut of the cover art, and it comes so far ahead of the release date in honor of the band’s appearance at The Obelisk All-Dayer, THIS SATURDAY, Aug. 20 at Saint Vitus Bar in Brooklyn. Five days from now. If you’re not excited for it yet, I double-dog-dare you to click play below and not buy a ticket immediately to witness this Moog-y majesty in person.

EYE were the final band to be added to the first-ever The Obelisk All-Dayer, and what they bring to the lineup is something distinct from every other group involved. Their lush, melodically rich progressive psychedelia is utterly spaced in its atmosphere, but still maintains an emotional crux, as the swirling synth and guitar, vocal harmonies and contemplative rhythms display across their first two albums leading up to this one. If I wanted to, I don’t think I could be more thrilled to have EYE as a part of this show, and the fact that they come on the eve of issuing their new album with the prospect of playing new material only enhances that enthusiasm.

Joining EYE at The Obelisk All-Dayer are Mars Red SkyDeath AlleySnailKings DestroyFuneral HorseKing Buffalo and Heavy Temple, as well as DJs Adzo and Walter Roadburn, who’ll handle aftershow duties. It’s going to be incredible. Don’t miss it.

Enjoy this sample of Vision and Ageless Light and get your tickets for Aug. 20!

EYE, Vision and Ageless Light album trailer

The Obelisk All-Dayer tickets

EYE on Thee Facebooks

Saint Vitus Bar website

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THE OBELISK ALL-DAYER: Official Poster & Runtimes Revealed

Posted in The Obelisk Presents, Visual Evidence on June 30th, 2016 by H.P. Taskmaster

the obelisk all-dayer poster skillit

Buy Tickets Here

Gaze upon its countenance and realize just how fucking awesome this show is going to be.

Aug. 20 at Saint Vitus Bar in Brooklyn marks the first-ever The Obelisk All-Dayer, a one-of-a-kind celebration of things heavy, noisy, psychedelic, progressive, and weird. In addition to being the first New York appearances for French heavy psych mavens Mars Red Sky, Amsterdam-based motor-rockers Death Alley, West Coast riff-rollers Snail and bizarro Texas punks Funeral Horse, The Obelisk All-Dayer will feature food on-hand, full and recorded sets, limited-edition posters and other merch, and an afterparty with DJ Adzo (aka Adam Kriney of Brooklyn’s The Golden Grass) and Walter Roadburn (the man behind the internationally renowned Roadburn festival).

Today the official poster, which will be available at the Vitus Bar in a limited and one-time run of 50, has been revealed. Art is by Los Angeles-based designer Sean “Skillit” McEleny, who has worked with numerous acts across both coasts as well as the header for this site and perfectly captures the strange awe and wonder that the show is certain to elicit front-to-back.

Following the revelation earlier this month of the complete lineup, the set runtimes are now also available:

the obelisk all-dayer logo skillit-700

Mars Red Sky* 10:10-11:40
Death Alley* 8:50-9:50
Snail* 7:30-8:30
Kings Destroy 6:30-7:10
EYE 5:30-6:10
Funeral Horse* 4:30-5:10
King Buffalo 3:30-4:10
Heavy Temple 2:30-3:10
(Afterparty with DJ Adzo & Walter Roadburn* 12-2AM)
* Debut appearance in NYC

Set times are firm. The Obelisk All-Dayer is proud to be giving these bands enough time to flesh out their performances, as opposed to rushing one into the next in a festival. The intent is that the day will be a laid-back party more than a festival, from the start of Heavy Temple‘s cult-worthy riffing through the psych-blues bliss of King Buffalo, the possibly-cape-inclusive doings of Funeral HorseEYE‘s lush progressive rock, locals Kings Destroy‘s aggro noise push and the one-two-three punch of SnailDeath Alley and Mars Red Sky, none of whom has ever played New York before.

Get your tickets immediately.

The Obelisk All-Dayer tickets

The Obelisk All-Dayer event page

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EYE Confirmed for The Obelisk All-Dayer, Aug. 20 at Saint Vitus Bar

Posted in The Obelisk Presents on April 21st, 2016 by H.P. Taskmaster

the obelisk all-dayer

Buy Tickets Here

Today I’m ridiculously pleased to announce that lush progressive heavy psych rockers EYE will play the first-ever The Obelisk All-Dayer on Aug. 20 at Saint Vitus Bar in Brooklyn, NY.

By the time Aug. 20 gets here, EYE will have very likely issued Vision and the Ageless Light, their third full-length and first for The Laser’s Edge. The album arrives following a grueling three-year wait since EYE‘s last release, 2013’s Second Sight (review here), and features new guitarist Jon Finley and new bassist Michael Sliclen alongside founders Lisa Bella Donna (synth) and Brandon Smith (drums), embarking on an expansion of the melodically resonant poise they showed last time out and on their 2011 debut, Center of the Sun (review here).

I’ve been fortunate enough to see EYE live, and their flowing, patient, heavy and thoughtful material is a perfect fit for The Obelisk All-Dayer. If you haven’t been introduced, their latest outing was 2014’s Live at Relay (review here), which brought together two eyemassive, 19-minute cosmic explorations captured, as the title indicates, completely on the move. The textures they’re able to create on those songs push through atmospheric boundaries to create something as spaced-out as it is plotted, and EYE steer their ship with a rare grace as they move further and further away from terra firma.

Bella Donna had this to say about playing: “We are equally excited to rip some music as well as listen during the festival. We are very big fans of The Obelisk and our full intention is to celebrate that energy and the momentum that JJ has already elevated. We have a lot of new sounds and vibes flowing in our music, so we’re excited to bring them to the already great host of music we’ll get the opportunity to listen and party to.”

EYE join the previously announced Mars Red SkySnailKing Buffalo and Funeral Horse on the bill for The Obelisk All-Dayer. Tickets are available now. Three more bands still TBA.

The Obelisk All-Dayer is Aug. 20, 2016, at Saint Vitus Bar in Brooklyn, New York, and will feature full sets, after-show DJs, food truck on-hand, live recordings, limited edition merch and much more. Stay tuned for announcements to follow.

The Obelisk All-Dayer tickets

The Obelisk All-Dayer event page

EYE on Thee Facebooks

EYE on Bandcamp

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EYE Sign to The Laser’s Edge; New LP Vision and the Ageless Light this Summer

Posted in Whathaveyou on March 25th, 2016 by H.P. Taskmaster

Ah, new EYE. That’s the stuff. The lush progressive rockers have had a new record in the works for some time, and today comes word that they’ve signed with The Laser’s Edge for the release of their impending third full-length, which will follow-up on 2013’s exceptional Second Sight (review here), as well as introduce new guitarist Jon Finley and bassist Michael Sliclen, who join synth specialist Lisa Bella Donna and drummer Brandon Smith, both founders of the band. Even with their 2014 Live at Relay (review here) tape in between, it’s been an anxious wait for some new EYE, and as the PR wire brings word they’ve got a track ready to take up a whole vinyl side, that sounds to me like time well spent. Looking forward to it.

Get yourself informed:

eye

Laser’s Edge this week announces the addition of Ohio-based quartet, EYE, to the label’s ever-expanding roster, as the band puts the finishing touches on their fourth record for release.

The music EYE generates is technical, thought driven and atmospheric, but also very dirty and simple, an aesthetic the band refers to as “garage-prog.” Retro in style without sliding into stoner rock, EYE is driven by a love of raw, fist-pounding 1970s heavy metal and progressive-space rock, tempered by mind warping 1960s psychedelic music. With decades of experience as musicians, and armed with an arsenal of vintage synthesizers, effects and gear, EYE bewitches audiences live throughout the Midwest region from their home base in Columbus, Ohio.

EYE continues to connect with established fans and newcomers alike with their fourth release, Vision And The Ageless Light, their first album through Laser’s Edge, which is due this Summer. Featuring vintage keys, mellotron, accomplished and dynamic songs, including an epic, full-side encompassing track. Vision And The Ageless Light will be the first EYE release to include new members bassist Michael Sliclen and guitarist Jon Finley.

The brainchild of drummer Brandon Smith, EYE’s sound was fully realized in partnership with keyboardist/guitarist Lisa Bella Donna, who also engineered and mixed the first album, Center Of The Sun. The album was released on LP by Kemado Records in 2012, after which Lisa joined as a full-time member and work began on the sophomore album, Second Sight, which was independently released in 2013. EYE soon followed it with the live-in-the-studio Live At Relay album on LP and cassette through Dangerous Age Records in 2014. The impending Vision And The Ageless Light will be a welcome and exciting addition both EYE and The Laser’s Edge catalogs.

Stand by for more info on Vision And The Ageless Light in the weeks ahead, followed by touring in support of the album through the Summer and Fall months. In the meantime, EYE will join an array of other local artists at a special show this Friday, March 25th dubbed, Columbus To Syria, in order to raise awareness of the global Syrian refugee crisis. The band will also support the mighty Zombi in Columbus on May 13th.

EYE Live
3/25/2016 Cafe Bourbon St./ The Summit – Columbus, OH @ Columbus To Syria
5/13/2016 Ace Of Cups – Columbus, OH w/ Zombi

https://eyemusic.bandcamp.com
https://www.facebook.com/EYE00
http://eyemusic.bigcartel.com
http://www.lasersedgegroup.com
http://www.facebook.com/TheLasersEdge
http://www.twitter.com/thelasersedge

EYE, Live at Relay (2014)

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EYE Update on New Album Progress

Posted in Whathaveyou on June 3rd, 2015 by H.P. Taskmaster

eye

Much happening in the cosmic realm in which EYE dwell — a mysterious place known as Columbus, Ohio — up to and including their forthcoming third album, yet untitled, getting closer to being done. Maybe you took the time to listen to EYE‘s stunning 2013 outing, Second Sight (review here), and maybe you didn’t, but if not, it’s your loss. That record brimmed with complexity in service to an overarching gorgeous wash of guitar and synth and atmosphere-defying rhythmic drive, and to say I’m very much looking forward to the follow-up, quite frankly, would be underselling it.

EYE‘s third, whatever they decide to call it, was reportedly done back in January when it was included in the 2015 Most Anticipated Albums list (remember that thing? God damn, it was huge), so presumably the time since has been spent mixing, mastering, tweaking this or that to get the balance together. Or maybe they went back and made it again, I don’t really know. Either way, if you want to keep up with EYE‘s doings from here on out, they’ve made it that much easier with a new website and Twitter handle, both of which are linked under the update they published.

Like so:

eye gongs

New album news

Our third record is nearing completion! The currently untitled album will also be the first to capture our new bass player Michael Sliclen on an album and catalogues three shorter songs that we’ve been performing recently at shows; Odyssey, Searching and Death To The Slave Master.

The epic As Sure As The Sun, which has not yet been performed live, will begin as the last track of side one and continues as the entirety of side two.

Side one was recorded at Smitty’s home studio and As Sure As The Sun was recorded at Relay, both in Columbus Ohio. Mixing, mastering, pressing and artwork are still tbd but we expect a late summer early fall release.

We have been in and out of the studio due to going down to Levitation fest and ripping a few dates. In the time we were finishing the 2XLP upcoming release, we wound up writing and recording a brand new full length LP. SO, in the VERY near future we will be releasing ultimately a 3XLP of new music from EYE.

We have been having a BLAST in the studio during the entire process. It’s all over the map musically, but without a doubt the spaciest overthrow we have summoned yet. By early Summer, we will be releasing it digitally so the wait will be no longer for ALL of those who have been VERY patient. We’re sincerely grateful for the many emails and kind messages inquiring. We’re a total DIY unit, so it will take us a bit longer, but hopefully for you, worth the wait. Thanks to everyone listening. Cheers-EYE

http://www.heavymindseye.com/
https://www.facebook.com/EYE00
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http://eyemusic.bandcamp.com/

EYE, Second Sight (2013)

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